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Tag: james bond

  • Callum Turner Goes Silent When Asked About James Bond

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    Callum Turner is an expert at sidestepping questions he doesn’t want to answer. The 35-year-old model-turned-actor (36 if you’re reading this tomorrow—his birthday is February 15) has honed that skill evading queries about his relationship with singer Dua Lipa, whom he dated for a year and a half before the couple confirmed their engagement in 2025. It’s a level of stealth worthy of James Bond, who, some say, Turner is all but certain to soon play.

    But those “some” don’t include Callum Turner, based on a Saturday media event. The London-born thespian who’s worked steadily since he entered the profession at age 20, spent Valentine’s Day at the Berlin Film Festival. He was there to promote Rosebush Pruning, Karim Aïnouz’s star-studded satire about a wealthy (and yet, so so sad) family picking at each other as they languish in a lavish Catalonian villa.

    It was the film’s world premiere, but at a press conference for the movie, one of the earliest questions passed over stars Pamela Anderson, Tracy Letts, Jamie Bell, and Lukas Gage, and landed squarely on Turner’s sturdy shoulders.

    The presser had just kicked off when a journalist said they wanted to address “the elephant in the room,” and asked about the chatter surrounding Turner’s rumored role in Dune director Denis Villeneuve‘s upcoming Bond film, the first under the franchise’s new owner, Amazon (yes, that Amazon) MGM Studios.

    Dua Lipa and Callum Turner pose on the red carpet for Rosebush Pruning

    RALF HIRSCHBERGER/Getty Images

    “It’s very early for that question,” Turner responded as he swiveled back-and-forth in his seat. “I’m not going to comment on it, thank you.” The Pulitzer Prize-winning Letts interrupted at that point to say “I’m sorry, I’m the next James Bond.”

    “Tracy, I thought you weren’t going to say anything,” Turner responded, to laughter from the crowd. (The 60-year-old American was clearly joking, but odder ideas have certainly been proposed!)

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    Eve Batey

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  • Charli XCX On Whether She’d Do A ‘007’ Theme Song: “Never Say Never”

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    With a pop lineage that includes Madonna, Adele, Sam Smith, Billie Eilish, Paul McCartney, Tina Turner and more, Charli xcx is reluctant to put herself up for the 007 franchise.

    The 3x Grammy winner, who most recently created the soundtrack for Emerald Fennell’s Wuthering Heights, recently addressed whether she’d ever want to record a James Bond theme song as Amazon MGM Studios revamps the franchise.

    “I got to say, I don’t think that I am built for that,” said Charli on SiriusXM’s The Julia Cunningham Show. “I think I probably sing with too much AutoTune to do a James Bond. Never say never. I’m open to it if they want to call me, which they won’t but, yeah. I think it might not be a fit, but that’s, well, yeah. It’s not going to happen now, is it? So amazing. I don’t know.”

    “Barbara, call me,” she jokingly motioned to the camera for producer Barbara Broccoli.

    In June, Amazon MGM Studios officially tapped Denis Villeneuve to direct the next installment, and last month, Steven Knight was announced to write the film amid the studio’s new 007 partnership with returning producers Broccoli and Michael G. Wilson. Tanya Lapointe will executive produce.

    Daniel Craig played the iconic role of James Bond in Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Following previous Bond stars Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan, Craig’s successor has not yet been chosen.

    Meanwhile, in addition to her Wuthering Heights soundtrack, Charli is coming off a Sundance triple feature, where her meta mockumentary The Moment debuted last weekend, along with her appearances in Gregg Araki’s I Want Your Sex and Cathy Yan’s The Gallerist.

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    Glenn Garner

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  • What The Polymarket Says About Cannabis Rescheduling And More

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    Markets reveal expectations on weed policy, Greenland, Bond, and beyond in what the polymarket says about cannabis rescheduling and more.

    Prediction markets have quietly become one of the most closely watched indicators of public expectations, and few platforms illustrate this better than Polymarket. Built on blockchain technology, Polymarket allows users to wager on real-world outcomes ranging from elections and public policy to pop culture and geopolitics. The resulting prices act as a constantly updating forecast, reflecting how traders collectively assess the likelihood of major events. Here is what the polymarket says about cannabis rescheduling and more.

    RELATED: Why Is Yawning Contagious

    One of the most closely followed policy questions on the platform has been whether the United States will reschedule cannabis under federal law. Markets asking whether marijuana would be moved out of Schedule I during 2025 collapsed to near zero by year’s end. Even contracts extending into early 2026 show limited optimism, with implied probabilities remaining in the single digits. Despite growing bipartisan rhetoric and widespread state-level legalization, traders appear unconvinced federal agencies will act quickly. The market suggests skepticism administrative or political hurdles will be resolved in the near term.

    Another surprising area of activity involves Greenland. Polymarket users have actively traded contracts speculating on whether the United States will acquire Greenland before the end of the decade. While the odds remain well below 50 percent, they have at times climbed into the low-to-mid teens, driven by renewed media attention on Arctic security, rare-earth minerals, and strategic shipping routes. The presence of meaningful trading volume indicates many participants see Greenland as more than a fringe geopolitical thought experiment.

    Beyond policy and geopolitics, Polymarket has become a venue for cultural forecasting. One of its most popular entertainment markets centers on who will be cast as the next James Bond. Following the conclusion of Daniel Craig’s run as 007, traders have assigned varying odds to a shortlist of actors rumored to be under consideration. While no single candidate commands overwhelming confidence, the market fluctuates rapidly with casting rumors, studio comments, and betting activity tied to press speculation surrounding the James Bond franchise and its future direction.

    Financial markets are also a major focus. Bitcoin price targets routinely attract large pools of liquidity, with traders betting on whether the cryptocurrency will reach specific milestones by set dates. These markets often respond instantly to macroeconomic news, regulatory announcements, and shifts in institutional sentiment. Observers note that Polymarket’s Bitcoin odds frequently move faster than traditional analyst forecasts, offering a real-time snapshot of market psychology.

