THP just got home from the Sweat Tour, and we left thinking of two things. One, that Charli xcx and Troye Sivan are our new favorite pop stars (duh), and two, Shygirl has unlocked new fans here in the hive and is officially on our ones-to-watch list. Shygirl is currently on tour, opening for Charli and Troye, hyping fans up with her intoxicating club and dance music. If you’re planning on attending the Sweat Tour, you can expect to hear Shygirl hits and favorites like ‘thicc,’ ‘SIREN,’ ‘Nike,’ and more!
Image Source: Courtesy of Orienteer
Her latest track, ‘Immaculate,’ was a hit among fans in the crowd, especially when collaborator Saweetie came out as a special guest. We were gagged, to say the least. To celebrate Shygirl’s ongoing success and new track, here are three reasons why we love Shygirl and why her discography is nothing but ‘Immaculate.’
Innovation And Experimentation
Shygirl’s music is innovative and exciting! She’s always experimenting with new songs and traditional club sounds that people know and love. What does it sound like when these two are merged? Take a listen to ‘Immaculate’ and hear it for yourselves.
Shygirl is, of course, always giving us innovative visualizers, which just makes the listening experience even better.
Performance And Look
One thing Shygirl can do is perform! We were lucky enough to see it for ourselves, but if you have yet to see Shygirl do her thing, check it out below 👇
She’s also got a stunning look that you just can’t look away from. If you aren’t entranced by her music, you’ll be easily entranced by her stage presence. When we saw her live, we couldn’t help but jump around and head-bang!
Confidence And Collaboration
Our two favorite “C” words? Confidence and collaboration! These are also two traits that make a great pop artist, and right now, Shygirl is taking the cake. She’s serving the hive the full fantasy that we know and love while still bringing competitive innovation to the industry. What’s next for Shygirl? We can’t wait to see!
We’re so excited about Shygirl’s success and her new song with Saweetie! Have you listened to it yet? Let us know what you thought of the song in the comments below or by buzzing with us on Twitter, Instagram, or Facebook 🐝
The instant the weather starts to turn even a little bit crisp, I hear it: the intro to “Eyes On Fire” by Blue Foundation from the Twilight soundtrack. The entire soundtrack is a masterpiece: it catapulted Paramore to mainstream success thanks to their smash hit “Decode.” And don’t forget tracks like Muse’s “Supermassive Black Hole” and Robert Pattinson’s unintelligible lyrics in his own original songs for the album.
The subsequent films had iconic soundtracks too. Bon Iver’s “Roslyn” is one of my comfort songs as much as New Moon is one of my comfort films. But nothing sounds more autumnal than Blue Foundation singing “hoa hoa hoa hoa hoa” in that song. It’s akin to sleigh bells at Christmas. “Hoa hoa hoa” is the undisputed call of the beginning of fall.
I yearn to make my apartment super hygge, light a bunch of pumpkin-scented candles, and curl up under a blanket to watch Twilight and my other favorite cozy fall films. There’s no better time to hunker down with a fine movie. But once I’ve gotten that first Twilight watch out of my system, choosing what to watch can be more challenging than deciding between a PSL and a hot apple cider.
Don’t worry, this is not another eye-roll-inducing list of basic Halloween flicks (that list will be coming in October but it will be anything but basic) and rom-coms set in New England (okay, there might be a few of these). Let us assure you that we’ve dug deeper than your average “fall vibes” playlist. As someone who lived in New England — and actual England — I’m aware that fall is a specific feeling. It’s a mindset. And rather than slogging through fallen leaves wet with rain and despairing over the cold and damp, you must curate the precise vibe.
The best fall movies feel like candlelight. The bonfires. A cross between the last bonfire of summer and the first chestnut-roasting of winter. It’s the cozy in-between time when my seasonal depression hasn’t kicked in yet and I’m thankful for a cool breeze after summer’s unrelenting heatwaves. The essence of autumn is both obvious and subtle – from the cozy sweaters and golden-hued cinematography to the themes of reflection, change, and new beginnings that mirror the season itself. If a movie doesn’t capture that, it’s not on this list.
