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Tag: HBO

  • ‘The White Lotus’ Season 3 Could Be Heading to Japan | The Mary Sue

    ‘The White Lotus’ Season 3 Could Be Heading to Japan | The Mary Sue

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    During the high of the second season of the hit show, The White Lotus, HBO already announced via Deadline its plans for another return to a luxurious White Lotus location. The news came three episodes into Season 2, once the premiere’s 7.6 million viewers made the series the most-watched title on HBO Max that week.

    “[Creator Mike White’s] courage to explore the uncharted waters of the human psyche, paired with his signature irreverent humor and buoyant directing style, have us all dreaming of more vacation days at the resort we’ve come to adore. We couldn’t be more thrilled to get the chance to collaborate on a third season together,” said Francesca Orsi, EVP of HBO Programming, in a statement.

    In an interview with Entertainment Weekly, the director has already hinted at a possible Season 3 plot and fresh location. These ideas are based on his original pitch for Season 2, focused on political and business tycoons staying at the hotel.

    “Originally, it was more of like a Bilderberg conference, more about getting into some of the bigger power dynamics there,” White said, referencing the annual forum for global political leaders and industry experts. “But Sicily was a totally different vibe than the idea I pitched. That didn’t seem right.”

    Here’s what we know about the highly-anticipated third season of The White Lotus so far.

    The White Lotus Season 3 Cast and Production

    Given we don’t know who has actually survived Season 2 of The White Lotus, it’s hard to say which cast members will return for the third installment. However, White said he would love to feature Jennifer Coolidge again—and we’re absolutely here for that.

    “Jennifer is my friend and everybody loved her in the first season, and I was like, ‘I can’t go to Italy without Jennifer.’ And maybe that’s still the case,” said White while speaking to Deadline. “Like, maybe you can’t go to Japan without Jennifer, either. There are so many fun actors we’ve worked with so far, so it’s just kind of like who’s available.”

    Season 3 could welcome back cast members from the first two seasons or start fresh with completely new faces (and Jennifer Coolidge, we hope). We’ll have to wait and see…

    Greg in White Lotus season 2
    (HBO)

    The White Lotus Season 3 Filming Locations

    As noted above, Mike White is reportedly toying with the idea of heading to Japan for the third season, meaning we might expect to see some Asian filming locations reports Cosmopolitan. The first season was filmed on location in Four Seasons Resort Maui at Wailea, so we can likely expect more of the same for Season 3.

    The White Lotus Season 3 Release Window

    While there’s no specific release date for The White Lotus Season 3, we’ve got our mathematical hats on to work out a rough guess. Considering the news was only confirmed in November 2022, we’re expecting the third season to air at the beginning of 2024, based on the fact that Season 2 was confirmed in August 2021 and began filming in February 2022, for a release at the end of October 2022.

    (featured image: HBO)

    —The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

    Have a tip we should know? [email protected]

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  • Saturday Sessions: Bret McKenzie performs

    Saturday Sessions: Bret McKenzie performs

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    Saturday Sessions: Bret McKenzie performs “A Little Tune” – CBS News


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    New Zealand’s Bret McKenzie first received widespread attention on the HBO series “Flight of the Conchords” and has appeared in the “Lord of the Rings” movies. Most of his work has been in comedy but the artist’s recently released album, “Songs Without Jokes,” is different. For Saturday Sessions, McKenzie performs “A Little Tune.”

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  • Saturday Sessions: Bret McKenzie performs

    Saturday Sessions: Bret McKenzie performs

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    Saturday Sessions: Bret McKenzie performs “If You Wanna Go” – CBS News


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    New Zealand’s Bret McKenzie first received widespread attention on the HBO series “Flight of the Conchords” and has appeared in the “Lord of the Rings” movies. Most of his work has been in comedy but the artist’s recently released album, “Songs Without Jokes,” is different. For Saturday Sessions, McKenzie performs “If You Wanna Go”.

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    Get browser notifications for breaking news, live events, and exclusive reporting.


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  • Saturday Sessions: Bret McKenzie performs

    Saturday Sessions: Bret McKenzie performs

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    Saturday Sessions: Bret McKenzie performs “Dave’s Place” – CBS News


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    New Zealand’s Bret McKenzie first received widespread attention on the HBO series “Flight of the Conchords” and has appeared in the “Lord of the Rings” movies. Most of his work has been in comedy but the artist’s recently released album, “Songs Without Jokes,” is different. For Saturday Sessions, McKenzie performs “Dave’s Place.”

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  • The White Lotus: Does Mia Really Believe “The Best Things In Life Are Free?”

    The White Lotus: Does Mia Really Believe “The Best Things In Life Are Free?”

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    If you can believe it, Beatrice Grannò, the Italian actress who plays local Sicilian girl and aspiring singer Mia on season two of the White Lotus, did not get into Italian drama school when she applied. “She got in, I didn’t,” Grannò says.  Wondering who the “she” is in this scenario is? Well, it’s none other Simona Tabasco who plays her best friend and fellow local Lucia on the HBO series. Despite matriculating to different drama schools (“I went to London ’cause Italy didn’t want me,” Grannò says, cheekily) Granno and Tobasco stayed friends and even filmed their auditions for The White Lotus together. 

