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Tag: Hollywood

  • I’m a veteran of the special operations community. Here’s how Hollywood glamorized us–and deprived most troops of lifesaving donations

    I’m a veteran of the special operations community. Here’s how Hollywood glamorized us–and deprived most troops of lifesaving donations

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    When I entered the special operations community in 2003, “veteran nonprofit services” meant partaking in cheap beers and drunken war myths, courtesy of the Veterans of Foreign Wars, a charitable organization that has been around for more than 120 years. Today, the term conjures other images: An obscure, tax-exempt industry that is fueled by the public’s frustration with the Department of Veteran Affairs and is leveraged to favor the elite within the armed forces.

    Most Americans share a similar view of the veteran community. By and large, we are a sentimentalized, homogenous group of heroic victims. That is, unless we fall under recognizable categories such as “fighter pilot” or “Navy SEAL,” and are therefore deified in movies and books. This has broad ramifications: For decades, Hollywood and the publishing industry have aided the military in its recruitment efforts. However, the idealization of specialty groups within the military has also impacted the distribution of charitable donations to organizations aimed at helping veterans with healthcare (in areas where the VA falls short) and with the transition to the private sector.

    In short, these “elite” groups, especially the ones who have enjoyed the most attention in popular culture, are attracting and absorbing a disproportionate amount of the country’s well-meaning donations to its veterans.

    For example, I come from the Air Force Pararescue community, also known as the PJs. To become a PJ, an airman must first complete years of training which is among the most difficult in the military. The resulting gang of qualified PJs is a hyper-focused, agile, and subconsciously aligned tribe of operators who can carry out extremely complex rescue missions with a small team. There is a smattering of other groups within the military that are similar in their effectiveness, such as the SEALs, Green Berets, and others that you’ve heard of and many you haven’t. Each of these job-specific organizations can be distilled down to being a collection of highly effective, highly motivated individuals with a knack for getting what they want through creative and aggressive modalities.

    We are ready-made networks of high performers–but not all of us are good at marketing ourselves and this is reflected in the funding of our associated nonprofits. The Pararescue Foundation is worth just under $400,000, which is not a lot, even for a community as small as ours (there are around 500 active PJs at any given time, in addition to a proportionate number of family members and living alumni). Compare that to the Navy SEAL Foundation, which serves SEALs and SWCCs (Special Warfare Combat Crewmen), a population estimated to be around 3,300 active members plus their proportionate family members and alumni–with current assets sitting comfortably at just under a staggering $135 million. And just to measure those numbers against a broad-spectrum organization serving all service members, veterans, and family members, the assets of the Wounded Warrior Project, which provides physical and emotional health services to all veterans, are at just under $450 million. (The Department of Defense’s 2021 report on demographics put the number of Guard, Reserve, active duty, and family members at 4.7 million and the U.S. Census put the number of living veterans at 18 million in 2018.)

    The numbers tell a part of the story but they miss the details. While the Pararescue Foundation is poorly funded compared to the Navy SEAL Foundation, I am still part of “the club” since I’m a veteran of the special operations community. Doors are left open for me and where they aren’t I can whisper the magic words, “I was a PJ,” and the latch is pulled back. But my experience in combat was no more severe and, in many cases, less severe than conventional troops–collectively referred to as the Grunts–who neither have effective nonprofits to their name nor a brand beyond being the targets of patriotic sympathy.

    What doesn’t come through in the numbers is that all veterans need the help of non-profit organizations to fill in the gaps left wide open by the VA. These are the avenues for accessing personalized mental healthcare, top-level career bridging, robust familial support, and focused counseling on how to navigate the VA’s labyrinthine disability system, which can mean the difference between transitioning into financial freefall or hopping into a comfortable cadence of monthly governmental stipends. It’s obvious why more equal access to these services is critical.

    America obsesses over the heroics of special operators, specifically those who have developed a brand–the ones represented over and over again in countless movies and books. And while most of the country remains either unaware or apathetic to who is–and isn’t–the beneficiary of their help, their charitable contributions favor the veterans who are most visible, not the ones who might be most in need.

    So, if you want to help a vet in need, focus on the ones silenced by their trauma and muted by the magic of marketing. The true heroes aren’t the ones getting book deals–and sometimes, not even the healthcare services they desperately need.

