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Tag: Hollywood

  • Disney’s Once-Unstoppable Franchises Are Showing Signs of Fatigue

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    The Mandalorian & Grogu at Celebration Stage during Star Wars Celebration Japan Day 1 on April 18, 2025, in Chiba, Japan. Christopher Jue/Getty Images for Disney

    There’s a scene in director Rian Johnson’s still volcanically polarizing Star Wars: The Last Jedi where protagonist Rey is confronted by her own reflection in a Force-swirling cave on the mystical planet Ach-To. In Johnson’s own words, the scene is designed so that Rey sees “who she has to connect with and answer to is herself.” Nearly a decade later, that sentiment has expanded beyond the psyche of the franchise’s characters to encapsulate the very owner of the property itself: The Walt Disney Company

    In an ideal world, the recently released first teaser for 2026’s The Mandalorian & Grogu, the first Star Wars theatrical film since 2019, would lay the groundwork for a new era of creative blockbusters set in a galaxy far, far away. But instead, the multi-parsec-long laundry list of scrapped projects that precede it serves as a microcosm for Disney’s recent over-reliance on recycling the hits. Across the Magic Kingdom’s war chest of blockbuster intellectual property, major franchises are showing clear signs of fatigue. Repurposing a hit TV series for the big screen may work well for The Mandalorian & Grogu. But the move highlights a bigger issue facing Disney, despite its success, and the industry at large: the difficulty in sustaining long-running brand quality with fresh and urgent big-screen storytelling in an era of growing audience apathy. 

    Disney’s franchise fatigue

    The problem with repeatedly retreating to the perceived safety of a known commodity is the inevitability of diminishing returns. 

    Ever since 2019’s The Rise of Skywalker arrived to global disappointment, Star Wars has been confined to its own corner of Disney+ as a purely small-screen series. While that helped drive rapid subscription growth for the Mouse House’s fledgling streamer over the years, the strategy has undoubtedly hit a wall. 

    First seasons of Ahsoka (67.8 million), The Acolyte (29.7 million) and Skeleton Crew (5.8 million) delivered far fewer U.S. viewing hours than earlier series premiere seasons like The Book of Boba Fett (79.1 million), Andor (77.4 million) and Obi-Wan Kenobi (76.4 million), according to Nielsen data and analyst Entertainment Strategy Guy. Even flagship series The Mandalorian, the launching pad for this upcoming spin-off movie, saw its third season drop roughly 10 percent in Nielsen viewership from Season 2 while also experiencing a dip in audience demand, per Parrot Analytics. Even more existentially threatening is the possibility that audiences might feel less urgent theatrical intent for the Star Wars brand after roughly 15 TV series. 

    And it’s not just Star Wars that is struggling to match prior levels of enthusiasm. Disappointing box office results for recent Marvel Cinematic Universe entries Captain America: Brave New World and Thunderbolts* reflect tepid audience interest in lesser-known characters. The further down the franchise reaches into its bench of names, the harder it is to strike up general recognizability. 

    The surprisingly poor legs for The Fantastic Four: First Steps (2.3x domestic multiplier) raise serious doubts about the X-Men reboot’s ability to course correct (Deadpool & Wolverine notwithstanding). Greenlight Analytics, where I work as Director of Insights & Content Strategy, shows that MCU intent conversion—how effectively the franchise converts audience awareness into theatrical interest—has steadily declined since 2022. On the small screen, Daredevil: Born Again failed to make the Nielsen streaming charts this year, while Ironheart also disappointed commercially. 

    The struggles across Walt Disney Animation and Pixar—Wish, Strange World, Lightyear, and Elio all flopped—further illuminate the clear pattern of vulnerability across Disney’s major IP pillars. Despite ranking second in box office market share so far this year, Disney’s streaming services account for less than 5 percent of monthly TV usage, per Nielsen. There exists a disconnect between mediums. 

    Beyond Star Wars and Marvel

    Though we’ll heed LL Cool J’s advice and not call it a comeback, Disney has recovered from cold streaks in the past. The studio enjoyed an animated renaissance across the late 1980s and 1990s by striking gold with The Little Mermaid, Aladdin, The Lion King and more. And, of course, Bob Iger’s first tenure as CEO was defined by his industry-shifting acquisitions that brought Pixar, Marvel and Lucasfilm into the fold in the first place. But outside of Marvel and Star Wars, Disney has not produced a live-action, no-doubt-about-it big-screen hit franchise since Pirates of the Caribbean

    To Disney’s credit, the studio has tried to address this. But The Sorcerer’s Apprentice, John Carter, The Prince of Persia, The Lone Ranger, The BFG, Tomorrowland and A Wrinkle in Time all bombed while more recent-ish attempts such as Artemis Fowl, Mulan and Jungle Cruise were stunted by pandemic headwinds, creative issues or both. On streaming, only Percy Jackson has emerged as a breakout live-action hit beyond Star Wars/Marvel. 

    The hope was that the acquisition of Fox’s properties would help fill in some of these gaps. Yet Avatar, for as monstrously lucrative as it is at the box office, endures long stretches between releases and has no franchise extension beyond the films and its attraction at Disney World (which is admittedly pretty damn cool). Kingdom of the Planet of the Apes ($397 million) was the lowest-grossing entry in the franchise since Tim Burton and Mark Wahlberg’s 2001 debacle. We’ll see how Predator: Badlands performs in November after the franchise was relegated to streaming for recent releases. And while Alien Romulus ($351 million) breathed new life into the franchise—likely buoying the successful FX/Hulu series Alien: Earth—Disney can’t count on subsequent films scoring more than $110 million from the unreliable Chinese market. 

    What’s the next big thing?

    Disney is reportedly seeking out original concepts to appeal to Gen Z men (18-28), including “splashy global adventures and treasure hunts, as well as seasonal fare like films for the Halloween corridor.” At the very least, this signals a self-awareness that trotting out various versions of the same IP over and over again cannot efficiently power Disney’s famous flywheel forever. 

    Following the success of Five Nights at Freddy’s and A Minecraft Movie, it’s difficult to see how Disney’s 10 percent ownership stake in video game company Epic Games doesn’t result in a Fortnite movie in the near future. Next year will see the studio release a new Sam Raimi horror film, an original Pixar concept and a sci-fi apocalyptic thriller from 20th Century to pair along with more expected releases such as The Mandalorian & Grogu, Avengers: Doomsday, Toy Story 5, the live-action Moana and Ice Age 6

    The latter group will undoubtedly bring in big numbers at the box office. But it also exposes how Disney’s foundation is built on decades-old stories. Fatigue is real, and competitors are catching up. Can Disney revitalize its creative pipeline with updated takes before the old reliables dry out? We’ll soon find out.

    Disney’s Once-Unstoppable Franchises Are Showing Signs of Fatigue

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    Brandon Katz

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  • Justice for Amie Harwick

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    Justice for Amie Harwick – CBS News










































    Watch CBS News



    Amie Harwick’s roommate speaks out about trying to save her and helping to convict her killer. “48 Hours” correspondent Erin Moriarty reports.

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  • UK woman killed in Hollywood had filed for legal protection from murder suspect

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    June Bunyan, a woman from the U.K. who was found dead inside her Hollywood apartment, had previously filed for legal protection from her then-partner, Jonathan Renteria, NBC4 has learned.

    On Dec. 29, 2023, Bunyan filed a request for a restraining order against then 23-year-old Jonathan Renteria, alleging acts of domestic violence.

    In her request for the restraining order, Bunyan reported that the couple had either a current or previous dating relationship and had lived with the person as a family.

    The filing stemmed from an incident two days prior, on Dec. 27, in which Bunyan reported her neighbor had heard or seen happen.

    Bunyan reported, “Jonathan attended my property to collect items. When talking outside, he became aggressive and verbally abusive. He made derogatory comments about my appearance. He made false allegations and said he intended to ruin my life… told me he wished I was dead and that I deserved to suffer.” Bunyan claims Renteria also made threats regarding her immigration status.

    Four days prior, Bunyan reported that he had made threats to ruin her work and had deleted contacts and messages from her phone.

    She also included a handwritten note to the judge overseeing the case that described Renteria as her ex-partner who had recently displayed erratic behavior.

    Renteria filed a response to the restraining order request on Jan. 17, 2024, in which he said he did not agree with the requested order.

    A woman was found dead and dismembered in an apartment in Hollywood. Lauren Coronado reports for the NBC4 News at 6 a.m. on Sept. 26, 2025.

    Renteria reported that after the initial request was filed by Bunyan, she contacted him and asked to speak with him in person.

