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Tag: Hollywood

  • Walk of Fame star posthumously honoring Chadwick Boseman to be unveiled

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    A star on the Hollywood Walk of Fame will be unveiled Thursday honoring the late actor Chadwick Boseman for a career that mixed portraying the Marvel Cinematic Universe superhero T’Challa with historical figures.

    Ryan Coogler and Viola Davis are set to speak at the 11:30 a.m. ceremony at 6904 Hollywood Blvd., across from the TCL Chinese Theatre.

    Coogler directed Boseman in “Black Panther” and its 2022 sequel “Black Panther: Wakanda Forever.”

    When Boseman portrayed singer James Brown in the 2014 biographical musical “Get On Up,” Davis portrayed Brown’s mother Susie. In “Ma Rainey’s Black Bottom,” Boseman’s final film, Davis played strong-willed blues singer Ma Rainey, and Boseman played Levee Green, the overconfident trumpeter in Rainey’s band.

    Boseman received a best actor Oscar nomination for the role in 2021 and won the Golden Globe for best actor in a motion picture drama and Screen Actors Guild Award for outstanding performance by a male actor in a leading role.

    The star will be accepted by Boseman’s widow, Simone Ledward-Boseman.

    Boseman died of colon cancer in 2020 at age 43.

    The star is the 2,828th since the completion of the Walk of Fame in 1961 with the initial 1,558 stars.

    All Walk of Fame ceremonies are streamed on walkoffame.com, and can later be seen on YouTube.com/@HwdWalkofFame.

    Born Nov. 29, 1976 in Anderson, South Carolina, Boseman showed an interest in the performing arts early on, writing his first play while in high school.

    Boseman graduated from Howard University in 2000 with a bachelor of fine arts degree in directing. His professors included Phylicia Rashad, the Howard alum best known for her portrayal of Claire Huxtable on 1984-92 NBC comedy, “The Cosby Show.”

    “Unrelenting in his pursuit of excellence, Chadwick was possessed with a passion for inquiry and a determination to tell stories – through acting, writing, and directing – that revealed the beauty and complexity of our human spirit,” Rashad said in a statement in 2021, when Howard’s newly reestablished College of Fine Arts was named in honor of Boseman.

    Boseman was among the students who orchestrated the ultimately unsuccessful protest against the absorption of the College of Fine Arts into the College of Arts & Sciences. Plans to re-establish the College of Fine Arts were announced in early 2018.

    Boseman was a New York City-based stage actor and director at the of his career. He was a member of the National Shakespeare Company of New York, portraying Romeo in “Romeo and Juliet” and Malcolm in “Macbeth.”

    Boseman made his television debut in a 2003 episode of the NBC crime drama “Third Watch.” He was cast later that year in the ABC daytime drama “All My Children,” but was fired after a week after voicing concerns about racial stereotypes with the character. He was replaced by his future “Black Panther” co-star Michael B. Jordan. Boseman moved to Los Angeles in 2008. He was cast in a recurring role in the ABC Family drama “Lincoln Heights” as an Army veteran with post-traumatic stress disorder. 

    Boseman made his feature film debut in the 2008 biopic, “The Express: The Ernie Davis Story” as future Pro and College Football Hall of Fame running back Floyd Little, who is successfully recruited to play for Syra by leukemia-stricken Heisman Trophy-winning running back Ernie Davis (Rob Brown).   

    Boseman became a cast member of a prime-time series for the first time in the NBC psychological thriller “Persons Unknown,” which ran for 13 episodes in the summer of 2010. Boseman had his breakout role in the 2013 biopic “42” as groundbreaking baseball star Jackie Robinson.

    Boseman became part of the Marvel Cinematic Universe with the 2016 release of “Captain America: Civil War” as T’Challa, a prince of the fictional African nation of Wakanda who holds the appointed title of Black Panther.

    Boseman became the first Black actor to be the lead of an MCU movie with “Black Panther” which was released in 2018. He also portrayed the character in the MCU films “Avengers: Infinity War” and “Avengers: Endgame” and the Disney+ anthology series “What If…?” receiving a posthumous Primetime Emmy in 2022 for outstanding character voice-over performance. Boseman’s other film credits included “Marshall,” portraying Thurgood Marshall, the first Black Supreme Court justice, “Draft Day,” “21 Bridges” and “Da 5 Bloods.”

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    City News Service

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  • Parts of Fort Lauderdale-Hollywood airport evacuated after bomb threat, BSO says

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    Deputies evacuated parts of Fort Lauderdale-Hollywood International Airport Tuesday, Nov. 18, 2025, after a man claimed he had a bomb in his bag, the Broward Sheriff’s Office said.

    Deputies evacuated parts of Fort Lauderdale-Hollywood International Airport Tuesday, Nov. 18, 2025, after a man claimed he had a bomb in his bag, the Broward Sheriff’s Office said.

    MH

    Deputies detained a man who claimed he had a bomb in his bag at Fort Lauderdale-Hollywood International Airport Tuesday morning, prompting an evacuation in parts of the facility, the Broward Sheriff’s Office said.

    Deputies ordered the evacuation of the lower and upper levels of Terminal 4 while did a security sweep, the sheriff’s office said around noon.

    Airport officials said in a statement that the incident is affecting access to pre-security public areas of the arrival and departure levels of the terminal.

