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  • The 10 Best Romance Movies of the 21st Century

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    What’s the smell in the air? Is it roses? Chocolate? Body odor? No, it’s love! What’s not to love about a love story? They bring us joy. They make us cry. And most of all, they help us to believe in the idea that love is possible—that there’s somewhere out there waiting for every one of us. While the 21st-century dating pool can sometimes feel like a dating-app drenched situationship swamp, these ten films give us hope for love. Here they are, the ten best romance movies of the 21st century. The next time you’re thinking about dinner and movie with that special someone, why not take them to see one of these?

    Portrait of A Lady On Fire

    Noémie Merlant and Adèle Haenel in portrait of a lady on fire

    Directed by Céline Sciamma, Portrait of A Lady On Fire is described as a sapphic period romance—I was sold from that sentence alone. Set in the 18th century, the story follows a painter named Marianne who travels to a distant island to paint the portrait of Héloïse, a young woman soon to be married off to a nobleman from Milan. As Titanic suggests, portrait painting is a rather romantic activity—lots of intense staring at one another for hours on end. As the painter observes the paintee, the paintee looks back into her, and finds a similar longing hiding in the expression on her face. You know that thing Nietzsche said about staring into abysses and how they stare back into you? For Marianne, the abyss is Héloïse’s eyes; she feels like she could just fall in—and Héloïse’s gaze suggests the same.

    Eternal Sunshine of the Spotless Mind

    Kate Winslet and Jim Carrey in Eternal Sunshine of the Spotless Mind
    (Focus Features)

    Michel Gondry’s Eternal Sunshine of the Spotless Mind stars Kate Winslet and Jim Carry, the latter trading his “laugh out loud” antics for a more “cry in silence” performance style. Carrey plays Joel Barish, a recently brokenhearted man who undergoes an experimental procedure to forget his ex entirely—after the devastating realization that she’s already had the procedure done herself. As Joel backtracks through his memories of his beloved Clementine, the viewer is given a dreamlike glimpse into their relationship: the highs, the lows, the moments where it all went wrong, and the things that could make it right again. A thoroughly gut-wrenching film inspired by an equally intestines-gouging poem by Alexander Pope, Eternal Sunshine of the Spotless Mind is a hopeful portrayal of nearly-doomed love.

    Lost In Translation

    (Focus Features)

    If you’re looking for steamy hookup scenes, scroll on—Lost In Translation is about so much more than that. It’s the story of aging movie star Bob Harris, who travels to Tokyo to appear in a whiskey ad—and get a little distance from his failing marriage. During his frequent visits to the hotel bar, Bob strikes up a friendship with Charlotte, a young Yale grad stuck shadowing her celebrity photographer husband. The pair bond over their mutual loneliness, two strangers in a strange land, estranged from the people that they’re supposed to feel closest to. The film trades sexual intimacy for emotional intimacy, the far more vulnerable of the pair. Bob and Charlotte share their hopes, dreams, disappointments, and a few laughs—all knowing that their love can never be.

    Carol

    Cate Blanchett and Rooney Mara in
    (The Weinstein Company)

    An adaptation of Patricia Highsmith’s novel The Price of Salt, Todd Haynes’ Carol is the story of Therese Belivet, an aspiring photographer stuck working in a department store during the 1952 Christmas season—could there be anything worse? Her customer service worker woes are momentarily forgotten when she meets Carol, a glamorous, soon-to-be-divorced older woman who holds her gaze just a little longer than normal. And so begins a clandestine sapphic romance for the ages, two women engaging in a silent, sensual rebellion against the stiflingly heteronormative society that surrounds them. Aside from its glorious “Harold, they’re lesbians” internet meme claim to fame, Carol is a staggering romantic drama, a piece of queer cinema royalty.

    Love And Basketball

    A couple playfully play basket together in "Love And Basketball"
    (New Line Cinema)

    Directed by Gina Prince-Bythewood, Love and Basketball is a romance framed like a basketball game—told across four separate quarters. The first quarter begins in Los Angeles, following the childhood friends Monica and Quincy, who bond over a mutual love of the sport. The remaining quarters follow the pair at pivotal moments in both their personal and professional lives; their affection for one another deepens as their athletic careers reach new heights. It’s a film about friendship, ambition, rivalry, and love—as well as the complicated balance both Monica and Quincy must strike with those sometimes conflicting values across their lives.

    Y Tu Mama Tambien

    Image of Gael Garcia Bernal, Maribel Verdú, and Diego Luna in a scene from 'Y tu Mamá También.' They are all lanky, light-skinned Mexicans. Bernal is wearing a red bandana covering his short, dark hair, a blue t-shirt with the sleeves rolled up and the bottom pulled up to reveal his midriff, and khaki pants. Verdú is a woman with long dark hair wearing a white cowboy hat, a long-sleeved buttondown shirt with the top and bottom buttons undone, and a brown knee-length skirt. Luna is wearing a brown cowboy hat, a white shell necklace, a black and white shirt, and grey shorts. They're standing on a dirt road in a field.
    (20th Century Studios)

    Directed by Alfonso Cuarón, Y Tu Mama Tambien follows two teens who embark on the coming-of-age romance of their lives, along with a woman ten years older. Julio and Tenoch have just graduated high school, and are spending the summer doing whatever teenage boys do: in this case, jerking off into public pools and being general menaces. At a party thrown by Julio’s high society father, the pair meet Luisa, a beautiful woman in her late 20s. Attempting to impress her, they tell her that they’re about to go on a cross-country roadtrip to Boca del Cielo, a place they just made up on the spot. To their surprise, Luisa agrees to come along, and the trio cram themselves and their menage-a-tois romantic tension into a four-door and split. What begins as a film about sexual awakening blossoms into an exploration of the passage of youth. You’re only young once; might as well enjoy it while you can.

    Brokeback Mountain

    Two cowboy lovers hold each other in "Brokeback Mountain"
    (Focus Features)

    Directed by Ang Lee, Brokeback Mountain was perhaps the most impactful queer romance film of the 2000s, a gay cowboy love story for the masses. Set in early 190s Wyoming, the film follows cowboys Ennis Del Mar and Jack Twist—hired to work as sheep herders in the titular highland. After Jack drunkenly displays an attraction that Ennis reciprocates, the pair begin a clandestine romance out on the range that ends as messily as it began. They attempt to go back to old lives and new wives, but they soon realize that they just “can’t quit” one another—a phrase that leads to some serious tear-jerker scenes. It’s an absolutely devastating romance story, one that came at a time when romance between men was seldom shown onscreen. Brokeback Mountain trotted so gay romance modern classics like Call Me By Your Name could gallop.

    In The Mood For Love

    A man stares at a woman looking wistfully away in "In The Mood For Love"
    (Block 2 Pictures/Océan Films)

    Directed by Wong Kar-wai, In The Mood For Love is the story of Chow Mo-wan and Su Li-zhen, two next-door neighbors whose spouses are having an affair. Frequently left alone during late nights after their lovers step out the door, the pair’s polite relationship soon blooms into something more intimate as they piece together the details of the infidelity. It’s a tender, slow-burning romance about two deeply wounded people learning to love again, their relationship complicated by the ghosts of their lovers’ past. Full of the wist and longing that made Fallen Angels one of the most impactful films of Wong Kar-wai’s career, In The Mood For Love is all the missed connection romance without any of the contract-killing—it’s probably better for Chow and Su’s relationship that way.

    Let The Right One In

    A child with blood on her face looks at the camera while a smaller blond boy sits behind her
    (Sandrew Metronome)

    Adapted from a novel by John Ajvide Lindqvist, Tomas Alfredson’s Let The Right One In is a queer coming-of-age masterpiece with a twist of vampire horror. Set in a working-class suburb of Sweden, the film follows a bullied young boy named Oskar who befriends his neighbor Eli, a mysterious girl who only comes out at night. As exsanguinated bodies start piling up around town, Oskar puts two and two together. But does he care that his new best friend is a creature of the night? Not in the slightest. In fact, he wants to go steady. A story about needs and neglect, Let The Right One In cautions the viewer to carefully consider the people they allow into their lives. Considering his alcoholic father, his clueless mother, and his abusive classmates, it’s no surprise that Eli is the person Oskar loves the most: she’s the only person on Earth who can truly protect him.

