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Tag: hulu

  • What’s worth streaming in September 2023? Here are your best bets amid slim pickings.

    What’s worth streaming in September 2023? Here are your best bets amid slim pickings.

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    Looking to spend your entertainment dollars wisely in September? Watch Hulu and read a book or two.

    That pretty much sums up a hugely underwhelming lineup from streaming services, which burned through their best shows in the spring and have little to offer for the start of the traditional fall TV season. That’s not to say there aren’t a handful of promising shows — there are — but is one decent new show per service worth the price of multiple monthly subscriptions? Almost certainly not.

    It’s…

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  • The 15 Best Action Movies on Hulu Right Now

    The 15 Best Action Movies on Hulu Right Now

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    When it comes to entertainment, there’s a reason why the action genre produces some of the best-selling movies. Being constantly exhilarating; jam-packed with fast-paced cars, guns, and fight scenes; and that they’re minimally thought-provoking are universal components that make action movies beloved by audiences across generations. These types of movies are also popular thanks to the fact that the genre often overlaps with others, such as comedy, science fiction, adventure, and romance.

    Over the years, action movies have simultaneously grown into blockbuster giants and direct-to-streamer favorites. Among the big streaming platforms out there, Hulu has an extensive library of action flicks, ranging from originals like “Boss Level” featuring Oscar-winning actor Michelle Yeoh to mainstream flicks like “Die Hard.” Choosing from the vast collection of available flicks on Hulu can be a struggle, so if you’re looking to sit back and enjoy some old-fashioned action movies, here are our top picks!

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    Alicia Geigel

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  • The Secrets to Getting Mad as Hell, on ‘Beef,’ ‘The Bear,’ and ‘Fleishman Is in Trouble’

    The Secrets to Getting Mad as Hell, on ‘Beef,’ ‘The Bear,’ and ‘Fleishman Is in Trouble’

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    Three Emmy-nominated directors share how they capture the mood of the moment: rage.

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    Whitney Friedlander

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  • Arconia Assembled: How ‘Only Murders in the Building’ Found a Killer New Cast

    Arconia Assembled: How ‘Only Murders in the Building’ Found a Killer New Cast

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    Who murdered Paul Rudd’s Ben Glenroy? That’s the question at the center of Only Murders in the Building season three. The answer is a closely-guarded secret, withheld even from the people in charge of casting said killer—for awhile, anyway. As in seasons past, casting directors Tiffany Little Canfield and Destiny Lilly were tasked with assembling the Arconia around stars Steve Martin, Martin Short, and Selena Gomez before they’d seen all of this round’s scripts.

    So, how does one arrange the pieces of a puzzle before they’ve seen the full picture? “I’ll be honest, I think it’s really important for a casting director to know how many episodes a guest is going to recur in,” Canfield tells Vanity Fair. “Not only for the business side—you certainly don’t want to lose an actor because of availability—but also [because] when we know that a character is going to have time to unfold, you might want to do something slightly different with the casting.”

    Canfield and Lilly, who are Emmy-nominated for their work on the show’s second season, are sworn to secrecy about which actor is playing this season’s killer. But some clues can be gleaned from their casting approach. Those cast in early roles include Noma Dumezweni (a supporting presence in whodunnits like The Undoing and The Watcher) as Maxine, a theater critic reviewing Oliver’s play, and Adrian Martinez (known for comedic roles in American Hustle and Renfield) as Greg, an obsessed fan of Ben Glenroy who poses as a security guard. Both are performers who can make an immediate impact, says Canfield, which may be needed if, say, their characters won’t be factoring much into future episodes.

    Juxtapose those characters with the role of Dickie, Ben’s brother and right hand, who currently lingers in the periphery of ensemble scenes. “It is such a mysterious part,” says Canfield. “The other characters get such an intro. It’s like, ‘I’m the Broadway producer. I’m this character.’” Dickie is different. “We see how he’s put-upon, but we don’t really see much more than that. Luckily, Jeremy Shamos”—a Tony-nominated actor from Birdman and Ma Rainey’s Black Bottom—“came in and claimed that role, as he often does, because he’s absolutely brilliant.”

    With two critically-acclaimed seasons under their belt, Canfield and Lilly had no shortage of actors clamoring to be a part of the show’s current round. “People move mountains to become available,” Canfield tells me. “Everyone wants to play.” Recurring guest stars like Jane Lynch and Da’Vine Joy Randolph have full dance cards, but still managed to pop by for appearances.

    This year, the show has also welcomed two bonafide movie stars. The first is Rudd, who made his first surprise appearance in the show’s second season finale as an actor who collapses to his (presumed) death while performing in Oliver’s stage play. But that’s not the last we see of Rudd: when he took the cameo part, he also signed on for several episodes of a then-unwritten third season. “For an actor of his level to agree to be in an episode of television and commit to the following season is such an unusual ask,” says Canfield. “In fact, it’s such an ask that we thought this might be impossible.”

    Only Murders might be the only show that could have made it happen. “Steve, Marty, and Selena have created such a family, that once someone gets a taste, they want to come back,” she continues. “Paul really leaned in and was such an incredible, incredible partner in making this happen. I’m getting a little emotional, because Destiny and I got to speak to him at the wrap party. His authentic enthusiasm and excitement about working with Steve and Marty and Selena, it was palpable.”

    Then there’s the matter of Meryl Streep. Her character, Loretta—introduced onscreen by real-life casting director Lisa Kron—is cheekily introduced as a “vanilla, but capable” actor. In real life, the Oscar winner has a close relationship with her It’s Complicated co-star Steve Martin and an existing fandom for Only Murders. With the stars aligned, Streep signed on. “The way she commits is as if she’s Loretta and not Meryl Streep,” Canfield says, before words fail. “She is so…I don’t know, phenomenal in her work ethic, in her commitment, in her storytelling, in every aspect of what an actor does. She’s the pinnacle.”

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    Savannah Walsh

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  • The TV Movie Is Making a Weird, Wonderful Comeback

    The TV Movie Is Making a Weird, Wonderful Comeback

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    This year’s top movie Emmy race will find a Predator movie competing against a gay Pride & Prejudice and the strangest biopic of the year. It’s the energy Hollywood needs right now.

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    David Canfield

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  • Johnny Hardwick, voice actor who played Dale Gribble on

    Johnny Hardwick, voice actor who played Dale Gribble on

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    “King of the Hill” voice actor Johnny Hardwick has died at 64, the Travis County Medical Examiner office of Austin confirmed to CBS News.

    Hardwick played the cartoon character Dale Gribble in Fox’s animated series, which ran from 1997 to 2010. Gribble, an exterminator and bounty hunter, loves conspiracy theories and urban legends.

