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  • Rupert Murdoch acknowledged that Fox News hosts endorsed false stolen election claims | CNN Business

    Rupert Murdoch acknowledged that Fox News hosts endorsed false stolen election claims | CNN Business

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    New York
    CNN
     — 

    Rupert Murdoch, the chairman of Fox Corporation, acknowledged in a deposition taken by Dominion Voting Systems that some Fox News hosts endorsed false claims that the 2020 election was stolen.

    Murdoch’s remarks in a deposition were made public in a legal filing as part of Dominion Voting Systems’ $1.6 billion lawsuit against Fox News.

    “Some of our commentators were endorsing it,” Murdoch said, singling out Fox hosts Sean Hannity, Lou Dobbs, Maria Bartiromo and Jeanine Pirro as Fox hosts who promoted the false stolen election claims on air, according to a transcript of his deposition. Murdoch acknowledged the hosts frequently invited guests who made similar claims.

    But Murdoch pushed back against Dominion’s lawyers who claimed that Fox was endorsing “this false notion of a stolen election?”

    “Not Fox. But maybe Lou Dobbs, maybe Maria, as commentators,” Murdoch said in his deposition.

    In another filing made public earlier this month, a trove of messages and emails from the most prominent stars and highest-ranking executives at Fox News showed they had privately ridiculed claims of election fraud in the 2020 election, despite the right-wing channel promoting lies about the presidential contest on its air.

    The messages showed that Tucker Carlson, Sean Hannity, and Laura Ingraham brutally mocked lies being pushed by former President Donald Trump’s camp asserting that the election was rigged.

    The court filings have offered the most vivid picture to date of the chaos that transpired behind the scenes at Fox News after Trump lost the election and viewers rebelled against the right-wing channel for accurately calling the contest in Biden’s favor.

    Fox News has not only vigorously denied Dominion’s claims, it has insisted it is “proud” of its 2020 election coverage.

    The network argued that the court filing contained cherry-picked quotes lacking context.

    “There will be a lot of noise and confusion generated by Dominion and their opportunistic private equity owners, but the core of this case remains about freedom of the press and freedom of speech, which are fundamental rights afforded by the Constitution and protected by New York Times v. Sullivan,” Fox News said in a statement.

    – This is breaking news and will be updated.

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    February 27, 2023
  • ‘South Park’ lawsuit: Warner Bros. Discovery sues Paramount for $500 million | CNN Business

    ‘South Park’ lawsuit: Warner Bros. Discovery sues Paramount for $500 million | CNN Business

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    New York
    CNN
     — 

    Warner Bros. Discovery filed a lawsuit against Paramount Friday, claiming the rival media company breached its half-billion-dollar exclusivity contract with HBO Max by airing “South Park” on its own streaming platform, Paramount+.

    HBO Max is a unit of Warner Bros. Discovery, which also owns CNN.

    Nearly all “South Park” episodes air first on Paramount-owned Comedy Central. In 2019, Paramount and “South Park’s” creators together auctioned off streaming rights to the show’s first 23 seasons plus three new 10-episode seasons to HBO Max.

    Prior to Discovery’s 2022 merger with Warner Bros., WarnerMedia, then owned by AT&T, agreed to pay nearly $1.7 million for exclusive streaming rights for each “South Park” episode, the suit alleges. The first episodes of “South Park” season 24 were to be delivered in March 2020. Then came the pandemic, and WarnerMedia was told that the new production of “South Park” would be halted, according to the complaint.

    In March 2021, Paramount launched Paramount+, and Warner Bros. Discovery claims Paramount, MTV and South Park Digital Studios together “planned to divert as much of the new “South Park” content as possible to Paramount+ in order to boost that nascent streaming platform.”

    The company also said it was promised 30 new episodes over three seasons, but has only received 14 episodes to date.

    “We believe that Paramount and South Park Digital Studios embarked on a multi-year scheme of unfair trade practices and deception, flagrantly and repeatedly breaching our contract, which clearly gave HBO Max exclusive streaming rights to the existing library and new content from the popular animated comedy South Park,” HBO Max said in a statement.

    Paramount says these claims are “without merit.”

    Paramount “continues to adhere to the parties’ contract by delivering new South Park episodes to HBO Max, despite the fact that Warner Bros. Discovery has failed and refused to pay license fees that it owes to Paramount for episodes that have already been delivered, and which HBO Max continues to stream,” a Paramount Global spokesperson said.

    The lawsuit, filed in the New York State Supreme Court, also claims a separate $900 million deal between MTV, a subsidiary of Paramount, and South Park creators Trey Parker and Matt Stone, broke the terms of the contract in August 2021. This deal included 14 “made-for-streaming” “South Park” movies that would premiere on Paramount+.

    Warner Bros. Discovery claims the defendants used language like “movies,” “films,” and “events” to sidestep their contractual obligations.

    “As Stone publicly described it, “we have f—k you money now,” the suit claims he said, regarding the deal with MTV.

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    February 27, 2023
  • ‘It’s all a lie’: Russians are trapped in Putin’s parallel universe. But some want out | CNN

    ‘It’s all a lie’: Russians are trapped in Putin’s parallel universe. But some want out | CNN

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    CNN
     — 

    One year ago, when Russia launched its all-out invasion of Ukraine and began Europe’s biggest land war since 1945, it waged another battle at home – intensifying its information blockade in an effort to control the hearts and minds of its own citizens.

    Draconian new censorship laws targeted any media still operating outside the controls of the Kremlin and most independent journalists left the country. A digital Iron Curtain was reinforced, shutting Russians off from Western news and social media sites.

    And as authorities rounded up thousands in a crackdown on anti-war protests, a culture of fear descended on Russian cities and towns that prevents many people from sharing their true thoughts on the war in public.

    One year on, that grip on information remains tight – and support for the conflict seemingly high – but cracks have started to show.

    Some Russians are tuning out the relentless jingoism on Kremlin-backed airwaves. Tech-savvy internet users skirt state restrictions to access dispatches and pictures from the frontlines. And, as Russia turns to mobilization to boost its stuttering campaign, it is struggling to contain the personal impact that one year of war is having on its citizens.

    “In the beginning I was supporting it,” Natalya, a 53-year-old Moscow resident, told CNN of what the Kremlin and most Russians euphemistically call a “special military operation.” “But now I am completely against it.”

    “What made me change my opinion?,” she contemplated aloud. “First, my son is of mobilization age, and I fear for him. And secondly, I have very many friends there, in Ukraine, and I talk to them. That is why I am against it.”

    CNN is not using the full names of individuals who were critical of the Kremlin. Public criticism of the war in Ukraine or statements that discredit Russia’s military can potentially mean a fine or a prison sentence.

    For Natalya and many of her compatriots, the endless, personal grind of war casts Russian propaganda in a different light. And for those hoping to push the tide of public opinion against Putin, that creates an opening.

    “I do not trust our TV,” she said. “I cannot be certain they are not telling the truth, I just don’t know.

    “But I have my doubts,” she added. “I think, probably, they’re not.”

    ​​Natalya is not the only Russian to turn against the conflict, but she appears to be in the minority.

    Gauging public opinion is notoriously difficult in a country where independent pollsters are targeted by the government, and many of the 146 million citizens are reluctant to publicly condemn President Vladimir Putin. But according to the Levada Center, a non-governmental polling organization, support dipped by only 6% among Russians from March to November last year, to 74%.

    In many respects, that is unsurprising. There is little room for dissenting voices on Russian airwaves; the propaganda beamed from state-controlled TV stations since the onset of war has at times attracted derision around the world, so overblown are their more fanatical presenters and pundits.

    In the days leading up to Friday’s one-year anniversary of war – according to BBC Monitoring’s Francis Scarr, who analyzes Russian media daily – a Russian MP told audiences on state-owned TV channel Russia-1 that “if Kyiv needs to lie in ruins for our flag to fly above it, then so be it!”; radio presenter Sergey Mardan proclaimed: “There’s only one peace formula for Ukraine: the liquidation of Ukraine as a state.”

    And, in a farfetched statement that encapsulates the alternate reality in state TV channels exist, another pro-Russian former lawmaker claimed of Moscow’s war progress: “Everything is going to plan and everything is under control.”

    Russian state TV presents a picture that is worlds away from the realities of the battleground. But it has won over some Russians who once held concerns about the war.

    Such programming typically appeals to a select group of older, more conservative Russians who pine for the days of the Soviet Union – though its reach spans generations, and it has claimed some converts.

    “My opinion on Ukraine has changed,” said Ekaterina, 37, who turns to popular Russian news program “60 Minutes” after getting home from work. “At first my feelings were: what is the point of this war? Why did they take the decision to start it? It makes the lives of the people here in Russia much worse!”

    The conflict has taken a personal toll on her. “My life has deteriorated a lot in this year. Thankfully, no one close to me has been mobilized. But I lost my job. And I see radical changes around me everywhere,” she said.

    And yet, Ekaterina’s initial opposition to the invasion has disappeared. “I arrived at the understanding that this special military operation was inevitable,” she said. “It would have come to this no matter what. And had we not acted first, war would have been unleashed against us,” she added, mirroring the false claims of victimhood at the hands of the West that state media relentlessly communicate.

    07 russia information interviews

    Ekaterina, 37 (top) and Daniil, 20, follow news on the war from Russian state TV. But they have reached different conclusions on how closely to trust the output.

    Reversals like hers will be welcomed in the Kremlin as vindication of their notorious and draconian grip on media reporting.

    “I trust the news there completely. Yes, they all belong to the state, (but) why should I not trust them?” Yuliya, a 40-year-old HR director at a marketing firm, told CNN. “I think (the war) is succeeding. Perhaps it is taking longer than one could wish for. But I think it is successful,” said Yuliya, who said her main source of news is the state-owned Channel One.

    Around two-thirds of Russians rely primarily on television for their news, according to the Levada Center, a higher proportion than in most Western countries.

    But the sentiment of Yuliya and Ekaterina is far from universal. Even among those who generally support the war, Kremlin-controlled TV remains far removed from the reality many Russians live in.

    “Everything I hear on state channels I split in half. I don’t trust anyone (entirely),” 55-year-old accountant Tatyana said. “One needs to analyze everything … because certain things they are omitting, (or) not saying,” said Leonid, a 58-year-old engineer.

    Several people whom CNN spoke with in Moscow this month relayed similar feelings, stressing that they engaged with state-controlled TV but treated it with skepticism. And many reach different views on Ukraine.

    “I think you can trust them all only to an extent. The state channels sometimes reflect the truth, but on other occasions they say things just to calm people down,” 20-year-old Daniil said.

    Vocal minorities on each side of the conflict exist in Russia, and some have cut off friendships or left the country as a result. But sociologists tracking Russian opinion say most people in the country fall between those two extremes.

    “Quite often we are only talking about these high numbers of support (for the war),” Denis Volkov, the director of the Moscow-based Levada Center, said. “But it’s not that all these people are happy about it. They support their side, (but) would rather have it finished and fighting stopped.”

    This group of people tends to pay less attention to the war, according to Natalia Savelyeva, a Future Russia Fellow at the Center for European Policy Analysis (CEPA) who has interviewed hundreds of Russians since the invasion to trace the levels of public support for the conflict. “We call them ‘doubters,’” she said.

    “A lot of doubters don’t go very deep into the news … many of them don’t believe that Russian soldiers kill Ukrainians – they repeat this narrative they see on TV,” she said.

    The center ground also includes many Russians who have developed concerns about the war. But if the Kremlin cannot expect all-out support across its populace, sociologists say it can at least rely on apathy.

    Putin addresses a rally in Red Square marking the illegal Russian annexation of four regions of Ukraine -- Luhansk, Donetsk, Kherson and Zaporizhzhia -- in September.

