Two Portland police officers were treated for minor injuries early Tuesday after their patrol vehicle was struck by another car that fled the scene in Southeast Portland, authorities said.
The crash occurred at about 2:40 a.m. on Jan. 13, 2026, near Southeast 148th Avenue and Southeast Stark Street. Officers assigned to the Portland Police Bureau’s East Precinct were responding to a call with lights and sirens activated when another vehicle collided with their marked patrol car.
The impact caused significant damage to the passenger side of the police vehicle and deployed all airbags, police said. One officer was trapped inside the vehicle and could not exit until crews from Portland Fire & Rescue arrived and forced open the passenger-side door.
Both officers were taken to a local hospital with minor injuries and were later released.
Suspect vehicle, via Portland Police
Police said the other vehicle involved in the crash fled the scene. Investigators are searching for a dark-colored Chevrolet Suburban believed to have front-end damage, including damage to the front bumper.
“I am incredibly thankful that both officers are okay and were able to go home,” Portland Police Chief Bob Day said in a statement. “This could have been much worse, and we’re grateful for the quick response from our partner agencies.”
Anyone with information about the crash is asked to contact the Portland Police Bureau at [email protected] and reference case number 26-11604.
The Ocala Police Department said someone was struck and killed in a hit-and-run incident early Friday morning.Police say the person, who remains unidentified at this time, was struck on Northwest Blitchton Road just east of I-75 and west of Northwest 35th Avenue Road.The lanes from the off-ramp of I-75 to eastbound Blitchton is blocked as police investigate. This story is developing. Check back later for updates.
OCALA, Fla. —
The Ocala Police Department said someone was struck and killed in a hit-and-run incident early Friday morning.
Police say the person, who remains unidentified at this time, was struck on Northwest Blitchton Road just east of I-75 and west of Northwest 35th Avenue Road.
The lanes from the off-ramp of I-75 to eastbound Blitchton is blocked as police investigate.
This story is developing. Check back later for updates.
As I tried to login and download Minecraft after years of not playing I’m hit with the news the my Mojang account that I purchased over a decade ago back when the beta was up is no longer valid. not only that but a new copy is almost triple what I paid originally. This is outrageous, this is unfair.
Nora and Nathan talk about the third studio album from Billie Eilish: Hit Me Hard and Soft. They discuss how Eilish is displaying new vocal ranges in songs like “The Greatest” and “Birds of a Feather” (17:32), her continued collaboration with her brother Finneas and whether or not she might branch out in the future (45:14), and how many songs on this album are about her discomfort with celebrity as a young artist (56:03).
Hosts: Nora Princiotti and Nathan Hubbard Producer: Kaya McMullen
GLENVILLE, N.Y. (NEWS10) -Simon Rieffel lives in Glenville, just a few minutes from what he sings about in his song, “The Can Opener Bridge”. The town is well known on social media for its frequent bridge hits. The humorous song is one more way to encourage drivers to pay attention, even if they miss the many signs and lights that lead to the Glenridge Road Bridge.
“The Can Opener Bridge” was written after a year of Glenridge Road Bridge strikes. Simon Rieffel says the song is a public service announcement to not only make his local community aware, but truckers across the country.
“No matter what they do to prevent trucks from hitting it, they still hit the bridge. So, maybe if truckers get this song stuck in their head, they’ll avoid the bridge,” explained Rieffel. “Even if it prevents one person from hitting the bridge, then my goal is accomplished.”
Rieffel has been performing his song at open mics and most recently at the Burnt Hills-Ballston Lake Central Schooltalent show. After hearing the song, Town Supervisor Chris Koetzle said the Glenridge Road Bridge is being described in a positive way; accurately depicting the work the Department of Transportation has put into its safety.
GPS now also notes Glenridge Road Bridge is a low railroad bridge. Koetzle stated the last strike was around last Labor Day. “Never have gone that long without a strike here. We then had a couple of hits over on Maple in that time frame, but not here.”
