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  • What shows are affected by the TV writers’ strike?

    What shows are affected by the TV writers’ strike?

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    The first TV and film writers’ strike in 15 years kicked off Tuesday, and it’s expected to bring production in the nation’s entertainment center to a halt. 

    The impact of the strike could be far-reaching, depending on how long it takes for writers and studios to reach a deal. The last Hollywood strike, in 2007-2008, took three months to resolve.

    With the 11,500 members of the Writers’ Guild of America working across film, TV, streaming and fiction podcasts, here’s how the labor stoppage is expected to affect shows.

    What shows are affected?

    The most immediate impact of the strike will be seen in late-night shows, which are written daily to pivot off current events.

    “The Late Show” on CBS, “Jimmy Kimmel Live!” on ABC, “The Tonight Show” on NBC, “Late Night” on NBC and Comedy Central’s “The Daily Show,” have stopped production and plan to run repeats for the foreseeable future.

    NBC’s “Saturday Night Live” has a slightly longer production timeline but is even more dependent on its writers, the Associated Press notes. The show will not air the last three episodes of its season, starting with the scheduled May 6 show guest-hosted by Pete Davidson.

    Not all late-night shows will go dark. Fox News’ “Gutfeld!” with Greg Gutfeld will continue airing new episodes, Fox said Tuesday. Gutfeld and his writing team are not WGA members, Deadline reported.

    It’s less certain how daytime talk shows would be affected, as they lean more into host chats and interviews. ABC’s “The View” was uninterrupted during the last strike in the 2007-2008 season.


    Writers Guild of America entertainment writers go on strike

    04:43

    How does the strike affect streaming shows and movies?

    The impact on these services is uncertain. Scripted shows — not to mention movies — work on longer timelines than late-night TV, so many viewers may not notice the effects of a strike until long after it’s over.

    “When it comes to scripted dramas or comedies, it would actually be quite a while before a normal viewer would see a difference,” Alex Weprin, media and business writer at the Hollywood Reporter, told CBS News. “There are a lot of episodes that have already been shot that are banked for later use; there are also some scripts that have already been written for some of these shows.”

    The menus on Netflix and Amazon Prime Video will look no different next week, but they could change months down the line, the AP noted. If a strike lasts through the summer, fall schedules for scripted shows and films could be upended.

    With the walkout long anticipated, many studios rushed to finish projects and create a backlog to have enough content for the short term. Netflix has said it could turn to overseas series to fill some of the void during a strike.

    “We’ve got ourselves ready. We’ve had a lot of content that’s been produced,” David Zaslav, chief executive of Warner Bros. Discovery, said last month.

    Does the strike affect show production?

    Production on finished screenplays can proceed as planned, but without the benefit of last-minute rewrites. As a result, films currently shooting could see a notable drop in quality.

    However, that’s assuming that crews, whose union recently came very close to striking, are willing to cross WGA picket lines and work. If they aren’t willing to do that, the strike could have ripple effects in Hollywood.

    Contracts for two other major unions, the Directors’ Guild of America and SAG-AFTRA — which represents actors, expire in June. Both negotiations are likely to focus on similar issues around the business model of streaming, the AP reports. The DGA is set to begin negotiations with the Alliance of Motion Picture and Television Producers (AMPTP) on May 10.

    With reporting by the Associated Press.

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  • ‘The Devil In The White City’ Shelved After Keanu Reeves Departs Hulu Series

    ‘The Devil In The White City’ Shelved After Keanu Reeves Departs Hulu Series

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    By Brent Furdyk.
    Published:
    Last updated:

    There was great rejoicing from Keanu Reeves’ fans when Hulu announced the “John Wick” star had signed on to star in “The Devil in the White City”, a limited series from producers Martin Scorsese and Leonardo DiCaprio that would have been Reeves’ first major television role, with Todd Field (“TÁR”) on board to direct.

    In October 2022, Field exited. This was followed by Reeves dropping out of the project, in which he would have played Daniel H. Burnham, described in the series’ logline as “a demanding but visionary architect who races to make his mark on history with the 1893 Chicago World’s Fair,” who found himself in the orbit of Dr. H. H. Holmes, described as “America’s first modern serial killer and the man behind the notorious ‘Murder Castle’ built in the Fair’s shadow.”


    READ MORE:
    Keanu Reeves Exits Hulu’s ‘The Devil In The White City’

    Following the news of Reeves’ departure from the project, Variety is now reporting that Hulu has decided to pull the plug on the series.

    Sources tell Variety that Reeves only joined the series because of Field’s involvement; when he dropped out, Reeves quickly followed suit.

    However, “The Devil in the White City” may not be completely dead; those sources claim that producers are planning to shop the series to other outlets.

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    Brent Furdyk

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  • Only Icons in the Building

    Only Icons in the Building

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    If you’re not already a devoted fan of Only Murders in the Building, run — don’t walk — to Hulu to start binging your new-favorite show now. The Emmy-nominated series stars Selena alongside comedy veterans Martin Short and Steve Martin. The result: a charming, addictive comedy that only strengthens Selena’s already-massive career.

    This Selena Gomez smash-hit is the best thing the singer/actress/beauty mogul has been in since Wizards of Waverly Place — neck-and-neck with that one photo of Selena and Hailey Bieber.

    Alongside Martin and Short, Gomez plays a true-crime addict who stumbles into a murder mystery of her own. It’s the addictive, soapy, silly whodunnit for the true crime set. And after the success of the second season, I wondered if they could top it in the third season. In a new, viral TikTok, Selena reveals that they definitely can.

    These days, all great announcements happen on TikTok. So it’s only right that Selena posted a TikTok (them, of course, the Reels version) video to reveal two of her latest superstar co-stars on the hit Hulu series: Paul Rudd and Meryl Streep.

    That’s right. These two timeless icons will be running around Manhattan with the comedic trio and I am inexplicably eager to see Season 3’s shenanigans.

    “Hey guys, we’re on set. What are we shooting?” Gomez says to the camera, revealing Martin and Short. But then, the twist. “Could this honestly get any better?” she posits, knowing the answer is a resounding yes. Because next in the frame? Paul Rudd. And if that wasn’t enough? Meryl casually pops up behind them all!

    This direct, unofficial teaser got my heart rate up. So imagine what creator John Hoffman has in store for Charles, Oliver, and Mabel…and the rest of us!

    Tina Fey was one of the surprise stars of Season 2, so Rudd and Streep join a cast of icons to further this award-winning Hulu sitcom’s reign. I cannot wait for the season to wrap so I can sit at home and binge it in one long, delicious session.

    Three questions remain: who will be murdered next? Who will the murderer be? And will you be joining me on what’s sure to be an epic journey?

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    LKC

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  • Claire Danes on Fighting and Screaming Through ‘Fleishman Is in Trouble’

    Claire Danes on Fighting and Screaming Through ‘Fleishman Is in Trouble’

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    When Claire Danes first started filming Homeland, she did what many actors can’t help but do, and brought work home to her husband, Hugh Dancy—specifically, the Showtime drama’s liberal use of swear words. “The first season was littered with pretty foul language, and that bled into my personal life—I was talking like a sailor,” she tells Vanity Fair. “I remember Hugh being really grossed out by it and chastising me a little bit, like, ‘Claire!’” Cut to a decade later, with Danes deep into her new show, Fleishman Is in Trouble, FX on Hulu’s juicy and twisty tale of a bitter divorce. “Fighting in the way that I had been for 12 hours a day, for many consecutive days, just made me more inclined to pick fights with Hugh, who was entirely undeserving of it,” Danes says. “It was not at all his fault. But it’s hard to turn the spigot off because it feels good, in a perverse way.”

    Danes commits every time—and it’s not that the Emmy winner goes full Method, exactly. The intensity and fullness with which she brings her richest characters to life translates into the kinds of performances that stick to viewers for days. No wonder the portrayer finds them a little hard to shake herself. And that goes especially for Fleishman. For much of the limited series’ run, Danes’s Rachel exists as a projection of her ex-husband, Toby (Jesse Eisenberg). His old college friend, Libby (Lizzy Caplan), listens to him unpack the breakdown of their marriage, from Rachel’s traumatic experience while giving birth, to her ruthless professional ambition, and her unwillingness to see him fully, as he (says he) saw her. One day, after dropping the kids off at Toby’s place, Rachel disappears; at the end of last week’s sixth episode, Libby finds Rachel sitting on a park bench, hiding in plain sight—and realizes that there’s far more to the story than Toby’s righteous version of events had perhaps implied. Rachel tells Libby everything that happened from her own perspective. The account is devastating—with Danes, emotionally and heartbreakingly raw, delivering career-best work in the process of explaining how a driven woman can crumble. (Already, she’s been nominated for a Golden Globe and Critics Choice Award for her Fleishman performance.) 

    Due to some wonkiness in the production schedule, Danes filmed both this penultimate episode and the third episode—her other showcase, but told from Toby’s point of view—near-simultaneously. In other words, she and Eisenberg would be on the same sets, playing the same scenes, twice—through each other’s lens. “I’d never played a character as perceived by someone else, so to play a projection and then play a person, one after the other, took some coordination. I would lose track!” Danes says. “When we were shooting the scene at the therapist’s office, [our director] had to remind me that we were in what we called my episode. She’s like, ‘You’re right in this one.’ I said, ‘Well, I’m always right, but it’s a matter of how right: Am I episode three right, or am I episode seven right?’ These were the kind of deranged conversations that we found ourselves having.”

    “Episode three right,” as they called it, carries a certain coldness—Rachel still reads her dynamics with Toby rather correctly in the latter’s memory of their marriage, but she lacks empathy and patience. Danes magnetically plays into Toby’s minimizing while hinting at the depth, history, and pain later fully revealed in Rachel’s own telling of events. Her story is that of one woman being pushed to the brink, the true and layered experience behind what would be dismissed by most as a mental breakdown. It’s the kind of arc Danes excels at delineating, never in judgment or hysterics but not shying away from the cry for help at its core. In fact, when she first encountered Rachel as her next potential role, Danes worried about repeating herself. “Obviously, I played an unhinged person in Carrie Mathison for many seasons, and I played Temple Grandin, who has a different kind of makeup and is a deeply sensitive person,” Danes says. “There was part of me that was like, Oh, gosh, am I the go-to girl for this kind of expression?”

    But the difference is that Rachel is not a globetrotting, terrorist-hunting CIA agent. She’s not a hero of the American scientific community. She’s simply a working mom, someone many viewers know, or even are—and in Danes bringing her trademark, guttural power to that kind of everyday experience, she reaches a new sweet spot that hits hard, one rooted in the mundane. “I just find people who are in extreme states really, really fascinating—and I think that experience is probably more common than any of us would like to admit,” Danes says. “We all know what it is to be scared out of our minds, literally. It feels like a privilege to be able to communicate that.”