    “We appreciate your patience and cooperation during this ongoing investigation,” the airport said in the statement.

    Sheriff’s office spokeswoman Claudinne Caro said the bomb squad is at the airport and has secured the bag.

    This is a developing story and will be updated as more information becomes available.

    David Goodhue

    Miami Herald

    David Goodhue covers the Florida Keys and South Florida for FLKeysNews.com and the Miami Herald. Before joining the Herald, he covered Congress, the Environmental Protection Agency and the Department of Energy in Washington, D.C. He is a graduate of the University of Delaware.

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    David Goodhue

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  • Pope Leo XIV hosts Hollywood at the Vatican

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    Pope Leo XIV hosts Hollywood at the Vatican – CBS News










































    Watch CBS News



    Chicago-born Pope Leo XIV hosted stars like Cate Blanchett and Spike Lee at the Vatican as part of an effort to deepen the dialogue between creativity and faith.

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  • Pope Leo XIV Is a Cinephile Who Loves It’s a Wonderful Life, The Sound of Music

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    Just because you’re the pope, that doesn’t meant mean you can’t have a little fun. The dearly departed Pope Francis had plenty of earthly passions, including soccer and cinema. Fellini’s The Road, Gabriel Axel’s Babette’s Lunch, Kurosawa’s August Rhapsody, and Rossellini’s Rome Open City were among the late pope’s favorite films.

    Apparently his successor, Pope Leo XIV, is not only a White Sox fan but also something of a cinephile. Ahead of a meeting with iconic figures from the film world on Saturday, Leo XIV, the first ever American pope, shared his four favorite movies of all time via a statement from the Vatican. They include a Christmas classic, a beloved musical, an Oscar-winning drama, and an Italian film.

    The first movie on Leo’s list is Frank Capra’s 1946 classic It’s a Wonderful Life—where Jimmy Stewart’s despondent businessman George Bailey learns to appreciate the beauty of life on Christmas. It’s a fitting choice for the Catholic leader for obvious reasons (see: Christmas). Pope Leo XIV’s next choice also makes sense thematically: the 1965 musical The Sound of Music, directed by Robert Wise and based on the Rodgers and Hammerstein Broadway musical. Of course Pope Leo XIV loves the adaptation, which stars Julie Andrews as Maria, a nun-in-training tasked with looking after the seven Von Trapp children as the Nazis begin to invade Austria: singing nuns and escaping the Nazis are catnip to a pope.

    Pope Leo XIV’s next two choices veer a little bit farther from the papacy. He name-checked Robert Redford’s 1980 film Ordinary People, starring Mary Tyler Moore, Donald Sutherland, and Timothy Hutton. Winner of the Oscar for best film, it follows a family of three dealing with the death of their eldest son—decidedly darker fare than either The Sound of Music or It’s A Wonderful Life. Pope Leo XIV’s fourth and final choice is the 1997 film Life Is Beautiful, directed by and starring Roberto Benigni as a Jewish-Italian waiter who is taken to a concentration camp with his young son. The Oscar-winning Italian film makes sense given Leo’s new residency in the Vatican City.

    According to a statement from the Vatican, Leo XIV “has expressed his desire to deepen dialogue with the World of Cinema, and in particular with actors and directors, exploring the possibilities that artistic creativity offers to the mission of the Church and the promotion of human values.” As such, prominent Hollywood figures such as Cate Blanchett, Spike Lee, Monica Bellucci, and Gaspar Noé, as well as Italian cinema staples Marco Bellocchio, Raoul Bova, and Sergio Castellitto, will have an audience with the pope in Vatican City this weekend.

    Perhaps on Saturday, the cinephiles will learn which films just missed the cut for Leo XIV: maybe Sister Act one or two, Doubt, or the recent hit One Battle After Another, in which nuns prominently figure. In any case, it’s clear that it’s time to get Pope Leo XIV on Letterboxd: We’d love to see his Conclave review.

    Original story appeared in VF Italia.

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    Chiara Pizzimenti

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  • ‘The Running Man’ Conjures a Dystopian Vision of America That’s Still Not as Bad as Reality

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    Thirty-eight years later, The Running Man is back on our screens, playing to a world that seems to have caught up with the original’s idiocy. This new one features a considerably less bulky, but no less watchable star in Glen Powell, playing runner Ben Richards. Fired from various jobs for insubordination, and tending to a sick toddler, he’s press-ganged into joining America’s favorite kill-or-be-killed game show, after a producer identifies him as “quantifiably the angriest man to ever audition.”

    The show’s premise has been tweaked a bit, too. Instead of navigating a series of video-game-like levels for the length of a TV broadcast, Richards must now survive in the real world for 30 days, surveilled by hovering network TV camera droids, pursued by armed-to-the-teeth “hunters,” private police goons, and a general public who spot and film runners using a proprietary app on their smartphones. The longer he lasts, and the more pursuers he can kill, the more money he makes. He’s cheered (and booed) by a massive audience of brain-dead oafs called Running Fans, glued to their screens 24/7. Like Schwarzenegger’s Richard before him, Powell makes the transition from onscreen villain to beloved folk hero, mugging for the cameras as his antics drive the ratings.