    Hardwick was a part of the series from the very first episode, and earned an Emmy in 1999 for Outstanding Animated Program, as well as two other nominations in 2001 and 2002 for the show. The voice actor was also a staff writer, story editor and producer for the animated series.

    Table Read to Celebrate the 200th Episode of
    Johnny Hardwick, far to the right on the upper row, who played Dale on “King of the Hill”, with the cast and guests celebrating the 200th episode of of the show on April 8, 2005.

    Ray Mickshaw/WireImage/Getty Images


    In January, it was announced there would be a revival of “King of the Hill” for Hulu, with much of the original cast, including Hardwick, agreeing to participate, according to Deadline.

    The series was originally created by Mike Judge and Greg Daniels, and also starred Kathy Najimy, Stephen Root, Pamela Adlon and Lauren Tom.

    Hardwick, a Texas native, began his career as a stand-up comedian in 1990 before landing a spot on the staff of “King of the Hill.” After his time on the show, he maintained a presence on YouTube, posting song parodies and other comedy videos for nearly 20,000 subscribers.

    Simrin Singh

    Simrin Singh is a social media producer and trending content writer for CBS News.

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  • Disney+ Plans to Eliminate Password Sharing Next Year

    Disney+ Plans to Eliminate Password Sharing Next Year

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    After Netflix decided to institute policies to get rid of password sharing, they added millions of new subscribers. It looks like Disney is hoping to emulate their success.

    While Netflix’s new policy about sharing accounts wasn’t popular with the public, the results (at least financially) speak for themselves. And now Disney says it is planning on following suit in more than just one way. Later this fall, Disney+ (with no ads) goes up $3 to $13.99. Hulu goes up to a whopping $17.99, and ESPN+ will hit $10.99. As people have speculated for a long time, it seems like it would actually be more cost-effective just to grab a cable package at this point.

    Lucasfilm Ltd.

    READ MORE: The Real Reason Secret Invasion Was a Big Disappointment

    But there’s more. On the latest Disney earnings call, CEO Bob Iger revealed the company is “actively exploring ways to address account sharing” — i.e. to crack down on the sharing of passwords, a la Netflix.

    He added…

    “[We are considering]  the best options for paying subscribers to share their accounts with friends and family. Later this year, we will begin to update our subscriber agreements with additional terms on our sharing policies, and we will roll out tactics to drive monetization sometime in 2024.

    When asked how many people are thought to be sharing passwords, Iger added:

    “I’m not going to give you a specific number, except to say that it’s significant. What we don’t know, of course, is as we get to work on this, how much of the password sharing as we basically eliminate it will convert to growth in subs. Obviously, we believe there will be some.

    In other words, if you’re using someone else’s Disney+ account without paying, enjoy it now. It is not going to last.

    Great Disney+ Movies You Might Have Missed

    These excellent films are all waiting to be discovered on Disney+.

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    Cody Mcintosh

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  • 10 Hulu Dating Shows to Stream If You’re Craving Romance and Drama

    10 Hulu Dating Shows to Stream If You’re Craving Romance and Drama

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    It may feel like “The Bachelor” (and all the other shows in the franchise) is on all year round, but for those days when it’s not on, Hulu has plenty of reality dating shows to keep you busy. That includes splashy franchises like “Love Island UK” and “Love Island Australia,” as well as new love concepts to get into like Hulu’s “Back in the Groove,” which gives 40-somethings a second chance at love with hot younger men. The streamer has something for every hopeless romantic who loves drama.

    Nothing beats being able to binge seasons of some of the most popular dating shows on Hulu, especially if you’re looking for something to offer hours of entertainment. In that case, endless seasons of “The Bachelorette” and “Married at First Sight” are must adds for your Hulu watchlist.

    These Hulu dating shows will make you laugh, cry, and, of course, keep watching for more. Ahead, scroll through our 10 picks of the best dating shows now streaming on Hulu.

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    Hedy Phillips

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  • The 20 Best Comedies on Hulu Right Now

    The 20 Best Comedies on Hulu Right Now

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    Looking for a good belly laugh for your next movie night? These funny movies on Hulu that we rounded up are a must for your watchlist. Whether you had a disastrous day at work or are going through a particularly tough time, comedy movies on Hulu are always there to help you escape from life’s worries.

    Perhaps you’re a fan of hilarious animated flicks. In that case, you might enjoy watching (or rewatching) “Shark Tale” or “The Bob’s Burgers Movie.” Or maybe you love cult comedy classics like “Napoleon Dynamite,” “Get Him to the Greek,” or “White Men Can’t Jump.” Even modern-day funny movies like “Vacation Friends” and “How to Be Single” might just be your jam.

    If you don’t have the energy to break out the dusty DVD player or just don’t feel like scrolling through Hulu’s enormous selection of films, we’ve got you covered. From raunchy comedies like “We’re the Millers” to feel-good rom-coms like Hulu original “Rye Lane,” the streamer has plenty of comedy options to choose from — for whatever kind of mood you’re in.

    Ahead, check out 20 funny Hulu movies that are guaranteed to make you chuckle — or even leave you crying laughing.

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    Alicia Geigel

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  • ‘The Hardy Boys’ stars reminisce as show’s final season airs | Globalnews.ca

    ‘The Hardy Boys’ stars reminisce as show’s final season airs | Globalnews.ca

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    As YTV’s The Hardy Boys enters its final chapter, the show’s stars say they’re proud of the way the latest screen adaptation of the classic book series has bridged generations of fans since its 2020 debut.

    “I remember scrolling down a few IMDb reviews and I saw a whole paragraph and it was this guy who went into so much detail about how he’s 60 years old and grew up reading the books and that he now gets to share it with his kids,” said 18-year-old Toronto actor Alexander Elliot, who plays Joe Hardy, the younger of the two titular teenage brothers and amateur mystery solvers.

    “That kind of just melted my heart and the ability to reach every part of that legacy is really special.”
    Rohan Campbell, the 25-year-old Alberta-born actor who plays older brother Frank Hardy, said the show’s appeal — much like recent TV and film iterations of older stories and pop culture phenomena comes down to nostalgia.

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    “I can’t imagine how cool it must be as a parent to be able to see your child experience something that you also experienced at their age, and share the joy you felt, it’s what comes to mind,” he said in an interview.

    The show is inspired by the popular mystery book series that debuted nearly a century ago, written by various ghostwriters — including Canadian Leslie McFarlane — under the pseudonym Franklin W. Dixon. The books have been adapted for TV before, but this version has been marketed as a darker spin  on the classic tales set in the 1980s.

