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Tag: Hollywood

  • Diane Keaton’s Family Reveals Her Cause of Death

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    Diane Keaton’s unexpected death on Saturday, October 11, at the age of 79, sent shockwaves through the world. When the news broke, a spokesperson for Keaton’s family released a statement saying that there were “no further details available at this time” and asking for privacy “in this moment of great sadness.” Four days later, Keaton’s family has broken the silence, revealing Keaton’s cause of death.

    “The Keaton family are very grateful for the extraordinary messages of love and support they have received these past few days on behalf of their beloved Diane, who passed away from pneumonia on October 11,” reads a statement sent to People.

    Keaton had kept a low profile in recent years, preferring to lead her life far from the spotlight, holed up in her California villa. Her health “declined very suddenly,” a friend told People on October 11. “In her final months, she was surrounded only by her closest family, who chose to keep things very private. Even longtime friends weren’t fully aware of what was happening,” the same source said.

    “She loved her animals and she was steadfast in her support of the unhoused community,” continues the statement from Keaton’s family. “Any donations in her memory to a local food bank or an animal shelter would be a wonderful and much-appreciated tribute to her.”

    Keaton leaves behind a cinematic legacy spanning several decades. Her career was marked by her titular role in Woody Allen’s Annie Hall, a film inspired by their past romance, which won her the Oscar for best actress in 1977. Keaton established herself as a film icon with indelible roles in Francis Ford Coppola’s Godfather trilogy; Warren Beatty’s 1981 drama, Reds; Charles Shyer’s 1991 romantic comedy, Father of the Bride; and Nancy Meyers’s 2003 romantic comedy, Something’s Gotta Give.

    Over the course of her life, Keaton had a number of famous romances with stars including Allen, Beatty, and her Godfather husband, Al Pacino. However, she preferred to lead the life of a single woman. “I don’t think it would have been a good idea for me to have married, and I’m really glad I didn’t,” she declared to People in 2019. She leaves behind two children, Dexter and Duke, whom she adopted in 1996 and 2001.

    Original story appeared in VF France.

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    Vanity Fair

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  • Want to See Kris Jenner’s Plastic Surgeon? You’ll Need a Secret Password

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    If you want a consultation with Kris Jenner’s plastic surgeon of choice, you’d better know the password. While appearing on the Not Skinny but Not Fat podcast, the 69-year-old Kardashian matriarch opened up about her recent facelift.

    Jenner revealed that her surgeon, Dr. Steven Levine, gave her permission to reveal that he performed the procedure on one condition: that Jenner create a password for anyone in her inner circle who wants a consultation with him. “He didn’t want the attention, which I loved,” Jenner told host Amanda Hirsch. “I said, ‘But do I have your permission to say who you are?’ And he goes, ‘Listen, I’ll tell you what. As long as we can come up with a password so that if somebody calls and says, ‘I’m Kris Jenner’s best friend, and can I have a consultation?’ they have to say the secret password.’”

    Apparently, even before her most recent facelift, imposters frequently called the office claiming to be close confidants of Jenner’s in order to snag an appointment. “If I told you how many times his office has called and said, you know, ‘Julie Monopoly’s on the phone, and she says she’s your best friend,’” said Jenner. “And I’m like, I’ve never heard of her. So definitely people have tried to get in.”

    Jenner opened up to Vogue Arabia in August about her decision to get a facelift, revealing that though she had previously gotten one 15 years ago, she felt that she was in need of a “refresh.” “Just because you get older, it doesn’t mean you should give up on yourself,” she said. “If you feel comfortable in your skin and you want to age gracefully—meaning you don’t want to do anything—then don’t do anything. But for me, this is aging gracefully. It’s my version.”

    Plenty of others are seemingly trying  to age just like Jenner, but only those in Jenner’s inner circle know the code. “If you know me, you know what the password is,” Jenner said.

    Original story appeared in VF Italia.

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    Marzia Nicolini

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  • Al Pacino’s Biggest Regret Was Never Marrying Diane Keaton

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    Al Pacino and the late Diane Keaton famously played married couple Michael Corleone and his long-suffering wife Kay Adams in Francis Ford Coppola’s iconic Godfather trilogy. Off-screen, their relationship mirrored that of their characters, with Pacino and Keaton engaging in an on-and-off affair from 1971 to 1987. Now, in the wake of Keaton’s death at age 79, the Daily Mail reports that Pacino may have wished things went a little differently with his co-star.

    A friend of Pacino’s reportedly told the British paper that Pacino’s biggest  regret was not marrying Keaton when he had the chance. “Looking back, Al admits the love of his life was Diane who he’s always called, ‘an amazing woman,’” the source told the Daily Mail. “I know he will forever regret he didn’t make his move when he had the chance.” (Vanity Fair reached out to Pacino for comment.)

    According to the Daily Mail, at one point Keaton gave Pacino an ultimatum: marry me or it’s over. Pacino reportedly chose to end the relationship.  “For years after he and Diane split, Al used to say, ‘if it’s meant to be, it’s never too late for a do-over,’” added the source. “But sadly, now it is.’”

    Keaton and Pacino met on the set of The Godfather in 1971 and reportedly didn’t become romantically involved until after filming wrapped. “I was mad for him. Charming, hilarious, a nonstop talker,” Keaton told People of her co-star in 2017. “There was an aspect of him that was like a lost orphan, like this kind of crazy idiot savant. And oh, gorgeous!”