Fall films are one of the best macro-genres. Autumn is nature’s Instagram filter, turning everything into a warm, nostalgia-tinged reverie. I’ve also been seeing videos about how — long after we’ve left the hallowed halls of academia — fall’s back-to-school energy remains. Fall feels like a time to get serious, buckle down, and start anew – or at least pretend until we hit Thanksgiving. But in between all that girlbossing, there’s nothing like curling up to watch a fall movie and realizing that things aren’t as intense as they seem.
As the temperature drops and our nesting instincts kick in, curl up with these romantic comedies that are set in quaint villages and mysterious thrillers that take place in fog-shrouded cities. Whether you’re looking for something to watch while sipping your third fall beverage of the day (I’m addicted to Blank Street’s Gingerbread Matcha), need a backdrop for your annual “friendsgiving” gathering, or just want to feel seasonally appropriate while avoiding actual outdoor activities, we have got you covered.
These 20 films run the gamut from cult classics to hidden gems, from heartwarming to hair-raising, all guaranteed to put you in an autumnal state of mind. Just remember, if you start craving apple cider or suddenly feel the urge to go antiquing in Vermont after watching these, don’t say we didn’t warn you.
1. Twilight
Twilight isn’t just a movie; it’s a vibe. The Twilight renaissance (that RPatz himself has said he’s on board with) means I’m not ashamed to say it: Twilight, you will always be famous. None of this era’s imitation supernatural movies can compete. That’s why this is the movie I inaugurate my fall with year after year. Set in perennially gloomy Forks, Washington, there’s something undeniably autumnal about Bella Swan’s journey from Arizona sunshine to a Pacific Northwest brood-fest. The muted color palette, the endless rain, and the constipated look on Edward Cullen’s face all scream “fall mood.” And let’s not forget the iconic baseball scene — because nothing says “fall classic” like vampires playing America’s favorite pastime during a thunderstorm. Whether you’re Team Edward, Team Jacob, or Team “I’m Just Here for the Memes,” Twilight will always be a classic.
2. Pride and Prejudice
The hand scene — you know the one — has gone triple-platinum on my Netflix account. Talk about yearning! And nothing says autumn like watching the leaves change and feeling wistful. Jane Austen’s canonical tale of love, societal expectations, and really-really long strolls is one of the few instances where the movie is better than the book (don’t come for me Austen lovers). Joe Wright’s 2005 adaptation of Pride and Prejudice walked so that Bridgerton could run. Keira Knightley’s Elizabeth Bennet traipsing through misty fields in empire-waist gowns was the original Christian-Girl harvest season. The film’s autumnal aesthetic is on point, with golden-hued landscapes that’ll drive you to book a one-way ticket to Yorkshire. Matthew Macfadyen’s Mr. Darcy emerging from the mist is enough to make me say: Tom Wambsgams, who?
3. Mystic Pizza
If Mystic Pizza isn’t on your fall movie radar, and your fall moodboard, you’re missing out on a big bowl of cinematic comfort food. This late 80s gem is like the perfect autumn day — a little bit sweet, a little bit spicy, and full of unexpected warmth. Set in the quaint coastal town of Mystic, Connecticut, this is a feast of small-town fall vibes and sentimentality. As young as she is in this early triumph, Julia Roberts is completely charming. She leads a cast of feisty young women navigating love, ambition, and the perfect pizza recipe. I describe it as Love, Actually for the girls. Or if The Sisterhood of the Traveling Pants was set in small-town Connecticut in the fall. Mystic Pizza is a coming-of-age classic that paved the way for Gilmore Girls.
4. Practical Magic
Wanna add a hint of the occult to your fall movie marathon without going full Halloween just yet? Look no further than Practical Magic — the witchy 90s rom-com starring Sandra Bullock and Nicole Kidman as the Owens sisters who live with their witchy aunts and practice small acts of magic in their everyday lives. Whether you’re in it for the magical realism, the fin de siè·cle fashion (those witch-chic outfits are totally due for a comeback), or just to watch Sandra Bullock and Nicole Kidman be absolutely iconic for two hours, Practical Magic is an exceptional addition to your fall watchlist. It’s like a warm, witchy hug for your soul. For bonus points, watch it on the Harvest Moon on October 2nd and really hone that magical feeling.