    “As of Jan. 17, 2024, I spoke to the other party and they said they want to speak to me in person, and that they no longer wish to pursue a restraining order,” Renteria wrote in his court filing.

    Renteria also included screenshots of several messages reportedly written by Bunyan between the couple that appear to show a change of heart.

    The emails and text messages include affectionate conversations, including “you’re an absolute blessing in my life and since I’ve met you, I’ve slowly but surely watched my world become a happier place,” and “Like I said, I would still see you for sex but that’s all because I need to. work on myself for a while. You should too.”

    There was a hearing scheduled for Jan. 22, 2024, before a judge to rule on the validity and potential implementation of a restraining order; however, Bunyan failed to appear, so the judge dismissed the request.

    “Based on petitioner’s failure to appear, the request for a restraining order is dismissed without prejudice for lack of prosecution,” says Judge Jannet Perez Santiso in an order filed Jan 22.

    Bunyan, 37, an aspiring lawyer and U.K. national, was found dead on Sept. 11 inside a residence in Hollywood, according to the Los Angeles Police Department (LAPD).

    The Ventura County Sheriff’s Department tipped the LAPD about the possible death investigation after it responded to an attempted suicide call in Newbury Park. There, Ventura County investigators discovered a male with wrist injuries at a motel and a note that stated he had killed his wife, according to the LAPD.

    LAPD officers responded to a call of a smell of decomposing flesh and once inside “observed limbs in a plastic bag,” in the apartment complex on Franklin Avenue. LAPD told NBC4 Investigates it believes she was murdered on Sept. 4, days before she was discovered.

    Renteria, 25, was arrested and booked into county jail on suspicion of murder, according to a complaint filed with the Los Angeles County DA’s Office.

    NBCLA editor Missael Soto contributed to this report.

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    Bill Feather

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  • History has been renewed at the Lansdowne Theater

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    Friday, September 26, 2025 2:17PM

    History has been renewed at the Lansdowne Theater

    History has been renewed at the Lansdowne Theater. Shuttered for nearly 40 years, the near-century-old space has been restored to its former glory.

    Lansdowne, Pa. — History has been renewed at the Lansdowne Theater. Shuttered for nearly 40 years, the near-century-old space has been restored to its former glory.
    The theater original opened in 1927. An electrical fire caused it to close in 1987. After years of sitting empty the space got new life with a restoration project that took nearly 20 years.
    Lansdowne Theater is on the historic register. A blast from the past that remains one of the few theaters from the Hollywood movie era of the 1920s.
    The restoration project recreated the original theaters grandeur using images from the theaters former life to imitate the original stage curtain, the decore on the seats and lights that line the walls. Original items include the centerpiece chandelier and the neon clock on the front wall. And you can’t miss the marquee that welcomes guests to the new home for entertainment in Delaware County.
    The former movie house is now a live stage for music, comedy and community events.

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    CCG

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  • Leonardo DiCaprio’s First Agent Told Him to Change His Name to “Lenny Williams”

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    There is a parallel universe where the star of Titanic is named “Lenny Williams.” As luck would have it, Leonardo DiCaprio remained Leonardo DiCaprio instead.

    He told the story on Travis and Jason Kelce’s New Heights podcast. “I finally got an agent. They said, ‘Your name is too ethnic.’ I go, ‘What do you mean? It’s Leonardo DiCaprio?’ They go, ‘No, too ethnic.’” The agent said that if DiCaprio didn’t change his name, “They’ll never hire you.”

    The agent’s response was imaginative: turn Leonardo’s middle name, Wilhelm, into “Williams,” and tack on a “Lenny” in front of it. Lenny Williams was ready for Hollywood. But Leo’s father, George DiCaprio, of Italian and German descent, wasn’t having it. “My saw his photo, ripped it up, and he said, ‘Over my dead body,’” DiCaprio said.

    He was joined on the podcast by his One Battle After Another co-star Benicio Del Toro, who received the same “advice” early in his career. “They wanted to call me Benny Dell,” said the The Usual Suspects actor, now 58. At that point Jason Kelce joked, “This podcast would not be the same with Lenny Williams and Benny Dell.”

    DiCaprio recalled other episodes from his early days as well. “There were these acting agents that that would line you up like cattle,” he said. “It was like yes, yes, no—and they look at me, no, and then a yes, yes, yes.” Today, he thinks it had to do with his look at the time. “I was a breakdancer. I’d breakdance for like money on the streets sometimes, with the step haircut.”

    “I remember saying to my dad, this is horrible,” DiCaprio added. “I went back and they did it again.”

    In the end, getting a few doors closed in his face didn’t keep him from becoming one of the world’s most respected actors. As Jason Kelce pointed out: “This is a holy shit for those agents. Those agents are probably now like, ‘What the fuck were we thinking?’”

    DiCaprio’s career started early. He landed his first TV commercial, for Matchbox toy cars, at age 14. In the early 1990s, his roles in the sitcom Growing Pains and the film This Boy’s Life made him a rising star. Looks like he didn’t need to become Lenny Williams after all.

    Originally published in Vanity Fair Italy.

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    Monica Coviello

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  • Dawson’s Creek Costars Joshua Jackson and Katie Holmes Still Have Chemistry

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    “Despite all my efforts I won’t be able to be there. I won’t be able to get up on that stage and thank each and every person in the theater for joining me in my fight against cancer, when I needed it most.” With these words, James Van Der Beek—who is battling colorectal cancer—announced that he would not be able to attend the long-awaited reunion of the cast of Dawson’s Creek, the series that made its stars famous. Instead, the actor made a surprise appearance at the reunion, which took place at New York’s Richard Rodgers Theatre, via an emotional video.

    But Van Der Beek’s absence was not the only headline that came out of the reunion. During the event, Dawson costars Joshua Jackson and Katie Holmes appeared very friendly. Both are currently immersed in the filming of Happy Hours, a movie written and directed by Holmes herself, and photographs taken during the filming sessions have already sparked rumors of a possible romance between the actors.

    Van der Beek’s wife, film producer Kimberly Van Der Beek, attended the reunion, along with the couple’s six children. The family took the stage to sing the series’s well-known theme song of. She shared an image on her social media posing with Williams, Holmes and Busy Philipps. “Meeting these women has been a bittersweet experience. They are magical, kind, talented, sincere and …. sacred. I missed my partner so much but the support and love has healed me deeply,” wrote the producer.

    The capstone to the evening was a video sent by Steven Spielberg, whom the character of Dawson idolizes. “Dawson, you did it. Maybe someday I can have a closet like Dawson’s,” the director said.

    Originally appeared in Vanity Fair Spain.

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    Marita Alonso

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  • Leonardo DiCaprio Is Now In His “The Dude” Era

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    A middle-aged man, wild-eyed and stoned, dives into a beat-up car and fumbles with the ignition, stomping the gas to a soundtrack of squealing tires as he slams the driver’s side door shut while already in motion. His chin-length hair is naturally wavy, or hasn’t seen the right side of a showerhead in a number of days, or maybe both. He’s wrapped in a bathrobe, indoor clothes in a decidedly outdoor environment, and he seems decidedly not up to the dangerous task at hand.

    Am I describing Leonardo DiCaprio in the new Paul Thomas Anderson-directed One Battle After Another, or Jeff Bridges as the indelible The Dude in The Big Lebowski? Trick question—it’s both of them.

    On the surface, the two movies, released more than a quarter-century apart, may not seem to share much DNA: In One Battle, DiCaprio plays Bob, an ex-revolutionary in hiding, forced off his shabby couch and into the line of fire for the sake of his teenage daughter. In Lebowski, Bridges as The Dude is first out to avenge his pissed-upon rug, then gets swept up, along with his bowling league buddies, in what science would categorize as absolute shenanigans. However, both movies trace the journeys of men (and their jaunty hair accessories) living outside of polite society, forced into action in pursuit of something they hold personally dear (when a rug ties the room together like that, that’s not something you should let go of without a fight), accompanied by an unlikely sidekick with a set of wheels and deep roots in spirituality (John Goodman’s Walter, begrudgingly driving on shabbos, which is certainly not what his buddies in Nam died for, and Benicio del Toro’s delightful Sensei Sergio, always ready with a few road beers and a few grounding words in times of crisis).

    But beyond filmic similarities, perhaps Bridges’ career arc can act as something of a roadmap for DiCaprio, with The Dude and Bob, respectively, serving as iconic nexus roles for the two.

