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Tag: Hollywood

  • Broward man beats pedestrian with metal object and runs him over with Tesla: cops

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    A Hollywood man beat a pedestrian with a metal object then ran him over with his Tesla, police say. He’s facing charges and the victim was hospitalized.

    A Hollywood man beat a pedestrian with a metal object then ran him over with his Tesla, police say. He’s facing charges and the victim was hospitalized.

    A Hollywood man beat a pedestrian with a metal object and then ran them over with his Tesla Model Y in a bizarre, violent fit of road rage that landed him behind bars Tuesday, police said.

    Enrique Agustin Santana, 35, is facing charges of aggravated battery with a deadly weapon, first-degree attempted homicide and leaving the scene of a traffic crash with serious bodily injuries, Hollywood police said.

    Shortly before 8 a.m. Tuesday, a 46-year-old man and a woman were walking on Johnson Street toward North State Road 7 when an argument kicked off between Santana and the man, an arrest report read.

    Santana hopped out of his Tesla and beat the man with a “metal object” before getting back in his SUV and driving away, according to police. The man kept walking with the woman when they noticed Santana’s grey Tesla barreling toward them, officers reported.

    Santana drove onto the sidewalk, slammed into the 46-year-old man, who flew over the car and hit the pavement, and then fled, the report read.

    Hollywood officers rushed to 911 calls about the altercation and the victim was taken to the intensive care unit at Memorial Regional Hospital due to “several skull fractures and brain bleeds,” police said.

    Detectives found Santana thanks to eyewitnesses and having the Tesla’s license-plate information, police also said. When officers went to his home to arrest him, his Tesla was damaged with fluid leaking underneath it, they said.

    The Hollywood Police Department Detective Bureau is asking anyone with information about this case to call 954-967-4636 or Broward County Crime Stoppers at 954-493-8477.

    Devoun Cetoute

    Miami Herald

    Miami Herald Cops and Breaking News Reporter Devoun Cetoute covers a plethora of Florida topics, from breaking news to crime patterns. He was on the breaking news team that won a Pulitzer Prize in 2022. He’s a graduate of the University of Florida, born and raised in Miami-Dade. Theme parks, movies and cars are on his mind in and out of the office.

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    Devoun Cetoute

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  • Forgotten Star Dorothy Stratten Almost Lived the Hollywood Fairy Tale. It Ended as a Horror Story.

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    So, to repeat: Nobody in his right mind would call Bogdanovich a pimp. Except, also to repeat: He made movies. Was, in fact, a director of movies, and inherent in that word—director—is power, authority, control. When a director cast his female lead, wasn’t he choosing a woman he believed conformed or could be coaxed into conforming to his dream? That was the dynamic between Bogdanovich and Shepherd—Pygmalion and Galatea. David Newman recalled going to visit Bogdanovich, encountering Shepherd: “She came out of the bedroom, sat on Peter’s lap. Peter goes, ‘Hi, honey,’ nuzzling, [as] I sat there…. She said, ‘I’m going off to UCLA to see—’ She opened the schedule. ‘…There’s an Allan Dwan at three o’clock, and at five-thirty, should I stay and see that Frank Borzage?’… He’d go out of the room, and she’d roll her eyes, and go, ‘He just wants me to know everything about the movies.’… She was being tutored to be a Peter Bogdanovich girlfriend.”

    When Bogdanovich got together with Dorothy in early 1980, he’d hit the skids. There’d been four flops in a row, two of which starred Shepherd, who’d dumped him for a parts manager at a car dealership in Memphis. It was a fresh decade, though, and he was looking for a fresh start, a fresh leading lady, discovery, muse, hope.

    Carpenter’s piece was highly influential. Because it was first. Because it won a Pulitzer. (By default, after Janet Cooke’s sob-story story about an eight-year-old Black dope fiend—“Don’t nobody here hardly ever smoke no herb”—for The Washington Post was revealed as bogus.) And because it delivered a moral that readers already knew by heart: Hollywood is no place for virtuous young ladies. (Regular people love to disapprove of the show business people they can’t get enough of.) Hefner’s and Bogdanovich’s response was identical: incredulity and horror followed by the need to get the true version—that is, the Hefner version and the Bogdanovich version—out there and fast.

    The supporting players in the fairy tale were about to become the tellers of the fairy tale.

    Hefner commissioned an article for the May 1981 issue of his magazine. “Richard Rhodes and the editors of Playboy,” read the byline. “The deal was Hefner wanted to edit and contribute to the story,” says Rhodes, “and I was wary of that. He would call me up at two in the morning. So, I was writing the story with him looking over my shoulder. And I had made an agreement with Arthur Kretchmer [Rhodes’s editor] that if Hefner interfered sufficiently and edited the story sufficiently, they’d take my name off it. We finally compromised on ‘by Richard Rhodes and the editors of Playboy.’ ”

    A few months later, in the fall of ’81, Bogdanovich sold a proposal for a memoir about his time with Dorothy. “It’s a story which must be told,” he said to a reporter, “and I’ll tell it.”

    But Carpenter wasn’t passing the microphone just yet. She’d sold the rights to “Death of a Playmate” to Hollywood. (Perhaps not the only Dorothy-related rights sold to Hollywood. The private detective Snider hired to tail Dorothy and Bogdanovich, Marc Goldstein, had, according to a suit filed by Bogdanovich and the Stratten estate, stolen Dorothy’s diaries and other personal effects, sold them to a studio. Goldstein claimed no probable cause; the suit was dismissed. Goldstein, however, was named “technical adviser” on the 1981 NBC TV movie Death of a Centerfold.) For the privilege of retelling her magazine piece in movie form, Carpenter was reportedly paid $130,000. As Hefner wryly noted: “So much for the exploitation of Dorothy Stratten.”

    It’s Showtime!

    The adaption would be called Star 80, a reference to the vanity plate on the Mercedes Snider bought Dorothy with her money. (According to Louise, Snider’s family harassed Dorothy’s mother, insisting she give them the Mercedes, claiming it was their rightful property. Their reasoning: Snider was still legally Dorothy’s husband; Dorothy died before Snider—because he shot her first, himself second—and therefore her assets went to him; and then, when he died, to them.) Bob Fosse would write and direct.

    Fosse, a supporting player, even if he was entering the fairy tale when it was already over. Fosse, yet another complicated and contradictory man. Fosse, the final teller.

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    Lili Anolik

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  • At CES 2026, iMogul AI pitches a smarter path into Hollywood – WTOP News

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    iMogul AI, created by a Rockville startup, is designed to help screenwriters, actors and producers connect — using artificial intelligence not to create content, but to analyze it.

    iMogul CEO Chris LeSchack at CES 2026 in Las Vegas, Nevada.(Courtesy Steve Winter)

    Breaking into Hollywood has never been easy.

    For decades, aspiring screenwriters have faced a familiar cycle: write a script, submit it, wait, follow up, wait some more — and often never hear back. In an industry where who you know is invariably more valuable than what you know, even strong material can die on the vine before it ever reaches the right decision-makers.

    At CES 2026, a Rockville, Maryland-based startup believes they have found a way to disrupt that process.

    Exhibiting this year from Eureka Park at CES, iMogul AI is unveiling a platform designed to help screenwriters, actors and producers connect more efficiently — using artificial intelligence not to create content, but rather to analyze, validate and accelerate the acceptance process, essentially trimming that all-important barrier to entry.

    “The company and the product is called iMogul,” CEO Chris LeSchack said. “As we all know, it’s incredibly hard to get into Hollywood. iMogul is essentially designed for screenwriters who have created screenplays but don’t know where to go with it.”

    LeSchack speaks from personal experience. In 2005, he attempted to pitch a screenplay to Fox Studios. While the studio expressed interest, the project ultimately stalled.

    “They said, ‘Yeah, Jerry Bruckheimer has done this before. Maybe next time,’” LeSchack recalled.

    The experience planted the seed for what would eventually become iMogul AI.

    Rather than acting as another script-hosting site or marketplace, iMogul AI aims to create a feedback-driven ecosystem around each screenplay. Writers upload their scripts to the app, where audiences can read them, vote on elements such as casting, filming locations and creative direction, and provide validation that can be shared with potential investors and producers.

