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Tag: headline

  • Key Resources to Foster Student Engagement in Math

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    I was a classroom teacher for over two decades and now I support teachers in developing quality math instruction. One of the most challenging things I see educators encounter is student engagement. Engagement can be particularly challenging in a math class where students can become overwhelmed, and your own teaching success is often contingent on the skills taught by the teachers who preceded you. 

    The Education Insights Report shows that engagement is a key driver of success. In fact, over 90% of teachers, principals, and superintendents agree that student engagement is a critical metric for understanding overall achievement.

    Even so, the topic of engagement dominates much of my coaching conversations because many teachers I support can’t put a finger on exactly how to foster student engagement. When you think of maintaining student engagement, do you picture yourself performing a nonstop comedy routine or redesigning every lesson to be a visual masterpiece? Unfortunately, that’s a recipe for burnout.

    The good news? Fostering student engagement doesn’t require a circus act; instead, it’s about discovering the key that unlocks student learning. Each student has a unique lock and is waiting for the right engagement key. This really is the art of teaching: understanding the engagement’s natural cycle and adjusting accordingly.

    Below are some advice and keys to build classroom engagement in math instruction:

    The Engagement Cycle

    Engagement follows a rhythm as engagement naturally rises and wanes. If you recognize engagement, and disengagement, as a natural cycle, then managing it becomes another tool in your teaching toolbox.

    The duration of each cycle varies based on factors both within and beyond your control, so recognizing the signs to an engagement reset is essential. The key is knowing how to activate, sustain, and reset engagement. 

    Activate thinking with a math challenge. Reframe a problem from the day’s lesson and have students solve it using any creative thinking process they can devise. This could include modeling, descriptions, or illustrations.

    Sustain attention by changing the lesson format. This can be done in several ways.

    • Reconnect students by going beyond the trusted KWL chart to incorporate a variety of instructional strategies. You can include things like multiple formats of graphic organizers, a variety discourse setups, and scaffolded collaborative tasks. I recommend the vast array of SOS strategies available on Discovery Education Experience.
    • Reduce the length of a long worksheet and turn some of the questions into an activity or a game. A fast, low budget yet highly interactive way to do this is to cut up questions from the worksheet and put them in a grab bag. Then, students can grab- and-go the questions and answer them. You could take this a step further by making teams or implementing a rapid-fire round!
    • If your lesson runs for over 15 minutes, mix it up. Turn to Edpuzzle or Wevideo to help instruction in multiple ways while also freeing you up to provide personalized and small group instruction.

    Reset the engagement cycle with a brain break. A whole bunch of numbers and concepts all at once can freeze students. Give students a quick break by asking them to decipher an optical illusion, solve a brain teaser, or you can insert a corny joke. This mini moment gives them a moment to breathe and helps realign student focus back to the lesson.

    Personalized and Individual Attention

    Personalized and individual attention also helps sustain interest in learning, especially when difficulty levels increase. Engaging students in your small group is easy. The hard part is engaging the students not in your small group. I find that personalized attention is easiest to achieve through technology tools. For example, with Wayground, you can differentiate your students’ tasks to align with learning needs and levels, all in just a few clicks.

    I also have found success with Dreambox Math. With a focus on conceptual understanding, you can count on this tool to keep your students in the zone of proximal development as it adapts to each student’s skill level to guide them through learning curriculum-aligned math lessons.

    For example, if you’re a do-it-yourself kind of teacher, like me, Google Forms might be a good option for you. I’ll create a Google Form with sections to offer a learning experience with targeted remediation and learning support contingent on student responses.

    Sustain Interest During Direct Instruction

    Let’s be real here: you cannot expect students to understand mathematical relationships and apply mathematical reasoning by clicking and talking through a presentation.

    Hands-on learning can save the day and transform a student’s understanding of a math concept. A good tool for this is FluidMath which places each student into the center of the learning experience with interactive direct instruction. I also recommend Geogebra for a community-generated library of activities created and tested by fellow teachers. 

    Finding the Right Key

    Learning, especially in mathematics, develops in layers as concepts unfold and conceptual understanding leads to math application. When we view engagement as a natural ebb and flow, we develop professional practices and integrate technology to shape learning environments that are both productive and enjoyable. The heart of this journey is the teacher. The teacher-to-student connection supported by the integration of thoughtful tools brings math to life.

