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Tag: Houston

  • Kali Uchis Radiates Classic Beauty and Vibes at Toyota Center

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    Kali Uchis
    The Sincerely, Tour
    Toyota Center
    September 2, 2025

    Ten years ago, I was in the audience as Kali Uchis performed for the first time at the Austin City Limits Music Festival. Back then, I wrote the following observation:

    “[Uchis] is an odd yet satisfying mix of doo-wop, R&B and smooth/dreamy reggae with a hip-hop attitude.”

    In the world of algorithms and trends, it is refreshing to see that Uchis has stayed her own course, still writing and singing lovely tracks with the same classical beauty aesthetic and mix of R&B and Latin inspired vibes.

    The Toyota Center was packed on Tuesday evening with adoring fans who were also adhering to the aesthetic, many wearing cute, summer dresses adorned with hues of pinks, baby blue, and other pastel colors. Some attached flowers to their outfits as if they were extras strait out of Kali’s “I Wish You Roses” music video. All I know is that I was way underdressed and too old to be there as a 45 year old in cargo shorts and New Balance sneakers.

    The night started strong with opening act for the tour, San Diego’s own Chicano Soul band named Thee Sacred Souls. Their sound is also classic, but in the backyard BBQ, driving slow in a lowrider type of way. The band consists of a horn section, drummer, a duo of funky guitar and bass, an electric organ, and the band’s secret weapon: vocalist Josh Lane.

    Lane is tall and slender, and looks like a member of the Marley family. But his voice is the epitome of chill, endearing the listener with smooth vocals, a mile wide smile, and dance moves that would make Elvis nervous.

    Normally, a band holds their biggest hit for the end of the set, but not this band. They came out of the gate with “Can I Call You Rose?”, which was on my personal Top Ten list of favorite tracks 2022. The track was met with a loud roar of appreciation from the audience, and indeed sounded magical in person as opposed to in my headphones.

    Lane then ran into the crowd, dancing and singing across the arena floor and even up and down the aisles. He was definitely being extra and doing “the most”, but in doing so won over the crowd and provided a memory that will not fade away anytime soon. My niece Rose Marie literally jumped up and down with joy as Lane passed by our section, sliding and dancing and smiling the entire time.

    After a quick intermission, the baby pink curtain was draped across the stage, and the words “Kali Uchis, The Sincerely” were projected against the backdrop. When the lights dimmed and the show was beginning, the curtains revealed Uchis sitting on a swing above center stage, with fog and spotlights allowing her to shine bright in dreamy setting.

    She wore a baby blue gown, hair in an up-do, and carried a glittery gold microphone. Simply put, she is gorgeous, exuding that classic Hollywood glamour energy, with a mix of Latina sensuality and mystique. She is sexy but not overtly sexual, a combination of coquette and baby doll, secure and strong and downright beautiful. Her voice matches her look, a mezzo-soprano with a wide range, frequently hitting falsetto notes to accompany her smooth tonal vocals.

    Her set list was divided into six sections and an encore, each section representing a different album from her career. She endeared herself even more to the crowd by praising Houston for being “the loudest audience in Texas by far!”

    After the opening set from her “Sincerely” album, she shifted into her album “Orquídeas”, which includes some of my favorite Kali cuts, including “Muñekita” and “Igual Que Un Angel.” Her dancers surrounded around the stage wearing all white, and at one point began to carry Uchis as if she was Cleopatra, elevating her across the stage, all while Kali kept in tune and on beat.

    During another section of the set, a large bed was introduced onto the stage. Uchis laid on the bed and the camera displayed her from above as she sang and shimmied center stage. Kali has a habit of dropping low to the floor, sometimes crawling, always cute and still modest. It isn’t quite twerking, but rather living on a different plane, shifting her angles and providing gracious looks.

    Uchis took a small break to invite a special guest to the stage, her life partner Don Toliver. The crowd erupted in cheers, welcoming the Houston native to the scene. She then continued her set and finished with songs from “Isolation,” “Sin Miedo” and “Red Moon in Venus.” My favorite songs were performed during this section, including “After The Storm,” “Telepatia” and “See You Again”.

    It definitely was marvelous to see Kali Uchis again, and we wish her continued success along her journey.

    ¡Hasta pronto!

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    Marco Torres

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  • Let God Sort ’Em Out Comes Alive in Houston

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    The humid air hung heavy at White Oak Music Hall as Malice stepped back from the edge of the stage. Behind him two large screens displayed the image of his mother’s face. Across from him his brother Pusha T had just finished his verse in front of the image of their father. The song, “Birds Don’t Sing,” a memorial ode to their parents continued to play across the White Oak lawn. The voice of Stevie Wonder echoed into the night as the lights dimmed.

    “Remember those who lost their mothers and fathers and make sure that every single moment you have with them you show them love.”

    As the last four words repeated the lawn grew dark. Chants of “Push!” “Malice” and “Clipse” scattered throughout the crowd but eventually the edges of the gathering began to break up as people meandered to the exits. Then a voice cut through the night.

    “Oh yeah? Y’all thought it was over? Well fuck it come on then”

    The lawn lit back up as the audience turned around and headed back to the stage while “Cot Damn” from the 2002 album Lord Willin’ blasted through the White Oak sound system.

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    Malice lifts his hands at the response from the White Oak crowd.

    Photo by Sean Thomas

    Pusha T and No Malice’s return as Clipse marks one of hip hop’s most triumphant comebacks. Their latest album, Let God Sort ’Em Out, was self released on July 11, 2025, delivering their first joint studio work in nearly 16 years. Crafted entirely with Pharrell Williams at the helm, the project fuses their signature sharp lyricism with a renewed maturity and introspection.

    Far from a nostalgic retreat, the album navigates weighty themes such as aging, grief and spiritual grounding while still firing off hard hitting verses and street rooted narratives. Standout tracks such as “The Birds Don’t Sing” and “Ace Trumpets” exemplify this balance, pairing opulent imagery with emotionally resonant songwriting.

    The momentum of the night mirrored the momentum behind their album. The release of Let God Sort ’Em Out has given Clipse a new chapter that feels both earned and necessary. In Houston, those songs carried a different weight as they unfolded in real time, surrounded by fans who have waited more than a decade for new music from the brothers.

    The crowd absorbed the contrast of reflection and bravado, with the meditative pull of “So Be It” sitting beside the raw energy of “M.T.B.T.T.F.” Each moment revealed the duality that has always defined Clipse, the ability to honor the past while still pushing forward with sharp edges intact.

    That duality of raw energy and meditation is continually displayed by the brothers with Pusha T doing most of the talking during the show as Malice gave a quiet but present back up.

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    Malice looks at hsi brother on the Let God Sort Em Out Tour.

    Photo by Sean Thomas

    “Ya’ll been with us for a minute,” exclaimed Pusha T as he paced across the stage and listened to the crowd’s reaction to Keys Open Doors. “That was some ’06 shit. We’ve been talking that shit since ’06!”
    The Let God Sort Em Out Tour is straight to the point with little frills. The Clipse ran through their reunion album with a few earlier hits from their catalog, giving the night a rhythm that was both sharp and deliberate. There were no distractions, no theatrics, only two brothers side by side letting their music carry the weight.

    For the Houston crowd that had waited years to see them together again, that focus was more than enough. Clipse did not need grand gestures or elaborate production to make their return feel historic. What mattered was the presence of two brothers sharing the stage again, channeling both loss and triumph into a set that spoke to the past as much as the future. The performance was proof that Clipse remains essential, and that their story still has chapters left to tell.

    Set List
    Chains and whips
    P.O.V
    Popular demand (Popeyes)
    What happened to that boy
    M.T.B.T.T.F.
    Inglorious Bastards
    Momma I’m So Sorry
    Keys Open Doors
    Mr. Me Too
    Grindin’
    F.I.C.O
    So Be It
    Ace Trumpets
    Birds Don’t Sing
    Encore
    Cot Damn
    Virginia
    So Far Ahead

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    DeVaughn Douglas

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  • Houston Concert Watch 9/3: Chris Brown, Parker McCollum and More

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    From the beginning – and here I mean the beginning of the show, not time, as “Saturday Night Live” hasn’t been on the air that long – SNL has earned a reputation for being a real pressure cooker. Long hours. Sleepless nights. Unreasonable demands. Backstage fights.*

    Add to that a tradition of management treating the careers of performers and writers in a rather cavalier fashion, with loyal team members being dismissed on a whim, often times in a cruel (or at the very least, insensitive) fashion.

    Over the past several days, as SNL ramps up to the debut of its 51st season, a number of personnel have received their walking papers. Cast members Michael Longfellow, Devon Walker and Emil Wakim, along with writer Celeste Yim, are all out. Heidi Gardner announced that she will not return next season, but speculation is that she moved on of her own accord. Walker has stated publicly that the atmosphere at SNL could be “toxic as hell.” Wakim called his firing “a gut punch.”

    According to numerous books and articles (Live from New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Saturday Night: A Backstage History of Saturday Night Live, Lorne: The Man Who Invented Saturday Night Live), much of SNL’s dysfunction can be laid at the feet of the show’s producer, Lorne Michaels.

    A man who has long cultivated an image of inscrutability, Michaels is someone who, it would seem, likes to play with his employee’s heads in a variety of ways, so as to keep them off-balance. Making people wait in his reception room for hours. Sometimes not telling future cast members that they had been hired. Playing favorites. Putting tremendous pressure on his staff and mandating unreasonable deadlines “because that’s the way we’ve always done it.”

    Michaels is an old dog, so it is highly unlikely that he is going to learn any new tricks. Maybe it’s time for a new dog, er, producer?

    *When Chevy Chase returned to SNL to host an episode after leaving the show at the end of its first season, he managed to get into a fist fight with Bill Murray prior to the broadcast. Chase had been taunting Murray for several days, but it was Murray who got the last word, hollering “Medium talent! Medium talent!” as he and Chase were pulled apart.

    Ticket Alert
    If you like your rock and roll lewd and lascivious, you just might dig a double bill featuring Buckcherry and Nashville Pussy on Sunday, September 28, at Warehouse Live Midtown. Tickets are on sale now for a show that will have something to offend just about everyone.

    Austin’s Uncle Lucius returned to the Heights Theater on Friday, October 10, with its signature blend of rock and roll, country and blues. Tickets are currently on sale, and they are going fast.

    Lorrie Morgan is the real deal, first appearing onstage at the Grand Ole Opry to sing “Paper Roses” when she was only 13. During the ‘90s, she racked up an armload of platinum and gold albums by bringing a touch of pop into a more traditional country sound. Morgan will perform at the Dosey Doe on Saturday, February 21, as part of the venue’s popular “dinner and a show” format.

    Born in Serbia, guitarist Ana Popovic knew her way around a guitar by the time she was a teenager, steeped in American rock and blues. She’s known for her guitar chops, but Popovic is an equally expert vocalist. You can catch her act on Friday, February 22, at the Dosey Doe Big Barn. Again, it’s a dinner / show thing, so go there hungry and ready for some chicken-fried steak.