5. Twitches
Talk about nostalgia. It’s been almost 20 years since Twitches came out. Feel old yet? This Disney Channel Original Movie is a guilty pleasure that simply screams “fall.” Starring Tia and Tamera Mowry as long-lost twin witches (get it? Twitches?), this film is what happens when you throw The Parent Trap and Charmed into a bag of candy corn and shake vigorously. Set during Halloween, Twitches is packed with campy costume parties and spooky prophecies. Twitches is like that beloved Halloween sweater you break out every year — it might look tacky, but it’s cozy, familiar, and brings back all those warm, fuzzy feelings of falls past.
Calling all mystery lovers! The Perfect Couple is a wild ride set in Nantucket at the end of the summer season. No spoilers, but it ends with its characters contemplating what’s next for them. Well, what’s after summer but fall? This new Netflix mystery feels like the last show of summer preparing me for all the new stuff coming this fall. This Elin Hilderbrand relies on familiar enough tropes to make it comforting but with enough kick to keep you on your toes.
The show’s aesthetic is peak New England fodder — Nicole Kidman giving coastal grandmother is always a win. But don’t let the pretty scenery fool you, The Perfect Couple is dark and complex, unraveling like an intricately knit sweater, revealing layers of secrets, lies, and family drama that’ll keep you guessing until the very last moment. Think Big Little Lies mixed with Knives Out — also sensational fall watches. The ensemble cast is led by the always-fabulous Nicole Kidman with Dakota Fanning, Liev Schreiber, and Eve Hewson (latest favorite nepo baby unlocked, she’s Bono’s daughter). Whether you’re in it for the whodunit aspect, the gorgeous fall scenery, or just to watch rich people make spectacularly bad decisions, The Perfect Couple is an ideal addition to your autumn watchlist.
7. Only Murders in the Building
Selena just became a billionaire. And, honestly, I deserve a personal message of thanks from her for how many times I’ve streamed Only Murders in the Building while eagerly waiting for the next season. Set in a grand old New York apartment building (hello, fall-in-the-city vibes), the show follows an unlikely trio of true crime podcast enthusiasts turned amateur sleuths. Steve Martin, Martin Short, and Selena Gomez have an electric and undeniable chemistry — not to mention Selena’s delish fall wardrobe. But what truly makes Only Murders a fall essential is how it captures autumnal New York. The Upper West Side is awash in golden light and crunchy leaves that make you want to book a one-way ticket to the Big Apple, Come for the clever writing, stay for the star-studded cast — the cameos are as crazy as the plot.
8. Agatha All Along
Agatha All Along aims to save the latest iteration of the Marvel Universe. After the success of WandaVision, Agatha All Along is a spinoff that follows the show’s surprising antagonist: Agatha. It’s a wild ride through small-town intrigue and witchcraft. Kathryn Hahn reprises her role as Agatha Harkness, bringing her signature blend of surprising depth and campy villainy. Agatha’s backstory unveils layers of her character that’ll make you question everything you thought you knew about this wicked witch. It also stars Heartstopper’s Joe Locke, Patti LuPone, Aubrey Plaza, Sasheer Zamata, Ali Ahn, and more.
9. Hocus Pocus
Hocus Pocus isn’t just for 90s kids thanks to the recent sequel. This cult classic hits the spot every single autumn. The Sanderson sisters are the OG camp girlies with quotable lines galore. Set on Halloween night in Salem — because where else? — Hocus Pocus is both creepy and sentimental. Hocus Pocus is a perennial fall favorite with its cany blend of humor and heart. Whether you’re watching it for the umpteenth time or introducing it to a new generation (you lucky soul), Hocus Pocus is best enjoyed with a side of candy corn and a healthy dose of suspension of disbelief. Let the Sanderson sisters cast their spell on you once again.