    With a combination of tools and connection, the question shifts from “Why won’t they listen and do their work?” to “How can we unlock the key to their potential?”

    Subscribe to edCircuit to stay up to date on all of our shows, podcasts, news, and thought leadership articles.

    • Tamara Ferguson, former Secondary Math Curriculum Coach at Cypress Fairbanks Independent School District, Product and Training Specialist at SkillTech Learning Solutions




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    Grace Maliska

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  • Nxdia Gives Us ‘More!’ At Their Sold Out London Show

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    Right before kicking off their European shows, Nxdia made a stop in London. Not only was London sold out, every single show on the tour has been, which is an incredible feat for any artist, especially as a first-ever headline tour!

    I Promise I’m Watching is a direct nod to their debut EP, I Promise No One’s Watching. The tour manages to create such an open, comfortable, and safe space. Curating a tour – and music, around coming out and the life experience of being queer, non-binary, and androgynous naturally draws in other people who are experiencing the same things and feeling the same feelings.

    Image Source: Toyah Ann for The Honey POP

    The setlist was everything from emotional hard-hitters like ‘Ambulance,’ and ‘Tin Man,’ to their biggest hits ‘She Likes A Boy,’ and ‘Feel Anything.’ Nxdia performed a cover of Katy Perry’s ‘I Kissed A Girl’ and all we have to say about that is bring back those pop-goes-punk albums. That was incredible – and such a fitting song, it sat perfectly in the setlist, and is obviously an LGBTQ+ anthem!

    Every once in a while, a show will just hit the spot and make you feel like you’re floating. The Garage is such an iconic London venue and Nxdia themselves said they were nervous when it was being suggested to them. This show really was something else, and there aren’t enough words in any dictionary to explain the absolute euphoria that was felt.

    Image Source: Toyah Ann for The Honey POP

    The perfect pop-punk vibes, emotions were flowing left, right, and center, and the feeling of community was so intense it may or may not have reduced us to tears. They honour their heritage by writing lyrics in Egyptian, merging them seamlessly with the rest. Not only is it a beautifully unique characteristic to have in music, but it even encourages people to learn a new language – or at least some phrases in a new language, only creating a more open and diverse fanbase!

    Being so loud and proud about your background, your journey, and your life is not something every artist can achieve. Nxdia has consistently grown over the years, from beautiful lyricism to this headline tour. The in-betweens consisted of performing at Bludfest, going viral many… many times, and perfectly curating such a memorable, admirable group of fans.

    We could go on and on about Nxdia, how proud we are to have seen them grow. But we are aware that we came with unseen photos for everyone to admire so… we’ll leave it here, for now! You will be hearing from us again very soon…

    Let us know your favourite Nxdia song by messaging us on Twitter, Instagram, or Facebook.

    TO LEARN MORE ABOUT NXDIA:
    FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

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    Toyah Ann

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  • Five Low Risk Ways to Incorporate Generative AI Tools with Students

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    As an educator who started their career in the mid 1990’s, I have seen lots of change.  I spent six years teaching middle school in Davidson County North Carolina before taking a few years off to be a stay-at-home mom.  During my time at home I wanted to keep my teaching license current so I registered for all of the technology PD I could find.  I developed a passion for edtech and when I returned to education, I got a position in instructional technology.  I have spent the last 20 years in the field of instructional technology and am currently serving as the Director of Instructional Technology and Media for Davidson County Schools.  I have a passion for helping educators find creative ways to make their jobs easier by utilizing technology.

    One of the biggest changes I have seen over the course of my career is the development of Generative AI tools.  Like many others, our district’s first response to Generative AI was to block all access and fear that these tools would make cheaters out of our students.  Many were concerned that students would no longer be able to think for themselves or communicate effectively. The bold leadership of our North Carolina Department of Public Instruction on the benefits of GenAI and how it can improve teaching and learning helped educate our leaders on the realities and best practices of its use.  North Carolina was the fourth state in the nation to develop statewide guidelines on GenAI in Education and they made extensive efforts to inform the districts on their stance as well as the benefits and challenges it brings.