    RELATED: The Rebel Heart Of The South Includes Cannabis And Rock

    Taken together, these bets highlight how Polymarket has evolved into a broader forecasting tool rather than a novelty platform. Unlike opinion polls or expert panels, prediction markets force participants to quantify their beliefs with capital at risk. While they are not guarantees of future outcomes, they provide a useful signal of how informed traders interpret available information.

    From cannabis reform and Arctic geopolitics to the future of James Bond and cryptocurrency prices, Polymarket’s odds offer a revealing glimpse into what people truly think will happen next — not just what they say publicly, but what they are willing to bet on.

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    Anthony Washington

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  • IO Interactive’s 007 First Light has been delayed until May 27

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    IO Interactive’s James Bond simulator 007 First Light has been delayed until May 27, 2026. It was supposed to come out in March. The company says two-month delay is for polish and refinement, which is fine by me. I’d always rather wait a bit longer for a better end product.

    IO says the game is already “fully playable from beginning to end” but still needs a bit of attention to ensure “the strongest possible version at launch.” The developer promises to share more updates at the beginning of next year.

    For the uninitiated, 007 First Light is the first James Bond game in over a decade. The developer is the same organization behind the renowned Hitman franchise, so this could potentially be the best Bond game since Goldeneye.

    The gameplay looks fast-paced, frenetic and filled with spycraft. It features an original story that pulls from all over the decades-long franchise. We got a chance to speak to narrative director Martin Emborg and he noted that the game stars a young and inexperienced Bond, which seems to be the direction Amazon is taking with its upcoming film.

    The game also boasts a pretty stacked cast. Patrick Gibson, from The OA and Dexter: Original Sin, plays the famous lothario spy and Lenny Kravitz has been cast as the primary villain. Other cast members include Lennie James, Kiera Lester, Alastair Mackenzie and Priyanga Burford.

    Who knows when the next Bond film will actually come out, so this should be a nice little stopgap for fans.

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    Lawrence Bonk

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  • It Cost Amazon ‘Just’ $20 Million to Own James Bond

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    We learned early in 2025 that Amazon had gained creative control over the James Bond franchise, a deal that came a few years after Amazon spent $8.5 billion to take ownership of MGM Studios, which distributes Bond movies and has a catalogue of thousands of movies and TV shows. While there’s forward momentum on a new Bond movie at last, with Denis Villeneuve behind the wheel, a new report puts a surprisingly low (relatively speaking) price tag on those creative rights: $20 million.

    Deadline is the source, explaining, “EON Productions, the company controlled by Michael G. Wilson and Barbara Broccoli, has filed an earnings report in the UK revealing that Amazon MGM Studios paid $20M for its stake in 007.” The trade notes the deal was previously estimated to be much higher ($1 billion, according to Deadline), though “the structure of the joint venture was unknown and could have included Amazon stock options.”

    Considering Amazon famously plunked down an estimated $250 million for the rights to make The Lord of the Rings: The Rings of Power—a figure that doesn’t factor into the show’s $465 million production budget, by the way—$20 million feels like the deal of the century.

    Of course, you have to assume the company will be shelling out many times that once Villeneuve’s new movie is off and running, with an estimated 2027 start date.

    In the meantime, we’re still waiting to hear which actor will be taking on the iconic character—the $20 million man, if you will. According to a recent report, there may not be news on that front until Dune: Part Three is completed ahead of its December 18, 2026, theatrical release.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • ‘GoldenEye’ is Coming Back to Theaters Next Week

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    We’re not getting a new James Bond movie for a while, but at least we can see an old one in theaters pretty soon. On Friday, October 3, GoldenEye will play in select theaters worldwide, and exclusively at Alama Drafthouse for U.S. audiences.

    The re-release serves two purposes: first, October 5 is James Bond Day—Dr. No, the first film in the series premiered on that day in 1962—and GoldenEye itself will turn 30 years old in November. (Beyond the deisgnated holiday, its October date may also be due to November having a stacked movie calendar.) The 1995 film was several firsts for the franchise: it’s Pierce Brosnan’s first Bond movie, the debut of Judi Dench as M, and the first entry to use CGI and not borrow story elements from Ian Fleming’s novels.

    GoldenEye got a strong reception at release and made $356.4 million, surpassing the 1980s James Bond films and becoming the fourth highest-grossing movie of 1995. It’s also considered one of the best Bond movies and became the basis for the hit Nintendo 64 game from Rare in 1997, which showed first-person shooters were viable for consoles. In 2022, the game was re-released on Xbox Series X|S (via Game Pass) and Nintendo Switch (via Nintendo Classsics).

    While U.S. viewers can see GoldenEye at Drafthouse, we’ve linked the specific theaters for the UK (and two more here and here), Poland, Sweden, and Mexico.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • ‘007 First Light’ Exists Thanks to Daniel Craig and ‘Hitman’

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    Just yesterday, IO Interactive revealed its first gameplay from its James Bond game, 007 First Light. While it’s set in its own continuity, it’ll still have some ties to the films and books—in fact, those ties are how IO got the reins of Bond in the first place.

    Press like IGN got to visit the studio prior to the recent unveiling, and it was there game director Hakan Abrak revealed part of IO’s pitch for the game was sculpting Daniel Craig’s face onto Agent 47, the star of its stealth-action franchise Hitman. This Craig sculpt was “just for demo purposes,” said Abrak, “to give an impression of what these living, breathing spaces mean in an IO game.” The demo was set in the 2016 Hitman’s Sapienza level, a fictional Italian town with a compound in the caverns with the level’s villain working on a virus. Among the Hitman reboot trilogy, it’s also a fan favorite that lets players get into some Bond-like situations to complete their missions.

    With that demo, Bond’s license holders MGM and Eon saw “our angle would be [trying] to deliver a 360 experience where … [you can] explore the part of the Bond fantasy where he is in social spaces where he is using not only his fisticuffs,” continued Abrak, “but also his charms and bluff and figuring out different ways in those social spaces to overcome the obstacles or get what he wants. How would a charming Bond fare in a situation like this where he doesn’t have to necessarily resort to violence?”