    Concerts This Week
    The Fixx was among the best of the early MTV bands, with a sleek rock sound and a commanding visual style. But what really distinguished the band was a run of well-crafted songs like “One Thing Leads to Another,” “Red Skies at Night,” “Stand or Fall” and “Saved by Zero.” Significantly, most of the musicians from the Fixx’s golden era are still around, including Cy Curnin (vocals), Jamie West-Oram (guitar), Rupert Greenall (keyboards) and Adam Woods. Return to those thrilling days of yesteryear tonight at the House of Blues.
    Nelly is at the Cynthia Woods Mitchell Pavilion on Thursday, on a bill that also includes Chingy and Ja Rule. Early in his career, Nelly set himself apart from the pack by emphasizing his Midwest roots in St. Louis during an era that was dominated by rap from the east coast, the west coast and the south. In addition to his activities as a recording artist, Nelly has appeared in films (The Longest Yard) and television (“CSI: NY”). And if that weren’t enough, Nelly can also boast a third-place finish on “Dancing with the Stars” in 2020.
    The Pixies have long been considered one of the most influential alt-rock bands, inspiring acts like Nirvana and Smashing Pumpkins. Almost 40 years on, the band is still touring with a lineup that includes three of the band’s original members (Black Francis, vocals and guitar; Joey Santiago, guitar; and David Lovering, drums). Catch the Pixies on Saturday at the White Oak Music Hall and learn more by consulting this week’s interview with Santiago in the Houston Press.
    Conroe-born Parker McCollum will be at the Cynthia Woods Mitchell Pavilion on Saturday as part of his “What Kind of Man” tour, on a bill that includes Kameron Marlowe and Vincent Mason. The country juggernaut has been on a roll this year, headlining a Rodeo Houston performance at NRG Stadium in March and releasing the album Parker McCollum in June. Traditionalists will be cheered to hear that the new record has a lean production style, harkening back to his debut, The Limestone Kid.
    Several significant rap shows are coming up this week, including performances from Nelly (see above) and Chris Brown (see below), along with NBA YoungBoy at Toyota Center on Saturday. To clarify, “NBA” has nothing to do with the National Basketball Association. It stands for “never broke again.”

    It’s been quite a year so far for YoungBoy. In April, he completed over three years of house arrest stemming from convictions for the distribution and manufacture of drugs, possession of stolen firearms and a federal firearm charge. Well, I supposed it gave him plenty of time to write new material and prep for his current tour. And by the way, don’t despair if you couldn’t get tickets for YoungBoy’s concert this week. He will return to Toyota Center for another show on Tuesday, October 28.
    R&B singer, songwriter, rapper, dancer and actor Chris Brown has been a lightning rod for controversy over the years, but things seem to have calmed down somewhat in his sphere as of late. Brown will bring his “Breezy Bowl XX” event to Daikin Park on Monday, with a lineup that also includes Summer Walker and Bryson Tiller. Brown is pulling out all the stops for this tour, promising a show that features multiple LED screens, pyro, lasers, inflatables and AI-generated video material.

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    Tom Richards

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  • Man charged with murder after Houston ‘ding dong ditch’ shooting

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    A 42-year-old man has been charged with murder after a “ding dong ditch” shooting left an 11-year-old Houston boy dead Saturday.Leon Gonzalo Jr. was booked into jail Tuesday morning, Harris County court records show. His address matches the address where someone fatally opened fire at the 11-year-old, whom a witness described as running away from the house when he was shot, according to police.”Officers were told the male was ringing doorbells of homes in the area and running away,” police said. “A witness stated the male was running from a house, after ringing the doorbell, just prior to suffering a gunshot wound.” The shooting did not seem to involve self-defense because the shooting “wasn’t close to the house,” Houston police homicide Sgt. Michael Cass said, according to CNN affiliate KHOU.The boy’s name has not been publicly released.Gonzalo Jr. is scheduled to appear in court on Tuesday.”Ding dong ditching” is an age-old prank that’s risen in popularity in recent years as a social media challenge. TikTok videos often feature variations where pranksters pound on or kick people’s front doors.In May, an 18-year-old high school senior in Virginia was shot and killed while filming a “ding dong ditch” to post on TikTok, The New York Times reported. The man accused of shooting the teen was charged with second-degree murder.In 2020, three 16-year-olds were killed when a California man rammed his car into their vehicle in retaliation for a “ding dong ditch” prank. The man was convicted of three counts of murder and sentenced to life in prison without the possibility of parole in 2023.In the Houston case, the boy and his friends were playing a game of “ding dong ditch” at a house down the street from their homes just before 11 p.m. Saturday when a person inside the house came out and shot the boy, Houston police said.A witness said the boy was running from the house on Racine Street after ringing the doorbell when he was shot, police said.The boy was taken to a hospital and pronounced dead on Sunday, police said.This is a developing story and will be updated.CNN’s Karina Tsui, Danya Gainor and David Williams contributed to this report.

    A 42-year-old man has been charged with murder after a “ding dong ditch” shooting left an 11-year-old Houston boy dead Saturday.

    Leon Gonzalo Jr. was booked into jail Tuesday morning, Harris County court records show. His address matches the address where someone fatally opened fire at the 11-year-old, whom a witness described as running away from the house when he was shot, according to police.

    “Officers were told the male was ringing doorbells of homes in the area and running away,” police said. “A witness stated the male was running from a house, after ringing the doorbell, just prior to suffering a gunshot wound.”

    The shooting did not seem to involve self-defense because the shooting “wasn’t close to the house,” Houston police homicide Sgt. Michael Cass said, according to CNN affiliate KHOU.

    The boy’s name has not been publicly released.

    Gonzalo Jr. is scheduled to appear in court on Tuesday.

    “Ding dong ditching” is an age-old prank that’s risen in popularity in recent years as a social media challenge. TikTok videos often feature variations where pranksters pound on or kick people’s front doors.

    In May, an 18-year-old high school senior in Virginia was shot and killed while filming a “ding dong ditch” to post on TikTok, The New York Times reported. The man accused of shooting the teen was charged with second-degree murder.

    In 2020, three 16-year-olds were killed when a California man rammed his car into their vehicle in retaliation for a “ding dong ditch” prank. The man was convicted of three counts of murder and sentenced to life in prison without the possibility of parole in 2023.

    In the Houston case, the boy and his friends were playing a game of “ding dong ditch” at a house down the street from their homes just before 11 p.m. Saturday when a person inside the house came out and shot the boy, Houston police said.

    A witness said the boy was running from the house on Racine Street after ringing the doorbell when he was shot, police said.

    The boy was taken to a hospital and pronounced dead on Sunday, police said.

    This is a developing story and will be updated.

    CNN’s Karina Tsui, Danya Gainor and David Williams contributed to this report.

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  • After Almost 40 Years, the Pixies Can Still Conjure Up Some Fairy Dust

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    Musician / producer / conceptualist Brian Eno once said, “The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band.”

    The Pixies have sold a few more albums than the Velvet Underground, but, in a similar fashion, the band’s influence is perhaps larger than its fame. The Pixies have been credited with giving rise to alternative rock and grunge in the early ‘90s, and Kurt Cobain famously tipped his hat by acknowledging that he was guilty of “ripping off” the band’s use of dramatic dynamics along with the soft verse / loud chorus formula.

    Many of the acts who were inspired by the Pixies have fallen by the wayside, but the genuine article is still active, with a new album, The Night the Zombies Came, released late last year and a current tour that will stop at the White Oak Music Hall on Saturday, September 6.

    click to enlarge

    The Pixies (l-r Joey Santiago, David Lovering, Black Francis and Emma Richardson) have been called “The Fathers of Alternative Rock.”

    Photo by Travis Shinn

    Guitarist Joey Santiago, an original Pixie along with vocalist / guitarist Black Francis (aka Charles Michael Kittridge Thompson IV) and drummer David Lovering, hasn’t had his morning coffee yet, but he is nevertheless enthusiastic about discussing the band that he cofounded in 1986. Like most trailblazers, the Pixies have never sounded quite like anyone else. There is certainly a punk rock vibe present, but surf music influences also show up, along with periodic hints of a pop-ish sensibility.

    Speaking via Zoom, Santiago reflects on The Night the Zombies Came and how it differs from previous Pixies efforts. “It is different,” Santiago allows. “To me, it seems moodier. It still has the DNA of the Pixies in there, which is very important, but we can’t help that.” So what exactly is in the Pixies’ DNA? “Charles’ voice, obviously. We can’t run away from that. Just speaking for myself, I try to retain the guitar style, sound, stuff like that.”

    Santiago and Black Francis met while attending the University of Massachusetts, Amherst. Many bands who formed during the members’ formative years and continue playing together into middle age find that the initial kinship can fade over time. Almost 40 years later, how has the relationship between the two musicians changed?

    “We’re still friends. We’re friends, colleagues. We switch hats. We still joke around.”

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    “We’re still friends,” Santiago says. “We’re friends, colleagues. We switch hats. We still joke around. You know, we live 3000 miles away. I live on the other side. I live on the west coast, he lives on the east coast. We’ve got family and all that stuff.

    “David and I have gotten closer over the past year. But when we go into the studio, it’s just the same. We have the work ahead of us, which is ‘How can we make these songs good?’ And that’s how it’s always been, ever since we started. I would like to have more of a rapport — like we have had — before recording another album. Just to see where we’re at. We are kind of like being a bit of strangers at the moment.”

    Santiago recalls, “When [Charles and I] were rooming together, in the summertime, hot summertime in Amherst, we did listen to a lot of surf music. We thought it was fun. We thought the titles were even funnier. Do they really think of the title and write about it, or do they write it and go, ‘OK, this sounds like blah blah blah.’ You don’t know which came first. We listened to that, Iggy Pop, Stooges, Bowie. I remember we went to see the Fleshtones. We loved that band.”
    Like many alt-rockers, Santiago is a self-taught guitarist. Pros and cons? “The pro is definitely having the discovery of this instrument every time you pick it up. In creating things, you’re looking for a feeling rather than a scale. That discovery is good, just going by feel and emotion,” Santiago says.

    “Even though, at times, I would [use a scale] and think, ‘God, that feels so good!’ There’s this one song on the [latest] album called “Chicken,” and I like the solo a lot. And I’m looking at it and go, ‘Fuck! I’m on the pentatonic scale, goddammit!’ Because I try not to do that.  But it just sounds so good.”  (N.B. The pentatonic scales — both major and minor — are, by far, the most frequently used in rock music.)

    After working for decades as a professional musician, does Santiago still enjoy playing the guitar and making loud noises? “I do. I was actually enjoying it very much yesterday. I really just ham it up. I’ll go on YouTube and search ‘backing track for smooth jazz.’ And then I chum around the house, trying to make my wife sick with goofy, goopy, drippy stuff. And I’m surprised I can actually do that shit. I don’t want to do it, but the exercise there was ‘OK, I’m capable of this, but fuck this shit!’”

    The Pixies will perform at 5 p.m. on Saturday, September 6, at the White Oak Music Hall, 2915 N. Main. Spoon and Fazerdaze will open. For more information, call 713-237-0370 or visit whiteoakmusichall.com. $78 and up.

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    Tom Richards

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  • ‘Botched’ Drug Raids Show How Prohibition Invites Senseless Violence

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    When Alecia Phonesavanh heard her 19-month-old son, Bou Bou, screaming, she thought he was simply frightened by the armed men who had burst into the house in the middle of the night. Then she saw the charred remains of the portable playpen where the toddler had been sleeping, and she knew something horrible had happened. 

    Phonesavanh and her husband, Bounkham, had been staying with his sister, Amanda, in Cornelia, a small town in northeastern Georgia, for two months. It was a temporary arrangement after the couple’s house in Wisconsin was destroyed by a fire. They and their four children, ranging in age from 1 to 7, occupied a garage that had been converted into a bedroom. 

    Around 2 a.m. on May 28, 2014, a SWAT team consisting of Habersham County sheriff’s deputies and Cornelia police officers broke into that room without warning. One of the deputies, Charles Long, tossed a flash-bang grenade, a “distraction device” that is meant to discombobulate criminal suspects with a blinding flash and deafening noise, into the dark room. It landed in Bou Bou’s playpen and exploded in his face, causing severe burns, disfiguring injuries, and a deep chest wound. 