    Keaton dated a number of stars, including Woody Allen and Warren Beaty—but famously never married. “I remember one day in high school, this guy came up to me and said, ‘One day you’re going to make a good wife,’” she told People in 2019. “And I thought, ‘I don’t want to be a wife. No.’” While she never married, Keaton did have two children, daughter Dexter, 29, and son Duke, 25, via adoption when she was in her 50s.

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    Monica Coviello

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  • Diane Keaton’s quiet activism helped preserve these Los Angeles landmarks | Fortune

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    While Oscar-winning actor Diane Keaton was best known for roles in Woody Allen movies and the Godfather saga, she was also a vigorous defender of historic buildings.

    People magazine reported Saturday that she passed away at the age of 79.

    Keaton had served on the board of the Los Angeles Conservancy and as a trustee of the National Trust for Historic Preservation.

    Her activism included efforts to save the Ennis House, an iconic 1920s residence in the Hollywood Hills that was designed by the famed architect Frank Lloyd Wright.

    The Northridge earthquake in 1994 and heavy rains a decade later caused significant damage. The National Trust for Historic Preservation placed the house on its 2005 list of America’s 11 Most Endangered Historic Places.

    It was partially restored by the nonprofit Ennis House Foundation, then was purchased and fully restored in 2011. According to the Frank Lloyd Wright Building Conservancy, Keaton called on the Hollywood community to help save the house, which has been featured in numerous films, and eventually joined the Ennis House Foundation board.

    The Ennis House designed by Frank Lloyd Wright in Los Angeles, California on November 18, 2012.

    Jim Steinfeldt/Michael Ochs Archives/Getty Images

    Keaton also fought to preserve the Century Plaza Hotel, which was built in the 1960s and also placed on the 11 Most Endangered Historic Places list in 2009.

    The owners at the time proposed razing the hotel and replacing it with a mixed-use development, which Keaton said “is part of an uninspired assault on 1960s large-scale architecture in Los Angeles.”

    But the city approved a project that preserved the hotel as the centerpiece. Rehabilitation began in 2016, and the hotel reopened in 2021, according to the Los Angeles Conservancy.

    Efforts to save the 1920-era Ambassador Hotel, however, weren’t successful. An early symbol of the city’s development and the site of Robert F. Kennedy’s assassination, the hotel was demolished in 2005 to make way for the construction of a school.

    In 2008, Keaton wrote an op-ed in the Los Angeles Times reflecting on the iconic hotel, her childhood memories there, and broader preservation lessons for the city.

    “I’ll never understand why architecture is considered a second cousin to painting and film,” she said. “We’ve never been married to our romance with architecture. A building, unlike a canvas or a DVD, is a massive work of art with many diverse uses. We watch movies in buildings. We look at paintings on their walls. We pray in cathedrals. We live inside places we call homes. Home gives us faith in the belief of a well-lived life. When we tear down a building, we are wiping out lessons for the future. If we think of it that way, we will begin to understand the emotional impact of wasting the energy and resources used to build it in the first place.”

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    Jason Ma

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  • Diane Keaton: A Look At Her Extraordinary Life, In Photos

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    Diane Keaton and Keanu Reeves at the 2020 Academy Awards.

    Craig Sjodin/Getty Images

    Keaton was also the rare woman in Hollywood who—even after reaching middle age—continued to be cast in romantic and powerful roles. Sure, she was a spurned spouse in 1996’s The First Wives Club, but one who rejected her philandering husband when he attempted a reconciliation. In 2003, her role in Nancy Meyers rom-com Something’s Gotta Give cemented that position, allowing Keaton dalliances with both Keanu Reeves and Jack Nicholson.

    But in real life, Keaton never married—and she was fine with that, she said in 2019. “I think I’m the only one in my generation and maybe before who has been a single woman all her life,” she said then. “I don’t think it would have been a good idea for me to have married, and I’m really glad I didn’t.”

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    Eve Batey

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  • Diane Keaton Dead At Age 79: Report

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    Over the course of her career, Diane Keaton also won a BAFTA Award, two Golden Globes (Annie Hall and 2003’s Something’s Gotta Give) , and a Tony Award, among other honors. She was also well known as a style icon for her trendsetting mix of traditionally masculine garb in unexpected proportions. “When you think of Diane, you think of these great pieces of clothing,” designer Michael Kors said of Keaton in 2014.

    Diane Keaton on May 01, 2021 in Los Angeles,

    BG004/Bauer-Griffin

    Keaton was also a photographer and writer, penning memoirs Then Again, Brother & Sister, and Let’s Just Say It Wasn’t Pretty. Speaking with Vanity Fair in support of the latter book, Keaton said that her most marked characteristic was “Insecurity in conjunction with ambition.” When asked what her favorite occupation was, she responded “Seeing. As Walker Evans said, ‘Look! We don’t have that much time.’”

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    Eve Batey

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  • Diane Keaton, Oscar-winning star of ‘Annie Hall’ and ‘The Godfather,’ dies at 79

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    Diane Keaton, the Oscar-winning star of “Annie Hall,” “The Godfather” films and “Father of the Bride,” whose quirky, vibrant manner and depth made her one of the most singular actors of a generation, has died. She was 79.