10. Remember the Titans
Maybe it’s because I was half-raised by my older brother, but something within me drives me to watch Remember the Titans come autumn. Set in Alexandria, Virginia, in 1971, the movie captures that incandescent moment when summer heat gives way to crisp fall air, mirroring the changes and tension in the recently integrated T.C. Williams High School. Remember the Titans isn’t merely about pretty fall scenery and football (though there’s plenty of both). It’s a powerful story of overcoming racial prejudice and finding unity in the face of adversity — themes that are as relevant today as they were in 1971 — and when the film was released in 2000. Denzel Washington leads the cast with his signature charm and gravitas, delivering inspirational speeches to a cast that includes a young Ryan Gosling.
11. Halloweentown
Welcome to Halloweentown, where every day is October 31st. If you’re a Halloween hardo and already out there celebrating spooky season, by all means, play this on repeat until November. And the PSL flows like water. This Disney Channel classic is guaranteed to give you a sugar rush of warm fuzzy feelings. Set in a magical realm where witches, warlocks, and monsters live in harmony (sort of). Halloweentown is like if your local Spirit Halloween store came to life and lectured you on family values. So this fall, when you’re craving something that’s equal parts spooky and sweet, this is it.
12. Immaculate
Horror fans — and fans of Sydney Sweeney — unite: Immaculate is about to take you on a twisted ride. This psychological thriller premiered at SXSW 2024 and has been giving viewers the creeps since. It’s Sweeney’s turn at Midsommar. Set in an isolated Italian convent, Immaculate is pure gothic autumnal fantasy. Think misty mountains, shadowy cloisters, and enough flickering candles to make a fire marshal nervous. Sydney Sweeney stars as a young American nun who finds herself in out of her depth, bringing her A-game to a role that’s both innocent and increasingly terrified. The movie’s exploration of religious dogma, bodily autonomy, and the darker side of blind faith is as complex and layered.
13. Little Women
Grab your coziest blanket and a mug of something warm, because Little Women is about to wrap you in a big, comforting hug. From Lady Bird to Barbie, anything by Greta Gerwig is an affirming celebration of girlhood. But nothing will hit harder this fall than Gerwig’s 2019 adaptation of this classic tale. Set in Civil War-era Massachusetts, the film is like a New England tourism board commercial.
Maybe it’s because I went to school where this was filmed (thinking of Timothee Chalamet driving past my high school truly makes me cringe), but nothing is more nostalgic than Little Women. During their childhood scenes, the cinematography is intentionally orangey and warm, but even their more stark adulthood scenes are tinged with joy. The March sisters — Jo, Meg, Beth, and Amy — navigate love, loss, and sisterhood as 19th-century women. Saoirse Ronan’s Jo March is the ultimate fall mood — passionate, creative, and not afraid to get a little messy (emotionally and literally — girl’s got ink stains for days). It’s giving dark academia in the best way. And I love seeing Timothée Chalamet’s hair flop about in the autumn wind while I head up to the attic to work on my first novel.
14. When Harry Met Sally
You probably wondered when this would hit the list. The godmother of all fall-friendly love stories is undoubtedly When Harry Met Sally. This Nora Ephron classic is like a piercing autumn day. Set in New York City through the changing seasons, this film’s most luminous scenes take place in fall. From long strolls through Central Park to cozy, sweater-clad conversations in dimly lit cafes, each scene is a visual love letter to autumn in the Big Apple.
Billy Crystal and Meg Ryan’s Harry and Sally are the original “will they, won’t they” couple, and the ultimate outfit inspo for fall. The film’s exploration of friendship, love, and the blurry line between the two is as layered and complicated as the fashion combos — think high-waisted jeans and really good jackets. Harry and Sally’s decades-long dance will warm your cynical heart. Just remember — I’ll have what she’s having.
15. You’ve Got Mail
Okay, now we’re deep in the rom-com world. Another classic: You’ve Got Mail is one more Meg Ryan fall classic. Nora Ephron doesn’t miss. This comedy is set in the Upper West Side of New York — where else to set a rom-com about books? — and follows Kathleen Kelly and Joe Fox, two rival booksellers who unknowingly fall in love over email. Soooo 90s coded. From Meg Ryan’s enviable autumn wardrobe to the leaf-strewn streets of Manhattan, Nora Ephron is at her apex. And let’s not forget the charm offensive that is Tom Hanks and Meg Ryan.
So this fall, when you’re in the mood for something that’ll make you believe in the power of love, books, and a really good email subject line, give You’ve Got Mail a watch.