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    David Canfield

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  • ‘Tiny Beautiful Things’ Brings Cheryl Strayed’s “Dear Sugar” Column to Life

    ‘Tiny Beautiful Things’ Brings Cheryl Strayed’s “Dear Sugar” Column to Life

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    Strayed is joyful about putting such a complicated figure on the screen, knowing that fictional female characters are still sometimes skewered for it. She says that when the movie version of Wild came out, she was stunned by the discussions about Reese Witherspoon’s character—that is, Cheryl Strayed—as an unlikable woman. “I was like, What? Likeability has never been my problem,” she says and then chuckles. “But that was shorthand for complexity—somebody who does some things that you’re not supposed to or that maybe are contradictory.”

    Hahn’s character in Tiny Beautiful Things can’t stop doing things she’s not supposed to. She has passed the age that her mother was when she died, and yet Clare has not become the writer—or the person—her mother believed she could be. “It’s a really unique way to tell the story of a life, a nonlinear memoir,” Tigelaar continues. “Like we’re comprised of all these little dots of the stories that make us, and we’re pulling out dots in no particular order, weaving them together into this tapestry to say: [These are the things] that created you, and this is what you have to draw from now.”

    Clare (Kathryn Hahn)By Elizabeth Morris/Hulu.

    Those stories often resonate painfully for Clare, who remembers with horror how unappreciatively she received her mother’s last present. “It’s a very particular thing to lose a parent when you’re a teenager or in your young twenties,” Strayed says. “That group of people has a tremendous amount of regret and guilt, because they were regular teenagers. And in the last years of their mothers’ lives, they treated their mother like shit, you know? I had to grapple with that, too—going back in time and being like, I should have been more grateful for that coat she bought me in the last Christmas of her life.” She shakes her head. “But you have to live with it, you have to forgive yourself, you have to do all the things you have to do. And I love that we got to tell that story in this show.”

    Tigelaar recalls that cast and crewmembers whose lives had been touched by loss often swarmed Strayed when she came on set, recognizing themselves in her evocation of grief as a long and steady hum, rather than something you get over and stay over. In fact, Strayed once wrote in a Dear Sugar column that her own writing comes from “the divine place within me that is my mother. Sugar is the temple I built in my obliterated place.” Strayed wanted to make sure that came through in the series, too. “At a lot of points in this season, everything’s all messed up,” she says thoughtfully. “The thing I find so moving about this character is that she leans in the direction of empathy and kindness and telling people that they can—that they can find love, that they can believe in themselves, that they can go on for another day—in the form of this advice column. She’s the conduit for not only the best parts of herself, even when everything’s gone to hell, but the best parts of us.”

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    Joy Press

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  • Disney+ Now Available With Ads

    Disney+ Now Available With Ads

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    Disney+ planned ad-supported tier is now available. This new model launches on December 8. Previously, Disney+ merely had one tier, priced at $7.99 monthly, without ads. If you want to keep watching Disney+ without ads, the new price for that tier is $10.99 a month.

    While it’s evident that increasing the price of a previously available service and charging the old fee for a lesser tier isn’t great for customers, it is an option that’s now available. Michael Paull, an executive at Disney, recently offered a statement on the new development. He said:

    Today’s launch marks a milestone moment for Disney+ and puts consumer choice at the forefront. With these new ad-supported offerings, we’re able to deliver greater flexibility for consumers to enjoy the full breadth and depth of incredible storytelling from The Walt Disney Company.

    The issue here is that while yes, there are choices, the subscriber is forced to pay three more dollars a month if they’d like to continue using the service as it existed. If not, they can just stick with the old price, but now be subjected to frequent ad breaks. Not only that, but the ad-supported tier won’t feature other bells and whistles, like downloads, Groupwatch, or Dolby Atmos support.

    Disney has been the majority owner of Hulu since at least 2019, and it seems that they wanted to take a big risk by trying out ad-supported models over there first. Rather than pushing it on the platform that featured their name, they opted for a sneakier approach. When they realized that people would pay more or settle for an ad-supported tier, they expanded the system to other streaming services.

    As far as the bundles go, Disney is offering an ad-supported Hulu/Disney+ bundle for $9.99 a month. For $12.99, you can get Disney+, Hulu, and ESPN+. Hulu with live TV will go for $69.99 a month, which includes Disney+ and ESPN+ in their ad-supported forms.

    Great Disney+ Movies You Might Have Missed

    These excellent films are all waiting to be discovered on Disney+.

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    Cody Mcintosh

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  • In ‘Welcome to Chippendales,’ Costumes Include ’80s Vintage, Many G-Strings and Custom Breakaway Pants

    In ‘Welcome to Chippendales,’ Costumes Include ’80s Vintage, Many G-Strings and Custom Breakaway Pants

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    Warning: Mild spoilers through episode four of “Welcome to Chippendales.”

    In addition to ripped-from-the headlines murder, scandal and lots of bulges and butts, “Welcome to Chippendales” includes a dramatization of a key player in the famous nightclub’s story: the talent behind the male stripper troupe’s iconic looks. 

    “I’m a vision facilitator, a costume designer — especially costume designer. I’m a receptionist by trade, but fashion is my passion,” says Denise (Juliette Lewis), eagerly pitching her skills to Chippendales choreographer Nick De Noia (Murray Bartlett). Of course, she’s wearing the most fabulous animal-print jumpsuit as an endorsement.

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    Fawnia Soo Hoo

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  • What Happened to Chippendales? Founders, Murders and More

    What Happened to Chippendales? Founders, Murders and More

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    Whether you’ve been to a live show or you’re more familiar with Chris Farley’s SNL rendition, the all-male strip club Chippendales has been a household name for decades.


    Photo by Denise Truscello/WireImage

    The brand is known as the first strip joint to cater to female desires with its signature shows featuring buff men in cuffs and bow ties – sans shirts.

    Founder Somen “Steve” Banerjee opened the strip club for the first time in Los Angeles in 1979, and the brand is still “thriving” today, reps told Entrepreneur, with its permanent Las Vegas show and a world-touring dance troupe.

    The brand has attracted the likes of Hollywood, with Magic Mike pulling inspiration from the iconic show, and some stars have even participated in the live performance, including Jersey Shore’s Vinny Guadagnino.

    However, things were a lot less glamorous for Banerjee and the club behind the scenes, with several murders, arson, and other crimes connected to the club.

    Hulu is set to unpack the dark and twisted history behind Chippendales with its new series, “Welcome to Chippendales,” premiering on November 22, with new weekly episodes through Jan. 3, 2023.

    https://www.youtube.com/watch?v=DchtacgVLbQ

    How Did Chippendales Start And Who Are the Founders?

    Chippendales was the brainchild of Somen “Steve” Banerjee, who is being portrayed by Kumail Nanjiani in the Hulu series. Originally from India, Banerjee immigrated to the United States and worked as a gas station attendant before finding entrepreneurship, according to Entertainment Tonight.

    Banerjee owned two gas stations and eventually opened a nightclub called Destiny II in 1975 with his partner Bruce Nahin, according to LA Magazine. Nahin and his father bought 10% of the club to help Banerjee’s cash flow, but he segued to filmmaking in 1987, Nahin said in an interview with The Drill.

    After trying magic shows and other entertainment to bring customers in, nightclub promoter and regular Paul Snider suggested an all-male strip club.

    In 1980, they changed the name of the club to “Chippendales” — after the British furniture brand — for a “classier” vibe, and Chippendales as we know it was born.

    In the early days of Chippendales, Snider and his wife, Playboy‘s 1980 Playmate of the Year, Dorothy Stratten, were instrumental in shaping the club’s look. In fact, Stratten coined the dancers’ iconic “cuffs and collars uniform” and even got Hugh Hefner on board.

    Banerjee was seen as the brains behind the operation, and he brought on producer Nick De Noia to choreograph the live shows in 1981. Although the pair helped shape the iconic brand into what it is today, they consistently butted heads.

    De Noia took credit for creating Chippendales’ signature choreography and expanding to a New York location in 1983, per LA Magazine.

    The duo’s contentious relationship led them to part ways after three years in business together.

    De Noia was able to negotiate the rights to take Chippendales on tour with a signed cocktail napkin contract in 1984, per The U.S. Sun. But when the tour proved to be a success, generating $80,000 in profits a week, Banerjee was displeased and fought to regain the rights to the traveling show. He was unsuccessful.

    What Are the Chippendales Murders?

    The first tragedy to hit Chippendales occurred shortly after Dorothy Stratten negotiated the deal with Playboy and was honored with Playmate of the Year. Hugh Hefner had taken a liking to Stratten, and although Stratten’s husband, Paul Snider, had helped connect the two and launch Stratten’s career, Hefner did what he could to push Snider out. In 1980, Snider murdered Stratten and committed suicide thereafter.

    Meanwhile, De Noia’s tour was booming, but because the napkin contract gave De Noia the rights to the tour, Banerjee wasn’t entitled to any of the profits, to his dismay.

    On April 7, 1987, De Noia was murdered by a hired gunman. Following a long FBI investigation, Banerjee was arrested and charged with the second-degree murder of De Noia and conspiracy to commit murders of two competitive dancers in 1993.

    Banerjee was also connected to three arson attempts aimed at the brand’s competition.

    While Banerjee was facing 26 years in prison after taking a plea bargain and pleading guilty, he took his life while awaiting his sentencing in 1994 in his jail cell.

    Image credit: Courtesy of Chippendales

    Who Owns Chippendales Now and How Much Is it Worth?

    Despite the chaos that plagued Chippendales in its early days, the brand is still alive and well.

    However, the original Chippendales club in Los Angeles closed shortly after losing its liquor license in 1988 and after several other lawsuits and violations.

    After Banerjee pleaded guilty, the Chippendales brand went to his wife, Irene, during their divorce.

    According to The U.S. Sun, she sold the brand for $2.5 million.

    Since then, Chippendales has been in the hands of several people. A 2013 report from The New Yorker says former boy band manager Lou Pearlman purchased the brand in the ’90s before going to prison for fraud.

    According to a representative from the brand, “a private equity of owners” has been at the helm since 2000, they told Entrepreneur in a request for comment.

    Chippendales’ closed its New York location shortly after September 11, 2001, per The New Yorker, but it found a second life after managing partner Kevin Denberg got a bus and took the dancers on tour, traveling around the country until they landed in Las Vegas.

    Chippendales laid roots in Las Vegas in 2002 and its show and tour are still “thriving” today. Katerina Tabakhov currently serves as the production’s director of operations, the brand rep shared, while Denberg is no longer involved in the day-to-day operation.

    “The Chippendales are STILL performing to sold-out houses at our home at the Rio All-Suite Hotel and Casino in Las Vegas (for over 20 years), as well as our domestic and international tours,” the brand confirmed to Entrepreneur.

    The Sin City show is complete with its $10 million custom complex, and tickets range from $49.95 to $149.95.

    Or you can catch the Chippendales on tour, which hits six continents and over 25 countries, according to the brand’s website.

    Today, the brand generates between $5 million and $25 million in annual revenue, according to Signal Hire.