    In the third and final season of The Hardy Boys, the brothers face another challenge in their fictional town of Bridgeport when they receive posthumous guidance from their grandmother in search of a powerful relic that can spell danger in the wrong hands.

    Campbell said the tonal shift and the appeal to newer generations is similar to what he sees in movies like the recently released blockbuster Barbie.

    “Any through line of communication between generations is so special,” he said. “Anything where the youth can sit down with the next generation above them and be joyful together, escape together and be in the same space is not really measurable.

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    “It kind of feels like you’re a piece of history in a weird way because 40 years from now, somebody else may pick up a project like ours and do a rendition on it. … It feels really cool to be able to stamp the ‘Hardy Boys’ passport.”

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    Much like his co-star, Elliot says he developed a newfound love for the ’80s, including DeLorean cars and Back to the Future replays, during the show’s three-year run.

    Elliot and Campbell say they’re grateful for the experience and the audiences they’ve gained over three seasons and they will carry that with them as the Canadian Screen Award-winning series ends.

    “I grew up with these people and gained a second family,” Campbell said. “I don’t think I would have the confidence to move on and do the stuff I’ve done if it wasn’t for the space that the show gave me it’s been really incredible.”

    Season 3 of The Hardy Boys premieres Monday at 8 p.m. ET/PT on YTV and is available to stream live and on demand on STACKTV. It also streams on Hulu in the U.S.

    &copy 2023 The Canadian Press

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  • The Bear’s Matty Matheson Only Knows How to Do Fictional Food the Real Way

    The Bear’s Matty Matheson Only Knows How to Do Fictional Food the Real Way

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    “I frigging get home, get Uber Eats, and go to bed,” Matty Matheson, a real-life chef and culinary consultant on The Bear, says of his mid-production eating habits, a far cry from the fine dining his show depicts. “We try to eat out as a group every once or twice a week to stay level. You would think that it’s this glamorous thing, but you’re torched by the end of the night.”

    He does, however, admit to a newfound appreciation for hot dogs, which he doesn’t dress with ketchup anymore. “Even though I own a burger shop, I’m definitely more of a hot dog person than a burger person now,” Matheson tells Vanity Fair. “Gene & Jude’s in Chicago, I love their hot dogs so much. They have a long line, but it’s worth it. Being in Chicago for three to almost four months a year now, for the last two years, I’ve turned into a big glizzy boy.”

    Despite being a renowned Canadian restaurateur, Matheson plays one of the only characters who is not in the kitchen to cook. He stars as handyman Neil Fak, the type of character who wears a suit to the restaurant’s opening but still keeps a screwdriver in his lapel just in case. Matheson is also a coproducer and culinary lead alongside show creator Christopher Storer’s sister Courtney. Together, the pair advise Storer and showrunner Joanna Calo on everything from the build of The Bear’s kitchen to its menu. “We’re building a real restaurant,” Matheson explains. “Designing a kitchen, what do we need? Nice plans, this, that. The kitchen is set up to cook that food too,” he adds. “We could go in there, and, if we really could have fire and gas, we would have the right equipment to execute the menu that we wrote.”

    Their dynamic often echoes—and inspires—that of The Bear’s two lead characters. “We’re doing what Carmy (Jeremy Allen White) and Sydney (Ayo Edebiri) are doing,” Matheson says. He and Courtney will hash out menu ideas in front of Storer and Calo in order to both generate menu items and demonstrate the cadence with which chefs speak to one another. “The synergy needs to be really going,” Matheson says of crafting a menu that reflects its executive chefs. “We really wanted to think about, Where does Sydney come from? What are her technique-driven ideas? What is her heritage—what are the flavors? Carmy, what are his flavors, his lineage, and culinary sense? And how do you take those ideas and who they are and create a culinary voice for each of those characters?”

    Chasing the authenticity of an actual restaurant is sometimes at odds with the constraints of making a TV show, Matheson concedes. Sometimes they’re doing something, and me and Coco are stressed out, and Chris is like, ‘Look at the frame. We literally are not seeing it.’ If it’s not in the shot, it literally doesn’t exist,” he says, adding, “We only know how to do it the real way, the hard way. A lot of people are like, ‘It’s just for TV, it doesn’t have to be so precise.’ No, because the actors are going to have to move, and if they’re making the Feast of the Seven Fishes, they have to turn around and the equipment needs to be there.”

    That brings us to the season’s starry sixth episode, a very Berzatto Christmas that introduces family members played by Jamie Lee Curtis, Bob Odenkirk, Sarah Paulson, Gillian Jacobs, and John Mulaney. Matheson smiles when recalling the original cast members mixing with the new arrivals, all crammed under one roof. “Jamie Lee’s getting in there with the garlic butter all over her hands,” he laughs. “She just came up and kissed me on the cheek right away. It was truly chaos.”

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    Savannah Walsh

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  • ‘The Bear’ Season 2 Serves Chaos on a Plate, Thoughtfully

    ‘The Bear’ Season 2 Serves Chaos on a Plate, Thoughtfully

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    How to create something beautiful and delicious out of panic and mayhem? That’s the sticky question at the heart of The Bear’s second season—one that applies equally well to the task faced by the writers of this FX/Hulu show.

    The first season was a surprise hit last summer; even if you didn’t watch The Bear, you couldn’t avoid the “Yes Chef!” memes that haunted social media for months. The manic, sweet-hearted series initially revolved around Carmy Berzatto (Jeremy Allen White), a hot-shit chef drowning in grief and debt after inheriting his late brother’s old-school Chicago sandwich spot. White was mesmerizing as the emotionally wounded wunderkind struggling with self-loathing and family baggage. But just as his character yearned to escape the culinary cult of personality and build a new restaurant full of strong supporting players, the series itself had an incredible ensemble cast just waiting to break out of bit-part jail and get some time in the spotlight.

    That mass breakout is achieved in season two, and it mostly works. (There are some spoilers for the 10-episode second season, now streaming in full, ahead.) Sydney (Ayo Edebiri) has moved to center stage as head chef and creative partner of The Bear, the fine-dining restaurant she and Carmy are trying to conjure out of their rundown old sandwich shop. Determined to nab a Michelin star, she spends days sampling Chicago’s finest food, getting advice from local chefs, and perfecting dishes. Carmy’s sister Natalie (Abby Elliott) gets sucked into service on the business side of things, where she finally gets to shine. Meanwhile, line cooks Tina (Liza Colón-Zayas) and Ebra (Edwin Lee Gibson) enroll in culinary school so that they can play a more active role in the new restaurant kitchen, while Carmy sends aspiring pastry chef Marcus (Lionel Boyce) to Denmark to learn from a desert master. Workers who once had a gig now have a purpose.