    After developing our own district guidelines modeled after the state, Davidson County was able to serve as a model in our region and share our process.  GenAI has drastically changed the landscape of education.  Teachers can now have their own digital assistant to help develop personalized lesson plans and materials with just a well crafted prompt.  After learning how to use the GenAI resources to facilitate teaching, our next step is to find ways to incorporate these resources into student activities while ensuring that student data privacy is protected. 

    Here are my top five low risk ways to incorporate GenerativeAI tools with students:

    • Teacher-Generated Resources for Deeper Learning: One of the safest ways to introduce students to the benefits of Generative AI without direct interaction is for the teacher to be the primary user. For instance, you can use an AI tool to generate varied practice problems, differentiated reading passages, or even creative writing prompts tailored to specific learning levels. Students then engage with these AI-created materials, gaining the benefit of personalized content without ever inputting their own data into the AI model itself. This approach ensures all student information remains private and within the teacher’s control.
    • Anonymous Brainstorming and Idea Organization with Tools like Padlet: Collaborative digital whiteboards like Padlet have evolved, and some now integrate Generative AI features, such as “Magic Padlet” which can help organize or summarize ideas, and even AI image generation. To leverage this with low risk, teachers can create a Padlet and configure it for anonymous contributions, meaning students do not need to log in or provide personal identifiers to post. Students can then contribute ideas, thoughts, or even use the AI image generation feature directly within their anonymous posts. The teacher can then leverage Padlet’s AI features (if available and data-privacy compliant) to quickly cluster themes, summarize discussions, or generate relevant visuals for the board. By ensuring students are not logged in and their contributions are not personally identifiable, this allows for rich discussion and creative exploration without exposing student data to an AI model.
    • AI-Powered Assessment Creation: I was fortunate enough to attend the Discovery Educators Network Summer Institute in Chicago this summer where Discovery rolled out AI TeacherTools | Assess, a generative AI tool within Discovery Education Experience that helps educators efficiently create quizzes and assessments tailored to their classroom needs.. This is a game-changer for teachers looking to save time and create high-quality assessments. With this tool, teachers can input their lesson content or learning objectives, and the AI generates various assessment types, from multiple-choice questions to short-answer prompts or even rubrics. Students then complete these assessments through Discovery Education Experience, where their data is managed according to the platform’s privacy policies, distinct from any data collection by the underlying Generative AI model. A quick note about Discovery Education: all teachers using Discovery Education resources are able to become members of the Discovery Educator Network. A global community of education professionals, the DEN connects members across school systems and around the world through social media, virtual conferences, and in-person events like the DEN Summer Institute. This year, the DEN is celebrating 20 years of connecting educators to their most valuable resource: each other. Educators interested in learning more this powerful professional learning community and joining the DEN can visit the DEN homepage here.
    • Quick, Browser-Based Creative Tools: Many simple AI-powered creative tools exist that run directly in a web browser and don’t require student logins or collect personal data. These are fantastic for quick bursts of creativity or demonstrating AI capabilities. An excellent example is Craiyon (formerly DALL-E Mini), a free web-based AI image generator. Students can input a text prompt, and the AI will generate unique images based on their description. This allows students to experiment with text-to-image generation in a fun, no-pressure way, without any personal information being collected or stored, as the interaction is entirely contained within the browser session.
    • Simulated AI Interactions with Structured Prompt Building: Instead of having students directly use a Generative AI tool, teachers can create “simulated” AI scenarios that foster critical thinking and creativity. For instance, teachers can design a story template (e.g., using a Google Form or a simple worksheet) where students use dropdown menus or predefined lists to select elements like characters, settings, plot points, actions, or emotions. Students compile these choices to “build” a detailed prompt. The teacher then takes these student-crafted prompts and inputs them into a large language model (LLM) to generate a story. This approach allows students to learn about prompt engineering and the impact of input on AI output, while the teacher acts as the secure intermediary, ensuring no student personal data is directly handled by the AI model. Students can then analyze, critique, and improve the AI-generated story, focusing on the quality, bias, accuracy, and ethical considerations of the output. This is a powerful way to engage with the concepts of AI in a completely controlled and private environment.

    These examples show that generative AI can be both safe and practical when educators lead the way and privacy is protected. As we learn and grow alongside these new tools, it becomes clear: AI doesn’t have to be a threat. With thoughtful planning and a focus on what really matters—great teaching and meaningful student learning—AI becomes a helpful partner in the classroom. By staying curious and committed to best practices, we can help ensure that technology strengthens, rather than replaces, the human connections at the heart of education.