    Pat Gault is a retired Air Force Pararescueman (PJ) and lives in Anchorage, Alaska.

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    Pat Gault

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  • Hollywood studios scramble to restart projects as post-strike era begins – National | Globalnews.ca

    Hollywood studios scramble to restart projects as post-strike era begins – National | Globalnews.ca

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    Hours before the Hollywood actors’ strike officially ended, Beth Goodnight’s phone began ringing with opportunity.

    The head of a Hollywood construction company and prop shop that bears her name dispatched two project managers to begin bidding for work. By the end of the day Wednesday, they had crunched numbers on seven projects, including a Super Bowl commercial, a television show, a large event and smaller pieces that add up to hundreds of thousands of dollars.

    “My phone would not stop ringing and buzzing last night,” said Goodnight, who estimated she may have spoken to as many as 100 people, including her laid-off workers. “I did not imagine the wave of tears that came, because … like Sisyphus being able to put down a 200-pound rock, I wasn’t even aware of how much pressure I was under.”


    Click to play video: 'How will end of Hollywood actors’ strike impact B.C. film industry?'


    How will end of Hollywood actors’ strike impact B.C. film industry?


    The SAG-AFTRA actors’ union reached a tentative deal with the major studios and streamers Wednesday, opening the floodgates to Hollywood production and returning the entertainment industry to work after dual writers’ and actors’ strikes stopped most filming. Writers reached a deal in late September after going on strike in May.

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    Major film projects, such as Ridley Scott’s historical epic “Gladiator 2,” are expected to return to production by the end of the year or early next year, according to one source familiar with the project. Schedules are being matched, flights to Malta and accommodations are being booked, and other preparations are under way.

    Marvel Studios’ “Deadpool 3,” a high-priority project for Walt Disney, will most likely resume filming before Thanksgiving, after the actors’ strike shut down production in July. Disney announced Thursday that the new “Deadpool” movie would debut in late July, rather than early May as originally planned.


    Click to play video: 'SAG-AFTRA, Hollywood studios reach tentative deal to end actors strike'


    SAG-AFTRA, Hollywood studios reach tentative deal to end actors strike


    Martial arts film “Mortal Kombat 2” will resume shooting on the Gold Coast of Australia.

    “We don’t have a lot of locations, so we ended up just holding all the sets,” said producer Todd Garner. “We’re basically ready to go, we just have to turn the lights back on and get everybody back.”

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    One major hurdle to resuming production will be coordinating the schedule of A-list actors.

    “It’s going to be bedlam,” said a talent agent, speaking on condition of anonymity because of the sensitivity of the matter. Some actors will want to spend their next few months promoting their films in the Oscar race rather than going to a set to shoot, holding up a production that other actors want to return to. The scheduling conflicts could force some projects to be dropped altogether.

    “A lot of plans, I think, are going to fall by the wayside,” the agent said.

    SAVING BROADCAST TV SEASON

    In the meantime, production executives throughout the industry are contacting lighting houses, prop shops and costumers, many of whom were forced to lay off workers, to make preparations for returning to the set.

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    It will take time, however, for many projects to restart. Producers will have to book facilities and hire staff before they begin building sets and renting props.

    “It’s not going to be business as usual for a few months, and probably not until after the first of the year,” said Pam Elyea, owner of prop supplier History for Hire. Her company has provided props for movies from the 1997 hit “Titanic” to this year’s “Oppenheimer.”


    Click to play video: 'Lingering impact of the Hollywood writers’ strike'


    Lingering impact of the Hollywood writers’ strike


    One feature film the company had been working on just got delayed until 2024, she said.

    Broadcast TV networks are trying to salvage part of their season. After filling the fall schedule with reality shows and repeats, executives hope to air some episodes of hits such as “Abbott Elementary,” “NCIS” and “Law & Order” next year.

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    ABC Studios aims to begin production this month on new seasons of long-running medical drama “Grey’s Anatomy” and the police show “The Rookie,” according to a source familiar with the productions. Fresh episodes could debut early next year. “Tracker,” a new drama that ABC Studios is producing for CBS, also is expected to start filming this month.