    The search for inspiration simmers throughout this season. One lovely episode focuses on Marcus’s creative journey in Copenhagen. His new mentor, Luca (played by Will Poulter) tells him that at a certain point, being a great chef is “less about skill and more about being open”— to the world and other people. Marcus puts that advice into action as he drifts through the city, soaking up sights and tastes that he will later transform into new treats for The Bear. Later in the season, Richie (Ebon Moss-Bachrach) similarly undergoes a conversion experience while “staging” in a high-end restaurant, where everyone around him takes pride in the tiniest of tasks. “Every day here is the freaking Super Bowl,” his guide tells him. “I don’t need you to drink the kool aid, Richie. I just need you to respect me, I need you to respect the diners, and I need you to respect yourself.” Respect is a concept Richie understands, and by the end of his stint there, he is shouting things like, “Micro basil, fuck yeah!”

    The Bear’s self-improvement theme occasionally veers dangerously close to Ted Lasso territory, with regular hits of heartwarming uplift and teamwork. Sometimes that connection feels literal: Sydney’s bible this season is a leadership guide by real-life sports coach Mike Krzyzewski, who offers gems like “surround yourself with good people” and “learn how to listen.”

    Luckily, Richie is to The Bear as Roy Kent was to early Ted Lasso—someone who can puncture any scene that threatens to grow too cloying or sentimental. And he’s always reliable for gags based on obnoxious white male overconfidence. When he insists that there’s no mold in the ceiling, you know it will only be a few moments until the ceiling collapses, leaving Richie coated in moldy dust. But he also admits when he’s wrong, and with every episode, his stubborn machismo peels away a bit further, revealing a melancholy character who is trapped in his old ways, scared of being left behind.

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    Joy Press

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  • Why So Many TV Shows Have Viral Dance Numbers

    Why So Many TV Shows Have Viral Dance Numbers

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    On Netflix, Wednesday went goth with The Cramps’ “Goo Goo Muck” and Umbrella Academy got loose with Kenny Loggins’s “Footloose.”

    Hulu’s The Great rocked out with AC/DC’s “You Shook Me All Night Long,” while Reservation Dogs celebrated ’90s R&B with Brandy’s “Sittin’ Up In My Room.”

    Also: Pete Davidson spotlighted Jimmy Soul’s “If You Wanna Be Happy” on his semi-autobiographical Peacock series, Bupkis; Prime Video’s comic book series The Boys went old-school Hollywood musical with George Gershwin’s “I Got Rhythm”; and Showtime’s Yellowjackets brought in avant-garde theater legend John Cameron Mitchell for its own bird-brained idea. And though these scenes might be scripted to look like they come out of nowhere, a more premeditated moment in the season finale of Apple TV+’s Ted Lasso saw football team AFC Richmond channeling The Sound of Music to say “so long, farewell.”

    In this post-needle-drop, anything-can-go-viral world of prestige TV, it’s great to have good acting, writing, and directing. But sometimes it’s even better to have a good beat you can dance to. The Great star Elle Fanning says there’s power to the medium of dance because it “can describe things and convey emotions that we all feel…especially when it’s wild and free.” Fanning, who has a background in ballet, worked with choreographer Polly Bennett to give her character, Catherine the Great, the cathartic release she needs after a particularly trying 10 episodes that include the death of her husband, Peter (Nicholas Hoult).

    “It’s almost like an exorcism out of her body because she’s put up with so much this season,” Fanning says.

    Make Your Own Kind of Music

    Jason Orley, who directed all but two episodes of Davidson’s Bupkis, says that show was always going to find ways to celebrate music simply because “Pete is obsessed with music.” In collaborating with the comedian and series showrunner/co-creator Judah Miller, they wanted “this undercurrent of joy” to thread through a series that is otherwise about heavy topics like depression and death. (The series was originally meant to open with the song “Maybe” from the musical Annie, and the first episode includes costar Joe Pesci playing The Drifters’ “This Magic Moment,” a scene that grew out of an unscripted jam session).

    In the sixth episode, “ISO,” which Orley cowrote with Davidson and Miller and features the Jimmy Soul dance, the character is lonely because he’s away from his family for the winter holidays. After scoring some drugs from teens working at a local bowling alley, he feels momentary relief. A spotlight shines on him in an otherwise dark set and the dancing starts.

    Orley says it was Davidson’s idea for the number, which came together in a mere 45 minutes after a long day of filming; otherwise, the scene felt too sad and the character’s motivation for the drugs is that he wants them so that he doesn’t feel sad. Though they recorded the dance to Irving Berlin’s “Putting on the Ritz,” Orley says it was changed in post to “If You Wanna Be Happy” because the latter song starts with lots of enthusiastic clapping and a “chorus of people talking,” so that it felt like the character wasn’t alone.

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    Whitney Friedlander

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  • The 28 Best LGBTQ+ TV Shows to Stream Right Now

    The 28 Best LGBTQ+ TV Shows to Stream Right Now

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    It seems ludicrous that there was a time, not too long ago, when LGBTQ+ TV shows weren’t standard fare. Perhaps one would come out every couple of years, run for a few seasons, make history, and then fizzle out. Thankfully, the television landscape has changed tremendously in the past decade. There are shows that have queer characters, shows that are inherently queer, and shows that lampoon major corporations trying to pass off amorphous goo as queer representation. What more could you ask for?

    If you’ve found yourself looking to watch something that falls into one of those categories (or somewhere in between), we’ve compiled the best LGBTQ+ TV shows that are streaming now. From RuPaul’s Drag Race to Harley Quinn, you can find them all below.

    28. Queer as Folk (2022)

    For better or worse, the short-lived reboot of Russell T Davies’s groundbreaking series seemed determined to atone for the original’s soapy depiction of queer life. Starring Devin Way, Fin Argus, and Ryan O’Connell, Queer as Folk follows a diverse New Orleans community in the aftermath of a tragedy that recalls the 2016 Pulse shooting. If you don’t mind such trauma underscoring this entertainingly messy web of characters, it’s a drama worth dipping into.

    27. Sex Education (2019)

    The relationship between Sex Education’s Eric (Ncuti Gatwa) and Adam (Connor Swindells) has its issues, but Gatwa is such a standout in the acclaimed series that most are worth overlooking. He’s just that magnetic. The show otherwise follows Otis (Asa Butterfield), a high school student who sets up an underground sex therapy clinic with another one of his classmates (Emma Mackey). Mixing frank discussions with impossible-to-hate characters, Sex Education has been a boon for Netflix since its debut—and it’s never too late to hop on the bandwagon.