    “What if I had an app and got the demographics or the information from the audience that actually go and read the script, vote on actors, vote on directors and cinematographers?” LeSchack said. “And then I take that information and provide it to friends and family investors or actual real investors who are interested in Hollywood.”

    iMogul AI, LeSchack said, absolutely does not use generative AI to write or alter scripts.

    “I don’t use AI to do anything with the content itself,” he said. “That’s all the screenwriter.”

    Instead, the platform applies AI to market analysis — evaluating potential audiences, identifying tax incentives and shooting locations, and recommending actors who might align with a project’s budget and goals.

    “If the screenwriter is interested in selecting their own talent, they can go and do that,” LeSchack said. “While the higher tier actor or actress a film engages, the higher will be the value of the screenplay; but in many instances, we want to bring in relative unknowns … some B-listers and others … talent that might bring down the cost down while also helping the screenwriter pitch it to investors and producers.”

    The AI also analyzes scripts to suggest optimal filming locations. By parsing external and internal scenes, settings and themes, the system can flag regions with favorable tax incentives.

    “We’re using AI really to … deal with flow,” LeSchack said. “Help actors, screenwriters get back to work, producers — in fact, everybody in the film industry.”

    Bypassing traditional gatekeepers

    For emerging creatives, that promise resonates strongly.

    Zsuzsanna Juhasz, an employee of iMogul AI, is also a junior at USC majoring in film studies and production. As she embarks on her career in the entertainment industry, Juhasz is fully representative of the sort of individual for whom iMogul was created.

    “One of the scariest things about breaking into the industry is not knowing the right people,” Juhasz said. “If you don’t know the right people, maybe your work won’t be recognized or it won’t get out there. And that’s terrifying as you’ve invested four years into your education building your portfolio.”

    She sees iMogul AI as a way to bypass traditional gatekeepers.

    “This app will bridge that connection,” she said. “My work will be in front of audiences. People can read the kind of worlds I’m building, the characters I’m building, and they’ll be interested in that. They can vote for it.”

    The platform’s casting features are also central to its appeal. Actors can read sides, submit reels and audition directly through the app — opening doors for performers without agency representation.

    “It lets you have a sort of control that the industry doesn’t always offer you,” Juhasz said.

    That functionality will soon expand, thanks to a new feature called iMogul Take One, which LeSchack announced at CES.

    “Take One is going to invite actors to come in and read sides … and then pitch it out into the real world,” he said. “So we might be able to find the next up-and-coming actor.”

    The app is currently free to download on Apple’s App Store, with a Google version presently in the works. While screenwriters may eventually pay a modest monthly fee, LeSchack said the priority is growth.

    “The more screenwriters that put screenplays up there, more audience comes in,” he said.

    As iMogul AI makes its CES debut, the company is positioning itself not as a replacement for Hollywood, but as a smarter on-ramp. For creatives long locked out of the system, that may be the most compelling pitch of all.

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    Thomas Robertson

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  • Bill Hader and Ali Wong Have Reportedly Split. (Sometimes, Comedians Can Make You Sad)

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    Much of Wong’s stand-up comedy material in her hit specials Baby Cobra, Hard Knock Wife, Don Wong, and Single Lady, has dealt with her experiences as a wife—then divorcée—and mother. She is mother to daughters Mari, 10, and Nikki, 8 with ex-husband Justin Hakuta They announced their plans to divorce after eight years of marriage in 2022, and Wong described their current relationship status as “best friends” and their divorce as “unconventional.” At the 2024 Golden Globes, after collecting a congratulatory kiss from Hader on her way up to the stage, Wong thanked Hakuta by name from the podium.

    Hader has three daughters, whom he shares with ex-wife Maggie Carey. Hader and Carey announced their divorce in March 2018.

    In Single Lady, which premiered on Netflix in October 2024 after being filmed at her stand-up tour of the same name, Wong described how a man—revealed to be Hader later in the set—had wooed and pursued her, leading to her ultimately shedding that single lady status.

    In the special, she recalled Hader’s initial approach, recounting Hader saying, “Hey, Ali. I just happened to hear the news of your divorce today, and I gotta tell you…I’m excited. I am, Ali, because, look, I have had a crush on you forever, and I actually told my best friend years ago that you were my dream girl. And I know this sounds crazy, but, uh, I want you to be my girlfriend.”

    Some time, many escalatingly large bouquets, and a sprinkling of debate over whether Hader’s persistence and attention made him sweet (her female friends’ take) or a psychopath (the male opinion, she said), she succumbed to his charms.

    “I did fall in love again,” she shared at the end of her set. “Some of you might know who the guy is. And it just so happens to be the man who sent me all of those flowers in Europe.”

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    Kase Wickman

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  • Ashley Tisdale French, Hilary Duff, Mandy Moore, and the Disney Channel Mama Drama That Ate the Internet

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    The cherry on top is a sarcastic call to action on his fake article: “Read my new interview with @thecut.” It doesn’t exactly scream “this essay isn’t about my wife and her custom ‘mother’ sweatpants.”

    Tisdale French explained in her essay that she began feeling left out and uncool, echoes of her high school (not the musical kind, the learning kind) insecurities coming back to haunt her. “But I’m not in high school anymore,” she wrote. “I’m a mom.” She rationalized that she was setting an example for her kids by standing up for herself and letting her not-friends know that there would be no more mommy-n-me hangs for her, thank you very much. “Surely, it would have been easier to disappear without explanation—and that would have allowed all of us to convince ourselves that we simply ‘drifted apart’,” she wrote.

    Easier, yes, and arguably better.

    If you can afford to shell out for a $10.99 monthly HBO Max basic plan subscription—maybe even less if you take the time to track down a promo code, and even more affordable if you share a login—the indelible lessons of Big Little Lies are priceless. Not all friend groups share what Reese Witherspoon, Nicole Kidman, Shailene Woodley, Zoe Kravitz, and Laura Dern do (murder secrets, very nice views of Monterey Bay). Every friendship looks different, and has a unique ingredient list for its glue. People come and go. In her original post, Tisdale French called the group “exactly what I needed at the time.” Now, not so much. And that’s fine. Seasons pass, needs change.

    Psych studies have found that having friends helps us live—friendships literally decrease risk of death—and live better, happier lives. Young women in particular tend to rely on their friends for intimacy and support, more than men of the same age, according to one survey. Friends are important, there’s no doubt about that, but so is self-awareness.

    High school sucks. Mean girl stuff sucks. Unfortunately, neither high school stuff nor mean girl stuff is exclusive to the adolescent stage of life. But here’s the beautiful lesson that comes with age and experience: You can’t control what anyone else does, but you can control how you react to it. This is something that’s as true for Disney Channel alumnus Hollywood moms as it is for us regular degular ones: Not all friendships last forever, no matter how fire the group chat once was.

    Duff, so far, appears to be holding true to the ol’ “if you can’t say anything nice, don’t say anything at all” rule, not commenting publicly as of publication.

    Tisdale French doesn’t seem to be in possession of that particular throw pillow either. “It didn’t exactly go over well,” she shared of the chat’s reaction to her departure announcement to the group via text: “This is too high school for me and I don’t want to take part in it anymore.” Shocking. No wonder we haven’t seen any of the alleged subjects sharing celebratory retweets of her essay, dredging up old drama.

    If it was childish behavior Tisdale French was hoping to cut out of her life, we have some bad news: This is all high school, and there isn’t even a musical to hum along to this time.

    Representatives for Ashley Tisdale French and Hilary Duff did not immediately respond to Vanity Fair’s request for comment.

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    Kase Wickman

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  • Brigitte Bardot’s funeral held in France, with hundreds coming out to honor the 1960s silver screen siren

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    Paris — Brigitte Bardot’s funeral was being held on Wednesday with a private service and a public homage in Saint-Tropez, the French Riviera resort where she lived for more than half a century after retiring from movie stardom at the height of her fame.

    The animal rights activist and far-right supporter died on Dec. 28 at the age of 91 at her home in southern France.

    President Emmanuel Macron said after her death that France was “mourning a legend.”

    She died from cancer after undergoing two operations, her husband, Bernard d’Ormale, said in an interview with Paris Match magazine released Tuesday evening. “She was conscious and concerned about the fate of animals until the very end,” he said.