    Actors were preparing to hit red carpets, talk shows and social media to tout their projects. Most had been forbidden from promoting films and TV shows during the strike. Studios are eager to have actors promoting Oscar hopefuls such as Leonardo DiCaprio’s “Killers of the Flower Moon” and Bradley Cooper’s “Maestro.”

    “YES!!! Hallelujah. I can tweet a certain trailer that I am VERY EXCITED ABOUT,” actor Kumail Nanjiani wrote on social media platform X. Nanjiani then posted a trailer for “Ghostbusters: Frozen Empire,” which had been scheduled for release in December but was pushed back by distributor Sony Pictures to March 2024 because of the strikes.

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  • Studios, SAG-AFTRA reach deal to end Hollywood actors’ strike

    Studios, SAG-AFTRA reach deal to end Hollywood actors’ strike

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    Studios, SAG-AFTRA reach deal to end Hollywood actors’ strike – CBS News


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    Thousands of actors in film and television were finally able to return to work Thursday after their union, SAG-AFTRA, reached a deal with studios and streaming companies to end a strike that had lasted nearly four months. SAG-AFTRA President Fran Drescher said the three-year contract is worth over $1 billion and includes significant wage increases and protections against artificial intelligence. Carter Evans reports.

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  • Hollywood actors tentatively agree to new contract with studios that would end strike that has shuttered film and TV production for months

    Hollywood actors tentatively agree to new contract with studios that would end strike that has shuttered film and TV production for months

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    Hollywood studios and the union representing some 160,000 actors have reached a tentative agreement to end a strike that’s shut down TV and film production.

    The SAG-AFTRA TV/Theatrical Committee approved the tentative agreement in a unanimous vote, according to statement Wednesday from the union. The 118-day strike will end at 12:01 a.m. Thursday.

    SAG/AFTRA’s national board will review the deal on Nov. 10, the union said. More details will be released after that meeting.

    With previously striking writers already back on the job for more than a month, the settlement with actors means production of scripted TV shows and movies can resume soon. Both sides found common ground on issues ranging from the use of artificial intelligence to payment from streaming services. 

    Screen Actors Guild members walked off the job in mid-July after contract negotiations with the Alliance of Motion Picture & Television Producers broke down.

    The actors joined the Writers Guild of America, whose members went on strike in May. That marked the first time in more than 40 years that both unions were on the picket line at the same time.

    The twin strikes crippled film and TV production, forcing studios to delay movie releases and networks to turn to reruns, reality TV and game shows to make up for the lack of new scripted programs.

    The writers union reached a deal with the studios on Sept. 24 and let members return to their jobs a few days later. The guild’s 11,500 members approved their new contract on Oct. 9.

    Both unions were striking over similar issues, including higher minimum pay, a share of revenue from streaming services and assurances they won’t be replaced by a new generation of artificial intelligence tools. The actors had sought 2% of the sales their programs generated from services such as Netflix Inc. They also demanded consent any time their image or voice is reproduced digitally using artificial intelligence.

    Like the writers, the actors union benefited from direct involvement in the talks by some of the most powerful people in Hollywood. Executives including Walt Disney Co.’s Bob Iger, Netflix Inc.’s Ted Sarandos, Warner Bros. Discovery Inc.’s David Zaslav and NBCUniversal’s Donna Langley participated in the talks with the actors.

    The studios walked out of the discussions on Oct. 11 after the union presented a new proposal — that they be paid a fee based on every streaming subscriber. The media companies said the fee would cost them hundreds of millions of dollars annually on top of the terms they’d agreed to. 

    Talks resumed on Oct. 24, with the studios increasing the percentage increase in the minimum pay they would give actors to 7% in the first year.

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    Thomas Buckley, Bloomberg

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  • Katy Perry Wins Fight With 1-800-Flowers Founder Over Estate | Entrepreneur

    Katy Perry Wins Fight With 1-800-Flowers Founder Over Estate | Entrepreneur

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    A judge has ruled that Katy Perry’s purchase of a $15 million Montecito, Calif., mansion can go through, per Bloomberg. Perry had been battling the estate’s owner, the octogenarian founder of 1-800-Flowers, Carl Westcott, over the deal since 2020.

    Westcott bought the 11-bedroom home in May 2020 for $11.25 million and signed a contract to sell it to Perry just a couple of months later for $15 million. However, after a few days, Westcott went back on his decision, claiming he had recently had surgery and was on painkillers and never intended to sell.