    People Magazine reported Saturday that she died in California with loved ones, citing a family spokesperson. No other details were immediately available, and representatives for Keaton did not immediately respond to inquiries from The Associated Press.

    The unexpected news was met with shock around the world. Keaton was the kind of actor who helped make films iconic and timeless, from her “La-dee-da, la-dee-da” phrasing as Annie Hall, bedecked in that necktie, bowler hat, vest and khakis, to her heartbreaking turn as Kay Adams, the woman unfortunate enough to join the Corleone family.

    Her star-making performances in the 1970s, many of which were in Woody Allen films, were not a flash in the pan either, and she would continue to charm new generations for decades thanks in part to a longstanding collaboration with filmmaker Nancy Meyers.

    She played a businessperson who unexpectedly inherits an infant in “Baby Boom,” the mother of the bride in the beloved remake of “Father of the Bride,” a newly single woman in “First Wives Club,” and a divorced playwright who gets involved with Jack Nicholson’s music executive in “Something’s Gotta Give.”

    Keaton won her first Oscar for “Annie Hall” and would go on to be nominated three more times, for “Reds,” “Marvin’s Room” and “Something’s Gotta Give.”

    In her very Keaton way, upon accepting her Oscar in 1978 she laughed and said, “This is something.”

    Keaton was born Diane Hall in January 1946 in Los Angeles, though her family was not part of the film industry she would find herself in. Her mother was a homemaker and photographer, and her father was in real estate and civil engineering.

    Keaton was drawn to theater and singing while in school in Santa Ana, Calif., and she dropped out of college after a year to make a go of it in Manhattan. Actors’ Equity already had a Diane Hall in their ranks, and she took Keaton, her mother’s maiden name, as her own.

    She studied under Sanford Meisner in New York and has credited him with giving her the freedom to “chart the complex terrain of human behavior within the safety of his guidance. It made playing with fire fun.”

    “More than anything, Sanford Meisner helped me learn to appreciate the darker side of behavior,” she wrote in her 2012 memoir, “Then Again.” “I always had a knack for sensing it but not yet the courage to delve into such dangerous, illuminating territory.”

    She started on the stage as an understudy in the Broadway production for “Hair,” and in Allen’ s “Play It Again, Sam” in 1968, for which she would receive a Tony nomination.

    Keaton made her film debut in the 1970 romantic comedy “Lovers and Other Strangers,” but her big breakthrough would come a few years later when she was cast in Francis Ford Coppola’s “The Godfather,” which won best picture and become one of the most beloved films of all time. And yet even she hesitated to return for the sequel, though after reading the script she decided otherwise.

    The 1970s were an incredibly fruitful time for Keaton thanks in part to her ongoing collaboration with Allen in both comedic and dramatic roles. She appeared in “Sleeper,” “Love and Death,” “Interiors,” Manhattan,” “Manhattan Murder Mystery” and the film version of “Play it Again, Sam.”

    Allen and the late Marshall Brickman gave Keaton one of her most iconic roles in “Annie Hall,” the infectious woman from Chippewa Falls whom Allen’s Alvy Singer cannot get over. The film is considered one of the great romantic comedies of all time, with Keaton’s eccentric, self-deprecating Annie at its heart.

    Swit was born in Passaic, New Jersey, and died at 12:01 a.m. Friday at her home in New York City.

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    The Associated Press

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  • Diane Keaton, Oscar-winning star of ‘Annie Hall’ and ‘The Godfather,’ dies at 79

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    Diane Keaton, the Oscar-winning star of “Annie Hall,” “The Godfather” films and “Father of the Bride,” whose quirky, vibrant manner and depth made her one of the most singular actors of a generation, has died. She was 79.

    People Magazine reported Saturday that she died in California with loved ones, citing a family spokesperson. No other details were immediately available, and representatives for Keaton did not immediately respond to inquiries from The Associated Press.

    The unexpected news was met with shock around the world. Keaton was the kind of actor who helped make films iconic and timeless, from her “La-dee-da, la-dee-da” phrasing as Annie Hall, bedecked in that necktie, bowler hat, vest and khakis, to her heartbreaking turn as Kay Adams, the woman unfortunate enough to join the Corleone family.

    Her star-making performances in the 1970s, many of which were in Woody Allen films, were not a flash in the pan either, and she would continue to charm new generations for decades thanks in part to a longstanding collaboration with filmmaker Nancy Meyers.

    She played a businessperson who unexpectedly inherits an infant in “Baby Boom,” the mother of the bride in the beloved remake of “Father of the Bride,” a newly single woman in “First Wives Club,” and a divorced playwright who gets involved with Jack Nicholson’s music executive in “Something’s Gotta Give.”

    Keaton won her first Oscar for “Annie Hall” and would go on to be nominated three more times, for “Reds,” “Marvin’s Room” and “Something’s Gotta Give.”

    In her very Keaton way, upon accepting her Oscar in 1978 she laughed and said, “This is something.”

    Keaton was born Diane Hall in January 1946 in Los Angeles, though her family was not part of the film industry she would find herself in. Her mother was a homemaker and photographer, and her father was in real estate and civil engineering.