    26. Drag Me to Dinner (2023)

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    Tyler Breitfeller

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  • Murderers’ Row: A Tribute to TV’s Compelling Killers

    Murderers’ Row: A Tribute to TV’s Compelling Killers

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    The Background: Four seasons and two continents later, the ex-bookstore clerk is still getting away with murder. (Netflix)

    Killer: Joe Goldberg

    Motive: Joe would say that underneath it all, he just wants love. But his own hallucinations would call BS.

    How They Did It: Pick your poison.

    BARRY

    The Background: Who thought the Marine turned actor’s life would get even bloodier after he stopped being a hit man? (HBO)

    Killer: Barry Berkman

    Motive: PTSD, rage, anxiety, self-preservation, desperation…did we mention this is a comedy?

    How They Did It: Mostly guns, but he’s resourceful.

    THE PATIENT

    Copyright 2022, FX Networks. All Rights Reserved.

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    Hillary Busis

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  • NBA Conference Finals 2023: How to watch Lakers vs. Nuggets Game 4 tonight

    NBA Conference Finals 2023: How to watch Lakers vs. Nuggets Game 4 tonight

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    Keith Birmingham, Pasadena Star-News/ SCNG via Getty Images


    The NBA playoffs are in full swing. Conference finals continue through May 29 (if needed). Tonight, we have Game 4 of the Western Conference, featuring the Los Angeles Lakers against the Denver Nuggets at 8:30 p.m. ET (5:30 p.m. PT) on Monday, May 22. The Nuggets are currently up 3-0, so if they win tonight’s game, they’re the winners of the Western Conference and will make it to the NBA finals. Tomorrow, the Miami Heat plays against the Boston Celtics for Game 4 of the Eastern Conference.

    These NBA conference final games will determine which teams make it to the NBA playoff finals. Find out how to catch tonight’s game and see who might end up as NBA champions. You don’t even need a cable subscription — just Sling TV.

    Best way to live stream the NBA playoffs

    If you want access to live stream all the games in the NBA playoffs and finals, the most cost effective way is with Sling TV. The low-cost cable streamer’s Orange tier includes games on ESPN and TNT, while the Orange + Blue tier includes games on ABC (certain markets).

    NBA conference final game schedule

    With the NBA semifinals over, we’re down to the 2023 NBA conference finals. In the Eastern Conference, the Boston Celtics beat the Philadelphia 76ers while the Miami Heat ousted the New York Knicks, so the Heat and the Celtics will take each other on in the NBA’s best-of-seven elimination tournament. Currently, the Heat are in the lead 3-0.

    Meanwhile in the Western Conference semifinals, the Los Angeles Lakers, led by LeBron James, eliminated the Golden State Warriors. The Denver Nuggets won against the Phoenix Suns. We’ll see the fourth matchup of the Nuggets versus the Lakers tonight. Will the Nuggets take home the Western Conference championship, or will the Lakers make a comeback? (If you want to record this game tonight, Sling TV offers 50 hours of DVR storage.)

    NBA conference final game schedule

    Don’t miss a single moment of the NBA playoffs, starting with the conference finals tonight. The remaining Western Conference games will all air on ESPN. The Eastern Conference games will all be shown on TNT.

    Don’t have cable TV? Luckily, Sling TV carries both TNT and ESPN so you can watch those games live.

    Schedule for the 2023 Western Conference finals (No. 7 Los Angeles Lakers vs. No. 1 Denver Nuggets)

    • Game 4: Monday May 22 at 8:30 p.m. EDT on ESPN
    • *Game 5: Wednesday, May 24 at 8:30 p.m. EDT on ESPN
    • *Game 6: Friday, May 26 at 8:30 p.m. EDT on ESPN
    • *Game 7: Sunday, May 28 at 8:30 p.m. EDT on ESPN

    Schedule for the 2023 Eastern Conference finals (No. 8 Miami Heat vs. No. 2 Boston Celtics)

    • Game 4: Tuesday, May 23 at 8:30 p.m. EDT on TNT
    • *Game 5: Thursday, May 25 at 8:30 p.m. EDT on TNT
    • *Game 6: Saturday, May 27 at 8:30 p.m. EDT on TNT
    • *Game 7: Monday, May 29 at 8:30 p.m. EDT on TNT

    *These games will only be played if needed.

    What about the rest of the playoffs?

    The NBA final will begin on Sunday, June 1 at 8:30 p.m. EDT. When the conference finals are complete, all games of the NBA finals 2023 will be shown on ABC.

    Watch the 2023 NBA conference finals on Sling TV

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    Andrew D. Bernstein/NBAE via Getty Images


    The best and most affordable way to watch the 2023 NBA playoff games airing on ESPN is through Sling TV. The most budget-friendly tier that includes ESPN, Orange, is only $40 a month. The Orange + Blue tier gives you access to the maximum amount of live sports, including not only ESPN but NFL Network, ABC, Fox and NBC broadcasts, for $55 per month. You’ll get 50 hours of DVR storage to record all the games you want.

    There’s no contract. You can cancel at any time. Best of all? They’re offering the first month for $10 off. So you only need to pay $30 right now to get access to ESPN with Sling Orange, or $45 for the Orange + Blue tier.

    Don’t have a smart TV to watch Sling TV on? Not a problem: Right now Sling TV is offering subscribers a free Amazon Fire TV Stick to use.

    Watch the NBA Finals on a digital antenna

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    Amazon


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    Amazon


    If you’re worried about being able to access the games that will be playing on ABC, like the NBA finals, you can get a digital antenna to access your local TV stations, which will include ABC. While Sling TV does carry ABC in several of its large markets, the antenna will give you peace of mind so that you won’t have to miss a single game of the NBA playoffs.

    This one supports smart TVs in 1080p, 4K and 8K displays and works with older models too. It’s also currently discounted at Amazon. Buy now and it will arrive before Game 3 between the Lakers and the Nuggets airs on ABC.

    Roainey digital TV antenna with amplifier signal booster, $27 after coupon (down from $40)

    Hulu + Live TV bundle

    It’s not as affordable as Sling TV, but the Hulu + Live TV bundle has a huge library of content thanks to their partnerships with Disney and ESPN. In the bundle, both Disney+ and ESPN+ are included and it’s totally ad-free. If you want it all, get the Hulu + Live TV bundle.

    Sign up for the Hulu + Live TV with ESPN+ and Disney+ bundle, $70 a month

    FuboTV

    FuboTV is a sports-centric streaming services that has live TV events for almost every sport imaginable, including international ones, plus over 100 other channels. Did we mention that they give you 1,000 hours of DVR space as well? Get a free seven-day trial by signing up here.