    Subscribe to edCircuit to stay up to date on all of our shows, podcasts, news, and thought leadership articles.

    • Sue Tobin is the Director of Instructional Technology and Media in North Carolina’s Davidson County Schools. She began her career in education by earning a Bachelor’s Degree in Secondary Social Studies from High Point University. She taught middle school at South Davidson for six years and is qualified to teach 6-12 social studies and 6-9 math. She holds a master’s degree in Instructional Technology from East Carolina University and is currently in her 20th year helping teachers integrate technology into their curriculum.




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    Stephen Wakefield

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  • The Simpson’s clever newspaper headlines you may have missed (25 Photos)

    The Simpson’s clever newspaper headlines you may have missed (25 Photos)

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    Springfield Shopper is the local paper that The Simpson family subscribes to. Writers of the show have had a field day coming up with clever headlines and visual gags.

    With the show entering its thirty-sixth season this year, we weren’t able to get all of the headline gags in one post. If we missed your favourite one, be sure to share it in the comments below. CLICK HERE for part one.

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    Jon

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  • Cristopher Sanchez is Having the Breakout Season Nick Pivetta Never Had – Philadelphia Sports Nation

    Cristopher Sanchez is Having the Breakout Season Nick Pivetta Never Had – Philadelphia Sports Nation

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    Although the Summer of 2020 was merely four years ago and the memories of cardboard cutouts of fans and surprise COVID-19 tests still remain fresh in the minds of MLB fans, for the Phillies, that dreaded 2020 campaign might as well have been 10 years ago. For this 45-20 Phillies team, tied for tops in all of baseball with the Yankees, has entered into a different era. They are no longer the perennial disappointments in the midst of an 11-year playoff drought, outsiders looking in, a team saddled with just as many roster holes as big name players. They no longer have the worst bullpen in the history of the sport–instead, they have one of the best pitching staffs in all of baseball. In the past four years, the Phillies have completely changed the narrative around their team from costly failures to legitimate World Series contenders. The transformation has been nothing short of remarkable. 

    However, on Wednesday in Boston, the Phillies will stare down a piece of their ugly past. Red Sox starting pitcher Nick Pivetta is slated to face Cristopher Sanchez in a duel of back-end rotation pitchers present and past. Pivetta, spent parts of four seasons with the Phillies after making his Major League debut in 2017, is the rotation pitcher who never was. Cristopher Sanchez, however, is looking like the rotation piece that the Phillies always hoped Pivetta would be. 

    Pivetta, who was traded to Boston during that strange summer of 2020, symbolized the Phillies’ most recent era of futility to a T. He was yet another young, promising player that just didn’t quite pan out in the vein of Scott Kingery, Vince Velasquez, Maikel Franco and countless others who donned the red and white pinstripes. A talented arm, with a mid-90s fastball and a highly touted curveball, Pivetta made a splash in 2017 at age 24 when he threw 133.0 innings over 26 starts. Sure he had a 6.02 ERA, but when he followed it up with a 4.77 ERA in 164.0 innings over 32 starts in 2018, the sky seemed to be the limit for the young right-hander. Only it wasn’t. Pivetta struggled mightily in early 2019, to the point where the Phillies moved him to the bullpen–a role, it turned out, Pivetta wouldn’t be able to escape. He lost out on the fifth starter job in 2020 and pitched just three appearances for the Phillies before being traded to the Red Sox in August. 

    Ever since, however, Pivetta has found success in Boston, both as a starter–he started a career high 33 games in 2022 with a 4.56 ERA– and as a long man in the bullpen. In five years with the club he owns a 34-33 record, with a 4.26 ERA in 529.2 innings across 89 starts and 23 relief appearances. This year Pivetta’s been remarkably solid, posting a 3-4 record over eight starts with a 3.40 ERA. He enters Wednesday’s matchup fresh off his best start of the season, a seven-inning shutout of the Braves, where he struck out nine and allowed just one hit. 

    In Boston Pivetta has turned his career around, from a fledgling starter at the edges of the Major Leagues to a full-time rotation piece, capable of eating 160+ innings on any given year. He’s made decent money, with his career earnings just south of $18 million and more importantly, established himself as a full-time big league starting pitcher. The only caveat to his career? Cristopher Sanchez might be better. 