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    Sam Silverman

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  • Atlanta Series Finale: Director Hiro Murai Walks Us Through That Eerie Ending

    Atlanta Series Finale: Director Hiro Murai Walks Us Through That Eerie Ending

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    As a white woman I know I’m probably experiencing episodes differently than some Black viewers watching the show. Did you discuss those different audiences while making the show?

    That’s kind of the great thing about making this show is you’re hovering at this intersection of different cultural gazes. It’s scripted and created by two guys who grew up in Atlanta in a very Black neighborhood, and a lot of that stuff is presented very matter-of-factly in the show—it’s not presented for white viewers, and it is put in there without any ceremony or explanation. This show’s also very aware that a big chunk of the audience, we’re not accustomed to Southern Black culture, and I think we try to construct it in a way where the show feels welcoming to anyone who walks into the room, whether they understand the context or not. That’s in the tone of the show, and also just in the performances and the warmth of these characters.

    As a non-Black director, presumably there were times when you’ve had to try to understand the implications of something unfamiliar to you.

    It’s a conversation that me, Donald, and Steve have all the time. Sometimes I’ll get the context of something wrong and present it in a weird way and then they end up liking it! That’s the combustible, exciting thing at the center of the show, like an overlap of multiple perspectives. All of our hands are on the Ouija board in some way, and we trust each other enough that we just tend to let it take us wherever it wants to go.

    You just talked about getting the context wrong sometimes. So many Atlanta episodes dig into how white people project things onto Blackness, or depict whiteness and wrestle over cultural co-optation.

    That’s absolutely true. And also, in the pilot, Earn was an outsider. He’s a Princeton dropout who walked into this world where his cousin was an upcoming rapper and he got roasted by people in this world for not understanding the culture, you know? So I think it’s always been about people who are slightly outside looking in.

    In the finale, there’s the scene where the Black sushi chef is lecturing the gang about how Popeyes sells a fake version of Black culture back to the community. But the chef is a pretty terrifying figure, so the viewer is being pulled in multiple directions.

    Yeah, I think the Atlanta code is that everybody’s right and everybody’s wrong at the same time.

    You’re continuing your collaboration with Donald Glover, working on his new show Mr. & Mrs. Smith. Does it require a completely different kind of visual vocabulary?

    Yeah, it’s a completely different thing. The incredible thing about Atlanta is, it doesn’t promise you anything other than that you’ll be with these people for 30 minutes. There’s no set expectations for language or genre or how much comedy or drama should be in it. But you expect certain things out of a spy-related story, so it becomes a conversation about when do we lean into those, and when do we subvert them?

    So what are the chances of bringing Atlanta characters back to life in the future? Between Alfred’s dancing in “Crank that Killer” and his and Earn’s rendition of “Old MacDonald” in the finale, I’d like to see a special Broadway musical episode of Atlanta.

    The only way this show comes back is as a Broadway musical! [Laughs.]

    So a future season or one-off is not something you’ve toyed with?

    We often joke that we’ll come back when we’re all 70. It’ll be called Atlanta: Lottie’s Revenge. If there’s a good story to tell, I think we’re all open to the idea of reopening the door. But it feels right to have this [finale] as a punctuation point.

    This interview has been condensed and edited for clarity.

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    Joy Press

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  • A Student Investigates Her Twin’s Sudden Death In ‘Revenge Of Others’

    A Student Investigates Her Twin’s Sudden Death In ‘Revenge Of Others’

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    The Disney+ Korean drama Revenge of Others begins with a tragedy. A student, Chan-hyuk, is sitting on a window sill talking to his twin sister Chan-mi. The video call suddenly ends when he falls to his death. Before falling he looks up as if there is someone else in the room.

    Chan-mi, played by Shin Ye-eun, is confused by the call’s sudden end, but since she’s participating in a pistol competition, she must wait to find out why he hung up on her. Eventually, she goes to Seoul to look for him, only to learn that he died. Chan-hyuk is her only family and naturally she’s heartbroken. She’s also suspicious.

    Her brother’s case is determined to be a suicide, but Chan-mi does not believe that’s possible. Since no one else is willing to consider murder, she decides to transfer to her brother’s school to investigate his death.

    After she moves, she repeatedly encounters Ji Soo-heon, a student in her late brother’s school. Soo-heon, played by Lomon, seems like a good guy until he confesses that he saw her brother fall. Could Soo-heon have played a part in her brother’s death? Chan-mi may not initially have allies she can trust, but she does know how to use a gun. There’s a fine line between searching for justice and enacting revenge.

    Shin Ye-eun previously starred in The Glory and Yumi’s Cells: Season 2, while Lomon appeared in the zombie hit drama All Of Us Are Dead. Revenge of Otheras also stars Seo Ji-hoon, who appeared in Flower Crew: Joseon Marriage Agency and Mama Fairy and the Woodcutter, as well as Chae Sang-woo, who appeared in the drama Nokdu and the film The Face Reader.

    The drama is available on Hulu in the US.

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    Joan MacDonald, Contributor

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  • Yvonne Strahovski Breaks Down That Shocking ‘Handmaid’s Tale’ Finale Twist

    Yvonne Strahovski Breaks Down That Shocking ‘Handmaid’s Tale’ Finale Twist

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    I’m curious how that builds to, as you said, a very simple moment like this that’s also setting up a whole new avenue for these two characters who have been on these sort of parallel journeys until now.

    I don’t know that we paid it too much thought. There was a line—is it there? I haven’t seen it, but do I ask her for a diaper in the scene?

    Yes, you do. That’s the last line of the season.

    Oh, my gosh. Okay. So they kept that. [Laughs] Yeah, we had honestly so much, the most discussion about the line. On paper it’s this big season finale, and here I am asking for a diaper. So it’s kind of like, That’s a bit weird! How do we make it so it’s not obviously about the diaper, but about what’s going on between these two women? We did many different takes of the ending. We did versions without the line. We did versions where I just said her name and she said mine. We did versions with the diaper line, then we changed up the diaper line. It was a whole different smorgasbord of potential endings with or without the diaper. Excited to see where they landed with that. [Laughs]

    It’s kind of sweet in a weird way—whichever take they used, that was my takeaway.

    There was also the practical conversation of, my baby’s much smaller than yours. Does it make sense to ask for a diaper? How many would I have already?

    To me the line really spoke in a lot of ways just to the characters’ history. There’s a humor to the moment of them recognizing, well, here we are.

    Yes. Maybe that’s why we didn’t talk too much about the scene itself, because I think we both felt like there was a lightness in this scene. We never kind of thought to lean into seriousness. The irony of it is what it felt like we should be leaning into. And therefore it was like, Oh, my gosh, of course, of course you are here.

    In terms of the episode structure and really the whole season’s structure, this reveal is obviously a surprise for the audience. In those kinds of moments where we’re not with Serena for a chunk of time, do you fill in the gaps, just in terms of what happened that we don’t get to see, that’s not on the page?

    Yeah, I thought about a lot of what might have happened to her. There was also that question of, Well, is she recognizable at this point? How expansive is that? Or how small is that kind of idea that she might be recognizable to some people? I was like, Well, what path would she have taken? In my mind, she would’ve ended up at some shelter where she could be anonymous and dressed down and receive aid of some kind, like clothing. She’s wearing super-normal stuff like jeans and somehow gets herself on that train, which I think would’ve been the biggest gamble. There was a discussion about how you’d have to receive a pass of some kind, a refugee pass, and be anonymous. I mean, she’s smart, so she would’ve had to figure it out.

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    David Canfield

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  • Dear MTV, Please Bring Back Early-2000s Reality TV

    Dear MTV, Please Bring Back Early-2000s Reality TV

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    Fine, I’ll admit it! I am exhausted from watching heavy plots about murder mysteries and docudramas detailing scandals. I’ve had enough of watching all the bad in the world. And after a long day of work I’m in no mood to follow a plot-heavy show.

    What I really want is to kick back, relax, and watch mindless entertainment. Thanks to the resurgence of Y2K fashion this year, I’ve been yearning to go back to my roots…I’m talking about the kind of trashy reality television that only the early 2000s could manifest.

    There’s nothing more satisfying and utterly delicious than watching a group of people act like heathens in front of a camera just for the sake of good TV. In the early 2000s, if there was a camera, anyone would do anything to become famous.

    They’d say anything, do anything, and manufacture dramatized situations simply for the sake of viewership. And we ate it up. And let’s be frank: they just don’t make them like they used to.

    Compared to what we grew up with, the current slate of reality TV is lame. These days, people try their hand at earning fame through Instagram and TikTok. But in the heyday of reality TV, you had to get off your ass and work. Read: be on TV.

    There was a plethora of shows to choose from. It wasn’t just The Kardashians and a smattering of overproduced beachside dating shows. There was Say Yes To The Dress, The Hills, My Super Sweet 16, Four Weddings, and more!

    And yes, I’m a fan of Love Island and Love is Blind, but they’re not the same. I miss following a bunch of rabid 20-somethings around who didn’t care how the public perceived them. Most reality TV contestants nowadays use their shows as a stepping stone into the Influencer World — boring. I miss when there were zero stakes.

    The cast of Jersey Shore got into multiple fistfights every season. The children on My Super Sweet 16 were openly entitled and outwardly rude. Everyone in every show would say the most outrageous statements that you wouldn’t dare whisper on national television.

    These days, it’s all about image. The Kardashians use their Hulu show to give you a look into their lives. But much of this promotes their brands and addresses scandals we’ve known about for months. And Love Island members were all fighting for a Princess Polly endorsement from day one.

    Bring me back to the “anything goes” mentality of the early 2000s. I miss watching out-of-touch heiresses like Paris Hilton and Nicole Richie try out mundane, “poor” tasks like going to a grocery store or working in a restaurant. Take me back to the simpler times of The Simple Life.

    My recent aching for this niche genre of reality cinema started when I stumbled across seasons 4 and 6 of My Super Sweet 16 on Hulu and was hooked. Then I turned to old episodes of Jersey Shore. Who knows what mind-numbing show is next?

    And while I get my Sweet Sixteen fix on Paramount Plus, I am openly encouraging TLC and MTV to go back to producing raw reality television. I want the cast to not have any hopes or dreams for their careers and put their all into these shows.

    There’s never a bad time to recap my favorite moments from the most iconic reality TV shows. So here we go:

    Jersey Shore

    When Ron and Sam got into a fight because Ron made fun of Sam’s big toe. Iconic, ridiculous, and just amazing.

    The Simple Life

    <span class=”redactor-invisible-space”></span>

    When Paris Hilton doesn’t know what Walmart is and asks if it is the place that sells “wall stuff.” I’d like to see Ryan Murphy write a better line.

    My Super Sweet 16

    MTV

    When Darnell brought RIHANNA to his sweet 16 as his date?! Absurd behavior but if you’ve gotta bring a date…may as well be her.

    The Hills

    <span class=”redactor-invisible-space”></span>

    The endless drama between Lauren Conrad and Heidi Montag fed my soul…even if most of the show was fake. I don’t care. They sold me.