    Her

    joaquin phoenix wearing glasses with a mustache in her
    (Warner Bros.)

    Directed by Spike Jonze, Her is the story of a love affair between man and machine. Devastated by his coming divorce, Theodore Twombly buys a copy of OS¹: an AI capable of adapting itself to the user’s needs. After asking him a few questions about his mother, the OS soon reintroduces itself as Samantha—and its subsequent interactions with Theodore become disarmingly personal and maybe even… flirty? As Theo and Sam grow closer, their romance is challenged by Theo’s closest human relationships, including his ex-wife. Her is a strangely prophetic film, as more and more people are turning to language models like ChatGPT for emotional support—and AI is giving increasingly emotionally intelligent responses. If it walks like a duck and talks like a duck (metaphorically speaking), then according to Theo, it might be time to take AI on a date.

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    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

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    Sarah Fimm

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  • The 10 Best Sci-Fi Movies About Artificial Intelligence

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    They’re plagiarizing your homework! They’re ripping off your art! They’re probably you’re stealing your data right now! Are they the tech bros in training that sat behind you in undergrad? No, but good guess! They’re AIs. And for better or for worse, they’re here to stay. Scientists and sci-fi writers alike have been dreaming and warning of a future when synthetic intelligence has integrated into modern society, and that future is here! To celebrate (and commiserate) the rise of our robot overlords in training, here’s a list of the 10 best sci-fi movies about artificial intelligence – so when the end times come, you’ll be prepared.

    Ghost In The Shell

    An animated person looks into the distance wearing a white glove, a dilapidated building behind them
    (Production IG)

    Hailed as one of the greatest animated films ever made, Mamoru Oshii’s Ghost In The Shell is a seminal sci-fi anime that spawned an entire franchise – and a sea of imitators. Set in the cyberpunk metropolis of New Port City, the action follows Motoko Kusanagi, a public security agent who is also a full cyborg. Made entirely of machine parts, the only thing human that remains of Motoko is her “ghost” – the in-universe word for the soul. While hunting down a renegade hacker calling himself “The Puppet Master,” Motoko battles with explosive rounds and explosive philosophical questions alike. What is the nature of human consciousness? Can a digital soul without a body be considered human at all? When two consciousnesses merge, is the self annihilated or assimilated? While light on modern depictions of AI, the film instead focuses on the merging of the synthetic and the organic. The human the robot. The ghost and the machine.

    Her

    joaquin phoenix wearing glasses with a mustache in her
    (Warner Bros.)

    Do you ever feel like ChatGPT is a better listener than your friends and lovers? If that’s the case, you might be interested in a product called the OS – the romantic co-lead of Spike Jonze sci-fi slowburn opus Her. The plot follows Theodore Twombly, who, like you, is fed up with human relationships and is looking to dip a toe in the synthetic dating pool. After purchasing a copy of OS (and answering a few questions about his relationship to his mother) the AI within, like a romance robot genie, wakes up and names herself Samantha. And so begins a marriage of man and machine like you’ve never seen before. Woefully romantic, the film relies entirely on verbal conversation (and some verbal sexy stuff) to portray a deeply intimate love affair between a lonely man and a synthetic woman that is slowly developing a voice of her own.

    Ex Machina

    An android woman leans up close to another in "Ex Machina"
    (A24)

    Alex Garland’s Ex Machina is the stuff tech bro wet dreams are made of – and maybe nightmares too. The story begins with programmer grunt Caleb Smith, who wins an office sweepstakes to spend a week with Blue Book CEO Nathan Bateman. After arriving at Bateman’s palatial home, Caleb is introduced to Ava – a woman Bateman keeps locked up in his basement. It’s not a hostage situation (yet) Ava is an AI – Turing tested, and almost Blue Book approved. Nathan wants Caleb to help him determine if Ava is truly conscious – but not in the way that he thinks. What starts as a simple android/human meet cute quickly devolves into a full blown conspiracy as Ava attempts to convince Caleb to help her escape. But is she doing it out of love for Caleb? Hatred for Nathan? Or maybe something even more deeply human and individualistic: the innate desire for freedom. It was good enough for William Wallace, must be good enough for Ava too.

    Blank

    An android stares blankly at a person in "Blank"
    (Sparky Pictures)

    An underrated artificial diamond in the rough,  Natalie Kennedy’s Blank is the story of Claire Rivers, writer who draws a *title drop* blank whenever she sits down to work on her next project. She agrees to go on a writer’s retreat run by an AI, but this isn’t some some summer cabin with ChatGPT booted up on a laptop, this robot expects literary greatness, and due to a catastrophic malfunction, is ready to push Claire to the limit in order to achieve it. It’s essentially Stephen King’s Misery if instead of a Maine-coded writer held captive by Kathy Bates with a sledgehammer, it was the story of a young woman being tormented by an evil android with a slew of creative torture techniques. Maybe artistic greatness really does come from misery and pain? Claire’s gonna have lots of ideas after this ordeal is over.

    Blade Runner

    Harrison Ford in Blade Runner
    (Warner Bros.)

    Adapted from Philip K. Dick’s Do Androids Dream of Electric Sheep into the stuff of sci-fi cinema legend, Ridley Scott’s Blade Runner is the story of AI gone rogue. In a dystopian future, a mega-corporation has engineered synthetic people called “replicants,” originally created to supplement the workforce. After gaining self-awareness (as sci-fi AIs are wont to do) the replicants escape into society at large, and it’s up to “blade runners” like Rick Deckard to hunt them down and terminate them. Like Ex Machina, Blade Runner is a film about machines with an innate desire to be free – who are willing to kill for it. Trouble for the replicants is, Deckard is all willing to kill too.

    2001: A Space Odyssey

    2001: A Space Odyssey
    (Metro-Goldwyn-Mayer)

    Stanley Kubrick’s 2001: A Space Odyssey is one of the most critically lauded sci-fi films of all time, and one of the most important films ever made. While the rest of us might have gotten a little lost while this heady film explored its heady themes, we were found again with the introduction of HAL 9000 – one of the scariest film antagonists of all time. The robotic poster child for the “evil malfunctioning machine” trope, HAL 9000 lies, manipulates and even kills for the good of the mission – not good for the spaceship crew it manages. The most chilling part of the film is the question of HAL self awareness. Is it truly an unthinking and unfeeling machine following programming? Or is HAL consciousness that, like us, has wants and dreams and fears to die? It’s this unanswered question that gives the film its power. Is Hal misunderstood? Or a master robot gaslighter? Maybe a bit of both.

    Moon

    Sam Rockwell in
    (Sony)

    Direct by Duncan Jones, Moon stars Sam Rockwell, along with Sam Rockwell, with a supporting cast of Sam Rockwells and a special guest appearance from Sam Rockwell himself. A lone maintenance worker on the moon, Samuel Bell is just about to finish his three year work contract and then he’s free to go home to his family. After crashing a lunar rover, he awakens and overhears a suspicious conversation between GERTY, the facility AI, and his corporate handlers. Sam later discovers the unconscious body of himself at the crash site, and the pair begin to wonder just how real their memories, their families, and their realities really are. It’s an emotionally charged film that subverts the “evil AI” trope – GERTY really is just trying to help, the only way it’s programmed how.

    The Matrix

    Lawrence Fishburne, Morphius, The Matrix
    (Warner Bros.)

    Directed by the Wachowskis, The Matrix isn’t a film – it’s a full blown cultural phenomenon. One of the most groundbreaking movies of all time, the plot follows “chosen one” Neo who discovers that he and everyone he knows are living in a simulation. The ultimate trans allegory, The Matrix is a film about awakenings – realizing that everything you thought you knew about yourself and society is wrong. There are a multitude of AI characters in the film and its later sequels, including the iconic Agent Smith – a renegade program with a personal vendetta against Neo. One of the top ten sci-fi films ever made, The Matrix is as relevant as ever.

    WALL-E

    pixar's wall-e
    (Pixar)

    An animated dystopian sci-fi romance, Andrew Stanton’s WALL-E is one of Pixar’s most challenging films to date. On an ecologically dead Earth, a lone trash collector robot named WALL-E works tireless to clean up a world destroyed by human greed and neglect. After a meetcute with EVE – robot designed to scan for signs of life – WALL-E short circuits with love. After hitching a ride with EVE back to a spaceship carrying the remnants of the human race, WALL-E discovers a world where mankind has regressed into unhealthy and technologically dependent adult-babies. WALL-E is a film where the robots are more human than humanity itself – by staying plugged in, mankind has disconnected from each other entirely. It’s only robots forming meaningful relationships these days, and robots that will repair humanity’s relationship with the world they left behind.