    The 007 First Light reveal also featured multiple avenues for Bond to infiltrate places, from bluffing his way in to swiping credentials and regular sneaking. This being IO’s first time with an established IP, Abrak said the team wanted to “put our creative fingerprints on this as well. So we weren’t interested in a gamification of a movie or maybe where it’s about technical prowess only…or just taking some bespoke scenes from a movie and realizing them in gaming.”

    007 First Light will release on March 27, 2026 for PlayStation 5, PC, Xbox Series X|S, and Nintendo Switch 2.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • 007 First Light is coming to PS5, Xbox Series X/S, Nintendo Switch 2 and PC on March 27

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    A PlayStation State of Play showcase all about 007 First Light shed some light on how Hitman developer IO Interactive’s James Bond game works. The stream also disclosed what was, until now, a top-secret nugget of intel: the release date. 007 First Light is coming to PlayStation 5, Xbox Series X/S, Nintendo Switch 2, Steam and Epic Games Store on March 27.

    The State of Play included a partial playthrough of the first mission, which sees Bond stealthily tailing a suspicious bellhop through a fancy hotel. Some time later, Bond breaks into a car to chase down a target, which leads into an explosive shootout. In a neat touch, Bond is granted a license to kill when enemies are about to shoot at him. One of my favorite bits from the gameplay deep dive showed Bond pushing an enemy off a ledge and using the baddie to break his own fall.

    Bond uses all the tricks of the trade, including distractions, gadgets and sweet talking NPCs. As with the Hitman series, you’ll have plenty of options as to how to complete your objectives. Being a Bond project, of course there’s plenty of product placement too. You can read more details about what to expect from the game in our preview.

    In addition, IO Interactive revealed the game’s main cast during the State of Play. Patrick Gibson (The Tudors, Dexter: Original Sin) is playing 007. The cast also includes Priyanga Burford as M, Alastair Mackenzie as Q, Kiera Lester as Miss Moneypenny, Lennie James as John Greenway and Noemie Nakai as Miss Roth. What are the odds that at least one of those will turn out to be a double agent?

    Pre-orders are open now. If you do lock in a pre-order for the $70 base edition, you’ll get a free upgrade to 007 First Light – Deluxe Edition, which includes 24 hours of early access, as well as exclusive outfits and skins for weapons and gadgets.

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    Kris Holt

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  • Austin Butler Says Playing James Bond Would Be “Kind Of Sacrilegious”

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    As the 007 casting speculation reaches across the pond, Austin Butler is taking himself out of the running.

    The Oscar nominee admitted it “would be kind of sacrilegious” for him to play the British MI6 agent as a California-born-and-raised actor, despite his willingness to work with his Dune: Part Two (2024) director Denis Villeneuve again.

    “No calls as far as that goes, but I love that man,” he told Hits Radio UK. “Would I play James Bond? I don’t think that would be a good idea. Because I’m an American. I can do an accent but that would be kind of sacrilegious.

    Butler continued, “Those movies meant so much to me, but I think that it’s gotta be somebody who is from [England].”

    On the other hand, “Villain? That would be alright. I’d do that.”

    Glen Powell previously gave the same answer, telling The Hollywood Reporter, “A Texan should not play James Bond.”

    In June, Amazon MGM Studios officially tapped Villeneuve to direct the next installment, and last month, Steven Knight was announced to write the film amid the studio’s new 007 partnership with returning producers Barbara Broccoli and Michael G. Wilson. Tanya Lapointe will executive produce.

    After announcing that Amy Pascal and David Heyman will produce the next film in the franchise, Amazon MGM’s Courtenay Valenti and Sue Kroll said at CinemaCon in April that the pair of “filmmaking legends” is currently in London working on the film.

    “We are committed to honoring the legacy of this iconic character, while bringing a fresh, exhilarating new chapter to audiences around the world alongside Amy and David,” said Valenti, head of Film, Streaming and Theatrical. “They are both in London getting started and couldn’t be here tonight, but we wanted to thank them for what we know will be an incredible partnership. Thank you, Amy and David!”

    Daniel Craig played the iconic role in Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Following previous Bond stars Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan, Craig’s successor has not yet been chosen.

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    Glenn Garner

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  • Is Cannabis Behind The Big Drop In Drinking

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    Big liquor companies are worried – but is marijuana the cause?

    From the James Bond martini to the And Just Like That cosmopolitan drinking has been part of our culture, but is it about to change? Alcohol consumption in the United States has hit its lowest level in nearly a century, with just 54% of adults saying they drink compared to 62% in 2023. This dramatic shift is raising a big question: Is cannabis behind the big drop in drinking?

    RELATED: The History Of The Cocktail Party

    According to new Gallup polling, the decline is most pronounced among Gen Z and younger millennials, who are drinking far less than previous generations at their age. For many, the choice is deliberate—rooted in health consciousness, cost, and evolving cultural values.

    Generation Z is rewriting the rules of socializing. Surveys show they are less likely to drink regularly than Gen X or Baby Boomers were at the same stage in life. The “sober curious” and “mindful drinking” movements are thriving on social media, where hashtags like #sobercurious and #hangoverfree highlight a lifestyle which prioritizes wellness, mental health, and productivity.

    Photo by Cavan Images/Getty Images

    For many young adults, alcohol’s image has shifted—from a symbol of fun to a potential risk factor for anxiety, cancer, and poor sleep. A record 53% of Americans now believe moderate drinking is harmful, a massive leap from just a quarter of the population a few decades ago.

    While some speculate legal marijuana is driving alcohol’s decline, experts say cannabis is only a small part of the story. Gallup’s data shows no strong evidence legalization alone caused the drop in drinking.

    Research does point to a substitution effect for certain individuals. In Colorado, heavy drinkers consumed 28% fewer alcoholic drinks on days they used cannabis. Nationwide, some cannabis users report drinking less because they prefer the “cleaner high” and reduced risk of hangovers.

    Yet cannabis hasn’t replaced alcohol wholesale. In fact, some studies suggest legalization has slightly increased casual drinking among certain demographics, especially young men. The relationship between the two substances is complex—not a simple one-for-one swap.