16. One Fine Day
This is a criminally underrated knock-em-out-of-the-park 90s rom-coms. It has everything: Michelle Pfeiffer and George Clooney, 90s haircuts, and the cutest kids ever. One Fine Day is a 1996 gem about two frazzled single parents whose paths cross on the most chaotic day of their lives. It’s like if Mr. Mom and Working Girl had a baby, and that baby was really into missed connections and fall fashion. Set in Manhattan over the course of a single day, the film starts on a crisp morning when both parents miss the ferry for their kids’ school trip and have to swap childcare all day. A magical premise for a romantic comedy. Pfeiffer and Clooney dash about the city, juggling lost children, missed deadlines, and falling in love. One Fine Day will instantly become your new fall favorite.
17. Brown Sugar
The 90s was the heyday of Black romantic films and Brown Sugar deserves all the flowers. Sanaa Lathan and Taye Diggs star as Sidney and Dre — childhood friends whose shared love of hip-hop (and each other) takes them on a journey that explores love and work — simmering with years of unresolved tension and shared history. But what really makes “Brown Sugar” a quintessential fall watch is its terrific blend of music, romance, and cultural commentary. Sanaa’s brown-tinged work outfits are also giving major corporate hottie aesthetic.
This 2002 gem is like the R&B slow jam of movies: familiar, comforting, but with enough soul to make you actually feel things. Set in the world of hip-hop journalism and music production, Brown Sugar makes me miss growing up in Harlem. It also features a cameo from one of my favorite rap actors, Mos Def.
18. The Devil Wears Prada
Girlbosses, this one’s for you! This list would be void if I were to omit The Devil Wears Prada. This 2006 classic never gets old. Anne Hathaway? Meryl Streep? The dream of working in a fashion magazine and being able to afford a life? Set in the high-stakes world of New York fashion magazines, this film is half plot and half Pinterest board dedicated to sweater weather. Anne Hathaway‘s Andy Sachs is the epitome of the fall transformation story — going from frumpy grad to chic fashion insider faster than you can say “cerulean.” But the real star of this show is Meryl Streep’s Miranda Priestly and all those icy glares and cutting remarks. It might be as predictable as florals for spring but it works. I can’t wait for the sequel.
19. The Notebook
Like I said, fall is about yearning. So of course, I must mention The Notebook. This adaptation of Nicholas Sparks’ eponymous novel is synonymous with romance movies. And for a good reason: young Ryan Gosling. But don’t count out young James Marsden, either. Set in 1940s South Carolina, Ryan Gosling and Rachel McAdams star as Noah and Allie, the star-crossed lovers whose chemistry is so electric it makes someone as skeptical as me believe in the kind of love that spans decades and defies all odds.
20. Knives Out
One more New England movie, this film satirizes the rich New England families and cultures that some of the others romanticize. Yet it still causes me to savor the fall. Set in a Massachusetts mansion full of mahogany interiors and book-lined rooms, this leafy, murderous paradise is home to the Thrombey family. This dysfunctional brood has gathered to celebrate — or mourn, depending on who you ask — the passing of their patriarch, mystery novelist Harlan Thrombey. Enter Benoit Blanc, a private detective with a Southern drawl played by Daniel Craig. Knives Out’s clever blend of classic mystery tropes and modern sensibility is an exploration of wealth, privilege, and immigration. Talk about timely. And the subtle politics are ripe for this fall since we’re in an election year. Godspeed to all of us.
2024 has been loaded with horror releases, with scary stories about everything from rampaging spiders to satanic late-night talk shows. This crop is distinctive for its unconventional reworkings of well-worn tropes. There’s a slasher that owes as much to Terrence Malick as to Jason Voorhees; a dystopian-future tale that eschews global destruction to examine the implosion of one family; and two movies about nuns with evil pregnancies. Better yet: Several of these efforts have made waves at the indie box office, illustrating the horror audience’s affinity for going to strange new places.
Some of the year’s biggest titles are to come, from original works (“Trap,” “Longlegs”) to hotly anticipated sequels (“MaXXXine,” “Alien: Romulus”) to bone-chilling indies (“Terrifier 3,” “Oddity”). But the following already stand tall among 2024’s best releases.