    After the grenade exploded, the Phonesavanhs later reported, the officers forcibly prevented them from going to Bou Bou’s aid and lied about the extent of his injuries, attributing the blood in the playpen to a lost tooth. The boy’s parents did not realize how badly he had been hurt until they arrived at the hospital where the police took him. Bou Bou, who was initially placed in a medically induced coma, had to undergo a series of reparative surgeries that doctors said would continue into adulthood.

    Habersham County Sheriff Joey Terrell said his men never would have used a flash-bang if they knew children were living in the home. They were looking for Wanis Thonetheva, Amanda’s 30-year-old son, who allegedly had sold $50 worth of methamphetamine to a police informant a few hours earlier. But Thonetheva, who no longer lived in his mother’s house, was not there. Nor did police find drugs, drug money, weapons, or any other evidence of criminal activity. 

    “The baby didn’t deserve this,” Terrell conceded. “The family didn’t deserve this.” Although “you try and do everything right,” he said, “bad things can happen. That’s just the world we live in. Bad things happen to good people.” He blamed Thonetheva, who he said was “no better than a domestic terrorist.” 

    As is often the case with drug raids, the initial, self-serving police account proved to be inaccurate in several crucial ways. Although Thonetheva supposedly was armed and dangerous, he proved to be neither: He was unarmed when he was arrested later that night at his girlfriend’s apartment without incident (and without the deployment of a “distraction device”). Although Terrell claimed police had no reason to believe they were endangering children, even cursory surveillance could easily have discovered that fact: There were children’s toys, including a plastic wading pool, in the yard, where Bounkham frequently played with his kids. In the driveway was a minivan containing four child seats that was decorated with decals depicting a mother, a father, three little girls, and a baby boy.

    Four months after the raid, a local grand jury faulted the task force that executed it for a “hurried” and “sloppy” investigation that was “not in accordance with the best practices and procedures.” Ten months after that, a federal grand jury charged Nikki Autry, the deputy who obtained the no-knock warrant for the raid, with lying in her affidavit. “Without her false statements, there was no probable cause to search the premises for drugs or to make the arrest,” said John Horn, the acting U.S. attorney for the Northern District of Georgia. “And in this case, the consequences of the unlawful search were tragic.”

    The negligence and misconduct discovered after the paramilitary operation that burned and mutilated Bou Bou Phonesavanh are common features of “botched” drug raids that injure or kill people, including nationally notorious incidents such as the 2019 deaths of Dennis Tuttle and Rhogena Nicholas in Houston and the 2020 death of Breonna Taylor in Louisville, Kentucky. But beyond the specific failures detailed in the wake of such outrages is the question of what these operations are supposed to accomplish even when they go as planned. In the vain hope of preventing substance abuse, drug prohibition authorizes police conduct that otherwise would be readily recognized as criminal, including violent home invasions that endanger innocent bystanders as well as suspects and police officers.

    ‘A Pattern of Excess’

    Bou Bou Phonesavanh before and after the drug raid that nearly killed him
    Bou Bou Phonesavanh (actionnetwork.org)

    Although Terrell initially said the government would cover Bou Bou’s medical bills, which according to his family exceeded $1 million, the Habersham County Board of Supervisors reneged on that promise. A federal lawsuit that Alecia and Bounkham Phonesavanh filed on their son’s behalf in February 2015 ultimately resulted in settlements totaling $3.6 million. But no one was ever held criminally liable for the raid.

    The Habersham County grand jury decided not to recommend criminal charges against anyone involved in the operation. The grand jurors “gave serious and lengthy consideration” to possible charges against Autry, who conducted the “hurried” and “sloppy” investigation that resulted in the search warrant. But after she resigned “in lieu of possible termination” and “voluntarily surrendered” the certification that authorized her to work as a police officer, the jurors decided that resolution was “more appropriate than criminal charges and potential jail time.”

    A federal investigation, by contrast, found evidence that Autry had broken the law. A July 2015 indictment charged her with willfully depriving Bou Bou, his parents, Thonetheva, and his mother of their Fourth Amendment rights under color of law. That crime is generally punishable by up to a year of imprisonment, but the maximum penalty rises to 10 years when “bodily injury results” from the offense, as it did in this case.

    In her search warrant affidavit, Autry claimed a confidential informant who was known to be “true and reliable” had bought methamphetamine from Thonetheva at his mother’s house. Autry also said she had personally confirmed “heavy traffic in and out of the residence.” None of that was true.

    The informant on whom Autry ostensibly relied was “brand new” and therefore did not have a track record demonstrating his trustworthiness. It was not the informant but his roommate who supposedly bought the meth. And Autry did not monitor the house to verify that a lot of people were going in and out. 

    Without those inaccurate details, Magistrate Judge James Butterworth testified during Autry’s federal trial, he would not have approved the warrant she sought. Assistant U.S. Attorney Bill McKinnon argued that Autry, whom he described as “an overzealous police officer” with “no respect for the people she’s investigating,” made up those key details to manufacture probable cause for a search. “If there had never been a search warrant, Bou Bou would’ve never been injured,” McKinnon said in his closing argument. “There’s a direct causation.” 

    Autry testified that the affidavit was prepared by a supervisor but acknowledged that she had reviewed it and had not suggested any changes. Her attorneys portrayed that failure as unintentional. They argued that Autry, the only officer to face charges as a result of the raid, became a scapegoat for other people’s errors. They noted that Long, the deputy who threw the grenade that nearly killed Bou Bou, had violated protocol by failing to illuminate the room before using the explosive device. “There’s a pattern of excess in the ways search warrants are executed,” defense attorney Michael Trost told the jury. “That’s what led to the injuries to this child.”

    The jurors, who acquitted Autry in December 2015, may have been swayed by that argument, which also figured in the local grand jury’s report. “While no member of this grand jury condones or wishes to tolerate drug dealers and the pain and suffering that they inflict upon a community, the zeal to hold them accountable must not override cautious and patient judgment,” it said. “This tragedy can be attributed to well intentioned people getting in too big a hurry, and not slowing down and taking enough time to consider the possible consequences of their actions.”

    Like Trost, the Habersham County grand jury perceived “a pattern of excess” in drug law enforcement. “There should be no such thing as an ’emergency’ in drug investigations,” it said. “There is an inherent danger both to law enforcement officers and to innocent third parties in many of these situations….No amount of drugs is worth a member of the public being harmed, even if unintentionally, or a law enforcement officer being harmed.”

    The grand jury recommended that suspects be “arrested away from a home” whenever that is “reasonably possible” without creating “extra risk” to police or the public. “Going into a home with the highest level of entry should be reserved for those cases where it is absolutely necessary,” the grand jurors said, noting the risk that cops will be mistaken for robbers. “Neither the public nor law enforcement officers should be in this dangerous split second situation unless it is absolutely necessary for the protection of the public.”

    Failure Begets Persistence

    A SWAT team prepares to enter buildingA SWAT team prepares to enter building
    Martin Brayley/Dreamstime.com

    The implications of that critique are more radical than the grand jurors, who took for granted the righteousness of the war on drugs, probably realized. If “no amount of drugs” justifies a risk of injury to police or bystanders, enforcing prohibition at gunpoint is inherently problematic. And if drug dealing does not constitute an “emergency” that requires extraordinary measures, the rhetoric and tactics that police and politicians routinely employ against that activity are fundamentally misguided.

    Leaving aside those deeper questions, what are police trying to achieve when they mount an operation like this one? As the grand jury implicitly conceded, busting one dealer has no measurable impact on the availability of drugs: If police nab someone like Thonetheva, someone else will surely take his place. But from 1995 through 2023, police in the United States arrested people for producing or selling illegal drugs millions of times. Did that massive undertaking make a dent in the drug supply big enough to reduce consumption?

    Survey data suggest it did not. The federal government estimated that 25 percent of Americans 12 or older used illegal drugs in 2023, up from 11 percent in 1995. Meanwhile, the age-adjusted overdose death rate rose more than tenfold

    The economics of prohibition explain why drug law enforcement does not work as intended. Although politicians frequently promise to “stop the flow” of illegal drugs, the government has never managed to do that and never will. Prohibition sows the seeds of its own failure by enabling traffickers to earn a hefty “risk premium,” a powerful financial incentive that drives them to find ways around any roadblocks (literal or figurative) that drug warriors manage to erect. The fact that the government cannot even keep drugs out of prisons suggests the magnitude of the challenge facing agencies that try to intercept drugs before they reach consumers. 

    Realistically, those agencies can only hope to impose additional costs on traffickers that will ultimately be reflected in retail prices. If those efforts substantially raise the cost to consumers, they might have a noticeable effect on rates of drug use. But that strategy is complicated by the fact that illegal drugs acquire most of their value close to the consumer. The cost of replacing destroyed crops and seized shipments is therefore relatively small, a tiny fraction of the “street value” trumpeted by law enforcement agencies. As you get closer to the retail level, the replacement cost rises, but the amount that can be seized at one time falls. 

    Given that dilemma, it is not surprising that throwing more money at source control and interdiction never seems to have a substantial, lasting effect on drug prices in the United States. From 1981 to 2012, the average, inflation-adjusted retail price for a pure gram of heroin fell by 86 percent. During the same period, the average retail price for cocaine and methamphetamine fell by 75 percent and 72 percent, respectively. In 2021, the Drug Enforcement Administration reported that methamphetamine’s “purity and potency remain high while prices remain low,” that “availability of cocaine throughout the United States remains steady,” and that “availability and use of cheap and highly potent fentanyl has increased.”

    Undaunted by this losing record, law enforcement agencies across the country continue to invade people’s homes in search of drugs. The clearer it becomes that blunt force is ineffective at preventing substance abuse, it seems, the more determined drug warriors are to deploy it.

    SWAT teams, originally intended for special situations involving hostages, active shooters, or riots, today are routinely used to execute drug searches. Examining a sample of more than 800 SWAT deployments by 20 law enforcement agencies in 2011 and 2012, the American Civil Liberties Union found that 79 percent involved searches, typically for drugs. Research by criminologist Peter Kraska has yielded similar numbers. SWAT teams proliferated between the 1980s and the first decade of the 21st century, Kraska found, becoming common in small towns as well as big cities. Meanwhile, he estimated, the annual number of SWAT raids in the United States rose from about 3,000 to about 45,000, and 80 percent involved the execution of search warrants.

    Even when drug raids do not technically involve SWAT teams, they frequently feature “dynamic entry” in the middle of the night. Although that approach is supposed to reduce the potential for violence through surprise and a show of overwhelming force, it often has the opposite effect. As the Habersham County grand jury noted, these operations are inherently dangerous, especially since armed men breaking into a home after the residents have gone to bed can easily be mistaken for criminals, with potentially deadly consequences.

    ‘Somebody Kicked in the Door’

    Breonna TaylorBreonna Taylor
    Breonna Taylor (selfie)

    The March 2020 raid that killed Breonna Taylor, a 26-year-old EMT and aspiring nurse, vividly illustrated that danger. Like the raid that sent Bou Bou Phonesavanh to the hospital, it involved a dubious search warrant that was recklessly executed.

    Louisville police had substantial evidence that Taylor’s former boyfriend, Jamarcus Glover, was selling drugs. But the evidence that she was involved amounted to guilt by association: She was still in contact with Glover, who continued to receive packages at her apartment. Joshua Jaynes, the detective who obtained the search warrant, said he had “verified through a US Postal Inspector” that packages had been sent to Glover at Taylor’s address. But Jaynes later admitted that was not true. Rather, he said, another officer had “nonchalantly” mentioned that Glover “just gets Amazon or mail packages there.” A postal inspector in Louisville said there was nothing suspicious about Glover’s packages, which reportedly contained clothing and shoes. But to obtain the search warrant, Jaynes intimated that they might contain drugs or drug money. 