    RELATED: Mixed Messages From The Feds About Cannabis

    The other drivers behind the historic decline in drinking appear to be:

    • Health awareness: Growing public knowledge about alcohol’s link to cancer, mental health issues, and sleep disruption
    • Cultural change: Gen Z’s preference for control, wellness, and authenticity over intoxication
    • Economic realities: Rising costs make alcohol a less frequent indulgence
    • Alternative choices: From cannabis to non-alcoholic craft beverages, young adults have more options than ever

    Cannabis may influence drinking habits for some, but the nationwide decline is far bigger than any single factor. Gen Z and millennials are reshaping nightlife, prioritizing health, and proving you don’t need a drink in hand to have a good time. If this trend continues, the 2020s might be remembered as the decade America’s love affair with alcohol began to cool—by choice.

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    Anthony Washington

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  • ‘The Union’: Noisy, Deadly and Boring All at Once

    ‘The Union’: Noisy, Deadly and Boring All at Once

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    Mark Wahlberg and Halle Berry in The Union. Laura Radford/Netflix

    I’m no stranger to lament when it comes to the disintegration of quality in what passes for movies today, but then along comes a bucket of swill like The Union to remind me things are even worse than I thought. This contrived, pointless, blindingly boring vehicle is a pathetic, desperate attempt to keep Halle Berry and Mark Wahlberg’s careers alive. Berry’s beauty is pleasant enough for a single-star rating, but the rest arrives six feet under and stays that way.


    THE UNION(1/4 stars)
    Directed by: Julian Farino
    Written by: Joe Barton, David Guggenheim
    Starring: Hally Berry, J.K. Simmons, Mark Wahlberg
    Running time: 109 mins.


    She plays Roxanne, a sexy spy and two-fisted killer who works for a powerful secret agency called “The Union,” dedicated to saving the free world. (It’s not clear from what.) After a job that goes wrong in Trieste, Italy, resulting in a colossal massacre, The Union decides it needs a new face, plain as pizza dough and unrecognizable to the criminal underworld (translation: i.e., a nobody). Roxanne thinks immediately of her old high school boyfriend Mike (Mark Wahlberg), a construction worker in New Jersey whose banal life of sophistication and adventure extends no further than climbing ladders and hanging out with his brain-dead buddies drinking beer. When she looks him up to renew old memories, he moves in for a clinch, but instead of a kiss, she stabs him in the neck with a hypodermic tranquilizer and he wakes up in London, where the boss of The Union (J.K. Simmons) encourages Roxanne to teach him the power of persuasion any way she can. 

    Mike hasn’t seen Roxanne for 25 years, and now she’s recruiting him to risk his life as an innocent, inexperienced and untrained secret 007. The purpose of all this hugga-mugga is neither coherent nor believable, but the lure of being the next James Bond, delivering five million dollars to an army of the world’s most dangerous international thugs while simultaneously falling for a sexy spy with an assault weapon, convinces Mike to join The Union immediately (provided, of course, that he gets back to Jersey in time to be the best man in a pal’s wedding). He’s never been anywhere beyond downtown Hoboken, but before you can say Rambo, he’s dodging bullets, leaping from London rooftops, and driving on the wrong side of the street. The movie doesn’t make one lick of sense, which means it falls perfectly in line with most of the other moronic time-wasters that are polluting the ozone these days.

    Roxanne focuses on rigorous physical and psychological training to prepare Mike for his first mission: infiltrating an auction offering stolen intelligence information to the highest bidder for hundreds of millions to retrieve a hard drive containing the names and identities of every spy in the history of Western civilization which, if obtained by the wrong spies, could destroy the free world. In a movie composed of endless predictable cliches, it’s got Iranian terrorists, a motorcycle race through the Italian streets, mediocre explosions and shootouts we’ve seen before in scores of Tom Cruise programmers. The goofball heroics are so second-rate they rob the film of any personality of its own. Hack director Julian Farino lacks the talent and the interest to explain what The Union is all about in terms anyone can understand. The script by joe barton and David Guggenheim never rises above a second-grade level, and there is nothing original or engaging about the film or the shallow performances in it. Halle Berry and Mark Wahlberg have zero chemistry, but who can blame them for being so bland in a movie that reads like a manual from the Massachusetts Institute of Technology?  

    It’s not surprising for an action picture to be this humorless, but how can any film be so noisy, deadly and boring at the same time? The Union is to movies what salami on rye is to four-star gastronomy.

    ‘The Union’: Noisy, Deadly and Boring All at Once

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    Rex Reed

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  • Fred Again.. Concert Review: You’ll Want to See Fred Again and Again and Again and Again

    Fred Again.. Concert Review: You’ll Want to See Fred Again and Again and Again and Again

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    “Fred’s fans are the best in the world,” said Leif Vollebeck, the opener for Fred Again..’s 3-show run at Stanford’s Frost Amphitheater. “They love music so much.”


    Undoubtedly, that was the energy at Frost. Even in the heat, music fans came in droves to watch Gen Z’s favorite DJ spin songs about loneliness and love and turn them into communal artifacts.

    Three nights at the 8,000-person capacity Northern California venue sold out in mere minutes, so it’s no wonder the crowd was worked up into a frenzy for Fred. Some concert-goers were experienced Fred devotees who had seen him 45+ times. Others were experiencing Fred Again.. for the first time. But when the lights came on, and Fred took the stage — starting the show simply sitting at a piano with a mic — multiple cameras projected his face onscreen. We were enraptured as if it was the first time.

    Perhaps this is part of Fred’s charm: his ability to make every show feel like your first, which goes to explain his meteoric rise to fame and his cultish following of music lovers.

    But just how did this DJ take over the internet and go from small shows to headlining stadiums seemingly out of nowhere?

    Fred Again..’s Meteoric Rise: How did Fred Again.. Get So Famous?

    It’s hard to believe that Fred Again..’s landmark Boiler Room performance was only two years ago. Boiler Room is to EDM artists and DJs what Tiny Desk is to indie and alt performers — it can change your life overnight.

    But that’s not to say that Fred is an overnight success. He’s been working on his music since he was a kid. It just didn’t always sound like this.

    Before shifting to pop music and later EDM, Fred Again.. was a classical composer. Yup — the man making beats on a computer studied classical music. But it’s this bedrock, not to mention classical music’s discipline, the precision, and technical skills that are drilled into you (I’ve seen Whiplash), that gives him a solid foundation in the genre.