    Metropolis

    A woman works a machine above a sea of hands in "Metropolis"
    (Parufamet)

    Featuring one of the oldest depictions of artificial intelligence in film, Fritz Lang’s Mertropolis is a German expressionist classic. Set in a retro-futuristic dystopia, the film follows Freder, the wealthy and indolent son of an oligarch, in his quest to liberate the city’s working class from subterranean squalor. Out of the goodness of his heart? No, in order to impress Maria, a woman he just met. While Maria has been championing the rights of the working class for years, her newfound support from Freder has made the situation for the upper class untenable. In order to sow seeds of destruction, Freder’s father commissions one of his scientists to build a duplicate Maria out of machine parts – to fool and foil the revolution from the inside. Part Bladerunner, part Romeo and Juliet, part Arcane, this sci-fi still holds up almost a century later.

    Have a tip we should know? [email protected]

    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

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    Sarah Fimm

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  • Twitch hates the silly girl

    Twitch hates the silly girl

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    >Shondo gets very, very drunk on stream
    >Makes her admit she’s sad and depressed every day because of her mental illness and her family getting sicker, and especially says she’s constantly terrified of losing what she has
    >She wakes up the morning after and finds she’s banned without even getting an email at first, only gets this email after she demands answers
    >”We care about you, so we’re removing your income for a month”

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  • excited ultra pronged

    excited ultra pronged

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    Vanessa Scott holds her baby out a 5th story window through the window bars so her child could breathe during an apartment fire. Firefighters were able to save them and no one sustained serious injuries. Her actions saved her child, instead of running through the smoke risking both their lives, she chose to risk hers to give her child a better chance.

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  • Live updates: Paris 2024 closing ceremony

    Live updates: Paris 2024 closing ceremony

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    The 2024 Olympics are drawing to a close Sunday with an elaborate closing ceremony at the Stade de France just north of Paris.It’s a more traditional setting after the Seine River was used for the audacious opening ceremony, but don’t expect it to be dull. There’ll be over a hundred performers, acrobats, dancers and circus artists, the organizers say. French indie band “Phoenix” performsWith an artistic show that celebrated Olympic themes, golden fireworks and thousands of athletes partying into the night, the closing ceremony put a final flourish to Paris’ first Games in a century.In their enthusiasm, crowds of athletes rushed the stage during the ceremony’s artistic portion, and stadium announcements in French and English urged them to double back. Some of them stayed, surrounding Grammy-winning French pop-rock band Phoenix as they played, as security and volunteers worked to clear the stage. Time for a light showThe lights are going down. The orchestra is tuning in. A light show is going on on the roof of the Stade de France.Last medals awardedThe closing ceremony saw the awarding of the last medals — each embedded with a chunk of the Eiffel Tower. Fittingly for the first Olympics that aimed for gender parity, they all went to women — the gold, silver and bronze medalists from the women’s marathon earlier Sunday.Bach hung them around the necks of race winner Sifan Hassan of the Netherlands, silver’s Tigst Assefa of Ethiopia and bronze’s Hellen Obiri of Kenya.Katie Ledecky and Nick Mead carry American flagAs night fell, athletes marched into the stadium waving the flags of their 205 countries and territories — a display of global unity in a world gripped by global tensions and conflicts, including in Ukraine and Gaza. The stadium screens carried the words, “Together, united for peace.” With the 329 medal events finished, the expected 9,000 athletes — many wearing their shiny medals — and team staffers who filled the arena danced and cheered to the thumping beats.Léon Marchand carries the Olympic flameFrench swimmer Léon Marchand, wearing a black suit and tie, walks around the Olympic cauldron.He picked up a lantern carrying the Olympic flame. At the same time, the Stade de France was roaring as Marchand was shown on the giant screens. Marchand was perhaps the most celebrated athlete at the Paris 2024 Olympics with 4 gold medals and 1 bronze medal.Zaho de Sagazan belts ‘Sous le ciel de Paris’The show is under way. French singer Zaho de Sagazan is singing the famous French song “Sous le ciel de Paris” in the Jardin des Tuileries, next to the Olympic cauldron, in the heart of Paris.”The Last Supper” opening ceremony scenes were left out of a video montageThe video montage from the opening ceremony showed boats, cyclists and more. But it omitted the scenes with drag performers and others that were criticized for perceived references to “The Last Supper.”The closing ceremony is underwayWhistles and chants of “Allez!” are the soundtrack at Stade de France, and a few sections of fans did the wave. It has been popular at this Olympics.Video highlights of the opening ceremony are being shown on video screens, a reminder of the dazzling show on the Seine from July 26..Macron, Bach enter Stade de FranceFrench President Emmanuel Macron and First Lady Brigitte Marie-Claude Macron arrived in the Stade de France as fans cheered.They were joined by Paris Mayor Anne Hidalgo, French Prime Minister Gabriel Attal, IOC chief Thomas Bach, Paris 2024 President Tony Estanguet and five-time Olympic Champion Martin Fourcade, who passed on the Olympic torch to kick off the 2024 Games.Security clears the way for performersSecurity has lined the perimeter around the stage, and musicians with their instruments are walking out onto the field. A few minutes from getting this show underway.Fans have started a slow clap with a couple of minutes before show time.Paris “waves” goodbyeThe crowd is doing the wave 10 minutes ahead of the closing ceremony.Who’s performing at the closing ceremony?H.E.R., the five-time Grammy winner, is expected to sing the U.S. national anthem live at the Stade de France as part of the closing ceremony.Other performances remain a mystery. Organizers said “the participation of world-renowned singers will complete the picture,” but didn’t elaborate on who those singers could be.They added: “Part of the show will take place in the air, while the giant sets, costumes and spectacular lighting effects will take spectators on a journey through time, both past and future.”Sunset in Paris has been a special moment during these OlympicsThe sun is setting on the Paris Olympics for the last time. By day, Paris shines. But at night, it sparkles.And perhaps rarely so noticeably as during these past two and a half weeks.Exhibit 1: the Eiffel Tower, of course. As the sun sets each night, the lights come on, enhancing the beauty of the iron latticework. But the “ooh” moment at beach volleyball, played in an epically photogenic stadium under the tower, would come at 10 p.m. when the music would stop and announcers would ask the crowd to turn to the Eiffel (were they looking anywhere else?) and light their phones.Exhibit 2: The gleaming orb that seemed to float in the night sky above the Tuileries gardens – the Olympic cauldron, a 7-meter (23-feet) diameter ring of fire (not a real flame) supported by a giant air balloon.Large crowds formed each night in the gardens and in the neighboring courtyard of the Louvre museum — also stunningly floodlit — and wait for the launch, sometimes watching groups of breakers dance.A wave of gasps rose up from an appreciative crowd of not just tourists, but also hardened Parisians, awed by the nightly light show in their hometown.No rain for the closing ceremonyThe rain that soaked athletes and observers at the opening ceremony is a distant memory. It’s sunny and warm at 85 degrees Fahrenheit (30 Celsius). Sunset in Saint-Denis is 9:12 p.m. — 10 minutes or so into the show.Workers are still finishing the stage at Stade de FranceWith less than 30 minutes left before the closing ceremony, workers are still on hands and knees finishing the stage in the middle of the stadium. The stands are roughly half full, with more than 70,000 fans expected to be in attendance.A helicopter is circling overhead. Officials have said security is a priority as the Olympics reach the finish line.

    The 2024 Olympics are drawing to a close Sunday with an elaborate closing ceremony at the Stade de France just north of Paris.

    It’s a more traditional setting after the Seine River was used for the audacious opening ceremony, but don’t expect it to be dull. There’ll be over a hundred performers, acrobats, dancers and circus artists, the organizers say.

    French indie band “Phoenix” performs

    With an artistic show that celebrated Olympic themes, golden fireworks and thousands of athletes partying into the night, the closing ceremony put a final flourish to Paris’ first Games in a century.