“They had to replace some I-beams that were damaged. Nothing that was structural to the bridge itself,” said Koetzle.
Some local residents even put up their own warning signs after the accident… That’s how Crazy Carl was born. “It started off with my husband putting the skeleton out as something big that would catch everybody’s attention. Maybe it would do something for the community,” explained Kassondra Paull.
Crazy Carl has a Facebook group where members discuss how to prevent bridge strikes from happening. He took a break during construction and went on vacation to Florida.
One day, Rieffel hopes the Town can take more drastic measures for both bridges. “The only real permanent solution would be to raise the bridge, obviously. But, that’s not super realistic.”
Simon Rieffel’s original song, “The Can Opener Bridge”, can be found on his YouTube page by clicking here.
Police are investigating at least three attacks on buildings in the Napier CBD early on Wednesday morning.
In separate incidents, targeting front entrances, with no entry gained and all thought to be between 3am and 4am, a man using a rubbish bin smashed a window at fledgling business Cuteney’s Cakes in Dalton St, while a beam was smashed into a window at The Rose Irish Pub in Hastings St and another window beside the Brown St entrance of Waiapu Cathedral.
CCTV captured two of the offences being committed, but it was not clear if the same person was involved or if the incidents were related.
Boutique cake-shop proprietor Courtney Booth has had her business up and running just four months and was stunned when she was advised of the damage, but ultimately asked “Why ?” when it became apparent that the hit, by an apparently shoeless man at 3am, appeared to be nothing other than a random assault by an angry man.
The scene on Wednesday morning in Dalton St, Napier after Cuteney’s Cakes was the target of early-morning vandalism. Photo / Caron Copek
It was to have been the shop’s first Wednesday open, a trial run for Valentine’s Day next week, and the doors were closed for the day. A recent ram-raid victim provided their no-longer-needed boarding-up frame to cover the frontage until a glass firm had the window replaced by mid-afternoon.
The cake shop would reopen for its market-friendly midday-8pm hours on Thursday. It opens 10am-9pm Friday…
Hazbin Hotel’s frenetic first season finished up on Friday, with a dozen reveals and dangling plot threads, all primed for a second season. The devilish comedy comes from creator Vivienne Medrano, who first posted the pilot episode on her YouTube channel, and follows Charlie, the princess of Hell, who opens a hotel in hopes that demons will rehabilitate and get to heaven. Oh, and it’s also a musical!
The first season finished with a bang, but it might be some time before we see the second season of Hazbin Hotel. So if you need something to sate your devilish desires for now, Medrano handpicked some of the show’s biggest influences.
Invader Zim
Image: Netflix
Where to watch: Paramount Plus
Merdano calls this one a “huge one” and it’s not hard to see why: Both shows share a similar kind of feverish sensibility, along with a strong, vibrant color palette. The spindly style of Invader Zim feels clearly at play in Hazbin, with characters like Alastor and Angel Dust feeling like they could fairly comfortably roll between shows.
The Grim Adventures of Billy and Mandy
Image: Cartoon Network Studios
Where to watch: Max
The other childhood show Merdano cites is about two kids (one a clueless happy-go-lucky oaf, the other a cynical and smart-ass tomboy) who summon the Grim Reaper and beat him at a game of limbo, thus making him their eternal servant best friend. They get wrapped up in the paranormal world of demons, gods, and other supernatural creatures, but it’s all done with a goofy spin. The infernal through-line from Grim Adventures to Hazbin Hotel is pretty obvious.
BoJack Horseman
Image: Netflix
Where to watch: Netflix
While there were other shows she watched when she was younger, Medrano says Netflix’s BoJack Horseman — about an anthropomorphic, depressed washed-up sitcom actor (who is also a horse) — is the one that came at the “perfect time” to show her that she could tell a complicated emotional story in adult animation.
“[It’s] actually one of my favorites of all time; phenomenal show,” Medrano says. “It kind of showed me that adult animation can not only just be raunchy comedy, but it can be a story that has intense development of its characters. It can have incredibly flawed characters. It can make you cry. It can really get deep and dark.