    It also doesn’t hurt that his vision and his sound were supported by none other than Brian Eno — his godfather. That’s right, Fred Again.. is a nepo baby. His family are wealthy British old money and while his parents aren’t in the creative industries, he’s related to the creators of the James Bond franchise.

    If this surprises you, it’s because Fred manages to stay humble and down to earth. While I love some nepo babies’s eccentricities — Dakota Johnson talking about her need for 10 hours of sleep is unforgettable — Fred.. has built a dedicated fanbase by putting his head down and churning out song after song.

    But how did he transition from classical music to the DJ scene? With Brian Eno as his mentor, he’s always been immersed in the music industry and collaborated with megastars in pop music. He’s listed on the credits for people from Ed Sheeran to Skrillex. These aren’t just business relationships, they’re friendships that he maintains today. With those accolades and a fine reputation, he became a massive name behind the scenes while building his own audience.

    During the early days of the pandemic, his expertise at forging connections was channeled into livestream DJ sets. It can be tough to sustain the energy of a DJ set when there’s no real audience, but Fred’s enthusiasm and genuine joy on stage can’t help but draw people in. Even over livestreams, it’s contagious.

    Dropping new tracks about COVID during the pandemic made Fred Again.. a household name — literally. By the time people were finally venturing out of their homes, he was booking impressive gigs like Coachella. Playing Coachella as your first US show is unheard of. But this supercharged his rise to superstardom. Combined with the now-legendary Boiler Room set around the same time? The rest is history.

    Where to see Fred Again.. — And how to get Fred Again.. Tickets

    Cut to: 2024. With his unconventional background, it should be no surprise that Fred Again.. continues to take audacious risks. And they’ve all paid off. And rejecting industry norms makes him even more GOATed to Gen Z fans who are disillusioned with industry politics and crave artists who feel real.

    Instead of tours and frequent collaborations, he does is pop up shows. Everything Fred Again.. does feels instantaneous — even if they take months of planning.

    Take his upcoming show at the LA Memorial Coliseum, for example. Announced just days before curtains, Fred Again.. sold out the 77,000-capacity venue close to instantaneously. Despite the detailed planning, he teased the performance just days before announcing the show. The June 14th show is his first stadium show ever and according to Fred’s social media it promises to be “the maddest live show we’ve ever tried to do so far.”

    It follows another landmark show for the DJ, who recently played San Francisco’s Civic Plaza with frequent collaborator and mentor — Skrillex. As the largest public space in San Francisco’s downtown, Civic Plaza has a 20,000 capacity. The entire crowd was alive with Fred’s incandescent energy. Especially when he brought out surprise guest, Anderson .Paak to perform their brand-new song, “places to be.”

    The June 12th show might also include surprise guests from collaborators and friends. But even if it’s just Fred.. and his decks, there’s nothing like his presence on stage. And after seeing him once, you’ll want to see him Again, and Again, and Again.

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    Langa Chinyoka

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  • Maybe The New James Bond Should Update With Marijuana

    Maybe The New James Bond Should Update With Marijuana

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    Aaron Taylor-Johnson is to be the new James Bond…maybe he should update the image and add in some cannabis.

    The buzz is Aaron Taylor-Johnson may be set to be the new James Bond. A British tabloid claims Eon Productions offered the iconic role to the actor after Daniel Craig stepped down.  What does it mean for the next round of movies? Maybe the new James Bond should update with marijuana.  There is a case of bold different direction, The Spy Who Loved Me used the title of one of Fleming’s novels, but was an original screenplay with nothing to do with the book plot. And both Sean Connery and Roger Moore flirted with the plant when young.

    RELATED: Beer Sales Flatten Thanks To Marijuana

    When Casino Royale was published in 1953, Bond burst on the scene.  When he hit the big screen via Eon Production in 1962 with Dr. Noan icon was born.  The name, the look, the cars, the martini all became part of the cultural language. While the 60s were the start of the cultural revolution, it hadn’t hit the movies.  And Eon was all about mass marketing and weed was not where it was at. Ian Fleming, Bond’s creator was an old school spy. He took his adventures and knowledge, added in a healthy dose of creativity and produced a series which have captured the public’s fancy.  Himself a fan of liquor and cigarettes, his writing reflects the times.

    But since the new Bond will not appear at least until 2025, things have changed. The youngest fans in Gen Z have started drifting away from alcohol and embraced legal cannabis.  Also, over 85% of the population believe there should be some form of legal cannabis. A different landscape could add some updated nuance.

    While it might be hard to switch out the martini for a vape or pre-roll, an ointment or gummy could be used to help with the frequent aches, pains and injuries the hero endures as he saves the world. The average deaths per movie is 16 people which usually involved some type of scuffle.  Popping a gummy to power through could be positive…or Q can give him some medical marijuana for injuries.

    RELATED: Celebrate With These Simple Classic Cocktails

    While Bond is known for charging hard, defeating the villains and winning the ladies.  It must take a tool.  Cannabis and even CBD can help him sleep and is proven to help with PTSD…which even the most ardent hero must have some regrets.

    Let’s see what Eon does in the role and in the update.

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    Sarah Johns

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  • Drink Whiskey Like A Literary Legend

    Drink Whiskey Like A Literary Legend

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    Hemmingway shared “I have drunk since I was 15, and few things have given me more pleasure.”

    Whiskey is one of the things which legends are made. From the Greeks to the Irish, it has developed into an elixir delighting the taste buds and occasionally the brain. There is something adult, worldweary, and strong about holding a glass of the brown water. From early times to the Wild West, it appears again and again in stories and modern myths. It is no wonder authors have been captured by its amber hue. Here is a guide so this weekend you can drink whiskey like a literary legend.

    John Steinbeck

    While John Steinbeck’s favorite drink was the Jack Rose, he made an impact on the imagine of whiskey with his most famous book. The liquor makes an appearance in several of Steinbeck’s books, including his magnum opus, The Grapes of Wrath. Tom Joad drains a pint in the early chapters as he makes his way back to the family homestead. His uncle John, meanwhile, has a well-known proclivity for whiskey and “jake,” an infamous Prohibition-era patent medicine that was both mostly alcohol and known to cause nerve damage.  Times may be tough, but whiskey is always there it seems.