    Sanchez, another minor league trade acquisition, debuted with the Phillies in 2021 at age 24, a hard-throwing lefty with control issues. Raw, but undeniably talented, much like Pivetta. Until 2024, however, the jury was still out on Sanchez’s ability to be the team’s fifth starter. He started just three games in 2022 and 18 in 2023, posting a 3.44 ERA over 99.1 innings. This year, however, Sanchez has elevated his game to another level: in 12 starts he’s thrown 66.1 innings, with a 3-3 record and a 2.71 ERA. He leads the league in HR/9 and has thrown six or more innings in six of his 18 starts. He is the unsung hero of what is undeniably the best starting rotation in baseball. 

    In a different time, perhaps Pivetta would’ve worked out in Philadelphia. Perhaps with a different pitching coach or a different atmosphere, Pivetta would have had the breakout season he always seemed destined for in Philadelphia. But he didn’t and four years later, Sanchez has. It’s only fitting then that two pitchers, parallels of one another from differing eras of Phillies baseball, will square off in a showdown of Phillies pitchers present and past on Wednesday night in Boston.

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    Dylan Campbell

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  • War-Weary Americans Not Sure How Much Longer They Can Occasionally Glance At Headlines About Ukraine

    War-Weary Americans Not Sure How Much Longer They Can Occasionally Glance At Headlines About Ukraine

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    WASHINGTON—Worn down and weakened by the one-year anniversary of the war’s media coverage, a weary U.S. populace confirmed Friday they were not sure how much longer they could occasionally glance at headlines about Ukraine. “Scrolling by all those pictures of crying children and bombed cities—I just don’t know if I have it in me anymore,” said sales executive John Hollencamp, echoing the dismay of millions of individuals across the country who feared they no longer had the resolve to read a full headline about the Russian invasion of Ukraine, let alone click on a link to an article. “Every day, I find myself pining for my old life, those carefree days when I didn’t even give Ukraine a passing thought. I really didn’t know how good I had it. Sometimes I’ll stare at a photo of an amputee for two seconds, but that’s really all I have left within me. There’s only so much photojournalism one man can take.” At press time, Hollencamp added he was still holding out hope that war coverage would end soon.

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  • 6 Tips for Creating Magnetic Headlines that Bring High Conversions

    6 Tips for Creating Magnetic Headlines that Bring High Conversions

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    Opinions expressed by Entrepreneur contributors are their own.

    You work hard on creating content. This content deserves to get seen. But that’s only possible when you invest some of your efforts into creating the content’s headline.

    The headline is the one part of your content that gets the most exposure since 80% of the readers only read the headline. The quality of the headline determines whether a reader will stop scrolling, look at your content and click on it.

    If the headline seems unappealing, your content may not get the attention it deserves, no matter how valuable, informative and engaging it may be. This is perhaps why traffic can vary by as much as 500% just because of the headline.

    Therefore, compromising on the quality of the headline is the last thing you want to do.

    Related: This Is How You Write Headlines That Hook ’em!

    How to write great headlines

    Fortunately, writing powerful headlines involves no rocket science. You can quickly start churning out impactful headlines with a bit of practice. Writing great headlines is a combination of art and science. The internet is filled with formulas for headline writing. And they work too. But only so much.

    You must blend your creativity, audience understanding and a bit of data with these formulas to create resounding headlines.

    Here are a few tips on how you can go about doing that:

    1. Think about your readers

    It’s a customer-first world we are living in. In this case, reader-first.

    You have to identify your audience’s problems and deliver effective solutions in an appealing manner to solidify your reputation and build loyalty.

    Since the headline gets the most exposure, reflect your audience’s understanding and concentrate on the value your content adds to their life within it. This is the best way to show your audience you understand their struggles and get them to read your content to further hone in on the emotional bond you intend to create.

    Be clear about what the article has for the reader. Will it entertain, educate, inform or inspire them? Will it answer a question or solve a problem?

    For example, if you sell office chairs and know your prospects struggle with back pain, you can create a headline focusing on the pain point. Something like “7 Exclusive Office Chairs to Help Alleviate Your Back Pain” may help generate good results.

    2. Use power words

    Notice the word “exclusive” in the example headline above? That’s a power word.