    FuboTV, starting at $75 a month

    DirecTV Stream

    DirecTV streams all the networks a sports fan could want, including NBC, Fox, ESPN and more. No matter what your viewing needs are, DirecTV Stream should have a monthly package that will serve you. Prices on DirecTV Stream services start at $65 a month for the first three months, then $75 a month thereafter.

    DirecTV Stream, $65 and up per month

    The best TV deals ahead of the NBA playoffs 

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    Walmart


    Looking for a new television for all your sports watching needs? Watch the 2023 March Madness tournament on a smart TV. We’ve rounded up some great deals for the latest in high-quality TV technology.

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  • ‘The Bear’ Season 2 Trailer: If You Can’t Take the Heat, Don’t Open a Restaurant

    ‘The Bear’ Season 2 Trailer: If You Can’t Take the Heat, Don’t Open a Restaurant

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    Are you hungry? The trailer for season two of FX’s critically acclaimed series The Bear just dropped, and it’s filled with both mouthwatering meals and a whole lot of delicious restaurant drama. 

    “This is coming from a place of wanting to start fresh and clean,” says Carmen “Carmy” Berzatto (Jeremy Allen White) at the top of the trailer. After shutting down his rough-and-ready sandwich shop, The Beef, at the end of season one, Carmy and his crew—including sous-chef Sydney (Ayo Edebiri), “cuz” Richie (Ebon Moss-Bachrach), and sister Sugar (Abby Elliott)—have big dreams for their new restaurant, The Bear. “This is going to be a destination spot,” says Sydney.

    But according to the trailer for season two, creating one from scratch may be harder than it looks. “It’s gonna take six months to open,” Sugar says as Richie and his gang get to work on rehabilitating the space. Over in the kitchen, Sydney and Carmy take The Bear’s notorious frenetic energy and infuse it straight into their cooking. “Still thinking chaos menu?” Sydney asks Carmy as they come up with new recipes for the restaurant. “Yeah, chaos menu but thoughtful,” says Carmy, before promptly spitting out one of the new recipes. 

    Sydney and Carmy aren’t the only Beef alums trying to step up their game, as veteran line cooks Ebraheim (Edwin Lee Gibson) and Tina (Liza Colón-Zayas) get sent back to culinary school. Even Richie is trying to level up at the new restaurant, declaring himself “the supervisor.” (“Supervisor of what?” asks Lionel Boyce’s pastry chef, Marcus.) Unlike Richie, Sydney is certainly in a position of power as a chef at The Bear, but she finds it difficult to exert her authority when looking to hire new staff. “When can I talk to the chef?” asks a potential employee during a job interview shown in the trailer. “You are,” replies Sydney, before giving him a withering look. 

    Outside of the restaurant, things are heating up for Carmy as well. In the trailer, we get our first glimpse at season two addition Molly Gordon, whose still-unknown character seems to have something of a history with the troubled chef. “How has your life been, Berzatto?” Gordon’s character asks after bumping into Carmy in a supermarket. Could Carmy have to juggle opening a new restaurant and reigniting an old flame? You’ll have to wait and see when season two of The Bear serves up all 10 of its episodes exclusively on Hulu on June 22. 

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    Chris Murphy

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  • Elle Fanning’s Grief Transforms ‘The Great’

    Elle Fanning’s Grief Transforms ‘The Great’

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    Warning: Major spoilers for season three of The Great ahead—proceed with caution.

    “Grief is fucking weird.”

    Those words, uttered just moments after The Great kills off one of its two main characters, are a harbinger of what’s to come in the newly released third season. While Elle Fanning’s Catherine the Great has dodged death threats and political coups since touching down in Russia, the queen is safe—for now. Instead, it’s her lovably obtuse and oddly tender husband, formerly known as Peter the Great (played by Nicholas Hoult), who meets his demise in the season’s sixth episode. 

    Circumstances around the actual king’s death remain murky—but it’s been widely reported that Peter was assassinated by Alexei Orlov, younger brother to Catherine’s then lover, Grigory Orlov, while jailed. The show takes a steep departure. Plagued by the fear that he be remembered only as a doting stay-at-home husband to his powerful wife (“Yeah, ’cause that’s what history remembers—good fathers,” an adult-sized hallucination of his newborn son, Paul, taunts), Peter sets forth on an ill-fated invasion of Sweden. Catherine attempts to ease his worries and halt the mission, but Peter won’t be deterred. He proceeds on horseback across a frozen lake—stopping to turn to his wife with a faint, “Actually—” before promptly falling through the ice as Catherine watches in horror. 

    “Gosh, that whole day was filled with so much emotion,” Fanning tells Vanity Fair. “[Series creator] Tony [McNamara], Nick, and I, we went into the woods secretly before the last shot we had together. We took a little vodka shot and did a cheers. That was a very special moment.” Once the last huzzah had been uttered, Fanning was left to lead the show without her other half and—eventually—make the loss worth laughing about. 

    “I was most scared of the episode after his death,” she says, “which is when Catherine’s in her manic grief and extreme denial. I was putting a lot of pressure on myself to portray that in a certain way…. It was like, wow, well, Nick’s gone. [It’s] such a hole in the show…. I didn’t want it to go downhill…. But also now a big death has happened, and we don’t want the show to get sad because we’re a comedy. It’s this tightrope of battling the tragedy and the comedy and the absurdist.”

    Fresh off her appearance at the Met Gala (Billie Eilish and Finneas O’Connell were two of her tablemates), Fanning spoke to VF about mourning her royal partner and how that musical ending brought her real-life catharsis: “I started [the show] when I was 20, now I’m 25. So a lot of these experiences have molded me.”

    Vanity Fair: Before we get into this season’s major event, I want to ask about the state of Peter and Catherine’s marriage in season three. They’ve decided to move on from some sizable hurdles, but they’re still sleeping with knives underneath their pillows. What is it that keeps them so invested in each other?

    Elle Fanning: Obviously, it’s complicated, but I do believe that it’s a matured love in season three. In season two, Catherine—at the end, when she stabbed Pugachev thinking it was Peter, her guttural reaction to that made her realize, oh wow, I can’t lose this person. Because in a lot of ways, he’s the only one who understands her fully at court, which is really fascinating. He’s ruled the country. Whether you think he did it badly or not, he does know the pressures of that unlike anyone else. So Catherine realizes that he does truly see her for who she is and she doesn’t want to lose that companionship.

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    Savannah Walsh

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  • Disney Plans to Remove Content From Disney+ Library

    Disney Plans to Remove Content From Disney+ Library

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    Disney recently made some huge announcements about the future of its streaming services during an investor call. One of those announcements was the merging of Disney+ and Hulu. But that’s just the start. It seems like they’re going to be taking a page out of Warner Bros. Discovery’s book and removing content from its established library. While you might assume that once something is on streaming it will never disappear, that’s not quite the case.