Abigail
Image Credit: Courtesy of Universal Pictures
Universal Pictures
Directors Matt Bettinelli-Olpin and Tyler Gillett have perfected their mix of scares and comedy with “Scream VI” and “Ready or Not,” and “Abigail” is no exception. When a gang of crooks kidnaps a vampire who appears to be a little girl, they’re quickly in over their heads in this gory caper, elevated by inspired performances by Melissa Barrera and Dan Stevens.
Director Arkasha Stevenson and star Nell Tiger Free make the most of this moody prequel to the nearly 50-year-old franchise. Deft camerawork and creepy sets build a haunting backdrop for Sister Margaret’s investigation into her unwanted conception. And Free’s increasingly feral performance echoes cinematic triumphs like 1981’s “Possession.”
Infested
Image Credit: Courtesy of Shudder
Shudder
The creature feature of the year is this French spider bonanza, in which director and co-writer Sébastien Vanicek brings a tidal wave of lethal arachnids to a run-down apartment building. Audiences will jump, flinch and itch as the body count rises and the spiders run amok across every wall and surface.
Stopmotion
Image Credit: Courtesy of Shudder
IFC Films
Robert Morgan’s dour look at artistic obsession blurs the lines between reality and nightmare as a stop-motion animator (Aisling Franciosi) is freed from her controlling mother but finds untold darkness while fashioning her own story. A punishing mixture of psychological, surreal and body horror, Morgan’s vision is hopeless yet gorgeous.
Immaculate
Image Credit: Courtesy Everett Collection
Neon
All hail Sydney Sweeney’s coronation as a scream queen, as she leads this deliciously lurid chronicle of a young nun who finds herself pregnant. Helmed by Michael Mohan, the handsomely shot saga cranks up the creepiness until Andrew Lobel’s script flies into B-movie madness, ratcheting up the gore and giving Sweeney an indelible final shot.
I Saw the TV Glow
Image Credit: Courtesy of A24
A24
This touching, surreal drama about lonely teens forever bonded through a cult TV series is equal parts hypnotic and poignant. Writer-director Jane Schoenbrun has created a bold story exploring the dysphoria of the closeted trans experience, where the unease of alienation becomes more disturbing than any monster could be.
Humane
Image Credit: Courtesy of Shudder
IFC Films
Director Caitlin Cronenberg’s feature debut is set in a future where Earth’s resources are limited and citizens are urged to get euthanized for cash to reduce the population. Michael Sparaga’s funny, fleet script focuses on a rich family that can’t buy its way out of trouble this time. A delightfully nasty indie that examines how badly we treat the ones we love.
The Coffee Table
Image Credit: Courtesy Everett Collection
Cinephobia Releasing
Not for the faint of heart, this supremely sinister domestic drama has a hook it’s best not to spoil. Director Caye Casas turns a new father’s purchase of a tacky coffee table into a fable that spins out of control, with a horrific twist of fate so nauseating it will leave viewers drenched in nervous sweat. Go in blind, if you dare.
David Dastmalchian (“Dune,” “Ant-Man”) is commanding as a second-rate talk show host determined to juice his ratings, so he dreams up a Halloween episode featuring a girl who might be possessed by Satan. The cleverly constructed tale moves in real time and keeps the proceedings erratic right up to an off-the-wall final act.
In a Violent Nature
Image Credit: Everett Collection
IFC Films
Director Chris Nash’s innovative take on ’80s slashers is catnip for VHS-era fans. The deliberately paced film follows a supernatural killer named Johnny, with a camera over his shoulder keeping the viewpoint tightly controlled. Amid the outrageous kills and crisp camerawork lies a sharp satire laced with empathy, beauty and genuine fear.
Released in mid-March, the Michael Mohan-directed horror movie (or “nunsploitation” film, if you prefer), Immaculate,was well-timed to not only coincide with having some box office clout during Easter weekend, but also to make a social commentary on the state of women’s bodily rights at this moment in history. And perhaps that was part of “God’s plan” for making Andrew Lobel’s script languish in development hell since 2014, when Sydney Sweeney first auditioned for the role (later, she would buy the rights to the script and lie in wait until she got rich enough to help produce it herself). At that particular moment, women in the U.S. apparently didn’t know how good they had it…vis-à-vis bodily autonomy, that is.