    So, if you’re missing the inane drama from the early 2000s, join me in watching some of the greats on Paramount Plus or Hulu.

    From Your Site Articles

    Related Articles Around the Web

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    Jai Phillips

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  • The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Paramount+ And Mubi This Week

    The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Paramount+ And Mubi This Week

    [ad_1]

    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive week: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, such as Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Disney+, Mubi, Apple
    AAPL
     TV+, Peacock, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this week.

    The Crown: Season 5 (Netflix)

    Inspired by real events, this fictional dramatization tells the story of Queen Elizabeth II and the political and personal events that shaped her reign.

    Warm Bodies (Amazon Prime)

    A terrible plague has left the planet’s population divided between zombies and humans. An unusual zombie named R (Nicholas Hoult) sees his walking-dead brethren attacking a living woman named Julie (Teresa Palmer) and rescues her. Julie sees that R is different from the other zombies, and the pair embark on an unusual relationship. As their bond grows and R becomes more and more human, a chain of events unfolds that could transform the entire lifeless world.

    War Dogs (Hulu)

    With the war in Iraq raging on, a young man (Jonah Hill) offers his childhood friend a chance to make big bucks by becoming an international arms dealer. Together, they exploit a government initiative that allows businesses to bid on U.S. military contracts. Starting small allows the duo to rake in money and live the high life. They soon find themselves in over their heads after landing a $300 million deal to supply Afghan forces, a deal that puts them in business with some very shady people.

    Don’t Worry Darling (HBO)

    In the 1950s, Alice and Jack live in the idealized community of Victory, an experimental company town that houses the men who work on a top-secret project. While the husbands toil away, the wives get to enjoy the beauty, luxury and debauchery of their seemingly perfect paradise. However, when cracks in her idyllic life begin to appear, exposing flashes of something sinister lurking below the surface, Alice can’t help but question exactly what she’s doing in Victory.

    Fire of Love (Disney+)

    Intrepid scientists and lovers Katia and Maurice Krafft die in a volcanic explosion doing the very thing that brought them together, unravelling the mysteries of volcanoes by capturing some of nature’s most explosive imagery.

    Mythic Quest: Season 3 (Apple TV+)

    The team behind the biggest multiplayer video game of all-time is tasked with building worlds, moulding heroes and creating legends, but the most hard-fought battles don’t occur in the game — they happen in the office.

    A Pigeon Sat on a Branch Reflecting on Existence (Mubi)

    Novelty salesmen living in a desolate flophouse observe as their fellow humans drift through their lives of desperation and loneliness. They make unsuccessful attempts to sell their joke items.

    My Father’s Dragon (Netflix)

    Elmer, who is having trouble adjusting to his new life, decides to set out to find a wild island and rescue a young dragon. His adventures will lead him to encounter ferocious beasts, discover a mysterious place and make a new friendship.

    Every new movie and show you can stream this weekend

    Netflix

    • Captain Phillips (November 6)
    • Deepa & Anoop: Season 2 (November 7)
    • Behind Every Star (November 8)
    • The Claus Family 2 (November 8)
    • Minions & More Volume 2 (November 8)
    • Neal Brennan: Blocks (November 8)
    • Triviaverse (November 8)
    • Angels & Demons (November 9)
    • The Crown: Season 5 (November 9)
    • FIFA Uncovered (November 9)
    • The Railway Man (November 9)
    • The Soccer Football Movie (November 9)
    • Falling for Christmas (November 10)
    • Lost Bullet 2 (November 10)
    • Love Never Lies: Destination Sardinia (November 10)
    • State of Alabama vs. Brittany Smith (November 10)
    • Warrior Nun: Season 2 (November 10)
    • Ancient Apocalypse (November 11)
    • Capturing the Killer Nurse (November 11)
    • Don’t Leave (November 11)
    • Down to Earth with Zac Efron: Season 2: Down Under (November 11)
    • Goosebumps (November 11)
    • Is That Black Enough for You?!? (November 11)
    • Laguna Beach: Seasons 1-2 (November 11)
    • Monica, O My Darling (November 11)
    • My Father’s Dragon (November 11)

    Amazon Prime

    • Savage X Fenty: Vol. 4 (November 9)
    • Autumn Beat (November 10)
    • Warm Bodies (November 10)
    • The English (November 11)
    • From the Top of My Lungs (November 11)
    • Mammals (November 11)
    • La Caida / Dive (November 11)

    Hulu

    • Nektronic (November 7)
    • War Dogs (November 8)
    • All Rise: Season 3A (November 9)
    • Warm Bodies (November 10)
    • Code Name Banshee (November 11)
    • First Love (November 11)
    • Fruitvale Station (November 11)
    • Pil’s Adventure (November 11)

    HBO

    • Don’t Worry Darling (November 7)
    • Batwheels: Season 1C (November 8)
    • Craig of the Creek: Season 4D (November 8)
    • Say Hey, Willie Mays! (November 8)
    • All Rise: Season 3A (November 9)
    • Hard Knocks: In Season: The Arizona Cardinals (November 9)
    • HBO First Look: The Menu (November 10)
    • The Big Brunch: Season 1 Premiere (November 10)
    • The Critic (El Crítico): Premiere (November 10)
    • The Craftsman: Season 2 (November 11)
    • Entre Nos: The Winners 3 (November 11)
    • For the Love of Kitchens: Season 2 (November 11)
    • Fruitvale Station (November 11)
    • Ian Lara: Romantic Comedy (November 11)

    Disney+

    • Dancing with the Stars: Episode 9 (November 7)
    • Breakthrough: Seasons 1-2 (November 9)
    • Gordon Ramsay: Uncharted Showdown: Season 1 (November 9)
    • The Incredible Dr. Pol: Season 21 (November 9)
    • The Lion Ranger Season 1 (November 9)
    • World’s Deadliest: Season 3 (November 9)
    • The Montaners: 5-episode Premiere (November 9)
    • Save Our Squad with David Beckham: Season 1 (November 9)
    • Zootopia+ (Shorts): Premiere (November 9)
    • Andor: Episode 10 (November 9)
    • The Mighty Ducks: Game Changers: Episode 207 “Spirit of the Ducks Part 2” (November 9)
    • The Mysterious Benedict Society: Episode 204 “Free of Pointless Command” (November 9)
    • Sumo Do, Sumo Don’t!: Episode 4
    • Eyewitness: D-Day (November 11)
    • Fire of Love (November 11)
    • Mary Poppins Returns (Sing-Along Version) (November 11)
    • Port Security: Hamburg (November 11)
    • Sea of Shadows (November 11)

    Apple TV+

    • Mythic Quest: Season 3 (November 11)

    Paramount+

    • The Challenge: Season 36 (November 9)
    • The Greatest @Home Videos (November 11)
    • Transformers: EarthSpark: Premiere (November 11)

    Mubi

    • Daughter of the Nile (November 6)
    • A Pigeon Sat on a Branch Reflecting on Existence (November 7)
    • The Twentieth Century (November 8)
    • October Country, directed by Donal Mosher, Michael Palmieri (November 9)
    • Starfuckers, directed by Antonio Marziale (November 10)
    • The Box (November 11)
    • Rodis (November 12)

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    Travis Bean, Contributor

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  • Bradley Whitford on Directing His Bombshell ‘The Handmaid’s Tale’ Episode

    Bradley Whitford on Directing His Bombshell ‘The Handmaid’s Tale’ Episode

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    Warning: Spoilers ahead for The Handmaid’s Tale, season five, episode nine.

    By his own admission, Bradley Whitford is well aware that a white man in his 60s might be an odd choice to helm an episode of The Handmaid’s Tale. Still, he’d floated the idea of directing to creator and showrunner Bruce Miller after joining the cast in season two as Commander Joseph Lawrence. After years of working so closely with the cast, he couldn’t resist the opportunity to take a seat in the director’s chair.

    “It was something I’d always wanted to do more of,” says Whitford. “My impulse to direct really rears up when [I] love the show, I love the actors.”

    It’s not Whitford’s first time in the director’s chair in his 37-year career—that was in 2007, for the series finale of Aaron Sorkin’s Studio 60 on the Sunset Strip. He’d wanted to direct while he was playing deputy White House chief of staff Josh Lyman on The West Wing, but the closest he came was writing the 2005 episode “Faith-Based Initiative,” in the show’s sixth season. It’s been 15 years—“Was it 15? Jesus. Yeah,” Whitford realizes on the other end of our transatlantic Zoom call—since he directed.

    “There is a psychology of submission that I struggle with as an actor,” Whitford, clad in a plain white tee and seated in front of a semi-unorganized shelf of dozens of books, tells Vanity Fair. “We all have to wait for someone to write it, someone to choose us, and I find that really corrosive.”

    In the same stream-of-consciousness response, he offers a contradictory reason for not having directed more: “I think I’ve been so lucky as an actor that I get distracted from wanting to take more responsibility for stories.”

    Whitford expounds on the virtues of the cast and crew that he’s spent the last four years working with on The Handmaid’s Tale, and though he gets hyperbolic, none of it feels insincere. He’s especially animated talking about Elisabeth Moss—the show’s lead as intrepid June Osborne, as well as executive producer, and oft-director—and how specifically she galvanized his desire to get behind the camera again.

    “I have never seen any actor who was also a producer so involved in every draft, in every cut, in every choice,” says Whitford, who met Lizzie, as he calls her, in 1999 when she played first daughter Zoey Bartlet on The West Wing. “It’s unheard-of for an actor, let alone one who is doing a part as difficult as [June], to be that involved. I remember her expressing some insecurity about [directing] and I was like, ‘Oh, man. You are so ready.’ And then being directed by her and being boggled by her ability at that—it really inspired me.”

    So in April of last year, Whitford was given the outline of this season’s episode nine, “Allegiance,” which he would get to direct in June. He spent those two months shadowing Moss as much as he could while she directed the first two episodes and the finale, even standing in for every character while lighting and blocking were designed. He leaned heavily on cinematographer Nicola Daley, whom he describes as a fierce advocate for the show’s integrity. He rewatched every episode of the show from the beginning.

    “I don’t think I’m being too self-deprecating when I say fear [was what made me rewatch the entire series],” says Whitford. “The show is so visually stunning, it’s intimidating. The strength I am bringing as an actor is not necessarily an extraordinary visual grammar. I wanted to see what worked. The first time you’re watching something, you’re just sort of experiencing it. I was watching it with a consciousness [this time]. By the time I got my actual script, there was a sense of freedom.”

    The surprise for Whitford, when he got the outline, was just how much his character was in the episode. He assumed his episode would be fairly self-contained, but “Allegiance” begins with a military operation to save Hannah (Jordana Blake), which quickly goes wrong; Serena (Yvonne Strahovski) continues to live a trapped existence with the Wheelers but plots her (second) escape from them during the opening of the Gilead Fertility Center; June secretly meets up with Nick (Max Minghella) on the border; Commander Lawrence proposes (if you can call it that) marriage (is it?) to the newly widowed Naomi Putnam (Ever Carradine); there’s a mass shooting at the end of the episode; and back at the midway point, there’s an extremely intimate and devastating phone conversation between June and Joseph, as she refers to Commander Lawrence these days.