    That was not the only problem with the warrant. Jaynes successfully sought a no-knock warrant without supplying the sort of evidence that the Supreme Court has said is necessary to dispense with the usual requirement that police knock and announce themselves before entering someone’s home. In 1997, the Court unanimously held that the Fourth Amendment does not allow a “blanket exception” to that rule for drug investigations. Rather, it said, police must “have a reasonable suspicion that knocking and announcing their presence, under the particular circumstances, would be dangerous or futile, or that it would inhibit the effective investigation of the crime by, for example, allowing the destruction of evidence.” While Jaynes made that general assertion in his affidavit, he did not include any evidence to back it up that was specific to Taylor. 

    Despite their no-knock warrant, the three plainclothes officers who approached Taylor’s apartment around 12:40 a.m. on a Friday in March 2020 banged on the door before smashing it open with a battering ram. They said they also announced themselves, but that claim was contradicted by nearly all of Taylor’s neighbors. Taylor’s boyfriend, Kenneth Walker, was in bed with her at the time. He later said he heard no announcement and had no idea that the men breaking into the apartment were police officers. Alarmed by the banging and the ensuing crash, he grabbed a handgun and fired a single shot at the intruders, striking Sgt. Jonathan Mattingly in the thigh. 

    The three officers responded with a hail of 32 bullets, including six fired by Mattingly, 16 fired by Detective Myles Cosgrove, and 10 fired by Detective Brett Hankison, who was standing outside the apartment. Hankison fired blindly through a bedroom window and a sliding glass door, both of which were covered by blinds and curtains. Six of the rounds struck Taylor, who was unarmed and standing near Walker in a dark hallway. Investigators later concluded that Cosgrove had fired the bullet that killed Taylor.

    Walker called his mother and 911 about the break-in that night. “Somebody kicked in the door and shot my girlfriend,” he told a police dispatcher. He initially was charged with attempted murder of a police officer, but local prosecutors dropped that charge two months later, implicitly conceding that he had a strong self-defense claim. An investigation by Kentucky Attorney General Daniel Cameron concluded that Mattingly and Cosgrove also had fired in self-defense, a judgment that reflects the dangerously chaotic situation the officers created by breaking into the apartment in the middle of the night. The only officer to face state criminal charges was Hankison, who was fired three months after the raid because of his reckless shooting. He was charged with three counts of wanton endangerment that September but acquitted by a state jury in March 2022.

    Taylor’s family, which sued the city of Louisville the month after the raid, announced a $12 million settlement in September 2020. Three months later, Louisville’s interim police chief, Yvette Gentry, fired Cosgrove, saying he had fired “in three distinctly different directions,” which indicated he “did not identify a target” and instead “fired in a manner consistent with suppressive fire, which is in direct contradiction to our training, values and policy.” Gentry also fired Jaynes, saying he had lied in his search warrant affidavit about the source of information concerning Glover’s packages.

    The fallout continued in August 2022, when the U.S. Justice Department announced charges against two former and two current officers who were involved in the raid or the investigation that preceded it. Hankison was charged with willfully violating the Fourth Amendment under color of law by blindly firing 10 rounds through “a covered window and covered glass door,” thereby endangering Taylor, Walker, and three neighbors in an adjoining apartment. Jaynes was charged under the same statute based on his affidavit, which the Justice Department said “contained false and misleading statements, omitted material facts, relied on stale information, and was not supported by probable cause.” Prosecutors filed the same charge against Sgt. Kyle Meany, who approved the affidavit. 

    Jaynes and Meany were also accused of trying to cover up the lack of probable cause for the warrant by lying to investigators, which was the basis of several other charges. Jaynes, for example, was charged with falsifying records in a federal investigation and with conspiracy for “agreeing with another detective to cover up the false warrant affidavit after Taylor’s death by drafting a false investigative letter and making false statements to criminal investigators.” The other detective, Kelly Goodlett, was accused of “conspiring with Jaynes to falsify the search warrant for Taylor’s home and to cover up their actions afterward.” 

    Goodlett, who pleaded guilty a few weeks after she was charged, said Jaynes had never verified that Glover was receiving “suspicious packages” at Taylor’s apartment. Hankison’s federal prosecution ended with a mistrial in November 2023 because the jury could not reach a verdict. A year later, another federal jury convicted Hankison of willfully violating Tayor’s Fourth Amendment rights. Because the charge “involved the use of a dangerous weapon and an attempt to kill,” he faced a maximum sentence of life. In July 2025, he was sentenced to 33 months in federal prison.

    In August 2024, a federal judge dismissed two felony counts that enhanced the penalties Jaynes and Meany faced for aiding and abetting a violation of Taylor’s Fourth Amendment rights. U.S. District Judge Charles R. Simpson III emphasized that it was “the late-night, surprise manner of entry” that precipitated the exchange of gunfire. Even if the warrant had been valid, he reasoned, the outcome would have been the same. 

    ‘A Pattern of Deceit’

    Dennis Tuttle and Rhogena NicholasDennis Tuttle and Rhogena Nicholas
    Dennis Tuttle and Rhogena Nicholas (HPD)

    The Breonna Taylor shooting, which involved a black woman killed by white police officers, became a leading exhibit for the Black Lives Matter movement. But something similar happened a year earlier in Houston, and in that case it was a black police officer who lied to justify a drug raid that killed a middle-aged white couple. That same officer, it turned out, also had a history of framing black defendants. Whatever role racial bias plays in policing, it clearly is not the only incentive for the abuses that the war on drugs fosters. 

    On a Monday evening in January 2019, plainclothes Houston narcotics officers broke into the home of Dennis Tuttle and Rhogena Nicholas without warning. One of the cops immediately used a shotgun to kill the couple’s dog. Police said Tuttle, who according to his relatives was napping with his wife at the time, picked up a revolver and fired four rounds, hitting one cop in the shoulder, two in the face, and one in the neck—an impressive feat for a disabled 59-year-old Navy veteran surprised by a sudden home invasion. The officers responded with dozens of rounds, killing Tuttle and Nicholas, who was unarmed.

    After that deadly raid, Houston Police Chief Art Acevedo put the blame squarely on Tuttle and Nicholas, whom he portrayed as dangerous drug dealers. They were operating a locally notorious “drug house,” he claimed, and “the neighborhood thanked our officers” for doing something about it. Based on a tip from a resident who “had the courage” to report that “they’re dealing dope out of the house,” he said, the Houston Police Department’s Narcotics Division “was able to actually determine” that “street-level narcotics dealing” was happening at the house, where police “actually bought black-tar heroin.”

    Acevedo praised the officers who killed Tuttle and Nicholas as “heroes,” paying special attention to Gerald Goines, the 34-year veteran who had conducted the investigation that led to the raid. Goines had been shot in the neck and face after breaching the door and entering the house to assist his wounded colleagues. “He’s a big teddy bear,” Acevedo gushed. “He’s a big African American, a strong ox, tough as nails, and the only thing bigger than his body, in terms of his stature, is his courage. I think God had to give him that big body to be able to contain his courage, because the man’s got some tremendous courage.”

    Acevedo’s story began to unravel almost immediately. Neighbors said they had never seen any evidence of criminal activity at the house, where Tuttle and Nicholas had lived for two decades. Police found personal-use quantities of marijuana and cocaine at the house but no heroin or any other evidence of the drug dealing Goines had described in his application for a no-knock search warrant. Nor did the search discover the 9mm semiautomatic pistol that Goines claimed his confidential informant had seen, along with a “large quantity of plastic baggies” containing heroin, at the house the day before the raid, when the informant supposedly had bought the drug there. And although Goines said he had been investigating the alleged “drug house” for two weeks, he still did not know who lived there: He described the purported heroin dealer as a middle-aged “white male, whose name is unknown.” 

    Within two weeks of the raid, it became clear that Goines had invented the heroin sale. Later it emerged that the tip he was investigating came from a neighbor who likewise had made the whole thing up. Those revelations resulted in state and federal charges against Goines, the neighbor, and several of Goines’ colleagues on Narcotics Squad 15, including Steven Bryant, who had backed up the account of a heroin purchase that never happened. 

    The scandal prompted local prosecutors to drop dozens of pending drug cases and reexamine more than 2,000 others in which Goines or Bryant had been involved. The investigation by the Harris County District Attorney’s Office, which revealed a “pattern of deceit” going back years, led to the release or exoneration of drug defendants who had been convicted based on Goines’ plainly unreliable word. One of them, Frederick Jeffery, had received a 25-year sentence for possessing 5 grams of methamphetamine. The house search that discovered the meth was based on a warrant that Goines obtained by falsely claiming an informant had bought marijuana at that address. It was the same informant who supposedly bought heroin from Tuttle. 

    In addition to fictional drug purchases, Goines’ search warrant applications frequently described guns that were never found. Over 12 years, the Houston Chronicle reported, Goines obtained nearly 100 no-knock warrants, almost always claiming that informants had seen firearms in the homes he wanted to search. But he reported recovering guns only once—a suspicious pattern that no one seems to have noticed.

    More than five years after police killed Tuttle and Nicholas, a state jury convicted Goines on two counts of felony murder for instigating the deadly raid by filing a fraudulent search warrant affidavit. During the trial, Goines’s lawyers sought to blame the victims, arguing that the couple would still be alive if Tuttle had not grabbed his gun. The prosecution argued that Tuttle did not realize the intruders were cops and reacted as “any normal person” would to a violent home invasion. The jury, which sentenced Goines to 60 years in prison, clearly favored the latter narrative.

    After the state murder charges were filed in 2019, Acevedo said Goines and Bryant had “dishonored the badge.” But he remained proud of the other officers who participated in the raid. “I still think they’re heroes,” he said. “I consider them victims.” Acevedo argued that Goines’ colleagues had “acted in good faith” based on a warrant they thought was valid. He even asserted that “we had probable cause to be there,” which plainly was not true.

    Three months later, Goines and Bryant were charged with federal civil rights violations. The indictment also charged Patricia Ann Garcia, the neighbor whose tip prompted Goines’ investigation, with making false reports. Bryant and Garcia later pleaded guilty.

    “We have zero indication that this is a systemic problem with the Houston Police Department,” Acevedo said after the state charges were announced. “This is an incident that involved the actions of a couple of people.” He reiterated that take after the federal indictment, dismissing “the chances of this being systemic.”

    Harris County District Attorney Kim Ogg saw things differently. “Houston Police narcotics officers falsified documentation about drug payments to confidential informants with the support of supervisors,” she said in July 2020. “Goines and others could never have preyed on our community the way they did without the participation of their supervisors; every check and balance in place to stop this type of behavior was circumvented.”

    On the same day that Ogg announced charges against three narcotics supervisors, Acevedo released the results of a long-overdue internal audit of the Houston Police Department’s Narcotics Division, which found widespread sloppiness, if not outright malfeasance. Given “the number and variety of errors,” criminologist Sam Walker told The Houston Chronicle, the Narcotics Division “looks like an operation completely out of control.”

    A federal civil rights lawsuit that Nicholas’ mother and brother filed in January 2021, which named Acevedo as a defendant, described Narcotics Squad 15 as “a criminal organization” that had “tormented Houston residents for years.” According to the complaint, the narcotics officers’ crimes included “search warrants obtained by perjury,” “false statements submitted to cover up the fraudulent warrants,” “improper payments to informants,” “illegal and unconstitutional invasions of homes,” “illegal arrests,” and “excessive force.” 

    An Invitation to Abuse

    Former Houston narcotics officer Gerald GoinesFormer Houston narcotics officer Gerald Goines
    Gerald Goines (HPD)

    The abuses in Houston came to light only because of a disastrous raid that killed two suspects and injured four officers. If Goines had not been shot during the police assault on Tuttle and Nicholas’ home, he could have planted evidence to validate his false claims, in which case most people would have believed the story that Acevedo initially told, and Goines would have been free to continue framing people he thought were guilty. Although several drug suspects had accused him of doing that over the years, their complaints were not taken seriously. 