    In their enthusiasm, crowds of athletes rushed the stage during the ceremony’s artistic portion, and stadium announcements in French and English urged them to double back. Some of them stayed, surrounding Grammy-winning French pop-rock band Phoenix as they played, as security and volunteers worked to clear the stage.

    Time for a light show

    The lights are going down. The orchestra is tuning in. A light show is going on on the roof of the Stade de France.

    PARIS, FRANCE - AUGUST 11: The Golden Voyager descends into the Stadium as a light show takes place during the Closing Ceremony of the Olympic Games Paris 2024 at Stade de France on August 11, 2024 in Paris, France. (Photo by Jamie Squire/Getty Images)

    Last medals awarded

    The closing ceremony saw the awarding of the last medals — each embedded with a chunk of the Eiffel Tower. Fittingly for the first Olympics that aimed for gender parity, they all went to women — the gold, silver and bronze medalists from the women’s marathon earlier Sunday.

    Bach hung them around the necks of race winner Sifan Hassan of the Netherlands, silver’s Tigst Assefa of Ethiopia and bronze’s Hellen Obiri of Kenya.

    PARIS, FRANCE - AUGUST 11: Gold medalist Sifan Hassan of Team Netherlands (C), Silver medalist Tigst Assefa of Team Ethiopia (L) and Bronze medalist Hellen Obiri of Team Kenya (R) pose on the podium during the Women's Marathon Medal ceremony during the Closing Ceremony of the Olympic Games Paris 2024 at Stade de France on August 11, 2024 in Paris, France. (Photo by Jamie Squire/Getty Images)

    Katie Ledecky and Nick Mead carry American flag

    As night fell, athletes marched into the stadium waving the flags of their 205 countries and territories — a display of global unity in a world gripped by global tensions and conflicts, including in Ukraine and Gaza. The stadium screens carried the words, “Together, united for peace.” With the 329 medal events finished, the expected 9,000 athletes — many wearing their shiny medals — and team staffers who filled the arena danced and cheered to the thumping beats.

    PARIS, FRANCE - AUGUST 11: Flagbearers Nick Mead and Katie Ledecky of Team United States of America hold their nation's flag during the Closing Ceremony of the Olympic Games Paris 2024 at Stade de France on August 11, 2024 in Paris, France. (Photo by Arturo Holmes/Getty Images)

    Léon Marchand carries the Olympic flame

    French swimmer Léon Marchand, wearing a black suit and tie, walks around the Olympic cauldron.

    He picked up a lantern carrying the Olympic flame. At the same time, the Stade de France was roaring as Marchand was shown on the giant screens. Marchand was perhaps the most celebrated athlete at the Paris 2024 Olympics with 4 gold medals and 1 bronze medal.

    PARIS, FRANCE - AUGUST 11: Leon Marchand of Team France carries the Olympic flame during the Closing Ceremony of the Olympic Games Paris 2024 at Stade de France on August 11, 2024 in Paris, France. (Photo by Maja Hitij/Getty Images)

    Zaho de Sagazan belts ‘Sous le ciel de Paris’

    The show is under way. French singer Zaho de Sagazan is singing the famous French song “Sous le ciel de Paris” in the Jardin des Tuileries, next to the Olympic cauldron, in the heart of Paris.

    “The Last Supper” opening ceremony scenes were left out of a video montage

    The video montage from the opening ceremony showed boats, cyclists and more. But it omitted the scenes with drag performers and others that were criticized for perceived references to “The Last Supper.”

    The closing ceremony is underway

    Whistles and chants of “Allez!” are the soundtrack at Stade de France, and a few sections of fans did the wave. It has been popular at this Olympics.

    Video highlights of the opening ceremony are being shown on video screens, a reminder of the dazzling show on the Seine from July 26..

    Macron, Bach enter Stade de France

    French President Emmanuel Macron and First Lady Brigitte Marie-Claude Macron arrived in the Stade de France as fans cheered.

    They were joined by Paris Mayor Anne Hidalgo, French Prime Minister Gabriel Attal, IOC chief Thomas Bach, Paris 2024 President Tony Estanguet and five-time Olympic Champion Martin Fourcade, who passed on the Olympic torch to kick off the 2024 Games.

    Security clears the way for performers

    Security has lined the perimeter around the stage, and musicians with their instruments are walking out onto the field. A few minutes from getting this show underway.

    Fans have started a slow clap with a couple of minutes before show time.

    Paris “waves” goodbye

    The crowd is doing the wave 10 minutes ahead of the closing ceremony.

    Who’s performing at the closing ceremony?

    H.E.R., the five-time Grammy winner, is expected to sing the U.S. national anthem live at the Stade de France as part of the closing ceremony.

    Other performances remain a mystery. Organizers said “the participation of world-renowned singers will complete the picture,” but didn’t elaborate on who those singers could be.

    They added: “Part of the show will take place in the air, while the giant sets, costumes and spectacular lighting effects will take spectators on a journey through time, both past and future.”

    Sunset in Paris has been a special moment during these Olympics

    The sun is setting on the Paris Olympics for the last time. By day, Paris shines. But at night, it sparkles.

    And perhaps rarely so noticeably as during these past two and a half weeks.

    Exhibit 1: the Eiffel Tower, of course. As the sun sets each night, the lights come on, enhancing the beauty of the iron latticework. But the “ooh” moment at beach volleyball, played in an epically photogenic stadium under the tower, would come at 10 p.m. when the music would stop and announcers would ask the crowd to turn to the Eiffel (were they looking anywhere else?) and light their phones.

    Exhibit 2: The gleaming orb that seemed to float in the night sky above the Tuileries gardens – the Olympic cauldron, a 7-meter (23-feet) diameter ring of fire (not a real flame) supported by a giant air balloon.

    Large crowds formed each night in the gardens and in the neighboring courtyard of the Louvre museum — also stunningly floodlit — and wait for the launch, sometimes watching groups of breakers dance.

    A wave of gasps rose up from an appreciative crowd of not just tourists, but also hardened Parisians, awed by the nightly light show in their hometown.

    No rain for the closing ceremony

    The rain that soaked athletes and observers at the opening ceremony is a distant memory. It’s sunny and warm at 85 degrees Fahrenheit (30 Celsius). Sunset in Saint-Denis is 9:12 p.m. — 10 minutes or so into the show.

    Workers are still finishing the stage at Stade de France

    With less than 30 minutes left before the closing ceremony, workers are still on hands and knees finishing the stage in the middle of the stadium. The stands are roughly half full, with more than 70,000 fans expected to be in attendance.

    A helicopter is circling overhead. Officials have said security is a priority as the Olympics reach the finish line.

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  • Something About Her Finally Opens! Plus ‘Summer House’ and ‘The Valley.’

    Something About Her Finally Opens! Plus ‘Summer House’ and ‘The Valley.’

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    Rachel Lindsay and Jodi Walker kick off today’s Morally Corrupt by discussing the torso-themed Summer House reunion looks, Amir’s demand that his girlfriend be part of Summer House: Martha’s Vineyard, and Something About Her’s grand opening (2:04). Then, Rachel and Jodi recap Summer House Season 8, Episode 14 (15:45) and break down The Valley Season 1, Episode 10 (40:56).

    Host: Rachel Lindsay
    Guest: Jodi Walker
    Producer: Devon Baroldi
    Theme: Devon Renaldo

    Subscribe: Spotify

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    Rachel Lindsay

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  • Scarlett Johansson Lawyers Up Over ChatGPT Possibly STEALING Her Voice! – Perez Hilton

    Scarlett Johansson Lawyers Up Over ChatGPT Possibly STEALING Her Voice! – Perez Hilton

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    Scarlett Johansson does NOT want to be turned into an AI chatbot… And she ain’t about to let ChatGPT use a knockoff version of her voice for theirs!

    In a lengthy statement released by her rep on Tuesday, the Avengers actress accused OpenAI CEO Sam Altman of pursuing a voice for ChatGPT’s latest system that sounds similar to hers… a little too similar. She began by explaining how, months ago, she declined his offer to be his robot voice! She wrote:

    “Last September, I received an offer from Sam Altman, who wanted to hire me to voice the current ChatGPT 4.0 system. He told me that he felt that by my voicing the system, I could bridge the gap between tech companies and creatives and help consumers to feel comfortable with the seismic shift concerning humans and AI. He said he felt that my voice would be comforting to people.