    “I think I’m in it more than I’m in any episode I’ve ever been in,” he says.

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    Valentina Valentini

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  • As subscription prices rise, here’s what’s worth streaming in November 2022: ‘The Crown,’ ‘Willow,’ ‘Mythic Quest’ and more

    As subscription prices rise, here’s what’s worth streaming in November 2022: ‘The Crown,’ ‘Willow,’ ‘Mythic Quest’ and more

    [ad_1]

    So here’s some bad news and some, well, slightly less bad news.

    First, the bad-bad: Streaming prices are increasing almost across the board (Hulu and Apple TV+ rose in October, Disney+ will rise in December, while Netflix and Prime Video rose earlier this year), putting even more of a crunch on budget-conscious consumers.

    But now the less bad: If you can put up with commercials, there are cheaper, ad-supported versions coming your way (Netflix on Nov. 3, Disney+ in December).

    Of course, the other money-saving solution is to double down on a churn-and-return strategy and cut down on recurring subscriptions even more.

    Each month, this column offers tips on how to maximize your streaming and your budget, rating the major services as a “play,” “pause” or “stop” — similar to investment analysts’ traditional ratings of buy, hold and sell. We also pick the best content to help you make your monthly decisions.

    Consumers can take full advantage of cord-cutting by churning and returning — adding and dropping streaming services each month. All it takes is good planning. Keep in mind that a billing cycle starts when you sign up, not necessarily at the beginning of the month, and keep an eye out for lower-priced tiers, limited-time discounts, free trials and cost-saving bundles. There are a lot of offers out there, but the deals don’t last forever.

    Here’s a look at what’s coming to the various streaming services in November 2022, and what’s really worth the monthly subscription fee.

    Netflix ($6.99 a month for basic with ads starting Nov. 3, $9.99 basic without ads, $15.49 standard without ads, $19.99 premium without ads)

    Netflix has another really good month coming up.

     “The Crown” (Nov. 9), returns for its fifth season, set this time in the 1990s as scandals involving Charles and Diana plaster London’s tabloids and the role of Britain’s monarchy in modern society is thrown into question. Imelda Staunton takes over the role of Queen Elizabeth, with Dominic West as Prince Charles, Elizabeth Debicki as Princess Diana and Jonathan Pryce as Prince Philip. Controversy has already erupted over the new season, which will include Diana’s tragic death, as some have spoken out about the show’s increasingly blurry line between truth and fiction. Pryce recently told Vanity Fair, ““The vast majority of people know it’s a drama,” not a documentary. And it’s a pretty good drama.

    Netflix
    NFLX,
    -0.41%
    hasn’t had much success developing original sitcoms, but is hoping to finally break through with “Blockbuster” (Nov. 3), a workplace comedy set at the last Blockbuster video store in America, starring network sitcom veterans Randall Park (“Fresh Off the Boat”) and Melissa Fumero (“Brooklyn Nine-Nine”). There’s also “Wednesday” (Nov. 23), a horror-comedy series from Tim Burton starring Jenna Ortega as the terrifyingly snarky teen Wednesday Addams, with Catherine Zeta-Jones and Luis Guzman playing her creepy and kooky parents, Morticia and Gomez; and the third and final season of the dark comedy “Dead to Me” (Nov. 17), starring Christina Applegate and Linda Cardellini, which returns after a two-and-a-half-year layoff.

    On the drama side, there’s “1899” (Nov. 17), a mystery-horror series set aboard a transatlantic steamer ship at the turn of the last century, from the makers of the mind-bending German sci-fi series “Dark” — and if it’s even half as trippy and addictive, it’ll be terrific; Part 1 of the fourth season of the supernatural drama “Manifest” (Nov. 4), which Netflix rescued from NBC’s cancellation; and Season 6 of the soapy Spanish high-school drama “Elite” (Nov 18).

    More: Here’s everything new coming to Netflix in November 2022, and what’s leaving

    There’s also the timely documentary “FIFA Uncovered” (Nov. 9), digging into the scandal-plagued organization behind the World Cup; “Pepsi, Where’s My Jet” (Nov. 17), a documentary about a man who sued Pepsi in the 1980s to get a free Harrier fighter jet; the fifth installment of “The Great British Baking Show: Holidays” (Nov. 18); and the new standup comedy special from the outgoing “Daily Show” host, “Trevor Noah: I Wish You Would” (Nov. 22).

    On the movie front, there’s “Enola Holmes 2” (Nov. 4), a sequel to the hit 2020 movie about Sherlock Holmes’ younger sister, played by Millie Bobby Brown (“Stranger Things”), as young detective Enola sets out to investigate her first case; “Slumberland” (Nov. 18), a comedy adventure about a young girl exploring the dreamworld, starring Mallow Barkley and Jason Mamoa; and Lindsay Lohan is back with a Christmas rom-com, “Falling for Christmas” (Nov. 10).

    Who’s Netflix for? Fans of buzz-worthy original shows and movies.

    Play, pause or stop? Play. When it’s at the top of its game, as it is again this month, Netflix is a must-have, at whatever price tier.

    Disney+ ($7.99 a month)

    The TV world has been abuzz about prequels for the past few months, but it’s all about sequels in November for Disney+.

    The biggest of the bunch is “Willow” (Nov. 30), a follow-up series to the cult-favorite 1988 fantasy movie of the same name. The magical adventure is set 20 years after the events of the film, and Warwick Davis returns as farmer-turned-sorcerer Willow Ufgood, who leads an unlikely group of heroes on a quest to save their world. It should be fun for the whole family.

    Disney
    DIS,
    +1.45%
    also has “Disenchanted” (Nov. 18), a sequel to the 2007 hit movie “Enchanted.” The musical fantasy is set 10 years after the happily-ever-after ending, with Giselle (Amy Adams) questioning her happiness and inadvertently setting her two worlds askew. Patrick Dempsey, James Marsden and Maya Rudolph co-star. And then there’s “The Santa Clauses” (Nov. 16), as Tim Allen reprises his role of Santa Claus, who’s now facing retirement and looking for a replacement, in a new miniseries spinoff of the family-movie trilogy.

    Also of note: “The Guardians of the Galaxy Holiday Special” (Nov. 25), as Star-Lord and the gang kidnap Kevin Bacon; the live performance “Elton John: Live from Dodger Stadium” (Nov. 20), the pop icon’s final show in North America; and weekly episodes of “Dancing With the Stars” (season finale Nov. 21), the “Star Wars” prequel “Andor” (season finale Nov. 23) and “The Mighty Ducks: Game Changers” (season finale Nov. 30).

    And heads up: Prices for the ad-free tier will jump to $10.99 a month in December, after Disney+ launches its ad-supported tier for $7.99 a month.

    Who’s Disney+ for? Families with kids, hardcore “Star Wars” and Marvel fans. For people not in those groups, Disney’s library can be lacking.

    Play, pause or stop? Play. There’s something for everyone in the household — even grumps who aren’t “Star Wars” fans can get into “Andor,” which absolutely works as a dark, gripping, spy thriller. Meanwhile, fans are realizing it just might be the best “Star Wars” series or movie ever made.

    HBO Max ($9.99 a month with ads, or $14.99 without ads)

    HBO Max is bringing back  “The Sex Lives of College Girls” (Nov. 17) for its second season. Created by Mindy Kaling and Justin Noble (who also teamed on Netflix’s “Never Have I Ever”), the ensemble comedy about four college roommates picks up right after Thanksgiving break, with the girls organizing a “sex-positive” male strip show. It’s sharp, funny, and less cringey than its title suggests.

    Then there’s “A Christmas Story Christmas” (Nov. 17), a nostalgic sequel to the 1983 classic, starring Peter Billingsley as a grown-up Ralphie who returns to his hometown to try to give his kids a perfect Christmas. It’s risky reviving such a beloved movie, and this could either be wonderful or terrible, there’s really no middle ground.

    HBO Max also has a slew of documentaries, including “Love, Lizzo” (Nov. 24), about the pop superstar’s inspiring life story; “Shaq” (Nov. 23), a four-part docuseries chronicling the rise to superstardom of NBA Hall of Famer Shaquille O’Neal; “Low Country: The Murdaugh Dynasty” (Nov. 3), a true-crime series about a South Carolina lawyer’s scandalous fall; and “Say Hey, Willie Mays!” (Nov. 8), a film exploring the life, career and social impact of the greatest baseball player who ever played the game.

    See more: Here’s everything new coming to HBO Max in November 2022, and what’s leaving

    And every week brings new episodes of Season 2 of the very dark vacation comedy “The White Lotus,” Season 3 of “Pennyworth: The Origin of Batman’s Butler” and Season 2 of the cult documentary “The Vow.”

    Who’s HBO Max for? HBO fans and movie lovers.

    Play, pause or stop? Pause and think it over. “The White Lotus” and “The Sex Lives of College Girls” are both worth watching, but beyond that it’s kinda “meh” this month. And Max is too pricey for “meh.”

    Amazon Prime Video ($14.99 a month)

    Amazon
    AMZN,
    -6.80%
    is bringing the star power in November, starting with the Western drama series “The English” (Nov. 11), starring Emily Blunt as an aristocratic Englishwoman who teams with a Pawnee scout (Chaske Spencer) on a mission to cross the violent 1890s American frontier. It looks stylish and bloody — and promising.

    Meanwhile, James Corden and Sally Hawkins star in “Mammals” (Nov. 11), a dark comedy series about modern marriage; pop star-turned-actor Harry Styles stars in “My Policeman” (Nov. 4), a drama about forbidden romance that’s getting very “meh” reviews in its theatrical release; and Kristen Bell, Ben Platt and Allison Janney star in “The People We Hate at the Wedding” (Nov. 18), a raunchy comedy set at a dysfunctional family wedding.

    More: Here’s what’s coming to Amazon’s Prime Video in November 2022

    There’s also NFL Thursday Night Football every week, and new episodes of the intriguing sci-fi drama “The Peripheral,” which is giving very “Westworld”-but-slightly-less-confusing vibes.

    Who’s Amazon Prime Video for? Movie lovers, TV-series fans who value quality over quantity.

    Play, pause or stop? Pause. There’s good stuff here, but nothing that feels must-see.

    Paramount+ ($4.99 a month with ads but not live CBS, $9.99 without ads)

    Taylor Sheridan (“Yellowstone,” “1883,” “Mayor of Kingstown”) has another new series: “Tulsa King” (Nov. 13), starring Sylvester Stallone as a former New York mafia capo who gets freed from prison after 25 years and settles in Tulsa, Okla., to build a criminal empire of his own. Showrunner Terence Winter (“The Sopranos,” “Boardwalk Empire”) knows a thing or two about mob shows, and this one could be good.