    If it sounds familiar, it’s because this new version of The Running Man, which is cowritten and directed by Edgar Wright (Hot Fuzz, Scott Pilgrim vs. the World), draws as much from the original film and Stephen King’s source novel as it does from present-day reality. A modern-day America overseen by a game show president, where ICE squads team up with Dr. Phil McGraw to turn deportation raids into reality television, would seem ripe for a Running Man remake. But that’s the problem. Satire relies on caricature. And the new version is barely exaggerative. Does the very idea of a lethal game show seem that far off, in a world where the success of Netflix’s South Korean thriller series Squid Game (itself a variation on the The Running Man format) spawned an actual, licensed Squid Game-style competitive reality TV show? Or when a grinning zillennial YouTuber named “MrBeast” baits contestants with ten grand to sit in a bathtub full of snakes? A few weeks ago I watched live as rookie New York Giants’ running back Cam Skattebo’s ankle twisted 45-degrees, as if cranked by some invisible wrench, while a bar-full of rival fans cheered.

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    John Semley

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  • Laura Dern Has the Spirit of Seventies Cinema

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    The actor, who plays George Clooney’s publicist in “Jay Kelly” and Will Arnett’s estranged wife in “Is This Thing On?,” has spent her life surrounded by Hollywood luminaries.

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    Michael Schulman

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  • Jennifer Lawrence Doesn’t Judge Robert Pattinson for Having Zero Oscars, Really

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    JLaw and R.Pat are one delightful duo. Die, My Love stars Jennifer Lawrence and Robert Pattinson recently participated in an especially entertaining edition of Vanity Fair’s Lie Detector Test, where they chatted about rapping, former roommates, reality television, and having (or not having) Oscars.

    Those who have been paying attention should have seen this coming: Lawrence told Las Culturistas hosts Bowen Yang and Matt Rogers that she specifically wanted to do a Lie Detector Test with Pattinson. When Lawrence’s wish was granted, she made Pattinson strap in for the polygraph first. Pattinson, who has a known history of telling tall tales during interviews, was visibly nervous before Lawrence began grilling him. Her first one for Pattinson: “You once said you wanted to be a rapper named Big Tub. Do you want to be Big Tub instead of being an actor?” Ultimately, Pattinson agreed it was too late to pursue his rapping dream—and acknowledged that he hadn’t yet chatted with fellow rapper turned actor Timothée Chalamet about his musical aspirations.

    Lawrence later asked Pattinson if he’s jealous that she has an Oscar and he does not. “I’m not jealous of your specific one. I’m glad you have one,” he said after careful consideration. “I wouldn’t want to take it off you and have it for myself.” So diplomatic. Further into the questioning, Pattinson joked that he would return for another Twilight film because he likes taking roles from younger actors—and maintained that he is a member of Gen Z. When Lawrence called him out—Pattinson is, in fact, a 39-year-old millennial—Pattinson dug his heels in further. You’re only as old as you feel.

    Soon, it was Lawrence’s turn in the hot seat. She, too, was nervous: “I guess I never realized how much I lie in interviews,” Lawrence said. She was apparently truthful while saying that she still believes everyone hates her—“I don’t know why anybody wouldn’t”—and when calling Emma Stone her best friend. (No wonder the two are reportedly producing a Miss Piggy movie together.) Lawrence also admitted she’s jealous of Stone for having two Oscars, while Lawrence only has one—which doesn’t mean Lawrence judges Pattinson for having none. “You deserve many,” she added.

    An avid reality television watcher, Lawrence admitted that she has fallen off on The Kardashians, but that didn’t stop her from having strong opinions about the family anyway. After revealing that her favorite is Khloé Kardashian, Lawrence laid in a bit on Kourtney: “Kourtney is more annoying than ever,” she said. “She drives me nuts. Everything has to be an announcement. ‘I’m not going to wear outfits anymore.’ Just wear whatever you want. Don’t make an announcement about it. Or like, ‘I don’t have a TV in my room.’ Just don’t watch TV. Stop announcing it. Just shh.”

    It seems like Lawrence got away with at least one lie during the test, when Pattinson asked her if she thought The Hunger Games was cooler than Twilight. “No,” she said convincingly, prompting the analyst to confirm that she was being truthful. “Breaking news: This machine is broken,” Lawrence then said. It’s true: Katniss Everdeen could take Edward Cullen any day of the week.

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    Chris Murphy

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  • Will Ferrell’s “Elf” suit set to hit the auction block, and Hollywood Christmas magic doesn’t come cheap

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    London — The suit worn by Will Ferrell in the 2003 comedy hit “Elf” is going under the hammer at an auction of movie memorabilia in London this December, and the skin-tight green and yellow piece of Hollywood Christmas magic is expected to fetch over a quarter of a million dollars.

    Bidding for the iconic suit, complete with the conical hat and matching tunic, will begin at 50,000 pounds, the equivalent of about $65,000, but it’s expected to eventually sell for as much as 200,000 pounds, or about $261,000, when the hammer falls at the Propstore Winter Entertainment Memorabilia auction.

    According to the description on the Propstore Auction house’s website, there are tags reading “Mr. Ferrell” on the inside of the tunic and the stockings, with “Hero-3” also handwritten on the tunic tag. 

    Buddy’s screen-matched hero Elf costume is expected to fetch up to $261,000

    Andrew Matthews/PA Images via Getty Images


    The auctioneers say the belt also has “Mr. Ferrell” written on it in blue ink.

