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  • David Bowie’s daughter says she missed dad’s death when forced into rehab centre – National | Globalnews.ca

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    David Bowie’s daughter, Alexandria “Lexi” Zahra Jones, claims she was sent away to a treatment centre when she was younger after her father was diagnosed with liver cancer.

    In a video posted to her Instagram, Jones, 25 — the daughter of the late singer and supermodel Iman — spoke about growing up with two famous parents.

    “Pain is what landed me in treatment as an adolescent more than once,” she began in the 20-minute video posted to Instagram. “People also know me for another reason. Not personally, not because they met me, but because of who my parents are. My parents are David Bowie and Iman. I don’t lead with that in my everyday life. My last name is Jones, and I grew up mostly being treated like a normal kid in normal environments.”

    Jones went on to explain that she began failing school and hated the way she looked and “developed bulimia when I was 12.”

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    “I didn’t know why I felt the way I felt. I just knew I was miserable. I felt stupid, incompetent, like unworthy, useless, unlovable. And having successful parents kind of only made it worse,” she said.

    Jones shared that when she was 14, she struggled with drugs and alcohol during the same time of her late father’s cancer diagnosis.

    “When my dad was diagnosed with cancer, that was my breaking point. I was barely 14 and I could already see what the future would look like for my family and for all of us. I felt broken before it even happened,” Jones explained.


    “It was my first year of high school and everyone around me was experimenting, but for me, it wasn’t about fun,” she continued. “I wasn’t experimenting. I was escaping — escaping from my complicated mind, my complicated family, my complicated school. When the party ended for everybody else, I kept going and I drank and got high alone.”

    She said her mental health began to decline as she continued to increase her use of substances and that she turned into “someone who lashed out.”

    Jones alleged she was taken from her family’s home after her father’s cancer diagnosis and sent to a wilderness therapy program, where she lived outdoors.

    She said her dad read her a letter that ended with, “I’m sorry that we have to do this.”

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    “Then two men came through the door, and they were both well over six feet tall. They told me I could do this the easy way or the hard way,” she remembered.

    Jones said she “chose the hard way” and resisted until the men allegedly grabbed her.

    “I screamed. I held onto the table leg. They grabbed me. They put their hands on me. They pulled me away from everything I knew, and I was screaming bloody murder,” she added.

    She said the men “looped a rope around her” before forcing her into a black SUV and driving her away. Before long, she began to realize how far they were taking her away from home.

    “I was born and raised in the city,” Jones continued. “I had been camping before, but nothing like this. This was not camping. It felt like boot camp’s weird cousin.”

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    She said the entire experience of the wilderness therapy program felt “dehumanizing.”

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    “The whole point was to take every basic human comfort and need. No TV, no bed, no roof, no privacy so that we’d behave right in hopes of earning back small privileges,” Jones explained.

    Jones said she struggles with trying to justify her experience because she “wasn’t physically abused, at least not after the whole gooning, escorting situation.”

    “The mental and emotional manipulation I experienced is something I will not forget, and I won’t pretend it didn’t happen because that is abuse too,” she added.

    When the wilderness therapy program was over, Jones thought she would be returning home. Instead, she was sent to a residential treatment centre in Utah for 13 months.

    “All of this was happening while my dad was only getting more sick back at home and, for the first time in a long time, I actually wanted to be there with him,” she said. “A few months into the program, my dad passed away. I was not there. I had the luxury of speaking to him two days before on his birthday. I told him I loved him and he said it back and we both knew.”

    She said she saw a post online announcing that her father had “passed away surrounded by his whole family.”

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    “It made me physically ill because, yeah, the whole family was there except for me. I’ve accepted it. I’ve tried not to internalize it or feel guilty, but sometimes I still have those moments where I wish things were to be different,” Jones shared.

    Processing Bowie’s death became a “whole new layer of the program” for Jones.

    “They created a special phase for me called the grief and loss phase. They structured my grief,” she said of the residential treatment centre. “They categorized it and assigned milestones and expectations. I thought that was normal. I had never lost anyone close to me and I didn’t know how to grieve.”

    Jones was able to leave the treatment centre just before she turned 16 and went home, where she “slipped into old patterns.”

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    “Maybe it was the shock of going from one world to another. I’d spent a year living under constant structure inside a place that was nothing like real life and then suddenly I was back home, back in the world, and it felt like sensory overload,” she said.