    Please join me in welcoming Leo to his Dude Era, perhaps the first step to his installment as a respected elder statesman in the leading man club.DiCaprio is currently 50 years old. He’s been on our screens for decades: Just a year before The Big Lebowski’s release, his turn in Titanic had moviegoers the world over contemplating the measurements and buoyancy of wooden doors and experiencing swooning episodes when faced with grand staircases, no matter who was waiting at the top. He’s spent years as a certified leading man, doing the Suit Guy thing in Catch Me If You Can and The Aviator. With Inception, he added twisty psychological intrigue to the mix, pinned it to those lapels, and then in The Revenant he slept in a bear and finally got an Oscar.

    Now, it’s time for a new phase of stardom, one with no trace of the Teen Beat heartthrob of yore. No matter what physical shape he’s in, DiCaprio’s characters now have a sense of slight psychic paunchiness, even if they don’t physically have a gut. They are wizened. They might be dads. They’re whiskery. They are, increasingly, at least a little bit unhinged, whether as Don’t Look Up’s astronomy professor-turned-political sellout or One Battle’s perpetually stoned ex-guerilla fighter, or, again…The Revenant.

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    Kase Wickman

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  • Ailing James Van Der Beek Shares Surprise Message at ‘Dawson’s Creek’ Reunion

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    On Monday, September 22, the cast of the ’90s teen-drama series Dawson’s Creek reunited—with one notable exception. James Van Der Beek, who starred as the titular Dawson Leery and was diagnosed with stage 3 colorectal cancer in the summer of 2023, had to drop out of the event due to “two stomach viruses,” as he wrote in an Instagram post. “Despite every effort…I won’t get to be there,” he wrote. “I won’t get to stand on that stage and thank every soul in the theater for showing up for me, and against cancer, when I needed it most.”

    The reunion saw Lin-Manuel Miranda step in for Van Der Beek, reading the pilot for the series with series stars Michelle Williams, Katie Holmes, Joshua Jackson, and Busy Phillips. The event was held at the Richard Rodgers Theatre—home of Hamilton—as a one-night only charity event in partnership with F Cancer. (Williams is also married to Tony winner Thomas Kail, who directed Hamilton.)

    Although he wasn’t able to attend in person, Van Der Beek did make a surprise virtual appearance. Wearing a newsboy cap, white T-shirt, and brown jacket, a visibly thinner Van Der Beek addressed the audience in a prerecorded message. “I’ve been looking forward to this night for months and months ever since my angel Michelle Williams said she was putting it together,” began Van Der Beek. “I can’t believe I’m not there. I can’t believe I don’t get to hug my castmates, my beautiful cast in person.”

    Dawson’s alum Jason Moore directed the event, which was produced by Williams, Kail, Moore, Carl Ogawa, Maggie Brohn, Kevin Williamson, and Greg Berlanti.

    “I wanted to stand on that stage and thank every single person in this theater for being here tonight,” Van Der Beek continued. “From the cast to the crew to everybody who’s donated time and been so generous, and especially every single last one of you—you are the best fans in the world.”

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    Marzia Nicolini

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  • ‘Jimmy Kimmel Live!’ is returning to air: Celebs, politicians and more react

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    On Monday, it was announced that less than a week after “Jimmy Kimmel Live!” was indefinitely suspended by ABC, the network has agreed to bring the show back, beginning Tuesday, Sept. 23. Naturally, politicians and celebrities are hopping on social media (and even late night shows) to weigh in on the turn of events.

    “It’s always nice to start the show with some good news,” Stephen Colbert began his monologue on “The Late Show” Monday night.

    “Well, just a few hours before we taped this broadcast, we got word that our long national late night-mare is over, because Disney announced that Jimmy Kimmel Live will return to air on ABC! Wonderful news for my dear friend Jimmy and his amazing staff. I’m so happy for them, plus, now that Jimmy’s not being canceled, I get to enjoy this again,” he said, grabbing the Emmy award he nabbed this month. “Once more, I am the only martyr in late night, unless CBS—you want to announce anything?”

    Last week, Nexstar Media Group Inc. announced it was nixing “Jimmy Kimmel Live!” from its ABC affiliate stations for the “foreseeable future” after Federal Communications Commission Chair Brendan Carr implied the FCC would take regulatory action in response to Kimmel’s remarks in the wake of Charlie Kirk’s death.

    The suspension was met with mixed reviews. While some cheered the swift action against Kimmel, others showed up in large numbers to protest outside the studio where “Jimmy Kimmel Live!” is broadcast, as well as Disney Studios in Burbank and Disneyland in Anaheim. Others took to social media to announce they were boycotting ABC and canceling their Disney+ and Hulu subscriptions. Many public figures voiced their support for Kimmel and his staff, with over 400 actors, musicians and directors signing an open letter with the ACLU calling out the decision to pull Kimmel’s show from the air as a violation of the First Amendment.

    After several days of meetings and negotiations with Disney executives, it was announced on Monday that “Jimmy Kimmel Live!” would return on Tuesday.

    “Last Wednesday, we made the decision to suspend production on the show to avoid further inflaming a tense situation at an emotional moment for our country. It is a decision we made because we felt some of the comments were ill-timed and thus insensitive,” a statement from Disney read. “We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday.”

    In response to the news that Kimmel will return to ABC, celebrities, politicians and more took to social media to share their thoughts.

    Many denounced the return of “Jimmy Kimmel Live!”, citing an imbalance in right versus left cancel culture.

    Former Fox News host Megyn Kelly wrote, “Must be nice to be a leftist. ‘Cancellation’ lasts 5 nights and you’re right back under klieg lights. On the right you’re underground.” When the show had first been taken off the air, Kelly had commented on social media, “Just think for a minute about the amount of IRATE mail/viewer feedback they must have gotten to do this.”

    Actor Rob Schneider posted on X, “I just found out that ABC/Disney is ALSO Bringing back ROSEANNE BARR for HER tv show!! Just kidding! ABC/Disney would NEVER bring back a conservative?! . . . “

    And Ann Coulter also added her two cents, posting on X, “ABC execs prove they are NOT cowards by caving in 10 seconds to left-wing pressure.”

    On the flipside, Luke Skywalker himself (Mark Hamill) shared an image on BlueSky that Kimmel was back with the caption, “Meltdown on “Truth” Social in 5… 4… 3… 2…”

    Meltdown on “Truth” Social in 5… 4… 3… 2…

    Mark Hamill (@markhamillofficial.bsky.social) 2025-09-22T19:55:31.606Z

    Comedian Ellen DeGeneres shared the headline from Deadline about Kimmel’s return, noting in her caption that she couldn’t wait to hear Kimmel’s monologue on Tuesday.

    California Gov. Gavin Newsom quoted a post from Dylan Byers, a Senior Correspondent at Puck, who shared the news. Newsom added his response, “Thank you to everyone but @BrendanCarrFCC. This is a win for free speech everywhere.”

    Celebrities who’d appeared on “Jimmy Kimmel Live!” also weighed in.

    Actor John Stamos shared two images of himself appearing on Kimmel’s show on Instagram, including one when he appeared alongside comedian Don Rickles. “Comedy has always pushed boundaries, but I wonder how someone like Don would navigate the world today – where every word is weighed, replayed, and judged in real time,” wrote Stamos in the caption. “What I do know is that he made people laugh, and laughter is something we could all use a little more of right now.”

    Actor Patton Oswalt shared an image of the headline of Kimmel’s return as well as a video of him appearing on the show, riding a horse onto the stage with the caption “Hark! I bring good news!”

    Star of the ABC hit “Scandal,” Kerry Washington, posted on Threads, “Jimmy Kimmel LIVEs on!!! Grateful to everyone who spoke UP. Welcome back friend.”

    And Democratic Senate Minority Leader Chuck Schumer also weighed in, posting, “This is about fighting for free speech and against these abuses by Donald Trump and Brendan Carr.”

    Andrew Kolvet, a spokesperson for Turning Point USA, the organization founded by Charlie Kirk, shared on X, “Disney and ABC caving and allowing Kimmel back on the air is not surprising, but it’s their mistake to make. Nextstar and Sinclair do not have to make the same choice.”

    As of Monday afternoon, Sinclair announced that when “Jimmy Kimmel Live!” returns to ABC on Tuesday, they will not be airing it on their affiliate stations. Instead, the broadcaster will use the time slot to air local news. In their original press release on Sept. 17, they stated that the suspension was “not enough,” calling on Kimmel to “issue a direct apology to the Kirk family” and “make a meaningful personal donation to the Kirk Family and Turning Point USA.”

    The group had previously announced that they would be airing a Charlie Kirk memorial special in Kimmel’s timeslot on Friday, Sept. 19, but their ABC affiliates instead broadcast a rerun of ‘Celebrity Family Feud.’

