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Tag: Houston Chamber Choir

  • Brubeck Is Bru-Back In Houston Chamber Choir Season Finale

    Brubeck Is Bru-Back In Houston Chamber Choir Season Finale

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    The music of legendary musician and composer Dave Brubeck will fill the halls of Rice University’s Stude Concert Hall this weekend with special guests — his children — during Brubeck! A Celebration. Houston Chamber Choir will present the concert in partnership with Lago Vista Community Concerts Foundation, the Brubeck Brothers Quartet, the Paul English Quartet and many other fine musicians.

    Even more exciting, the set list will be recorded as part of the inaugural performance of “The Voice of Brubeck,” a multi-year collaboration that will result in fresh performances of Brubeck’s serious symphonic, chamber and sacred vocal works that have not been originally recorded by the artist.

    “The Voice of Brubeck,” to be produced and released on PARMA Recordings’ Grammy Award-winning Navona Records label, will feature an underrepresented cross section of the late musical legend’s oeuvre — a diverse offering of celebrated and previously-unrecorded choral and orchestral works that Brubeck regarded as some of his finest. The ensuing commercial album by PARMA Recordings and Navona Records is expected to be released in late 2024.

    Spearheaded by producer and Rice University Professor of Composition and Theory Arthur Gottschalk, the program features the Houston Chamber Choir alongside a 19-piece orchestra with Chris and Dan Brubeck, the Paul English Quartets and noted Houston musicians Paul English and Horace Alexander Young.

    “After hearing Paul English [perform Dave Brubeck’s music] for many years, the thought occurred to me that we need to record this music of Dave’s that either hasn’t been recorded or has been under-recorded oftentimes with amateur groups on tiny labels,” said Gottschalk. “I went about putting the project together by first approaching Paul English and then approaching Bob Simpson with the Houston Chamber Choir. Once they were amenable to the idea, I called Chris Brubeck. He and his family jumped on the idea.”

    Making that phone call was not a hard stretch for Gottschalk. He and Chris first met in college more than 50 years ago.

    “In 1970, when I attended the University of Michigan, that’s also the year that Chris enrolled at the same school,” Gottschalk detailed. “We were both trombone players, and we were both playing in the university jazz program.”

    Of course, Gottschalk knew that Houston Chamber Choir would be the best performing arts group to work with on this particular project based on both the group’s acumen and history.

    “In 2006, Robert Simpson brought Dave Brubeck to Houston [as a perfomer]. He was the first person to bring Dave back to Houston after almost 20 years [since his last visit],” Gottschalk said. “When I attended the concert, I also went to hang out with Dave and his wife Iola, whom I’d known in college since they were the parents of my friend Chris.”

    click to enlarge

    The concert is part of a multi-year collaboration that will result in fresh performances of Brubeck’s serious symphonic, chamber and sacred vocal works that have not been originally recorded by the artist.

    Photo by Jeff Grass Photography

    That experience might have been where the seeds for the current project started, and it was one Simpson was excited to share with the Houston Chamber Choir audience.

    “We are honored to have been asked to participate in this concert which will also result in a recording. We all know Dave Brubeck’s great instrumental works like ‘Take Five’ and ‘Blue Rondo à la Turk,’ but lyrics [have been added] to these pieces, and that adds to the excitement and complexity,” Simpson said. “Dave’s career spans both classical and secular music, and so we’re going to be representing his sacred music with a beautiful piece called ‘Forty Days’ which is the story of Jesus in the desert for 40 days and 40 nights, and then we’re going to be exploring ‘The Desert and the Parched Land,’ which is another piece that people may not know that has a religious element to it.”

    Simpson also offers that the instrumental music will also have a presence on the set list as well as pieces that show off Brubeck’s gift for melody and counterpoint. Brubeck’s “Are You Now Or Have You Ever Been,’ which is a phrase that was picked up during the Red Scare of the 50s in the McCarthy era, will also be performed.

    “It’s going to be extraordinarily rich concert and fantastic way to end the season using all of the musical skills and abilities to bring jazz alive that the Houston Chamber Choir has developed over the years,” Simpson said.

    Lago Vista Community Concerts Foundation and Houston Chamber Choir will present Brubeck! A Celebration at 7:30 p.m. Saturday, June 1 at Stude Concert Hall. The concert hall is located in Alice Pratt Brown Hall on Stadium Road on the Rice University campus, 6100 Main. Campus Entrance No. 8 on University Boulevard is closest to the venue. For tickets or information, visit houstonchamberchoir.org/Brubeck. $10 – $45.