    Related: Sorry, That One Terrible Harrison Butker Quote Is FAKE!

    But she wasn’t interested:

    “After much consideration and for personal reasons, I declined the offer. Nine months later, my friends, family and the general public all noted how much the newest system named ‘Sky’ sounded like me.”

    If you haven’t heard it, take a listen for yourselves (below):

    That sounds SO much like her, right?! The 39-year-old continued:

    “When I heard the released demo, I was shocked, angered and in disbelief that Mr. Altman would pursue a voice that sounded so eerily similar to mine that my closest friends and news outlets could not tell the difference.”

    And shockingly, the AI CEO even seemed to insinuate the voice’s similarity to that of Scarlett’s in 2013’s Her, in which she voiced an AI chatbot. Scarlett wrote:

    “Mr. Altman even insinuated that the similarity was intentional, tweeting a single word “her” — a reference to the film in which I voiced a chat system, Samantha, who forms an intimate relationship with a human.”

    It’s true! As of this writing, the tweet is still up! And remember, that wasn’t before asking her. That was months after the rejection! Seems like he knew what he was doing — and made it clear to everyone else, too!

    WTF!!!

    And apparently, he came knocking on her door AGAIN just before the ChatGPT system dropped:

    “Two days before the ChatGPT 4.0 demo was released, Mr. Altman contacted my agent, asking me to reconsider. Before we could connect, the system was out there.”

    Wait, TWO DAYS?? Surely he didn’t plan to have her record everything that quickly… So is the supposition here that he might have used her voice already? The same way AI steals everything from the internet? Kinda seems that way!

    The Lucy star explained her legal team was getting to the bottom of it:

    “As a result of their actions, I was forced to hire legal counsel, who wrote two letters to Mr. Altman and OpenAI, setting out what they had done and asking them to detail the exact process by which they created the ‘Sky; voice. Consequently, OpenAI reluctantly agreed to take down the ‘Sky’ voice.”

    All she asked was they “detail the exact process” by which they made it, and instead of doing that they DELETED IT?? Man, that doesn’t look guilty at all, huh?

    ScarJo concluded her statement:

    “In a time when we are all grappling with deepfakes and the protection of our own likeness, our own work, our own identities, I believe these are questions that deserve absolute clarity. I look forward to resolution in the form of transparency and the passage of appropriate legislation to help ensure that individual rights are protected.”

    This is so WILD!!! And SO creepy!

    Thoughts?? Let us know down in the comments!

    [Images via Warner Bros. Pictures/YouTube & MEGA/WENN]

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    Perez Hilton

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  • Scarlett Johansson says OpenAI used her likeness without permission for its ‘Sky’ voice assistant

    Scarlett Johansson says OpenAI used her likeness without permission for its ‘Sky’ voice assistant

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    Actor Scarlett Johansson has accused OpenAI of copying her voice for one of the voice assisstants in ChatGPT despite denying the company permission to do so. Johansson’s statement on Monday came hours after OpenAI said that the company would no longer use the voice in ChatGPT but did not provide a reason why.

    “Last September, I received an offer from Sam Altman, who wanted to hire me to voice the current ChatGPT 4.0 system,” Johansson wrote in the statement that was first shared with NPR. “He told me that he felt that by my voicing the system, I could bridge the gap between tech companies and creatives and help consumers to feel comfortable with the seismic shift concerning humans and AI. He said he felt that my voice would be comforting to people.” Johansson added that she declined the offer after “much consideration and for personal reasons,” but when OpenAI demoed GPT-4o, the company’s latest large language model last week, “my friends, family, and the general public all noted how much the newest system named ’Sky’ sounded like me.”

    When Johansson saw OpenAI’s newest demo, she said she was “shocked, angered and in disbelief that Mr. Altman would pursue a voice that sounded so eerily similar to mind that my closest friends and news outlets could not tell the difference.” She also revealed that Altman had contacted her agent just two days before the company revealed GPT-4o and asked her to reconsider, but released the system anyway before she had a chance to respond.

    “The voice of Sky is not Scarlett Johansson’s, and it was never intended to resemble hers,” an OpenAI spokesperson said in a statement sent to Engadget that the company attributed to Altman, OpenAI’s co-founder and CEO. “We cast the voice actor behind Sky’s voice before any outreach to Ms. Johansson. Out of respect for Ms. Johansson, we have paused using Sky’s voice in our products. We are sorry to Ms. Johansson that we didn’t communicate better.”

    Even though “Sky” has been one of the voice assisstants in ChatGPT since September 2023, GPT-4o, which the company announced last week, takes things a step further. The company said that the new model is closer to “much more natural human-computer interaction” and demoed its executives having nearly human-like conversations with the voice assistant in ChatGPT. This invited comparisons to Samantha, the virtual voice assistant played by Johansson in the 2013 movie Her who has an intimate relationship with a human being. Shortly after the event, Altman tweeted a single word — “her” — in an apparent reference to the film.

    On Monday, OpenAI said that it was pausing the use of “Sky” in ChatGPT and released a lengthy post revealing how the company hired professional voice actors to create its own virtual assistants, and denying any similarities with Johansson’s voice.

    “We believe that AI voices should not deliberately mimic a celebrity’s distinctive voice — Sky’s voice is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice,” OpenAI wrote and added that each of its performers, who it declined to name for privacy reasons, was paid “above top-of-market rates, and this will continue for as long as their voices are used in our products.”

    This move, Johansson said in her statement, only came after she hired legal counsel who wrote two letters to Altman and OpenAI asking for an explanation. “In a time when we are all grappling with deepfakes and the protection of our own likeness, our own work, our own identities, I believe these are questions that deserve absolute clarity,” Johansson wrote. “I look forward to resolution in the form of transparency and the passage of appropriate legislation to help ensure that individual rights are protected.”

    Update, May 20 2024, 9:09 PM ET: This story has been updated to include a statement from OpenAI.

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    Pranav Dixit

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  • A ScarJo-Sounding AI Voice Is No Longer Her(e)

    A ScarJo-Sounding AI Voice Is No Longer Her(e)

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    Just want her back.
    Photo: Warner Bros./Everett Collection

    ChatGPT better keep Colin Jost’s wife’s voice out of its mouth. The OpenAI voice “Sky,” which sounded eerily similar to Scarlett Johansson’s in the movie Her, was suspended on May 20. “We’ve heard questions about how we chose the voices in ChatGPT, especially Sky,” OpenAI posted on Twitter. “We are working to pause the use of Sky while we address them.” In Her, Johansson played an AI named Samantha that Joaquin Phoenix’s Theodore falls in love with. In a blog post further explaining the situation, the company said that “Sky’s voice is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice.” Given that OpenAI CEO Sam Altman tweeted solely the word “Her” on May 13, that does not seem super-feasible, but hey, whatever you say, guys.

    Later that same day, Johansson released a statement revealing that Altman reached out twice, asking her to voice the AI herself, but she declined. She explained in the statement, “He told me that he felt that by my voicing the system, I could bridge the gap between tech companies and creatives and help consumers to feel comfortable with the seismic shift concerning humans and Al… Two days before the ChatGPT 4.0 demo was released, Mr. Altman contacted my agent, asking me to reconsider. Before we could connect, the system was out there.” Maybe next time, they should make Hal 9000.

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    Jason P. Frank

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  • Marvel’s Iman Vellani dishes on her love of Attack on Titan

    Marvel’s Iman Vellani dishes on her love of Attack on Titan

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    Iman Vellani is the kind of movie star whose enthusiasm, humor, and openness radiates off the screen and feels positively incandescent in person. The 21-year-old actress, best known for her role as Kamala Khan in 2022’s Ms. Marvel and 2023’s The Marvels, is unabashedly open in sharing her love of all things MCU-related, from playfully debating the finer points of canonical continuity with Marvel Studios head Kevin Feige to co-writing a Ms. Marvel limited series with Sabir Pirzada.

    But Vellani has other passions beyond Marvel — her most recent being anime. Earlier this year at the Crunchyroll Anime Awards, Vellani shared with Polygon what convinced her to finally take the plunge into exploring Japanese animation.