“It had just started around the time that I was like, really making the pilot and they kind of made me go, Oh, wow, adult animation is starting to change. And it’s starting to evolve.”
South Park
Where to watch: Paramount Plus
Medrano calls South Park a “huge turning point” for her with adult animation — an experience a lot of people had around Comedy Central’s classic. The show tackled topical ideas and events, all with a gleeful, jaded humor that has kept it running since 1997. “From that point on,” Medrano says, “I kind of just kept watching [adult animation].”
Rick and Morty
Image: Adult Swim
Where to watch: Max
Similar to BoJack, Medrano cites this ever-popular Adult Swim comedy as a proponent of the depth and humor she tries to balance with her work. As anyone who has watched Rick and Morty can attest, there’s more to the show and more to Pickle Rick than the reputation it gives. “Something like Rick and Morty that is still very raunchy, and vulgar, and shocking in a lot of ways — it went this direction of like, Yeah, but let’s go a little deeper, let’s get a little darker. I think that also helped shift the space kind of more towards Oh, that works! That has an audience that did really well.”
Four months after announcing plans to moveKhmai Fine Dining, chef Mona Sang is ready to reveal the new location of her decorated Cambodian restaurant in Rogers Park.
A rare Chicago specialist in Khmer cuisine hailed as one of the 15 Best New Restaurants in America in 2022, the restaurant will reopen in April at 6580 N. Sheridan Road on the ground floor of the Hampton Inn. Now two miles southeast from the original, Khmai will move into a larger and more modern space that’s owned by Loyola University. Close to the college’s campus, the space previously housed Onward Chicago from Michael Olszewski, ex-owner of three-Michelin-starred Grace and one-starred Yugen.
Though staying in Rogers Park, the restaurant will embark on its new chapter simply as Khmai, a portmanteau of “Khmer,” the ethnicity and language of native Cambodians, and “me,” or mother. It’s a bold name meant to alert diners to the inextricable role of Sang’s mother, Sarom Sieng, in securing the legacy of traditional Cambodian cuisine. Now serving a new community, one that includes college students and professors (as well as hotel guests) Khmai will open with dinner and breakfast, with plans to launch brunch in August.
“We’re still going to be sticking with traditional flavors, but for brunch and breakfast, I can play a little more,” Sang says. “Mom will allow me to do that — we’re negotiating and coming to a middle ground. She doesn’t want me to Americanize our food, but she’s OK with this so far.”
Chef Mona Sang and her mother, Sarom Sieng, will soon get to cook in a much larger kitchen.Jack X. Li/Eater Chicago
Sang built a customer base with on church catering gigs, and rose to prominence after opening Khmai in 2022, accumulating accolades as a surprise smash-hit on Howard Street near the Evanston border. Mother and daughter were named co-winners of Eater Chicago’s Chefs of the Year award in 2022, and in 2023, the restaurant earned a semifinalist nod from the James Beard Foundation. For Khmai 2.0, a new generation is joining the mix — Sang’s daughter will begin her freshman year at Loyola in the fall and work at the restaurant in her spare time.
For Sang, the opening represents a fresh start after a contentious dynamic with her former landlord forced her to leave the original restaurant space. It’s also a new opportunity to share Cambodian culture and cuisine with even more diners and a chance to play, experiment, and partner with other Cambodian Chicagoans — to be a rising tide that lifts all boats.
“[Cambodians] are still not well known, a lot of people still don’t know about the food and who we are, or about the genocide,” Sang says. “My focus is still wanting to share my mom’s story because I think her story is important — what she went through, how she’s a huge survivor.”
The Cambodian genocide took place between 1975 to 1979 when the totalitarian Khmer Rouge regime murdered between 1.5 and 2 million people. As a survivor, Sieng endured countless horrors, including torture and the murder of her husband, Sang’s father. Sieng gave birth to Sang in a Thai refugee camp, before emigrating with her children to the U.S. as refugees in the early 1980s, first to New York City and later, to Chicago.