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    Carolyn Burt

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  • Jimmy Kimmel celebrated Hollywood Boulevard’s wacky character. Locals fear life without him

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    Spider-Man and a Hollywood tour guide were having it out.

    They stood right outside Jimmy Kimmel’s studio on Hollywood Boulevard, arguing about whether ABC was right to yank the host’s TV show off the air last week after he commented on the political response to right-wing activist Charlie Kirk’s killing.

    “I like Kimmel!” said the Spider-Man impersonator, who wore pink Nike sneakers and leaned in close so he could hear through his thin, face-covering costume. “What he said is free speech.”

    A tour bus drives past what was Jimmy Kimmel’s studio on Hollywood Boulevard on Sept. 18, 2025.

    (Genaro Molina/Los Angeles Times)

    Todd Doten, a tour agent for Beverly Hills Tours of Hollywood, pushed back. He said he believed broadcasters are held to a different standard than private citizens, and that the Federal Communications Commission — which pushed to get Kimmel’s show canceled — “has somewhat of a point.”

    The men verbally sparred beside singer Little Richard’s cracked star on the Walk of Fame. Then Doten patted the selfie-hawking superhero on the back and they parted ways amicably.

    The scene on Friday afternoon captured the Hollywood that Kimmel embraced and aggressively promoted: Weird, gritty and surprisingly poignant.

    Ever since he began filming at the El Capitan Entertainment Centre in 2003, Kimmel has been one of the famed neighborhood’s biggest ambassadors. He drew tourists to the storied Hollywood Boulevard, which — despite being home to the Academy Awards, TCL Chinese Theatre and the Walk of Fame — has long struggled with crime, homelessness and blight. He used his celebrity to help homeless youth and opened a donation center on his show’s backlot for victims of the January wildfires.

    And he filmed many a sketch with Hollywood itself as the bizarro backdrop — including one returning bit called “Who’s High?” in which he tried to guess which of three pedestrians was stoned.

    People protest in front of the Jimmy Kimmel Theater a day after ABC pulled the late-night host off air.

    Protesters in front of Jimmy Kimmel’s theater a day after ABC pulled the late-night host off air indefinitely over comments he made about the response to right-wing influencer Charlie Kirk’s death.

    (Genaro Molina/Los Angeles Times)

    Now, locals and entertainment industry officials alike worry what will happen if Kimmel’s show permanently disappears from a Hollywood still struggling to recover from the writers’ and actors’ strikes of 2023 and the COVID-19 pandemic that literally shut the neighborhood down. While his suspension has sparked a roiling debate over free speech rights nationwide, in this neighborhood, the impact is more close to home.

    “A hostile act toward Jimmy Kimmel is a hostile act toward Hollywood itself and one of its great champions,” former Los Angeles Mayor Eric Garcetti told The Times on Friday.

    “Hollywood is both a place and an idea. It’s an industry and a geography. Jimmy is always big on both. He actually lives in Hollywood, at a time when not a lot of stars do.”

    Miguel Aguilar, a fruit vendor who often sets up near Kimmel’s theater, said Friday that business was always better on the days “Jimmy Kimmel Live!” filmed because so many audience members bought his strawberries and pineapples doused in chamoy. He was stunned when a Times reporter told him the show had been suspended.

    “Was it canceled by the government?” Aguilar asked. “We used to get a lot more customers [from the show]. That’s pretty scary.”

    A man holding a sign advertising at a nearby diner said he worried about Kimmel’s crew, including the gaffers and makeup artists.

    “How many people went down with Kimmel?” he asked.

    And Daniel Gomez, who lives down the street, said he feared that nearby businesses will suffer from the loss of foot traffic from the show, for which audience members lined up all the way down the block.

    “Tourists still will come to Hollywood no matter what, but a portion of that won’t be coming anymore,” Gomez said as he signed a large canvas outside the theater on which scores of fans and free speech advocates wrote messages about the show being axed.

    People protest in front of the Jimmy Kimmel Theater.

    Protesters in front of Jimmy Kimmel’s theater in Hollywood.

    (Genaro Molina/Los Angeles Times)

    “It’s pretty bad that he got shut down because of his comments,” Gomez added. “Comedians should be free to say whatever they want.”

    In a joint statement, a coalition of Hollywood labor groups including the International Alliance of Theatrical Stage Employees and Screen Actors Guild–American Federation of Television and Radio Artists, said the kind of political pressure that Kimmel faced as a broadcaster “chills free speech and threatens the livelihoods of thousands of working Americans.”

    “At a time when America’s film and television industry is still struggling due to globalization and industry contraction, further unnecessary job losses only make a bad situation worse,” the statement read.

    During his monologue Monday, Kimmel made remarks about Tyler Robinson, the Utah man accused of fatally shooting Kirk. He said the “MAGA gang” was “desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.”

    Ingrid Salazar, center, protests outside of Jimmy Kimmel Live.

    Ingrid Salazar protests outside of the “Jimmy Kimmel Live!” studio on Thursday.

    (Juliana Yamada/Los Angeles Times)

    While Kimmel’s remarks could be interpreted in different ways, Kirk’s supporters immediately accused the talk show host of claiming Robinson was a Trump ally, which many of Kimmel’s supporters reject. Kimmel himself has not publicly responded.

    Kimmel also mocked President Trump for talking about the construction of a new White House ballroom after being asked how he was coping with the killing of his close ally.

    Nexstar Media Group responded on Wednesday, saying it would pull the show from its ABC affiliate stations because of Kimmel’s comments. Walt Disney Co., which owns ABC, then announced it would suspend “Jimmy Kimmel Live!” indefinitely.

    Nexstar’s decision to yank the show came after FCC Chairman Brendan Carr, a Trump appointee, threatened to take action against ABC and urged local ABC affiliate stations to stand up the network.

    “We can do this the easy way or the hard way,” Carr told right-wing podcast host Benny Johnson. “These companies can find ways to change conduct and take action, frankly, on Kimmel, or, you know, there’s going to be additional work for the FCC ahead.”

    Trump wrote on his Truth Social account: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED. Congratulations to ABC for finally having the courage to do what had to be done.”

    He also targeted late-night hosts Jimmy Fallon and Seth Meyers, calling them “total losers.” He pressured NBC to cancel their shows, writing: “Do it NBC!!!”

    The president this summer praised CBS’s decision to cancel “The Late Show With Stephen Colbert” after this season, writing on Truth Social on July 18: “I absolutely love that Colbert’ got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next.”

    Pedestrians walk across the street from the Jimmy Kimmel Theater.

    Pedestrians walk across the street from the “Jimmy Kimmel Live!” theater a day after ABC has pulled the late-night host off air indefinitely.

    (Genaro Molina/Los Angeles Times)

    While the show is in limbo, it is unclear what will happen to Kimmel’s iconic theater in the historic former Hollywood Masonic Temple, a neoclassical 1921 building fronted by six imposing columns.

    Disney owns the building, as well as the adjacent 1920s office building that contains the El Capitan Theatre and the Ghirardelli Soda Fountain and Chocolate Shop. Kimmel’s production company, 12:05 AM Productions, occupies four floors — 26,000 square feet — in the six-story office building, according to real estate data provider CoStar.

    Disney did not respond to a request for comment.

    Garcetti, who long represented Hollywood on the L.A. City Council, said Kimmel was a major advocate for renovation of the old Masonic lodge and other revitalization Hollywood projects.

    And after the Oscars returned for good to the Kodak Theatre (now Dolby Theatre) across the street in 2002 after several years outside of Hollywood, Kimmel “helped usher in what I call Hollywood’s second golden age, when the Academy Awards came back and people saw actual stars in nightclubs and restaurants,” Garcetti said.

    When Garcetti was showing off the city to officials with the International Olympic Committee years ago in an effort to host the Games, Kimmel met their helicopter on the roof of a Hollywood hotel to brag about the neighborhood.

    Jimmy Kimmel celebrates as he receives his star on the Hollywood Walk of Fame.

    Jimmy Kimmel, host and executive producer of the late-night talk show, “Jimmy Kimmel Live!” celebrates as he receives his star on the Hollywood Walk of Fame Jan. 25, 2013.

    (Reed Saxon/Associated Press)

    At the 2013 Hollywood Chamber of Commerce ceremony awarding Kimmel a star on the Hollywood Walk of Fame, Garcetti quipped: “When you came here to Hollywood Boulevard, this place was full of drug dealers and prostitutes, and you welcomed them with open arms.”