    Related Story: Breaking Down The Major Categories Of Whiskey

    Ernest Hemingway

    The daring hero of the Spanish Civil War, WWII and the inventor of the Great Gatsby, Ernest Hemingway was fond of many drinks. While most people probably associate him with daiquiris or absinthe (not bad choices), he was a prodigious whiskey drinker. Supposedly his real-life drink of choice was a scotch and soda. Seems reasonable since it appears more frequently in his writing than any other—notably in The Snows of Kilimanjaro. In the autobiographical A Moveable Feast, he pounds quite a few whiskeys between rounds of smack-talk about F. Scott Fitzgerald and Gertrude Stein.

    Dorothy Parker

    The American poet, writer, critic, wit, and satirist helped create a moment with the Algonquin Round Table. The gathered wit and wisdom of creative leaders in the day traded barbs, insight and stories while handling a highball. While her most quoted bon mot was about vodka, scotch was her passion.  Sipping on it though the day made her feel cheerful and loose, clever remarks spun spontaneously from her lips, until everyone was falling down with laughter and she felt appreciated and loved.  Never did Dorothy appear drunk. But she was seldom completely sober either. 

    Here is the vodka bon mot:

    “I like to have a martini,
    Two at the very most.
    After three I’m under the table,
    after four I’m under my host.”

    Ian Fleming

    Ian Fleming was a British upper crust intelligence officer who mingled with the powerful and the connected.  He went on to massive fame creating his great alter ego, Jame Bond. While Bond is know for drinking a vodka martini (shaken, not stirred), the MI6 agent has also indulged in plenty of whiskey like Fleming. Although several of the Bond films feature Talisker or Macallan, in the books, he often drank bourbon, a choice that was apparently based on Ian Fleming’s real-life preference for the American “Old Grandad” bourbon.

    Related: The Perfect Ice-Cold Martini

    Supposedly, Fleming switched from gin to bourbon on the advice of his doctor, who thought it might be marginally less damaging to his ailing heart.

    William Faulkner

    Like his contemporary, Hemingway, the southern gothic master drank constantly; unlike Hemingway, who preferred to write “cold,” Faulkner’s writing was fueled by bourbon, corn whiskey, and mint juleps. Whiskey features in his writing, too: Joe Christmas, a central character in his 1932 novel Light in August, is a bootlegger in the Prohibition-era south.

    So next time you feel thirsty, here is how to drink whiskey like a literary legend.

     

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    Anthony Washington

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  • Conspiracy Theories Run Wild Amid Mass U.S. Cell Outage

    Conspiracy Theories Run Wild Amid Mass U.S. Cell Outage

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    Wireless customers with AT&T, Cricket Wireless, T-Mobile, and Verizon all reported outages across the country this morning. And just like clockwork, some folks online pounced on the disruption as evidence of a global conspiracy.

    Alex Jones, arguably America’s most popular conspiracy theorist, believes the telecom outage is a direct result of Chinese hackers.

    “Is it a cyber attack? AT&T is being very tight-lipped,” Jones insisted in a web broadcast on Thursday in his typical “just asking questions” style.

    In fact, even people who aren’t known conspiracy theorists were bringing up the apocalyptic Netflix movie Leave the World Behind, causing the title to trend on X.

    “Predictive programming from the Netflix movie ‘Leave The World Behind,’” a prominent X account that shares QAnon conspiracy theories wrote on Thursday.

    “No internet. No phones. No going back to normal,” the account continued, echoing the movie’s promotional tagline.

    And while that really is how the movie is promoted on Netflix, there’s no evidence this outage is “predictive programming,” a term used by some conspiracy theorists to explain how speculative fiction sometimes accurately predicts events in the real world. In the real world, sometimes artists simply predict events because they’re because they’re lucky or have a good handle on things likely to happen in the future.

    Leave the World Behind movie stars Julia Roberts, Ethan Hawke, and Mahershala Ali, and follows two families as they try to navigate the world after a mysterious attack, possibly by a foreign adversary, destroys modern technology like cellphone service, internet access, and TV broadcasts.

    Believe it or not, the movie was already a popular movie with people who might have a screw loose. Why? It was executive produced by Barack and Michelle Obama, who have a producing deal with Netflix. The Obamas figure prominently in baseless conspiracy theories that hinge on a worldwide network of pedophiles controlling the world and that Michelle Obama is transgender. Not to mention the birther conspiracy theory, an idea that President Obama wasn’t born in the U.S. which President Donald Trump helped spread.

    But it wasn’t just conspiracy theorists who were comparing this outage to Leave the World Behind. Apocalyptic movies work by tapping into our greatest fears for the future. In this case, the movie did a good job of making viewers feel like they weren’t sure what was happening. And when it’s difficult to get real information—as it obviously was for the characters in the movie—several conflicting narratives can start to spread, including rumors about who or what was actually causing the communications breakdown.

    We use movies like Leave the World Behind as cultural touchstones—a shared shorthand when something scary or unjust happens. If the movie is popular enough, it makes sense and everyone instantly knows what you’re getting at, like when the Syrian refugee crisis hit Europe in 2015 and people were comparing the horrific photos that were emerging to the 2006 dystopian film Children of Men.

    Other times the meaning of a film requires a lot more interpretation, like when I argued in 2018 that Bird Box, the Netflix movie starring Sandra Bullock, was the first great monster movie where the unseen horror was social media. But whether it’s Bird Box or Leave the World Behind, we clearly live in an era of incredible unease around technology. We’re all staring at our phones and other screens for hours each day and none of this “connection” is making us feel any more connected to other humans.

    It’s that alienation that can drive many people further into conspiracy theories in a vicious cycle that’s enticing for its simplicity. But why would President Obama help make an entire movie about a plan to disrupt communications and then actually carry out that plan? Apparently in the minds of conspiracy theorists, guys like Obama are all villains in a James Bond movie who tell you their entire plot before they carry it out, giving the hero just enough time to save the day.