    Certain words trigger a psychological response, an emotion within humans. These words are called power words. Power words are divided into multiple categories based on the emotions they invoke. These categories may include greed, curiosity, trust, anger, fear, etc.

    Including one of these words within the headline maximizes its impact. Your headline now triggers an emotional response within the readers and is more likely to get a click from them.

    Let’s revisit the example headline above.

    “7 Exclusive Office Chairs to Alleviate Your Back Pain”

    Let’s take the power word out.

    “7 Office Chairs to Alleviate Your Back Pain.”

    Did the impact visibly reduce? It sure did.

    That’s the power of power words. You can find a comprehensive list of power words here.

    3. Don’t forsake authenticity

    It is easy to go overboard with power words. But that would bring you closer to creating click-baity headlines. And savvy modern readers can spot click-baity headlines from miles away and dismiss the content and the brand that pushes such headlines.

    Therefore, strike a balance when using power words.

    Make sure the headline promises what the content delivers. Nothing is more annoying than clicking on an article to learn about one thing and finding something completely different, incomplete, or irrelevant instead.

    Mold your headline to fit the article. For this, create the content and then write the headline to ensure it reflects the article’s content.

    4. Stay on brand

    Consistent branding is essential across all customer touchpoints since it can increase revenue by 33%.

    The headlines may get the most eyeballs from your online content. Therefore, they must align with your brand’s personality. Think of the headlines here on Entrepreneur and compare them with those on Buzzfeed. You will be able to identify how brands stick to their brand personality through headlines.

    5. Use numbers

    The age-old headline tip. Use numbers.

    Using numbers in headlines is an approach that is often overused. But it still works.

    Numbers are more appealing to the human brain than words. They are easier to process and understand. More importantly, numbers help readers determine how long the content is and what they should expect more easily.

    This is why 36% of readers prefer headlines with numbers.

    Which of the following headlines do you think will be better:

    “7 Exclusive Office Chairs to Alleviate Your Back Pain” or

    “Office Chairs to Alleviate Your Back Pain.”?

    The former. That’s because it tells the readers they have seven options inside and promises them that the article will be easier to skim through.

    So, try and write numbered headlines. But again, don’t go overboard. Mix it up with other headlines to ensure your brand appears authentic.

    6. Take care of the headline length

    It is easy to get carried away when creating headlines. You want to write the most straightforward and impactful headline, after all. However, you have to stick to a character limit. 60-100 characters, to be exact.

    Readers are almost always short on time. You have a few seconds to grab attention and deliver value. Therefore, stick to the character limit and consolidate all its value.

    Related: Copywriters Use These 4 Psychological Tactics to Write Attention-Grabbing Headlines

    Do justice to your content

    Creating content can be challenging. And once you are done writing your blog, you need it to be seen to serve the purpose it was designed for. Therefore, make sure to write headlines that generate clicks and do justice to your content.

    You can do this by aligning the headline content with the user’s pain points, clarifying the value, including numbers and maintaining optimal headline length.

    Also, test your headlines to see what resonates best with your audience. See which posts have garnered the most clicks and analyze their headlines. You might be able to pick critical headline-writing insights this way. Implement these insights to improve your headline writing game.

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    Atul Jindal

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  • The 2022 Oscar Winners and Nominees | HollywoodNews.com

    The 2022 Oscar Winners and Nominees | HollywoodNews.com

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    The 2022 Oscar Winners and Nominees

    WINNERS & NOMINEES

    ACTOR IN A LEADING ROLE
    WINNER
    WILL SMITH
    King Richard

    NOMINEES
    JAVIER BARDEM
    Being the Ricardos
    BENEDICT CUMBERBATCH
    The Power of the Dog
    ANDREW GARFIELD
    tick, tick…BOOM!
    DENZEL WASHINGTON
    The Tragedy of Macbeth

    ACTOR IN A SUPPORTING ROLE
    WINNER
    TROY KOTSUR
    CODA

    NOMINEES
    CIARÁN HINDS
    Belfast
    JESSE PLEMONS
    The Power of the Dog
    J.K. SIMMONS
    Being the Ricardos
    KODI SMIT-MCPHEE
    The Power of the Dog

    ACTRESS IN A LEADING ROLE
    WINNER
    JESSICA CHASTAIN
    The Eyes of Tammy Faye