    “I was very intimidated by anime until very recently,” Vellani said. “I started watching anime about a year ago, so this is a new obsession for me, but I’m totally into it now. There’s just so much content, I didn’t know where to start. I mean, I can barely keep up with all the Marvel content that’s out there.”

    Image: Wit Studio/Crunchyroll

    Vellani attributes her nascent love of anime to Attack on Titan, which she was introduced to via family and friends and proudly names as her current favorite anime. “They just talk about it all the time,” Vellani said, “and Attack on Titan kept coming back up whenever they would talk about anime. I started watching it and was like, This is a story that seems like it’s about humanity. I think I can get into it.

    Of the entire ensemble of characters that appear in Attack on Titan, Vellani pointed out one in particular whose story resonated the most with her. “I love Mikasa Ackerman,” Vellani said. “The way that she kept Eren’s scarf at the end of the show, even though Eren told her to give it up and forget about him. Her being the only one who was able to kill Eren at the end to stop the Rumbling. That is a woman who — I don’t think I’ve seen many other female characters like her who have that authority, willpower, and determination to actually act on it. I recently cut my hair, and when I looked in the mirror, I was like, I know what my next cosplay is.”

    A dark haired anime woman smiles with tears in her eyes and a burgundy scarf draped around her neck.

    Image: Wit Studio/Crunchyroll

    Aside from Mikasa, Vellani also named one of the series’ other leading characters as one she especially enjoyed, going so far as to praise the voice actor responsible for their performance in Attack on Titan’s finale. “I like Armin because I always like to root for the nerdy characters,” Vellani said. “I watched the final half of the show with the English dub and, I don’t know who the actor who plays Armin is, but they deserve a raise because their performance in the final episode blew me away. He made me cry, his wailing and that flashback scene between him and Eren, it just hit me in all the right ways.”

    After resisting anime for a while, Attack on Titan quickly became a show that stuck with her. “The ending was such a gut punch. It left me feeling so awful at the end, but it’s like one of those Succession-type endings where it’s not the ending you want, but it made sense. The ending made sense for the story, it made sense for the characters.

    “I think they tied the knot so perfectly, and I can’t think of anything else I’ve watched recently that’s impacted me as much as that. I was crying in my bed watching it. My mom walked in on me and she was like, ‘It’s just an animation show!’ and I was like, ‘No, this is real!’”

    A long-haired anime man with shackles around his wrists stands with a giant glowing pillar behind him and a pitch-black starry night.

    Image: MAPPA/Crunchyroll

    Shortly after finishing Attack on Titan, she dove into exploring other popular series suggested by her friends. “I finally started Jujutsu Kaisen and One Piece,” Vellani said. “One Piece was one that I did not want to get into initially because it’s like, what, a thousand episodes now, and that felt like too much. Grey’s Anatomy was more than enough for me, and I stopped at, like, season 10. But after the Netflix show came out I was so drawn to the characters, and after the heartbreak of Attack on Titan, I needed something lighter and funnier and that made me feel good. The characters are likable and I want to root for them all, so that’s a show I really like.”

    And Vellani’s love for anime doesn’t stop at TV. “I watched Suzume just before coming to Japan and I loved it,” Vellani said. “That blew my mind. Truly a masterpiece. I also recently watched The Boy and the Heron and, as a 21-year-old, it really spoke to me and it reassured me that my inner child still exists.”

    Mahito and a grey heron with disturbing human teeth glare at each other face to face in Hayao Miyazaki’s anime movie The Boy and the Heron

    Image: Studio Ghibli via GKIDS/YouTube

    When asked why she felt that her generation has embraced anime, and what it was about the medium that specifically spoke to her, Vellani cited the empowering roles and depictions of women and children, as well as the craftsmanship of studios like Studio Ghibli, as some of the reasons why anime is so popular among Gen Z audiences. “I just feel like anime feels so progressive with the way they depict women and children, especially in Studio Ghibli movies. All those movies are so good at showcasing youth and childhood and imagination in a way that’s encouraging children to keep that mindset.

    “I feel like a lot of American cinema right now is just so depressing. It just wants to show the gritty real life of the world. I want to live in a world that makes me excited for the future, and I think anime does such a wonderful job in showcasing all the beauties of life. We went to the Ghibli Museum this morning and saw how they draw every single detail of the houses — the bricks, the walls, the windows — and you just realize how much people paid attention to these details when they drew it. Like, this is how they see the world, and that’s how I want to see the world, as something that’s full of life and joy.”

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    Toussaint Egan

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  • 14 Powerful Genre-Bending Films That Explore Love in Unconventional Ways

    14 Powerful Genre-Bending Films That Explore Love in Unconventional Ways

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    Explore the world of love through a variety of lenses. Here’s a collection of powerful films that each portray love and romance in a unique way, spanning multiple genres including drama, comedy, fantasy, animation, and sci-fi.


    “Cinema is a mirror by which we often see ourselves.”

    Alejandro Gonzalez Inarritu


    Movies give us the opportunity to explore major themes in life in a meaningful and profound way.

    A powerful film can lead to a better understanding of your own experiences. It can communicate thoughts and emotions that may have been challenging to express; and, at times, completely reshape our perspective on life.

    For better or worse, movies play a pivotal role in shaping our beliefs and map of reality. We pick up ideas through films, sometimes absorbed at a very young age, and those ideas find their way into our daily lives influencing our choices and perspectives.

    Filmmakers understand the transformative power of cinema, purposely using it to shake up people’s consciousness. The goal of a solid film is to create an experience that leaves you a different person by the end of it.

    As viewers, it’s essential to be aware of a film’s effects both emotionally and intellectually. Often, the movies that linger in our thoughts long after watching are the most impactful and life-changing.

    Here’s a collection of classic films about love and romance. Each movie has had a lasting influence on audiences in one way or another. It’s an eclectic list that spans multiple genres, including drama, comedy, animation, fantasy, mystery, and sci-fi.

    Titanic (1997)

    James Cameron’s epic tale blends love and tragedy against the historical backdrop of the Titanic’s sinking in 1912. The film weaves a captivating narrative of a forbidden romance blossoming amidst a natural disaster.

    Eternal Sunshine of the Spotless Mind (2004)

    In this mind-bending story, a man attempts to erase the memories of a lost love using cutting-edge technology, only to find fate conspiring to bring the couple back together repeatedly. The film explores the complexities of memory, love, and destiny.

    Beauty and the Beast (1991)

    Disney’s classic adaptation of the French fairy tale is celebrated for its beautiful animation and memorable songs. The film goes beyond appearances, illustrating the transformative power of true love.

    Her (2013)

    Set in a near-future world, “Her” tells the unconventional love story of a lonely man who forms a deep connection with his computer’s operating system. The film delves into themes of technology, loneliness, and the nature of human connection.

    Before Sunrise (1995)

    Richard Linklater’s film follows two young tourists who meet on a train in Europe and share an unforgettable night in Vienna. The movie explores the transient nature of connections and the profound impact of brief encounters.

    Lost in Translation (2003)

    Sofia Coppola’s film features a washed-up American celebrity and a young woman forging an unexpected bond in Tokyo. “Lost in Translation” navigates themes of loneliness, connection, and self-discovery.

    Cinema Paradiso (1988)

    An Italian filmmaker reflects on his past and learns how to channel his love in a different and creative way through his art and craftsmanship.

    Past Lives (2023)

    Two childhood friends reconnect after years apart, seeking to unravel the meaning behind their enduring connection. The film explores the complexities of friendship, time, and shared history.

    Check out: In-Yeon: Exploring “Past Lives” and Eternal Connections

    The Lobster (2015)

    Set in a dystopian future, “The Lobster” challenges societal norms by presenting a world where individuals must choose a romantic partner within 45 days or face transformation into an animal. The film satirizes the pressure to conform in matters of love.

    Annie Hall (1977)

    Woody Allen’s classic romantic comedy is a hilarious and heartfelt movie that explores neurotic love and the psychological obstacles we commonly face in marriage and long-term relationships.

    Your Name. (2016)

    A masterful anime that combines elements of science fiction, fantasy, and romance. It centers on a mysterious connection between a boy and girl who swap bodies, learn about each other’s lives, and search to find each other in real life.

    A Woman Under the Influence (1974)

    John Cassavetes’ uncomfortably raw and dramatic portrayal of the profound impact of mental illness on marriage and family, navigating the complexities with unflinching honesty.