    Keaton was drawn to theater and singing while in school in Santa Ana, Calif., and she dropped out of college after a year to make a go of it in Manhattan. Actors’ Equity already had a Diane Hall in their ranks, and she took Keaton, her mother’s maiden name, as her own.

    She studied under Sanford Meisner in New York and has credited him with giving her the freedom to “chart the complex terrain of human behavior within the safety of his guidance. It made playing with fire fun.”

    “More than anything, Sanford Meisner helped me learn to appreciate the darker side of behavior,” she wrote in her 2012 memoir, “Then Again.” “I always had a knack for sensing it but not yet the courage to delve into such dangerous, illuminating territory.”

    She started on the stage as an understudy in the Broadway production for “Hair,” and in Allen’ s “Play It Again, Sam” in 1968, for which she would receive a Tony nomination.

    Keaton made her film debut in the 1970 romantic comedy “Lovers and Other Strangers,” but her big breakthrough would come a few years later when she was cast in Francis Ford Coppola’s “The Godfather,” which won best picture and become one of the most beloved films of all time. And yet even she hesitated to return for the sequel, though after reading the script she decided otherwise.

    The 1970s were an incredibly fruitful time for Keaton thanks in part to her ongoing collaboration with Allen in both comedic and dramatic roles. She appeared in “Sleeper,” “Love and Death,” “Interiors,” Manhattan,” “Manhattan Murder Mystery” and the film version of “Play it Again, Sam.”

    Allen and the late Marshall Brickman gave Keaton one of her most iconic roles in “Annie Hall,” the infectious woman from Chippewa Falls whom Allen’s Alvy Singer cannot get over. The film is considered one of the great romantic comedies of all time, with Keaton’s eccentric, self-deprecating Annie at its heart.

    Swit was born in Passaic, New Jersey, and died at 12:01 a.m. Friday at her home in New York City.

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    The Associated Press

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  • Diane Keaton, Oscar-winning star of ‘Annie Hall’ and ‘The Godfather,’ dies at 79

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    Diane Keaton, the Oscar-winning star of “Annie Hall,” “The Godfather” films and “Father of the Bride,” whose quirky, vibrant manner and depth made her one of the most singular actors of a generation, has died. She was 79.

    People Magazine reported Saturday that she died in California with loved ones, citing a family spokesperson. No other details were immediately available, and representatives for Keaton did not immediately respond to inquiries from The Associated Press.

    The unexpected news was met with shock around the world. Keaton was the kind of actor who helped make films iconic and timeless, from her “La-dee-da, la-dee-da” phrasing as Annie Hall, bedecked in that necktie, bowler hat, vest and khakis, to her heartbreaking turn as Kay Adams, the woman unfortunate enough to join the Corleone family.

    Her star-making performances in the 1970s, many of which were in Woody Allen films, were not a flash in the pan either, and she would continue to charm new generations for decades thanks in part to a longstanding collaboration with filmmaker Nancy Meyers.

    She played a businessperson who unexpectedly inherits an infant in “Baby Boom,” the mother of the bride in the beloved remake of “Father of the Bride,” a newly single woman in “First Wives Club,” and a divorced playwright who gets involved with Jack Nicholson’s music executive in “Something’s Gotta Give.”

    Keaton won her first Oscar for “Annie Hall” and would go on to be nominated three more times, for “Reds,” “Marvin’s Room” and “Something’s Gotta Give.”

    In her very Keaton way, upon accepting her Oscar in 1978 she laughed and said, “This is something.”

    Keaton was born Diane Hall in January 1946 in Los Angeles, though her family was not part of the film industry she would find herself in. Her mother was a homemaker and photographer, and her father was in real estate and civil engineering.

    Keaton was drawn to theater and singing while in school in Santa Ana, Calif., and she dropped out of college after a year to make a go of it in Manhattan. Actors’ Equity already had a Diane Hall in their ranks, and she took Keaton, her mother’s maiden name, as her own.

    She studied under Sanford Meisner in New York and has credited him with giving her the freedom to “chart the complex terrain of human behavior within the safety of his guidance. It made playing with fire fun.”

    “More than anything, Sanford Meisner helped me learn to appreciate the darker side of behavior,” she wrote in her 2012 memoir, “Then Again.” “I always had a knack for sensing it but not yet the courage to delve into such dangerous, illuminating territory.”

    She started on the stage as an understudy in the Broadway production for “Hair,” and in Allen’ s “Play It Again, Sam” in 1968, for which she would receive a Tony nomination.

    Keaton made her film debut in the 1970 romantic comedy “Lovers and Other Strangers,” but her big breakthrough would come a few years later when she was cast in Francis Ford Coppola’s “The Godfather,” which won best picture and become one of the most beloved films of all time. And yet even she hesitated to return for the sequel, though after reading the script she decided otherwise.

    The 1970s were an incredibly fruitful time for Keaton thanks in part to her ongoing collaboration with Allen in both comedic and dramatic roles. She appeared in “Sleeper,” “Love and Death,” “Interiors,” Manhattan,” “Manhattan Murder Mystery” and the film version of “Play it Again, Sam.”

    Allen and the late Marshall Brickman gave Keaton one of her most iconic roles in “Annie Hall,” the infectious woman from Chippewa Falls whom Allen’s Alvy Singer cannot get over. The film is considered one of the great romantic comedies of all time, with Keaton’s eccentric, self-deprecating Annie at its heart.

