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Tag: Howard Jones

  • Jimmy Kimmel explains how he learned he was being yanked off the air — and thought he’d never return

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    When ABC executives told Jimmy Kimmel last month that his show was being pulled off the air, the late-night show’s audience was seated, a guest chef had already started making food, the musical guest had performed a warm-up act, and Kimmel was in the bathroom.”It was about 3:00; we tape our show at 4:30,” Kimmel told Stephen Colbert on an episode of “The Late Show” Tuesday. “I’m in my office, typing away as I usually do. I get a phone call. It’s ABC. They say they want to talk to me. This is unusual: They, as far as I knew, didn’t even know I was doing a show previous to this.”Kimmel said he had five writers in his office at the time, and the only private place where he could take the call was the bathroom.”So I go into the bathroom, and I’m on the phone with the ABC executives. and they say, ‘Listen, we want to take the temperature down. We’re concerned about what you’re going to say tonight, and we decided that the best route is to take the show off the air.’”The audience booed, and Kimmel joked: “That’s what I said: I started booing.””I said, ‘I don’t think that’s a good idea,’ and they said, ‘Well, we think it’s a good idea.’ Then there was a vote, and I lost the vote.”Kimmel said he called some of the show’s executive producers into his office to share the news, and he turned white.”I thought, that’s it. It’s over, it’s over. I was like, I’m never coming back on the air.”Kimmel said the show had to send the seated audience home. Chef Christian Petroni’s prepared meatballs and polenta that he had been cooking before the taping went to waste. Future musical guest Howard Jones, however, taped a song for a future episode: “Things Can Only Get Better,” which Kimmel acknowledged was ironic.ABC suspended Kimmel’s show in mid-September for a few days after a controversial monologue that mentioned Charlie Kirk’s suspected killer – and the right-wing reaction to Kirk’s murder. Two days later, FCC Chair Brendan Carr, on a conservative podcast, threatened to pull ABC affiliate broadcast licenses in response. Then Nexstar — the station group which airs “Jimmy Kimmel Live!” in approximately two dozen markets — announced they would not air the show. Another affiliate, Sinclair, followed suit. And hours later, Kimmel took ABC executives’ call in the bathroom.Kimmel returned to the air the following Tuesday with an emotional monologue — and mega-ratings.Colbert couldn’t get the line outColbert, who also appeared as a guest on Brooklyn taping of “Jimmy Kimmel Live” Tuesday, said he could empathize with Kimmel. The CBS star said executives had made the decision to end his show while Colbert was on vacation. His manager, James Dixon, whom he shares with Kimmel, waited until Colbert returned to share the news.Recounting his desire to tell his audience about the news immediately — despite the fact that “Late Night” is set to run through the spring of 2026 — Colbert told Kimmel that at the end of the following show, he asked his audience to remain in their seats for one more segment. But he had trouble delivering his lines and flubbed the line — twice.”I was so nervous about doing it right, ’cause there was nothing in the prompter. I was just speaking off the cuff,” Colbert said. “They started going, ‘Come on Stephen, you can do it,” because I always messed up on the sentence that told them what was happening. And then I got to the sentence that actually told them what’s happening, and they didn’t laugh.”Although CBS owner Paramount said the cancellation of “The Late Show” was strictly a business decision, many media critics — and Kimmel — questioned that rationale, and some have said it was likely a political decision to appease the Trump administration that needed to approve Paramount’s merger with Skydance.Both Colbert and Kimmel have been frequent and unabashed critics of President Donald Trump and his administration. Trump publicly celebrated when Colbert was canceled, saying in a social media post that Kimmel and NBC’s Seth Meyers were “next.” Trump again celebrated when Kimmel was pulled off the air but criticized — and threatened — ABC when it brought him back on.Meyers made an appearance on Kimmel’s show Tuesday, and the three late night hosts posed for a photograph posted to Instagram. Kimmel added the caption: “Hi Donald!”Kimmel joked with Colbert that Tuesday’s taping was, “The show the FCC doesn’t want you to see.” He introduced Colbert as, “The Emmy-winning late-night talk show host who, thanks to the Trump administration, is now available for a limited-time only.”Kimmel quipped that he was “so honored to be here with my fellow no-talent, late-night loser.” As for the rationale for inviting Colbert onto his program: “We thought it might be a fun way to drive the president nuts.”

    When ABC executives told Jimmy Kimmel last month that his show was being pulled off the air, the late-night show’s audience was seated, a guest chef had already started making food, the musical guest had performed a warm-up act, and Kimmel was in the bathroom.