    In the tentative judgment, Judge Joseph Lipner found “no credible evidence” that Westcott couldn’t make the deal.

    “The contract that Westcott negotiated and signed yielded Westcott a $3.75 million gross profit,” Lipner said in Tuesday’s decision. “Moreover, Westcott entered into other contracts shortly before and shortly after the contract at issue here. Westcott has not attempted to rescind any of these other contracts for lack of capacity.”

    Original story below:

    Pop sensation Katy Perry is heading to court over a $15 million mansion her business manager Bernie Gudvi agreed to purchase on her behalf in July 2020.

    The home’s seller is Carl Westcott, the 83-year-old founder of 1-800-Flowers, who claims he wasn’t of sound mind when he signed over the property; he sued Gudvi to void the agreement, Bloomberg reported. But Perry won’t budge on the deal. The singer’s also seeking $1.4 million to cover lost income she could have made renting the property.

    Related: Katy Perry Sells Catalog for $225 Million Boosting Net Worth

    The eight-bedroom, 11-bathroom estate sits on nearly nine green acres in the sunny Santa Ynez foothills in Montecito, California, an area known for wealthy celebrity residents including Oprah Winfrey, Brad Pitt and Ellen DeGeneres.

    Westcott bought the property in May 2020 for $11.25 million and was trying to turn a quick profit by selling it just a few months later, per Bloomberg. But when the deal was complete, Westcott claimed he’d been on painkillers post-major surgery and wasn’t fit to enter the agreement.

    According to his son Chart Westcott, who’s assumed power of attorney for his father and taken over the case, the founder’s health is in decline. Westcott entered a full-time medical facility in mid-2021, experiencing mental health issues, early signs of dementia and tremors associated with Huntington’s disease, per medical records submitted to the court.

    This isn’t the first legal battle Perry and her team have fought over real estate.

    In 2015, nuns who resided at a Medieval-Spanish-Gothic-Tudor estate in Los Angeles, which included 30,000 feet of living space, a pool, a tower and a connected prayer house, tried to block the property’s sale to Perry, NPR reported. Their efforts were unsuccessful, and the woman they’d tried to sell to was ordered to pay millions to Perry and the archdiocese. One of the nuns collapsed and died in court during a post-judgment hearing.

    Related: Everything About Katy Perry’s Non-Alcoholic Beverage De Soi

    Perry’s team maintains that Westcott had every intention of selling the house. “He was competent when he hired an experienced real estate broker, vetted the brokerage commission rate, arranged showings of the Property, entertained multiple offers, sought alternative houses, and ultimately negotiated a highly lucrative sale,” Gudvi’s lawyers said in a May 2022 court filing.

    The trial began on Wednesday in Los Angeles, and Perry could take the stand as early as Friday, per Bloomberg.

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    Amanda Breen

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  • 11/6: CBS Evening News

    11/6: CBS Evening News

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    11/6: CBS Evening News – CBS News


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    Trump takes stand in New York fraud trial; Earthshot finalist makes breakthrough in recycling clothes

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  • Alan Ruck grateful ‘nobody was killed’ in multicar crash at Hollywood pizzeria

    Alan Ruck grateful ‘nobody was killed’ in multicar crash at Hollywood pizzeria

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    Alan Ruck is doing fine after crashing his Rivian truck into a Los Angeles pizzeria on Tuesday.

    The “Succession” star was spotted Thursday leaving a convenience store in L.A. and graciously answered a few paparazzi questions about the incident.

    “I’m OK,” Ruck said in the footage obtained by TMZ. “I’m fine and thank God nobody was killed.”

    Representatives for the actor did not immediately respond Friday to The Times’ requests for further comment.

    On Halloween, Ruck’s electric pickup truck smashed into the side of Raffallo’s Pizza in Hollywood. The Los Angeles Police Department confirmed to The Times that a crash occurred around 9 p.m. Tuesday at the intersection of La Brea Avenue and Hollywood Boulevard. Four vehicles were involved in the collision and minor injuries were reported.

    LAPD public information officer Matthew Cruz told The Times on Friday that “there was no crime involved in this incident and there was no arrest.”