    A hearse carrying the coffin of Brigitte Bardot passes crowds as it arrives at Eglise Notre-Dame de l’Assomption for the late movie star and cultural icon’s funeral, Jan. 7, 2026, in Saint-Tropez, France.

    Arnold Jerocki/Getty


    Residents and admirers applauded the funeral convoy as the coffin of Bardot, once one of the world’s most photographed women and a defining screen siren of the 1960s, was being carried through the town’s narrow streets.

    A service started to the sound of Maria Callas’ “Ave Maria” at the Notre-Dame-de-l’Assomption Catholic Church in the presence of Bardot’s husband, son and grandchildren, as well as guests invited by the family and the Brigitte Bardot Foundation for the protection of animals.

    Hundreds of people gathered in the small town to follow the farewell on large screens set up at the port and on two plazas.

    After the church service, Bardot is to be buried “in the strictest privacy” at a cemetery overlooking the Mediterranean Sea, according to the Saint-Tropez town hall.

    She had long called Saint-Tropez her refuge from the celebrity that once made her a household name.

    Brigitte Bardot's Funerals

    Brigitte Bardot’s coffin is carried into the church during her funeral, Jan. 7, 2026, in Saint-Tropez, France.

    Arnold Jerocki/Getty


    A public homage will take place at a nearby site for admirers of the woman whose image once symbolized France’s postwar liberation and sensuality.

    “Brigitte Bardot will forever be associated with Saint-Tropez, of which she was the most dazzling ambassador,” the town hall said last week. “Through her presence, personality and aura, she marked the history of our town.”

    Bardot settled decades ago in her seaside villa, La Madrague, and retired from filmmaking in 1973 at age 39, during an international career that spanned more than two dozen films.

    France Obit Brigitte Bardot

    French actress Brigitte Bardot poses with a huge sombrero she brought back from Mexico, as she arrives at Orly Airport in Paris, France, May 27, 1965.

    AP


    She later emerged as an animal rights activist, founding and sustaining a foundation devoted to the protection of animals.

    “Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

    Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest recognition.

    While she withdrew from the film industry, she remained a highly visible and often controversial public figure through decades of militant animal rights activism and links with far-right politics.

    France Obit Brigitte Bardot

    Movie icon Brigitte Bardot is seen petting a dog in Paris, France, Feb. 10, 1982.

    Duclos/AP


    She will be buried in the so-called marine cemetery, where her parents are also interred.

    The cemetery, overlooking the Mediterranean sea, is also the final resting place of several cultural figures, including filmmaker Roger Vadim, Bardot’s first husband, who directed her breakout film “And God Created Woman,” a role that made her a worldwide star.

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  • Brigitte Bardot’s Most Significant Films

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    It was 1956 when Brigitte Bardot burst into global fame with And God Created Woman, a film directed by her then-husband, Roger Vadim. Though not her first film, it was the one where everything changed for the icon, who died Sunday at age 91: Suddenly, she was the embodiment of sensuality and feminine freedom.

    Before she retired from acting in 1973, Brigitte Bardot appeared in over 50 films, spanning comedy, drama, and adventure. Many were huge successes at the global box office, spurred by an interest in her style on and offscreen. Read on for her most iconic performances and notable films.

    ‘The Grand Maneuver’

    Sunset Boulevard/Getty Images

    The Grand Maneuver (1955)

    Before Bardot’s breakout success, director René Clair cast her in a romantic comedy opposite Gérard Philipe. In the role, Bardot proved her charm was not only provocative but also playful, capable of sustaining the pace and lightness of an entertaining film without losing intensity.

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    Bianca Novembre

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  • Kiefer Sutherland talks about his comedic shift in new movie

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    Kiefer Sutherland talks about his comedic shift in new movie “Tinsel Town” – CBS News









































    Watch CBS News



    Kiefer Sutherland stars in the new holiday comedy “Tinsel Town,” about a washed-up Hollywood actor who lands in a small English town doing a theater production of “Cinderella.” He talks about what drew him to the role.

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  • Bowen Yang Leaves Saturday Night Live in a Swirl of Red Wine, Cocaine, and Tears

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    Bowen Yang made his on-camera debut on the first episode of Season 45, with Vanity Fair‘s Karen Valby noting then that “the show’s first East Asian cast member was saddled with a dispiriting first line of ‘Wazzzzzzup!’ as Kim Jong-un, who [once and future President Donald Trump] called for advice on getting rid of whistleblowers.” But he quickly hit his stride, creating iconic characters such as Chinese trade rep Chen Biao, whose “a tariff is like a tax but it’s a little bit bitchy” was a chillingly prescient quip when uttered in 2019.

    With Yang’s Wicked and Wicked: For Good cast mate Grande in the host slot for the third time Saturday, Yang’s decision to make the last SNL of 2025 his final turn already feels poetic in its symmetry—and then there’s musical guest Cher, who Yang has attempted to lure to the show for years. “I would do anything with her,” Yang said of the icon in 2022.

    Those seated in Studio 8H were clearly clued in on tonight’s news: When Yang joined Grande on stage during her monologue (a gift frustration spin on “All I Want For Christmas”), the cheers threatened to drown out the singing. There was a similar uptick in audience energy when Yang appeared oh-so-briefly in a pre-taped take on Home Alone. In the SNL version, Grande’s Kevin failed to remove his booby traps before his family’s return, leading to (among other gory disasters) Yang’s double amputation.

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    Eve Batey

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  • Rob Reiner’s close friends and colleagues share fond memories of the late Hollywood legend

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    Rob Reiner’s circle was wide and eclectic, spanning comedians honing punchlines and Oscar-winning actors and filmmakers shaping Hollywood itself. 

    As the son of comedy legend Carl Reiner, he entered the world of entertainment early, but went on to make a name for himself as a director, filmmaker, and actor in his own right.

    He’s perhaps best known for his breakout role at age 23 as Archie Bunker’s liberal son-in-law, Michael “Meathead” Stivic in the hit 1970s sitcom “All in the Family,” though others may know him more recently as Bob Day, the father of the quirky Jess Day in “New Girl.” Reiner also directed iconic films such as “The Princess Bride,” “When Harry Met Sally…,” “This is Spinal Tap,” “Stand By Me” and “A Few Good Men.”

    Friends and colleagues who worked with Reiner through the years sat down with CBS News to share their personal anecdotes and fond memories of him following the news of his tragic death. Reiner and his wife, Michele, were found dead in their Los Angeles home on Dec. 14 and their son, Nick, was charged in their murders.

    Here’s a look at some tributes from those who knew Reiner best, featured in “CBS News: Rob Reiner – Scenes from a Life,” a one-hour special that will be broadcast Sunday at 8:30 p.m. ET/8 p.m. PT on CBS and streaming on Paramount+.

    Albert Brooks

    Albert Brooks said he’s still in disbelief over the death of his good friend, who he’s known since the pair attended drama class together at Beverly Hills High School more than 60 years ago.

    “Rob was my oldest friend. It’s that simple. He’s the person that I’ve known the longest. I met him when I was 14 years old. So I’m still in that not believing it stage,” he told CBS News.

    Brooks said he still finds himself dialing his pal’s number to chat, and then freezes when he realizes what he’s done. 

    “I know it happened, but, you know, I’m driving around and all of a sudden — I actually two days ago, I called his number,” he recalled.

    Kathy Bates

    Oscar-winning actress Kathy Bates has credited Reiner with changing “the course of [her] life” by directing her unforgettable performance as Annie Wilkes in “Misery” in 1990.

    “If I hadn’t done ‘Misery,’ it would be like George Bailey going back and seeing what his life would have been like if he had never been there,” she said. “I wouldn’t have had some of the friends that I have now. I wouldn’t have had the richness in my life. I quite frankly probably would have stayed in the theater and I doubt I would have had a movie career. I might have dropped out altogether.”

    Kiefer Sutherland

    Kiefer Sutherland who played Lt. Jonathan Kendrick in the 1992 legal drama “A Few Good Men” said Reiner had an unforgettable presence on set as director. He recalled the tense courtroom scene where Jack Nicholson – Colonel Nathan Jessup – had to deliver his now famous line, “You can’t handle the truth!” 

    After the first moving take, Sutherland recalled Reiner asking Nicholson if he wanted to go again.