In 2024, women have been made well-aware that their ostensibly “inalienable rights” are not promised to them. So what better time for Catholicism to reenter the mainstream consciousness through Immaculate? After all, this is the religion that has been, apart from Islam, the most adept at treating women as second-class citizens. Mere “vessels” for carrying children. This is precisely how Sister Cecilia (Sweeney) is seen by those sinister forces who have summoned her to a remote convent in Italy (the majority of the movie was filmed in and around Rome—Catholic mecca) after her own church in Detroit, Michigan closes down. Ultimately, there isn’t much faith in the United States anymore (how can there be when capitalism has long been the new god?). Something Sister Cecilia mentions to her new roommate, Sister Gwen (Benedetta Porcaroli, of Baby fame). The latter is clearly less enchanted with the “majesty” of God than Cecilia is, even admitting to her that the main draw of joining the convent was that it meant no longer needing to rely on an abusive man for food and shelter—seeming to overlook the fact that the Catholic Church is the most abusive man of all. Regardless of the “divine feminine” energy of the nuns or not.
The nuns at this particular convent, however, aren’t exactly “full of life.” In fact, the convent is designed to accommodate “elder sisters” about to make their “transition” into the “next realm.” Ergo, there are only a handful of youth-oriented sisters in the mix, including Sister Isabelle (Giulia Heathfield Di Renzi), the surly mentor who tells Cecilia from the get-go that she’s too “sweet” for her own good. As Madonna once wrote in a letter to director Stephen Jon Lewicki, “I knew I wanted to be a nun or a movie star. Nine months in a convent cured me of the first disease.” Cecilia is about to be cured big time of her own sweetness/religious zealotry as the plot unfolds from the Suspiria-esque first scene, during which Sister Mary (Simona Tabasco, best known to Americans as “the prostitute from The White Lotus, Sicily edition”) steals a ring of keys from Mother Superior’s (Dora Romano) drawer while she sleeps in order to escape the convent in the dead of night.
Sister Mary doesn’t make it very far before a cultish-looking gang of nuns pursue her, break her leg and bury her alive (in a scene very reminiscent of Beatrix Kiddo’s buried alive moment in Kill Bill: Vol. 2). Sister Mary, in this regard, seems to be a precursor to Sister Gwen, who turns out to be much too vocal/aware of a sinister plot afoot for the convent’s “needs.” Which are to keep a newly-pregnant (“immaculate conception,” of course—hence, the movie’s title) Sister Cecilia from being spooked. Mainly by the fact that she’s being styled as the twenty-first century answer to the Virgin Mary (when she’s not also being called Santa Benedetta…no one seeming to comment on how much of a [lesbianic] heretic that particular nun was viewed as—see Paul Verhoeven’s Benedetta for further confirmation).
At the outset of her pregnancy, Sister Cecilia is willing to go along with this notion, taking it as a sign that she was right to assume God had a higher purpose for her when He “rescued” her from death when she was just twelve years old. At that time, she had seemingly drowned in a frozen lake, only to be revived after seven minutes. That’s when she turned to religion as a form of “repayment” to God for saving her. Surely, giving birth to the new Savior must have been what he had in mind all along, right? Only there is nothing divine at all about this conception, least of all how the baby ended up “incubating” inside of her. And that is all she is—an incubator—to the men pulling the strings of this nefarious operation, Father Sal Tedeschi (Álvaro Morte) and Cardinal Franco Merola (Giorgio Colangeli). It is Tedeschi who admits to Cecilia that he used to be a “man of science” before he “God showed him a path” to faith. Naturally (or unnaturally, in this case), he didn’t entirely let go of his scientific ambitions when he “made the switch,” instead funneling his talents into replicating Jesus’ genetic code from the Christ nail they happen to have on hand at the convent.