    How often does this sort of thing happen? There is no way to know. Prosecutors, judges, and jurors tend to discount the protestations of drug defendants, especially if they have prior convictions, and automatically accept the testimony of cops like Goines, who are presumed to be honest and dedicated public servants. Yet the Houston scandal and similar revelations in cities such as New York, Baltimore, Philadelphia, Chicago, Los Angeles, and San Francisco suggest that police corruption and “testilying” are more common than people generally think. 

    “Police officer perjury in court to justify illegal dope searches is commonplace,” law professor Peter Keane, a former San Francisco police commissioner, observed in 2011. “One of the dirty little not-so-secret secrets of the criminal justice system is undercover narcotics officers intentionally lying under oath. It is a perversion of the American justice system that strikes directly at the rule of law. Yet it is the routine way of doing business in courtrooms everywhere in America.” 

    Acevedo insisted that the problem in Houston was not “systemic.” Yet the evidence collected by local prosecutors indicated that supervisors abetted the misconduct of dishonest narcotics officers. Meanwhile, prosecutors and judges overlooked red flags in Goines’ warrant applications and testimony. Similar problems were evident after the raids that killed Breonna Taylor and injured Bou Bou Phonesavanh. These are systemic issues.

    So are the incentives created by the war on drugs. When a crime consists of nothing but handing a police officer or an informant something in exchange for money, the evidence often consists of nothing but that purported buyer’s word, along with drugs that easily could have been obtained through other means. This situation invites dishonest cops to invent drug offenses and take credit for the resulting arrests, as Goines did for years with impunity. When your job is to create crimes by arranging illegal drug sales, it is not such a big leap to create crimes out of whole cloth, especially if you are convinced that your target is a drug dealer.

    The underlying problem, of course, is the decision to treat that exchange of drugs for money as a crime in the first place. By authorizing the use of force in response to peaceful transactions among consenting adults, prohibition sets the stage for the senseless violence that periodically shocks Americans who are otherwise inclined to support the war on drugs. But like the grand jurors in Habersham County, they typically do not question the basic morality of an enterprise that predictably leads to such outrages.

    This article is adapted from Beyond Control: Drug Prohibition, Gun Regulation, and the Search for Sensible Alternatives by permission of The Globe Pequot Publishing Group (Prometheus Books). © Copyright 2025.

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    Jacob Sullum

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  • 11-year-old boy shot and killed while playing

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    11-year-old killed playing “ding dong ditch”



    11-year-old shot and killed playing “ding dong ditch”

    01:29

    An 11-year-old boy died in a Houston hospital Sunday after he was shot while carrying out a “ding dong ditch” prank the previous night, police said. The boy hasn’t been identified.

    The Houston Police Department said the boy had been playing the prank with friends late Saturday, which entails ringing the doorbell of a home and running away before anyone inside comes out to answer it. A witness saw the boy ring a doorbell in east Houston and flee the property before he was struck by gunfire, according to a police statement.

    Officers received a call about the shooting just before 11 p.m. local time. Police said the boy was wounded when they arrived and taken to a nearby hospital, where he died on Sunday. Sgt. Michael Cass, a Houston homicide detective, told CBS News affiliate KHOU that a witness had recalled someone exiting the house that was pranked and “shooting at the kids running down the street.”

    Cass told KHOU that “unfortunately, sadly enough, one of the boys, who was 11 years old, was shot in the back.”

    A man was detained at the home where the shooting happened and questioned by homicide detectives on Sunday, KHOU reported. But Houston police later said the person was released after questioning. They asked anyone with information about the case to contact the department as their investigation into the shooting continues.

    “Ding dong ditch” pranks have culminated in deadly shootings before. 

    In 2023, a California man was found guilty of murder for intentionally ramming the car of three teen boys who rang his doorbell as a prank, killing all of them, the Associated Press reported. More recently, in May, a man was charged with second-degree murder in Virginia after he shot and killed a teenager who had filmed a TikTok video of himself playing the doorbell prank on the man’s home, according to The New York Times.

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  • 11-year-old shot and killed playing

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    Police say a group of kids was ringing doorbells as part of a prank in Houston, Texas, late Saturday night when a man came out and fired several rounds at the children as they ran away. One 11-year-old boy was killed after being hit multiple times in the back. Karen Hua reports.

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  • Boy, 11, shot dead after playing doorbell-ringing prank in Houston, police say

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    An 11-year-old boy playing a common prank game of ringing doorbells in Houston, Texas, was shot dead on Saturday as he ran away from a house.

    Authorities said the boy was struck several times as he and some friends were buzzing doorbells in an Eastside neighborhood.

    The Houston police department have not released the identity of the boy or the occupant of the home, but said a middle-aged man has been arrested and several weapons were later recovered from the home.

    Police said the boy had been playing “ding-dong ditch”, which involves ringing on the doorbell of a home and running away. A witness saw the boy ring a doorbell and flee the property before he was struck by gunfire.

    “A witness stated the male was running from a house, after ringing the doorbell, just prior to suffering a gunshot wound,” police said in a police statement.

    Neighbors later told KPCR 2 that a man was seen being led in handcuffs out of a police vehicle and walking him to the home where the shooting happened.

    Houston homicide detective Michael Cass told CBS News affiliate KHOU that a witness had recalled someone exiting the house that was pranked and “shooting at the kids running down the street”.

    “Unfortunately, sadly enough, one of the boys, who was 11 years old, was shot in the back,” Cass said.

    The game has led to deaths before. In 2023, a California man was found guilty of murder for intentionally ramming the car of six teens who buzzed his doorbell, killing three.

    In May, a man in Virginia was charged with second-degree murder after he shot and killed a teenager who had filmed a TikTok video playing the doorbell game on the man’s home at 3am, according to local police reports.

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  • This Week in Houston Food Events: Girl Dinners, Whiskey Pairings and Farm-to-Table Eats

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    Here’s a look at this week’s hottest culinary happenings:

    Monday, September 1

    Labor Day Brunch

    This Labor Day, Haywire brings Hill Country flair to brunch with Wagyu Pastrami Hash, Cinnamon-Orange Pancakes, and Barbacoa Chilaquiles, featured until 3 p.m.
    Mexican Sugar is serving Latin-inspired Labor Day brunch with dishes like Vanilla Cinnamon Pancakes and Steak & Eggs, accompanied by handcrafted cocktails, served until 3 p.m.
    At Sixty Vines, you can escape to wine country with vineyard-style dining, shared plates like Orange Morning Bread and Spanish Albondigas, and a BYO Mimosa Bar from 11 a.m. to 3 p.m.
    Whiskey Cake Kitchen & Bar will feature its new brunch menu until 3 p.m., with fresh dishes like B.L.T. Toast, Steak Hash, and Deviled Eggs with a Bloody Mary twist.

    Run Club and Parking Lot Party at Hotel Saint Augustine

    Folks can join chef Aaron Bludorn (Perseid) and Loose Lace Run Club for a two-mile, all-levels neighborhood run at 9 a.m. After the run, head back to the Hotel Saint Augustine for a parking lot social with coffee, Perseid bites, DJ tunes, HOKA demos, cold plunges, mini massages, barber cuts and a Pilates stretch (BYO mat). A special Monday brunch at Perseid follows, with reservations recommended.

    Tuesday, September 2–Tuesday, September 30

    Farm-to-Table Specials at River Oaks Shopping Center

    The River Oaks Shopping Center is teaming up with Urban Harvest Farmers Market for limited-edition dishes at Brasserie 19, Goode Co. Kitchen & Cantina, Zanti Cucina Italiana and Leo’s River Oaks, kicking off September 2 and running all month long. Highlights include grilled tri-tip with mushroom- and goat cheese-stuffed tomato at Brasserie 19, Mexico City–style mushroom quesadillas at Goode Co., ricotta-stuffed cannelloni and dessert cannoli at Zanti, and heirloom tomato cocktails and tarts at Leo’s. Ten percent of sales from these farm-to-table creations benefit Urban Harvest’s local food-access initiatives.

    Thursday, September 4

    El Bolillo Bakery Turns 27

    Celebrate more than a quarter-century of Houston tradition as El Bolillo Bakery honors 27 years of pan dulce, pan salado, tres leches and more. All locations will offer half-price regular and birthday cake conchas and free slices of classic tres leches all day long.

    Saturday, September 6

    Texas Whiskey Dinner at Marvino’s Italian Steakhouse

    Marvino’s Italian Steakhouse, 24002 Northwest, is teaming up with Balcones Distilling for an exclusive four-course Texas Whiskey Dinner. Guests can savor dishes like Short Rib & Barley Soup, Grilled Peach & Prosciutto Salad, Boneless Ribeye and Chocolate–Chile Pot de Crème, each thoughtfully paired with premium Balcones whiskeys. Tickets are $139 per person, inclusive of tax and gratuity, and seating is limited.

    Sunday, September 7

    Girl Dinner Sundays at Juliet

    Hollywood-inspired steakhouse Juliet, 5857 Westheimer, invites the girlies to enjoy a glamorous Sunday evening. From 6 to 10 p.m., ladies can sip a Juliet Drop cocktail or sparkling Champagne, then enjoy two oysters, Truffle Fries, Caesar Salad and Shrimp Cajun Pasta for $25.

    All month long

    Two Dine for $99 at Brennan’s

    Brennan’s, 3300 Smith, is bringing back its Three-Course, Two Dine for $99 experience all September long. Guests can start with Snapping Turtle Soup or Shrimp Rémoulade, then choose entrees like Petite Filet Oscar, Gulf Shrimp & Grits or Eggs Brennan before finishing with Mississippi Mud Pie, Bananas Foster or Creole Bread Pudding Soufflé (+$5). Select wines are specially priced at $9/glass or $30/bottle. Reserve online or call 713-522-9711 and mention “Two Dine for $99.”

    Chiles en Nogada at Hugo’s

    Hugo’s, 1600 Westheimer, is celebrating walnut and pomegranate season with its annual Chiles en Nogada, served throughout September only. Representing the colors of the Mexican flag, the festive Puebla-born dish features poblano peppers stuffed with pork, apples, pears, peaches, plantains, almonds and raisins, topped with creamy walnut sauce and garnished with pomegranate seeds and parsley. The special includes two peppers with rice for $29.

    Taco Tuesday Bash at Fish Company Taco

    Fish Company Taco, 1914 23rd, is celebrating one year under its new ownership with a Taco Tuesday bash. Guests can enjoy all-day happy hour pricing, retail swag, gift card raffles, a festive photo wall and social media-driven giveaways.

    Hunger Action Month

    Houston Food Bank and partner agencies mark September as Hunger Action Month, with Wednesday, September 10 designated as Hunger Action Day 2025. This year’s theme, What Does Home Mean to You, highlights how safe, affordable housing supports food security, with opportunities to advocate, volunteer, and donate throughout the month. From Operation: Hunger Relief competitions to SNAP Challenges and voter registration drives, Houstonians can take part in hands-on activities and special events to help reduce food insecurity across the region.

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    Brooke Viggiano

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  • The Weeknd Radiates Energy and Emotion at NRG Stadium

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    The Weeknd
    After Hours til Dawn Tour
    NRG Stadium
    August 30, 2025

    There’s a big difference between being a singer and being a star performer. Anyone with a little courage can stand on a street corner and sing some tunes, but it takes a special kind of talent to command a stadium full of adoring fans. Last night, Abel Tesfaye, known to the world as The Weeknd, hosted night one of two sold-out concerts inside NRG Stadium. Joining him for these shows were opening acts Playboi Carti and Houston’s very own multi-instrumentalist and producer Mike Dean.