    Swit was born in Passaic, New Jersey, and died at 12:01 a.m. Friday at her home in New York City.

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    The Associated Press

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  • Angelina Jolie Hasn’t Returned to Winery Since Brad Pitt Divorce

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    Angelina Jolie and Brad Pitt’s divorce continues to be acrimonious. In new court documents related to the former couple’s ongoing legal battle over their winery, Château Miraval, Jolie writes that she and their children haven’t been to the property since the pair’s separation, citing “painful events” as the reason.

    In new court documents filed in Los Angeles County Superior Court on October 6 and obtained by People, Jolie says that she left her ex-husband “control (and full residency) of our family homes in Los Angeles and at Miraval, without compensation, which I hoped would make him calmer in his dealings with me after a difficult and traumatic period.”

    Jolie maintains that she and her six kids with Pitt—Maddox, 24; Pax, 21; Zahara, 20; Shiloh, 19; and twins Vivienne and Knox, 17—have not returned to the property. “To this day, the children and I have never again set foot on the property, given its connection to the painful events leading to the divorce,” Jolie writes in her statement.

    Jolie and Pitt met on the set of the 2005 film Mr. & Mrs. Smith. They were together for 12 years and separated in 2016 after two years of marriage. In December 2024, they finalized their lengthy divorce. However, their legal battle over Château Miraval, which they co-owned, is still not over. Jolie sold her stake in the French winery to Tenute del Mondo, the wine division of the Stoli Group, in 2021. In February 2022, Pitt filed a lawsuit alleging that Jolie’s sale infringed upon a prior agreement that neither would sell unless the other person approved. Jolie responded with a countersuit in September 2022, alleging that Pitt had been “waging a vindictive war against” her since their divorce.

    In the most recent court filing, Jolie goes on to detail her process of trying to find a new home for her family after leaving Pitt. “Post-separation, I immediately began to look for a new house for me and our children, initially renting a home while looking for a more stable solution,” she writes. “Because I wanted to ensure that Brad remained an important part of our children’s lives, I looked to buy a property near his home. At the time, my savings were tied up in Miraval, and I had not asked Brad for alimony or any other financial support.”

    A source close to the matter shared: “This is a commercial dispute that has nothing to do with the divorce proceedings. This filing is one side trying to conflate the two and justify the sale of Miraval.”

    “It was a focal point of our family life,” Jolie writes in the October 6 filing. “We were married there, I spent part of my pregnancy there and I brought our twin children home there from the hospital. To have such a sudden break from my home and memories has been hard, and it was especially difficult for the children to have their lives so disrupted.”

    Vanity Fair has reached out to Jolie and Pitt for comment.

    Original story appeared in VF España.

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    Marita Alonso

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  • Kevin Costner Altercation Reportedly Shut Down ‘Yellowstone’ Production Temporarily

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    Apparently, Kevin Costner likes to do things his way. A new story in The Hollywood Reporter focuses on the Yellowstone star and his alleged bad behavior, including an alleged on-set altercation with Wes Bentley.

    According to THR, Costner and his costar almost came to blows while filming a scene on Taylor Sheridan’s hit show Yellowstone. Costner, the star and an executive producer of the series, allegedly tried to tell Bentley to ditch Sheridan’s script and play the scene his way. Bentley allegedly refused, saying that he had signed on “for a Taylor Sheridan show, not a Kevin Costner production.”

    Costner allegedly didn’t appreciate that remark. “Kevin didn’t like that, and he lunged at him,” an anonymous source who was present at the time told THR. “No fists were thrown, but they were in each other’s faces, pushing and shoving and just getting hot until they had to be separated.” Their costar Kelly Reilly was reportedly present for the incident and watched on in tears. Production on the series had to briefly be paused.

    A spokesperson for Bentley confirmed the altercation to THR and described it as a “work-related argument during an emotional and physically tough scene,” adding that it was “discussed and resolved.” A Costner spokesperson declined to comment on the incident. (Vanity Fair has reached out to Costner and Bentley for comment.)

    THR writer Peter Kiefer uses the alleged on-set incident to illustrate how two-time Oscar winner Costner has reportedly alienated himself from the rest of the entertainment industry. The piece notes that Costner has been involved in multiple legal battles and has burned bridges. He settled a lawsuit alleging that he owed hundreds of thousands in unpaid costume fees and ended his working relationship with longtime producing partner Jim Wilson. The story goes on to argue that Costner, who won best picture and best director for his work on Dances With Wolves, has historically had a reputation for “being difficult,” noting that he has clashed with past colleagues like Clint Eastwood and Kurt Russell, as well as Bentley.

    But not everyone feels that way about Costner. “The word difficult gets used a lot,” agent Rick Nicita, who represented Costner from 2002 to 2008, told the outlet. “It can mean someone who won’t come out of their trailer, or someone who doesn’t know their lines, or is rude. That’s not Kevin. He wanted what he wanted and knew what he wanted and if he didn’t get it…well, he was never a great compromiser. It’s a firm belief in himself and a confidence that to some can play as arrogance.”

    Original story appeared in VF España.

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    Marita Alonso

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  • Did Matthew McConaughey’s The Lost Bus copy a background score from Prabhas’ Salaar?