    “We got it together and then I think that that experience of White Lotus really brought us closer,” says Grannò. “We used that a lot also because we were together in this experience. Two Italian girls, like, supporting each other and that was Lucia and Mia, you know?”

    In episode two, you can find Lucia and Mia supporting each other by taking the hotel by storm, gaining unfettered access into the enclave of the one percent much to the chagrin of hotel manager Valentina (Sabrina Impacciatore) due to Dominic (Michael Imperioli‘s) and his, well, affection for Lucia. But Grannò’s Mia is right along side her, spending Dominic’s money on clothes and booze, lounging poolside, and even getting a chance to display her musical aspirations in an impromptu piano performance at the hotel bar. “I’ve always dreamed of playing a musician and I, I’ve been playing the piano and singing for a long time,” she said. With a little guidance from Este Haim, of the band Haim who served as a musical consultant on the series, Grannò was able to make her dreams a reality.

    On this week’s Still Watching podcast, Richard Lawson and Chris Murphy dive into the second episode The White Lotus and discuss whether nice guys like Albie (Adam DiMarco) always finish last, the growing tension and flirtation between Cameron (Theo James) and Harper (Aubrey Plaza), and Mia and Lucia’s wild night with Dominic. At the end of the episode, Lawson and Murphy get into some juicy listener theories about who ends up floating face down in the Mediterranean at end of the vacation. Listen below, and find a partial transcript of the Beatrice Grannò interview as well. For your own questions, theories please e-mail stillwatchingpod@gmail.com

    In this cast, you and Simona are both outsiders in this cast of Americans, and a lot of sort of, like, very famous American actors. What was that dynamic like?

    Beatrice Grannò: I was going crazy because I, you know, I love Aubrey Plaza, Michael Imperioli and Murray Abraham, so I was, like, “Is this really, like, how is this happening? How am I, uh, how I am at this level? I don’t know. Am I, will I be good enough? Will I be, like, good as good as they are?’” And you know, I felt that. I felt that gap, of course. But then at one point, I was like, I mean, Mike White was looking for an Italian girl who could play the piano and sing. And he wanted me to have this kind of, you know, pure and innocent vibe at the beginning. I was like this is good for me. Like, I was so lucky that he wrote the character because that was the luck moment. Because when he was writing it, he didn’t know that there was an Italian girl there that was just perfect. That moment was lucky for me. But once I got there, I was like, “This is so incredible. I feel so grateful, but at the same time, you know, I’m helping this show as well.” 

    You’re an integral part of the cast, right? You’re absolutely necessary. And I love, I love that you just said about, um, Mia being sort of like an innocent girl, at least at first and whatnot. In the first episode, you throw a drink at the hotel pianist, because he insinuates that you’re a sex worker. She’s sort of wrestling with what she has to do to sort of get ahead. She says, I’m, you know, “I’m a singer, I’m not a prostitute.” Can you tell me a little bit about that sort of juxtaposition? There’s the two forces within her that are at odds.

    Yeah, but there is something about it that is quite funny. I think Mike White kind of made that up while we were working together, like, this joke about my character, that every time I kind of open up, like, “I want to be a singer, that’s my dream.” And on the other side, people, like, misunderstands it and they go, “So you want to have sex?” Like, “Oh. You’re this happy because of this?” And she goes, “No, I’m just being open. You know, and I’m smiling and you’re the piano guy, not because I want to have sex with you, but because you’re a musician. And I want to be that too.” And, and I think the thing is, like, you know when you want something really bad, then you become so clumsy because you want to get there and you don’t think. You’re just like, “Maybe I can do this, this and this.” And then while you do it, you just, you know, you tear everything apart and, like, Mia will do so many mess, so much mess. And it’s like, she’s clumsy and she doesn’t really know. Like, she just wants to play the piano. You know?

    I was so happy to see in this episode, you and Lucia, when you, when you got in, when you had that scene with Valentina and she was so mad, you know? Can you talk to me about that? Like, Valentina, the relationship between Mia and Lucia and Valentina and sort of, you know, you know, Lucia even says, like, “Hey, you’re a working girl, we’re working girls, we’re all working here.”

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  • As subscription prices rise, here’s what’s worth streaming in November 2022: ‘The Crown,’ ‘Willow,’ ‘Mythic Quest’ and more

    As subscription prices rise, here’s what’s worth streaming in November 2022: ‘The Crown,’ ‘Willow,’ ‘Mythic Quest’ and more

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    So here’s some bad news and some, well, slightly less bad news.

    First, the bad-bad: Streaming prices are increasing almost across the board (Hulu and Apple TV+ rose in October, Disney+ will rise in December, while Netflix and Prime Video rose earlier this year), putting even more of a crunch on budget-conscious consumers.

    But now the less bad: If you can put up with commercials, there are cheaper, ad-supported versions coming your way (Netflix on Nov. 3, Disney+ in December).

    Of course, the other money-saving solution is to double down on a churn-and-return strategy and cut down on recurring subscriptions even more.