    “No one said a word, and Rob went up to Jack Nicholson and whispered in his ear, ‘Do you want to do another one?’ And Jack Nicholson said, ‘Well, we’re here,’” Sutherland recalled. “So they did another one, and it was just as extraordinary.”

    The actors planned a marathon filming day, but Sutherland said Reiner was so blown away by Nicholson’s performance that day that he sent everyone home early.

    “They had planned to shoot the whole day, and Rob looked at everybody and said, ‘I couldn’t ask for anything more, so you guys all have the rest of the day off,” Sutherland said.

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  • Rob Reiner Remembered by Maria Shriver, Kathy Bates, and More

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    Rob Reiner.
    Photo: Getty Images for IMDb

    Renowned cultural figures from Hollywood and beyond are paying tribute to director Rob Reiner, who was killed with his wife on December 14 in an apparent homicide. After Reiner’s death, his friends Larry David and Billy Crystal were seen at his home, per People, with Crystal looking on the edge of tears.

    Reiner began his career acting on the sitcom All in the Family, created by Norman Lear, who died in 2023. “Norman often referred to Rob as a son, and their close relationship was extraordinary, to us and the world,” his family said in a statement, per The Hollywood Reporter. “Norman would have wanted to remind us that Rob and Michele spent every breath trying to make this country a better place, and they pursued that through their art, their activism, their philanthropy, and their love for family and friends.”

    Maria Shriver, a close family friend, said she was “devastated, gutted, shocked, stunned, and so deeply saddened” by the news, adding that she had just had dinner with the couple last week. “I loved them, and I knew they loved me, for any friend like that is such a gift. They gave me and all their friends that gift all the time. They loved their kids so much, and they never stopped trying to be really good parents,” Shriver wrote.

    Kathy Bates, whom Reiner directed to an Oscar for Misery, was “devastated” by the loss, per NBC News. “I loved Rob,” Bates said in a statement. “He was brilliant and kind, a man who made films of every genre to challenge himself as an artist. He also fought courageously for his political beliefs. He changed the course of my life.” Now, people who worked with Reiner and those who were inspired by his films are mourning the loss of the great director.

    Below, tributes to the life and career of Rob Reiner from his friends, collaborators, and famous fans.

    The actor and politician called Reiner a “rare talent,” following a similar message from his son, Patrick. “He was a creative genius who left us some of the greatest movies of all time, and he was a wonderful friend. My thoughts are with his family,” he concludes.

    Deschanel remembered Reiner, who played her father on New Girl, fondly. “My heart is broken. Rob Reiner was the absolute warmest, funniest, most generous of spirits,” she wrote on Instagram on December 15. “A truly good human being. An incredible artist and such a playful and fun collaborator. I cherish the time we spent working together and the many films he made that have shaped who I am.”

    Reba remembered the filmmaker, who directed her in the 1994 film North, in a post on X. She writes, “I enjoyed every minute I was around Rob Reiner. He was one of a kind. I got to work with him on the movie North and he also helped us with our ending of my video, ‘Does He Love You.’ I sure will miss him. What a gift he was to this world. Rest in peace, my friend.”

    The country singer paid tribute to the late couple, sharing she was “shocked and saddened” by the tragedy.

    The Frankenstein director praised not only Reiner’s work, but his character off set, calling him “vital and honest.”

    The Academy paid tribute to the late director, praising his work from his first film, This Is Spinal Tap, to his Oscar-nominated film A Few Good Men.

    Shriver shared a sentimental message for the couple, remembering how they raised their children together and still remained good friends over the years. “We had dinner this past week, and they were in the best place in their lives: loving one another, loving their friends, their family, their country. They never gave up on our country. They wanted to make it better,” she explained.

    The Project Hail Mary co-director celebrated Reiner’s diverse filmography as “iconic all-time classics.”

    Reiner was a staunch Democrat who supported Obama’s presidential campaigns. “Beneath all of the stories he produced was a deep belief in the goodness of people — and a lifelong commitment to putting that belief into action,” the former president wrote of Reiner.

    Reiner, who endorsed Biden in the 2020 election, was a fierce supporter of the Democratic Party. “I think that if he becomes president, on day one, America will be brought back to where it belongs in the world,” Reiner said in 2019 to The Blast. Biden reflected on Reiner’s lasting contributions to culture, “We take solace in knowing their work will live on for generations to come.”

    Curtis released a statement on behalf of herself and her husband, Christopher Guest, who collaborated with Reiner multiple times, including on the film This Is Spinal Tap, which Guest co-wrote and starred in. “Christopher and I are numb and sad and shocked about the violent, tragic deaths of our dear friends Rob and Michele Singer Reiner and our ONLY focus and care right now is for their children and immediate families and we will offer all support possible to help them,” she wrote, per Deadline. “There will be plenty of time later to discuss the creative lives we shared and the great political and social impact they both had on the entertainment industry, early childhood development, the fight for gay marriage and their global care for a world in crisis.”

    Legendary English comedian Eric Idle, an original member of Monty Python’s Flying Circus, mentioned that he’d spoken with Reiner just the night before.

    “What a huge loss,” Stiller, a documented fan, wrote on X. “Rob Reiner was one of my favorite directors. He made some of the most formative movies for my generation. He came out form behind a huge comedic shadow of the great Carl Reiner and being a tv actor to being a a great director who made an incredible run of movies. Spinal Tap is one of the best comedies ever made — and the list goes on. He was a kind caring person who was really really funny. I didn’t know him well but was always a fan and I feel a real sadness for those who did, and his family.”

    King called Reiner a “Wonderful friend, political ally, and brilliant filmmaker (including 2 of mine).” Stand by Me, one of Reiner’s most popular films, is an adaptation of Stephen King’s book The Body. Reiner also directed the 1990 King adaptation Misery.

    Reiner spent time and effort focusing his political activism on his home state of California, where Newsom is the current governor. “Rob was a passionate advocate for children and for civil rights — from taking on Big Tobacco, fighting for marriage equality, to serving as a powerful voice in early education,” Newsom wrote. “He made California a better place through his good works.”

    Pelosi and Reiner worked together on liberal agendas throughout his life, and he endorsed Joe Biden in the 2020 election. “It’s hard to think of anyone more remarkable and excellent in every field and endeavor they pursued,” Pelosi said in her tribute. “Rob was creative, funny, and beloved.”

    Bass, the mayor of Los Angeles, knew Reiner personally. “This is a devastating loss for our city and our country,” she said in a post. “Rob Reiner’s contributions reverberate throughout American culture and society, and he has improved countless lives through his creative work and advocacy fighting for social and economic justice.”

    Barr and Reiner were both worked in mainstream Hollywood comedies in the ’80s. Barr later described getting into a fight with Reiner over politics and telling him, “You’re buying fake news.” She mourned Reiner on X, and prayed for “swift justice.”

    Ron Howard and Reiner both made the transition from acting to directing during their careers, and, in Howard’s words, “intersected often.” Howard complimented Reiner, saying he was a “superlative filmmaker, a supportive colleague and at all times a dedicated citizen.”

    Actress Ming-Na Wen recalled Reiner’s “class & kindness” when they worked together on a reading of the Declaration of Independence, and called his death a “huge loss.”

    Actor and screenwriter John Cusack had his breakout performance in Reiner’s 1985 teen comedy The Sure Thing. He went on to play Denny Lachance in Stand by Me. In his brief post, Cusack said he was “shocked” and called Reiner “a great man.”

    Director Paul Feig is a progeny of Reiner’s comedic legacy, and he moderated a Q&A with Reiner about Spinal Tap II: The End on October 20, 2025. “I just want the world to know what so many of us know in the industry,” Feig wrote. “Rob was the best.”

    Feig had also invited him as a guest to the premiere of his latest film, The Housemaid.

    Feldman, who is perhaps best known for starring as Teddy Duchamp in Reiner’s Stand by Me, wrote on X that he is “shocked & saddened” by Reiner’s death. He added, in all caps, “U will B 4ever missed.”

    Wood, who starred in Reiner’s 1994 film North as the titular character, opposite Jon Lovitz and Bruce Willis, said he was “horrified” by Reiner’s death.

    Comedian Dane Cook and Reiner never worked together, but in his tribute, Cook wrote that he was “broken hearted to hear the news.”