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    Sam Byrd

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  • Houston Chamber Choir Explores Religious Exile

    Houston Chamber Choir Explores Religious Exile

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    This weekend the Houston Chamber Choir will take a look at a phenomenon that many people have experienced: departing their religion. Mass in Exile is a deeply moving new work for chorus and orchestra by composer Mark Buller and librettist Leah Lax, whose previous collaborations include “Overboard,” commissioned by Houston Grand Opera.

    In Mass in Exile, composer and librettist embark on a gripping, personal exploration of their strict religious pasts. Together, they glimpse the possibility of a different kind of faith within an ailing world. The performance takes place at 7:30 p.m. Saturday at South Main Baptist Church.

    “It is in the general form of a mass,” said Robert Simpson, founder and artistic director of the Houston Chamber Choir. “Mark uses the Gregorian chants for the credo and for the Benedict to set the Gloria. The piece launches into an amazingly personal investigation and exploration of similar experiences that Leah and Mark experienced in common but under very different circumstances.”

    Buller grew up in a conservative Christian sect, whereas Lax was raised in a strict Orthodox Jewish sect, which they both found to be restrictive. Their histories serve as the backdrop for this piece.

    “They broke away, and each found that they were called to move beyond,” Simpson described of the musical duo’s background. “They found that they were chained by these religious practices, and they had the great courage and strength to find their own path to God and for the first time experience the love of God.”

    Mass in Exile traces the experiences that Buller and Lax had in going from the enslaved yet dutiful religious environment to an experience of freedom, wholeness and joy, where they were actually able to become the people that God had intended, he said.

    “The first chord that the choir sings is the word ‘mercy,’ but it is sung fortissimo, and it is screeched,” Simpson said. “It is almost like an expletive, that word is sung in a way that conveys pain, anguish and agony, and yet it’s the word ‘mercy’ and ‘peace.’ Then, little by little, the piece explores how mercy is conveyed.

    University of Houston Professor of Voice Timothy Jones will perform as the baritone soloist for “Mass in Exile.”

    This journey from darkness to light is a common kind of arc, but in a very specific fashion.

    “The audience will find that all of us in more or less dramatic fashions have had to fight to be our true selves at one point or another in our lives,” Simpson said. “I think everyone in the audience, and certainly the musicians and I, have identified with this search for our true selves, and I find it a very remarkable and moving piece.”

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    The voices of Houston Chamber Choir will soar this weekend.

    Photo by Jeff Grass

    The concert will also feature Overboard” as well as “The Passion of St. Cecilia.”

    “Overboard” is an acapella work, and it describes life on the shipboard and the way the sailors reacted to a battle that ultimately sank their ship. In the first movement, 30 percent of the crew survived the attack, were picked up by Japanese vessels and taken as prisoners of war. The second movement talks about the experiences of the prisoners, and the third movement is a recitation of some of the names from those lost on the ships.

    “[The third movement] is sung in this gorgeous tribute with the Navy hymn being sung by a small group of singers over the recitation of these names that are sung in clusters, and then a tolling of a bell at the very end. It is just a spine-tingling piece,” Simpson said.

    “The Passion of St. Cecilia,” named after the patron saint of music and musicians, was commissioned by Houston Chamber Choir during its 25th anniversary season.


    “Her history is wrapped in legend and folklore, but basically St. Cecilia was the daughter of a noble person and was about to be married to someone she didn’t love. She had a religious conviction that she’d give her life to God, and when it turns out she was being married, she found herself protected by an angel that appeared. The story was that her husband didn’t see the angel, and he sent them off on a trek where he becomes enlightened enough to see the angel, and they become martyred together,” Simpson said in a 2021 interview with the Houston Press when the piece debuted.

    While the three pieces tell the harsh truths and experiences people have encountered in various fashions, they all culminate with a path toward hope and completeness. It’s a roller coaster ride that Simpson hopes will inspire people, even in the darkest of times.

    “There’s three very emotionally charged pieces, and so I hope that people will come out feeling as if they have been uplifted,” Simpson said.

    Houston Chamber Choir will present Mass in Exile at 7:30 p.m. Saturday at South Main Baptist Church, 4100 Main. For tickets or information, call 713-224-5566 or visit houstonchamberchoir.org. $25 – $45. Livestream tickets are available for $25.

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    Sam Byrd

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