Khami’s traditional Cambodian cuisine will remain central at the new location, where dinnertime patrons can expect to find a rotating lineup of rich, complex staples seen at the original such as kuy reav tuk, a rice noodle soup with beef, onions, and crispy garlic. Sang will add a new date-night menu featuring interactive dishes like hot pot and smash-your-own papaya salad, complete with mortar and pestle, as well as a fresh lineup of dessert options such as fried and smashed baby bananas stuffed with banana coconut cream.
Diners should also expect doughnuts from suburban bakery Gurnee Donuts, owned by Sang’s friend Kevin Lee, a fellow first-generation Cambodian American whose parents also survived the genocide. “His mom and my mom are very similar, so we know what it’s like to be Cambodian kids whose parents have gone through trauma and want their kids to be the best of the best,” she says. “When I finally opened up the restaurant, he was one of the first people who was there, inspiring me to keep doing what I do best. He’s always been on my side.”
Cambodians are at the center of a grand doughnut tradition in the U.S., particularly in California. Ted Ngoy, a Cambodian refugee, helped popularize the doughnut trade among Cambodian Americans and his story, immortalized in the 2020 documentary The Donut King, is a symbol of ingenuity that Sang says inspires her and many other Cambodian Americans.
With a new crop of hotel guests and Loyola customers at play, Sang plans to tune into the college crowd with affordable options like rice and beef skewers, as well as Sieng’s popular egg rolls, which she hopes will be a welcome relief for fast food-weary students. Early and mid-morning meals will become her playground for dishes like seasoned fried eggs with chicken and rice, rice porridge (akin to congee) with garnishes like blood sausage or crispy garlic, and pandan waffles with lemongrass chicken and ginger syrup.
The new Khmai will seat 70 inside in addition to an outdoor patio during warm weather. Onward, which opened in 2018, closed amid pandemic shutdown orders and was later the subject of a seemingly messy lawsuit. Its space, though, was immaculate, says Sang, who is happy to avoid expensive construction and simply add her own touches to the space: a black and gold color palette, Regency-style table settings (inspired, she confesses, by habit-forming Netflix confection Bridgerton), and Cambodian artwork from the original restaurant.
Sang is keenly aware of the risks involved in any restaurant operation, but has worked to set her anxieties aside in pursuit of her primary goal — to keep Sieng, now 80, engaged with the world and out from under the fog of trauma.
“I have to make sure she sees that we’re going to do this,” she says. “I want her to know that she deserves it. I don’t care about awards or any of that — I want her to know that we did this, we survived against all odds. If we survived the war, we can survive anything now.”
Khmai 2.0, 6580 N. Sheridan Road, Scheduled for an April opening.
CHICAGO — A person was hospitalized on Saturday afternoon after a double-decker bus crashed into a viaduct in the Loop.
According to Chicago police, the crash happened around 3:30 p.m. in the 100 block of North Lake Shore Drive when the bus attempted to exit Lake Shore Drive and turn onto Lower Randolph. During the turn, the bus hit the viaduct.
Authorities say the crash caused damage to the roof of the bus and one passenger suffered lacerations to their head.
The passenger was taken to the hospital in fair condition and no other injuries were reported.
Authorities say no citations were issued and it is unclear if the viaduct suffered any damage during the crash.
This initial report on The Greatest Night in Pop comes from our team following the premieres at the 2024 Sundance Film Festival. We’ll update this piece when there’s more information about the movie’s release.
Logline
On Jan. 28, 1985, more than 40 of the United States’ most famous musicians, from Michael Jackson and Diana Ross to Paul Simon and Billy Joel, gathered in secret to record a charity song. “We Are the World” was intended as a fundraiser for famine relief in Africa. The Greatest Night in Pop, a documentary coming to Netflix soon, is about how that song got recorded in just one night.
Longerline
“We Are the World” is one of the bestselling, most popular singles of all time, featuring perhaps the most star-studded lineup to ever record together. Bao Nguyen’s film runs through the making of the song, from the initial idea to the writing to getting talent on board to the recording itself.