    Scientist Neil deGrasse Tyson shared a selfie of himself with Reiner, with whom he appeared on a 2021 episode of Real Time with Bill Maher. Tyson called Reiner’s death especially “devastating” because he cared so “deeply about humanitarian causes.”

    Josh Gad and Reiner once acted together in a spoof on The Princess Bride, in which Reiner read Gad’s comic book The Writer as a bedtime story. “He cared so much for those who had no voices,” Gad said in a tribute. “This loss is devastating. I cannot express how much this hurts.”

    Comedian and actor Kevin Nealon wrote that Reiner’s films were simply “part of the air for us.”

    This is a developing story.

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    Jason P. Frank

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  • Watching Taylor Swift’s ‘End of an Era’ Docuseries With Taylor Swift

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    “It feels like the Eras Tour was a lifetime within my life,” Taylor Swift said earlier this week at an intimate New York City screening of the first two episodes of The End of an Era, the six-part docuseries pulling back the curtain on her record-breaking Eras Tour. Those episodes, as well as Taylor Swift | The Eras Tour: The Final Show, a concert film capturing the entirety of her final bow of the 149-show tour, hit Disney+ on Friday, a day before Swift’s 36th birthday.

    The tour was long—about a year and a half, all told—and its goodbye, ongoing even now, a year later, is long too. It’s fitting, though, as there’s a lot to process: While on the road, she released two Taylor’s Version re-recording projects (Red and 1989), launched a super-sized studio album (The Tortured Poets Department), began dating Travis Kelce (now her fiancé), attended two Super Bowls, and wrote and recorded another studio album (The Life of a Showgirl). And those are just the highlights.

    Taking the microphone, Swift spoke after the rambunctious cheering of the crowd—made up of her entire backing band and vocalists, the Eras Tour dancers, tour production staff, her dad Scott Swift, mom Andrea Swift, and brother Austin Swift, not to mention various Disney personnel and a few members of the media—faded, thanking all who were involved in the tour and production of the series.

    “It was a year ago yesterday that we played the last show of the Eras Tour. It feels insane. I know it does for me,” she said, before describing a career-long fixation with not just entertaining people, but providing an escape for audiences, where everything is not perfect, but all feelings are allowed. There’s room for the joy and community that fans have gushed over finding at her concerts, right alongside space to express grief with songs like “Marjorie,” rage (“The Smallest Man Who Ever Lived”), exasperation (“We Are Never Getting Back Together”), resilience (“I Can Do It With a Broken Heart”), giddy youthfulness (“22”), and more points along the emotional spectrum that colors everyday life.

    “Everything that went into this was all the lessons we’ve learned all of our lives,” she said, crediting her dancers, band, technical staff, and all involved with pouring their own life experiences into making the tour an immersive experience, before acknowledging the docuseries’ directors, Don Argott and Sheena Joyce, also in attendance, for their work preserving the period to share with the world.

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    Kase Wickman

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  • AP Breakthrough Entertainer: Chase Sui Wonders’ Harvard astrophysics detour led her to Hollywood

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    NEW YORK (AP) — You don’t need to major in astrophysics at Harvard to become an actor — but it doesn’t necessarily hurt, either.

    “I thought that’s what you go there to do. It’s like why are you paying all this money to go to this fancy school if you’re not going to study a hard science to try to save the world? … But I was quickly humbled,” chuckled Chase Sui Wonders, who began failing classes within her first few weeks. Her college application essay had been about making movies, so she decided she “might as well just pivot back to what I know best.”

    That calculated redirection paid off for the magna cum laude graduate who’s now a standout cast member of the Emmy-winning comedy “The Studio,” a cynical and satirical take on the film industry.

    Chase Sui Wonders always thought she was “kind of funny,” but it was confirmed when she booked “The Studio” after just one audition. It’s been an eventful year for the AP Breakthrough Entertainer who plays the ambitious assistant-turned-creative executive Quinn Hackett on the Emmy-winning comedy. (Dec. 10)

    Wonders, who also starred in the “I Know What You Did Last Summer” reboot earlier this year, is one of The Associated Press’ Breakthrough Entertainers of 2025.

    “The attention’s definitely weird, but can feel good,” said the 29-year-old, flashing her warm smile throughout the interview. “The most energizing thing about the whole thing is when you get recognition, the phone starts ringing more, and these other avenues are opening up that I always kind of dreamed about.”

    “The Studio” amassed an astounding 23 Emmy nominations in its debut season, taking home a record-breaking 13 wins. But Wonders may not have seemed like an obvious choice for comedy with her past roles, including the 2022 film “Bodies Bodies Bodies” and her breakout role, the teen-themed series “Genera+ion,” which was canceled by HBO Max after one season. But all it took was one virtual video audition to land the role of Quinn Hackett, the hyper-ambitious, cutthroat assistant-turned-creative executive under studio head Matt Remick, played by the show’s co-creator and co-executive producer Seth Rogen.

    “I had always … felt like, ‘I think I’m kind of funny,’” she laughed, acknowledging feeling she had to prove herself working alongside comedic heavyweights like Rogen, Catherine O’Hara, Kathryn Hahn and Ike Barinholtz. “That pressure felt really daunting and scary. But I think, hopefully, I rose to the occasion.”

    Despite mere degrees of separation from Hollywood as the niece of fashion designer Anna Sui, an acting career seemed unattainable growing up in Bloomfield Township, a Detroit suburb. Born to a father of Chinese descent and a white mother, Wonders and her siblings were primarily raised by their mom after their parents divorced.

    GET TO KNOW CHASE SUI WONDERS

    AGE: 29

    HOMETOWN: Detroit suburbs

    FIRST ROLE: Technically, 2009’s “A Trivial Exclusion,” a feature-length film made with her family. Otherwise, let’s go with the 2019 horror film “Daniel Isn’t Real.”

    YOU MIGHT KNOW HER FROM: “Bodies Bodies Bodies,” “Genera+ion” and her character’s climactic love of quesaritos in “The Studio”

    2025 IN REVIEW: The “I Know What You Did Last Summer” reboot and “The Studio”

    WHAT’S NEXT: The films “I Want Your Sex” and “October,” as well as a “Buffy the Vampire Slayer” reboot series

    HER HARVARD MAJOR: Film studies and production. In the end, she did graduate magna cum laude.

    Want to know more about Chase and our other Breakthrough Entertainers of 2025? Read our survey.

    An extremely shy child and self-described tomboy, she developed a love for sports — she won high school state championships in both ice hockey and golf — and spent much of her childhood making videos with her siblings. Thanks to her mother encouraging her to take performance arts classes, she was able to break out of her shell. But coming from an achievement-driven family, all signs pointed to a career in business.

    A corporate track nearly began after struggling to break into the industry, and she even considered taking a job in Beijing to begin her adult life in the business world. But with only a week to decide on the job offer, she decided to give Hollywood one more shot. Three months later, she booked “Genera+ion.”

    “There have been different moments in my life where I’ve been seriously humbled,” said Wonders, who has aspirations of directing. “It just has taught me just not to take it all too seriously. … I do feel absurdly lucky that I get to be on set with all my friends and telling a bunch of jokes and being a weirdo on screen.”

    Next up for Wonders is the Gregg Araki-directed “I Want Your Sex,” starring Olivia Wilde, and she’ll star in A24’s horror thriller “October.” She’ll also appear in the upcoming “Buffy the Vampire Slayer” reboot, with Oscar-winning filmmaker Chloé Zhao directing the pilot. And of course, a second season for “The Studio” is in the works.

    Gary Gerard Hamilton’s previous Breakthrough Entertainer profiles include Megan Thee Stallion, Sadie Sink, Simu Liu, Tobe Nwigwe and Yahya Abdul-Mateen II. His own media breakthrough came in third grade, after recording a PSA about endangered animals for a Houston TV station.

    Red carpets and magazine covers couldn’t be a more antithetical life for the girl who assumed she’d climb the executive ranks at one of the major car companies headquartered in Detroit. Instead, she’s climbing the Hollywood ladder — and she wouldn’t tell her younger self to speed up the process.

    “It’s so fun how life surprises you,” said Wonders. “I wouldn’t tell her anything. I would tell her it’s all going to make sense in the rearview mirror — but no spoilers.”