Sister Mary, in her state of terror, had likely unearthed this form of “experimentation” (was perhaps even one of the nuns tapped to attempt it), with Tedeschi trying numerous times to get one of his “embryonic implants” to “take” inside of a young nun’s belly. But silence and subjugation are the Catholic (and patriarchal) go-tos for getting rid of any unwanted “element” at the convent. First, Sister Mary is literally buried, then Sister Gwen gets her tongue cut out and, during the same scene, Sister Cecilia is creepily shushed (in that shudder-inducing way that only old ladies can achieve). Throughout the narrative, this is a running theme: the silencing of women who are trying to speak out against the unfair use of their own bodies. Which they are repeatedly told, through actions more than words, that they have no control over. Their bodies belong to “God,” de facto the conservatives running the Church. What’s more, they use that petrifying justification that all zealots are so fond of: “If it is not God’s will, then why doesn’t He stop it?” But Sister Cecilia is about to take so-called destiny into her own hands to prove to her oppressors that this Rosemary’s Baby life they’ve forced on her is not God’s will at all.
In this messaging-related regard and many others, Immaculate is a notch above the average nunsploitation movie. Plus, it’s also a win because at no point does Sydney Sweeney try to speak Italian or use an Italian accent. That alone is commendable based on what audiences have suffered through with movies like House of Gucci and Ferrari. And so, if you’re looking for a new film to your Easter-themed rotation each year, Immaculate is a solid, pro-abortion addition.
Sony’s Ghostbusters: Frozen Empire will have no trouble winning a relatively quiet weekend at the box office but opinion is divided as to whether it can reach $42 million to $44 million in its domestic opening.
Sony remains bullish that it will indeed hit that mark after earning $16 million on Friday, including $4.7 million in Thursday previews. Rival studios, however, show Frozen Empire coming in at around $41 million, behind the $44 million launch of the pandemic-challenged Ghostbusters: Afterlife in 2021. Nearly 40 percent of Friday’s gross came from premium-format screens, including select Imax locations. (Dune: Part Two still has a large Imax footprint.)
The newest Ghostbusters entry is challenged by middling reviews and a B+ CinemaScore from audiences, compared to an A- for Afterlife. Another challenge is bad weather along the east coast.
Frozen Empire is a direct sequel to Afterlife, which succeeded in restoring the luster to the classic franchise created by the late Ivan Reitman. His son, Jason Reitman, directed Afterlife, but this time turned over helming duties to series co-scribe Gil Kenan.
The movie features returning castmembers Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor and Logan Kim, alongside Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts and William Atherton, who starred in the original 1980s films. Series newcomers include Kumail Nanjiani and Patton Oswalt.
Written by Kenan and Reitman, the story follows the Spengler family as they return to the New York City firehouse to team up with the original Ghostbusters, who have developed a top-secret research lab to take busting ghosts to the next level. But when the discovery of an ancient artifact unleashes an army of ghosts that casts a death chill upon the city, demon fighters new and old must join forces to protect their home and save the world from a second Ice Age.
The weekend’s other new nationwide opener is Neon’s specialty horror pic Immaculate, starring Sydney Sweeney, who is fresh off her hit rom-com Anyone But You.
Immaculate, fueled by younger women, is on course to place No. 4 with an estimated $5 million, in line with expectations for the indie film. The pic earned a C CinemaScore, which isn’t unusual for a horror film.
In Immaculate, Sweeney plays a devout nun traveling to a remote convent in the picturesque Italian countryside, but her journey soon devolves into a nightmare as it becomes clear her new home harbors a sinister secret and unspeakable horror. It is tracking to open in the low single digits.
Legendary and Warner Bros.’ Dune sequel is holding at No. 2 with an estimated weekend haul of $16 million in its fourth outing. The movie will finish Sunday with a sensational domestic cume of $230 million, or thereabouts.
Universal and DreamWorks Animation’s Kung Fu Panda 4is also holding in nicely as more and more kids are sprung from school for spring break. The movie, now in its third outing, looks to earn an estimated $14.5 million for a domestic tally of $131 million through Sunday.
Rounding out the top five is Lionsgate’s Arthur the King, starring Mark Wahlberg. The movie, about the inspirational bond formed between a dog and a group of professional adventurers, is pacing to earn $4.5 million in its second outing for a subdued domestic total of $14.3 million.