    “I try to avoid watching news on the special military operation because I start feeling bad about what’s going on,” Natalya added. “So I don’t watch.”

    She is far from alone. “The major attitude is not to watch (the news) closely, not to discuss it with colleagues or friends. Because what can you do about it?” said Volkov. “Whatever you say, whatever you want, the government will do what they want.”

    That feeling of futility means anti-war protests in Russia are rare and noteworthy, a social contract that suits the Kremlin. “People don’t want to go and protest; first, because it might be dangerous, and second, because they see it as a futile enterprise,” Volkov said.

    “What are we supposed to do? Our opinion means diddly squat,” a woman told CNN in Moscow in January, anonymously discussing the conflict.

    The bulk of the population typically disengages instead. “In general, those people try to distance themselves from what’s going on,” Savelyeva added. “They try to live their lives as though nothing is happening.”

    And a culture of silence – re-enforced by heavy-handed authorities – keeps many from sharing skepticism about the conflict. A married couple in the southwestern Russian city of Krasnodar were reportedly arrested in January for professing anti-war sentiments during a private conversation in a restaurant, according to the independent Russian monitoring group OVD-Info.

    “I do have an opinion about the special military operation … it remains the same to this day,” Anna told CNN in Moscow. “I can’t tell you which side I support. I am for truth and justice. Let’s leave it like that,” she said.

    The partial mobilization of Russians has brought the war home for many citizens, leading to cracks in Putin's information Iron Curtain.

    Keeping the war at arm’s length has, however, become more difficult over the course of the past year. Putin’s chaotic partial mobilization order and Russia’s increasing economic isolation has brought the conflict to the homes of Russians, and communication with friends and relatives in Ukraine often paint a different picture of the war than that reported by state media.

    “I have felt anxious ever since this began. It’s affecting (the) availability of products and prices,” a woman who asked to remain anonymous told CNN last month. “There is a lack of public information. People should be explained things. Everyone is listening to Soloviev,” she said, referring to prominent propagandist Vladimir Soloviev.

    “It would be good if the experts started expressing their real opinions instead of obeying orders, from the government and Putin,” the woman said.

    A film student, who said she hadn’t heard from a friend for two months following his mobilization, added: “I don’t know what’s happened to him. It would be nice if he just responded and said ‘OK, I’m alive.’”

    “I just wish this special military operation never started in the first place – this war – and that human life was really valued,” she said.

    For those working to break through the Kremlin’s information blockade, Russia’s quiet majority is a key target.

    Most Russians see on state media a “perverted picture of Russia battling the possible invasion of their own territory – they don’t see their compatriots dying,” said Kiryl Sukhotski, who oversees Russian-language content at Radio Free Europe/Radio Liberty, the US Congress-funded media outlet that broadcasts in countries where information is controlled by state authorities.

    “That’s where we come in,” Sukhotski said.

    The outlet is one of the most influential platforms bringing uncensored scenes from the Ukrainian frontlines into Russian-speaking homes, primarily through digital platforms still allowed by the Kremlin including YouTube, Telegram and WhatsApp.

    And interest has surged throughout the war, the network says. “We saw traffic spikes after the mobilization, and after the Ukrainian counter-offensives, because people started to understand what (the war) means for their own communities and they couldn’t get it from local media.”

    Russians see a

    Current Time, its 24/7 TV and digital network for Russians, saw a two-and-a-half-fold increase in Facebook views, and more than a three-fold rise in YouTube views, in the 10 months following the invasion, RFE/RL told CNN. Last year, QR codes which directed smartphone users to the outlet’s website started popping up in Russian cities, which RFE/RL believed were stuck on lampposts and street signs by anti-war citizens.

    But independent outlets face a challenge reaching beyond internet natives, who tend to be younger and living in cities, and penetrating the media diet of older, poorer and rural Russians, who are typically more conservative and supportive of the war.

    “We need to get to the wider audience in Russia,” Sukhotski said. “We see a lot of people indoctrinated by Russian state propaganda … it will be an uphill battle but this is where we shape our strategy.”

    Reaching Russians at all has not been easy. Most of RFE/RL’s Russia-based staff made a frantic exit from the country after the invasion, following the Kremlin’s crackdown on independent outlets last year, relocating to the network’s headquarters in Prague.

    The same fate befell outlets like BBC Russia and Latvia-based Meduza, which were also targeted by the state.

    A new law made it a crime to disseminate “fake” information about the invasion of Ukraine – a definition decided at the whim of the Kremlin – with a penalty of up to 15 years in prison for anyone convicted. This month, a Russian court sentenced journalist Maria Ponomarenko to six years in prison for a Telegram post that the court said spread supposedly “false information” about a Russian airstrike on a theater in Mariupol, Ukraine, that killed hundreds, state news agency TASS reported.

    “All our staff understand they can’t go back to Russia,” Sukhotski told CNN. “They still have families there. They still have ailing parents there. We have people who were not able to go to their parents’ funerals in the past year.”

    His staff are “still coming to terms with that,” Sukhotski admitted. “They are Russian patriots and they wish Russia well … they see how they can help.”

    Outlets like RFE/RL have openings across the digital landscape, in spite of Russia’s move to ban Twitter, Facebook and other Western platforms last year.

    About a quarter of Russians use VPN services to access blocked sites, according to a Levada Center poll carried out two months after Russia’s invasion.

    Searches for such services on Google spiked to record levels in Russia following the invasion, and have remained at their highest rates in over a decade ever since, the search engine’s tracking data shows.

    YouTube meanwhile remains one of the few major global sites still accessible, thanks to its huge popularity in Russia and its value in spreading Kremlin propaganda videos.

    “YouTube became the television substitute for Russia … the Kremlin fear that if they don’t have YouTube, they won’t be able to control the flow of information to (younger people),” Sukhotski said.

    A billboard displays the face of Specialist Nodar Khydoyan, who is participating in Russia's military action in Ukraine, in central Moscow on February 15, 2023.

    And that allows censored organizations a way in. “I watch YouTube. I watch everything there – I mean everything,” one Moscow resident who passionately opposes the war told CNN, speaking on the condition of anonymity. “These federal channels I never watch,” she said. “I don’t trust a word they say. They lie all the time! You’ve just got to switch on your logic, compare some information and you will see that it’s all a lie.”

    Telegram, meanwhile, has spiked in popularity since the war began, becoming a public square for military bloggers to analyze each day on the battlefield.

    At first, that analysis tended to mirror the Kremlin’s line. But “starting around September, when Ukraine launched their successful counter-offensives, everything started falling apart,” said Olga Lautman, a US-based Senior Fellow at CEPA who studies the Kremlin’s internal affairs and propaganda tactics. “I’ve never seen anything like it,” she said.

    Scores of hawkish bloggers, some of whom boast hundreds of thousands of followers, have strayed angrily from the Kremlin’s line in recent months, lambasting its military tactics and publicly losing faith in the armed forces’ high command.

    This month, a debacle in Vuhledar that saw Russian tanks veer wildly into minefields became the latest episode to expose those fissures. The former Defense Minister of the Moscow-backed Donetsk People’s Republic, Igor Girkin, sometimes known by his nom de guerre Igor Strelkov – now a a strident critic of the campaign – said Russian troops “were shot like turkeys at a shooting range.” In another post, he called Russian forces “morons.” Several Russian commentators called for the dismissal of Lieutenant General Rustam Muradov, the commander of the Eastern Grouping of Forces.

    “This public fighting is spilling over,” Lautman told CNN. “Russia has lost control of the narrative … it has normally relied on having a smooth propaganda machine and that no longer exists.”

    One year into an invasion that most Russians initially thought would last days, creaks in the Kremlin’s control of information are showing.

    The impact of those fractures remains unclear. For now, Putin can rely on a citizenry that is generally either supportive of the conflict or too fatigued to proclaim its opposition.

    But some onlookers believe the pendulum of public opinion is slowly swinging away from the Kremlin.

    “One family doesn’t know of another family who hasn’t suffered a loss in Ukraine,” Lautman said. “Russians do support the conflict because they do have an imperialistic ambition. But now it is knocking on their door, and you’re starting to see a shift.”

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    February 26, 2023
  • Hundreds of newspapers drop ‘Dilbert’ comic strip after racist tirade from creator Scott Adams | CNN Business

    Hundreds of newspapers drop ‘Dilbert’ comic strip after racist tirade from creator Scott Adams | CNN Business

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    New York
    CNN
     — 

    Newspapers across the country dropped the “Dilbert” comic strip over the weekend after the creator of the satirical cartoon went on a racist tirade, calling Black Americans a “hate group” and suggesting that White people should “get the hell away” from them.

    The USA Today Network, which operates hundreds of newspapers, said it had pulled the plug on the long-running comic strip. The Washington Post and The Plain Dealer also in Cleveland said they would no longer carry the comic.

    The move came after Scott Adams, the cartoonist behind “Dilbert,” effectively encouraged segregation in a shocking rant on YouTube. His comments came in response to a poll from the conservative firm Rasmussen Reports that said 53% of Black Americans agreed with the statement, “It’s OK to be White.”

    The Anti-Defamation League has noted that the phrase emerged on the infamous message board 4chan in 2017 as a trolling campaign and has a “long history” in the white supremacist movement.

    “If nearly half of all Blacks are not OK with White people – according to this poll, not according to me, according to th is poll – that’s a hate group,” Adams said Wednesday on his YouTube show “Real Coffee with Scott Adams.”

    “I don’t want to have anything to do with them,” Adams added. “And I would say, based on the current way things are going, the best advice I would give to White people is to get the hell away from Black people, just get the f**k away … because there is no fixing this.”

    Adams has since said on Twitter that he was only “advising people to avoid hate” and suggested that the cancellation of his cartoon signals that free speech in America is under assault.

    Andrews McMeel Syndication, the company that distributes “Dilbert,” did not immediately respond to a CNN request for comment.

    The newspapers that have cut the comic strip have been clear with readers.

    “Scott Adams, creator of the Dilbert comic strip, went on a racist rant this week … and we will no longer carry his comic strip in The Plain Dealer,” wrote Chris Quinn, editor of the paper. “This is not a difficult decision.”

    “We are not a home for those who espouse racism,” Quinn added. “We certainly do not want to provide them with financial support.”

    Gannett, which publishes the USA Today Network of newspapers, tweeted that it aims to “lead with inclusion and strive to maintain a respectful and equitable environment for the diverse communities we serve nationwide.”

    The Washington Post said it had also pulled the comic strip from the newspaper.

    “In light of Scott Adams’s recent statements promoting segregation, The Washington Post has ceased publication of the Dilbert comic strip,” it said.

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    February 26, 2023
  • Media organizations ask Congress for access to January 6 footage | CNN Politics

    Media organizations ask Congress for access to January 6 footage | CNN Politics

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    CNN
     — 

    CNN, along with a group of other media organizations, has signed on to a letter calling for congressional leaders to grant access to security footage from inside the US Capitol on January 6, 2021, after House Speaker Kevin McCarthy gave Fox News’ Tucker Carlson access to the material earlier this month.

    In a Friday letter on behalf of the press coalition to McCarthy, House Majority Leader Steve Scalise, House Minority Leader Hakeem Jeffries, Senate Majority Leader Chuck Schumer and Senate Minority Leader Mitch McConnell, attorney Charles Tobin called on Congress to release all the security footage showing the attack on the Capitol.

    “Without full public access to the complete historical record, there is concern that an ideologically-based narrative of an already polarizing event will take hold in the public consciousness, with destabilizing risks to the legitimacy of Congress, the Capitol Police, and the various federal investigations and prosecutions of January 6 crimes,” Tobin said in the letter.