    ___

    For more on AP’s 2025 class of Breakthrough Entertainers, visit https://apnews.com/hub/ap-breakthrough-entertainers.

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  • There’s a new face in Hollywood, generated by AI

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    At the dawn of this century, Al Pacino starred in “S1m0ne,” a satire about a down-on-his-luck director who creates a computer-generated “star” that conquers Hollywood. Fast forward nearly 25 years, and it appears that real life has caught up with the movies, with the introduction of an AI-generated actress named Tilly Norwood.

    Tilly Norwood is not real. 

    Particle6


    News of an AI actress triggered a bit of a Hollywood freak-out about that timeless worry of who gets the part, from Whoopi Goldberg (“Bring it on, because you can always tell them from us”), to Emily Blunt (“Good Lord, we’re screwed”).

    Tilly’s creator, Eline van der Velden, says she did not expect the backlash: “No, not at all. But at the same time, I had created her to resonate internationally, right? I had created her to become a global superstar.”

    Van der Velden, herself a former actor and comedienne, aimed high because she thinks generative AI is ready for its closeup – saving money, and adding creativity. “I was just trying to educate those industry individuals at that time about what’s possible,” she said.

    Bringing Tilly to life took van der Velden’s team some 2,000 iterations. Then, she began to teach her to act. She showed us some early iterations of Tilly emoting. “We were starting to try different emotions with her,” she said. “Here we did some tests. We didn’t think the acting was very good at all.”

    “It wasn’t up to your standards?” I asked.

    “It was not up to my standards at all!”

    early-iterations-of-tilly-norwood.jpg

    Early iterations of Tilly Norwood performing.  

    CBS News


    In an interview this past July with the British publication Broadcast International, van der Velden made the provocative statement, “We want Tilly to be the next Scarlett Johansson or Natalie Portman, that’s the aim of what we’re doing.”

    “Yeah, the Scarlett Johansson of the AI genre,” she told us. “I think that was what was missed. There was a lot of misinformation. She’s not meant to take real acting jobs in the traditional film and TV industry. She’s meant to stay in her own AI genre, and that’s where we want her to stay.”

    Still, she says her firm has fielded requests for Tilly to appear in a film opposite real actors. “We have said no to any offers,” van der Velden said.

    “There’s a difference between pushing the envelope and tearing it up”

    Sean Astin is the president of SAG-AFTRA, the actors’ union, where Tilly Norwood has struck a nerve about the state of AI. Asked what Tilly represents to him, Astin replied, “Avatar and character seem like fair labels. Actress, not so much. She – she? It? – simply will not replace our people.”

    He says right now in Hollywood artificial intelligence feels like a tsunami: “The onslaught of AI products and AI technology and its uses is, it’s overwhelming. I would just as soon – as citizens and as a union – that we surf the wave, that we surf the wave of incoming stuff.”

    For the union, AI protections were a major point of contention in the 2023 strike, and Astin says safeguarding a performer’s name, image and likeness from being harvested without compensation is a top priority going forward. “Eline has every right to use open source, publicly available, legal information to build her creative things,” he said. “My issue and our company’s issue is with the companies that design those systems and scrape the internet and ingest them. They’re not allowed to do that.”

    Astin applauds producers who are trying to push the creative envelope using AI. But, he adds, “There’s a difference between pushing the envelope and tearing it up. If you push the envelope, you say, ‘Hey, how can human-centered artistry collaborate with this technology to achieve some communication that feels good to an audience?’ And then there’s like, ‘Oh, by the way, we think it’s cheaper, easier, and you know, we don’t want to hire you as an actor.’”

    “Is it a friend, or is it a foe?”

    Already, AI-generated scenes have appeared in TV series like Amazon’s “House of David.” There are AI commercials, and over the summer, an AI model appeared in an ad in Vogue magazine for the first time.

    For producers, facing ballooning production budgets, AI has triggered a range of emotions. Former entertainment executive Kevin Reilly explains: “Excitement, confusion, fear, trying to figure out how to use this. Is it a friend, or is it a foe?” he said. “It is, in my opinion, very much a friend. It is the most transformative thing that’s happened maybe in the history of Man.”

    Reilly is now something of an AI evangelist. He’s the new CEO of Kartel.ai, a Beverly Hills startup that makes AI videos and ad campaigns. “Everything comes with a downside,” he said. “But that is not the reason to just categorically be fearful of this.”

    I asked, “How much of this is driven by studios and streaming platforms and brands wanting to just save money?”

    “Yeah, I think it’s not necessarily, ‘Hey, we wanna save money,’” said Reilly. “It’s that the bottom line – you know, they are businesses.”

    And for businesses, the creative upside can be extraordinary. Kartel wanted to show off a bit, and put generative engineer Fillip Isgro in the driver’s seat. He showed us a concept for a coffee commercial, Cup of Jo. The ad featured multiple versions of … me! It was a little jarring.

    cup-of-jo-ad-a.jpg

    An AI-generated ad for Jo’s coffee shop, with multiple Jo Ling Kents. 

    Kartel.ai


    He began with an old-fashioned storyboard, building an AI world directed by a human. “What does the coffee shop look like? What does the logo look like? And finally, what do you look like? With your permission, we went on your Instagram and we collected all of your photos.”

    That’s all he needed to generate my face. And with just a few commands, Cup of Jo went global, with images of Jo’s Coffee Shop on a barge in the middle of the ocean; on a volcano in Hawaii; and in the Alps.

    “The next step in our journey is, we bring it to life,” Isgro said. “We actually bring motion into our stills. I just whip out my iPhone, I record who I need to, and then I can just instantly get the character doing the thing that I need them to do.”

    cup-of-jo-renderings-montage.jpg

    Fillip Isgro shows Jo Ling Kent how images of her were used to create an AI character, to be placed into AI-generated environments; finally, recorded movements were replicated by her AI double. 

    CBS News/Kartel.ai


    The result: a flashy new ad created in just a couple of days, using no ad agency, no locations, and none of my time.

    “Imagine having to go and shoot that. You don’t get that flexibility” in a traditional ad, Isgro said. “And it’s a very planned thing. You have to stick to scripts, and that’s it. But in this world, we can iterate indefinitely without repercussion.”

    It’s the story of our time: the tug of war between artificial intelligence (“This tech is here. It’s not gonna go anywhere. How can we use it as a force for good?” asks Eline van der Velden) and humanity (“Artificial intelligence will never replace us, ever,” says Sean Astin) that, for now, is something of a cliffhanger. 

          
    For more info: 

          
    Story produced by Reid Orvedahl. Editor: Jason Schmidt.


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  • Blitzen’s Bar, Hollywood Christmas Parade & More L.A. Weekend

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    Plus, ‘The Prince of Egypt: The Musical’ and ‘Wicked’ cocktails in Long Beach

    Every Thursday, Los Angeles magazine curates a list of the best events in and around Los Angeles. Craft a great last-minute schedule with our Weekend Guide to L.A., and don’t forget to sign up to have the guide delivered to your inbox every week by clicking HERE.

    The Prince of Egypt: The Musical — Through Dec. 21 

    Prince of Egypt musicalCredit: Steve Moyer

    Catch the Stephen Schwartz musical set in ancient Egypt at the Casa 0101 Theater. 

    Blitzen’s Bar — Nov. 28 

    Blitzen Bar '25Blitzen Bar '25Credit: Courtesy Blitzen’s Bar

    Open through the holiday season, Blitzen’s Bar returns across the city with locations at Westfield Century City and Omni Los Angeles Hotel. Stop in for festive drinks in an even more festive setting.  

    Smell Good Saturdays By/Rosie Jane — Nov. 29 

    By/Rosie Jane Smell Good Saturdays Donut FriendBy/Rosie Jane Smell Good Saturdays Donut FriendCredit: By/Rosie Jane

    Kicking off its series of surprise community pop-ups, By/Rosie Jane stops by Donut Friend in Highland Park from 3 to 6 p.m. complimentary travel-sized perfumes for the first 100 guests. Be sure not to miss the exclusive rosewater dobut, too.  