    “It was about 3:00; we tape our show at 4:30,” Kimmel told Stephen Colbert on an episode of “The Late Show” Tuesday. “I’m in my office, typing away as I usually do. I get a phone call. It’s ABC. They say they want to talk to me. This is unusual: They, as far as I knew, didn’t even know I was doing a show previous to this.”

    Kimmel said he had five writers in his office at the time, and the only private place where he could take the call was the bathroom.

    “So I go into the bathroom, and I’m on the phone with the ABC executives. and they say, ‘Listen, we want to take the temperature down. We’re concerned about what you’re going to say tonight, and we decided that the best route is to take the show off the air.’”

    The audience booed, and Kimmel joked: “That’s what I said: I started booing.”

    “I said, ‘I don’t think that’s a good idea,’ and they said, ‘Well, we think it’s a good idea.’ Then there was a vote, and I lost the vote.”

    Kimmel said he called some of the show’s executive producers into his office to share the news, and he turned white.

    “I thought, that’s it. It’s over, it’s over. I was like, I’m never coming back on the air.”

    Kimmel said the show had to send the seated audience home. Chef Christian Petroni’s prepared meatballs and polenta that he had been cooking before the taping went to waste. Future musical guest Howard Jones, however, taped a song for a future episode: “Things Can Only Get Better,” which Kimmel acknowledged was ironic.

    ABC suspended Kimmel’s show in mid-September for a few days after a controversial monologue that mentioned Charlie Kirk’s suspected killer – and the right-wing reaction to Kirk’s murder. Two days later, FCC Chair Brendan Carr, on a conservative podcast, threatened to pull ABC affiliate broadcast licenses in response. Then Nexstar — the station group which airs “Jimmy Kimmel Live!” in approximately two dozen markets — announced they would not air the show. Another affiliate, Sinclair, followed suit. And hours later, Kimmel took ABC executives’ call in the bathroom.

    Kimmel returned to the air the following Tuesday with an emotional monologue — and mega-ratings.

    Colbert couldn’t get the line out

    Colbert, who also appeared as a guest on Brooklyn taping of “Jimmy Kimmel Live” Tuesday, said he could empathize with Kimmel. The CBS star said executives had made the decision to end his show while Colbert was on vacation. His manager, James Dixon, whom he shares with Kimmel, waited until Colbert returned to share the news.

    Recounting his desire to tell his audience about the news immediately — despite the fact that “Late Night” is set to run through the spring of 2026 — Colbert told Kimmel that at the end of the following show, he asked his audience to remain in their seats for one more segment. But he had trouble delivering his lines and flubbed the line — twice.

    “I was so nervous about doing it right, ’cause there was nothing in the prompter. I was just speaking off the cuff,” Colbert said. “They started going, ‘Come on Stephen, you can do it,” because I always messed up on the sentence that told them what was happening. And then I got to the sentence that actually told them what’s happening, and they didn’t laugh.”

    Although CBS owner Paramount said the cancellation of “The Late Show” was strictly a business decision, many media critics — and Kimmel — questioned that rationale, and some have said it was likely a political decision to appease the Trump administration that needed to approve Paramount’s merger with Skydance.

    Both Colbert and Kimmel have been frequent and unabashed critics of President Donald Trump and his administration. Trump publicly celebrated when Colbert was canceled, saying in a social media post that Kimmel and NBC’s Seth Meyers were “next.” Trump again celebrated when Kimmel was pulled off the air but criticized — and threatened — ABC when it brought him back on.

    Meyers made an appearance on Kimmel’s show Tuesday, and the three late night hosts posed for a photograph posted to Instagram. Kimmel added the caption: “Hi Donald!”

    Kimmel joked with Colbert that Tuesday’s taping was, “The show the FCC doesn’t want you to see.” He introduced Colbert as, “The Emmy-winning late-night talk show host who, thanks to the Trump administration, is now available for a limited-time only.”

    Kimmel quipped that he was “so honored to be here with my fellow no-talent, late-night loser.” As for the rationale for inviting Colbert onto his program: “We thought it might be a fun way to drive the president nuts.”