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    Salaar: Part 1 – Ceasefire, starring Prabhas in the lead role, hit the big screens on December 22, 2023. Now, nearly two years since its release, it appears that a section of the film’s background score may have been copied in a Hollywood movie.

    Did the makers of The Lost Bus copy the background score from Salaar?

    According to several reports, the background score for Prabhas’ Salaar was allegedly copied in the Matthew McConaughey starrer The Lost Bus. The makers of the Hollywood movie recently unveiled an “Inside Look” video of the film, which appears to feature the same or very similar score.

    Around the 1:10 mark in the video, a track plays that closely resembles the background score from Salaar: Part 1 – Ceasefire, originally composed by Ravi Basrur. The striking similarity of the soundtrack has caught the attention of various netizens, who are calling it out as a copy.

    Watch the video here:

    Reacting to the alleged copy, one fan wrote, “This is what salaar bgm done… Hollywood copied our darling bgm!”

    Another user commented, “You guys copied bgm from Indian movie salaar.”

    Here are the reactions:

    More about Salaar

    Salaar: Part 1 – Ceasefire is a Telugu-language epic neo noir action thriller starring Prabhas and Prithviraj Sukumaran in the lead roles. Set in the fictional dystopian city-state of Khansaar, where monarchy exists, the film narrates the story of two friends, Deva, an exiled prince, and Varadha, the incumbent prince, whose bond is tested by politics, power, and betrayal.

    After years of being apart, Khansaar and Varadha face the threat of a coup d’état in the absence of Varadha’s father, Raja Mannar. In hopes of fighting back, he enlists with the help of his friend Deva, setting up inevitable bloodshed.

    On the other hand, The Lost Bus is an American survival drama starring Matthew McConaughey and America Ferrera in the lead roles. Directed by Paul Greengrass, the film is based on a real-life incident involving a bus driver, Kevin McKay, who bravely led a school bus of 22 students and a few teachers to safety through the 2018 Camp Fire in Northern California.

    The film was released directly on Apple TV+ on October 3, 2025, and has received positive reviews from critics.

    ALSO READ: Pradeep Ranganathan reacts to being compared to the likes of Dhanush: ‘I do not believe…’

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  • The Grandson of Ingmar Bergman Is a Filmmaker Fighting Against His “Dark Side”

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    Halfdan Ullmann Tøndel, the grandson of famed director Ingmar Bergman and actress Liv Ullmann, considered economics, law, and journalism before following family tradition and pursuing filmmaking. “I explored several options because—because of my family background—I didn’t want to go into film or writing,” he told Vanity Fair España in an exclusive interview. His mother, Linn Ullman, is a reputable journalist and literary critic. But try as he might to stay away from showbiz, life had other plans for him. “In college, I took a course almost by accident, and it kind of lit a fire inside me,” he says. “I applied to the film school and…I never looked back.”

    While lounging at the Hôtel du Palais in Biarritz, Tøndel chaired the jury of the third edition of the French town’s Nouvelles Vagues Film Festival this past June. “It’s a very nice experience: staying in this amazing hotel, in this wonderful city,” he says. “I’ve been very well looked after, and I’ve spent time with tremendously creative and intelligent people. I’m really impressed because, although I’m still young, at 15 years younger, they are much smarter than me.”

    Tøndel has been surrounded by creative and intelligent people his entire life. His Swedish grandfather Ingmar Bergman is widely considered one of the most influential filmmakers in modern cinematic history, having helmed classic films like The Seventh Seal (1957), Wild Strawberries (1957) and Fanny and Alexander (1982). His grandmother, Norwegian actress Liv Ullman, was a frequent collaborator with Bergman, who died in 2007, starring in his films Persona (1996) and Scenes of a Marriage (1973), among many others. In 2022, she received an honorary Academy Award.

    “That’s a personal thing,” Tøndel says when asked about his famous family. “I went through some not entirely good periods as a child, but I try to work on it personally every day,”  he says with a laugh. “I’ll most likely have to do that for the rest of my life. I’ve had some great times, but I’m a very anxious person. I always put myself in the worst-case scenario, and I spin things around. I used those experiences in the film.”

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    Paloma Simón

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  • It Was All Martin Scorsese Everything Weekend at the New York Film Festival

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    But Scorsese happily provided her a list of films to watch to get the voiceover to click—“Of course if you ask him that question, you’re going to get a long answer.”

    They stayed in touch, gave notes on each other’s films, and saw each other socially. Years later, Miller was chatting with her producing partner Damon Cardasis about making another documentary. Cardasis asked, “Who would be your favorite person?”

    “The first person that popped in my head was Martin Scorsese,” Miller said. “And I think the reason was, it’s such a rich subject. I was really interested in his Catholicism and his fascination with violence, how those two things work together.”

    They got together right before the pandemic, and when lockdown hit, they carried forward at Miller’s country house.

    “We, in a weird way, were lucky that he was so bored and so stuck, because he traveled all the way upstate,” she said. “We did it on the porch.”

    Five years later, Mr. Scorsese is here in all its hours-long glory. The film rips, zipping ahead with the same speed as one of its subject’s more frenzied flicks, dispatching quickly with hundreds of talking heads. It’s so expansive it seems definitive. One Apple exec compared it to The Last Dance, the documentary about Michael Jordan: a similarly focused, leave-no-stone-unturned look at an unquestionable GOAT.