    Jones revealed that it wasn’t long before she got “legally kidnapped again” and sent away.

    “I’m not here to give a rundown of each place I went away to. That’s not the point. The point is to show what this system does to a person,” she continued. “What it takes to be sent away over and over again. Told you’re too much, too broken, too difficult to handle. The point is to talk about what no one talks about … The point is that this happened to me and to a lot of other kids that deserve better.”

    Other celebrities have been outspoken about youth treatment facilities, including Paris Hilton, who helped to fight for legislation aimed at cracking down on the industry that cares for troubled teens by requiring more transparency from youth treatment facilities.

    In 2024, Hilton testified in a legislative hearing in support of a bill that aims to pry open information on how short-term residential facilities for youth dealing with substance abuse and behavioural issues use disciplinary methods such as restraints or seclusion against minors. She detailed her harrowing abuse as a teenager at a facility in Utah that she said still haunts her and urged lawmakers to take action before more children have to suffer similar treatment.

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    Click to play video: 'Paris Hilton shares traumatic experience in youth care facility, urges greater federal oversight'


    Paris Hilton shares traumatic experience in youth care facility, urges greater federal oversight


    Later in her video, Jones said she struggled to understand what a “real relationship was supposed to feel like” but she didn’t know if people just wanted to get close to her or hear stories about her parents.

    “I couldn’t tell if someone liked me for me or what being around me meant for them. That does something to your state of safety,” she said. “You start questioning every single interaction, every kindness and every friendship, but at the same time, I felt guilty for struggling at all because how could I be unhappy? How could I feel empty when my life was so full from the outside? ”

    She went on to say that she “internalized that” and thought that her own pain meant that “something was wrong with me.”

    “I didn’t want fame. I didn’t want attention. I didn’t want to be a public person — and I still don’t. The spotlight never felt like warmth to me. It felt like exposure, like being visible without being known,” Jones continued. “I became scared of people and depended on them at the same time. I wanted connection desperately but I didn’t trust it when I had it.”

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    In January 2016, Bowie, whose hits included Space Oddity, Fame, Heroes and Let’s Dance, died of cancer at the age of 69.

    Bowie was married twice, first to actor and model Mary Angela “Angie” Barnett, from 1970 to 1980, and then to Iman in 1992. He had two children — Duncan Jones and Alexandria “Lexi” Zahra Jones — one with each wife.

    — With files from The Associated Press

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    Katie Scott

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  • Marvel’s Iman Vellani dishes on her love of Attack on Titan

    Marvel’s Iman Vellani dishes on her love of Attack on Titan

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    Iman Vellani is the kind of movie star whose enthusiasm, humor, and openness radiates off the screen and feels positively incandescent in person. The 21-year-old actress, best known for her role as Kamala Khan in 2022’s Ms. Marvel and 2023’s The Marvels, is unabashedly open in sharing her love of all things MCU-related, from playfully debating the finer points of canonical continuity with Marvel Studios head Kevin Feige to co-writing a Ms. Marvel limited series with Sabir Pirzada.

    But Vellani has other passions beyond Marvel — her most recent being anime. Earlier this year at the Crunchyroll Anime Awards, Vellani shared with Polygon what convinced her to finally take the plunge into exploring Japanese animation.

    “I was very intimidated by anime until very recently,” Vellani said. “I started watching anime about a year ago, so this is a new obsession for me, but I’m totally into it now. There’s just so much content, I didn’t know where to start. I mean, I can barely keep up with all the Marvel content that’s out there.”

    Image: Wit Studio/Crunchyroll

    Vellani attributes her nascent love of anime to Attack on Titan, which she was introduced to via family and friends and proudly names as her current favorite anime. “They just talk about it all the time,” Vellani said, “and Attack on Titan kept coming back up whenever they would talk about anime. I started watching it and was like, This is a story that seems like it’s about humanity. I think I can get into it.

    Of the entire ensemble of characters that appear in Attack on Titan, Vellani pointed out one in particular whose story resonated the most with her. “I love Mikasa Ackerman,” Vellani said. “The way that she kept Eren’s scarf at the end of the show, even though Eren told her to give it up and forget about him. Her being the only one who was able to kill Eren at the end to stop the Rumbling. That is a woman who — I don’t think I’ve seen many other female characters like her who have that authority, willpower, and determination to actually act on it. I recently cut my hair, and when I looked in the mirror, I was like, I know what my next cosplay is.”