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  • Rachael Sage Releases Artful Video for Track ‘I Made a Case’ (Feat. Howard Jones)

    Rachael Sage Releases Artful Video for Track ‘I Made a Case’ (Feat. Howard Jones)

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    Alt-folk-pop singer-songwriter Rachael Sage has released an artful video for “I Made A Case” from her new 15-track, full-length studio album, The Other Side (via MPress Records). Featuring legendary UK hitmaker (and Sage’s frequent touring mate) Howard Jones on duet vocals, and a Bacharach-esque orchestral arrangement, the poignant ballad captures the age-old dilemma of would-be lovers meeting at the wrong time. Sage enthuses: “It was an enormous honor to have Howard Jones involved in recording the duet version, and he couldn’t have been any more encouraging or positive throughout the process! I’m still pinching myself that one of my very favorite artists and humans agreed to collaborate with me on such a delicate ballad – and was so protective of the song, as well.” Throughout the song, Jones & Sage have beautiful vocal chemistry, and heartbreak never sounded so sweet. The video premiered in Broadway World (US) and Classic Pop Magazine (UK), and is also the centerpiece of a Vinyl District feature.

    Watch the video for “I Made A Case” HERE.

    Directed by Tobias LaMontagne (with additional performance footage shot by Mikhail Pivovarov), the melancholic video is set in a deserted house on the edge of a bluff overlooking a desolate sea. Devoid of people, Sage appears as an apparition while she plaintively performs the song at a piano – a haunting image of a person coming to terms with unrealized love.

    Sage’s latest studio album The Other Side is the most grounded of her illustrious career, recalling the classic, retro-warmth of the ’70s and ’80s, with memorable Americana-infused pop hooks and folk-fueled poeticism. Blending a myriad of genres and instruments into a cohesive and captivating whole, the album’s musical collaborators include guitarists Jack Petruzzelli (Patti Smith) and James Mastro (Ian Hunter), trumpet player Russ Johnson (Elvis Costello), bassist Nick Beggs (Kajagoogoo), and guest vocals from UK pop icon Howard Jones. Track highlights include: “Whistle Blow,” an Americana palette of slide and acoustic guitars, where Sage muses on power dynamics and boundaries; Sage’s folk-pop anthem “The Other Side“, whose memorable gospel-tinged chorus and rapid-fire poeticism make it an instant classic; while the ‘60s-influenced “Flowers For Free” is poetic pop-rock at its most adventurous. The record also includes Sage’s interpretations of Yazoo’s classic “Only You”, and Maria McKee’s “Breathe”. Sage’s timeless writing reminds us what’s most important is always worth waiting for, via songs steeped in just the right amount of best-is-yet-to-come optimism.

    The digital album, vinyl and deluxe physical CD – featuring 12 paintings by Sage, photographs by renowned Studio 54 photographer Bill Bernstein, along with a Bonus Disc of alternate mixes – can be streamed/ordered at: mpress.lnk.to/TheOtherSide

    Source: MPress Records

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  • Rachael Sage Releases Magical Companion Video for Beatle-Esque Pop-Rock Track ‘Flowers for Free’ From New Album

    Rachael Sage Releases Magical Companion Video for Beatle-Esque Pop-Rock Track ‘Flowers for Free’ From New Album

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    Alt-folk-pop singer-songwriter Rachael Sage has released a colorful new companion video for “Flowers For Free” from her new 15-track full-length studio album, The Other Side (out via MPress Records). The video premiered in Ghetto Blaster and Skope (UK) and is featured currently as one of No Depression’s Fresh Tracks.

    Co-produced by Sage with Grammy® winner Andy Zulla and engineer Mikhail Pivovarov, Rachael’s ’60s-influenced “Flowers For Free” is poetic pop-rock at its most adventurous. Beatle-esque wah guitar, baroque trumpet flourishes, chamber strings and Sage’s pulsing piano ground this psychedelic song about never giving up on this earthly life or into the temptation of complacency. Sage’s band, The Sequins, drives the track, with guest guitarists James Mastro (Ian Hunter) and Jack Petruzzelli (Rufus Wainwright) bringing the retro vibes.

    Watch “Flowers For Free” HERE.

    Filmed at Philadelphia’s Magic Gardens, singer-songwriter/visual artist Rachael Sage’s “Flowers For Free” video is three and a half minutes of pure joy. It’s also an apt landscape for a song that, as Sage reveals, is “essentially about the power of self-expression to carry us through crisis.” Directed by John Shyloski and art directed by Sage, the clip showcases the mosaic-based artwork of Isaiah Zagar, in whose colorful mosaics she immediately sensed a stylistic kinship. As she explores this otherworldly environment – playing her own hand-decorated instruments and wearing vibrant attire – the psychedelic, Beatle-esque track comes to life in glorious 3D, and the viewer can’t help but feel transported. As Sage explains: “Isaiah’s gorgeous sense of color and composition, along with his decades of local community outreach through visual art, have made me a longtime fan. It was truly an honor to be able to shoot in such a positive, uplifting urban environment. I was in heaven being surrounded by his creations, and reminded just how much color and light has the ability to shift our perspective for the better.”