    Paramount+ also has the spinoff series “Criminal Minds: Evolution” (Nov. 24), about an elite team of FBI profilers unraveling a network of serial killers; the family movie “Fantasy Football” (Nov. 25), about a girl who can magically control how her NFL-player dad performs on the field; and the series finale of “The Good Fight” (Nov. 10), which its creators promise will be “cataclysmic.”

    There’s also the Thanksgiving Day Parade (Nov. 24) and a ton of live sports, including college football on Saturdays, NFL football on Sundays (and Thanksgiving Day), and group-stage matches for UEFA’s Champions and Europe leagues.

    Who’s Paramount+ for? Gen X cord-cutters who miss live sports and familiar Paramount Global 
    PARA,
    +3.37%
     broadcast and cable shows.

    Play, pause or stop? Pause. Besides its solid live-sports lineup, it’s a good time to catch up and binge “The Good Fight,” and “Tulsa King” could be worth a watch too.

    Hulu ($7.99 a month with ads, or $14.99 with no ads)

    Hulu has a couple of interesting offerings in November, but nothing that screams must-see. Yet, at least.

    FX’s “Fleishman Is in Trouble” (Nov. 17) stars Jesse Eisenberg as a newly divorced dad whose promiscuous dive into app-based dating is disrupted when his ex-wife disappears and leaves him with their kids. Claire Danes, Lizzy Caplan and Adam Brody co-star in the eight-episode drama, which is based on Taffy Brodesser-Akner’s best-selling novel.

    There’s also “Welcome to Chippendales” (Nov. 22), a true-crime series starring Kumail Nanjiani as the immigrant founder of the 1980s male-stripper franchise, which chronicles his business empire’s rise and fall amid a blizzard of sex, drugs and violence.

    Meanwhile, Adam McKay (“The Big Short”) and Billy Corben (“Cocaine Cowboys”) have the documentary  “God Forbid: The Sex Scandal That Brought Down a Dynasty” (Nov. 1), about the private life of Christian televangelist and former Liberty University president Jerry Falwell Jr. and his very public downfall.

    See: Here’s everything new on Hulu in November 2022 — and what’s leaving

    There are also the final two episodes of “Atlanta” (series finale Nov. 10), whose fourth season has returned to brilliance after an underwhelming Season 3 over the summer, and new episodes every week of ABC’s “Abbott Elementary.”

    Who’s Hulu for? TV lovers. There’s a deep library for those who want older TV series and next-day streaming of many current network and cable shows.

    Play, pause or stop? Stop. While you won’t regret paying for Hulu if you already do, there’s not a lot to lure new subscribers this month.

    Apple TV+ ($6.99 a month)

    Apple TV+ is too inconsistent to be worth the $2-a-month price hike that was just announced, so it’s best to strategically plan when to stream — wait until a good series or two are completed, for example, and binge them all in a month, then cancel. Repeat as needed.

    And it actually is a decent month for Apple. Its second-best comedy, “Mythic Quest” Nov. 11), returns for its third season, with Ian (Rob McElhenny) and Poppy (Charlotte Nicdao) gearing up for war against their old videogame company. With a perfect blend of humor and heart, it’s one of the best workplace comedies on TV.

    Meanwhile, Season 2 of “The Mosquito Coast” (Nov. 4) finds the fugitive Fox family finally hiding out in Central America, after a tedious premise-pilot of a first season that wasted good actors (Justin Theroux and Melissa George) and beautiful cinematography with nonsensical plot twists, while the action series “Echo 3” (Nov. 23) stars Luke Evans and Michiel Huisman as former soldiers trying to rescue a kidnapped scientist in the jungles of South America.

    Apple
    AAPL,
    +7.56%
    also has a pair of high-profile original movies: “Causeway” (Nov. 3), starring Jennifer Lawrence as a former soldier struggling to adjust to civilian life in New Orleans, co-starring Brian Tyree Henry, and “Spirited” (Nov. 18), a musical twist on “A Christmas Carol” told from the ghosts’ point of view, starring Ryan Reynolds and Will Ferrell.

    Who’s Apple TV+ for? It offers a little something for everyone, but not necessarily enough for anyone — although it’s getting there.

    Play, pause or stop? Stop. There’s just not enough to justify a month-to-month subscription. December is a better bet, with “Mythic Quest” and a new season of “Slow Horses” running concurrently.

    Peacock (free basic level, Premium for $4.99 a month with ads, or $9.99 a month with no ads)

    The World Cup from Qatar (Nov. 20-Dec. 18) will be broadcast on Fox and FS1, so cord-cutters are out of luck, unless you subscribe to a live-streaming service like Hulu Live or YouTube TV. However, Peacock will stream every match in Spanish, which could be a decent Plan B for soccer fans.

    And that “it’ll-do-but-it’s-not-exactly-what-I’m-looking-for” description is the running theme for Peacock. November will bring a handful of originals that are unlikely to move the needle, subscriber-wise: There’s the musical-comedy spinoff series “Pitch Perfect: Bumper in Berlin” (Nov. 23), starring Adam Devine; “The Calling” (Nov. 10), a crime drama about a religious cop, from David E. Kelley and Barry Levinson; the Macy’s Thanksgiving Day Parade (Nov. 24); and the streaming debut of Jordan Poole’s sci-fi/horror hit “Nope” (Nov. 18).

    Sports-wise, Peacock has the National Dog Show (hey, it’s a competition!) on Nov. 24, NFL Sunday Night Football every weekend, a full slate of English Premier League matches through Nov. 13, and a ton of golf and winter sports.

    Who’s Peacock for? If you have a Comcast 
    CMCSA,
    -0.06%
     or Cox cable subscription, you likely have free access to the Premium tier (with ads) — though reportedly not for much longer. The free tier is almost worthless, but the recent addition of next-day streaming of NBC and Bravo shows (like “Saturday Night Live” and “Real Housewives”) bolsters the case for paying for a subscription. Still, Peacock is still not really necessary unless you need it for sports.

    Play, pause or stop? Stop. There’s not a lot that’s particularly enticing right now, even on the sports side.

    Discovery+ ($4.99 a month with ads, or $6.99 with no ads)

    More of the same in November for Discovery+, which is a feature, not a bug. Highlights include the vegan cook-and-chat show “Mary McCartney Serves It Up” (Nov. 1); “Tut’s Lost City Revealed” (Nov. 3), about a 3,000-year-old Egyptian city recently discovered by archaeologists; “Vardy vs Rooney: The Wagatha Trial” (Nov. 19), the inside story of the tabloid-fodder “Wagatha” scandal between the wives of English soccer stars; and Season 2 of the excellent CNN food series “Stanley Tucci: Searching for Italy” (Nov. 30). Full disclosure: There are also a handful of sappy holiday movies guest-starring some HGTV and Food Network stars, but they look terrible and I expect better from you, a discerning reader/viewer.

    Who’s Discovery+ for? Cord-cutters who miss their unscripted TV or who are really, really into “90 Day Fiancé.”

    Play, pause or stop?  Stop. Discovery+ is still fantastic for background TV, but it’s not worth the cost. Still, it should add value when the reconfigured Warner Bros. Discovery 
    WBD,
    +3.68%
      combines it with HBO Max next summer.

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  • The Best New Movies And Shows To Stream On Netflix, Hulu, HBO, Disney+, Apple TV+, Paramount+, And Mubi This Weekend

    The Best New Movies And Shows To Stream On Netflix, Hulu, HBO, Disney+, Apple TV+, Paramount+, And Mubi This Weekend

    [ad_1]

    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive weekend: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, including Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Peacock, Mubi, Disney+, Apple
    AAPL
    TV+, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this weekend.

    The White Lotus: Season 2 (HBO)

    An all-star cast head to a resort and unleash their worst, most privileged impulses. The series is a sharp social satire following the exploits of various guests and employees of the fictional White Lotus resort chain, whose stay becomes affected by their various dysfunctions. A week in the life of vacationers is unravelled as they relax and rejuvenate in paradise. With each passing day, a darker complexity emerges in these picture-perfect travelers, the hotel’s cheerful employees, and the idyllic locale itself.

    Wendell & Wild (Netflix)

    The two devious demon brothers Wendell and Wild (Jordan Peele and Keegan-Michael Key) have to face their arch-enemy with the help of the nun Sister Helly, who is notorious for expelling demons. However, the brothers are not only plagued by her, but also by her altar boys.

    Run Sweetheart Run (Amazon Prime)

    After what begins as dinner with a client, a single mom finds herself hunted by a monstrous and seemingly unstoppable assailant.

    Clean (Hulu)

    A tormented rubbish man named Clean tries to live a quiet life of redemption, but when his good intentions make him the target of a local crime boss, he must soon reconcile with the violence of his past.

    Alvin and the Chipmunks: The Squeakquel

    Now in the care of Dave Seville’s nephew (Zachary Levi), chipmunks Alvin, Simon and Theodore take a break from pop-music stardom and return to school. Almost immediately, the tiny tunesmiths get the giant task of saving their school’s music program by winning a battle-of-the-bands contest. Though the boys think winning it will be easy, romantic and musical sparks fly when they meet Brittany, Eleanor and Jeannette — also known as The Chipettes.

    Louis Armstrong’s Black & Blues

    This documentary honours the musician’s legacy as a founding father of jazz. The film shows how Armstrong’s life spans the shift from the Civil War to the civil rights movement, and how he became a lightning rod figure in that turbulent era.

    Survival of the Dead (Mubi)

    Zombies have taken over the world, and a ragtag band of soldiers led by Sarge Crockett (Alan Van Sprang) roams the countryside trying to scavenge what they can. Constantly on guard against flesh-eaters, the group is intrigued when they hear of a safe haven on Plum Island. But when they arrive, they find the supposed paradise torn apart by a family feud between the O’Flynns, who want to exterminate all zombies, and the Muldoons, who coexist peacefully with their undead relatives.

    Every new movie and show you can stream this weekend

    Netflix

    • All Quiet on the Western Front (October 28)
    • The Bastard Son & The Devil Himself (October 28)
    • Big Mouth: Season 6 (October 28)
    • Drink Masters (October 28)
    • I AM A STALKER (October 28)
    • If Only (October 28)
    • My Encounter with Evil (October 28)
    • Wendell & Wild (October 28)
    • Wild is the Wind (October 28)
    • Deadwind: Season 3 (October 29)

    Amazon

    • The Devil’s Hour (October 28)
    • Downton Abbey: A New Era (October 28)
    • Run Sweetheart Run (October 28)

    Hulu

    HBO

    • Garcia!: Season 1 Premiere (October 28)
    • The Lost Kitchen: Season 3 (October 30)
    • The White Lotus: Season 2 Premiere (October 30)

    Disney+

    • Alvin and the Chipmunks: The Squeakquel (October 28)
    • Marvel’s Hulk: Where Monsters Dwell (October 28)

    Apple TV+

    • Louis Armstrong’s Black & Blues (October 28)

    Mubi

    • The Commune (October 28)
    • Dear Diary (October 29)
    • Survival of the Dead (October 30)

    [ad_2]

    Travis Bean, Contributor

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  • The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Paramount+ And Mubi This Week

    The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Paramount+ And Mubi This Week

    [ad_1]

    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive week: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, such as Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Disney+, Mubi, Apple
    AAPL
     TV+, Peacock, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this week.