    Again, there’s no evidence that anything happening with today’s telecom outage is anything but a normal service disruption. But if you start seeing hundreds of self-driving Teslas piling up with no humans inside, then you can start to worry.

    Update, 9:50 p.m. ET: AT&T has released a statement to explain that today’s outage wasn’t a cyberattack.

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    Matt Novak

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  • So The Academy Clearly Didn’t Watch Barbie

    So The Academy Clearly Didn’t Watch Barbie

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    Every year, Awards Season is special for one reason: we all come together in outrage against a very specific group of voters, and publicly shame them until we grow bored. The Golden Globes and Emmys are great predictors of who will be ultimately nominated for an Oscar…but this year, it appears that the Academy stopped watching movies altogether.


    When I woke up yesterday, I was bombarded by thousands of Tweets calling for the evisceration of the Academy after the 2024 Oscar Nominee list was revealed. It’s your modern-day mob mentality — and get your pitchforks ready, because there were quite a few notable snubs.

    • Hunky Charles Melton for May/December
    • Leonardo DiCaprio for Scorsese’s 10-hour epic Killers Of The Flower Moon
    • Greta Gerwig as Best Director for Barbie
    • Margot Robbie as Best Actress for Barbie
    • Dua Lipa’s “Dance The Night Away” for Barbie
    • Saltburn, in general.

    Okay, so I was already up in arms about the lack of nominations for Jacob Elordi and Charles Melton. But nothing was more offensive than the glaringly obvious
    Barbie irony: the Academy chose to honor “I’m Just Ken” by Ryan Gosling in a movie created by women, for women, about the struggles of feminism in a male-dominated society.

    This is no hate to Ryan Gosling, who has owned his Ken-ergy in the best, candid way possible. He has supported his cast and uplifted its women during every single press event, red carpet, and personal statement. But the fact that they chose to nominate the one song about men taking over is laughable.
    Commenting on the lack of nominations himself, Gosling took to social media to say:


    But there is no Ken without Barbie, and there is no Barbie movie without Greta Gerwig and Margot Robbie, the two people most responsible for this history-making, globally-celebrated film…To say that I’m disappointed that they are not nominated in their respective categories would be an understatement,”

    Sure, Billie Eilish’s “What Was I Made For” was nominated considering it’s a beautiful, haunting ballad that perfectly fits the film. But the Oscars have proven they’re Billie stans before by honoring her
    James Bond ballad. What about the two women who made Barbie possible? Who revived cinema and brought millions of moviegoers to the theaters dressed in pink? Who created a whole movement surrounding celebrating women after years of being told we should bring each other down?

    Barbie was a statistically bigger first-week success story than its release-day twin, Oppenheimer, and the biggest film of the year. Yet, no nomination for the director and face of the film. It’s almost like the Academy realized this movie was about them…

    Here’s the worst part: you don’t have to let them win if you don’t want to. To not even recognize Margot Robbie and Greta Gerwig’s work and impact on the
    2023 cinemascape is like saying Taylor Swift didn’t dominate the music industry this year. It’s just a lie.

    So I will end this the way Taylor Swift would, with lyrics from “The Man”:

    “I’m so sick of running as fast as I can

    Wondering if I’d get there quicker

    If I was a man”

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    Jai Phillips

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  • Hitman Devs Had To Convince James Bond People Their 007 Game Wouldn’t Be Another Shooter

    Hitman Devs Had To Convince James Bond People Their 007 Game Wouldn’t Be Another Shooter

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    Image: Nintendo / Eon Productions / Rare

    We’ve known for some time now that IO Interactive, the studio behind the fantastic Hitman games, is working on a new James Bond game. And while that team seems like a perfect match and a new Bond game seems long overdue, according to IOI, the team had to assure the folks who own the spy franchise that it wasn’t going to make another FPS in order to convince them to hand over the rights.

    GoldenEye 007 on the Nintendo 64 is one of the most famous and beloved video games in history. It popularized FPS games on consoles, sold over eight million copies, and led to dozens of similar James Bond FPS games. I’d argue the games helped grow the franchise’s audience. With all that said, you’d think Eon Productions—the folks who own the Bond franchise—would be excited about a new game based on its popular spy. But according to the devs behind it, that wasn’t the case—and you can blame GoldenEye for that.

    In the newest edition of Edge magazine, as reported by GamesRadar, IO Interactive co-owners Hakan Abrak and Christian Elverdam talked about the still-in-development 007 game, detailing their vision for the project. But the two also explained that it took a lot of convincing to get Eon Productions to sign off on the project, as the Bond owners didn’t want yet another “action-oriented” FPS.

    “Our impression was clearly that [at the time] they were not looking for a game,” said IO Interactive CEO and co-owner Hakan Abrak. “And I think it’s fair that they might not have been super-happy with some of the later games.”

    The co-owners of IO Interactive pitched Eon Productions on a James Bond game that was less GoldenEye and more about being a globe-trotting, stealth-oriented spy. Elverdam explained that its pitch to Eon focused on how its 007 project would be about getting in and out of a location without causing much collateral damage or engaging in violence unless needed. In other words, IO Interactive’s project won’t be Bond running down endless corridors carrying 20 guns and shooting everyone he encounters, which is how I would describe the vast majority of 007 games made in the last 20 years. Instead, it sounds like it will play a lot more like the Hitman games, where violence is often a last resort and stealthy gameplay is king.

    Elverdam told Edge that this approach “helped [IO Interactive] convince Eon that there’s a sophistication in how we treat the agent fantasy.” This seems to have been enough to get the green light and let IO make its Bond project. And honestly, after playing far too many Bond shooters, I can’t wait for a more stealth-oriented spy game. I’ve said before that IOI is the best developer to make a modern 007 game and I can’t wait to see what the studio is working on when it finally reveals more about Project 007.

      .

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    Zack Zwiezen

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  • James Bond Producer Says They “Haven’t Even Begun” Working on Post-Daniel Craig Era: “Big Road Ahead”

    James Bond Producer Says They “Haven’t Even Begun” Working on Post-Daniel Craig Era: “Big Road Ahead”

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    It’s likely going to be some time before fans know who’s taking over for Daniel Craig as the next 007.