    Kimmel joked that his parents brought him to the Walk of Fame as a 10-year-old and left him there to fend for himself.

    “I’m getting emotional,” he said during the ceremony. “This is embarrassing. I feel like I’m speaking at my own funeral. This is ridiculous. People are going to pee on this star.”

    Kimmel’s star is by his theater, near the stars for rapper Snoop Dogg — and Donald Duck.

    On his show in May, pop star Miley Cyrus told Kimmel she developed a serious infection after filming on the Hollywood Walk of Fame last year, where she rolled around on the sidewalk. Part of her leg, she said, started to “disintegrate.”

    “Have you been to the Walk of Fame in the middle of the night?” she asked.

    “I live here,” Kimmel said.

    “I thought it was my last day,” Cyrus responded.

    Hundreds of protesters have gathered outside Kimmel’s theater in recent days, decrying the suspension of his show.

    The cancellation occurred right after Dianne Hall and Michael Talbur of Kansas City got tickets to a live taping of the show and traveled to Los Angeles. So, they attended a protest Thursday instead.

    Hall said she was expecting Kimmel’s monologue “to be something rude toward the [Kirk] family” but was surprised when she actually listened to it.

    “I kept thinking, ‘Surely something bad was said for him to get fired,’ ” Hall said. “But it was nothing like that.”

    Hollywood resident Ken Tullo said he’s “not a protesting type of guy, but enough’s enough” and he did not want his daughters to grow up with a fear of speaking freely.

    “The current administration cannot laugh at themselves,” Tullo said, “and they don’t want anybody else to laugh.”

    Times staff writer Roger Vincent contributed to this report.

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  • British star learns Minnesotan accent from Forest Lake woman for upcoming thriller

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    The Dead of Winter hits theaters Sept. 26, and audiences will see British actress Emma Thompson braving harsh temperatures, danger, and isolation in the Minnesota wilderness. Audiences will hear an unmistakable Midwestern accent — courtesy of a woman from Forest Lake.

    Tracy Dooley, a Minnesotan with no film credits or coaching experience, was asked by her nephew and co-writer of the film, Dalton Leeb, to help the Oscar-winning actress master the local accent.

    “I got involved in this film because of my nephew Dalton,” said Dooley. “He wanted her to talk like me.”

    The film, set in rural Minnesota was filmed in Finland. So getting the accent correct was important to Leeb and Co-writer Nicholas Jacobson-Larson.

    Leeb asked his aunt Dooley to send end voice clips to Thompson in pre-productions but that wasn’t quite enough. 

    “We Zoom called for three months and she just talked like me the whole time. It would be a couple hours at a time,” said Dooley.

    Dooley flattered and a little confused believes that her accent isn’t really an accent.

    “I don’t feel like I have an accent,” Dooley laughed while reflecting on her Minnesotan accent.

    While Dooley doesn’t appear in the film, her influence runs through every line Thompson delivers. During those zoom calls they got to know each other well.

    “I learned a lot about her life, where she was born,” said Dooley. “We talked about everything – whatever was going on in my life at that time.”

    Hours spent getting to know each other, and perfecting that Minnesotan accent. The two stay in contact even after the filming is all over.

    The Dead of Winter hits theaters next Friday, September 26.

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  • Odessa Young Has a Hungry Heart, and a Starring Role in the Springsteen Biopic

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    Ask Odessa Young what she does for a living and she might not say she’s an actor. Especially when she’s doing this: chatting with a journalist over breakfast at the sceney Sunset Tower. Young is makeup free, wearing a simple white T-shirt, comfortable black pants, and some deli-cate jewelry. She’s been curled up in a booth by the pool, soaking up her last few hours in Los Angeles before going back to set—where she’ll feel like a real actor again.

    Young has been acting professionally since she was 11 years old—and delivering daring work in art house dramas since her breakout performance in the bloody, provocative 2018 slasher Assassination Nation. “Odessa is fearless, gutsy, and raw,” says her Assassination costar Hari Nef. “She looks like an ingenue but doesn’t act like one. That contrast is magnetic.” Those projects have cast the native Australian opposite many of the internet’s current boyfriends, including Logan Lerman (in Shirley), Josh O’Connor (in Mothering Sunday), and Jacob Elordi (in The Narrow Road to the Deep North).

    Next she’s playing Jeremy Allen White’s muse in Springsteen: Deliver Me From Nowhere, out in October. As her first studio movie, it’s a major step up for Young—and a much bigger spotlight. “No longer an indie darling,” the 27-year-old says with a smirk.

    Bodysuit, bra, and tights by Valentino.Photo by Jonny Marlow.

    As a chameleonic actor, she’s a bit uneasy with the idea of potentially getting a lot of attention for this role. Young admits she’s still navigating what the film could mean for her career—but intends to keep taking measured steps, as she has from the start. “Nothing has ever happened quickly for me, and I think that’s for a very good reason,” she says. “It means that I have become more and more solidified in what I actually want.”

    The soundtrack to Young’s life is Bruce Springsteen. Though Young was raised in Sydney, her parents—her father is a musician and her mother is a writer—were big fans of The Boss. “When I listened to his music, I was hearing the story of my family,” she says. “So I had been completely and utterly obsessed with him for most of my life.”

    After some success on Australian TV shows and films, Young dropped out of her performing arts high school. She moved to Los Angeles two days after her 18th birthday, living with her agent’s coworker’s assistant. “I was really young, and I felt older than I could feel ever again in my life,” she says. With that naivete comes the sort of confidence that’s only possible when you’re 18. “I had metal skin. There was nothing touching me.” She spent a few years in Los Angeles before moving to New York, where she still lives. But wherever she goes, Springsteen comes along. “Give me a scenario, I’ll give you a song,” Young says when asked about his influence on her. At one of her lower points, she listened to “Drive All Night” on repeat—but Springsteen’s 1978 album Darkness on the Edge of Town is her favorite.

    When she heard that a Springsteen movie was in the works, Young told her agents to get her a role—any role at all. Though Young got an audition, she was pretty sure she botched the self-tape. “It’s corny, but there was nothing else that mattered in that moment,” she says.

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  • ‘We can go everywhere without going anywhere’: One Maryland production studio offers Hollywood magic – WTOP News

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    While you could to go to Hollywood to get movie studio production quality, creatives can now get the same experience in Prince George’s County, Maryland.

    The production facility, ideaPlexMD, is on a quiet street in the suburban area of Brentwood, Maryland.
    (WTOP/Luke Lukert)

    WTOP/Luke Lukert

    ideaPlexMD
    They built three separate podcast sets that can host a variety of shows, from the “Living Room” which Ronald Dixon described as, “A warm and cozy environment where you can do a two-person kind of interview.”
    (WTOP/Luke Lukert)

    WTOP/Luke Lukert

    Ronald Dixon
    Ronald Dixon, CEO and founder of ideaPlexMD, in front of the ideaPlexMD sign.
    (WTOP/Luke Lukert)

    WTOP/Luke Lukert

    This story is part of WTOP’s Small Business September coverage. Each week, WTOP will be highlighting small businesses across the D.C. region, along with financial, government and other organizations that help our small business community thrive.

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    A Md. production studio offers Hollywood magic

    While you may think you have to go to Hollywood, New York or even Atlanta to get movie studio production quality, creatives and businesses can now get the same experience in Prince George’s County, Maryland.

    The production facility, ideaPlexMD, is on a quiet street in the suburban area of Brentwood, Maryland, but when you walk through the door, they can make it look like you are anywhere, from a coffee shop to the National Mall to a haunted house. That is due to their state-of-the-art LED screen.

    “It’s really the digital version of a green screen, and when COVID hit, that’s when we really saw the shift starting to happen,” said Ronald Dixon, the CEO and founder of ideaPlexMD.

    While a green screen digitally imposes an image behind someone, the LED screen shows that image as cameras are rolling, capturing the people in front and the scene behind.

    Dixon pointed to the popular Star Wars universe show “The Mandalorian” as a pioneer in the technology, and now a version of that technology is available in the D.C. area.

    “The LED just gives us that flexibility. I like to say that we can go everywhere without going anywhere,” said Dixon, adding that set pieces can be added to make a seamless video.

    Recently, Dixon even brought in a cyber truck and another sports car for a music video in front of the screen for local rapper, Kevin Ross, shooting video with dancers and vehicles jumping from Japan to Thailand.

    “We can go out and source specific pieces,” said Dixon. “In Washington, what they want to have access to are the landmarks. So, we’ve already gone out and we’ve created the digital twin.”

    They have scenes of the U.S. Capitol, Washington Monument and Supreme Court already installed.