    Large movie productions often create several versions of the same props, but the term “hero” is typically used to describe the highly-detailed iterations which are central to the plot and intended for close-up shots in the final cut of the movie.

    The suit going up for sale does not appear to be the same one that Ferrell wore to an NHL hockey game in Los Angeles just after Christmas last year, when he gave fellow sports fans a giggle by sitting near the ice looking disgruntled with a beer and a cigarette in the garish outfit.

    Philadelphia Flyers v Los Angeles Kings

    Will Ferrell entertained fans by wearing an Elf-like costume to a hockey game

    Ronald Martinez / Getty Images


    Another notable item up for sale in the December auction is Marty McFly’s iconic hoverboard from the second and third installations of the “Back to the Future” trilogy, which is expected to sell for more than $156,000. 

    According to the product description, it’s the lightweight foam version of the prop, which actors used for scenes where their characters were seen carrying the boards, rather than a wooden version that Michael J. Fox and his fellow actors were seen riding in other parts of the movies.

    The example of the then-futuristic hoverboard does have some “wear from use and age, including adhesive residue around the fastening strips, cracks in the foam, and paint chipping throughout,” according to the auctioneers.

    Propstore film auction

    The foam prop was used by actors in scenes where they carried the futuristic Hoverboard

    Andrew Matthews/PA Images/Getty


    The most valuable lot in the auction, however, will be the original prop used as Boba Fett’s rifle in “Star Wars: The Empire Strikes Back.” 

    The auction house says it is the only known example of the prop. Other stunt versions and castings were made for later movies in the franchise, but, according to Propstore Auctions, this EE-3 carbine blaster has been “identified by its serial number and photo-matched by details on the stock, directly confirming its provenance.”

    The blaster, which started its life as a genuine 1917 Webley & Scott No.1 Mark I flare pistol, is expected to fetch the equivalent of around $915,000 when it goes under the hammer.

    Propstore film auction

    The unique prop used by the Boba Fett character in “Star Wars: The Empire Strikes Back,” is expected to fetch the equivalent of around $915,000 at auction.

    Andrew Matthews/PA Images/Getty


    The three day auction begins on December 5 and will feature other iconic film memorabilia including Indiana Jones’ fedora, worn by Harrison Ford in the 1984 “Temple of Doom” movie, Obi-Wan Kenobi’s lightweight lightsaber from 1999’s “Phantom Menace,” and Jack Nicholson’s stunt axe from the horror classic “The Shining.”

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  • Upcoming Hollywood Movies Releasing in November 2025: Predator: Badlands and More | Filmfare.com

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    November is shaping up to be an exciting month for Hollywood film enthusiasts. The month is steadily offering a lineup of movies that caters to all tastes. You can be a fan of thrillers, emotional stories or comedies – there’s something for everyone. The most awaited November releases include Predator: Badlands, Nuremberg and Die, My Love. These, alongside a variety of other thrilling releases should keep the excitement alive for the spookiest month of the year. Get ready for cinematic gems that promise to keep you at the edge of your seats.

    Predator: Badlands

    Release date: November 7, 2025

    Predator: Badlands stars Elle Fanning and and Dimitrius Schuster-Koloamatangi in leading roles. The futuristic project is set on a remote planet, where a young Predator outcast forms an unexpected alliance with a synthetic being named Thea.

    Nuremberg

    Hollywood
    Release date: November 7, 2025

    The movie explores American psychiatrist Douglas Kelley’s psychological notes on Nazi prisoners like Hermann Göring. As Kelley assesses whether the men are mentally competent to stand trial, he finds himself locked in a psychological and intellectual duel with Göring.

    Die, My Love

    Hollywood
    Release date: November 7, 2025

    Grace, a young mother and writer, is gradually descending into insanity. Confined to an old house in Montana, her growing agitation and unstable behavior leave her companion, Jackson, anxious and powerless to help.

    Wicked: Part Two

    Hollywood
    Release date: November 21, 2025

    Wicked: Part Two will explore Elphaba’s story as the Wicked Witch of the West. In the first instalment of the franchise, she became a fugitive fighting for animal rights. Glinda, on the other hand, rose to power as a public figure known as Glinda the Good.

    Zootopia 2

    Hollywood

    Release date: November 26, 2025

    In Zootopia 2, officers Judy Hopps and Nick Wilde take on a new case when a dangerous serpent named Gary De’Snake arrives in the city, disrupting its fragile harmony and sparking a thrilling investigation.

    Also Read: Hollywood Star Ryan Reynolds to Collaborate With Nani?

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    Filmfare

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  • Jesse Eisenberg Is Donating a Kidney to A Stranger

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    Jesse Eisenberg is taking his love of blood donation to the next level. While appearing on Today, the Now You See Me: Now You Don’t star shared that he intends to donate one of his kidneys to a stranger.

    “I’m actually donating my kidney in six weeks,” he said. “I really am.”

    The Oscar nominee said he was inspired to donate a kidney after becoming a regular blood donor. “I don’t know why. I got bitten by the blood donation bug,” he said. He went on to say that he was “so excited” to complete his altruistic donation—where a person donates a kidney to a person with advanced kidney disease whom he or she does not know—in mid-December.

    “Let’s say person X needs a kidney in Kansas City, (and) their child or whoever was going to donate to them is, for whatever set of reasons, not a match, but somehow I am,” he explained. “That person can still get my kidney and hopefully that child of that person still donates their kidney, right? But it goes to a bank where that person can find a match recipient, but it only works if there is basically an altruistic donor.”