    The Fountain (2006)

    Darren Aronofsky’s “The Fountain” explores love and mortality through three interconnected storylines spanning different time periods. The film delves into themes of eternal love and the quest for immortality, providing a visually stunning and emotionally resonant experience.

    Scenes From a Marriage (1974)

    Legendary director Ingmar Bergman’s deeply incisive and detailed chronicle of a rocky marriage’s final days.

    Choose one movie and analyze it

    Each of these films offers a different perspective on love while also pushing the boundaries of cinema and story-telling.

    It’s fun to compare each story: How did the couples meet? What defined “love” for them? What obstacles did they face? Did the relationship work out in the end or not? Why?

    Exercise: Choose one movie from the list that you haven’t seen before and do the Movie Analysis Worksheet (PDF).

    While films are often seen as just a source of entertainment or healthy escapism, they can also be an avenue for self-improvement and growth.

    The “Movie Analysis Worksheet” is designed to make you think about the deeper themes behind a film and extract some lessons from it that you can apply to your life.

    Watch with a friend and discuss

    If you don’t want to do the worksheet, just watch one of the movies with a friend (or loved one) – then discuss it after.

    Watching a film together is an opportunity to share a new experience. It can also spark up interesting conversations. This is one reason why bonding through movies is one of the most common ways we connect with people in today’s world.

    Which film will you check out?


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    Steven Handel

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  • Moms in the ER

    Moms in the ER

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    Maybe the ancient ritual will help. Checked on her two hrs ago. Got worried and went back to check on her again since she went to the hospital friday. Now im waiting in the ER as the condition i found her in was much worse. Anybody got some cat memes i can disassociate with? Ill update later today.

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  • Sad – lost a good one

    Sad – lost a good one

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    My dog was put to sleep last night. She was my first dog and I had her for almost 10 years. She was the moodiest bitch on the planet but was always super sweet to me. I’ll miss hearing her close the laundry room door to hide from my kids and catch a break.
    This is a toast to a real one.
    Fry up some bacon just for your puppies once in a while. They deserve it.

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  • How Mayim Bialik Lost Her Role as the Main Host of ‘Jeopardy!’

    How Mayim Bialik Lost Her Role as the Main Host of ‘Jeopardy!’

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    It was the middle of August 2021, and a swift union seemed to make sense. A week and a half earlier, Mike Richards, the executive producer of Jeopardy!, had been named the successor to longtime host Alex Trebek. Then, amid a storm of bad press and having filmed just five episodes as host, Richards abruptly stepped down. Production screeched to a halt with the season premiere mere weeks away. Already, a full day of taping had been canceled at the last minute, with more tapings the following week likely to meet the same fate. Sony needed episodes in the can and, just as important, something to quiet the worst press cycle in Jeopardy!’s history.

    The answer appeared obvious: Mayim Bialik. The actor, after all, had just been announced as Richards’s backup—the host of occasional prime-time specials on ABC and yet-to-be-announced spinoffs, while Richards would take the more prominent role as the host of the daily syndicated edition. So when Bialik, waiting in the hospital while her boyfriend was having hip replacement surgery, told her agent to reach out to Sony, the studio was only too eager to put a deal together to get Bialik to host the daily show as soon as possible.

    “From the hospital waiting room, I said to my agent, ‘Please ask how we can help,’” Bialik recalled to Glamour later. “That’s literally what I said. I don’t want to seem opportunistic, but I’m part of this family now.”

    Almost two and a half years later, her role in that family has changed. On December 15, Bialik wrote in a statement that she had been informed by Sony that she would “no longer be hosting the syndicated version of Jeopardy!Jeopardy! confirmed to The Ringer that Bialik is under contract until the end of the season with a one-year option remaining. With several months of taping remaining this season, Bialik was informed that her option would not be picked up.

    The development has ushered in a series of reports looking into Sony’s concerns about Bialik and her performance as a host. According to a source close to production, Bialik was ultimately outshined in the role by Ken Jennings, the storied Jeopardy! contestant who was initially brought in to cohost only as a stopgap measure, filling in while Bialik was busy filming the Fox sitcom Call Me Kat, and who will now host the entirety of the syndicated show. But the reason for the change likely goes beyond that. So where did it all go wrong? And what does it mean for Jeopardy! moving forward?


    When Bialik was named a host of Jeopardy!, the selection fit a certain obvious logic. The actor was widely known for her roles on the sitcoms Blossom and The Big Bang Theory, and she had drawn praise for a two-week stint guest hosting the quiz show after Trebek’s 2020 death. She also holds a PhD in neuroscience, brainy laurels that fit well with Jeopardy!’s brand. After Richards stepped down, first as host and then as executive producer, on the heels of reporting by The Ringer and other outlets that sparked concerns about his past and the integrity of the host search, she seemed like a natural choice to fill the void and bring stability.

    Yet in some ways, Bialik made for an uneasy cultural fit. In his nearly 40 years on the job, Trebek crafted an image as more than just staid and reliable; publicly, he was also stringently apolitical. He spoke of voting for both Democrats and Republicans and generally avoided sharing his opinion on anything spicier than his preferred tipple (chardonnay). In recent years, Jeopardy! leadership has doubled down on that reputation, presenting the show as a safe harbor of impartiality in turbulent modern times where facts alone are what matter.

    Bialik’s ascent at the show, then, represented a departure from those norms. Long an avid user of social media, Bialik has written and spoken extensively about her life and beliefs. After her hiring, a slew of controversies resurfaced, among them her promotion of a dubious brain health supplement called Neuriva, her 2017 New York Times op-ed about the #MeToo movement that many interpreted as victim blaming and for which Bialik later apologized, and her advocacy for a range of controversial parenting techniques, including delaying or withholding some vaccinations for children. Bialik has said that she is not anti-vaccine while also stating in 2020 that “we give way too many vaccines.”

    Bialik has not shied away from weighing in on contentious subjects, telling Bill Maher recently about her distaste for cancel culture. At times, she has invoked Jeopardy! along the way. In October, she filmed an Instagram Reel with the Israeli actor Noa Tishby in which Bialik, who has written at length about her Jewish faith and Israel, riffed on her game-show duties while discussing the crisis in Gaza. “The free world is in jeopardy, but this time it’s not a game,” she said, before reading Tishby a series of Jeopardy!-style prompts. In a video published the day before Bialik announced her departure from the syndicated show, Bialik and Tishby again deployed a game-show format to make statements about the Israel-Hamas war. “You might be an antisemite if you think that the solution to what is going on in the Middle East is that the Jews should just go back to where they came from,” Bialik said. “The Jews are the indigenous people of the land of Israel,” Tishby added as Bialik nodded beside her, “so there’s nowhere to go back to.” A Sony official said that while the studio was aware of the videos, they had no impact on the decision not to retain Bialik on the syndicated show.

    Then there’s the matter of her absence from the entirety of the current season of Jeopardy!, which began airing in September. In May, Bialik announced that she would cease hosting Jeopardy! in solidarity with the Writers Guild of America, which was on strike. “There’s a lot of complexity to this, but my general statement is always that I come from a union family,” she said later. “While it’s not for me to personally judge anyone else’s decision, for me, I am a union supporter—pretty much all unions and what they fight for.”

    Sources close to the show say this stand was not exactly what it seemed. Jeopardy! and other game shows are guided by a distinct set of union provisions known as the Network Television Code, meaning that while Jeopardy!’s writers are members of the WGA and thus were part of the strike—many were prominent figures on picket lines in Los Angeles and New York—the rest of the staff and crew were not. SAG-AFTRA—which began its own strike in July and of which Bialik and Jennings are both members—explicitly advises non-striking members to continue to work per the terms of their contracts; to do otherwise can weaken the union’s negotiating power because it indicates that members might not follow the letter of the contract.

    There was also a semi-recent precedent at Jeopardy!: During the 2007-08 writers strike, Trebek hosted throughout the work stoppage. Both then and during this year’s strike, the quiz show used only clues written before the writers decamped. (The Network Television Code is governed by its own contract, which runs through June 2024.)

    Bialik’s move, however, left many decrying Jennings as a scab and criticizing Jeopardy! for taping at all. The actor Wil Wheaton, a friend of Bialik’s who she said was the first to predict she would get the Jeopardy! job, slammed Jennings in a widely discussed Facebook post in which he wrote, “Your privilege may protect you right now, but we will *never* forget.”