    A dark haired anime woman smiles with tears in her eyes and a burgundy scarf draped around her neck.

    Image: Wit Studio/Crunchyroll

    Aside from Mikasa, Vellani also named one of the series’ other leading characters as one she especially enjoyed, going so far as to praise the voice actor responsible for their performance in Attack on Titan’s finale. “I like Armin because I always like to root for the nerdy characters,” Vellani said. “I watched the final half of the show with the English dub and, I don’t know who the actor who plays Armin is, but they deserve a raise because their performance in the final episode blew me away. He made me cry, his wailing and that flashback scene between him and Eren, it just hit me in all the right ways.”

    After resisting anime for a while, Attack on Titan quickly became a show that stuck with her. “The ending was such a gut punch. It left me feeling so awful at the end, but it’s like one of those Succession-type endings where it’s not the ending you want, but it made sense. The ending made sense for the story, it made sense for the characters.

    “I think they tied the knot so perfectly, and I can’t think of anything else I’ve watched recently that’s impacted me as much as that. I was crying in my bed watching it. My mom walked in on me and she was like, ‘It’s just an animation show!’ and I was like, ‘No, this is real!’”

    A long-haired anime man with shackles around his wrists stands with a giant glowing pillar behind him and a pitch-black starry night.

    Image: MAPPA/Crunchyroll

    Shortly after finishing Attack on Titan, she dove into exploring other popular series suggested by her friends. “I finally started Jujutsu Kaisen and One Piece,” Vellani said. “One Piece was one that I did not want to get into initially because it’s like, what, a thousand episodes now, and that felt like too much. Grey’s Anatomy was more than enough for me, and I stopped at, like, season 10. But after the Netflix show came out I was so drawn to the characters, and after the heartbreak of Attack on Titan, I needed something lighter and funnier and that made me feel good. The characters are likable and I want to root for them all, so that’s a show I really like.”

    And Vellani’s love for anime doesn’t stop at TV. “I watched Suzume just before coming to Japan and I loved it,” Vellani said. “That blew my mind. Truly a masterpiece. I also recently watched The Boy and the Heron and, as a 21-year-old, it really spoke to me and it reassured me that my inner child still exists.”

    Mahito and a grey heron with disturbing human teeth glare at each other face to face in Hayao Miyazaki’s anime movie The Boy and the Heron

    Image: Studio Ghibli via GKIDS/YouTube

    When asked why she felt that her generation has embraced anime, and what it was about the medium that specifically spoke to her, Vellani cited the empowering roles and depictions of women and children, as well as the craftsmanship of studios like Studio Ghibli, as some of the reasons why anime is so popular among Gen Z audiences. “I just feel like anime feels so progressive with the way they depict women and children, especially in Studio Ghibli movies. All those movies are so good at showcasing youth and childhood and imagination in a way that’s encouraging children to keep that mindset.

    “I feel like a lot of American cinema right now is just so depressing. It just wants to show the gritty real life of the world. I want to live in a world that makes me excited for the future, and I think anime does such a wonderful job in showcasing all the beauties of life. We went to the Ghibli Museum this morning and saw how they draw every single detail of the houses — the bricks, the walls, the windows — and you just realize how much people paid attention to these details when they drew it. Like, this is how they see the world, and that’s how I want to see the world, as something that’s full of life and joy.”

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    Toussaint Egan

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  • Sadhu & IMAN team up for explosive single “Sadman” | Your EDM

    Sadhu & IMAN team up for explosive single “Sadman” | Your EDM

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    When it comes to bass music, few provide as much speaker shattering tracks like Sadhu & IMAN.

    Being the Inspiration for many Successful Dubstep Artists, Sadhu has been in the Game for a long time. His first release dates back to 2011 and he has sold out every major City in Europe, America and Australia. Taking a Break in 2015 to Focus on Other Musical Projects such as a Blues Band and a Metal Band, he took the Scene by Storm in January when he announced his Comeback. Since then he has played in Venues all over Europe again, such as the Bootshaus in Cologne or Le Bikini in Toulouse.

    IMAN is a 26 year old dubstep producer who has demolished dancefloors‘ around The USA such as Exchange LA, SoundNightclub, Area 15, Skyway Theater, The Green Elephant, Academy, EOS Lounge, Aura, The Circle and more.

    Hear it for yourself below!

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    Petey Mac

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