    Advance Publications, ABC News, Axios, CBS News, Scripps, Gannett, the Los Angeles Times, Politico and ProPublica are the other media organizations joining CNN on the letter.

    The request comes after Carlson announced on his show that he had been granted “unfettered” access to “44,000 hours” of surveillance footage from inside the Capitol on January 6. CNN previously reported that McCarthy did not consult with his House GOP leadership team or with Jeffries before deciding to give Carlson access.

    In an interview with The New York Times on Wednesday, McCarthy justified the decision by saying, “I promised.”

    “I was asked in the press about these tapes, and I said they do belong to the American public. I think sunshine lets everybody make their own judgment,” the California Republican told the Times.

    McCarthy has faced significant pressure from his right flank to relitigate the work of the House select committee that investigated the January 6, 2021, insurrection. The now-defunct January 6 panel got access to all the security footage from US Capitol Police during its investigation, but it did not release some footage for security reasons. A source familiar with the committee’s work told CNN that the unreleased footage was considered sensitive material because it showed top officials moving through the US Capitol when they evacuated to safety.

    During his bid for the speakership, McCarthy vowed to hold hearings on the security failures that led to the Capitol getting overrun, and he told the select committee to preserve all of its records for potential future review by the newly empowered GOP majority.

    Carlson has been a prominent promoter of January 6 conspiracy theories and has devoted significant airtime to boosting false claims that liberal “deep state” partisans within the FBI orchestrated the insurrection as a way to undermine former President Donald Trump.

    Some Republican lawmakers had hoped to review the material themselves, likely to look for footage to support their controversial claims about the January 6 attack.

    Democrats have criticized McCarthy’s decision to give Carlson access to the security footage.

    Jeffries said in a letter to colleagues that the move “represents an egregious security breach that endangers the hardworking women and men of the United States Capitol Police, who valiantly defended our democracy with their lives at risk on that fateful day.” Schumer told his Senate colleagues in a letter that the disclosure “poses grave security risks to members of Congress and everyone who works on Capitol Hill.”

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    February 25, 2023
  • NAACP Image Awards 2023: How to watch and why the show still matters | CNN

    NAACP Image Awards 2023: How to watch and why the show still matters | CNN

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    CNN
     — 

    The 54th NAACP Image Awards is a week-long celebration of excellence in film, TV, music and literature that will culminate in a televised ceremony Saturday.

    And while areas of the entertainment industry have worked to become more inclusive and diverse in recent years, Kyle Bowser, senior vice president of the NAACP’s Hollywood Bureau, told CNN the organization’s annual awards ceremony is still vital.

    “We do have an underlying mission, and ours is to broaden the scope, widen the lens, if you will, in the critique and the evaluation of what excellence looks like,” he said.

    Multiple honors have already been awarded, including outstanding ensemble cast in a motion picture for “Black Panther: Wakanda Forever,” outstanding host in a talk or news/information program to Jennifer Hudson and outstanding breakthrough creative (television) to Quinta Brunson for her work on “Abbott Elementary.”

    That’s not to say the main ceremony Saturday won’t have star power as well.

    The presenters list alone is A-list Black Hollywood with talent like Cliff “Method Man” Smith, Taye Diggs, Issa Rae, Janelle Monáe, Jonathan Majors, Kerry Washington, Sheryl Lee Ralph, Tracee Ellis Ross and Zendaya.

    Not to mention Queen Latifah hosting.

    “It’s an honor to host the 54th NAACP Image Awards, especially in the year we are celebrating 50 years of Hip Hop,” she said in a statement. “This is a night to celebrate Black excellence and Black contribution to our industry and beyond. Celebrating one another, lifting each other up and you know we’ll have fun doing it!”

    There will also be several high-profile award recipients such as Serena Williams receiving the Jackie Robinson Sports Award and Gabrielle Union-Wade and Dwyane Wade the President’s Award.

    The ceremony will air live Saturday at 8:00 p.m ET on BET. It will simulcast across Paramount Global networks, including BET HER, CBS, CMT, Comedy Central, LOGO, MTV, MTV2, Paramount Network, POP TV, Smithsonian, TV Land, and VH1.

    A list of nominees in some of the 80 categories follows below.

    A look back at some of the NAACP Image Awards Entertainer of the Year winners

    Angela Bassett

    Mary J. Blige

    Quinta Brunson

    Viola Davis

    Zendaya

    “A Jazzman’s Blues” (Netflix)

    “Black Panther: Wakanda Forever” (Marvel Studios)

    “Emancipation” (Apple TV)

    “The Woman King” (Sony Pictures Releasing)

    “TILL” (United Artists Releasing/Orion Pictures)

    Daniel Kaluuya – “Nope” (Universal Pictures)

    Jonathan Majors – “Devotion” (Sony Pictures Entertainment)

    Joshua Boone – “A Jazzman’s Blues” (Netflix)

    Sterling K. Brown – “Honk for Jesus. Save Your Soul” (Focus Features)

    Will Smith – “Emancipation” (Apple)

    Danielle Deadwyler – “TILL” (United Artists Releasing/Orion Pictures)

    Keke Palmer – “Alice” (Vertical Entertainment)

    Letitia Wright – “Black Panther: Wakanda Forever” (Marvel Studios)

    Regina Hall – “Honk for Jesus. Save Your Soul” (Focus Features)

    Viola Davis – “The Woman King” (Sony Pictures Releasing)

    Aldis Hodge – Black Adam (Warner Bros. Pictures / New Line Cinema)

    Cliff “Method Man” Smith – On The Come Up (Paramount Pictures)

    Jalyn Hall – TILL (United Artists Releasing/Orion Pictures)

    John Boyega – The Woman King (Sony Pictures Releasing)

    Tenoch Huerta – Black Panther: Wakanda Forever (Marvel Studios)

    Angela Bassett – “Black Panther: Wakanda Forever” (Marvel Studios)

    Danai Gurira – “Black Panther: Wakanda Forever” (Marvel Studios)

    Janelle Monáe – “Glass Onion: A Knives Out Mystery” (Netflix)

    Lashana Lynch – “The Woman King” (Sony Pictures Releasing)

    Lupita Nyong’o – “Black Panther: Wakanda Forever” (Marvel Studios)

    “Abbott Elementary” (ABC)

    “Atlanta” (FX)

    “black-ish” (ABC)

    “Rap S**t” (HBO Max)

    “The Wonder Years” (ABC)

    Anthony Anderson – “black-ish” (ABC)

    Cedric The Entertainer – “The Neighborhood” (CBS)

    Donald Glover – “Atlanta” (FX)

    Dulé Hill – “The Wonder Years” (ABC)

    Mike Epps – “The Upshaws” (Netflix)

    Loretta Devine – “Family Reunion” (Netflix)

    Maya Rudolph – “Loot” (Apple TV+)

    Quinta Brunson – “Abbott Elementary” (ABC)

    Tichina Arnold – “The Neighborhood” (CBS)

    Tracee Ellis Ross – “black-ish” (ABC)

    Brian Tyree Henry – “Atlanta” (FX)

    Deon Cole – “black-ish” (ABC)

    Kenan Thompson – “Saturday Night Live” (NBC)

    Tyler James Williams – “Abbott Elementary” (ABC)

    William Stanford Davis – “Abbott Elementary” (ABC)

    Janelle James – “Abbott Elementary” (ABC)

    Jenifer Lewis – “black-ish” (ABC)

    Marsai Martin – “black-ish” (ABC)

    Sheryl Lee Ralph – “Abbott Elementary” (ABC)

    Wanda Sykes – “The Upshaws” (Netflix)

    “Bel-Air” (Peacock)

    “Bridgerton” (Netflix)

    “Euphoria” (HBO Max)

    “P-Valley” (Starz)

    “Queen Sugar” (OWN: Oprah Winfrey Network)

    Damson Idris – “Snowfall” (FX)

    Jabari Banks – “Bel-Air” (Peacock)

    Kofi Siriboe – “Queen Sugar” (OWN: Oprah Winfrey Network)

    Nicco Annan – “P-Valley” (Starz)

    Sterling K. Brown – “This Is Us” (NBC)

    Angela Bassett – “9-1-1” (FOX)

    Brandee Evans – “P-Valley” (Starz)

    Queen Latifah – “The Equalizer” (CBS)

    Rutina Wesley – “Queen Sugar” (OWN: Oprah Winfrey Network)

    Zendaya – “Euphoria” (HBO Max)

    Adrian Holmes – “Bel-Air” (Peacock)

    Amin Joseph – “Snowfall” (FX)

    Caleb McLaughlin – “Stranger Things” (Netflix)

    Cliff “Method Man” Smith – “Power Book II: Ghost” (Starz)

    J. Alphonse Nicholson – “P-Valley” (Starz)

    Adjoa Andoh – “Bridgerton” (Netflix)

    Bianca Lawson – “Queen Sugar” (OWN: Oprah Winfrey Network)

    Loretta Devine – “P-Valley” (Starz)

    Susan Kelechi Watson – “This Is Us” (NBC)

    Tina Lifford – “Queen Sugar” (OWN: Oprah Winfrey Network)

    “Carl Weber’s The Black Hamptons” (BET Networks)

    “From Scratch” (Netflix)

    “The Best Man: The Final Chapters” (Peacock)

    “The Last Days of Ptolemy Grey” (Apple TV+)

    “Women of the Movement” (ABC)

    Morris Chestnut – “The Best Man: The Final Chapters” (Peacock)

    Samuel L. Jackson – “The Last Days of Ptolemy Grey” (Apple TV+)

    Terrence Howard – “The Best Man: The Final Chapters” (Peacock)

    Trevante Rhodes – “Mike” (Hulu)

    Wendell Pierce – “Don’t Hang Up” (Bounce TV)

    Niecy Nash-Betts – “Dahmer – Monster: The Jeffrey Dahmer Story” (Netflix)

    Regina Hall – “The Best Man: The Final Chapters” (Peacock)

    Sanaa Lathan – “The Best Man: The Final Chapters” (Peacock)

    Viola Davis – “The First Lady” (Showtime)

    Zoe Saldaña – “From Scratch” (Netflix)

    Glynn Turman – “Women of the Movement” (ABC)

    Keith David – “From Scratch” (Netflix)

    Omar Benson Miller – “The Last Days of Ptolemy Grey” (Apple TV+)

    Russell Hornsby – “Mike” (Hulu)

    Terrence “TC” Carson – “A Wesley Christmas” (AMC)

    Alexis Floyd – “Inventing Anna” (Netflix)

    Danielle Deadwyler – “From Scratch” (Netflix)

    Melissa De Sousa – “The Best Man: The Final Chapters” (Peacock)

    Nia Long – “The Best Man: The Final Chapters” (Peacock)

    Phylicia Rashad – “Little America” (Apple TV+)

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    February 25, 2023
  • ‘It’s a major blow’: Dominion has uncovered ‘smoking gun’ evidence in case against Fox News, legal experts say | CNN Business

    ‘It’s a major blow’: Dominion has uncovered ‘smoking gun’ evidence in case against Fox News, legal experts say | CNN Business

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    CNN
     — 

    Fox News is in serious hot water.

    That’s what several legal experts told CNN this week following Dominion Voting Systems explosive legal filing against the right-wing talk channel, revealing the network’s executives and hosts privately blasted the election fraud claims being peddled by Donald Trump’s team, despite allowing lies about the 2020 contest to be promoted on its air.

    While the legal experts cautioned that they would like to see Fox News’ formal legal response to the filing, they all indicated in no uncertain terms that the evidence compiled in Dominion’s legal filing represents a serious threat to the channel.