    “But then we could also go inside of a coffee shop, and we could shoot something in there. If that doesn’t work, we’ll find stock images. If that doesn’t work, we’ll use AI to create it. And so again, there’s no there’s no real limits. The LED allows us to be creative at the speed of thought,” Dixon added.

    Not only does it allow for hyper-realistic backdrops for documentaries, music videos, “talking head” content, business presentations and training videos and even films, it can speed up the time in which they can be filmed and cut down on the crew needed for tighter budgets.

    Dixon has been working in creative production for years, holding a smaller facility in D.C. before he was eventually priced out of the city. He spent months looking for a new space before deciding on the location in the Gateway Arts District of Brentwood.

    And Dixon opened, ideaPlexMD, the only minority-owned Virtual Production LED stage in Maryland, last month.

    In addition to the LED stage they have also built three separate podcast sets that can host a variety of shows, from the “Living Room” which Dixon described as, “A warm and cozy environment where you can do a two-person kind of interview,” to the “Hip Hop Set” which is the more traditional podcast set with a roundtable and multiple mics, decorations can be changed including what albums hang on the wall.

    They also have what looks like a traditional news studio with a two-person anchor desk, which can be branded and also use multiple cameras for different angles.

    “We’ll put it all together and make it work for clients,” said Dixon.

    Multiple textured backgrounds scatter the studio for headshots or product photography as well.

    Dixon said his creative studio is a perfect one-stop shop for all types, but said it can be especially valuable to businesses in the area that would like to make commercials, training videos or messages to the broader company but don’t want to invest in all the equipment themselves.

    “Executive directors coming in, and they’re looking to tell stories and they have their board members with them, and so we can double up while they’re here and we can do fresh new head shots, and someone’s down on this end of the building getting their testimonials done,” said Dixon.

    He said the focus is to tailor the experience to the client. For those with no technical experience, just an idea for the content they wish to create, Dixon said they have the “turnkey” model where all the facilities light, sound recording, cameras, editing can come with renting the space, but if someone just need to use the LED stage that is also an option.

    “We could be everything from corporate communications today to shooting, you know, a brand product launch and a new commercial tomorrow, and everything that fits in between,” said Dixon.

    Get breaking news and daily headlines delivered to your email inbox by signing up here.

    © 2025 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    Luke Lukert

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  • The Legendary Bromance of Robert Redford and Paul Newman

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    On Tuesday, September 16, Robert Redford, the legendary actor and Oscar-winning director of Ordinary People, died at the age of 89. Redford made his mark on Hollywood in films like All the President’s Men and by starting the iconic Sundance Film Festival. But Redford only got his big break when the late acting legend Paul Newman handpicked him to be his costar in the 1969 film Butch Cassidy and the Sundance Kid.

    Redford starred as Harry Longabaugh, a.k.a. the Sundance Kid, opposite Newman’s outlaw, Butch Cassidy. The film was a critical and commercial hit, winning four Oscars, including best screenplay and best song. The two actors would reunite four years later,  starring opposite each other in The Sting, which won eight Oscars in 1974.

    Newman reportedly fought for Redford when the studios were dreaming of a more established name. “The studio didn’t want me. I wasn’t as well-known as he was,” Redford said in an interview with ABC News in 2008, shortly after Newman’s death. “But he said, ‘I want to work with an actor,’ and that was very complimentary to me, because that’s, I think, how we both saw our profession—that acting was about craft, and we took it seriously, because we both came from the same background of theater in New York.”

    While Redford and Newman had similar backgrounds, that didn’t mean they were exactly alike.  On the set of The Sting, as producer Michael Phillips told The Hollywood Reporter, Redford was “chronically late.” Eventually, Phillips said, Newman, 11 years older than Redford, took the youngster to task. “One day, Newman tore him apart for it,” Phillips said. “Paul was the bigger star. And he said something like, ‘What are you—a movie star?’ Redford shrunk from it.”

    Robert Redford and Paul Newman in the Western Butch Cassidy and the Sundance Kid

    Screen Archives/Getty Images

    Paul Newman et Robert Redford dans L'Arnaque.

    Paul Newman and Robert Redford in The Sting

    Screen Archives/Getty Images

    The dressing-down may have only bonded the two actors further. In January 1975, Redford gave Newman a Porsche as a gift for his 50th birthday—but with a mischievous twist. “I started to get bored, because every time we got together, all he talked about was racing and cars,” Redford said in an interview at the John F. Kennedy Presidential Library in 2014. “So I decided to play a joke on him. I called a towing service and said, ‘Do you have any crushed automobiles? Do you have a Porsche?’” Redford had the crushed Porsche delivered to Newman’s home in Connecticut, wrapped in a bow.

    Redford didn’t immediately hear back from Newman after giving the gag gift. Weeks later, Redford found a big wooden box in his lobby, containing the remains of the sports car—now crushed into a cube. Redford called a sculptor he knew to transform the metal into a garden ornament and had it placed in Newman’s garden. The two actors reportedly never spoke about the prank.

    Redford and Newman eventually became neighbors in Connecticut, and spent a long time looking for a third film to make together. “It was hard because we didn’t want to duplicate anything,” Redford said. “But we also wanted to try to find a project that would still have the relationship they had in the other two. The first film we did, because I was young, I played a more dour character and Paul was the lively one. And then the next time out, on The Sting, he was the cool guy and I was the lively one. So we were looking for a third piece that would be different in terms of story but would have the same kind of characters.” Redford developed his 2015 film A Walk in the Woods as a project to reunite the two actors, but unfortunately, it wasn’t meant to be. Newman’s health declined before production could begin, and the role was eventually taken by Nick Nolte.

    Although they never found a third project, the two actors remained close until the end. Shortly before his death from lung cancer,  Newman sent Redford a letter that concluded: “You were the Sundance to my Cassidy—always.” “I’ve lost a true friend,” Redford said after Newman’s death. “My life, and this country, are better because of his presence.”

    This story originally appeared in VF France.

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    Eléa Guilleminault-Bauer

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  • Inside the War Over Jay-Z’s New York City Casino

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    Tens of billions of dollars, thousands of jobs, and quite possibly the fate of New York’s most iconic industry and most awful tourist trap were all at stake. But the closing days of a yearslong fight over whether to build a casino in Times Square seemed to revolve around one man: Jay-Z.

    You could see it over the summer, when Al Sharpton headlined a rally just south of Times Square’s iconic red steps. “Say yes time! Yes time! In Times Square! Times Square! Jay-Z! Jay-Z!” he shouted. You could see it last week at the Broadhurst Theatre on 44th Street, the site of a final public hearing on the casino before a do-or-die vote. “For the first time,” promised Marc Holliday, the CEO of the city’s largest commercial real estate firm, “everyone has a seat at this table, with Jay-Z at the head.”

    HOV, through his entertainment firm, Roc Nation, poured “hundreds of millions” into a stake in the project, according to its CEO, Desiree Perez. Then Roc Nation joined Holliday’s company, SL Green, and Caesars Entertainment in spending millions and millions more promoting it to sometimes-wary lawmakers, municipal bureaucrats, and the public at large. The goal: secure one of three licenses for casinos in the New York City area.

    On Wednesday, everything fell apart. Before a bid could even be considered by the state’s regulators, it had to capture four of six votes from a community advisory committee, all appointed by local politicians. That vote finally happened after years of buildup, and the committee decisively rejected the bid—four to two against Jay-Z’s big play in Times Square. Despite support from the mayor and the governor of New York, the Times Square casino is dead.

    It’s a massive loss for all of the partners in the Times Square casino project—including its most famous one, whose up-from-nothing, keep-close-to-the-streets story was at the center of the closing argument. “We from these neighborhoods,” Jay-Z told the advisory committee members as they sat across a conference table over the summer. “We hear a lot of talk about community. We are the community.”

    “We’re not saying, ‘Give it to us because we happen to be Black, Hispanic, and female,’” Perez tells me, right before the big vote. “No, that’s not what we’re saying. Of course not. But we are saying, ‘Don’t ignore who we are, what we stand for, where we come from, where we’ve been, everything that we’ve accomplished. Please don’t ignore that.’”

    And as for the forces opposing the casino? The theater types, who worry that tourists might gamble away their Broadway money? Or that a casino might poison Broadway’s delicate ecosystem? Create traffic armageddon in midtown? Well, to borrow a phrase from a different rapper: not like us. Jay-Z’s allies argued that opponents weren’t just a bunch of finger-wagging hall monitors standing in the way of thousands of Black and brown people getting casino jobs. They were, according to Sharpton, “oligarchs.” It was an ironic choice of words, given Jay-Z’s billionaire status.