Nguyen presents all of this through archival footage from when the recording session was initially filmed, as well as talking-head interviews with some of the musicians involved, including Lionel Richie, Cyndi Lauper, Bruce Springsteen, and Kenny Loggins.
What’s The Greatest Night in Pop trying to do?
Besides just documenting one of the most important moments in 20th-century pop culture, The Greatest Night in Pop also tries to communicate the sheer star power that came together in A&M Studios on that night in 1985. It was a who’s who of the most famous musicians on the planet, which meant that there was both a clashing of egos and an easiness that came from shared levels of fame: These superstars were in the only room in the world where most of the people around them truly understood what life was like at that level of celebrity.
Does The Greatest Night in Pop live up to its premise?
The Greatest Night in Pop is after a more relaxed and celebratory version of the harried energy that director D.A. Pennebaker captured in Original Cast Album: Company, his filming of that album’s all-night recording session. Mostly, Nguyen gets it there. His doc is airy and fun, and while it narrativizes the night well, thanks in large part to Richie’s fantastic narration, it mostly has the good sense to get out of the way of the personalities that were actually in the room. This approach holds it back from being a truly great documentary: It rarely adds much context to the footage we’re seeing, beyond the backstory, and it pointedly avoids any controversy, or any criticism of even the most difficult celebrity participants. But the footage-forward approach does make the whole thing tremendously fun to watch.
Seeing Bob Dylan look uncomfortable in a sea of famous faces, Stevie Wonder joking around with Ray Charles, or Huey Lewis nervously working out a harmony is as close to unguarded as most of these stars have ever been on film. It’s a fascinating document. And the way every second of that footage is still captivating nearly 40 years later is a testament to the raw, all-encompassing, absolutely magnetic star power that everyone in that room has.
Image: Netflix
The quote that says it all
As the movie itself points out, the most important aspect of the whole night was when producer Quincy Jones posted a sign inside the recording studio that said “Check your ego at the door.” That’s what makes The Greatest Night in Pop feel special: It lets us inside the room where all-time great musicians simply felt like they were among friends and equals.
Most memeable moment
There are a number of incredible moments, like Waylon Jennings walking out of the recording studio while muttering “Ain’t no good ol’ boy ever sung in Swahili,” or Cyndi Lauper realizing that her massive necklaces were making so much noise that the microphones were picking them up alongside her voice. But if anything from this movie is going to be a meme, it’s Bob Dylan’s awkward grimace, right smack in the middle of the most famous faces in music, as he desperately tries to figure out how to sing in chorus with them. It’s incredible, and as Bob Dylan as anything could be.
Is The Greatest Night in Pop good?
Absolutely. It doesn’t quite reach the heights of documentary classics, falling short of the insight into the tortured circumstances and frustrated production of Original Cast Album: Company, or the pure musical excellence of Monterey Pop. But there’s something special about seeing these stars mingle that makes this movie a fascinating document on fame and the people behind it.
When can we see it?
The Greatest Night in Pop will be released on Netflix on Jan. 29.
In the dynamic landscape of contemporary music, a new star is rising, captivating audiences with her unique blend of rhythms and melodies. Meet NIVANA, the pop sensation who is redefining the music scene with her electrifying fusion of funk, disco, and pop. NIVANA isn’t just a musician; she’s a movement, bringing retro charm into the modern era with a style that’s as refreshing as it is nostalgic.
From a young age, NIVANA was enchanted by the world of music. Raised in a quaint town, she found her escape in the timeless tunes of disco legends. The pulsating beats and catchy melodies of icons like Donna Summer, Michael Jackson, and Earth, Wind & Fire didn’t just fill her ears; they fueled her dreams. These influences are evident in her music, which sparkles with the same shimmering energy that once lit up dance floors around the world.