    “It’s a major blow,” attorney Floyd Abrams of Pentagon Papers fame said, adding that the “recent revelations certainly put Fox in a more precarious situation” in defending against the lawsuit on First Amendment grounds.

    A version of this article first appeared in the “Reliable Sources” newsletter. Sign up for the daily digest chronicling the evolving media landscape here.

    Rebecca Tushnet, the Frank Stanton Professor of First Amendment Law at Harvard Law School, described Dominion’s evidence as a “very strong” filing that “clearly lays out the difference between what Fox was saying publicly and what top people at Fox were privately admitting.”

    A cache of behind-the-scenes messages included in the legal filing showed Fox Corp chairman Rupert Murdoch called Trump’s claims “really crazy stuff,” and the cable network’s stars — including Tucker Carlson, Sean Hannity, and Laura Ingraham — brutally mock the lies being pushed by the former president’s camp asserting that the election was rigged.

    It also showed attempts to crack down on fact-checking election lies. On one occasion, Carlson demanded that Fox News White House correspondent Jacqui Heinrich be fired after she fact-checked a Trump tweet pushing election fraud claims.

    Tushnet said that in all of her years practicing and teaching law, she had never seen such damning evidence collected in the pre-trial phase of a defamation suit. “I don’t recall anything comparable to this,” Tushnet said. “Donald Trump seems to be very good at generating unprecedented situations.”

    David Korzenik, an attorney who teaches First Amendment law and represents a number of media organizations, said that the filing showed Dominion’s case against Fox News has serious teeth.

    Korzenik stressed that while the law allows for bias and ratings-seeking behavior by media outlets, it does not allow for the publication of material one knows to be false. The filing, Korzenik said, “certainly puts Fox in the actual malice crosshairs and puts them in real jeopardy.”

    RonNell Andersen Jones, a professor and media law scholar at the University of Utah, described the evidence as “pretty voluminous” and said that she too had never seen evidence like it collected in a high-profile defamation case against an outlet as enormous as Fox.

    “This is a pretty staggering brief,” Jones said. “Dominion’s filing here is unique not just as to the volume of the evidence but also as to the directness of the evidence and the timeline of the evidence.”

    “This ‘out of the horse’s mouth’ evidence of knowing falsity is not something we often see,” Jones added. “When coupled with the compelling storyline that Dominion is telling about motivation — the evidence that at least some key players in the organization were actively looking to advance some election denialism in order to win back viewers who had departed — it makes for a strong actual malice storyline.”

    In a statement, Fox News accused Dominion of generating “noise and confusion,” adding, “the core of this case remains about freedom of the press and freedom of speech, which are fundamental rights afforded by the Constitution and protected by New York Times v. Sullivan.”

    “Dominion has mischaracterized the record, cherry-picked quotes stripped of key context, and spilled considerable ink on facts that are irrelevant under black-letter principles of defamation law,” the network said. “Their motion for summary judgment takes an extreme and unsupported view of defamation law and rests on an accounting of the facts that has no basis in the record.”

    But the attorneys said Dominion’s filing showed it had built a powerful case against Fox.

    “The dream for a plaintiff’s attorney is what Dominion claims to have here,” Jones said, “smoking-gun internal statements both acknowledging the lie and deciding to forge ahead with perpetuating it.”

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    February 23, 2023
  • Search of BBC offices by Indian government enters third day | CNN Business

    Search of BBC offices by Indian government enters third day | CNN Business

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    New Delhi
    CNN
     — 

    Indian tax officials continued their search of the BBC’s offices in New Delhi and Mumbai for the third consecutive day, two sources with knowledge of the matter told CNN, weeks after the country banned a documentary from the British broadcaster that was critical of Prime Minister Narendra Modi’s alleged role in deadly riots more than 20 years ago.

    BBC employees have been told not to disclose information about the searches. A spokesperson for the broadcaster said it was cooperating with authorities.

    Some staff members were asked to remain at the offices overnight on Tuesday, the BBC said. But the offices are now open for people to enter and leave as needed.

    The searches come nearly a month after the Indian government said it banned the two-part documentary, “India: The Modi Question,” from being aired in the country and used “emergency powers” to block clips of the film from circulating on social media domestically. Twitter and YouTube complied with the order, the government said.

    The documentary revives the most controversial chapter of the Indian leader’s political career, when he was the chief minister of the western state of Gujarat in 2002.

    Modi was accused of not doing enough to stop some of the most heinous violence in India’s post-indpendence history, when riots broke out between the state’s majority Hindus and minority Muslims.

    More than 1,000 people, mostly Muslims, were killed in the violence and at least 220 more went missing, according to government figures.

    Modi has denied accusations that he failed to stop the violence. A special investigation team appointed by India’s Supreme Court in 2012 found no evidence to suggest he was to blame.

    Two years later, Modi and his ruling Bharatiya Janata Party rose to power in India, riding on a wave of Hindu nationalism in the country of 1.3 billion, where nearly 80% of the population follow the faith.

    The government’s move to block the documentary polarized opinion in the world’s largest democracy. Critics decried it as an assault on press freedom, while Modi’s supporters rallied to his defense.

    India’s main opposition Congress party described the ongoing tax searches at the BBC offices as a “brazen attack” on India’s free press.

    “If someone tries to shed light on the prime minister’s past, or dig out details of his past…the present and future of that media house will be destroyed by his agencies. That is the reality,” the party’s media department head, Pawan Khera, told reporters Wednesday. “India is the mother of democracy but why is India’s prime minister the father of hypocrisy?”

    The BJP has tried to justify the move by saying nobody in the country is above the law.

    Speaking at a news conference Tuesday, the party’s spokesperson Gaurav Bhatia said companies, including media agencies, must “follow and respect Indian law.”

    “Anyone, any agency, whether tied to the media, a company, if they are working in India, they must follow and respect Indian law. If they follow the law, then why should they be scared or worried? Let the Income Department do its job,” he said.

    The raids raised fears of censorship in India, with several media organizations issuing statements condemning the government’s actions.

    Now ranked between Turkey and Sudan, India dropped eight places to 150 out of 180 nations in last year’s World Press Freedom Index published by the Paris-based group, Reporters Without Borders.

    The Press Club of India said in a Tuesday statement the raids “will damage the reputation and image of India as the world’s largest democracy.”

    “It is deeply unfortunate as this latest instance appears to be a clear cut case of vendetta, coming within weeks of a documentary aired by the BBC,” it said, urging the government to “restrain its agencies from misusing its powers in order to intimidate the media.”

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    February 15, 2023
  • Alarming new study finds half of Americans believe news organizations intend to mislead and misinform with their reporting | CNN Business

    Alarming new study finds half of Americans believe news organizations intend to mislead and misinform with their reporting | CNN Business

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    New York
    CNN
     — 

    America’s Frankenstein-like information environment has shattered trust.

    On Wednesday, Gallup and the Knight Foundation released their annual report surveying Americans for insights into how they view the press — and the results were grim.

    Only 26% of Americans hold a favorable opinion of the news media, Gallup and the Knight Foundation found — the lowest level recorded by the organizations over the last five years.

    Perhaps more startling: the report found that 72% of Americans believe national newsrooms are capable of serving the public, but that they do not believe they’re well intentioned. Only 23% said that they believe national newsrooms care about the best interests of their audiences.

    A version of this article first appeared in the “Reliable Sources” newsletter. Sign up for the daily digest chronicling the evolving media landscape here.

    Meanwhile, Americans are having more difficulty than ever determining what to believe. 61% of respondents said the increase in information across the media landscape has made it harder to sort bad information from good.

    None of this is particularly surprising, though it is, without question, alarming. The media landscape has fractured and it’s not uncommon to now see the same story presented in entirely different ways to different audiences.

    Our shared reality has given way to algorithmically rendered realities. Some of the most popular media and political figures in the country actively pollute the information landscape. Many profit from propaganda that affirms the worldviews of their audiences and attacks the press in dishonest ways.

    The study on Wednesday underscored this polarization. “Media trust continues to vary along predictable lines. Democrats express significantly more trust in news organizations than Republicans. Among Republicans, trust in news continues to decline,” Gallup and the Knight Foundation said.

    It’s unclear how — or if — any single news organization can solve for this. MSNBC boss Rashida Jones offered her perspective on trust in media Wednesday at a New York event where she championed delivering the truth to audiences as the best path forward.

    “Rather than looking at a political culture or a political perspective, what we focus on is the truth,” Jones said, outlining her editorial philosophy. “Are the angles that we’re hitting representative of truth and democracy and the rights of humans across the board? We can get stuck into both sides for a fair amount or however you look at it.”

    “You can’t sacrifice the truth,” Jones continued. “Sometimes the truth isn’t pretty. Sometimes the truth might be critical of this group or that group. Rather than trying to keep a scorecard of, well, we had X number of perspectives in this party, and X number of perspectives in this party — it’s gotten a little bit more nuanced than that.”

    Jones is correct. The truth isn’t pretty. And the truth can offend. What is also clear is that the truth will offend members of one political party far more than the other. That’s because the sad reality is that one party — operating in an entirely different media ecosystem largely void of fact-based journalism — tells lies and promotes misinformation at a far higher rate than the other.

    Which begs the natural question: Can delivering the truth be at the heart of a news organization’s mission in 2023 if the aim is to not offend those on one end of the political spectrum at a far greater frequency than the other?

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    February 15, 2023
  • Indian authorities raid BBC offices after broadcast of Modi documentary | CNN Business

    Indian authorities raid BBC offices after broadcast of Modi documentary | CNN Business

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    New Delhi
    CNN
     — 

    Indian tax authorities raided the BBC’s offices in New Delhi and Mumbai on Tuesday, weeks after the country banned a documentary from the British broadcaster that was critical of Prime Minister Narendra Modi’s alleged role in deadly riots more than 20 years ago.

    BBC News reported on television that people had not been allowed to enter or leave the offices.

    The raids come after the Indian government said it used “emergency powers” to block the documentary from airing in the country, adding that both YouTube and Twitter complied with the order.

    The move polarized reaction in the world’s largest democracy. Critics decried it as an assault on press freedom, while Modi’s supporters rallied to his defense.

    A BBC spokesperson told CNN that the organization was “fully cooperating” with authorities. “We hope to have this situation resolved as soon as possible,” the spokesperson said.

    The two-part documentary “India: The Modi Question” criticized the then-chief minister of the western state of Gujarat in 2002 when riots broke out between the state’s majority Hindus and minority Muslims. It was broadcast in the UK in January.

    More than 1,000 people, mostly Muslims, were killed in the violence and at least 220 more went missing, according to government figures. Almost 1,000 women were widowed, while more than 600 children were left orphaned, official figures showed.

    Modi and his ruling ruling Bharatiya Janata Party rose to power in India in 2014, riding on a wave of Hindu nationalism in the country of 1.3 billion, where nearly 80% of the population follow the faith.

    The BBC said Jack Straw, who was British foreign secretary in 2002 and features in the documentary, claims that Modi had “played a proactive part in pulling back the police and in tacitly encouraging the Hindu extremists.”

    Modi has denied accusations that he failed to stop the violence. A special investigation team appointed by India’s Supreme Court in 2012 found no evidence to suggest he was to blame.

    But the riots remain one of the darkest chapters in India’s post-independence history, with some victims still awaiting justice.

    Last month, some university students in Delhi attempting to watch the banned film on campus were detained by police, raising concerns that freedoms were bring throttled under Modi’s government.

    Speaking at a news conference Tuesday, BJP spokesperson Gaurav Bhatia said companies, including media agencies, must “follow and respect Indian law.”

    “Anyone, any agency, whether tied to the media, a company, if they are working in India, they must follow and respect Indian law. If they follow the law, then why should they be scared or worried? Let the Income Department do its job,” he said.