    Franchise producer Barbara Broccoli told The Guardian, in an interview published online Saturday, there is a “big road ahead” before the iconic character is “reinvented for the next chapter.” She added that executives also “haven’t even begun” to modernize the franchise yet.

    Broccoli, who helms the film series with her half-brother Michael G. Wilson, explained that it’s important for the next installment to depict the way the world has changed since Craig took on the role of James Bond in 2006. But this is nothing new, as the producer noted that 007 has typically been reinvented and modernized over the decades.

    “I go back to GoldenEye when everyone was saying. ‘The cold war is over, the wall is over, Bond is dead, no need for Bond, the whole world’s at peace and now there’s no villains’ — and boy was that wrong!” she said.

    When it came to Craig in the title role, they “wanted to focus on what a 21st-century hero would look like.”

    “Daniel gave us the ability to mine the emotional life of the character … and also the world was ready for it,” she added. “I think these movies reflect the time they are in, and there’s a big, big road ahead reinventing it for the next chapter.”

    After five installments in the film series, beginning with Casino Royale, Craig officially retired from the role following the release of 2021’s No Time to Die.

    Last year, Broccoli told The Hollywood Reporter that they were more interested at the time in figuring out who the next villain will be before considering who will play Bond.

    “We always sit down with our writers, and we start by thinking about ‘What is the world afraid of?’ We start by thinking about, ‘Who’s the Bond villain?’ We try to focus on that as the sort of uber story,” she explained. “And then we want to also look at Bond’s emotional life, and what he’ll be facing personally that he hasn’t had to deal with before. So he has two big issues in the films — one is the geopolitical one and the other is the personal one.”

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  • This John Wick-Inspired Killer Bean Game Looks Pretty Cool, Ridiculous

    This John Wick-Inspired Killer Bean Game Looks Pretty Cool, Ridiculous

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    There’s a trailer taking X, formerly Twitter, by storm of a coffee bean armed with two pistols engaging in acrobatic shootouts that’s giving Max Payne meets Just Cause with a bit of GTA sprinkled in, and I’m totally obsessed.

    Dubbed Killer Bean, the game is billed as a first-/third-person shooter with procedurally generated elements that affect everything from the characters to the story itself. Based on the Steam description, the project sounds ambitious.

    “You are Killer Bean, a rogue assassin who takes out the trash in this world, one bullet at a time. The procedurally generated story changes every time you start a new campaign in this first-person/third-person, roguelike shooter,” the description reads.

    Killer Bean

    Playing as Jack “Killer” Bean, you were betrayed by the Shadow Agency. Thirsting for revenge, you set out to murk the people who backstabbed you, employing bullets, punches and kicks, and acrobatic slow-motion moves to get your vengeance. It’s like John Wick, but instead of playing as Keanu Reeves, you’re…Keanu Bean. Pun aside, Killer Bean uses procedural generation in an exciting way: Everything changes when you play, according to its description.

    “Every time you start a new single-player campaign, everything changes. The locations change, the missions change, the characters change, the bosses change, and most of all, the story changes. Characters who you trusted before, may turn against you. Enemies who tried to kill you, may end up helping you. Simple missions can turn into deadly traps. No two campaigns are the same.”

    That sounds fascinating if it’s executed well, especially considering its GTA/Max Payne/Just Cause vibes. I mean, watch that above trailer one more time. Killer Bean starts by butterfly twisting into a James Bond-looking sports car and immediately finds himself in a shootout with motorcycle-riding beans before jumping out in slow-motion to blast up another bean. It’s amazingly ridiculous, especially as you watch Killer Bean windmill to dodge bullets then take control of an attack helicopter to destroy some industrial-looking bridge. I’m not totally sure what’s happening here, but I’m all for it regardless.

    While this may be the first big-budget Killer Bean game, it isn’t the first to come out. Based on two short animations from 1996 and 2000, as well as a feature-length film from 2008, the franchise saw the side-scrolling action platformer Killer Bean: Unleashed release in 2012 for Android and iOS devices. I played a little bit of it, and yeah, it’s pretty ridiculous. It’s got in-app purchases (that you can circumvent by watching ads), clunky touchscreen controls, and a plethora of levels to shoot through. It isn’t exactly an enjoyable experience, but it does provide a semblance of an idea of what the big Killer Bean game might play like.

    Killer Bean doesn’t have a release date, but you can wishlist it on Steam now.

     

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    Levi Winslow

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  • Quentin Tarantino Reveals Why His Bond Movie Didn’t Happen

    Quentin Tarantino Reveals Why His Bond Movie Didn’t Happen

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    If you really go digging into Quentin Tarantino’s career, you’ll find tons of ideas that never made it to the big screen. One of those is a James Bond movie.

    When Tarantino was arguably at the height of his hype, right after Pulp Fiction, he had big plans for his next movie. He contacted Ian Fleming’s estate about acquiring the rights to adapt one of Fleming’s novels for film. Unfortunately, it seems they misled him or didn’t quite understand the implications of a deal they had made just a few years earlier.

    Tarantino spoke with Deadline about his long pursuit of a James Bond project. As he explained…

    We reached out to the Ian Fleming people, and they had suggested that they still own the rights to Casino Royale. And that’s what I wanted to do after Pulp Fiction was do my version of Casino Royale, and it would’ve taken place in the ’60s and wasn’t about a series of Bond movies. We would have cast an actor and be one and done. So I thought we could do this.

    United Artists
    United Artists

    READ MORE: Every James Bond Movie Ranked From Worst to Best

    That’s what he thought. But it was not to be. According to Tarantino, the Broccolis, the family that has controlled the James Bond film franchise rights since the 1960s, realized “somebody was going to try to do what I did” and made the Fleming estate a massive deal to the movie rights for the author’s entire career. (“Like every short story, every travel book. If I want to make a movie of Thrilling Cities, I need to go to the Broccolis,” Tarantino quipped.)

    And thus Tarantino’s dreams of a period James Bond were dashed. It still seems like a great idea though. Maybe it’s not too late for Tarantino — or someone else — to try it?

    Actors Who Almost Played James Bond

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    Cody Mcintosh

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