    Eisenberg also dispelled the myth that being an altruistic kidney donor could prevent a potential donor from giving their kidney to someone in their family if that situation were to arise. “The way it works now is you can put a list of whoever you would like to be the first to be at the top of the list,” he said, referring to the National Kidney Registry’s family voucher program. He went on to reveal that he put his family members on his list so they’ll be prioritized for a living kidney donation if necessary. “So it’s risk-free for my family, as well,” he explained.

    In a separate interview with Today, Eisenberg said that his forthcoming procedure is “essentially risk-free and so needed.” The U.S. currently has an organ donor shortage, with about 90,000 people on the transplant list waiting for a kidney as of September 2024, per the Health Resources and Services Administration. “I think people will realize that it’s a no-brainer, if you have the time and the inclination,” he added.

    Original story appeared in VF Italia.

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    Monica Coviello

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  • Anthony Hopkins on the Moment He Quit Drinking: “I Could Have Killed Somebody”

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    This December Anthony Hopkins will celebrate 50 years of sobriety. He was 38 years old when he realized he “needed help” and contacted an Alcoholics Anonymous group. Since then he has not touched a drop of alcohol and has spoken publicly about his sobriety to help those struggling with the bottle. Now, in an interview with the New York Times podcast The Interview, the 87-year-old actor, whose memoir We Did OK, Kid: A Memoir is set to publish on November 4, revealed the exact moment he decided to stop drinking.

    It was December 29, 1975, and, as he recounted, “I was drunk and driving my car here in California in a blackout, no clue where I was going, when I realized that I could have killed somebody—or myself, which I didn’t care about—and I realized that I was an alcoholic.” The two-time Oscar winner woke up in a hotel room without even knowing how he got there. Not long after, at a party in Beverly Hills, he remembers telling one of his agents, “I need help.”

    Hopkins recalls that night in sharp detail: “It was 11 o’clock precisely—I looked at my watch—and this is the spooky part: Some deep powerful thought or voice spoke to me from inside and said: ‘It’s all over. Now you can start living. And it has all been for a purpose, so don’t forget one moment of it.’”

    Since then his life has changed dramatically. And for years now, every Dec. 29, he has celebrated on social media one more year of sobriety, encouraging those struggling with alcoholism to seek help: “Having fun is wonderful, having a drink is fine. But if you are having a problem with booze, get help,” he said, for example, in a 2024 social media video.

    A few years earlier, amidst the Covid-19 pandemic, he celebrated 45 years sober, posting a video message on X (formerly Twitter) urging people to be resilient. “It’s been a tough year, full of grief and sadness for many, many, many people,” he said then. “But 45 years ago today I had a wake-up call. I was heading for disaster. I was drinking myself to death. I got a message, a little thought, that said, ‘Do you want to live or die?’ I said I wanted to live. And suddenly the relief came and my life has been amazing.”

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    Roberta Mercuri

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  • Emma Stone’s Outfit Is a Nod to Another Best-Actress Winner

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    Emma Stone served up a throwback look while heading to The Late Show With Stephen Colbert. On her way into the Ed Sullivan Theater to promote her latest Yorgos Lanthimos movie, Bugonia, the two-time best-actress Oscar winner stunned in a vintage Donna Karan green maxi skirt and blouse.

    © Getty Images

    She’s not the first best-actress winner to wear this verdant ensemble. Gwyneth Paltrow donned the same Donna Karan outfit from the designer’s 1996 spring-summer collection while playing Estrella in Alfonso Cuarón’s 1998 flick Great Expectations, an adaptation of the classic Charles Dickens novel starring Paltrow and Ethan Hawke. Stone also styled the outfit just like Paltrow, with the blouse fastened in the center with a single clasp.

    Hopefully Bugonia fares better than Great Expectations. The film holds a 41% on Rotten Tomatoes. Despite the mixed reviews, famed critic Roger Ebert enjoyed Cuarón’s film, which also starred Hank Azaria, Anne Bancroft, Chris Cooper, and Robert De Niro. “The film is a successful translation of the basic material from one period and approach to another. Especially in the early Florida scenes, it seems timeless,” he wrote. Timeless, just like Stone’s outfit.

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    Ana Serrano

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  • Kathryn Bigelow’s Gripping Netflix Thriller Hits Because It’s So Realistic

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    Beyond the costume and production design, many of the film’s most astounding details are true. Yes, there is an individual who follows the president around at all times with a briefcase full of nuclear retaliation options. Yes, the US’s main line of defensive anti-ballistic missiles only have a 50% success rate in tests. Yes, there really is a highly classified, self-sufficient underground city built for nuclear fallout at the Raven Rock Mountain Complex in Pennsylvania.

    Karbler, who had a small acting role in the film as Stratcom’s chief of staff, was very focused on the language in the film; he encouraged Bigelow to add a line about “dual phenomenology,” the requirement that both satellite and radar must confirm the existence of a missile before the US can launch a retaliatory strike. “That’s very important to get that little phrase in there, because that’s an important part of determining that truly is a missile coming in,” he says.

    Bigelow’s movie focuses most on the human element—how normal people, even the most highly trained, might react to a catastrophic event. “We make sure our processes are done correctly. We make sure our reporting, our communications, procedures, weapons, employment, is [all] done correctly. It’s very sterile, but very process-oriented,” says Karbler. “This movie brings in the human element in spades.”