    India was a country that “gives an opportunity to every organization” as long as they are “willing to abide” by the country’s constitution, Bhatia added.

    The raids have raised fears of censorship in India.

    In a statement Tuesday, the Editor’s Guild of India said it was “deeply concerned” by the development.

    The raids were a “continuation of a trend of using government agencies to intimidate and harass press organisations that are critical of government policies or the ruling establishment,” it said. “This is a trend that undermines constitutional democracy.”

    The statement gave examples of similar searches carried out at the offices of various English-language local media outlets, including NewsClick and Newslaundry, as well as Hindi-language media organizations including Dainik Bhaskar and Bharat Samachar.

    The Press Club of India said in a Tuesday statement the raids “will damage the reputation and image of India as the world’s largest democracy.”

    “It is deeply unfortunate as this latest instance appears to be a clear cut case of vendetta, coming within weeks of a documentary aired by the BBC,” it said, urging the government to “restrain its agencies from misusing its powers in order to intimidate the media.”

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    February 14, 2023
  • Voice of Democracy, one of Cambodia’s last independent media outlets, has been shut down | CNN Business

    Voice of Democracy, one of Cambodia’s last independent media outlets, has been shut down | CNN Business

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    CNN
     — 

    One of Cambodia’s last remaining independent media outlets has been shut down by Prime Minister Hun Sen ahead of national elections in July, in a move condemned by rights groups as a blow to press freedom.

    Based in the capital Phnom Penh, Voice of Democracy (VOD), a local outlet run by the Cambodian Center for Independent Media, published radio and online reports about labor and rights issues, environmental crime and political corruption.

    It reported last week that Hun Manet, son of the prime minister, allegedly signed an agreement to donate aid to Turkey, which was struck by a catastrophic earthquake last week. The report alluded to an apparent overstep of his authority.

    Hun Sen refuted the report and issued statements on Facebook accusing the outlet of attacking his son and hurting the “dignity and reputation” of the Cambodian government.

    He also refused to accept an official apology from VOD and added that its newsroom staff “should look for jobs elsewhere.”

    Government officials revoked VOD’s operating license on Monday and blocked its websites in English and Khmer.

    Several VOD staff took to social media to share news of the company’s sudden closure.

    “It has reached the end point,” wrote Mech Dara, one of its reporters, on Twitter. “I (thought) we might have survived longer.”

    He told CNN that many journalists were “still in shock” after Monday’s events.

    “We were expecting it to happen but not so quickly,” he said. “We fought for the truth. We always have but clearly some people could not handle it.”

    “There are so many stories to be told about Cambodia from Cambodia and this extends to the wider region – countries like Myanmar and Vietnam,” he added. “It’s a space that’s getting narrower and narrower and voices are stifled so that the outside world can’t see in.”

    “We have to face the reality and the challenges that come along with it but we will take it one day at a time.”

    The prime minister’s office hasn’t yet responded to a CNN request for further comment about the VOD closure.

    Hun Sen has served as the country’s prime minister since 1985, making him one of the world’s longest serving leaders.

    During his tenure, several independent newspapers and websites have been shut down and dozens of opposition figures jailed or forced into exile.

    “Voice of Democracy has served as an important mainstay of independent investigative reporting and objective criticism for years,” said Phil Robertson, deputy Asia director at Human Rights Watch. “Hun Sen’s closure of VOD is a devastating blow to media freedom in the country and will have an impact across Cambodian society.”

    “The Cambodian people are the ultimate losers because they have lost one of the last remaining sources of independent news on issues affecting their lives, livelihoods and human rights.”

    Amnesty International said the closure served as “a clear warning to other critical voices” months before national elections in July.

    “The Prime Minister should immediately withdraw this heavy handed and disproportionate order,” it said.

    Exiled former Cambodian opposition leader Sam Rainsy said VOD’s closure was “obviously politically motivated.”

    “Substantially all of Cambodia’s media is now government controlled,” he told CNN. “It also occurs in the context of [the] ongoing wrongful imprisonment of opposition supporters and routine intimidation of those who continue to operate.”

    “Governments [around the world] must educate citizens about the dangers of [those in power in] Cambodia because the Cambodian government won’t play its part in doing so.”

    Western ambassadors in the country expressed their concerns about the closure of VOD.

    “We are deeply troubled by the abrupt decision to revoke VOD’s media license,” according to a statement from the US embassy in Phnom Penh. “A free and independent press is the cornerstone of any functioning democracy, providing the public and decision makers with facts and holding governments to account,” it added.

    “We urge the Cambodian authorities to revisit this decision.”

    “Germany believes in the free access of information as the basis for free and fair elections,” said the German embassy. “The freedom of press in Cambodia has lost one of its last remaining independent media outlets.”

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    February 14, 2023
  • Super Bowl LVII: Who scored and who fumbled on TV’s biggest stage | CNN

    Super Bowl LVII: Who scored and who fumbled on TV’s biggest stage | CNN

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    CNN
     — 

    Big celebrities, but often, not-so-great ads.

    The Super Bowl presents a formidable challenge to advertisers, trying to justify the giant price tag for 30-second spots (as much as $7 million each, per Variety, for ads between kickoff and the final gun) by coming up with campaigns that feel as big as the game.

    This year, the scales tipped heavily toward celebrity talent – in several cases, thrown together in incongruous bunches – in commercials that were loud but frequently didn’t make a whole lot of sense.

    For starters, it helps when the talent has some kind of logical connection to the product, or at least figures into the creative in a way that advances that message. Being cute for its own sake can be fine, but it’s seldom particularly memorable.

    Using that logic, bravo to Rakuten, a shopping site, for enlisting Alicia Silverstone to reprise her “Clueless” role as the shopping-obsessed Cher, which she slid into like an old private-school uniform; and thumbs down to a celebrity-studded spot for Michelob Ultra featuring Serena Williams, Brian Cox and a host of others in an odd tribute to “Caddyshack.”

    Then again, this year’s crop of beer ads were mostly flat, especially given the high bar that Budweiser has customarily set for Super Bowls past. The main exception would be the Miller-Coors-Blue Moon spot, which was fun, if a little confusing.

    As was noted before the game, crypto ads that sought to make a splash at Super Bowl LVI sat out this year’s showcase, a reminder that newer product categories brave entering the Super Bowl derby at their own peril.

    Where were the other highlights, which were outnumbered (as usual) by the middling or low ones? Here’s a snap-decision breakdown of who scored and who fumbled on TV’s biggest stage. While this doesn’t include every spot that aired, if an ad featured four or more celebrities, assume it leaned toward the “loser” column.

    Movies: The movie business hasn’t rebounded to pre-pandemic levels, but the number of ads for upcoming blockbusters (and hoped-for blockbusters) felt like a collective vote of confidence in theatrical movie-going. Hollywood will likely never completely bounce back in the streaming age, but the studios appeared to serve notice that they’re not giving up without a fight.

    Of that roster of titles, give the nod to “The Flash,” which should stoke enormous interest in that Warner Bros. title (like CNN, a unit of Warner Bros. Discovery), and put the focus on the film instead of star Ezra Miller’s off-screen issues. Give honorable mention to “Indiana Jones” and “Creed” among the sequels, which also included pregame spots for “Transformers” and “Guardians of the Galaxy.” Also featured: “Air,” based on Michael Jordan’s Nike deal.

    Ram: There were again several electric-car ads, but give Ram the gold medal for its cheeky double-entendre about “premature electrification.”

    Rakuten: Would Silverstone waste this kind of opportunity to bask in a little of that “Clueless” nostalgia? As if.

    T-Mobile: Bradley Cooper and his mother were pretty adorable, especially when she told him that while he’s been nominated for stuff, he hasn’t won anything. Much better, alas, than its John Travolta “Grease” homage.

    Pepsi Zero Sugar: Steve Martin and Ben Stiller gave mini-classes on acting. So, do they really drink this stuff? Probably not, but it was fun to watch them pretend, and enhanced by the one-two punch of it.

    PopCorners: Just the idea of a “Breaking Bad” reunion gets high marks (plus the line “We don’t eat our own supply”), even if the snack-food product might not have been the ideal vehicle for it.

    Farmer’s Dog and Amazon: Two winners about our canine companions: Watching a dog’s life unfold, and thinking about losing one, served as one of the few genuine tearjerkers of the day; and on a lighter note, getting a destructive pooch a pal, via Amazon.

    CrowdStrike: If only the cyber-security company had been around during the Trojan War. A great visual idea.

    Google: Another spot that brought together unlikely celebrities – Amy Schumer, Doja Cat and NBA star Giannis Antetokounmpo – but in a clever demonstration of how its pixel product can “fix” old photos.

    Kia. If you forget your baby’s binky, this is definitely the car for you.

    Disney: Marking its 100th anniversary, the studio ran a spot to demonstrate the sweeping depth of its content, and its intricate hold on childhood memories.

    Kevin Burkhardt and Greg Olsen: After the histrionics of Fox’s pregame show (never mind the issues with the sound being off), the announcers – handling their first Super Bowl – rose to the occasion, with a solid call that identified the problems with the field, debated a “game-altering penalty” at the end; didn’t get in the way of the action and reminded everyone this was, after all, a football game.

    General Motors and Netflix: GM teamed with Netflix shows to push its EV cars, with Will Ferrell as the guide through shows like “Bridgerton” and “Stranger Things.” Not great, but at least it felt big and inventive.

    Dunkin’: Ben Affleck (mostly) and Jennifer Lopez brought some celebrity sizzle to the idea of a star moonlighting at a donut store.

    Paramount+: The advantage of featuring Sylvester Stallone in a streaming show, apparently, is one more star to help promote “Paramount Mountain.”

    Alicia Silverstone (left) reprised her

    HeGetsUs.com. The ads for this evangelical campaign were certainly arresting in reminding people, say, that Jesus was a refugee, and to love everyone. Yet despite being one of the few ads about something that played Sunday, the goal of its message seemed muddled, a perception reinforced by details about the group behind it.

    Workday: Rock stars differentiate between calling someone a rock star and actually being one. A fun idea, indifferently executed.

    Etrade: Nobody ever went wrong with talking babies, but that said, talking babies is a pretty tired gimmick.

    Weather Tech: A solid “Made in America” pitch.

    Beer ads: Miles and Keleigh Sperry Teller seem like a cute couple to have a beer with. What the ad didn’t do is make a case for that being a Bud Light. Ditto for Budweiser connecting a six-pack of Bud to “Six Degrees of Separation” (or Kevin Bacon), which had the right vibe to it but felt like a bit of a stretch.

    Booking.com: Hey, who couldn’t use a vacation? But why are we watching Melissa McCarthy sing about it?

    Doritos: Jack Harlow, Missy Elliott and Elton John pushing triangles? Another case of trying to be too hip and just looking square.

    Downy Unstoppables: Danny McBride likes it so much he’d change his name. But the whole thing was pretty McSilly.

    DraftKings: Kevin Hart and a host of celebrities appeared, but will it be remembered as a great Super Bowl ad? Don’t bet on it.

    Hellmann’s: Jon Hamm and Brie Larson in a refrigerator? Yes, mayonnaise goes with ham and Brie, but as Hamm said at the end, “That’s weird.”

    Remy Martin: Serena Williams’ speech was stirring, but the product was a complete afterthought.

    Planters: A Friars Club-style celebrity roast of Mr. Peanut felt like a weak attempt to butter up consumers.

    Jeep: The “Freedom is electric” tag line worked. The CGI dancing animals, not so much.

    Pringles: Another version of the hand stuck in the can campaign? That just feels like their creative is stuck in the ’90s.