    Old Pasadena Small Business Saturday — Nov. 29 

    Old Pasadena Small Business saturdayOld Pasadena Small Business saturdayCredit: Courtesy Old Pasadena

    Opt for local vendors during the big shopping weekend. Awash in holiday decor, Old Pasadena has nearly 200 independent shops and restaurants alongside giveaways and promotions from 10 a.m. to 8 p.m. 

    Yuletide Cinemaland — Nov. 29 

    SFC Yuletide SFC Yuletide Credit: Julian Stephens

    Street Food Cinema’s holiday screenings at the Heritage Square Museum kick off Thanksgiving weekend with a pajama party night and back-to-back screenings of Home Alone and Home Alone 2.  

    Inventing Magic at Mr. Wanderlust — Nov. 30 

    Blake Vogt magicianBlake Vogt magicianCredit: Courtesy Level 8

    Blake Vogt (Penn and Teller’s Fool Us, Magic Castle, America’s Got Talent) begins a two-night engagement, Inventing Magic, at Mr. Wanderlust at Level 8 in Downtown. The show, also on Dec. 7, showcases illusions, interactive tricks and one-of-a-kind moments.  

    Hollywood Christmas Parade — Nov. 30 

    (Photo by Kevin Winter/Getty Images)(Photo by Kevin Winter/Getty Images)
    Santa Claus appears at the 73rd Annual Hollywood Christmas Parade on November 28, 2004 in Hollywood, California.
    Credit: Photo by Kevin Winter/Getty Images

    With actors Luke Wilson as the grand marshal and Anthony Anderson as the Humanitarian Award Honoree, floats, marching bands, more celebrities and Santa Claus bring holiday cheer to Tinsel Town. 

    Recess LA Opens Second Location 

    Recess LA Beverly HillsRecess LA Beverly HillsCredit: Courtesy Recess LA

    After 13 years on La Brea Avenue, Recess LA opened its second location in Beverly Hills, showcasing its signature stylish curation of vintage accessories and ready-to-wear pieces.  

    Wicked Cocktails at Fairmont Breakers 

    Fairmont Breakers Long Beach Wicked cocktailFairmont Breakers Long Beach Wicked cocktail
    The Glinda Glow
    Credit: Fairmont Breakers Long Beach

    Find cocktail wizardry at this Long Beach hotel serving four limited-edition Wicked-themed cocktails: Popular (hibiscus vodka, lemon elixir, rosé prosecco) and Peculiar (vodka, hazelnut vanilla, matcha, cream) at lobby bar La Sala or The Glinda Glow (raspberry syrup, lemon juice, gin, egg white) and The Wicked Green (gin, green chartreuse, Luxardo maraschino, lime juice) at Halo.  

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    Haley Bosselman

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  • Macaulay Culkin Still Has (Actual) Scars From Home Alone, 35 Years Later

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    At the event, he revealed another anecdote: To this day, he has a scar from filming the movie, courtesy of co-star Joe Pesci.

    “He bit me during rehearsal. The thing you have to remember [is] I’m not really on screen with Joe and Dan [Stern] for a lot of the movie. They’re off doing everything. I was just talking to the ether, so I didn’t know him all that well,” he commented. “This is one of the last days of filming and I’m hung up there, so vulnerable,” he laughed, recalling the scene where his character Kevin McCallister is caught by the Wet Bandits and dangling from a coat hook, “and [Pesci] goes to Dan, ‘Dan, you want to run lines?’ So, he even asked me, I was like, ‘Yeah, sure,’ because I don’t have any lines in that scene.” He said, ‘I’m [going to bite] these fingers off one at a time,’ and then sank his teeth into my finger. I was like ‘Ahhh!’ You should have seen his face because he knew he bit a nine-year-old. A nine-year-old coworker,” Culkin said.

    Pesci, he said, apologized.

    “I was like, ‘Oh yeah, just don’t do it again,’” he recalled of his reaction. “So, yeah, it actually left a mark. It’s 35 years later, and I still have this little divot right here. This is Joey Baby’s tooth. Not the gold one, the regular one. He gave me a souvenir. It’s a nice story to regale you guys with. It’s worth it now, but back then it was just like, ‘Who is this creep?’”

    The actor explained that he holds no grudges against Pesci, though he did say he’s contemplated taking revenge now, decades later.

    “He plays golf with a neighbor of mine, and he was always talking, ‘Joey’s coming over,’” Culkin said. “I’m like, ‘Yeah, yeah, you guys should just come over, ring my doorbell, and it’ll be fine.’”

    “I want my kids to set up traps for him,” he explained. “They’re only really into that—you ever show kids this movie, next thing you know the next month, all they do set traps for you? I get reported back to me all the time. My kids are starting to do that now, too.”

    Originally published in Vanity Fair Spain.

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    Marita Alonso

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  • Paramount, Netflix, or Comcast? Insiders Debate Potential Warner Bros. Discovery Buyers

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    “I feel so sad,” says one studio executive. They’re not alone: All of Hollywood is currently bracing to hear which of three media corporations will change the landscape of movies and television forever. On Thursday, November 20, Paramount, Netflix, and Comcast each submitted a bid to acquire Warner Bros. Discovery—the company that owns the Warner Bros. film studio, HBO, and cable networks CNN, TNT, and Discovery, among others.

    Each of the three companies comes into the potential deal with different ambitions. Paramount Skydance, which was created from an $8 billion merger by David Ellison earlier this year, wants to acquire all of Warner Bros. Discovery’s assets, while streaming giant Netflix and Comcast—NBCUniversal’s corporate parent—have bid only for the company’s studio and streaming business.

    The swallowing up of another legacy Hollywood studio, just a few years after Disney bought the entertainment assets of 21st Century Fox in a $71.3 billion deal, feels like yet another seismic shift for an industry that has recently faced setback after setback. “It’s not just Warner Bros. theatrical, which is a mainstream studio and all the IP that goes with it, but it’s also HBO—they’re both these storied homes,” the exec says. “I don’t see a path where those things [still] exist with any of these buyers, because I think they just get folded into the existing structures, even if that isn’t the intention going in.”

    Employees working under the Warner Bros. Discovery umbrella—who are still recovering from WarnerMedia’s merger with Discovery, which happened less than four years ago—are battling anxiety about more upheaval and jobs that will likely be eliminated. “There’s a lot of tenured employees at Warner Bros. that have been there for 20 and 30 years,” a Warner Bros. insider says. “This is not their first rodeo. But I think, ultimately, everyone recognizes that this is different—that consolidation is happening, and it’s a little scary.”

    Insiders beyond those employed by Warner are also concerned about what the sale will mean for the industry’s greater infrastructure—and as of right now, there are more questions than answers. “Warner Bros. has been at the red-hot center as this constant target, and I just wonder, when has a Warner Bros. merger gone well?” says one top movie producer. “It’s hard to even know who’s the best. It feels like it shouldn’t be happening.”

    Many believe the best buyer would be the one that keeps Warner Bros.’ theatrical output most intact, though it’s not clear which of the three bidders fits that bill. “We just don’t know yet,” one top manager says. “It all depends on what [they] are going to allow output-wise.” In August, Warner Bros. Discovery stated that its goal was to have 12–14 theatrical releases per year. If the new buyer were to cut that output by half or more, it would be devastating for the market. “[Warner] is on a generational run this year”—thanks to hits like Sinners, Weapons, and One Battle After Another—“and you don’t want to lose that,” the manager says. “You don’t [want to] lose the leaders there that are willing to take shots on directors and stars that want to go after original thought.”

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    Rebecca Ford

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  • Actor and comedian Tim Meadows beyond the screen

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    Actor and comedian Tim Meadows, one of the stars of the new CBS comedy “DMV,” sits down with Dana Jacobson to discuss his decades-long career and his life beyond comedy.

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  • Why Claire Danes Felt “a Funny Kind of Shame” About Being Pregnant at 44

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    Getting pregnant at 44 is not that common, but it happened to Claire Danes, who is now 46 years old. In addition to her older children, 12-year-old Cyrus and 7-year-old Rowan, The Beast in Me star Danes is mother to a 2-year-old daughter whose name she has kept private.

    When she got pregnant, it came as something of a shock to her, she said on the SmartLess podcast in an episode published November 17. “We had this oopsy-daisy third baby,” she said. A pregnancy at an advanced age can be emotionally complex. “I was so ‘old’ when it happened. I was 44,” she recounted, adding that “I didn’t think it was possible” to get pregnant at that age.