    The Good Nurse (Netflix)

    Nurse Amy Loughren is shocked when Charlie Cullen, one of her colleagues, is foound responsible for the murder of dozens of patients over a period of sixteen years, across two states and nine hospitals, without being charged.

    Downtown Abbey: A New Era (Amazon Prime)

    The Crawley family goes on a grand journey to the South of France to uncover the mystery of the dowager countess’s newly inherited villa.

    The French Dispatch (Hulu)

    A love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city that brings to life a collection of stories published in “The French Dispatch.”

    La Pitchoune: Cooking in France (HBO)

    Four friends teach recipe-free cooking to students in Julia Child’s former vacation home in France, the place where she cooked and wrote some of her most famous recipes.

    Alvin and the Chipmunks: The Squeakquel (Disney+)

    Now in the care of Dave Seville’s nephew (Zachary Levi), chipmunks Alvin, Simon and Theodore take a break from pop-music stardom and return to school. Almost immediately, the tiny tunesmiths get the giant task of saving their school’s music program by winning a battle-of-the-bands contest. Though the boys think winning it will be easy, romantic and musical sparks fly when they meet Brittany, Eleanor and Jeannette — also known as The Chipettes.

    Louis Armstrong’s Black & Blues (Apple TV+)

    This documentary honours the musician’s legacy as a founding father of jazz. The film shows how Armstrong’s life spans the shift from the Civil War to the civil rights movement, and how he became a lightning rod figure in that turbulent era.

    Star Trek: Prodigy

    A motley crew of young aliens in the Delta Quadrant find an abandoned Starfleet ship, the U.S.S. Protostar; taking control of the ship, they must learn to work together as they make their way towards the Alpha Quadrant.

    Evil of Dracula

    In Evil of Dracula, a professor takes up a new post at an all-girls school only to discover the school’s principle conceals a dark secret and the pupils are in grave danger.

    Every new movie and show you can stream this week

    Netflix

    • Franco Escamilla: Eavesdropping (October 23)
    • The Chalk Line (October 24)
    • Barbie Epic Road Trip (October 25)
    • Blade of the 47 Ronin (October 25)
    • Fortune Feimster: Good Fortune (October 25)
    • Guillermo Del Toro’s Cabinet of Curiosities (October 25)
    • Unsolved Mysteries: Volume 3 | Part 2 (October 25)
    • Fugitive: The Curious Case of Carlos Ghosn (October 26)
    • The Good Nurse (October 26)
    • Hellhole (October 26)
    • Love Is Blind: Season 3 | Part 2 (October 26)
    • Robbing Mussolini (October 26)
    • Cici (October 27)
    • Daniel Spellbound (October 27)
    • Dubai Bling (October 27)
    • Earthstorm (October 27)
    • Family Reunion: Part 5 (October 27)
    • Hotel Transylvania 2 (October 27)
    • Romantic Killer (October 27)
    • All Quiet on the Western Front (October 28)
    • The Bastard Son & The Devil Himself (October 28)
    • Big Mouth: Season 6 (October 28)
    • Drink Masters (October 28)
    • I AM A STALKER (October 28)
    • If Only (October 28)
    • My Encounter with Evil (October 28)
    • Wendell & Wild (October 28)
    • Wild is the Wind (October 28)
    • Deadwind: Season 3 (October 29)

    Amazon

    • Blacklight (October 24)
    • The Devil’s Hour (October 28)
    • Downton Abbey: A New Era (October 28)
    • Run Sweetheart Run (October 28)

    Hulu

    • Beba (October 24)
    • The French Dispatch (October 25)
    • Clean (October 29)

    HBO

    • La Pitchoune: Cooking in France: Season 1 (October 23)
    • Green Lantern: Beware My Power (October 24)
    • A Tree of Life: The Pittsburgh Synagogue Shooting (October 26)
    • Garcia!: Season 1 Premiere (October 28)

    Disney+

    • Dancing with the Stars: Episode 7 (October 24)
    • Eureka!: Season 1, 4 episodes (October 26)
    • Star Wars: Tales of the Jedi: All Shorts Streaming (October 26)
    • Sumo Do, Sumo Don’t: Season 1, Episodes 1 & 2 (October 26)
    • The Mysterious Benedict Society: Season 2, Episodes 1 & 2 (October 26)
    • Andor: Episode 8 (October 26)
    • The Mighty Ducks: Game Changers: Season 2, Episode 5 (October 26)
    • Alvin and the Chipmunks: The Squeakquel (October 28)
    • Marvel’s Hulk: Where Monsters Dwell (October 28)

    Apple TV+

    • Louis Armstrong’s Black & Blues (October 28)

    Paramount+

    • 16 and Pregnant: Season 6 (October 26)
    • Star Trek: Prodigy: New Episodes (October 27)

    Mubi

    • The Old Dark House (October 23)
    • A Human Certainty (October 24)
    • Surviving You, Always (October 25)
    • Spectre: Sanity, Madness and The Family (October 26)
    • Evil of Dracula (October 27)
    • The Commune (October 28)
    • Dear Diary (October 29)

    [ad_2]

    Travis Bean, Contributor

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  • Hulu’s New ‘Rosaline’ is Merely One Reason It’s Giving Netflix a Run For Its Money

    Hulu’s New ‘Rosaline’ is Merely One Reason It’s Giving Netflix a Run For Its Money

    [ad_1]

    You know that shocking, stomach-sinking feeling you get when you catch a glance of your weekly screen time notification on your smartphone or tablet? Well, if they tallied up the hours I’ve spent scrolling through Netflix for a tv show or movie — hello, ANY-thing — to watch, I’d undoubtedly feel so much worse.

    You know the routine: you close your WFH tabs, then open Netflix and settle down and search for satisfying content. But you don’t find anything. Before you know it, you’ve wasted an hour anxiously scrolling through every last one of the recommended titles. So — endlessly frustrated — you give up and doomscroll for hours. Is this your life?

    It was mine until I got a Hulu subscription. I was lured in — like the best of us are — by Dylan O’Brien.

    Hear me out. Earlier this year, Hulu released the much-anticipated comedy-of-errors, Not Okay, starring Zoey Deutch. This satirical comedy about social media is one of the most entertaining commentaries on a young adult life that I’ve seen in a while. The romantic lead? Dylan O’Brien with a blond buzzcut. Need I say more?


    NOT OKAY Trailer (2022)

    www.youtube.com

    That was my first indication that I might have been sleeping on Hulu’s streaming library. Their latest romantic comedy, Rosaline, has cemented my theory: Hulu is fire.

    Rosaline — starring Kaitlyn Dever — is Shakespeare in Love for Gen-Z. It’s a comedic take on Romeo and Juliet from the perspective of Romeo’s jilted ex-lover, Rosaline. It’s fun, fast-paced, and refreshing.

    Honestly, Netflix could never.


    Rosaline | Official Trailer | Hulu

    www.youtube.com

    Here’s my theory: Netflix has been so focused on awards fodder that the rest of its content is glorified Hallmark — I’ll still be watching that new Lindsay Lohan Christmas movie, though. With all that mid-content and high drama surrounding its top-quality releases — like Luckiest Girl Alive and Dahmer — I’m tired of it.

    But with Hulu releasing hit after hit and racking up its own share of awards, Netflix should sleep with one eye open.

    Sure, HBO has Euphoria, Disney Plus has Hocus Pocus 2, and Peacock has that (terrible) new Pete Davidson feature. But if you’re looking for a new streaming service to explore, Hulu is that girl.

    Don’t know where to start? Here are the best titles to stream on Hulu

    Only Murders in the Building

    This Selena Gomez smash is the best thing she’s been in since Wizards of Waverly Place. Alongside co-stars Steve Martin and Martin Short, Gomez plays a true-crime aficionado who stumbles into a murder mystery of her own. It’s the whodunnit for the true crime era. The newly released second season is just as fine as the first.

    Booksmart

    We’ve talked — and worried — enough about Olivia Wilde’s second directorial feature, Don’t Worry Darling. But her first film is where it’s at. Starring Beanie Feldstein (Jonah Hill’s sister, fun fact) and Kaitlyn Dever, it’s Superbad for the girls. It’s disarming, complex, and endlessly rewatchable.

    High Fidelity

    ​Hulu took a mid-90s rom-com and turned it into the coolest show with the coolest clothes. Euphoria can set aside. I’d raid the High Fidelity costume closet in a minute. And don’t even get me started on the soundtrack. One of those Gossip Girl teens is in it, too. Tragically, it was canceled after one season, but all the best shows are.

    Under the Banner of Heaven

    https://www.youtube.com/watch?v=IDRqWtwbiSM

    Andrew Garfield is fire in this strange, dark series based on a Jon Krakauer stunning nonfiction book of the same title. Garfield stars alongside Daisy Edgar-Jones in this detective drama about LDS community in Salt Lake City. If you liked him in Tammy Faye, you’ll love him in this.

    Normal People

    Skip the Conversations with Friends series. Normal People is by far the superior Sally Rooney novel and superior limited series. It catapulted the careers of Paul Mescal and Daisy Edgar-Jones into the stratosphere, so we can thank it for that.

    Abbott Elementary

    https://www.youtube.com/watch?v=cO-_7oi-61Y

    Wondering where you can stream the beloved, Emmy-winning Abbott Elementary? Hulu has got you covered. Don’t miss Quinta Brunson’s masterpiece — and join us as we patiently await the second season.

    Ramy

    The third season of Ramy is out right now and making headlines for the Bella Hadid cameo. But there’s more to it than that. This award-winning series is both hilarious and earnest, and an absolute must-watch.

    Don’t miss the best of Hulu. It’s waiting for you to binge.

    All products featured are independently selected by our editors. Things you buy through our links may earn us a commission.

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    LKC

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  • The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Mubi And Paramount+ This Week

    The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Mubi And Paramount+ This Week

    [ad_1]

    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive week: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, such as Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Disney+, Mubi, Apple
    AAPL
     TV+, Peacock, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this week.

    The Peripheral: Season 1 (Amazon Prime)

    Set in the future when technology has subtly altered society, a woman discovers a secret connection to an alternate reality as well as a dark future of her own.

    Abandoned (Hulu)

    After a couple move into a remote farmhouse with their infant son, the woman’s struggles with postpartum psychosis begin to intensify.

    Raymond & Ray (Apple TV+)

    Half-brothers Raymond and Ray reunite when their estranged father dies — and discover that his final wish was for them to dig his grave. Together, the process who they’ve become as men, both because of their father and in spite of him.