    Squarespace: Adam Driver is already pretty overexposed, but that commercial – featuring dozens of him – made him really overexposed.

    Tubi: Someone should have talked the ad agency and marketing team out of going down that bizarre rabbit hole.

    M&Ms: The only real comment to that Maya Rudolph spot was “???”

    Limit/Break: Yes, saw the bar code. No, did not scan now.

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    February 12, 2023
  • De La Soul rapper David Jolicoeur, known as Trugoy the Dove, dead at 54 | CNN

    De La Soul rapper David Jolicoeur, known as Trugoy the Dove, dead at 54 | CNN

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    CNN
     — 

    David Jude Jolicoeur, better known under stage name Trugoy the Dove as one third of iconic rap trio De La Soul, has died.

    The news was confirmed to CNN via Tony Ferguson, the music group’s publicist. Jolicoeur was 54 years old. Ferguson said Jolicoeur’s passing was “a huge loss” in a phone call to CNN.

    Jolicoeur, a Brooklyn, NY native is widely considered to be one of the most influential hip-hop artists of the 1980s and 1990s to produce music in the genre that reflected a gentler tone.

    Jolicoeur and De La Soul members Vincent Manson, known as Pasemaster Mase, and Kelvin Mercer, known as Posdnuos, formed the rap trio in 1988 after attending high school together in Amityville, New York.

    De La Soul released their debut album “3 Feet High and Rising” in 1989 that included the hit “Me, Myself and I,” which spent 17 weeks on the Billboard Hot 100 chart. The album’s interlude skits, conceptual sound and samplings of James Brown’s music influenced artists such as A Tribe Called Quest, Public Enemy and N.W.A. to emulate the group’s unique style.

    “I think the element of that time of what was taking place in music, hip-hop, and our culture, I think it welcomed that and opened up minds and spirits to see and try new different things,” Jolicoeur told Billboard last month.

    Over the course of their performing career, De La Soul was nominated for six Grammy Awards, winning one for best pop collaboration with vocals for “Feel Good Inc.” in 2006.

    “The Magic Number,” another song off their debut album “3 Feet High and Rising,” was featured as the end-credit song in “Spider-man: No Way Home” in 2021.

    The placement of the hippie-inspired song in “No Way Home” drew in renewed interest in De La Soul, but the song wasn’t available on streaming services due to decades of legal complications related to sample clearances with group’s former label Tommy Boy Records.

    Since Reservoir Media acquired De La Soul’s catalog in 2021, the way was cleared for the legendary trio to finally stream their music on popular streaming sites. The group’s first six albums will be available to stream in March 2023, according to Billboard.

    The most recent album that Jolicoeur and De La Soul released was “And the Anonymous Nobody…” in 2016.

    De La Soul was scheduled to perform three shows in the United Kingdom starting April 8, 2023.

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    February 12, 2023
  • A twisted tale of celebrity promotion, opaque transactions and allegations of racist tropes | CNN Business

    A twisted tale of celebrity promotion, opaque transactions and allegations of racist tropes | CNN Business

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    CNN
     — 

    Sitting across from Jimmy Fallon on “The Tonight Show,” Paris Hilton, wearing a sparkling neon green turtleneck dress and a high ponytail, looked at a picture of a glum cartoon ape and said it “reminds me of me.” The audience laughed. It did not look like her at all.

    Hilton and Fallon were chatting about their NFTs – non-fungible tokens, typically digital art bought with cryptocurrency – from the Bored Ape Yacht Club. The camera zoomed in on framed printouts of the ape cartoons. “We’re both apes,” Fallon said. Hilton, with her signature vocal fry, replied, “Love it.”

    “The Tonight Show” episode from January 2022 is a YouTube time capsule showing the temporary alliance between celebrity marketing and the crypto industry. Bored Ape Yacht Club was not the biggest crypto phenomenon, but it was one of the top beneficiaries of celebrity hype. That celebrity hype, in turn, helped draw new consumers to crypto — an industry rife with manipulation and fraud, and one that US regulators are now giving more scrutiny in the wake of the collapse of crypto exchange FTX. But for a time, when crypto’s prices seemed to have no limit, the money appeared too good for some to ask questions — questions like: Why are some of those apes wearing prison clothes?

    “That was a very significant moment, because the audience for that show is very different from the typical crypto person,” explained Molly White, a software engineer and a fellow at the Harvard Library Innovation Lab. The Bored Apes — a computer-generated collection of 10,000 cartoons — were being presented as a status symbol, membership in an exclusive club. Hilton, Fallon, and other celebrities had joined — and viewers could join, too, if they bought an NFT.

    A class action lawsuit, filed in December, alleges Hilton, Fallon, and other celebrities conspired in a “vast scheme” to artificially inflate the price of Bored Ape NFTs and enrich themselves, the crypto payments company they used to get the apes, MoonPay, and the company that made the Bored Apes, Yuga Labs.

    Hilton and Fallon did not respond to requests for comment.

    In April 2021, Yuga Labs released the Bored Ape Yacht Club collection of cartoon apes with a computer-generated combination of features and accessories, such as gold fur, a sailor hat, laser eyes, 3-D glasses, a cigarette, as well as “hip hop” clothes, a “pimp coat,” a prison jumpsuit, a pith helmet, and a “sushi chef” headband. The founders were anonymous, known only by their online screen names.

    That fall, Hollywood agent Guy Oseary reached out to Yuga Labs, eventually investing in the company and joining its board. Soon celebrities started posting their Bored Apes on social media — including Oseary’s client Madonna, along with Steph Curry, Lil Baby, DJ Khaled, Snoop Dogg, Gwyneth Paltrow, and more. Bored Apes started selling for hundreds of thousands of dollars. Justin Bieber bought an ape for $1.3 million. By March 2022, Yuga got a $450 million venture capital investment, and was valued at $4 billion.

    Guy Oseary and Madonna at a 2016 Billboard Women In Music event. Oseary said both bought NFTs from Bored Ape Yacht Club.

    The class action lawsuit claims, “this purported interest in” Bored Apes “by high-profile taste makers was entirely manufactured by Oseary at the behest of” Yuga Labs. “In order to make the promotion of, and subsequent interest in, the BAYC NFTs appear to be organic (as opposed to being solely the result of a paid promotion), the Company needed a way to discreetly pay their celebrity cohorts.” The suit alleges they did this through MoonPay.

    When Jimmy Fallon introduced his audience to crypto, he also presented a frictionless way to buy in: MoonPay, a payments company that allows customers to buy crypto through most major payment systems like with a credit card. In November 2021, Fallon said on “The Tonight Show” that he’d bought his first NFT through MoonPay. “MoonPay? MoonPay! I did my homework — Moonpay, which is like PayPal but for crypto,” Fallon said. The following January, when Hilton showed her ape on the show, she said, “You said you got it on MoonPay, so I went and I copied you.”

    A few months later, in April 2022, MoonPay announced more than 60 celebrities and influencers had invested in the firm. MoonPay spokesman Justin Hamilton told CNN that Hilton became an investor, but not until after she spoke with Fallon on “The Tonight Show.” The FTC generally requires an endorser to disclose when they have a financial interest in promoting a company.

    The celebrity hype and unbelievable prices generated enormous media interest. “Rolling Stone” minted NFTs of the magazine with Bored Apes on the cover. Guy Oseary was on the cover of “Variety” under the headline “NFT King.”

    Independent journalists, under the names of Coffeezilla and Dirty Bubble Media, noticed blockchain ledger records suggesting not everything was as it appeared. Cryptocurrency is traded on the blockchain, a permanent and public ledger of every transaction. That means it can reveal financial relationships, if you figure out the right questions to ask.

    Hours before Justin Bieber bought an ape for the equivalent of $1.3 million on January 29, 2022, Bieber received Ethereum worth about $2.5 million in his crypto wallet, the blockchain shows. A couple weeks before Post Malone released a music video in November 2021 in which he bought a Bored Ape through MoonPay, MoonPay transferred cryptocurrency then worth about $760,000 into the artist’s wallet, and sent two more payments, worth about $640,000, a couple weeks after. MoonPay admits it paid for the placement in Post Malone’s video but says other celebrities paid full price for their service in US dollars.

    Joined @BoredApeYC ready for the reveal? Thanks @moonpay concierge pic.twitter.com/gzm1JQEHHF

    — Gwyneth Paltrow (@GwynethPaltrow) January 26, 2022

    Many celebrities who got apes thanked MoonPay on social media. Gwyneth Paltrow tweeted, “Joined @BoredApeYC ready for the reveal? Thanks @moonpay concierge.” The rapper Gunna posted on Instagram, “I Bought A @boredapeyachtclub NFT worth 300K No Cap ! His Name is BUTTA Thanks @moonpay !” Lil Baby mentioned MoonPay in his song “Top Priority.”

    The blockchain shows MoonPay paying high prices for the apes, and then transferring them to purported celebrity wallets for free. MoonPay explains this as a service that helps wealthy people buy NFTs without setting up their own crypto wallet.

    The company says the “white-glove” service was created because MoonPay’s CEO, Ivan Soto-Wright, had a lot of celebrity friends, and many of them asked how they could get an NFT. Jimmy Fallon, Lil Baby — they were Soto-Wright’s friends, Hamilton said.

    CNN spoke to several former MoonPay employees who said they were skeptical the celebrities paid for their NFTs, because there was no evidence on the blockchain.

    The company’s ape purchases have been significant. Since 2021, one of its wallets, “MoonPayHQ,” has spent at least $25 million on NFTs — 60% or about $15 million of that was spent on Bored Apes. The company told CNN they had 14 apes in a cold storage wallet, which offers more safety. It said that five of those NFTs were “purchased by concierge clients that are in the process of being transferred.” The last ape was purchased in April 2022, 10 months ago, according to blockchain records.

    One influencer has said he was approached about an ape. In a Twitter Spaces audio chat last year, celebrity jeweler Ben Baller said, “Real talk: not once, not twice, three times, I’ve been offered a Bored Ape through MoonPay. … The fact that some of these super top-tier all-star NBA players have them? And I was like, ‘Yo this is all cap [lies.]’ They didn’t buy this sh*t.” Baller did not respond to CNN’s request for comment. MoonPay’s spokesman said this didn’t happen.

    Oseary, the Hollywood agent and MoonPay/Yuga investor, texted CNN in response to a question: “NO ONE is paid to join the club and Yuga do NOT and have NOT given away any apes.” He said he paid full price for his Bored Ape, and so did Madonna.

    Yuga Labs declined an on-the-record interview with CNN. In a statement, the company said, “In our view, these claims are opportunistic and parasitic. We strongly believe that they are without merit, and look forward to proving as much.” Hamilton, MoonPay’s spokesman, said of the lawsuit, “We look forward to it being dismissed.”

    “The fine art market is a scam – that’s OK, at least there’s art going on,” said Max Gail, who’s been a blockchain developer since 2010, and founded Omakasea and Eth Gobblers.com. (Gail hosted the Twitter Space in which Baller discussed Bored Apes.) The NFT market, he said, “is like a parody of the fine art market. They took the same strategies that had been employed in the fine art market, but then distorted it with some strange crypto economics.”

    Anonymous buyers and sellers dealing in items whose values are difficult to calculate has made the fine art market susceptible to money laundering, a Senate investigation found in 2020. In 2022, an average of more than half of NFT trading volume on the Ethereum blockchain was “wash” trading, according to an analysis at Dune Analytics. (Most NFTs are on Ethereum.) Essentially, wash trades are a transaction in which the buyer and seller are the same person, or they’re working together. Wash trading has been illegal in traditional finance since the Great Depression, because it can distort the market by making people believe there is a high volume of interest in the investment. The ability to open many anonymous cryptocurrency wallets makes wash trading NFTs easier. A Chainalysis report found one “prolific NFT wash trader” made 830 sales to self-financed wallets in 2021.