    Instead, Disney revealed plans to take at least of its existing streaming content and remove it from Disney+ and Hulu. For decades, Disney utilized what it called the “Disney Vault,” taking some popular titles out of circulation for periods of years or decades. That’s become less prevalent with the advent of streaming, but it appears that the concept could make a comeback.

    READ MORE: Every Mandalorian Season 3 Plot Hole and How to Explain Them

    On the investor call a Disney executive said the company “will be removing certain content from our streaming platforms and currently expect to take an impairment charge of approximately $1.5 to $1.8 billion.” This is the same strategy that WBD employed when it shelved its unfinished Batgirl movie, amongst other planned HBO and Max content, in exchange for tax credits.

    Disney announce it is also changing its approach to content creation to drive bigger shareholder returns and spend less money. Disney CEO Bob Iger said…

    We realized that we made a lot of content that is not necessarily driving sub-growth, and we’re getting much more surgical about what it is we make. So as we look to reduce content spend, we’re looking to reduce it in a way that should not have any impact at all on subs.

    So many streaming services tried to compete with Netflix by churning out enormous amounts of content over the last few years. This recent wave of news about companies cutting content suggests those days are over.

    Sign up for Disney+ here.

    The Biggest Issues With Marvel’s Disney+ Shows

    From the strong performances to the stunning special effects to the impressive production design, Marvel’s newest series are indeed quality television. For veteran Marvel fans and newcomers alike, tuning in to Disney+ each week is an exciting visual treat. But anything worth watching is worth critiquing, which is why we’ve come up with the biggest issues found in Marvel’s Disney+ shows so far.

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    Cody Mcintosh

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  • 26 Can’t-Miss Summer TV Shows Coming in 2023

    26 Can’t-Miss Summer TV Shows Coming in 2023

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    God love ‘em, the Gemstones’ prayers have finally been answered. Season three of The Righteous Gemstones returns to HBO on June 18, and, in a page straight out of Succession, Jesse (Danny McBride), Judy (Edi Patterson), and Kelvin (Adam DeVine) Gemstone finally have control of the family’s televangelist church made world-famous by their father, Dr. Eli Gemstone (John Goodman). But, running a megachurch is not as easy as it seems, and, from the looks of it, the Gemstone children may not be cut out for the gig. Pray for them.  —Chris Murphy

    The Walking Dead: Dead City

    June 18 (AMC)

    The universe of The Walking Dead expands once again with this sequel series, which picks up two years after the end of The Walking Dead and finds former enemies Negan (Jeffrey Dean Morgan) and Maggie (Lauren Cohan) traveling in a postapocalyptic Manhattan. It’s the fourth spin-off from the smash-hit AMC series, which wrapped its 11th and final season in November 2022. None of the follow-up series have become as huge as the original, but AMC clearly remains very much in the zombie business. —K.R.

    Secret Invasion

    June 21 (Disney+)

    “We don’t know who’s a friend, who’s the enemy,” Samuel L. Jackson told Anthony Breznican for Vanity Fair’s first look at his upcoming Marvel series, which follows Jackson’s former S.H.I.E.L.D. director, Nick Fury, as he uncovers a conspiracy to quietly install double agents into positions of power around the world. He’s joined by Emilia Clarke as an alien radical named G’iah, Olivia Colman as a British intelligence agent who has a past with Fury, and a few familiar faces from the MCU, namely Martin Freeman (as CIA agent Everett K. Ross) and Cobie Smulders (as Fury’s steadfast ally, Maria Hill). Maybe it’s not a new Avengers movie, but Secret Invasion seems just as starry. —H.B.

    The Bear

    June 22 (FX)

    Order up. The Bear—the high-octane kitchen series that premiered on FX last summer and quickly became the network’s most-watched half-hour show of all time—serves up a new 10-episode season two on June 22. After shutting down his restaurant, The Beef, Jeremy Allen White’s chef Carmy and his kitchen crew consisting of his “cousin” Richie (Ebon Moss-Bachrach), sous-chef Sydney (Ayo Edebiri), pastry chef Marcus (Lionel Boyce), and veteran line cook Tina (Liza Colón-Zayas) are preparing to open Carmy’s new restaurant, The Bear. Along with the new restaurant, there are a few new faces, with Better Call Saul’s Bob Odenkirk and Booksmart’s Molly Gordon both joining The Bear for season two. “It’s not a reopening, it’s a rebirth,” reads the caption on a teaser trailer for The Bear’s second season. Yes, chef. —C.M.

    The Bachelorette

    June 26 (ABC)

    While many of us are still feeling the hangover of a particularly brutal season of The Bachelor, a new season for love is here with Charity Lawson, a 27-year-old Georgia native who was sent packing after hometowns by Zach Shallcross, calling the shots. She becomes only the fifth Black lead in franchise history, following in the footsteps of Matt James, Rachel Lindsay, Tayshia Adams, and Michelle Young—a welcome addition after yet another season where a contestant’s racist past was exposed. Here’s hoping that the exit of controversial longtime creator Mike Fleiss, and Lawson’s career as a child and family therapist bring fresh life to a wilting rose. —S.W.

    The Witcher season three

    June 29 (Netflix)

    Geralt (Henry Cavill) and Ciri (Freya Allan) are going into hiding as the new season of Netflix’s fantasy epic begins, a journey that promises equal parts discovery and treachery—and lands them in a position of putting everything on the line. Robbie Amell and Meng’er Zhang join the cast as an elven fighter and a human huntress, respectively. —D.C.

    And Just Like That… Season Two

    June (Max)

    Now that the death of Big and a realignment of friend groups has been taken care of, maybe the second season of Max’s Sex and the City continuation can relax and have fun. Maybe we might even get a more episodic format, with each installment centered on a particular theme—you know, like SATC used to be. Though creator Michael Patrick King and producer/star Sarah Jessica Parker have been careful to note that AJLT is not trying to directly mimic the style of their previous hit, this is a different set of shoes altogether. So, perhaps that will be the real narrative of this sophomore run of episodes: audiences learning to embrace what’s different about the series, while its creative team finds a way to make it all fit. —R.L.

    The Horror of Dolores Roach

    July 7 (Prime Video)

    From play to podcast to TV series: That’s the unlikely journey of The Horror of Dolores Roach, which began its life as a one-woman show starring Daphne Rubin-Vega, who reprised the role for the Gimlet Media podcast version. The play and podcast’s creator Aaron Mark will serve as co-showrunner for the series, which stars One Day at a Time alum Justina Machado as a woman returning to her Washington Heights neighborhood after being released from prison. As the description for the podcast went, it’s “a macabre urban legend of love, betrayal, weed, gentrification, cannibalism, and survival of the fittest.” —K.R.