    Love is Blind: Season 3 (Netflix)

    Singles try to find a match and fall in love — without ever seeing each other face-to-face, as emotional connection attempts to conquer physical attraction.

    The Fastest Woman on Earth (HBO)

    A story that follows Jessi Combs’ epic seven-year quest to break the land speed racing records.

    Spider-Man: The New Animated Series: Season 1 (Disney+)

    He’s Peter Parker the college student — and then he’s Spiderman, crime-fighter extraordinaire.

    The Grudge (Paramount+)

    A detective investigates a murder scene that has a connection to a case that her new partner handled in the past. The killings occurred in a haunted house that passes on a ghostly curse to those who dare enter it. Soon, the curse spreads to a terminally ill woman and her husband, and another unsuspecting couple who were in the wrong place at the wrong time.

    The African Desperate (Mubi)

    A sculptor struggles with success, graduation, friends, and family.

    Every new movie and show you can stream this week

    Netflix

    • Dracula Untold (October 16)
    • Toni Morrison: The Pieces I Am (October 16)
    • Waffles + Mochi’s Restaurant (October 17)
    • Gabriel Iglesias: Stadium Fluffy Live From Los Angeles (October 18)
    • LiSA Another Great Day (October 18)
    • Somebody Feed Phil: Season 6 (October 18)
    • Unsolved Mysteries: Volume 3 (October 18)
    • The Green Glove Gang (October 19)
    • Love Is Blind: Season 3 (October 19)
    • Notre-Dame (October 19)
    • The School for Good and Evil (October 19)
    • The Stranger (October 19)
    • 28 Days Haunted (October 21)
    • Barbarians II (October 21)
    • Descendant (October 21)
    • From Scratch (October 21)
    • High: Confessions of an Ibiza Drug Mule (October 21)
    • ONI: Thunder God’s Tale (October 21)
    • Pokémon Ultimate Journeys (October 21)
    • LOL Surprise! Winter Fashion Show (October 22)

    Amazon

    • May I Help You (October 19)
    • American Horror Story S10 (October 20)
    • Torn Hearts (October 20)
    • Modern Love Tokyo (October 21)
    • The Peripheral (October 21)
    • Argentina, 1985 (October 21)
    • Hush Hush (October 22)

    Hulu

    • Being Flynn (October 16)
    • Benediction (October 16)
    • Sinister 2 (October 16)
    • The Paloni Show! Halloween Special! (October 17)
    • Duncanville: Final 6 Episodes (October 18)
    • Annabelle: Creation (October 20)
    • Bitterbrush (October 20)
    • Matriarch (October 21)
    • Abandoned (October 21)
    • Wyrm (October 21)
    • The Hair Tales: Two-Episode Series Premiere (October 22)

    HBO

    • Mr. Pickles (October 17)
    • The Vow: Part Two (October 17)
    • Batwheels, Season 1B Premiere (October 18)
    • By Design: The Joe Caroff Story (October 18)
    • Mama’s Boy (October 18)
    • Meet the Batwheels: Season 1A (October 18)
    • Year One: A Political Odyssey (October 19)
    • Legacy: Season 1 Premiere (October 20)
    • The Fastest Woman on Earth (October 20)
    • Restoration Road with Clint Harp: Season 3 (October 21)
    • Teen Titans Go!: Season 7D (October 21)
    • Vale Dos Esquecidos: Season 1 Premiere (October 21)

    Disney+

    • Dancing with the Stars: Episode 5 (October 17)
    • Dancing with the Stars: Episode 6 (October 18)
    • Alice’s Wonderland Bakery: Season 1, 4 episodes (October 19)
    • Bear in the Big Blue House: Seasons 1-4 (October 19)
    • PB&J Otter: Seasons 1-3 (October 19)
    • Raven’s Home: Season 5, 8 episodes (October 19)
    • Spider-Man: The New Animated Series: Season 1 (October 19)
    • The Incredible Dr. Pol: Season 21 (October 19)
    • The Spectacular Spider-Man: Season 1 (October 19)
    • Wicked Tuna: Season 11 (October 19)
    • Andor: Episode 7 (October 19)
    • The Mighty Ducks: Game Changers: Episode 204 “Draft Day” (October 19)
    • Hall of Villains (October 21)

    Apple TV+

    • Raymond & Ray (October 21)
    • Acapulco: Season 2 (October 21)
    • Ghost Writer: Season 3 (October 21)

    Paramount+

    • The Grudge (October 17)
    • Drunk History: Seasons 1 – 6 (October 19)
    • Teenage Mutant Ninja Turtles: Season 2 (October 19)
    • PAW Patrol: Mighty Pups (October 19)
    • Inside Amy Schumer: Season 5 Premiere (October 20)
    • Blacklight (October 21)

    Mubi

    • She Mad: Bitch Zone (October 17)
    • The Gold-Laden Sheep & the Sacred Mountain (October 18)
    • Soliloquy (October 19)
    • Lake of Dracula (October 20)
    • The African Desperate (October 21)

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  • The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Mubi, Disney+ And Paramount+ This Week

    The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Mubi, Disney+ And Paramount+ This Week

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    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive week: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, such as Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Disney+, Mubi, Apple
    AAPL
     TV+, Peacock, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this week.

    The Watcher: Limited Series (Netflix)

    A family moves into their dream home, only to be plagued by ominous letters, strange neighbors and sinister threats.

    The Northman (Amazon Prime)

    Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy’s mother. Two decades later, Amleth is now a Viking who raids Slavic villages. He soon meets a seeress who reminds him of his vow — save his mother, kill his uncle, avenge his father.

    Grimcutty (Hulu)

    A suburban teen girl and her little brother must stop a terrifying internet meme brought to life by the hysteria of their parents.

    Fixer Upper: The Castle (HBO)

    Chip and Joanna Gaines breathe new life into a 19th-century castle in Waco, Texas, as they tackle its challenging infrastructure while preserving its original beauty.

    Noah (Paramount+)

    When God decides that mankind has become too sinful and must be wiped off the Earth, he chooses Noah (Russell Crowe), a pious man, for a great task. Noah must build an ark large enough to hold his wife (Jennifer Connelly), adopted daughter (Emma Watson), sons (Logan Lerman, Douglas Booth, Leo McHugh Carroll) and their wives — plus breeding pairs of every animal. When the task is completed, Noah and his family witness God’s wrath in the form of an apocalyptic flood.

    The New Mutants (Disney+)

    Five teenage mutants — Mirage, Wolfsbane, Cannonball, Sunspot and Magik — undergo treatments at a secret institution that will cure them of their dangerous powers. Invited by Dr. Cecilia Reyes to share their stories, their memories soon turn into terrifying realities as they start to question why they’re being held and who’s trying to destroy them.

    Shantaram (Apple TV+)

    XXFugitive Lin Ford looks to get lost in chaotic 1980s Bombay; alone in an unfamiliar city, Lin struggles to avoid trouble but falls for an enigmatic woman and must choose between freedom and love and the complications that come with it.X

    A White, White Day (Mubi)

    In a remote Icelandic town, an off duty police chief begins to suspect a local man for having had an affair with his wife, who recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.

    Every new movie and show you can stream this week

    Netflix

    • Missing Link (October 9)
    • LEGO Ninjago: Season 4: Crystallized – Part 2 (October 10)
    • Spirit Rangers (October 10)
    • The Cage (October 11)
    • DEAW#13 Udom Taephanich Stand Up Comedy Show (October 11)
    • Iliza Shlesinger: Hot Forever (October 11)
    • Island of the Sea Wolves (October 11)
    • Belascoarán, PI (October 12)
    • Blackout (October 12)
    • Easy-Bake Battle (October 12)
    • The Nutty Boy (October 12)
    • Wild Croc Territory (October 12)
    • The Watcher (October 13)
    • Dead End: Paranormal Park: Season 2 (October 13)
    • Exception (October 13)
    • The Playlist (October 13)
    • The Sinner: Season 4: Percy (October 13)
    • Someone Borrowed (October 13)
    • Sue Perkins: Perfectly Legal (October 13)
    • Black Butterflies (October 14)
    • The Curse of Bridge Hollow (October 14)
    • Everything Calls for Salvation (October 14)
    • Holy Family (October 14)
    • Mismatched: Season 2 (October 14)
    • Take 1 (October 14)
    • Blippi’s Spooky Spell Halloween (October 15)
    • Under the Queen’s Umbrella (October 15)

    Amazon Prime

    • Noah (October 9)
    • Family Camp (October 11)
    • The Northman (October 11)

    Hulu

    • To Catch a Smuggler: South Pacific: Season 9 Premiere (October 9)
    • Grimcutty (October 10)
    • The Rising of the Shield Hero: Complete Season 2 (October 10)
    • Chainsaw Man: Complete Season 1 (October 11)
    • Antlers (October 11)
    • After (October 12)
    • Rosaline (October 14)
    • Dashcam (October 14)
    • Pil’s Adventure (October 14)
    • See For Me (October 14)
    • Catfish: The TV Show: Season 8F (October 15)
    • My Friend Dahmer (October 15)
    • Poetic Justice (October 15)
    • The Boy Downstairs (October 15)

    HBO

    • We Baby Bears: Season 1E (October 9)
    • Avenue 5: Season 2 Premiere (October 10)
    • Oh Hell: Season 1 Premiere (October 10)
    • 38 at the Garden (October 11)
    • Blippi Wonders: Season 2A (October 14)
    • Fixer Upper: The Castle (October 14)
    • Trick or Treat Scooby-Doo! (October 15)

    Disney+

    • Dancing with the Stars: Episode 4 (October 10)
    • Big City Greens: Season 3, 4 episodes (October 12)
    • Sofia the First: Seasons 1-4 (October 12)
    • Ultra Violet & Black Scorpion: Season 1, 6 episodes (October 12)
    • The Villains of Valley View: Season 1, 5 episodes (October 12)
    • Big Shot: Season 2 Premiere, All Episodes Streaming (October 12)
    • Andor: Episode 6 (October 12)
    • The Mighty Ducks: Game Changers: Episode 203 “Coach Classic” (October 12)
    • She-Hulk: Attorney at Law: Episode 9 (October 13)
    • Into the Woods (Sing-Along Version) (October 14)
    • The New Mutants (October 14)

    Apple TV+

    Paramount+

    • NCIS: Los Angeles: Season 14 Premiere (October 9)
    • Noah (October 10)
    • Where the Scary Things Are (October 11)
    • Never Seen Again: Season 3 Premiere (October 11)
    • Beavis and Butt-Head Classic: Seasons 5, 7 (October 12)
    • YO! MTV Maps premiere (October 12)

    Mubi

    • Rams (October 9)
    • A White, White Day (October 10)
    • The Vampire Doll (October 11)
    • Rosa Rosae. A Spanish Civil War Elegy (October 12)
    • When a Stranger Calls (October 13)
    • Center Stage (October 14)
    • Earwig (October 15)

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    Travis Bean, Contributor

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