    But like The Last Dance, the doc shows its subject’s setbacks. As the panelists reminded the gathered faithful: This was not inevitable.

    “So Marty made Who’s That Knocking at My Door?, and then he got this deal to do this Roger Corman-produced movie called Boxcar Bertha,” said Imperioli, who had a very early film role in Goodfellas as Spider, a lackey who meets a violent fate. “Cassavettes watched the movie and said to Marty, ‘You just wasted a year of your life on a piece of shit.’ This was his big thing in Hollywood, right? His second film. And he said, ‘You shouldn’t be doing stuff like this.’”

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    Nate Freeman

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  • Taylor Swift Reframes Her Legacy in The Official Release Party of a Showgirl

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    Inside the theatre at a screening of “Taylor Swift: The Official Release Party Of A Showgirl.”

    Frazer Harrison/Getty Images

    In the music video, Swift literally steps out of a slew of frames, including wooden tableaus, life preservers, and more, to break the chain of the ill-“fated” showgirl like the fictional Ophelia. She goes so far as to say that her love life has “saved” her from drowning in insanity, especially given how much “men were gaslighting” her throughout her career. There is a reason why her own story “didn’t end tragically” like the “poetic hero” Ophelia’s. Despite Shakespeare’s, at times overlooked character, Ophelia dying, Swift herself was not “driven mad” like she could have been. (Swift adds that she “loves” William Shakespeare and The Bard is “not overhyped.”) “The Fate of Ophelia” is a rewriting of a character’s cultural history: Swift is asking what would happen if she became impenetrable to criticism–and then she lives out the answer.

    Viewers learn that the music video required three weeks of rehearsals, and nods at Kelce with Swift catching a football in a scene. Her love for baking is also incorporated, as the only quasi-celebrity cameo is a round loaf of sourdough that Swift herself baked.

    Further on, the retconning of Swift’s discography culminates in the title track, “The Life of a Showgirl,” featuring Sabrina Carpenter. The “Espresso” singer recorded her feature during her days off of touring in Sweden. “That is a showgirl for you,” Swift says, praising Carpenter before introducing the lyric video that includes footage of Carpenter opening for Swift during The Eras Tour. In the song, Swift and Carpenter play two characters mirroring the cyclical nature of fame: one is Kitty, a fictional showgirl who advises a fan to not join the music business, and the other is an aspiring singer who then later cautions one of her own fans against becoming a performer. “The more you play, the more that you pay…/You don’t know the life of a showgirl, babe/And you’re never gonna wanna,” the lyrics warn. The sentiment is one Swift now uses as “fuel” to prove she has endured the industry for more than 20 years. Throughout the film, Swift continues to say that there is a prevailing perspective that apathy equates power, and that respect is granted to those only who appear to be the most “unbothered.”

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    Samantha Bergeson

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  • Did Taylor Swift Diss Charli XCX on The Life of a Showgirl?

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    Taylor Swift rarely fights in public. Instead, she takes shots via her music. On “Actually Romantic,” the seventh track from Swift’s new album, The Life of a Showgirl, the biggest pop star in the world seemingly takes a dig at none other than Charli XCX.

    Many outlets, including The Guardian and the Los Angeles Times, believe that Swift’s song, co-written with Max Martin and Shellback, is a diss track aimed at the Brat songwriter. The song’s title, “Actually Romantic,” seems to be referencing the Charli XCX song “Everything Is Romantic” off her critically acclaimed and Grammy-winning album Brat. But while both titles share a word, other believe Swift’s track is a direct response to Charli’s song “Sympathy Is a Knife,” rumored to have been partially inspired by Swift.

    “Actually Romantic” directly addresses a hater of Swift’s who calls her “boring Barbie when the coke’s got you brave.” Charli played with the party-drug culture aesthetic throughout her Brat era. Swift goes on to sing that the same friend high-fived an ex of hers after they found out that Swift and her boyfriend broke up. Many fans read that as a reference to Matty Healy, frontman of the band The 1975, with whom Taylor briefly dated and often seemingly wrote about in her last studio album The Tortured Poet’s Department. This is where the Charli XCX connection becomes more prominent. George Daniel, Charli’s husband, is the drummer for The 1975. Healy and his mother, Denise Welch, attended Charli and George’s wedding in Sicily last month.

    Taylor Swift and Matty Healy in 2023.

    Robert Kamau

    Charli and Taylor weren’t always enemies. In 2018, the British pop star opened for Swift on her Reputation stadium tour alongside Camila Cabello. The following year, however, she said in an interview with Pitchfork that performing in front of Swift’s audience left her cold. “I’m really grateful that (Taylor) asked me on that tour,” said Charli. “But as an artist, it kind of felt like I was getting up onstage and waving to five-year-olds.”

    Taylor goes on to describe her anonymous hater in “Actually Romantic” as a “toy chihuahua barking at me from a tiny purse,” accusing her target of writing a song about how much it sucked to see her face. But in the chorus, Swift turns the polemic into something of a compliment. “It’s actually sweet all the time you’ve spent on me / It’s honestly wild all the effort you’ve spent on me/ It’s actually romantic I really gotta hand it to you / No man has ever loved me like you do.” So, is “Actually Romantic” a diss track or a love letter? You decide.