    The show began early around 6:45 p.m. with Dean surrounded by keyboards and synths, standing solo on the massive stage and running through a litany of hits. He dove into the tracks he produced while working for Rap-A-Lot as a producer, mixer, and engineer, creating music for Scarface and The Geto Boys, Devin The Dude, Big Mello, Z-Ro, 5th Ward Boyz, and many more. Dean also played the guitar and even played a few melodies on the tenor saxophone as he ran through songs he created for Kanye West, Travis Scott, Kid Cudi, Jay Z, Beyonce, and more. It was a perfect homecoming set for Mike, who would later return to the stage to play keys during The Weeknd’s headlining set.

    click to enlarge

    Legendary producer and multi-instrumentalist Mike Dean, who is originally from Houston, performed an opening homecoming set at NRG Stadium on Saturday, August 30th.

    Photo by Cody Barclay

    Rapper Playboi Carti followed Dean, and although he is a strong and energetic performer, the audience seemed to be withholding their applause for The Weeknd. Carti would later accompany the headliner for the songs “Timeless” and “Never Lie,” which were well received by the crowd.

    As the intermission was ending and the stagehands prepped the scene for Abel, the stadium was filled almost to capacity. A massive LED video screen was positioned at the east end zone of the football field, and the set resembled a post apocalyptic scene with a broken skyline. Two long runways crisscrossed the length of the arena floor, and a giant golden figure of a female dancer served as a centerpiece.

    click to enlarge

    Two long runways criss-crossed the length of the arena floor, and a giant golden figure of a female dancer served as a centerpiece.

    Photo by Cody Barclay

    A group of dancers dressed in red robes and face masks made their appearance on stage as the opening notes of “The Abyss” rang out. The Weeknd then appeared in the middle of the group wearing a black robe and a golden mask. The eyes were illuminated with lights, giving him a mystical aura and commanding awe and applause from the crowd. “Wake Me Up” and “After Hours” rounded out the opening trio of tracks.

    The theme of the production was a mix of religion, cult imagery, and a dystopian future. Heavy use of pyro and lasers enhanced the mood, which played with the contrasts of light and dark, fun and fear, angels and demons. The moving images on the large video board showed fantastical visuals of an all seeing eye, souls being lifted around in a circular motion, and many other magical forces.

    click to enlarge

    Ranging from sad and moody to upbeat and dance-worthy, its easy to see why The Weeknd is one of this generation’s most beloved artists.

    Photo by Cody Barclay

    The Weeknd’s voice equally as angelic and mischievous, a natural tenor who flaunts his falsetto as his not-so-secret weapon, mixing tones, tunes, and tempos effortlessly. His set list is at times slow and moody, which then ventures into upbeat and dance-worthy, then crashes into vibrant stories of love, lust, and loss. Its easy to see why he is one of this generations most popular and beloved artists.

    The set list was extensive, with over 40 tracks spanning his 15 year career. The crowd was completely enamored of him, showing love and cheering at every look, gesture, and smile. Once Abel removed his mask, you could see how the love was reciprocated. “I love you, Houston!” he shouted, with tears forming in his eyes. It was a spectacular connection between artist and audience.

    “We are nearing the end of our tour, and usually by this time an artist tends to get lethargic” he confessed to his fans. “But you guys are giving me so much life! I’m never going to skip Houston, ever!” he promised.

    There were many highlights, but my favorite tracks of the night were “Save Your Tears,” “I Feel It Coming” and “Often.” I will definitely be in the building when The Weeknd returns to H-Town.

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    Marco Torres

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  • Houston’s 5 Best Weekend Food Bets: From an East End Burger Crawl to a Biergarten Bash

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    Here’s a look at this weekend’s tasty food and drink happenings:

    Galveston Island Wine Festival at Moody Gardens

    Friday–Sunday

    The Galveston Island Wine Festival makes its epic return to Moody Gardens, 1 Hope, with a three-day celebration of wine, food and live music. Folks can enjoy events lie the White Linen Seafood Extravaganza, Penguins & Pinot Grand Tasting and Sunday Wine Dinner at Shearn’s. Ticket pricing and hours vary by event.

    East End Burger Crawl at Rodeo Goat, Moon Tower Inn and Nickel City

    Friday–Monday
    2105 Dallas, 3004 Canal, 2910 McKinney

    A trio of Eat End burger joints are teaming up for the 1st Annual East End Burger Crawl. From Friday through Labor Day, burger fans can pop by any of the three — Rodeo Goat, Mount Tower Inn and Nickel City — to grab a punch card. Order a burger at each, then turn in your completed card at your final stop for a shot at winning one of three $100 gift cards.

    Houston Restaurant Weeks

    Friday–Monday

    It’s the last weekend of Houston Restaurant Weeks, as the Houston Food Bank’s epic annual fundraiser closes its run on Labor Day. Your choice of multi-course meals for brunch and lunch ($25) or dinner ($39 or $55) await at hundreds of local restaurants, with $1 to $5 from each going to support the fight against hunger so you can eat good for a cause.

    Sunday, 11 a.m. to 6 p.m.
    2032 Karbach

    Karbach Brewing Co. is hosting its annual Biergarten Bash, a free, family-friendly event rocking a variety of activities including yard games, a hot dog eating contest, live mural painting, a petting zoo and local vendors – plus tasty Karbach suds and bites available for purchase.

    Sunday, 5 p.m.
    113 6th

    Pier 6 is celebrating the long weekend and sending off summer in style with a White Linen Party by the bay this Sunday night. Guests 21+ can sip a complimentary glass of Telmont Champagne and enjoy oysters and hors d’oeuvres, with a full cash bar available. Dress in crisp whites and take in live entertainment, a DJ, and unbeatable marina views. Dinner inside requires a separate reservation. 

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    Brooke Viggiano

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  • Houston Concert Watch 8/27: The Weeknd, Shinedown and More

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    It would certainly be an accurate statement – really more of an understatement – to say that Axl Rose is not universally beloved. Whether it was making fans wait for hours before beginning Guns N’ Roses concerts in the ‘90s to going through bandmates like Kleenex later in his career, it is fair to say that the red-haired rocker has not made many friends over the years.

    The latest reason not to like Rose involves (allegedly) his holding on to a master tape of an all-star recording session. According to drummer Zak Starkey (recently formerly of The Who, but that’s another rock and roll pissing match entirely), Rose refuses to return the master tape of a song that was intended to be part of an album which would raise money for the Teenage Cancer Trust.

    Slash, Duff McKagan, Elton John and Ringo Starr all contributed to a cover of T. Rex’s “Children of the Revolution,” and Rose was supposed to record a vocal track to finish the production. However (again, according to Starkey), Rose has procrastinated and failed to record his part and return the master tapes for over a year, allegedly costing the Teenage Cancer Trust over $2 million dollars.

    Starkey posted on Instagram that the album-in-limbo includes contributions from “more than one Beatle, a Smith, a Pretender, an Ashcroft, an Iggy and many more.” He added that he hopes the charity album can be released “without greedy bean counting majors wanting 75 percent (I won’t say which label, but fuck me, this is for sick kids).” Starkey also appealed directly to Rose, posting, “C’mon, bro…”

    Ticket Alert

    Combine the influences of Lynyrd Skynyrd, Waylon Jennings, Hank Jr. and the like, let it simmer for a while in deep East Texas and what do you get? You get Whiskey Myers, a band that manages to straddle the fence between rock and country without compromising its balls. There are still a few tickets available for the band’s show on Saturday, September 27, at the Cynthia Woods Mitchell Pavilion, but don’t wait around too long.

    Austin’s Band of Heathens made a name for itself playing at Antone’s and the clubs on 6th street, quickly becoming one of the foremost exponents of the Americana music form. The Heathens will begin their 20th anniversary celebration with a show at the Heights Theater on Saturday, November 22. The band promises a two-set evening, so it will be all Heathens all the time.

    Is there anyone funkier than George Clinton? No. The answer is no. To paraphrase the Bard, “Funk, thy name is Clinton.” The mastermind behind Parliament, Funkadelic, P-Funk and the Brides of Funkenstein will tear the roof off the mothersucker on Friday, November 28, at the House of Blues. Get your tickets now if you want the funk and / or gotta have the funk.

    Concerts This Week

    Shinedown’s “Dance, Kid, Dance” tour will make a stop at Toyota Center tonight, with Bush and Morgan Wade opening. Not content with garden variety merch like t-shirts, caps and hoodies, Shinedown has introduced a signature line of hot sauces, each named after one of the band’s songs: Symptom Chipotle Garlic Sauce, Devour Pineapple Jerk Sauce and Attention Attention Mango Habanero Sauce.

    George Thorogood has never wandered far from his formula of loud guitars, salacious vocals and a Bo Diddley beat, but who can blame him? If it ain’t broke, as they say. You can catch Mr. Bad to the Bone tonight at the House of Blues.

    Whether performing as a solo artist, a member of Matchbox 20 or Carlos Santana’s sidekick, Rob Thomas has been a hit machine for well over two decades. When his “All Night Days” tour hits the Smart Financial Centre on Saturday, fans will have a number of up-close-and-personal VIP options to choose from, including a premium package featuring a photo op with Thomas, the chance to watch a few songs from the wings and an autographed guitar.

    The biggest concerts in town this week are The Weeknd’s two shows at NRG Stadium on Saturday and Sunday. As the record holder for most Spotify streams at over one billion for his song “Blinding Lights,” it’s no wonder he can fill up a stadium two nights in a row. ‘Cause Knowledge is Power: So what’s the deal with leaving an “e” out of Weeknd? There are several theories surrounding the singer’s professional name, but the most likely explanation is that the spelling was chosen so as to avoid any legal difficulties with a Canadian band known as The Weekend.

    For those unfamiliar with Steel Panther, the band might best be described as an American little brother to Spinal Tap. The Panther of Steel skewers just about every heavy metal cliché that exists, but it is done with love, so the ribbing never comes off as nasty. But their song lyrics? Now those are nasty. Get ready to throw those devil horns and sing along with “Boomerang Poontang,” “Always Gonna Be a Ho” and “Bukkake Tears” when the band plays Warehouse Live Midtown on Sunday.

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    Tom Richards

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  • This Week in Houston Food Events: Galveston Wine, Seaside Feasts and Labor Day Cheers

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    Here’s a look at this week’s hottest culinary happenings:

    All week long

    Houston Restaurant Weeks

    The Houston Food Bank’s epic annual fundraiser, Houston Restaurant Weeks, is closing out its run on Labor Day (Monday, September 1), so there’s still time to dine out for a cause at your favorite Houston restaurants. Choose from multi-course menus for dinner ($39 or 55), lunch ($25) and brunch ($25), with a $1 to $5 donation to the Houston Food Bank and its efforts to fight hunger across the region.

    Deli Month at Kenny & Ziggy’s

    Kenny & Ziggy’s, 1743 Post Oak, and more than 40 delis across the U.S. and Canada are celebrating the 10th Annual National Deli Month, spotlighting classic Jewish delicatessens and raising funds for local charities. Through the end of August, Kenny & Ziggy’s will offer a $45 three-course menu benefiting Holocaust Museum Houston (includes a free museum ticket with each meal).

    The Generous Pour at The Capital Grille

    The Capital Grille’s summer wine fest, The Generous Pour, is runs through August 31, with this year’s “Icons of the Vine” theme pouring six standout California wines — from Rombauer Chardonnay to a custom Atlas Peak Cab by Jayson for $45 with entrée purchase.