    NOMINEES
    OLIVIA COLMAN
    The Lost Daughter
    PENÉLOPE CRUZ
    Parallel Mothers
    NICOLE KIDMAN
    Being the Ricardos
    KRISTEN STEWART
    Spencer

    ACTRESS IN A SUPPORTING ROLE
    WINNER
    ARIANA DEBOSE
    West Side Story

    NOMINEES
    JESSIE BUCKLEY
    The Lost Daughter
    JUDI DENCH
    Belfast
    KIRSTEN DUNST
    The Power of the Dog
    AUNJANUE ELLIS
    King Richard

    ANIMATED FEATURE FILM
    WINNER
    ENCANTO
    Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

    NOMINEES
    FLEE
    Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
    LUCA
    Enrico Casarosa and Andrea Warren
    THE MITCHELLS VS. THE MACHINES
    Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
    RAYA AND THE LAST DRAGON
    Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

    CINEMATOGRAPHY
    WINNER
    DUNE
    Greig Fraser

    NOMINEES
    NIGHTMARE ALLEY
    Dan Laustsen
    THE POWER OF THE DOG
    Ari Wegner
    THE TRAGEDY OF MACBETH
    Bruno Delbonnel
    WEST SIDE STORY
    Janusz Kaminski

    COSTUME DESIGN
    WINNER
    CRUELLA
    Jenny Beavan

    NOMINEES
    CYRANO
    Massimo Cantini Parrini and Jacqueline Durran
    DUNE
    Jacqueline West and Robert Morgan
    NIGHTMARE ALLEY
    Luis Sequeira
    WEST SIDE STORY
    Paul Tazewell

    DIRECTING
    WINNER
    THE POWER OF THE DOG
    Jane Campion

    NOMINEES
    BELFAST
    Kenneth Branagh
    DRIVE MY CAR
    Ryusuke Hamaguchi
    LICORICE PIZZA
    Paul Thomas Anderson
    WEST SIDE STORY
    Steven Spielberg

    DOCUMENTARY (FEATURE)
    WINNER
    SUMMER OF SOUL (…OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED)
    Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

    NOMINEES
    ASCENSION
    Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
    ATTICA
    Stanley Nelson and Traci A. Curry
    FLEE
    Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
    WRITING WITH FIRE
    Rintu Thomas and Sushmit Ghosh

    DOCUMENTARY (SHORT SUBJECT)
    WINNER
    THE QUEEN OF BASKETBALL
    Ben Proudfoot

    NOMINEES
    AUDIBLE
    Matt Ogens and Geoff McLean
    LEAD ME HOME
    Pedro Kos and Jon Shenk
    THREE SONGS FOR BENAZIR
    Elizabeth Mirzaei and Gulistan Mirzaei
    WHEN WE WERE BULLIES
    Jay Rosenblatt

    FILM EDITING
    WINNER
    DUNE
    Joe Walker

    NOMINEES
    DON’T LOOK UP
    Hank Corwin
    KING RICHARD
    Pamela Martin
    THE POWER OF THE DOG
    Peter Sciberras
    TICK, TICK…BOOM!
    Myron Kerstein and Andrew Weisblum

    INTERNATIONAL FEATURE FILM
    WINNER
    DRIVE MY CAR
    Japan

    NOMINEES
    FLEE
    Denmark
    THE HAND OF GOD
    Italy
    LUNANA: A YAK IN THE CLASSROOM
    Bhutan
    THE WORST PERSON IN THE WORLD
    Norway

    MAKEUP AND HAIRSTYLING
    WINNER
    THE EYES OF TAMMY FAYE
    Linda Dowds, Stephanie Ingram and Justin Raleigh

    NOMINEES
    COMING 2 AMERICA
    Mike Marino, Stacey Morris and Carla Farmer
    CRUELLA
    Nadia Stacey, Naomi Donne and Julia Vernon
    DUNE
    Donald Mowat, Love Larson and Eva von Bahr
    HOUSE OF GUCCI
    Göran Lundström, Anna Carin Lock and Frederic Aspiras

    MUSIC (ORIGINAL SCORE)
    WINNER
    DUNE
    Hans Zimmer

    NOMINEES
    DON’T LOOK UP
    Nicholas Britell
    ENCANTO
    Germaine Franco
    PARALLEL MOTHERS
    Alberto Iglesias
    THE POWER OF THE DOG
    Jonny Greenwood