    Though NFTs have been celebrated as the future of digital art, and a way for artists to earn royalties, many NFT collections operate more like securities — a financial instrument, like stocks or bonds, that hold some monetary value. “People will say that the technology itself has provided this whole new way of creating digital art,” Harvard’s Molly White said. “It’s not that unique. The unique part of it is the speculative bubble.”

    Mad Dog Jones' SHIFT// goes on view as part of 'Natively Digital: A Curated NFT Sale' at Sotheby's in June 2021. NFTs have been celebrated as the future of digital art.

    The NFT marketplace does not always make sense even to those who benefit from it. “Bored Apes have gone from $100 to $100,000 in a year. Nothing appreciates that fast,” a successful NFT artist said. The artist’s own works had gone from a couple hundred dollars to tens of thousands. One of the artist’s major collectors “treats me as a commodity and my art is a commodity and he’s always pumping and dumping it. … It’s being treated as a financial vehicle.”

    But there is pressure not to raise questions about the system. The NFT artist did not want to go on the record, saying it would be career suicide. “The big collectors watch for artists that FUD. And as soon as an artist FUDs, they get cancelled,” the artist said. FUD is “fear, uncertainty, and doubt,” or criticism of crypto.

    Beyond how the Bored Ape NFTs are traded, what they depict is at issue in yet another Yuga Labs legal battle.

    In the fall of 2021, accusations began swirling on social media that the Bored Ape Yacht Club contained visual references to racist memes from the troll site, 4chan. The artist Ryder Ripps — who’s worked with stars like Kanye West and Tame Impala — started tweeting about the claims of racist imagery. Ripps claims Guy Oseary, the Hollywood agent on Yuga’s board, called to pressure him to stop talking about the claims. (Oseary told CNN, “I can’t speak on active litigation.”)

    Ripps doubled down and made a website cataloging the claims. Then, in an act he says was meant to protest the alleged racism and comment on the idea you can’t copy an NFT, Ripps made copycat NFTs he sold as RR/BAYC. Yuga sued Ripps for trademark infringement, and argues that his maligning of the Yuga apes is nothing more than a profiteering tactic. Ripps says Yuga is trying to silence its critics, and has doubled down on his claims as part of his defense in the trademark suit.

    Yuga Labs called the accusations “the incoherent ramblings of a small group of for-profit conspiracy theorists.” However, the Yuga lawsuit against Ripps could affect the class action lawsuit against Yuga. Ripps’s lawyers have issued subpoenas to Paris Hilton and Jimmy Fallon.

    To assert its trademark rights, Yuga must show that consumers associate its logos with its products, and it did so in a legal filing, in part, by pointing to celebrity owners “including TV host Jimmy Fallon…”

    Ripps’s lawyer, Louis Tompros, asserts Yuga compensated celebrities for promoting its NFTs, and they did not disclose it. “And by doing that, in our view, they have gotten this public notoriety for their brand improperly,” Tompros told CNN. “And so having gotten it improperly, they now can’t go and assert that they have these rights.”

    This week Yuga co-founder Wylie Aronow published a 24-page letter explaining that he was stepping back from the company and addressing widespread rumors that the company and its products were connected to the alt-right.

    “I will soon call out this utter bullsh*t under oath,” he wrote.

    So what are the racist references alleged by Ripps and others? To start, there’s what’s right on the surface: some of the NFTs are pictures of apes in “hip hop” clothes, a “pimp coat,” a prison uniform, a bone necklace, gold and diamond grills. Record executive Dame Dash, a crypto enthusiast, pointed out on a podcast last year that monkeys and apes are old racist tropes.

    “Think if you were a racist, like ‘Guess what I’m gonna do? I’mma get Black people to love monkeys so much that they gonna buy them, wear them on their neck… go to something called ApeFest and they’re gonna like it!’ Wouldn’t that sound funny?” Dash said on the podcast. “That’s what’s happening.”

    Dash told CNN he hadn’t intended to target Yuga directly. But he’d started to wonder if he was being trolled, given the ubiquity of apes in crypto. “Racism is different these days — you can’t be so overt about it. You have to kind of troll,” Dash said.

    This week Yuga agreed to settle a lawsuit with a developer who worked with Ripps, with the developer agreeing to pay them $25,000 and saying he would reject all disparaging statements against Yuga Labs.

    Ryan Hickman, a software engineer who also worked with Ripps on RR/BAYC, is also being sued separately by Yuga. Hickman, who is Black, thought the Bored Apes looked like stereotypical portrayals of Black people as stupid or lazy. He said he thought this would be obvious to most people the second they saw an image of a Bored Ape. But, he said, “then somebody says, ‘Well, it’s worth $100,000.’ They say, ‘Okay well, tell me more.’”

    In a statement, Yuga said, “Our company and founders strongly condemn the spread of hate, in any form, against any group.” Hollywood agent Oseary said he’d never been on the troll site 4chan.

    The crypto community has adopted a lot of terms — rekt, frens, wagmi — that were popularized on 4chan, and it’s not always clear if the person using them understands where they came from. “I doubt that they were a massive alt-right troll campaign,” Harvard’s Molly White said. “I do think it’s likely that the creators of the project basically included some nods to 4chan.”

    “It’s not one thing that makes it racist. It’s everything together as a package,” programmer and 8chan founder Fredrick Brennan said, looking at comparisons between Pepe the Frog memes and Bored Apes. Brennan took an interest in the claims that Yuga referenced 4chan memes, because he’d seen them so often when he was running 8chan, a similar troll site. He quit 8chan in 2016, and in 2019 pushed for it to be taken down because it had become a hub for extremist violence. He began to suspect the Yuga founders were like the people he used to know.

    Take one of the apes’ characteristics, which Yuga calls a “sushi chef headband.” Brennan reads and speaks Japanese, and saw the headband actually said “kamikaze,” which has been used as a slur against Japanese people. A similar headband appeared on a Pepe meme. “That one was the most shocking,” he told CNN.

    In a legal filing connected to the Ripps case, Yuga said the apes reflected a combination of many traits, “not any person’s purported racism.”

    “I was hoping, in my eternal optimism,” Brennan said, “that people would become a lot more skeptical of tech bros. … And that liberal — so-called — celebrities in Hollywood would view these people with suspicion. Apparently not.”

    – CORRECTION: This story has been updated to clarify when Paris Hilton invested in MoonPay. Jimmy Fallon is not an investor, a company spokesman said.

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    February 10, 2023
  • Family of slain cinematographer sues Alec Baldwin and ‘Rust’ production company | CNN

    Family of slain cinematographer sues Alec Baldwin and ‘Rust’ production company | CNN

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    CNN
     — 

    The parents and sister of Halyna Hutchins, the cinematographer who was shot and killed during a rehearsal on the ‘Rust’ film set in 2021 are suing actor Alec Baldwin, the movie’s production company and others over her death.

    The lawsuit filed Thursday in Los Angeles Superior Court alleges the defendants caused intentional infliction of emotional distress, negligence and loss of consortium in Hutchins’ untimely death, attorney Gloria Allred announced in a news conference.

    Hutchins’ parents and sister live in Ukraine and are struggling to cope with the tragedy while living “in the midst of Putin’s war,” Allred said. Hutchins’ mother is a nurse, treating soldiers in a hospital near Kiev, and her brother-in-law is a soldier fighting in the war.

    CNN is seeking comment from Baldwin and the film’s production company.

    An attorney for on-set armorer, Hannah Gutierrez Reed, who was also named in the suit, had no comment.

    Last fall, a settlement was reached between Baldwin and the production company and Matthew Hutchins, Halyna Hutchins’ widower. Allred said this lawsuit is necessary because these family members also deserve accountability and justice, and claims that Baldwin and the film production team have not reached out these family members.

    “They haven’t heard from Alec Baldwin – the man with the gun,” Allred said, “the gun that ended the life of their daughter.”

    Baldwin and movie set armorer Gutierrez Reed are also facing criminal charges related to the shooting. David Halls, also named in the suit, has reached a plea agreement with the Santa Fe County District Attorney’s Office.

    “What we seek is an acknowledgement of what was taken – the loving relationship,” said Allred. “Whatever happens with the criminal case, we are pursuing this civil lawsuit for them to win justice.”

    Allred added: “There’s no real justice when someone’s been killed.”

    “Justice is in finding the truth,” added co-counsel John Carpenter.

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    February 9, 2023
  • Elizabeth Banks knows risk of new movie ‘Cocaine Bear’ could come back and bite her | CNN

    Elizabeth Banks knows risk of new movie ‘Cocaine Bear’ could come back and bite her | CNN

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    CNN
     — 

    With her bonkers new movie “Cocaine Bear,” Elizabeth Banks knew she wanted “to make something muscular and masculine.”

    In a new interview with Variety published on Wednesday, Banks – who directed and coproduced the film about a drug-fueled bear on a killing rampage – shared how difficult it was to convince some Hollywood power players that a woman could helm such a movie.

    “I wanted to break down some of the mythology around what kinds of movies women are interested in making,” Banks said. “For some bizarre reason, there are still executives in Hollywood who are like, ‘I don’t know if women can do technical stuff.’ There are literally people who are like, ‘Women don’t like math.’ It just persists.”

    She acknowledged that the new movie – which is based on a true story from the 1980s about a drug drop gone wrong that resulted in a bear ingesting cocaine – is “a ginormous risk,” adding that it “could be a career ender for me.”

    Part of the trepidation is the lackluster box office performance of original comedies, which has caused the industry to cool around the genre.

    But Banks is hopeful that the sheer zaniness of the concept – plus the bloody horror aspect of a cocaine-addled bear ripping people to shreds – will get people in the movie theater.

    “I love gore. I grew up on ‘Evil Dead,’” Banks told Variety. “The gore is part of the fun of the ride.”

    “Cocaine Bear” is set for release on February 24.

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    February 9, 2023
  • 27 million watched Biden’s second SOTU address, in big viewership decline from last year | CNN Business

    27 million watched Biden’s second SOTU address, in big viewership decline from last year | CNN Business

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    New York
    CNN
     — 

    An estimated 27.3 million people watched President Joe Biden’s 2023 State of the Union address on Tuesday night, according to Nielsen, a 29% decline in viewership from Biden’s first address when more than 38 million tuned in.

    According to Nielsen’s measurement, 73% of the audience was aged 55 and older, with only 5% of viewers aged 18-34.

    Among broadcast networks, ABC News led the pack, averaging 4.4 million viewers and 1.1 million in the advertiser-coveted 25-54 demographic.

    NBC News averaged 3.8 million total viewers with 1 million in the demo. And CBS News averaged 3.6 million viewers with 708,000 in the demo.

    On cable news, CNN averaged 2.4 million viewers, with 651,000 in the demo. MSNBC averaged 3.6 million viewers, with 500,000 in the demo.

    The right-wing talk channel Fox News averaged 4.7 million viewers with 853,000 in the demo.

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    February 8, 2023
  • Foxconn January sales hit record high after production restored at world’s biggest iPhone factory | CNN Business

    Foxconn January sales hit record high after production restored at world’s biggest iPhone factory | CNN Business

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    Hong Kong
    CNN
     — 

    Apple supplier Foxconn says its January monthly sales hit a record high as it bounced back from Covid-19 disruptions in China.

    In a sales update on Sunday, the Taiwanese manufacturing giant reported revenue of 660.4 billion Taiwan dollars ($22 billion) in January, 48% more than the same period a year ago and its highest-ever level for that month. Revenue was up nearly 5% compared to the previous month.