    Monday–Tuesday

    Sabina Sabe Pop-Up at Bandista

    The Four Seasons Hotel Houston speakeasy invites bartender Mike Prado from Oaxaca’s award-winning Sabina Sabe (No. 54 Best Bar in North America) for an exclusive two-night takeover. Guests can enjoy five signature cocktails ($25–$35) featuring The Lost Explorer tequila and mezcal, plus Sabina Sabe’s signature playlist, from 6–11pm. Reservations for 90-minute seatings are required, with proceeds benefiting Camp H-Town.

    Friday, August 29

    9th Anniversary at Dandelion Cafe

    Celebrate nine years of brunch at Dandelion Cafe with $9 Chicken and Waffles and $9 mimosa pitchers in flavors from classic orange to hibiscus honey and vanilla lavender. Specials are available for one day only at both the Bellaire and Heights locations.

    Friday–Sunday

    Galveston Island Wine Festival at Moody Gardens

    The Galveston Island Wine Festival makes its epic return to Moody Gardens, 1 Hope, with a three-day celebration of wine, food and live music. Folks can enjoy events lie the White Linen Seafood Extravaganza, Penguins & Pinot Grand Tasting and Sunday Wine Dinner at Shearn’s. Ticket pricing and hours vary by event.

    Saturday–Monday

    College Game Day and Long Weekend Brunch at PKL Social

    PKL Social, 1112 Shepherd, hosts its first “Saturdays at PKL: College Game Day” watch party this Saturday, with six-pack drink specials, free jello shots with Game Day Buckets, and full game sound on new LED walls and TVs. Folks can also enjoy a three-day Labor Day Weekend brunch starting at 10 AM Saturday through Monday, featuring boozy drinks and brunch bites like Bananas Foster French Toast and Chicken Fried Chicken Biscuits.

    Sunday, August 31

    Biergarten Bash at Karbach Brewing Co.

    Karbach Brewing Co., 2032 Karbach, is hosting its annual Biergarten Bash from 11 a.m. to 6 p.m. The free, family-friendly event features a variety of activities including yard games, a hot dog eating contest, live mural painting, a petting zoo and local vendors – plus tasty Karbach suds and bites available for purchase.

    White Linen Party at Pier 6 Seafood & Oyster House

    Pier 6, 113 6th, is sending off summer in style with a White Linen Party on Sunday, August 31 starting at 5 p.m. Guests 21+ can sip a complimentary glass of Telmont Champagne and enjoy oysters and hors d’oeuvres, with a full cash bar available. Dress in crisp whites and take in live entertainment, a DJ, and unbeatable marina views. Dinner inside requires a separate reservation.

    Sunday–Monday

    Labor Day Weekend Specials at Jethro’s

    Jethro’s, 95 Tuam, invites folks to celebrate Labor Day weekend with live DJ sets and weekend specials, including $25 beer buckets, $7 Mexican Candy shots, $8 Frozen Palomas and $8 Chocolate Old Fashioneds on Sunday and Monday. Pair drinks with food deals like a $7 Smashburger and fries combo available until 7 p.m. or $4 hot dogs served all day while supplies last.

    New and ongoing specials

    The Levant Menu at MARCH

    Michelin-starred MARCH, 1624 Westheimer, has debuted its newest tasting menu, The Levant, celebrating the rich culinary traditions of the Eastern Mediterranean with six- and nine-course experiences. Highlights include Oyster Shawarma with caviar, A5 Wagyu Falafel, Amberjack Crudo, and Beef Cheek Fattoush, plus curated wine pairings from Cyprus, Lebanon, Turkey, Syria, and Palestine. 

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    Brooke Viggiano

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  • Houston’s 5 Best Weekend Food Bets: $3 Bao, 9-Year Beers and Epic Dinners

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    Here’s a look at this weekend’s tasty food and drink happenings:

     Friday, all day
    3419 Kirby

    Fat Bao is celebrating National Bao Day with a tasty deal. Score select baos — including Pork Belly, Bulgogi and Big Byrd — for just $3 each all day, and don’t forget to tack on Fat Fries, Avocado Chips, or onion rings to round out the feast.

    Saturday, noon
    941 West 18th

    Eureka Heights Brewing is marking nine years of beers with a taproom celebration, rocking live music from Dem Roots Music, food from Satellite of Pizza, The Burger Daddy, and Goode Co., open pinball play, a beer-themed vendor market and more. The free-to-attend event is 21 and up, with VIP tickets for $55 including access to open taps, guided flights of five beers plus a preview of a test batch, and brewhouse view seating.

    Sunday, 5 p.m.
    2000 Lyons

    Saint Arnold invites folks to its 15th annual Feast of Saint Arnold, a beer-fueled dinner where medieval flair meets contemporary goodwill. Expect courses piled high — think beef, pork, poultry and fish— all served family-style at once alongside Saint Arnold’s stellar lineup, including specialty taps just for the occasion. Tickets start at $150, with proceeds supporting Texas Children’s Hospital’s Inflammatory Bowel Disease Center. Kickoff is at 5 p.m. with the feast at 5:45 p.m.

    Pita “Alex vs. America” Anniversary Dinner at Craft Pita

    Sunday, 6 p.m.
    5172 Buffalo Speedway

    Craft Pita’s Buffalo Speedway location is celebrating the one-year anniversary of chef-owner Rafael Nasr’s appearance on Alex vs. America, offering a special dinner featuring dishes from the episode. Guests can enjoy the Lebanese Bolognese Pasta with a lamb base and the Grilled Shrimp Fattoush Salad, made with preserved lemon-marinated shrimp, vinaigrette, fried pita and pomegranate seeds. Dinner starts at $50 and includes a wine pairing. Reservations are available through Resy, with seating beginning at 6 p.m.

    Houston Restaurant Weeks

    All weekend long

    Houston Restaurant Weeks, the Houston Food Bank’s epic annual fundraiser, is coming to a close on Labor Day, Monday, September 1. Choose multi-course meals for brunch and lunch ($25) or dinner ($39 or $55), with $1 to $5 from each going to support the fight against hunger, at hundreds of local restaurants, including favorites like Bar Bludorn, Le Jardinier, Maison Pucha Bistro, Ostia and Soto Houston.

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    Brooke Viggiano

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  • Houston Concert Watch 8/20: Flaming Lips, The Offspring and More [UPDATED]

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    Since I have been in the broadcasting business for a number of years, I sometimes have folks ask me, “Why do radio stations keep playing the same songs over and over?” There are a number of correct answers to this question, but the primary reason is (no surprise here) “money.” At some point, many years ago, when research began driving programming decisions, many program directors sought to play songs that would keep listeners from switching to another station.

    Among PD’s (particularly those of the classic rock variety), the message was clear: don’t risk driving a single listener away by playing a song that might not be totally familiar. You’re not going to get a raise for playing more “deep cuts.”

    Which brings us to a recent survey published on the Ultimate Classic Rock website listing the top classic rock songs based on radio airplay in 2025 (so far). There were a few surprises. Number one? Bon Jovi’s “Livin’ on a Prayer,” which just edged out Guns N’ Roses’ “Welcome to the Jungle” for the top spot on the list. However, GNR can take some solace in the fact that “Sweet Child O’ Mine” was ranked at number three.

    Led Zeppelin and Aerosmith both had 15 songs in the top 500, but neither band cracked the top 10. Hell, “Black Dog” was Zep’s highest finisher at number 31. Interestingly, though, “Stairway to Heaven” came in at number 168, indicating that some songs can, in fact, be played to the point of listener fatigue.

    In the “what the hell?” category: “Carry On Wayward Son” (number 12, thanks to the “South Park” Guitar Hero episode, no doubt, or was it because it was the unofficial anthem and fan favorite for the 15 seasons of Supernatural?), “Pour Some Sugar on Me” (number 13, but it does have a strong base of support among strippers, evidently), “Don’t Stop Believin’” (number 19 – I blame you, Tony Soprano) and “Summer of ‘69” (number 24, a stinker to be sure).  In the interest of being remotely positive about Adams and his output, I suppose that “Cuts Like a Knife” isn’t so bad, but guess what?  That song didn’t even make the damn list!

    Ticket Alert
    Sue Foley, the lady with the pink paisley Telecaster, has been considered one of the best guitarists in Texas since landing in Austin during the late ‘80s. She has won a bunch of awards and released some acclaimed records, including last year’s One Guitar Woman, A Tribute to the Female Pioneers of Guitar, which was nominated for a Grammy in the category of Best Traditional Blues Album. Tickets are on sale now for her show at the Heights Theater on Friday, November 21.

    I’m not a fan of most Christmas music, but I will keep an open mind regarding Tower of Power and the band’s “Holiday and Hits” tour, which will stop at the House of Blues on Tuesday, December 9. If I can hear a funked-up “Jingle Bells” and “What Is Hip?” during the same show, I just might be on board with that sleigh ride. Presales are up now, and the general sale begins on Friday.

    Want more live Christmas music? Well, the Pentatonix show at Toyota Center on Saturday, December 20, might get you to ho-ho-ho-ing. The a cappella quintet will bring its “Christmas in the City” tour to H-Town during the week before holiday, and presales are now in progress, with the general sale on Friday. In the holiday spirit of giving (and because the group hails from Arlington), $1 from the price of each ticket sold will be contributed to Texas flood relief efforts.
    Randy Rogers began his musical career playing joints around central Texas, soon building a regional and then a national following while he and his band began racking up hit albums and singles. You can get the password for the presale (now in progress) through the band’s website and beat the rush before the Friday ticket sale for Rogers’ show at the 713 Music Hall on Saturday, December 13.

    Herb Alpert. Is he still alive? Not an unreasonable question, but the answer is a definite “yes.” The 90-year-old trumpet player still has his chops, and he is going on the road early next year to celebrate the 60th anniversary of his album Whipped Cream and Other Delights, which sported not only some incredibly catchy instrumentals but also a nude-but-not album cover. The presale for Alpert’s show on Saturday, January 17, at the Smart Financial Centre begins today, and the general sale is set for Friday.

    Concerts This Week
    Editor’s Note: Flaming Lips’ Houston performance was canceled because of a family emergency.

    Original story: A documentary tracking the history of the Flaming Lips called The Fearless Freaks was released some years back, and seldom has a title been more on-the-nose. Based on the early ’90 success of the single “She Don’t Use Jelly,” the band has been classified as “alternative rock,” but “alternative everything” might be a more accurate bit of nomenclature.

    Musically, these guys are like no one else, incorporating a number of diverse influences along with a preponderance of psychedelia. In terms of stage craft, the Flaming Lips have utilized all sorts of fanciful gimmicks over the years, including encasing lead singer Wayne Coyne in a large plastic bubble which allowed him to walk over audience members’ outstretched hands. The band’s current tour reunites the Lips with former touring mates Modest Mouse. Catch all the trippiness tonight at the 713 Music Hall.
    Whipping a quick 180, let’s consider Dale Watson, who is about as hardcore country as a guy can get. After spending his early years in North Carolina, in 1977 Watson’s family moved to Pasadena, where he began playing in honky-tonks as a teenager. He soon relocated to Los Angeles, where he secured a spot in the house band at the Palomino Club, which became ground zero for alt-country. Since then, Watson has been a torchbearer for traditional country music, with songs like “Nashville Rash” and a multi-volume series of albums called The Truckin’ Sessions which contains nothing but truck-driving songs. You can hear the real deal on Saturday at the Heights Theater.
    The Offspring hit it big by figuring out a way to put a sheen on punk rock while not totally depriving the form of its energy and rebellion. “Come Out and Play,” “Self Esteem” and “Pretty Fly (for a White Guy)” were all hits, showing a keen sense of satire while rocking hard enough to keep heads bobbing. Catch The Offspring on Saturday at the Cynthia Woods Mitchell Pavilion on a bill with fellow poppy punkers Jimmy Eat World and New Found Glory.