    MUSIC (ORIGINAL SONG)
    WINNER
    NO TIME TO DIE
    from No Time to Die; Music and Lyric by Billie Eilish and Finneas O’Connell

    NOMINEES
    BE ALIVE
    from King Richard; Music and Lyric by DIXSON and Beyoncé Knowles-Carter
    DOS ORUGUITAS
    from Encanto; Music and Lyric by Lin-Manuel Miranda
    DOWN TO JOY
    from Belfast; Music and Lyric by Van Morrison
    SOMEHOW YOU DO
    from Four Good Days; Music and Lyric by Diane Warren

    BEST PICTURE
    WINNER
    CODA
    Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers

    NOMINEES
    BELFAST
    Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
    DON’T LOOK UP
    Adam McKay and Kevin Messick, Producers
    DRIVE MY CAR
    Teruhisa Yamamoto, Producer
    DUNE
    Mary Parent, Denis Villeneuve and Cale Boyter, Producers
    KING RICHARD
    Tim White, Trevor White and Will Smith, Producers
    LICORICE PIZZA
    Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
    NIGHTMARE ALLEY
    Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
    THE POWER OF THE DOG
    Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
    WEST SIDE STORY
    Steven Spielberg and Kristie Macosko Krieger, Producers

    PRODUCTION DESIGN
    WINNER
    DUNE
    Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos

    NOMINEES
    NIGHTMARE ALLEY
    Production Design: Tamara Deverell; Set Decoration: Shane Vieau
    THE POWER OF THE DOG
    Production Design: Grant Major; Set Decoration: Amber Richards
    THE TRAGEDY OF MACBETH
    Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
    WEST SIDE STORY
    Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

    SHORT FILM (ANIMATED)
    WINNER
    THE WINDSHIELD WIPER
    Alberto Mielgo and Leo Sanchez

    NOMINEES
    AFFAIRS OF THE ART
    Joanna Quinn and Les Mills
    BESTIA
    Hugo Covarrubias and Tevo Díaz
    BOXBALLET
    Anton Dyakov
    ROBIN ROBIN
    Dan Ojari and Mikey Please

    SHORT FILM (LIVE ACTION)
    WINNER
    THE LONG GOODBYE
    Aneil Karia and Riz Ahmed

    NOMINEES
    ALA KACHUU – TAKE AND RUN
    Maria Brendle and Nadine Lüchinger
    THE DRESS
    Tadeusz Łysiak and Maciej Ślesicki
    ON MY MIND
    Martin Strange-Hansen and Kim Magnusson
    PLEASE HOLD
    K.D. Dávila and Levin Menekse

    SOUND
    WINNER
    DUNE
    Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

    NOMINEES
    BELFAST
    Denise Yarde, Simon Chase, James Mather and Niv Adiri
    NO TIME TO DIE
    Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
    THE POWER OF THE DOG
    Richard Flynn, Robert Mackenzie and Tara Webb
    WEST SIDE STORY
    Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

    VISUAL EFFECTS
    WINNER
    DUNE
    Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

    NOMINEES
    FREE GUY
    Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
    NO TIME TO DIE
    Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
    SHANG-CHI AND THE LEGEND OF THE TEN RINGS
    Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
    SPIDER-MAN: NO WAY HOME
    Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

    WRITING (ADAPTED SCREENPLAY)
    WINNER
    CODA
    Screenplay by Siân Heder

    NOMINEES
    DRIVE MY CAR
    Screenplay by Ryusuke Hamaguchi, Takamasa Oe
    DUNE
    Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
    THE LOST DAUGHTER
    Written by Maggie Gyllenhaal
    THE POWER OF THE DOG
    Written by Jane Campion

    WRITING (ORIGINAL SCREENPLAY)
    WINNER
    BELFAST
    Written by Kenneth Branagh

    NOMINEES
    DON’T LOOK UP
    Screenplay by Adam McKay; Story by Adam McKay & David Sirota
    KING RICHARD
    Written by Zach Baylin
    LICORICE PIZZA
    Written by Paul Thomas Anderson
    THE WORST PERSON IN THE WORLD
    Written by Eskil Vogt, Joachim Trier

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