    Watching this story from the vantage point of 2025, the unsettling fact Oppenheim pointed out is especially striking: The president of the US has final decision-making power in a theoretical retaliation effort. Elba’s president in the film is well-meaning, and the decision weighs heavily on him. Oppenheim—who began writing the script before Donald Trump took office for his second term—says that, in many ways, the movie presents a best-case scenario. “If everyone in authority is responsible, smart, prepared, and well-intentioned—even in that scenario, this is the outcome,” says Oppenheim. “We’ll leave it to everyone to contemplate how bad things could be, or are, if the folks in those chairs are not smart, prepared experts, and well intended.”

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    Rebecca Ford

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  • We have modern movie stars! None of you know how to talk about them | The Mary Sue

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    Time and time again we go through this idea of the “death” of the movie star. But the problem is that no one wants to recognize that we also don’t know how to talk about celebrities anymore. More specifically how the “death” of the movie star is completely because of online chatter.

    The more I hear people getting angry that Pedro Pascal is in everything, I realize that people could not be able to handle an actual movie star in today’s day and age. Tom Cruise is probably our last example but I do think that many look at box office draw as the only requirement to being a movie star and that’s just not true.

    What it really came down to back in the golden age of movie stars was that they would have more than one movie at a time out. Or they’d have multiple projects in a year. It is why I definitely think Glen Powell is one of our biggest “movie stars” out there right now because in 2024, he had 3 different movies out. That’s how it USED to be! Pascal having multiple movies out in a year shouldn’t be labeled as a bad thing.

    But the world we live in now is one that allows so many to hate on people just to do so. Prior to his rise to fame, Pascal was an internet darling. Then he started to achieve that movie star status and everyone online turned on him. Why? Because they don’t actually understand what a movie star is.

    I miss the days of the 80s and 90s stars

    We used to really have a constant stream of theatrical releases with all your favorite stars. Now, we have a lot more content to watch from our favorite celebrities to watch but it isn’t the same theatrical experience we used to have. And when we do have stars attempting to bring back that old Hollywood star, people online want to dog on them.

    Why? Basically people don’t like to be “oversaturated” with a star but 2 or 3 movies a year does not oversaturation make. Instead, I think that the conversation has just shifted from how we used to love seeing the same actors in movies and shows.

    Meaning that the definition of what a “movie star” is has shifted too. It is okay for things to change but then when I see someone saying we don’t have “movie stars” anymore, I have to push back. That’s not true. We have them. They’re the same kind of stars we always had in the past. The issue now is how we all talk about celebrities.

    Anyone who is successful has to balance a fine line between being “too” successful and just right and that’s where the modern movie star has to find a way to shine. I don’t agree with it, I think it is frustrating, but it is disingenuous to say there are no movie stars. There are! You guys just don’t actually like the idea of a classic movie star.

    (featured image: Getty Images)

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    Rachel Leishman

    Assistant Editor

    Rachel Leishman (She/Her) is an Assistant Editor at the Mary Sue. She’s been a writer professionally since 2016 but was always obsessed with movies and television and writing about them growing up. A lover of Spider-Man and Wanda Maximoff’s biggest defender, she has interests in all things nerdy and a cat named Benjamin Wyatt the cat. If you want to talk classic rock music or all things Harrison Ford, she’s your girl but her interests span far and wide. Yes, she knows she looks like Florence Pugh. She has multiple podcasts, normally has opinions on any bit of pop culture, and can tell you can actors entire filmography off the top of her head. Her current obsession is Glen Powell’s dog, Brisket.

    Her work at the Mary Sue often includes Star Wars, Marvel, DC, movie reviews, and interviews.

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    Rachel Leishman

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  • Ireland Baldwin Says She Had a “Lonely Childhood”

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    Ahead of her 30th birthday, Ireland Baldwin is taking a look back at her childhood. The daughter of Alec Baldwin and Kim Basinger shared her thoughts about the trials and tribulations of growing up a Baldwin on her personal Substack page, revealing that she had a “lonely childhood” in a post titled “30, Flirty, and Surviving.”

    “I grew up without two parents in my home and no siblings to turn to. I had a lonely childhood at times, which is why I grew up feeling like I needed to win over certain people in my own family,” she wrote. “For whatever reason, their validation and praise was meaningful to me.”

    Alec Baldwin, 67, and Basinger, 71, got married in 1993 before separating in 2000 and finalizing their divorce in 2002. As she heads into her third decade, Ireland Baldwin shared that there’s a “lot less weight” on her shoulders, in part because she let go of “the need to continue to carry my narcissistic, unreliable, addict family members who I thought I needed in my life.”

    Baldwin did not specify which members of her famous extended family, which includes uncles Danny Baldwin, Billy Baldwin, and Stephen Baldwin, as well as cousin Hailey Bieber, she was referring to in the post. “Nothing was more freeing than finally realizing how poisonous these people are,” she continued. “So I inch into my thirties with an understanding that this is how you break these cycles. My daughter doesn’t have to know these people and I can protect her from them. I can do my very best to construct my own idea of a family, piece by piece. And show how a real family treats one another.”