    Sage’s latest studio album is the most grounded of her illustrious career. The Other Side‘s 15 tracks of emotionally charged and intricately woven music recall the classic, retro-warmth of the ’70s and ’80s, and are as instantly hummable as they are lyrically poignant. With memorable Americana-infused pop hooks and folk-fueled poeticism, Sage’s timeless writing reminds us what’s most important is always worth waiting for, via songs steeped in just the right amount of best-is-yet-to-come optimism.

    Blending a myriad of genres and instruments into a cohesive and captivating whole, the album’s musical collaborators include guitarists Jack Petruzzelli (Patti Smith) and James Mastro (Ian Hunter), trumpet player Russ Johnson (Elvis Costello), bassist Nick Beggs (Kajagoogoo), and guest vocals from UK pop icon Howard Jones (featured on “I Made A Case”). 

    The digital album, vinyl and deluxe physical CD – featuring 12 paintings by Sage, photographs by Studio 54 photographer Bill Bernstein, along with a Bonus Disc of alternate mixes – can be streamed/ordered at: mpress.lnk.to/TheOtherSide

    Please see rachaelsage.com for all ongoing tour dates.

    Source: MPress Records

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  • Rachael Sage Releases Transcendent New Album, The Other Side

    Rachael Sage Releases Transcendent New Album, The Other Side

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    Award-winning alt-folk-pop singer-songwriter, multi-instrumentalist and producer Rachael Sage has released of her new full-length studio album, The Other Side (MPress Records/ILS/Virgin). In anticipation, Sage released the empowering first single/video, “Whistle Blow”, the optimistic title track/video “The Other Side”, a third single/video, “Only You” (a sparkling reinterpretation of the ’80s Yazoo classic), and Beatle-esque pop-rock single “Flowers For Free”. The album premiered in The Bluegrass Situation.

    Sage’s latest studio album is the most grounded of her illustrious career. The Other Side‘s 15 tracks of emotionally charged and intricately woven music recall the classic, retro-warmth of the ’70s and ’80s and are as instantly hummable as they are lyrically poignant. With memorable Americana-infused pop hooks and folk-fueled poeticism, Sage’s timeless writing reminds us what’s most important is always worth waiting for, via songs steeped in just the right amount of best-is-yet-to-come optimism.

    Blending a myriad of genres and instruments into a cohesive and captivating whole, the album’s musical collaborators include guitarists Jack Petruzzelli (Patti Smith) and James Mastro (Ian Hunter), trumpet player Russ Johnson (Elvis Costello), bassist Nick Beggs (Kajagoogoo), and guest vocals from UK pop icon Howard Jones. Track highlights include: “Whistle Blow,” an Americana palette of slide and acoustic guitars, where Sage muses on power dynamics and boundaries; Sage’s folk-pop anthem “The Other Side“, whose memorable gospel-tinged chorus and rapid-fire poeticism make it an instant classic; “I Made a Case” is a poignant, Bacharach-esque duet featuring Howard Jones, with whom Sage has undeniable vocal chemistry; while the ’60s-influenced “Flowers For Free” is poetic pop-rock at its most adventurous. The record also includes Sage’s interpretations of Yazoo‘s classic “Only You”, and Maria McKee‘s “Breathe”.

    Sage decidedly stretched her range as a producer on The Other Side. String arrangements are equal parts intimate and lush, and there’s a sense of expansiveness that never overtakes her gritty-but-ethereal vocal delivery. Acoustic guitars, fiddles, tympani and trumpets amplify lyrics bound by an appreciation of freedom’s most desired consequence: peace. Detailing her latest album, Sage – a self-described “cancer thriver” – shares, “This record encompasses a high and low search for resilience in this broken world. In ‘No Regrets’ – which I co-wrote with my Dad – I sing ‘I love life in all its aching joy.’ Anyone who lived through the chaos of the last several years and still manages to get out of bed and out into the world has my admiration. I can’t wait to get back out on the road and hear how everyone triumphed, firsthand!”

    The digital album, vinyl and deluxe physical CD – featuring 12 paintings by Sage, photographs by renowned Studio 54 photographer Bill Bernstein, along with a Bonus Disc of alternate mixes – can be streamed/ordered at: mpress.lnk.to/TheOtherSide

    Please see rachaelsage.com for Tour Dates. 

    For more information, please contact:
    Jill Richmond-Johnson | jillr@mpressrecords.com | 212-481-7243
    Kate Richardson | Kate@RichlynnGroup.com

    Source: MPress Records

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