    The Real Housewives of New York City

    July 16 (Bravo)

    RHONY has gotten a rebrand. After 13 seasons, Bravo has done away with original Real Housewives of New York cast members like Luann de Lesepps, Sonja Morgan, and Ramona Singer in favor of a fresh crop of ladies ready to take on the Big Apple. Bravo’s updated RHONY cast includes Sai De Silva, Ubah Hassan, Jessel Taank, Brynn Whitfield, Erin Dana Lichy, and former J.Crew president and creative director Jenna Lyons. Season 14 of Real Housewives of New York will premiere on Bravo on July 16 because, after all, there’s nothing like summer in the city. Until then, we’ll have to wait and see whether the new cast will fill the RHONY OGs’ big and fabulous shoes. —C.M.

    The Afterparty

    July 14 (Apple TV+)

    The only thing juicier than an afterparty is what mischief happens next. Even more murder is afoot in season two of this comedic whodunnit, which deliciously recounts the same crime from a different character’s perspective in each episode. The sophomore installment reunites returning cast members Tiffany Haddish, Sam Richardson, and Zoë Chao with a—ahem—murderers’ row of new performers including John Cho, Paul Walter Hauser, Anna Konkle, Ken Jeong, Poppy Liu, Zach Woods, Vivian Wu, and Elizabeth Perkins as an unlucky set of soon-to-be interrogated wedding guests. Let the theorizing begin! —S.W.

    Praise Petey

    July 21 (Freeform)

    Annie Murphy as an It girl whose glamorous life comes crashing down? Sounds a lot like Schitt’s Creek, only, this time, Murphy is voicing the animated Petey, who decides to lean into modernizing her dad’s small-town cult. From former Saturday Night Live head writer Anna Drezen, Praise Petey promises comedy for the Gen Z set. John Cho, Kiersey Clemons, and Christine Baranski also star. —N.J.

    They Cloned Tyrone

    July 21 (Netflix)

    Is it a comedy, a conspiracy thriller, a stylish sci-fi-action-mystery-Blaxploitation-throwback? Juel Taylor’s directorial debut looks like all of the above. “Blaxploitation films always represented movies that let us express ourselves, and we could just look snazzy and do cool shit,” star John Boyega recently told EW of the high-concept project. ”It didn’t matter if we knew kung fu. It just all made sense with the music, with the vibes. I’m just proud to, at least, be a part of something that pays homage to that.” Trust his costars Teyonah Parris and Jamie Foxx to nail the vibe too. —H.B.

    Minx season two

    July 21 (Starz)

    Axed from HBO Max in dramatic fashion last year, the 1970s workplace comedy has found a new life on Starz, with Ophelia Lovibond and Jake Johnson returning as Joyce and Doug, the pair of unlikely collaborators behind a feminist porn magazine. In season two, the magazine Minx has become a hit, which, for our heroes, “brings more money, fame, and temptation than either of them know how to handle,” per Starz. With the recent Party Down revival, Starz is hopefully well-positioned to promote another smart comedy and treat Minx better than its first home did. —K.R.

    Twisted Metal

    July 27 (Peacock)

    Did you spend the winter of 1995 watching your brother shoot napalm-laced ice cream cones at a souped-up Corvette driven by a ghost? If so, you too may find yourself intrigued by Peacock’s adaptation of the classic Playstation game, which casts Anthony Mackie as an everyman (he’s literally named John Doe) on a quest that, if the original is any blueprint, will mostly serve as an excuse for stylized vehicular mayhem. Yes, the clown who drives a killer ice cream truck is there too—and, this time, he’s voiced by Will Arnett. —H.B.

    Breeders season four

    July (FX)

    The fourth season of FX’s dark comedy series follows a tense finale in which Ava (Eve Prenelle) finally stood up to her father, while our weary married antiheroes Paul (Martin Freeman) and Ally (Daisy Haggard) don’t split up, exactly, but plan to move forward with a dynamic that may not be fixable, and a lot of pain in the rearview. How will they all pick up the pieces? Hopefully, the premiere lays out the road map. —D.C.

    Heartstopper season two

    August 3 (Netflix)

    Get ready for a summer of love. Netflix’s hit queer coming-of-age romance Heartstopper returns to the streaming platform on August 3. Based on the New York Times best-selling graphic novel series by Alice Oseman, Heartstopper follows Charlie (Joe Locke) a recently out teen at a British all-boys school, Nick (Kit Connor) a closeted rugby player coming to terms with his sexuality, and their budding romance. With a 100% average Tomatometer on Rotten Tomatoes, there’s clearly many Heartstopper fans interested in seeing what the next step is in Charlie and Nick’s romantic journey. —C.M.

    Red, White & Royal Blue

    August 11 (Prime Video)

    Speaking of Heartstopper, The Royal We meets Netflix’s hit queer romance in Matthew Lopez’s adaptation of Casey McQuiston’s Young Adult bestseller, a sweetly silly rom-com that pairs America’s First Son with the heir to the British crown. Sure, the premise is implausible, but McQuiston’s charming banter was enough to sell it in novel form. Presumably, young cuties Taylor Zakhar Pérez and Nicholas Galitzine will be able to do the same on the small screen. Plus: Uma Thurman as the first female POTUS! —H.B.

    Reservation Dogs season two

    Summer Date TBD (FX)

    At the end of season two, the titular Dogs—Indigenous teens Elora Danan (Devery Jacobs), Bear (D’Pharaoh Woon-A-Tai), Willie Jack (Paulina Alexis), and Cheese (Lane Factor)—have made their long-awaited sojourn to California, a dream they often discussed while living on the Muscogee Nation Reservation in Oklahoma. But, while the last season ended with a sense of resolution, showrunner Sterlin Harjo has teased “some darkness coming” in season three for the group, whose bond was cemented after the tragic loss of their fifth friend just before the show’s start. —S.W.

    What We Do in the Shadows season five

    Summer Date TBD (FX)

    Renewed last year for a fifth and sixth season, the vampire comedy returns with a major vote of confidence from its network, and a major cliff-hanger to wrap up: At the end of the last season, human familiar Guillermo (Harvey Guillén) had asked to be turned into a vampire. The season ended with several other resets, like Baby Colin’s (Mark Proksch) reversion back to regular adult Colin and the end of Nadja’s (Natasia Demetriou) nightclub dream. But, for vampire characters who have been alive for hundreds of years, there’s clearly time for many more adventures. —K.R.

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    Hillary Busis, Richard Lawson, Savannah Walsh, Rebecca Ford, David Canfield, Katey Rich, Natalie Jarvey, Chris Murphy

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