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    Noah Shachtman

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  • Remembering Robert Redford: Pictures show Hollywood legend in iconic films

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    Remembering iconic actor Robert Redford



    Remembering iconic actor Robert Redford

    02:53

    Oscar-winning actor and director Robert Redford, who died Tuesday at the age of 89, launched into Hollywood stardom in the late 1960s before going on to star in dozens of feature films over his career.

    Among his most iconic films were “Butch Cassidy and the Sundance Kid,” “The Way We Were” and “The Sting.” Other classics include “Three Days of the Condor,” “All the President’s Men” and “The Great Waldo Pepper.”

    In 1980, Redford moved on to a job behind the camera — as director of “Ordinary People,” for which he won an Oscar for best director. A year later he founded the Sundance Institute, which fostered the work of independent filmmakers outside of mainstream Hollywood.

    Here is a look at the actor in some of the classic films that defined his career.

    On the set of Three Days of the Condor

    American actor Robert Redford on the set of “Three Days of the Condor” based on the novel by James Grady and directed by Sydney Pollack.

    Sunset Boulevard/Corbis via Getty Images


    On Location Filming

    Cliff Robertson, Robert Redford and Sydney Pollack sighted on location filming “Three Days of the Condor” on Feb. 21, 1975, at the New York Times Building in New York City.

    Ron Galella/Ron Galella Collection via Getty Images


    The Great Gatsby

    The movie “The Great Gatsby,” directed by Jack Clayton, based on the novel by F. Scott Fitzgerald. Seen here from left, Mia Farrow as Daisy Buchanan and Robert Redford as Jay Gatsby.

    Photo by CBS via Getty Images


    Butch Cassidy (Paul Newman) and the Sundance Kid (Robert Redford) in a scene from the movie “Butch Casssidy And The Sundance Kid,” which was released on Oct. 24, 1969.

    Michael Ochs Archives/Getty Images


    Butch Cassidy and the Sundance Kid

    American actors Robert Redford (right) as The Sundance Kid, and Paul Newman (1925 – 2008) as Butch Cassidy in “Butch Cassidy and the Sundance Kid,” directed by George Roy Hill, 1969.

    Silver Screen Collection/Getty Images


    Robert Redford In Downhill Racer

    American actor Robert Redford as David Chappellet in the film “Downhill Racer,” 1969.

    Silver Screen Collection/Getty Images


    Redford & Streisand In 'The Way We Were'

    American actress and singer Barbra Streisand hugs American actor Robert Redford from behind in this publicity still from the movie “The Way We Were” directed by Sydney Pollack, 1973.

    Columbia Pictures International/Courtesy of Getty Images/Columbia TriStar


    'The Sting' Publicity Still

    Robert Redford wearing a grey tweed blazer over a matching waistcoat and a white shirt, with a diagonally striped tie, with a grey fedora, in a scene from “The Sting,”1973.

    Michael Ochs Archives/Getty Images


    The Great Gatsby

    The movie “The Great Gatsby,” directed by Jack Clayton, based on the novel by F. Scott Fitzgerald. Seen here from left, Sam Waterston as Nick Carraway and Robert Redford as Jay Gatsby. Initial theatrical release March 29, 1974.

    Photo by CBS via Getty Images


    'The Way We Were' Publicity Still

    American singer and actress Barbra Streisand and American actor Robert Redford in a publicity still for “The Way We Were,” 1973. The romantic drama, adapted from Arthur Laurents’ novel and directed by Sydney Pollack, starred Streisand as Katie Morosky, and Redford as Hubbell Gardiner.

    Michael Ochs Archives/Getty Images


    Mary Tyler Moore and Robert Redford

    On the set of the 1980 film “Ordinary People.”

    Bettmann/Contributor


    'All the President's Men'

    Robert Redford holding papers while speaking to Dustin Hoffman typing on a typewriter in a scene from the film “All the President’s Men,” 1976.

    Warner Bros. Inc./Getty Images/Michael Ochs Archives


    'The Hot Rock' Publicity Still

    American actor Robert Redford, wearing a blue shirt with the sleeves rolled up and his arms crossed, with a man with his back to the camera, in the jail scene from “The Hot Rock,” filmed in New York City, 1972. 

    Michael Ochs Archives/Getty Images


    Robert Redford And Demi Moore In 'Indecent Proposal'

    Robert Redford and Demi Moore in a scene from the film “Indecent Proposal,” 1993.

    Paramount Pictures/Getty Images


    Richard Farnsworth And Robert Redford In 'The Natural'

    Richard Farnsworth and Robert Redford relaxing in hotel lobby in a scene from the film “The Natural,” 1984.

    TriStar/Getty Images/Archive Photos


    Robert Redford And Meryl Streep In 'Out Of Africa'

    Robert Redford and Meryl Streep during production for the film “Out Of Africa,” 1985.

    Hemdale/Getty Images/Hulton Archive


    Robert Redford And Kristen Scott Thomas Stars In The Horse Whisperer

    1998 Robert Redford and Kristin Scott Thomas in “The Horse Whisperer.” 

    Getty Images


    contributed to this report.

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  • Oscar-Winning Actor and Director Robert Redford Dead at 89 – KXL

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    PROVO, Utah (AP) – Robert Redford, the Hollywood golden boy who became an Oscar-winning director, liberal activist and godfather for independent cinema under the name of one of his best-loved characters, died Tuesday at 89.

    Redford died “at his home at Sundance in the mountains of Utah — the place he loved, surrounded by those he loved,” publicist Cindi Berger said in a statement. No cause of death was provided.

    After rising to stardom in the 1960s, Redford was one of the biggest stars of the ’70s with such films as “The Candidate,” “All the President’s Men” and “The Way We Were,” capping that decade with the best director Oscar for 1980’s “Ordinary People,” which also won best picture in 1980. His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks — whether through his political advocacy, his willingness to take on unglamorous roles or his dedication to providing a platform for low-budget movies.

    His roles ranged from Washington Post journalist Bob Woodward to a mountain man in “Jeremiah Johnson” to a double agent in the Marvel Cinematic Universe, and his co-stars included Jane Fonda, Meryl Streep and Tom Cruise. But his most famous screen partner was his old friend and fellow activist and practical joker Paul Newman, their films a variation of their warm, teasing relationship off screen. Redford played the wily outlaw opposite Newman in 1969’s “Butch Cassidy and the Sundance Kid,” a box-office smash from which Redford’s Sundance Institute and festival got its name. He also teamed with Newman on 1973’s best picture Oscar winner, “The Sting,” which earned Redford a best-actor nomination as a young con artist in 1930s Chicago.

    Film roles after the ’70s became more sporadic as Redford concentrated on directing and producing, and his new role as patriarch of the independent-film movement in the 1980s and ’90s through his Sundance Institute. But he starred in 1985’s best picture champion “Out of Africa” and in 2013 received some of the best reviews of his career as a shipwrecked sailor in “All is Lost,” in which he was the film’s only performer. In 2018, he was praised again in what he called his farewell movie, “The Old Man and the Gun.”

    “I just figure that I’ve had a long career that I’m very pleased with. It’s been so long, ever since I was 21,” he told The Associated Press shortly before the film came out. “I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family.”

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    Noah Friedman

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  • Tramell Tillman makes history with ‘Severance’ Emmy win

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    Tramell Tillman has become the first Black man to win an Emmy Award in the outstanding supporting actor in a drama series category, claiming victory for his haunting portrayal of Seth Milchick in Apple TV+’s Severance.

    The historic win at Sunday night’s 2025 Emmy Awards ceremony, hosted by comedian Nate Bargatze at the Peacock Theater in Los Angeles, breaks a 77-year barrier in the only acting field that had never honored a Black performer since the Emmy Awards began.

    Why It Matters

    Tillman’s victory represents more than an individual achievement—it closes the final gap in Emmy recognition for Black performers across major acting categories.

    The milestone underscores both the ongoing evolution of television representation and the industry’s gradual recognition of diverse talent in prestige drama categories. Tillman is notably the first openly gay Black man to earn both a nomination and victory in supporting drama actor.

    Tramell Tillman, winner of the Outstanding Supporting Actor In A Drama Series award for “Severance”, poses in the press room during the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in Los…


    Amy Sussman/Getty Images

    What To Know

    The supporting drama actor category, formally established in 1970, has seen 13 Black actors accumulate 23 nominations over five decades.