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    Tom Richards

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  • CLS Health and Houston Food Bank Unite to Fight Hunger in Houston

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    CLS CARES initiative mobilizes over 50 volunteers to pack nearly 14,000 meals for seniors in need

    CLS Health, the Houston area’s leading physician-owned healthcare group, proudly partnered with the Houston Food Bank for a meaningful day of service on Saturday, April 26. More than 50 employee volunteers and their families gathered for the inaugural CLS CARES event – a company-wide initiative designed to strengthen community ties and give back beyond the clinic.

    In just three hours, CLS Health volunteers packed 12 pallets of food, totaling 540 boxes and providing 13,950 meals to seniors experiencing food insecurity across the Greater Houston area.

    “We were honored to be a small part of the extraordinary work the Houston Food Bank does every day,” said Dr. Mohammed J. Baba, president of CLS Health. “”Healthcare is about compassion and connection and our day of service at the Houston Food Bank is a meaningful opportunity for us to give back to a community we care deeply about.

    The event comes at a time when food insecurity remains a pressing issue in Texas. A 2024 poll by No Kid Hungry Texas found that 44% of Texans reported at least one sign of food insecurity in the past year. This included not having enough to eat, eating poor-quality meals, or cutting back due to rising costs.

    “Being part of CLS CARES reminds me why I became a physician in the first place – to care deeply, both in and out of the clinic,” said Dr. Naureen Alim, CLS Health physician and event participant.

    Volunteers spent the afternoon sorting, packing, and preparing food for distribution to seniors throughout the region-a hands-on way to make an immediate and lasting impact.

    CLS CARES is a new community engagement initiative that reflects the organization’s broader mission: to serve with compassion, build lasting relationships, and improve lives both inside and outside healthcare settings.

    “This is just the beginning,” added Dr. Baba. “Stay tuned for more community moments from CLS CARES as we continue to invest in the well-being of the neighborhoods we serve.”

    The event was held at the Houston Food Bank’s headquarters, located at 535 Portwall Street.

    To learn more about CLS Health’s physicians and services, visit cls.health.

    About CLS Health
    CLS Health is a physician-owned healthcare group with a pioneering approach to comprehensive care. With over 40 locations and more than 200 providers across the Greater Houston area, CLS Health emphasizes the satisfaction and empowerment of its physicians as a key element in delivering exceptional patient care. Learn more at cls.health.

    About Houston Food Bank
    Serving Houston and southeast Texas since 1982, Houston Food Bank’s mission is to provide food for better lives. We provide access to 140 million nutritious meals in 18 counties through our 1,600 community partners of food pantries, soup kitchens, social service providers and schools. Filling gaps on plates, we have a strong focus on healthy foods and fresh produce. In collaboration with our community, we advocate for policy change and racial equity, and promote dialogue on ways to increase access to food and to improve the lives of those in our communities, including services and connections to programs that address the root causes of hunger and are aimed at helping families achieve long-term stability: nutrition education, health management and help with securing state-funded assistance. We are a resource for individuals and families in times of hardship. Houston Food Bank works alongside our partner food banks in Montgomery County, Galveston County and Brazos Valley. Houston Food Bank is a certified member of Feeding America, the nation’s food bank network, with a four-star rating from Charity Navigator for the 13th consecutive year.

    Website houstonfoodbank.org; Social media: @houstonfoodbank (Instagram and X), @thehoustonfoodbank (Facebook)

    Source: CLS Health

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  • Warriors’ Stephen Curry to sit out third straight game with left ankle injury

    Warriors’ Stephen Curry to sit out third straight game with left ankle injury

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    Stephen Curry will sit out a third straight game for the Golden State Warriors on Saturday at Houston nursing a left ankle injury but resumed practicing in some drills Friday.

    He was re-evaluated earlier in the day and the Warriors’ medical staff determined the NBA career 3-point leader is making good progress and cleared to participate, the team said.

    Curry is scheduled to be examined again Sunday, ahead of Golden State’s game Monday at Washington. He was hurt in a loss to the Los Angeles Clippers on Sunday night. The 36-year-old Curry, beginning his 16th season, had an MRI exam after the game and it showed no structural damage and revealed a left peroneal strain.

    After Wednesday’s home win against New Orleans, Curry reported he was “feeling better” as he exited the locker room.

    Curry exited for good with 7:55 remaining in the fourth quarter of a 112-104 defeat.

    He had briefly returned with 8:08 to play and was along the key being defended by Kris Dunn when he cut away from Dunn toward the baseline and reinjured the ankle when it appeared to roll outward. It happened near the end of Golden State’s bench and he limped into the tunnel that goes to the locker room.

    It was at the 2:43 mark of the third quarter when Curry initially hobbled to the bench and sat the remainder of the period.

    The two-time MVP has dealt with regular ankle issues on both feet.

    Also Friday, guard De’Anthony Melton had his strained lower back re-evaluated and he will also sit out a third straight game Saturday and is scheduled to checked out again in a week.

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    CBS San Francisco

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  • Kansas State looks to remain in hunt for a spot in the Big 12 championship game in visit to Houston

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    No. 17 Kansas State (7-1, 4-1 Big 12) at Houston (3-5, 2-3), Saturday, 3:30 p.m. ET (Fox)

    BetMGM College Football Odds: Kansas State by 12 1/2.

    Series record: Kansas State leads 1-0

    What’s at stake?

    Kansas State aims to remain in the hunt for a spot in the Big 12 championship game and a chance to make the College Football Playoff. The Wildcats, who have won four straight since opening conference play with a loss to BYU, are looking for their longest winning streak since winning six straight to end the 2016 season and start the 2017 season. Houston is looking to keep its bowl hopes alive after winning last week on a field goal as time expired. The Cougars last won consecutive games in a single season on Nov. 12-19, 2022, and are looking for their first win over a ranked team since beating No. 19 SMU on Oct. 20, 2021.

    Key matchup

    RB DJ Giddens vs. Houston run defense. Giddens has rushed for 945 yards and four touchdowns this season to lead a Kansas State rushing attack, which ranks eighth in the nation averaging 223.3 yards per game. Houston has allowed 100 yards rushing or fewer in four games this season and has surrendered nine rushing touchdowns.

    Players to watch

    Kansas State: DE Brendan Mott has 8 1/2 tackles for loss, including seven sacks, which ranks 11th in the nation. Mott, who has 30 tackles, four quarterback hits and a fumble recovery this season, leads a defense that has allowed an average of 96.8 yards rushing per game.

    Houston: RB J’Marion Burnette rushed for 81 yards in Houston’s win over Utah last week, leading a rushing attack that totaled 228 yards, the most yards rushing for the Cougars in a conference game since they rushed for 261 yards against South Florida on Nov. 6, 2021, as a member of the American Athletic Conference.

    Facts & figures

    Kansas State is ranked 28th nationally averaging 43.6 penalty yards per game. … Houston has committed 12 penalties over its last three games, tied for the best in the nation over that span. … Kansas State QB Avery Johnson has thrown for 1,654 yards and 16 touchdowns and rushed for 373 yards and four scores this season. … Kansas State is 3-0 in one possession games this season. … Houston DB A.J. Haulcy is fifth nationally with four interceptions this season, including three in the last three games. … WR Joseph Manjack IV has caught a pass in 23 straight games after catching a 28-yard touchdown pass last week against Utah.

    ___

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  • Houston Concert Watch 10/30:  Morrissey, Marc Anthony and More

    Houston Concert Watch 10/30: Morrissey, Marc Anthony and More

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    Grateful Dead guitarist Bob Weir said on Instagram last week, “Phil [Lesh] wasn’t particularly averse to ruffling a few feathers.” To hear some in the Dead world tell it, that is an understatement. When the Dead were making their second album (Anthem of the Sun) for Warner Brothers, company president Joe Smith identified bassist Lesh as “the catalyst for chaos within the band,” adding, “It’s apparent that nobody in your organization has enough influence over Phil Lesh to evoke anything resembling normal behavior.”

    Smith’s attitude may have been colored by the fact that, when the band’s manager received a letter from Smith complaining about inefficiency during the creative process, one of the band members (Lesh?) underlined the parts that the Dead didn’t like, wrote “Fuck You!” across the letter and mailed it back to Smith.

    Normal behavior was, of course, something at which the members of the Dead did not excel, particularly Lesh. I suppose it was a combination of his rebellious personality, his beatnik irreverence and a sincere distrust of The Man. Lesh passed away last week at the age of 84. Fare thee well, Phil, you magnificent bastard.

    Ticket Alert
    It’s been a couple of years since the Swedish band Ghost played in Houston, but they must be doing something right, as their last Bayou City gig was at the Smart Financial Center, and now they have graduated to Toyota Center. It will, no doubt, be an evening filled with costumes, masks, generally spooky stuff and some heavy (if at times slightly overwrought) rock and roll. You can snag tickets through one of the available presales right now, or wait until the general sale on Friday.

    And if highly theatrical rock and roll is your bag (barf bag in this case), you’ll want to know that heavy metal gross-out kings GWAR will be performing at Warehouse Live Midtown on Saturday, November 16. Is it a bit much? Depends on your sense of aesthetics (and taste). But I will spare you any examples for the moment, in case you are reading this over breakfast or something like that. Suffice it to say that one of the band members goes by the nom de stage “Jizmak Da Gusha.”

    This just in: southern rockers Blackberry Smoke will play at the 713 Music Hall on Friday, March 28. Presales are up now, with the general sale on Friday.

    Concerts This Week
    Gladys Knight is now 80 years old, but you wouldn’t know it. After decades of hit records and Grammy awards, Knight has spent time over the past few years appearing on television shows (“Dancing with the Stars,” “The Masked Singer”) and picking up awards, including the National Medal of Arts and a Kennedy Center Honor. Fortunately, though, Knight is on the road for a handful of dates before the end of the year, one of them tonight at the Smart Financial Centre.
    Morrissey, affectionately (well, sort of) known as the Pope of Mope, will perform tomorrow night at the 713 Music Hall. A minor controversy erupted when Morrissey graced our fair city in 2019 and prohibited meat from being served at his White Oak Music Hall concert.  Not a real surprise, considering one of the Smiths albums was called Meat is Murder. Another act appearing at the facility – rapper Jake Hill – cancelled their show in protest, upset that band and crew members were not allowed to eat a to-go order from Chick-fil-A on the premises.

    All of this goes to show that Morrissey is even more strict on the no-meat thing than Paul McCartney, who does not ride in limos with leather seats or allow leather-upholstered furniture in his dressing room. No word yet on the policy at tomorrow’s show, but, carnivores, you have been warned.
    Saxophonist / flutist Karl Denson can play rock or jazz, or both at the same time. He has performed with rocker Lenny Kravitz and the Rolling Stones (he is currently the band’s touring sax soloist). On the jazz side of the aisle, Denson has played with Jack DeJohnette and Dave Holland. And he has his own band, Karl Denson’s Tiny Universe. Check them out on Friday at the Heights Theater.
    Marc Anthony’s current tour is called “Historia,” so it is not unreasonable to expect something of a retrospective filled with hits. Anthony, of course, has a bunch of hits to choose from, as the best-selling salsa artist of all time, certified by Guinness World Records. Oh, and Billboard too. But Anthony’s latest album, Muevense, was just released a few months ago, so the set list will probably be a mix of the old and the new. The party will be at Toyota Center on Sunday.
    Some people were just born to be rock stars. People like Yngwie Malmsteen. The guitarist, who created a sensation in shredder circles back in the ‘80s, still has big hair, wears black leather pants and drives a Ferrari. If nothing else, Malmsteen is consistent, steadily releasing albums full of neo-classical arpeggiated heavy metal since he first arrived on these shores from Sweden. Malmsteen will “unleash the fury” (as he likes to say) on Monday at Warehouse Live Midtown.

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    Tom Richards

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