    Original story appeared in VF Italia.

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    Valentina Colosimo

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  • Julia Roberts Loaned Her Legendary 1990 Armani Suit to Her Son

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    “I love those ’90s Armani suits. They are simply the best,” Edebiri, who wore a Louis Vuitton look inspired by the Roberts classic to the 2025 Golden Globes, where she scooped up a statue of her own, said.

    Turns out, Roberts is willing to loan the suit outside the bounds of her family, upping the ante for her co-star, saying, “I’m going to bring it to work tomorrow and I want you to wear it.”

    The suit isn’t just on offer for friends and family: Roberts herself wore a similar look this week, donning a dark two-piece ensemble for her guest slot on The Late Show With Stephen Colbert on October 1.

    Elizabeth Stewart, Roberts’ longtime stylist, told Vanity Fair that the star’s latest menswear moment was the result of a collision of nostalgic sartorial and personal influences.

    “The suit is from Salon 1884 and they were inspired by Julia’s wardrobe in My Best Friend’s Wedding and I was inspired by Julia in the ’90s, so it was the perfect storm,” she said via email.

    Decades later, the dapper silhouette—paired Wednesday with a steely top and skinny floral-embellished necktie—still suits her.

    Julia Roberts is seen leaving “The Late Show With Stephen Colbert” at Ed Sullivan Theater on October 1, 2025 in New York City.Gilbert Carrasquillo

    Originally published on Vanity Fair Italia with additional reporting by Kase Wickman.

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    Alfredo Toriello, Kase Wickman

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  • Mckenna Grace on going from

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    Actor Mckenna Grace, known for her work in “Young Sheldon” and other films, joins “CBS Mornings” to talk about her latest role in the new Paramount Pictures film “Regretting You.”

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  • ‘The Wonder Years’ star shares why Hollywood ultimately doesn’t work out for some | The Mary Sue

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    Hollywood can be a tough time for a lot of actors out there, and getting to be a recognizable face doesn’t exactly eliminate a lot of the anxieties around success. Danica McKellar was a household name in the United States after playing Winnie Cooper on The Wonder Years from 1988 to 1993. For five years, she was basically the modern TV template for a “school aged crush” for a lot of Gen X viewers. However, McKellar left Hollywood after The Wonder Years concluded.

    Just a couple of days ago, the actress sat down with Hey Dude… The 90s Called!  to talk about her life’s work in and out of Hollywood. McKellar told Christine Taylor and David Lascher that math became her true calling and that Tinseltown just wasn’t in the plans for her. That’s actually perfectly fine with The Wonder Years star.

    McKellar mused that she needed to find some personal meaning beyond just being Winnie Cooper. She talked about people constantly asking her, “Aren’t you that girl, Winnie? Aren’t you that girl from TV?”

    “You’re trying to figure out who you are as a teenager, and everyone else is telling you who you are, and it’s like a thing that doesn’t exist anymore.” McKellar elaborated. “You guys are aware there’s all the insecurity that comes from having a lot of success early on, and then you don’t have that thing anymore. And you’re like, ‘Who am I now? Where do I get my validation?’”

    Hollywood isn’t for everybody and that’s okay

    Hollywood cast of The Wonder Years.
    (Hulu)

    Stories like the one McKellar tells here have become super commonplace over the last 5 years. People taking a step back from their careers, no matter what they are, to reassess and plot out what their future plans. There’s nothing quite like things being upended by things that you can’t control to trigger some introspection. (Some of it good, and some of it…well…not so great!) But yeah, there’s room for everyone when it comes to finding out what your purpose is and pursuing that! In fact, we should probably applaud that entire process more than we do currently.

    During the podcast, the Winnie Cooper actress shared how a hard exam at UCLA changed the course of the rest of her life. Basically, McKellar believed that she had bombed the test pretty hard. When in actuality, the exam was designed to see who in the class was the most prepared for the rigor of a Math degree ahead. Despite posting a seemingly low score, she got the highest marks in the class. It felt good for the Wonder Years star to have some sort of triumph that had nothing to do with her time on TV. And, she leaned into numbers and never looked back.

    “The math books have kept me sane for the last twenty years because it’s something that I can do something about,” McKellar mused. “Like, I can actually write a book and then have it published and then help kids with math and then make some money from that. It’s a thing that I can do that’s not like the business.” 

    It’s nice to read stories like this because there really is a life out there for all of us. No matter how niche the pursuit seems on the surface, there’s something  that your special talent can do for another person. Even if it seems obscure, there’s someone waiting to hear what you have to say, look at your art, or discuss the work you do everyday. That’s where our true purposes come into play. It probably feels amazing to be recognized as the math author as well as Winnie Cooper. It’s all a matter of perspective when you really drill down into it.

    (Credit: ABC)

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    Aaron Perine

    Aaron Perine is a writer that covers Free Streaming TV, normal TV, small TV (the kind that plays on your phone mostly!), and even movies sometimes!

    Phase Hero co-host. Host of Free Space: The Free Streaming TV Podcast.

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    Aaron Perine

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  • ‘AI actor’ Tilly Norwood stirs outrage in Hollywood

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    By JAKE COYLE

    NEW YORK (AP) — Like thousands of actors, Tilly Norwood is looking for a Hollywood agent.

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    Associated Press

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