    The manufacturer attributed its performance to a strong rebound at its sprawling campus in Zhengzhou, central China.

    The site, which is home to the world’s biggest iPhone factory, was crippled late last year by Covid-19 restrictions and workers’ protests.

    Now, operations there are “returning to normal,” and product shipments have jumped, Foxconn said.

    The company also said a “better components supply” helped boost sales.

    Two of Foxconn’s most-watched divisions: smart consumer electronics, which includes smartphones and televisions, and computing products, which includes laptops and tablets, both “showed strong double-digit growth,” it said.

    The figures underscore how Foxconn’s Zhengzhou campus, also known as “iPhone city,” is roaring back to life after the massive setbacks.

    The company’s troubles started in October, when workers left the site because of concerns about Covid-related working conditions and shortages of food. Short on staff, bonuses were later offered to workers to return.

    But violent protests broke out in November, when newly-hired staff said management had reneged on their promises. Workers clashed with security officers, before the company eventually offered them cash to quit and leave the site.

    The headaches had led analysts to predict that Apple would likely speed up its supply chain diversification away from China.

    Last week, Apple

    (AAPL)
    pointed to challenges in China as a key factor in its worse-than-expected earnings.

    CEO Tim Cook said the company’s problems in the country had hurt its supply of the iPhone 14 Pro and iPhone 14 Pro Max during the key holiday shopping season.

    Foxconn has since managed to stabilize operations at its facility. Last month, Chinese state media reported that the Zhengzhou plant was almost back to normal, reaching 90% of capacity as of the end of December.

    The company also expressed confidence for the road ahead. On Sunday, it said in a statement that its outlook for the first quarter would likely meet analysts’ expectations, without providing specifics. Analysts polled by Refinitiv expect the firm’s revenue to grow 4% during the January-to-March period.

    Foxconn’s shares rose 1.9% in Taipei on Monday.

    — CNN’s Wayne Chang and Juliana Liu contributed to this report.

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    February 6, 2023
  • One news publication had an AI tool write articles. It didn’t go well | CNN Business

    One news publication had an AI tool write articles. It didn’t go well | CNN Business

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    New York
    CNN
     — 

    News outlet CNET said Wednesday it has issued corrections on a number of articles, including some that it described as “substantial,” after using an artificial intelligence-powered tool to help write dozens of stories.

    The outlet has since hit pause on using the AI tool to generate stories, CNET’s editor-in-chief Connie Guglielmo said in an editorial on Wednesday.

    The disclosure comes after CNET was previously called out publicly for quietly using AI to write articles and later for errors. While using AI to automate news stories is not new – the Associated Press began doing so nearly a decade ago – the issue has gained new attention amid the rise of ChatGPT, a viral new AI chatbot tool that can quickly generate essays, stories and song lyrics in response to user prompts.

    Guglielmo said CNET used an “internally designed AI engine,” not ChatGPT, to help write 77 published stories since November. She said this amounted to about 1% of the total content published on CNET during the same period, and was done as part of a “test” project for the CNET Money team “to help editors create a set of basic explainers around financial services topics.”

    Some headlines from stories written using the AI tool include, “Does a Home Equity Loan Affect Private Mortgage Insurance?” and “How to Close A Bank Account.”

    “Editors generated the outlines for the stories first, then expanded, added to and edited the AI drafts before publishing,” Guglielmo wrote. “After one of the AI-assisted stories was cited, rightly, for factual errors, the CNET Money editorial team did a full audit.”

    The result of the audit, she said, was that CNET identified additional stories that required correction, “with a small number requiring substantial correction.” CNET also identified several other stories with “minor issues such as incomplete company names, transposed numbers, or language that our senior editors viewed as vague.”

    One correction, which was added to the end of an article titled “What Is Compound Interest?” states that the story initially gave some wildly inaccurate personal finance advice. “An earlier version of this article suggested a saver would earn $10,300 after a year by depositing $10,000 into a savings account that earns 3% interest compounding annually. The article has been corrected to clarify that the saver would earn $300 on top of their $10,000 principal amount,” the correction states.

    Another correction suggests the AI tool plagiarized. “We’ve replaced phrases that were not entirely original,” according to the correction added to an article on how to close a bank account.

    Guglielmo did not state how many of the 77 published stories required corrections, nor did she break down how many required “substantial” fixes versus more “minor issues.” Guglielmo said the stories that have been corrected include an editors’ note explaining what was changed.

    CNET did not immediately respond to CNN’s request for comment.

    Despite the issues, Guglielmo left the door open to resuming use of the AI tool. “We’ve paused and will restart using the AI tool when we feel confident the tool and our editorial processes will prevent both human and AI errors,” she said.

    Guglielmo also said that CNET has more clearly disclosed to readers which stories were compiled using the AI engine. The outlet took some heat from critics on social media for not making overtly clear to its audience that “By CNET Money Staff” meant it was written using AI tools. The new byline is just: “By CNET Money.”

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    January 25, 2023
  • Ticketmaster gets grilled: 6 takeaways from hearing over Taylor Swift concert fiasco | CNN Business

    Ticketmaster gets grilled: 6 takeaways from hearing over Taylor Swift concert fiasco | CNN Business

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    CNN
     — 

    Lawmakers grilled a top executive of Ticketmaster’s parent company, Live Nation Entertainment, on Tuesday after the service’s inability to process orders for Taylor Swift’s upcoming tour left millions of people unable to buy tickets late last year.

    During the three-hour hearing, senators pressed Live Nation president and CFO Joe Berchtold and some other witnesses on whether his company was too dominant in the industry, thereby harming rivals, musicians and fans.

    “I want to congratulate and thank you for an absolutely stunning achievement,” Sen. Richard Blumenthal said to Berthtold. “You have brought together Republicans and Democrats in an absolutely unified cause.”

    Here’s a look at the big takeaways from the hearing:

    When tickets for Swift’s new five-month Eras Tour went on sale on Ticketmaster in mid November, heavy demand snarled the ticketing site, infuriating fans who couldn’t snag tickets. Unable to resolve the problems, Ticketmaster subsequently canceled Swift’s concert ticket sales to the general public, citing “extraordinarily high demands on ticketing systems and insufficient remaining ticket inventory to meet that demand.”

    In his testimony Tuesday, Berchtold partly blamed the Swift ticketing incident on the bots.

    Ticketmaster, he said, was “hit with three times the amount of bot traffic than we had ever experienced” amid the “unprecedented demand for Taylor Swift tickets.” The bot activity “required us to slow down and even pause our sales. This is what led to a terrible consumer experience that we deeply regret.”

    Berchtold also went on defense more broadly about his company. He emphasized that Ticketmaster does not set ticket prices, does not determine the number of tickets put up for sale and that “in most cases, venues set service and ticketing fees,” not Ticketmaster.

    He also rejected suggestions that its dominance has allowed for soaring fees, citing data from the market intelligence firm Pollstar showing that Live Nation controls about 200 out of approximately 4,000 venues in the United States, or about 5%.

    The venues controlled by Live Nation set fees that are “consistent with the other venues in the marketplace,” he said.

    Members of the entertainment industry and one rival spoke out against Ticketmaster’s dominance in the industry.

    Jack Groetzinger, CEO of SeatGeek, alleged that many venue owners “fear losing Live Nation concerts if they don’t use Ticketmaster” and its services, and argued the company must be broken up.

    “Live Nation controls the most popular entertainers in the world, routes most of the large tours, operates the ticketing systems and even owns many of the venues,” he told lawmakers. “This power over the entire live entertainment industry allows Live Nation to maintain its monopolistic influence over the primary ticketing market.”

    He continued: “As long as Live Nation remains both the dominant concert promoter and ticketer of major venues in the US, the industry will continue to lack competition and struggle,” he said.

    Bandmate Jordan Cohen, right, listens as singer-songwriter Clyde Lawrence, left, testifies before a Senate Judiciary Committee hearing to examine promoting competition and protecting consumers in live entertainment.

    Clyde Lawrence, a singer-songwriter on the witness panel, explained how the company acts as a promoter, a venue and the ticketing company, which eats into performing artists’ revenues. Artists, he said, have no leverage over Live Nation.

    “Since both our pay and theirs is a share of the show’s profits, we should be true partners aligned in our incentives — keep costs low while ensuring the best fan experience,” he said. “But with Live Nation not only acting as the promoter but also the owner and operator of the venue, it seriously complicates these incentives.”

    Lawrence also said with Ticketmaster, “we’ll see a 40%-ish or closer to 50% fee added on top” of the base ticket price.

    The fallout from the ticketing fiasco once again cast a harsh spotlight on Ticketmaster and its power in the industry, more than a decade after it completed its merger with Live Nation despite concerns the deal would create a near monopoly in the ticketing sector.

    “To have a strong capitalist system, you have to have competition,” Sen. Amy Klobuchar, a Democrat from Minnesota, said during her opening remarks. “You can’t have too much consolidation — something that, unfortunately for this country, as an ode to Taylor Swift, I will say, we know ‘all too well.’”

    Kathleen Bradish, vice president for legal advocacy at the American Antitrust Institute, called Ticketmaster “a very traditional monopoly” and told lawmakers the lack of competition in the live entertainment industry results in consumers having to pay higher prices.

    “Its dominance in markets up and down the live entertainment supply chain creates the incentive and the ability to limit competition and protect its market position,” she explained. “Customers pay the price for these monopolistic acts with higher ticket prices and fees, lower quality, less choice and less innovation.”

    On the concert side, the company excludes “smaller or independent concert promoters and venues. In digital ticketing, it includes excluding ticket resellers and brokers who provide important competition via the secondary ticketing market,” she said.

    Lawmakers repeatedly questioned the US government’s past handling of the Live Nation merger with Ticketmaster. It involved a legally binding consent agreement that allowed the company to merge with Ticketmaster so long as the combined company abided by a number of behavioral conditions.

    A 2019 Justice Department review found that Live Nation was not meeting its commitments under the order, but instead of suing, the Department modified the agreement and extended it for another five years, according to Bradish at the American Antitrust Institute.

    “DOJ should pursue new enforcement action to obtain effective structural relief,” said Bradish, calling for a breakup of Live Nation under either Section 7 of the Clayton Act or Section 2 of the Sherman Act.

    A Senate Judiciary Committee hearing on Tuesday examined promoting competition and protecting consumers in live entertainment on Capitol Hill

    Sen. Mike Lee said the way that history has unfolded since the Live Nation merger raises “very serious doubts” about the usefulness of consent agreements imposed by the federal government.

    If the current Justice Department concludes that the consent decree has been violated, “unwinding the merger ought to be on the table,” Blumenthal said.

    In response to Berchtold’s explanation about the bot problem, some lawmakers questioned the company’s security practices, noting many small businesses can determine when bad actors are infiltrating their systems.

    Republican Senator Marsha Blackburn suggested Berchtold strengthen its cyberprotections, get better advice and hire new IT workers to better protect its systems. (Berchtold said the company has poured billions of dollars into security to protect its systems over the years.)

    Another Republican, Sen. John Kennedy, went further in criticizing the company over the Swift ticketing issue. He said whoever at Live Nation was in charge of the incident “ought to be fired.”

    In the back half of the hearing, some of the focus shifted to possible solutions – but there were no easy answers.

    Some lawmakers focused on the ability to resell tickets. While this option can be useful for customers who need to change plans, it can also help prop up the scalping market.

    When senators discussed whether restricting the ability to transfer tickets would help, Live Nation’s exec was in favor of it. But the SeatGeek CEO said this might only entrench Live Nation’s dominance, as it holds the kind of market share that would force consumers to solely transact there in the absence of other resale market options.

    – CNN’s Brian Fung and Aditi Sangal contributed to this report

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    January 25, 2023
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