    The most recent nominations for Black performers came in 2021, when Giancarlo Esposito (The Mandalorian), O-T Fagbenle (The Handmaid’s Tale), and Michael K. Williams (Lovecraft Country) achieved a record three nominations in one year.

    Tillman’s recognition comes during Severance’s dominant awards season, with the Apple TV+ series earning 27 Emmy nominations this year—a significant jump from 14 nominations in 2022 when Tillman was notably overlooked.

    The Maryland native has become a breakout star, recently appearing alongside Tom Cruise in Mission: Impossible — The Final Reckoning and securing upcoming roles in Lena Dunham’s Good Sex opposite Natalie Portman and an undisclosed part in Spider-Man: Brand New Day, according to Variety.

    Tramell Tillman
    Tramell Tillman accepts the Outstanding Supporting Actor in a Drama Series award for “Severance” onstage during the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in Los Angeles, California.

    Kevin Winter/Getty Images

    What People Are Saying

    Tramell Tillman’s Emmy acceptance speech, in part: “‘You remember what you want to remember. You make time for what you want to make time for. Do the work, show up, and most importantly, for the love of God, don’t embarrass me in public.’ My first acting coach was tough, y’all. But all great mothers are.”

    Tillman said to his mother from stage: “Mama, you were there for me when no one else was and no one else would show up. Your loving kindness stays with me, and this is for you.”

    Tramell Tillman (L)
    Tramell Tillman (L), winner of the Outstanding Supporting Actor In A Drama Series award for “Severance”, poses in the press room during the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in…


    John Shearer/WireImage

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  • All the celebrity red-carpet looks at the 2025 Emmy Awards

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    All the celebrity red-carpet looks at the 2025 Emmy Awards

    TV’s biggest night is always one of the starriest red carpets of the year

    Have you watched all the shows? I’ve seen *** lot of commercials of the show. If you’re like Emmy host Nate Bargetzy and haven’t seen all the nominated shows, well, you might still watch the Emmy Awards for this. You’re making *** $100,000 donation to the Boys and Girls Club of America, which is amazing that you’re doing that, but there’s *** catch. Bargetzi says for every Emmy winner’s acceptance speech that exceeds the allotted 45 seconds. And Perfect choice of music. The donation shrinks by $1000 per second. Ouch, deposit too. If they go under, we will put money on top of it. So I would prefer them not all go that under because that can get pretty expensive and the amount of money I give the Boys and Girls Club is totally up to all of Hollywood. Either way, Bargetsi can afford it. He’s currently Billboard’s number one selling stand-up comic in America. His tour grossed more than $80 million last year alone. For his first Hollywood hosting gig. He’s getting advice from veterans like Nicki Glazer, Jimmy Kimmel, Jimmy Fallon, and Conan O’Brien. They’re all just kind of like, you just got to be you and trust that you know what you’re doing. Fortunate to learn that in other settings and so I don’t have to hopefully not learn it, you know, in front of Harrison Ford, right? Bargetsi says, sure, he’ll joke. About Hollywood, but in his trademark polite style like the cancellation of nominee Stephen Colbert’s late night show. Is that off limits, or are you going to address it? I think we’ll say something, but it’ll be done in *** fun, playful way. That family friendly comedic style has helped the Tennessee native gain wide appeal in an era where comedy often divides audiences. Barhetsi met his wife while working at Applebee’s. Welcome. And his daughter introduces him in many of his shows. His father was *** magician and *** clown. I have to ask, did you have *** fear of clowns growing up, because *** lot of kids do. I had *** joke about like I would say, have you ever been yelled at by *** clown because I have. And it’s pretty confusing to get yelled at by *** guy that’s got *** smile painted on his face. Bargetsi doesn’t fear the Emmy stage. In fact, this star can’t wait to be starstruck. Who are you excited to see? Ben Stiller? I’m excited to see. Well, Severance has the most nominations, so you will definitely meet Ben Stiller. We should cross paths, yes.

    All the celebrity red-carpet looks at the 2025 Emmy Awards

    TV’s biggest night is always one of the starriest red carpets of the year

    Updated: 3:55 PM PDT Sep 14, 2025

    Editorial Standards

    TV’s biggest night is back. The 77th annual Primetime Emmy Awards are here, and we’re rounding up all the looks as Hollywood’s biggest stars hit the red carpet at the Peacock Theater in Los Angeles.

    Tonight, Apple TV+’s “Severance” leads the pack with a whopping 27 nominations, followed by The Penguin with 24 nods, “The White Lotus” and “The Studio” with 23 and “The Last of Us” with 16 nominations.

    Comedian Nate Bargatze will serve as host, with a few starry figures set to present, including Jenna Ortega and Hunter Schafer. Meanwhile, Ted Danson and Mary Steenburgen will be honored with the prestigious Bob Hope Humanitarian Award, while there are plenty of A-list nominees, from Jean Smart and Kathy Bates to Adam Brody and Jake Gyllenhaal.

    Ahead, we’ve rounded up all the red-carpet looks from the 2025 Primetime Emmy Awards. Keep checking back throughout the night as we update with more looks.

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    Ben Stiller and Christine Taylor

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  • Emma Stone, Ayo Edebiri, More Than 1,000 Others Pledge to Boycott Israeli Film Institutions

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    On Monday, Film Workers for Palestine released a powerful new pledge that has already been signed by hundreds of actors and filmmakers worldwide. “As film workers, we believe we must meet our ethical obligation to do no harm,” reads an FAQ section for the pledge. The signees are calling on their peers to stop working with Israeli film institutions “implicated in genocide and apartheid against the Palestinian people.” The text of the pledge, which was first shared exclusively with The Guardian, was accompanied by a link to sign the missive online.

    When the pledge was published, it had already attracted 1,200 signatories, and by Tuesday afternoon, the names included Adam McKay, Ava DuVernay, Ayo Edebiri, Cynthia Nixon, Gael García Bernal, Javier Bardem, Josh O’Connor, Lukas Dhont, Mark Ruffalo, Olivia Colman, Riz Ahmed, Susan Sarandon, Tilda Swinton, Xavier Dolan, Yorgos Lanthimos, Emma Stone, Julie Christie, Ken Loach, and Aimee Lou Wood.

    These film professionals are pledging to stop working with organizations they consider complicit in the killings of and assaults on Palestinian civilians. The signatories explain their approach in the pledge: “As filmmakers, actors, film industry workers, and institutions, we recognize the power of cinema to shape perceptions. In this urgent moment of crisis, where many of our governments are enabling the carnage in Gaza, we must do everything we can to address complicity in that unrelenting horror.”

    The letter continues, “We answer the call of Palestinian filmmakers, who have urged the international film industry to refuse silence, racism, and dehumanization, as well as to ‘do everything humanly possible’ to end complicity in their oppression. Inspired by Filmmakers United Against Apartheid who refused to screen their films in apartheid South Africa, we pledge not to screen films, appear at or otherwise work with Israeli film institutions—including festivals, cinemas, broadcasters and production companies—that are implicated in genocide and apartheid against the Palestinian people.” The Filmmakers United Against Apartheid movement was founded in 1987 by Jonathan Demme and Martin Scorsese to try to prevent all American or US-funded films from being shown in South Africa.

    Film Workers for Palestine is pointedly targeting institutions rather than individual Israelis. “The call is for film workers to refuse to work with Israeli institutions that are complicit in Israel’s human rights abuses against the Palestinian people. This refusal takes aim at institutional complicity, not identity,” the pledge’s FAQ states. “We see this pledge as representing one important step on a journey towards reducing and ultimately ending complicity in oppression.”

    The group is also suggesting to signees the option of including a clause in film contracts to ensure their projects do not go against the boycott guidelines. It proposes a model clause that was written in collaboration with Palestine Legal, an advocacy group for supporters of Palestinian rights, and the British cultural network Artists for Palestine UK.

    The Israeli Producers Association responded to the pledge in a statement to The Guardian. “For decades, we Israeli artists, storytellers, and creators have been the primary voices allowing audiences to hear and witness the complexity of the conflict, including Palestinian narratives and criticism of Israeli state policies. We work with Palestinian creators, telling our shared stories and promoting peace and an end to violence through thousands of films, TV series, and documentaries,” the collective explained.

    “This call for boycott is profoundly misguided,” it continued. “By targeting us—the creators who give voice to diverse narratives and foster dialogue—these signatories are undermining their own cause and attempting to silence us. This shortsighted act seeks to eliminate precisely the collaborative efforts working toward ending violence and achieving peace. We will not allow this and will push back in our efforts to end violence and bring just peace to our region for the benefit of all.”

    Originally published in Vanity Fair France.

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    Valentine Ulgu-Servant

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