NIVANA’s songs are more than just a collection of notes and lyrics; they’re a vibrant tapestry of emotions and experiences. Her music resonates with those yearning for freedom, self-expression, and unadulterated joy. Her voice, unique and unmistakable, weaves through her tracks, creating an immersive experience that transports listeners straight to a neon-lit dance floor where the energy is infectious, and the night never seems to end.
But NIVANA’s impact extends beyond her music. She stands as a beacon of inclusivity and empowerment, using her platform to foster a sense of community and celebration among people from all walks of life. Her message is clear: everyone is welcome in the world she’s creating, a world where individuality is not just accepted but celebrated.
As NIVANA continues her meteoric rise in the music industry, she invites us all to join her on this exhilarating journey. With each song, she redefines what disco means for a new generation, proving that this beloved genre can evolve while staying true to its roots. So, get ready to dance, to feel, and to be part of a musical revolution with NIVANA, the artist who’s not just making music but making history.
A killer fatally shot a man sitting outside his Bronx apartment building in a targeted hit on Monday, cops said.
The victim was sitting alone outside the six-story apartment building where he lives with his mother on Longfellow Ave. near Freeman St. at 2:18 p.m. when the shooter walked up and fired two shots at point-blank range, according to police.
At least one of the bullets struck the victim in his neck, creating a gruesome wound, an eyewitness told the Daily News.
NYPD investigate where a male was shot in the neck outside 1417 Longfellow Ave in the Bronx on June 19, 2023. (Kerry Burke)
“He was shot in the neck and the gash was wide open,” said the witness, who declined to give his name.
Paramedics rushed the victim to St. Barnabas Hospital in critical condition, and he was pronounced dead later in the day, cops said.
The shooter, who was spotted wearing a white shirt and black pants, fled the scene on foot heading south toward Freeman St., according to police.
A witness said that the victim had been with a group of neighbors just before the shooting and that the gunman approached him after his acquaintances departed.
Multiple neighbors described the victim as struggling with mental illness and said that, while his condition made him at times confrontational and antisocial, he didn’t deserve to be gunned down in broad daylight.
“He had mental issues, but he didn’t deserve to die,” said a neighbor who gave his name as Mike.
No arrests have been made in the case, and the investigation is ongoing.
A black-clad gunman shot a man twice in the head outside an East Harlem housing complex before zooming off in a scooter Wednesday, in what cops are calling an execution-style hit.
“It looks like an execution,” an officer at the scene told the Daily News.
Police lieutenant examines the scene on East 115 street where a 36 year old male was shot twice to his head, on Wednesday, May 31, 2023. The victim was removed to Harlem Hospital having sustained life threatening injuries. (Sam Costanza/for New York Daily News)
The victim was standing across the street from the Thomas Jefferson Houses on E. 115th St. between First and Second Aves. at 7:39 p.m. when the gunman fired two shots, which both struck his target in the head, according to law enforcement sources.
After making the hit, the gunman hopped on a scooter and fled the scene, sources say.
Medics rushed the victim to NY Health and Hospital Harlem, where he remained in critical condition Wednesday night, according to police.
Police secure the scene on East 115 street where a 36 year old male was shot twice to his head, on Wednesday, May 31, 2023. The victim was removed to Harlem Hospital having sustained life threatening injuries. (Sam Costanza/for New York Daily News)
The victim was identified as 38-year-old Damien Calderon by his brother Alfred Bernard, 45. Calderon had just finished serving a prison sentence and was looking forward to life as a free man, according to his older sibling.
“He just recently came home from prison,” Bernard told The News. “He was in a program cleaning the streets, he was getting his life together.”
Calderon has two daughters, ages 6 and 7, who he loved and worked hard to provide for, according to another relative.
“He was a good man and a good father out here trying to take care of his kids,” said the relative, who declined to give his name.
I hit 3 new PR’s today. 390lbs (177kg) deadlift, 145lbs (65.7kg) bench press, and 250lbs (113kg) squat. I’m also officially down 200lbs (90.7kg) over the last 12 months! I’m down to 253lbs (114.75kg) Embrace the suck boys. It’ll be worth it in the end.