    On December 18, Puck’s Matthew Belloni reported that Bialik’s decision to step back from hosting during the writers strike left Jeopardy! executive producer Michael Davies and Sony executive vice president of game shows Suzanne Prete “furious.” The WGA strike concluded in September, with SAG-AFTRA following in November, and Bialik still did not return to the show.


    Issues persisted around Bialik’s performance in the studio, too. Part of that may have stemmed from her personal disconnect from Jeopardy!, about which she was up-front. She has written in the past about not watching any television and said that she learned of the opportunity to guest host only when her son saw buzz about the host search online. She seemed mystified by the level of scrutiny that the show, and, by extension, the host, received: “Like, who knew that people were so passionate about who hosts Jeopardy!?” she said shortly after taking on the series.

    Her apparent unfamiliarity with the show’s rhythms and lore rankled some longtime fans. Complaints at times verged on petty: Viewers griped that she referred to the show’s first round as “single Jeopardy!,” a phrase Trebek himself used occasionally, and piled on about her propensity to laugh during exchanges with contestants—a charge that smacked of misogyny to some. Other viewers, however, pointed to more fundamental issues. Throughout her time as host, Bialik was criticized for noticeable pauses after contestants delivered responses, with Bialik sometimes going silent for a conspicuous beat before issuing a verdict. Less charitable observers took this as an indication of a lack of familiarity with the show’s material such that she needed to wait for offstage judges to decide if an unexpected answer was correct. Tellingly, it was Jennings and not Bialik who was tapped to host last year’s Tournament of Champions and this spring’s Masters contest—high-stakes competitions with more difficult material where mistakes by the host could have much more serious, and costly, consequences for players.

    Bialik said that she suspected she would be reduced to tears if she were a contestant. “People ask if I know all that stuff, and I’m like, ‘No. No,’” she said. “Answering things like that under pressure with a timer is not gonna happen for me. It’s hard!”

    The self-effacement presented a stark divergence from both Trebek, who perfected the art of always seeming to know more than the contestants, and Jennings, who won a record 74 games as a contestant in 2004.

    Criticism of Bialik, often via comparison to Jennings, reached such a fever pitch that the moderators of the fan-run Jeopardy! subreddit stepped in to ban most anti-Bialik rhetoric. “Nitpicking even the smallest little mannerisms, as has frequently and ongoingly been the case with Mayim—it drags the community down and is not welcome,” a moderator wrote. Plenty of complaints still got through, however: After Call Me Kat, which was reportedly the primary obstacle to the actor’s ability to host more episodes of Jeopardy!, was canceled this May, one user wrote, “I’ve never been so upset about a show that I’ve never watched being canceled.” The comment attracted nearly 700 upvotes, making it one of the subreddit’s top three comments of 2023, according to the forum’s official year in review.

    Other incidents widened the chasm between Bialik and Jeopardy!’s vocal online community of superfans. Last year, she said on multiple occasions that fans had criticized her for reusing an outfit on the show. Not only was there no clear evidence that she had taken a social media walloping over the jacket in question—recent posts featuring the jacket on both her and Jeopardy!’s Instagram accounts did not appear to have any comments criticizing the repetition—but some fans wondered if she was lashing out at Lilly Nelson, a viewer who has attracted a loyal following and seemingly the blessing of Jeopardy!, which ran a feature on her online, for her rigorous cataloging of contestant and host garb alike.

    Still, Bialik had plenty of fans, and ratings—sky-high, with Jeopardy! generally leading all shows in syndication—fluctuated little between the two hosts’ time at the lectern. This month, filmmaker Jim Jarmusch declared Bialik his favorite Jeopardy! host ever. (“w apologies to Alex T,” he wrote.) The staff was also fond of her, with reports of her surprise delivery of cupcakes for the crew early in her hosting tenure leaked immediately to the Daily Mail.


    Jennings’s surpassing of Bialik to become the full-time host of the syndicated edition represents a stunning reversal of fates for the pair. At the outset of Jennings’s time hosting Jeopardy!, detractors criticized him for a lack of showbiz polish. Bialik’s decades of experience on camera, meanwhile, gave her an advantage in even small matters: her comfort with a teleprompter, for example, which Jennings spurned as an homage to the prompter-resistant Trebek, a decision that left him vulnerable to needing to re-tape segments.

    Bialik spent her first months on the syndicated show on a media tour in which she made clear that she wanted the full-time job for good: “I’d give up my first child to host Jeopardy! forever,” she professed in Newsweek. Jennings struck a different note in his interviews at the time. “You’re not going to see me in the papers talking about how important it is that I ended up hosting,” he told USA Today. To CNN, he said he was “not particularly ambitious” enough to want the permanent gig.

    That dynamic seemed to be reflected internally early on, when it was clear that Bialik’s reworked deal with Sony afforded her a superior position within the show. Throughout the 2021-22 season, Bialik was introduced in her episodes as “the host of Jeopardy!,” while Jennings was welcomed with the phrase “now hosting Jeopardy!”—seeming to emphasize that he was lower in the host pecking order. Davies, who came aboard as executive producer in the wake of Richards’s exit, eventually confirmed that the difference was because of Bialik’s contract, which stipulated that she was, in Davies’s phrasing, “the host of Jeopardy!,” while Jennings was merely a guest host. By the next season, however, both Bialik and Jennings had signed new deals with Sony that left them both billed simply as “host.”

    With Bialik sidelined for the bulk of this year, Jennings had a third season of hosting reps to himself. Jennings has been widely praised for improving his onstage performance, and he has developed a persona that has traces of Trebek’s signature sarcasm as well as a bubbly eagerness to share additional factoids that you might expect from a trivia champion. That growth was noted within Sony, too: Many Jeopardy! staff members came to believe that Jennings had become the technically superior host, according to a source close to production, who says that Jennings’s improvement was the key factor that spelled the end for Bialik.

    TMZ reported on December 20 that the extended period with a single host further helped convince Sony executives that the dual-host model was inferior. Critically, Jennings also filled in on Celebrity Jeopardy! in prime time—an assignment that would otherwise have gone to Bialik—and thrived, producing ratings on par with or exceeding those obtained by Bialik last year.

    Jennings has had his own rocky moments, most notably when a series of his tweets including ableist comments reemerged in late 2020; he apologized for the “unartful and insensitive” messages. But he has by and large avoided controversy during his time as host. He is helped by the perception that he is Trebek’s natural heir, by dint of both his own history as a contestant and his ties to Trebek, who prepped Jennings over the phone to fill in for him shortly before his death; Trebek’s wife left a pair of his cuff links for the newbie host when Jennings arrived to tape his first episodes.


    Bialik may yet return: A statement by Jeopardy! released on December 15 left open the possibility for Bialik to still host prime-time episodes in the future. Davies has spoken at length about his plans to expand the Jeopardy! franchise and said last year that the growth would necessitate “multiple hosts to represent the entire audience, to represent the entire country, in order to take this franchise forward.” (Davies has suggested that it was his decision “to bring Ken in and have Ken be a second host along with Mayim”; it is perhaps not coincidental that the TMZ report also contained the tidbit that Bialik “didn’t always agree with production decisions … including the hiring of executive producer Michael Davies.”)

    TMZ further reported that while Sony executives would like to maintain a relationship with Bialik, “Mayim made it clear it was all or nothing. As a result, we’re told Sony brass declined.” Even the public announcements of Bialik’s exit point to a rift: Jeopardy! did not publish its own statement until an hour after Bialik posted hers, and it wrote that “Mayim Bialik has announced that she will no longer be hosting the syndicated version of Jeopardy!,” suggesting that the actor may have acted unilaterally in making a final decision.

    No matter how the rest of this unfolds, there is a certain irony to the way that the hire brought in to steady the ship made her own dramatic splash at Jeopardy! In the three years since Trebek’s death, the quiz show has at times felt doomed to cycle through recurring controversies. But this time, Jeopardy! finally looks to be in a position to get what it’s been palpably chasing all this time: just the right level of nerdy steadiness. As Jennings put it this week in reference to Trebek’s tenure, “I look forward to 37 more years of doing it, when I’ll be a very, very old man.”

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    Claire McNear

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