    Surveillance footage showed the Rivian traveling south on La Brea approaching Hollywood Boulevard when it rear-ended a vehicle. The impact pushed that vehicle into the intersection, where it then crashed into another vehicle. The Rivian, meanwhile, continued in a southwest direction, clipping a separate car before slamming into the side of Raffallo’s Pizza. Photos show the cab of the truck breaking through the building’s exterior.

    A 32-year-old man from one of the other vehicles was hospitalized with non-life-threatening injuries, officials told KTLA-TV Channel 5. Ruck was not hurt and was later seen on video speaking with police at the scene, the local news station reported Thursday.

    Law enforcement officials also told KTLA that no charges will be filed as a result of the multicar crash and impairment was not suspected.

    While speaking to paparazzi Thursday, the 67-year-old Ruck acknowledged that he had been limping and wore a brace on his left knee. However, he said, they were not related to the crash.

    “This isn’t from the accident,” Ruck said. “This is because I’m getting old.”

    He also told the videographers that he’s aware that the recent crash is being compared to his famous Ferrari crash scene from his 1986 film, “Ferris Bueller’s Day Off.”

    Incidentally, another of Ruck’s injuries made its way into a 2021 episode of “Succession.” The actor tore his shoulder while shoveling snow and the cast that he wore during his recovery was written into a Season 3 episode set inside Kendall Roy’s 40th birthday party. Ruck’s Connor Roy claims he had a fall at his ranch and annoys his younger brother by refusing to take off his coat during the lavish celebration.

    Times staff writer Emily St. Martin contributed to this report.

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    Nardine Saad

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  • MAGA “prophet” predicts God will expose Biden’s “dark connections”

    MAGA “prophet” predicts God will expose Biden’s “dark connections”

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    Pastor Julie Green, a self-proclaimed prophet and a staunch supporter of former President Donald Trump and his MAGA movement, claimed in a recent video that she received a prophecy from God about “dark connections” to President Joe Biden.

    In the message posted on Monday, Green said God indicated he would “expose” these connections to the White House, which she said involves “the Red Dragon” [seemingly China], Iran, Iraq, Ukraine and Canada.

    Green frequently posts videos on streaming channels for her Julie Green Ministries International in which she shares messages that she claims God sends to her. Last month, she said in a video “prophecy” that the U.S. would soon suffer a major “attack” following the “persecution” of Trump.

    Green has been a featured speaker at right-wing ReAwaken America events, which have also featured guests such as former Trump adviser Michael Flynn and Eric Trump, one of the former president’s sons. The younger Trump appeared on Green’s show in September, where she told him that messages from God to her indicated the Trump family is receiving God’s protection.

    President Joe Biden on Tuesday speaks in the State Dining Room of the White House in Washington, D.C. A self-described prophet claimed she recently received a prophecy about “dark connections” related to Biden being revealed.
    Photo by ANDREW CABALLERO-REYNOLDS/AFP via Getty Images

    During her Monday message, Green spoke of a “greater weakness” in the “house you call white” and with “the one who’s sitting in a seat that doesn’t belong to him,” seemingly referring to Biden.

    “I’ve told you I’ve cut the string from the puppet master and the puppet, so soon you’re about to see the puppet fall in greater ways,” she said.

    The pastor then spoke of “great confusion … in the enemy’s camp” and said “he’s about to say again who’s really in charge and it’s not him.”

    “For I will expose, oh yes, I will expose the tentacles that have been controlling the Biden. I will expose all the deep swamp are trying to do to you in this hour,” Green said.

    Newsweek reached out for comment to the White House and Green via email on Thursday.

    She continued by speaking of “foreign governments in foreign nations” being allowed to “infiltrate” the U.S. government. Green then further relayed the message she said was from God about exposing “every foreign entity in Washington, D.C.”

    After running down the list of foreign governments such as Iran and Ukraine, Green emphasized America’s neighbor to the north.

    “You will see connections to Canada. Evil dark connections with this deep state … The swamp runs far and wide,” Green said. “The roots of these nations connect in DC. I will show you each country. I will show you each government. I will show you each person. I will show you all the money.”

    The message that Green said came from God then turned to the entertainment industry.

    “I will show you what Hollywood has done. How they’ve had a major part in what you see in this great, evil movie that you have seen played before you like it’s real when it’s actually not.”