    Baldwin is mother to two-year-old Holland, whom she shares with musician RAC (real name: André Allen Anjos). In recent months, she has posted positively about her immediate family. In April, Baldwin shared a photo of Alec and her daughter on Instagram for his birthday. “Happy birthday to Peepaw. I’m so glad you were born. Because of your born-ness, I was born-ed. I love you!” she captioned the photo. In September, she dedicated an Instagram post to Hilaria Baldwin, her stepmother, ahead of Hilaria’s appearance on Dancing With the Stars.

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    Marita Alonso

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  • Ryan Murphy Toasts Kim Kardashian and the “Lady Avengers” of All’s Fair

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    It’s one of the most eagerly awaited series of the year, with a trailer that boasts 44 million views. All’s Fair and its high-flying female cast will soon be arriving on Disney+. To celebrate, lead actors Kim Kardashian, Glenn Close, Naomi Watts, Teyana Taylor, Sarah Paulson, and Niecy Nash have embarked on a promotional marathon that began in Los Angeles and recently came to Paris, for a screening at La Maison de la Chimie on Kardashian’s 45th birthday. On the pink carpet, a veritable parade of fashion and icons unfolded in front of an audience of journalists, photographers, and a lucky few fans.

    Between a photocall and an interview, the show’s six stars gathered on a lobby staircase for an exclusive photo session with Vanity Fair France. Paulson, dressed in a white Schiaparelli ensemble, was the first to lend herself to a few light tests, followed by Nash, Taylor, Close, and Watts. Last to arrive on the pink carpet was Kardashian, sculptural in a vintage Dior piece by John Galliano, accompanied by her mother, Kris Jenner. The shoot ended with applause and a round of “Happy Birthday” initiated by Nash.

    After presenting Monster: The Ed Gein Story earlier this fall, the hyperproductive Ryan Murphy is also behind this new series for Disney+, in collaboration with Jon Robin Baitz and Joe Baken. The show follows the day-to-day doings in a divorce law firm run by Allura Grant (Kardashian), Liberty Ronson (Watts), and Emerald Greene (Nash). In the manner of a procedural drama, each episode shifts focus between new business and long-running intrigue set against a backdrop of rivalries and betrayals. “In a world where money is king and love is a battlefield, [they] will change the game,” reads the synopsis.

    Led by Kardashian, the cast of All’s Fair is made up of many of Murphy’s regular collaborators. They include Paulson, seen in several seasons of American Horror Story and in American Crime Story: The People vs. O.J. Simpson; Watts, seen in season two of Feud; and Nash, who won an Emmy Award for her role in Dahmer. Long-time icon Close and Taylor, a breakout in the recent film One Battle After Another, are the only newcomers to this universe. In addition to the main cast, the series will feature choice guest stars like Brooke Shields, Judith Light, Elizabeth Berkley, and Jessica Simpson.

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    Norine Raja

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  • High-rise condo building on Hollywood Beach catches fire, dispatch records show

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    Footage taken from CBS Miami’s Chopper 4 helicopter show flames and smoke coming out of one of the units at the Edgewater Beach Towers, a 13-story oceanfront condominium complex located at 400 North Surf Road.

    Footage taken from CBS Miami’s Chopper 4 helicopter show flames and smoke coming out of one of the units at the Edgewater Beach Towers, a 13-story oceanfront condominium complex located at 400 North Surf Road.


    CBS Miami Chopper 4

    Firefighters responded to a three-alarm fire Tuesday evening at a highrise condominium on Hollywood Beach.

    According to emergency dispatch scanner traffic, the blaze happened around 5:30 p.m. at the 13-story building located at New York Street and North Surf Road.

    Miami Herald news partner CBS 4 Miami’s helicopter shot footage of flames and heavy smoke coming from one of the top floor units.

    This story will be updated as more information becomes available.

    David Goodhue

    Miami Herald

    David Goodhue covers the Florida Keys and South Florida for FLKeysNews.com and the Miami Herald. Before joining the Herald, he covered Congress, the Environmental Protection Agency and the Department of Energy in Washington, D.C. He is a graduate of the University of Delaware.

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    David Goodhue

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  • Princess Diana’s Nephew Made His Film Debut Under a Pseudonym

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    Suits star Meghan Markle and Princess Beatrice, who played one of the queen’s ladies-in-waiting in The Young Victoria, are no longer the only royals with IMDb pages. Princess Diana’s nephew Louis Spencer recently made his foray into onscreen acting, appearing in his first short film under a pseudonym.

    Spencer is the eldest son of Princess Diana’s brother, Charles Spencer. He grew up in South Africa with his mother, Victoria Aitken, after his parents divorced. His sisters, Lady Kitty, Lady Eliza, and Lady Amelia, are models and influencers. The four siblings share two half-siblings from their father’s second marriage to Caroline Freud, as well as a third half-sibling, Charlotte Diana Spencer, from their father’s third marriage to Karen Gordon. Spencer, also known as Viscount Althorp, will one day inherit the Althorp estate, where his aunt Diana is buried.

    The 31-year-old viscount appears in Nicole Kent’s short Pinch & Ouch, which tells an all-too-familiar tale of manipulation and sexual abuse within the entertainment industry. Based on Kent’s personal experience in the industry, the 17-minute film stars Kent, who also wrote and directed, as Lil, a young actor who arrives in Los Angeles during the pandemic to learn the business from a legendary acting coach. Spencer plays Sam, who repeatedly warns Kent’s aspiring actor to be wary of her acting coach, who might have ulterior motives for taking Lil under his wing.