    Initially, she was surprised and even embarrassed by the news, mainly because of her age and the social stigma attached to it, and also because neither she nor her husband Hugh Dancy, who is 50, was trying to have another child.

    “I did not foresee this at all, and it was weird. Suddenly I felt a kind of funny shame,” she explained. “Like I was naughty. Like I had been caught fornicating past the point I was meant to. No, it was weird, like I had discovered an edge I wasn’t quite conscious of, like I was going outside the parameters a little bit.”

    Since her third pregnancy came after two sons, Danes expected to have another boy, she said. “I got really, really lucky. I mean, my OB-GYN was like, ‘You know you’re having another boy.’ But no!” she recounted. “I would have been delighted” to have another boy, she said, “but I am more delighted” with her daughter. “She’s pretty cool. She loves a tutu.”

    Danes and Dancy met in 2006 on the set of Evening, where they played two lovers. In a 2017 interview with Marie Claire, the actress recalled realizing during a bike ride with Dancy in Rhode Island that she was in love. “I just had this dumb epiphany, like, I’m really just happy,” she said of the moment. They were married in France in 2009, four years before the birth of their first child.

    In a 2013 interview, she confessed that she was glad she waited to have children until later in her life, when she was more mature and could take the time she wanted and needed to focus on her family. “I’ve always wanted to have kids, but I’m glad I didn’t until now,” she said then. “When I was thinking about [working and being a mother] originally, I was really nervous about it. I think I would make a lousy stay-at-home mom.”

    She said that she didn’t think it would “suit” her, and emphasized her love of her chosen career. “I feel so fortunate, in that I’ve had this arrow-straight focus that I wanted to act.”

    Originally published in Vanity Fair Italia.

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    Monica Coviello

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  • L.A.’s famous ‘Hobbit Houses’ have a new owner. He calls himself the ‘King of Storybook’

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    In the architectural age of minimalism and millennial gray, a wild and whimsical antidote made of old clinker bricks and jumbled shingles sits on a quiet street at the edge of L.A. and Culver City.

    Formally, the spellbinding property is named the Lawrence and Martha Joseph Residence and Apartments, named after the Disney artist and his wife who obsessively spent three decades building it. But locals call them the Hobbit Houses — fitting, since they look straight out of a J.R.R. Tolkien novel.

    The complex looks comically out of place amid Culver City’s commercial corridor along Venice Boulevard. It’s surrounded by modern apartment buildings, boxy and inoffensive, built to blend in with today’s taste.

    A bathroom in one of the Hobbit houses in Culver City adorned in glass tiles and ornate fixtures.

    Amid that urban blur, the Hobbit Houses beg for your attention.

    An electric lamppost flickers, mimicking fire. The tree in the front yard features a face, with eyes and a nose. The homes are filled with quirky leaded glass windows, uneven angles and heaps of wood shingles, resembling a thatched straw roof.

    This year, the property hit the market for the first time. Offers poured in, and it sold to perhaps the most fitting possible buyer outside Bilbo Baggins himself: real estate agent Michael Libow.

    At $1.88 million, Libow didn’t have the highest bid. His main qualification was that he owns and lives in one of the finest examples of Storyboook style in the region: the Witch’s House, a medieval-looking masterpiece that is more befitting a “Hansel and Gretel” adaptation than the streets of Beverly Hills.

    The broker, seeing his connection to the style, promoted Libow to the seller, an out-of-state bank trust. The Hobbit Houses were his.

    Michael Libow peers through a heavy wooden door of a Hobbit house that he purchased in early 2025.

    Michael Libow peers through a heavy wooden door of a Hobbit house that he purchased in early 2025.

    “It’s like a companion piece to my own home,” Libow said. “It’s a little oasis in a city that’s been overdeveloped.”

    Now that he owns both, Libow has declared himself, tongue-in-cheek, the “King of Storybook,” and said he intends to protect the property and be a spokesperson for the style.

    “This is my legacy: bringing a little bit of joy to as many people as I can,” he said. “It’s about preservation, but it’s also about bringing a sense of awe and wonder to the world.”

    The Hobbit Houses are one of Southern California’s finest examples of Storybook architecture, a fantasy style that fittingly emerged in L.A. in the 1920s around the start of Hollywood’s Golden Age. Inspired by cinema setpieces and centuries-old European cottages, architects designed playful homes with turrets and gables on the outside and nooks and crannies on the inside. When done well, the finished product looks lifted from a fairy tale.

    A cat digs around on the roof of a Hobbit house in Culver City.

    A cat digs around on the roof of a Hobbit house in Culver City.

    Disney artist Lawrence Joseph built the Hobbit Houses from 1946 to 1970. Over the years, the property developed a lore all its own. He rented out spare units to Hollywood tenants such as actor Nick Nolte and dancer Gwen Verdon, and the place also housed one of the men who kidnapped Frank Sinatra’s son (authorities found most of the ransom money Sinatra paid, $240,000, in one of the units).

    Lawrence died in 1991, and his wife, Martha, got to work protecting the property. She obtained landmark status in 1996 and donated an easement to the Los Angeles Conservancy, ensuring that it can’t be remodeled or torn down.

    The property, which includes nine units across four buildings, needed some work when he bought it, so Libow and his property manager, Ben Stine, have spent the last few months playing a developer’s version of “Minesweeper,” trying to make small improvements for the tenants — electric work, a tankless water heater — without disrupting anything protected by the L.A. Conservancy easement.

    The Hobbit Houses came with a 15-page report detailing all the things protected on the property: not just the buildings themselves, but also the facade, landscape features and the interiors, including the custom furniture that Lawrence carved himself. Even the wallpaper can’t be touched.

    “Protections within a structure are very unusual. I’ve never seen anything like it,” Libow said.

    Detail of the flooring inside a Hobbit house in Culver City.

    Detail of the flooring inside a Hobbit house in Culver City.

    That means for renters, much of the furniture is included with the rent. The latest vacant unit — a two-bed, one-bath with a den — includes bar stools and a rocking chair that Lawrence carved.

    The house is wrapped in clinker brick, a term for when clay bricks are set too close to the flames when being fired in a kiln, giving them distorted shapes and colors. Such bricks were sometimes trashed in older architectural eras, but these days, they’re prized for the unique look they bring to buildings, and perfectly natural for Middle Earth architecture in Culver City.

    Inside, Lawrence’s sailing background shines through with nautical-themed interiors. A ship’s wheel serves as the chandelier, hanging above vertical-grain boat-plank floors that lead to a galley-style kitchen with a curvy bar.

    “The idea behind Storybook is to have something fanciful and whimsical, which involves movement rather than rectilinear rooms,” Libow said. “There’s barely a right angle on the entire property. Everything’s amorphous in shape.”

    Detail inside a Hobbit house in Culver City.

    Detail inside a Hobbit house in Culver City.

    There are no knobs to be found; doors open with hidden latches and levers. A built-in fold-down desk pops out in the living room. In the master bedroom, a “cat door” slides open to provide easy access for felines that hang around the property.

    The nine units range from 200 square feet to 1,200 square feet. The vacant unit, which spans around 1,000 square feet, hit the market a few months ago for $4,500 per month.

    It’s a high price for the neighborhood — most two-bedroom apartments nearby fall in the $3,000 range — but interested renters still swarmed.

    “These aren’t your typical tenants that need four walls and a sink. We get a lot of people in the creative industry,” Libow said. “You’re renting a lifestyle here.”

    Libow said like his own home, which serves as a regular stop for Hollywood tour buses, the Hobbit Houses are a regular resting point for people walking through the neighborhood.

    “Construction workers will walk by on their lunch to look at the turtles in the pond. It’s a break from reality, even if just for a minute,” he said.

    Michael Libow outside one of his Hobbit houses in Culver City.

    Michael Libow outside one of his Hobbit houses in Culver City.

    Libow and his property manager spend a lot of time on the grounds, looking for projects or small improvements they’re allowed to make under the conservancy. But for Libow, who bought it as a collector’s item as much as an investment, it’s a labor of love.

    “It’s not the most functional style of architecture, but it is the coolest,” he said. “It’s weird, but I’m weird myself. I connect with weird.”

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    Jack Flemming

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