    Spencer has had the acting bug for some time. After studying at the University of Edinburgh, he took an acting course at ArtsEd, a prestigious West London drama school that has also served as the training ground for stars like Julie Andrews, Simone Ashley, and Leo Woodall. Rather than cash in on his famous last name, Spencer chose to go by the stage name Louis Lyons. According to his IMDb page, Pinch & Ouch is Spencer’s first and only credit under the name Louis Lyons.

    Kent reportedly told the Daily Mail that Spencer was “amazing to work with and a great actor.” She added: “It’s such an important film because it highlights the dangers many actors face—and reveals the warning signs to watch out for.”

    Originally published in Vanity Fair France.

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    Margot Blaise

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  • Tilda Swinton, Edward Enninful, and More Celebrate Film at the BFI and Chanel Filmmaker Awards

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    At the annual BFI and Chanel Filmmaker Awards on Thursday, Tilda Swinton, Edward Enninful, and BFI chief executive Ben Roberts came together to celebrate creative audacity in film and award prizes to emerging filmmakers. This year’s awards were given to rising filmmakers Harry Lighton (writer and director of Pillion), the Neurocultures Collective (which consists of Sam Chown-Ahern, Georgia Bradburn, Benjamin Brown, Robin Elliott-Knowles, and Lucy Walker) and Steven Eastwood, and Sandhya Suri (writer and director of Santosh).

    So what exactly does creative audacity entail? According to Roberts, “I think it means that we see someone taking some risks in their work. This work is, how do we help people thread the needle of big, bold, imaginative, creative, risky ideas? They might fail spectacularly as well. But audiences love it when creative audacity lands.”

    Each of the award winners received financial support of 20,000 British pounds to aid in expanding their work and exploring new ideas. The winners were selected by a jury led by Swinton, Enninful, and Roberts.

    “I think all artists have to aim for [originality],” said Swinton during Thursday’s event at Claridge’s. “That’s the project. Because no artist sets out to be a facsimile of anybody else. What we need is original artists. We don’t need people dressed up as other people pretending to be other people. We need original, authentic voices.”

    Guests enjoyed a Champagne reception, presentation of the awards, and a sociable standing lunch. Attending the star-studded event were actors Imogen Poots, Nathalie Emmanuel, Sophie Cookson, George MacKay, Lily Allen, and Connor Swindells.

    “I think what [the BFI and Chanel Filmmaker Awards] demonstrate is how deeply Chanel understands what artists’ lives are, what artists need to make work. They need time and they need support. Money is support. But money is also time,” Swinton explained, while enjoying a miniature ice cream cone. “You can’t eat it and not be funny. No, you can’t stand in an insouciant way,” she said jokingly of the tiny dessert.

    Lighton, whose debut feature, Pillion, stars Alexander Skarsgård as a biker in the world of BDSM**,** was a highlight of the Cannes Film Festival. Upon collecting his award, Lighton noted how his parents would see the film for the first time this Saturday. “How his parents react will be livestreaming,” said Roberts.

    Suri’s narrative feature debut, Santosh, was the UK’s official selection for the best-international-feature Oscar in 2024, while The Stimming Pool is an experimental docu-fiction made, in part, by a collective of autistic artists.

    Chanel and the BFI have been partners since 2022, and are striving to create a burgeoning community of filmmakers. Previous winners include Kathryn Ferguson (Nothing Compares), Savannah Leaf (Earth Mama), and Pinny Grylls (Grand Theft Hamlet).

    The afternoon was a testament to the power of film. “I honestly believe people need cinema. And as I say, they would really miss it if it wasn’t there,” Swinton said.

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    Bridget Arsenault

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  • Brigitte Bardot Is in a “Worrying State” After a 3-Week Hospital Stay

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    Brigitte Bardot, icon of French cinema, recently underwent major surgery at the private Saint-Jean Hospital in Toulon, not far from her home in La Madrague, Saint-Tropez. According to local newspaper Var Matin, the actress was admitted to the hospital three weeks ago and underwent “surgery there as part of a serious illness”

    Though the details were not confirmed officially, the 91-year-old actress is reportedly in a “worrying state,” though there is some optimism for her recovery. She may be discharged from the hospital should her post-surgery continue smoothly.

    This is not the first time that Bardot has had to deal with major health problems. In January 2023, she was hospitalized due to respiratory failure that later resolved. Little news has been heard about her since then.

    In 1973, Bardot retired from the industry after decades as one of the world’s most desired actresses. She was also a regular presence in the nightlife of her beloved French Riviera.

    Hulton Archive/Getty Images.

    After her debut as a model, Bardot made 45 films and recorded 70 songs. She ended her public career to make way for a second life dedicated to environmentalism and the protection of animals, which she carries out through the global charity Fondation Brigitte Bardot.

    A symbol of the era’s changing standards of beauty, she also became a stand-in for women’s emancipation. Her peak popularity in the 1960s and 1970s coincided with the feminist awakening that would take streets and screens around the world.

    Only a few weeks ago, Bardot released her latest book, Mon BBcédaire, a memoir that recounts her life from A to Z—lining up anecdotes, thoughts, feelings, and struggles.

    Originally published in Vanity Fair Italy.

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    Alessia Ferri

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