    Each month, this column offers tips on how to maximize your streaming and your budget, rating the major services as a “play,” “pause” or “stop” — similar to investment analysts’ traditional ratings of buy, hold and sell. We also pick the best content to help you make your monthly decisions.

    Consumers can take full advantage of cord-cutting by churning and returning — adding and dropping streaming services each month. All it takes is good planning. Keep in mind that a billing cycle starts when you sign up, not necessarily at the beginning of the month, and keep an eye out for lower-priced tiers, limited-time discounts, free trials and cost-saving bundles. There are a lot of offers out there, but the deals don’t last forever.

    Here’s a look at what’s coming to the various streaming services in November 2022, and what’s really worth the monthly subscription fee.

    Netflix ($6.99 a month for basic with ads starting Nov. 3, $9.99 basic without ads, $15.49 standard without ads, $19.99 premium without ads)

    Netflix has another really good month coming up.

     “The Crown” (Nov. 9), returns for its fifth season, set this time in the 1990s as scandals involving Charles and Diana plaster London’s tabloids and the role of Britain’s monarchy in modern society is thrown into question. Imelda Staunton takes over the role of Queen Elizabeth, with Dominic West as Prince Charles, Elizabeth Debicki as Princess Diana and Jonathan Pryce as Prince Philip. Controversy has already erupted over the new season, which will include Diana’s tragic death, as some have spoken out about the show’s increasingly blurry line between truth and fiction. Pryce recently told Vanity Fair, ““The vast majority of people know it’s a drama,” not a documentary. And it’s a pretty good drama.

    Netflix
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    hasn’t had much success developing original sitcoms, but is hoping to finally break through with “Blockbuster” (Nov. 3), a workplace comedy set at the last Blockbuster video store in America, starring network sitcom veterans Randall Park (“Fresh Off the Boat”) and Melissa Fumero (“Brooklyn Nine-Nine”). There’s also “Wednesday” (Nov. 23), a horror-comedy series from Tim Burton starring Jenna Ortega as the terrifyingly snarky teen Wednesday Addams, with Catherine Zeta-Jones and Luis Guzman playing her creepy and kooky parents, Morticia and Gomez; and the third and final season of the dark comedy “Dead to Me” (Nov. 17), starring Christina Applegate and Linda Cardellini, which returns after a two-and-a-half-year layoff.

    On the drama side, there’s “1899” (Nov. 17), a mystery-horror series set aboard a transatlantic steamer ship at the turn of the last century, from the makers of the mind-bending German sci-fi series “Dark” — and if it’s even half as trippy and addictive, it’ll be terrific; Part 1 of the fourth season of the supernatural drama “Manifest” (Nov. 4), which Netflix rescued from NBC’s cancellation; and Season 6 of the soapy Spanish high-school drama “Elite” (Nov 18).

    More: Here’s everything new coming to Netflix in November 2022, and what’s leaving

    There’s also the timely documentary “FIFA Uncovered” (Nov. 9), digging into the scandal-plagued organization behind the World Cup; “Pepsi, Where’s My Jet” (Nov. 17), a documentary about a man who sued Pepsi in the 1980s to get a free Harrier fighter jet; the fifth installment of “The Great British Baking Show: Holidays” (Nov. 18); and the new standup comedy special from the outgoing “Daily Show” host, “Trevor Noah: I Wish You Would” (Nov. 22).

    On the movie front, there’s “Enola Holmes 2” (Nov. 4), a sequel to the hit 2020 movie about Sherlock Holmes’ younger sister, played by Millie Bobby Brown (“Stranger Things”), as young detective Enola sets out to investigate her first case; “Slumberland” (Nov. 18), a comedy adventure about a young girl exploring the dreamworld, starring Mallow Barkley and Jason Mamoa; and Lindsay Lohan is back with a Christmas rom-com, “Falling for Christmas” (Nov. 10).

    Who’s Netflix for? Fans of buzz-worthy original shows and movies.

    Play, pause or stop? Play. When it’s at the top of its game, as it is again this month, Netflix is a must-have, at whatever price tier.

    Disney+ ($7.99 a month)

    The TV world has been abuzz about prequels for the past few months, but it’s all about sequels in November for Disney+.

    The biggest of the bunch is “Willow” (Nov. 30), a follow-up series to the cult-favorite 1988 fantasy movie of the same name. The magical adventure is set 20 years after the events of the film, and Warwick Davis returns as farmer-turned-sorcerer Willow Ufgood, who leads an unlikely group of heroes on a quest to save their world. It should be fun for the whole family.

    Disney
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    also has “Disenchanted” (Nov. 18), a sequel to the 2007 hit movie “Enchanted.” The musical fantasy is set 10 years after the happily-ever-after ending, with Giselle (Amy Adams) questioning her happiness and inadvertently setting her two worlds askew. Patrick Dempsey, James Marsden and Maya Rudolph co-star. And then there’s “The Santa Clauses” (Nov. 16), as Tim Allen reprises his role of Santa Claus, who’s now facing retirement and looking for a replacement, in a new miniseries spinoff of the family-movie trilogy.

    Also of note: “The Guardians of the Galaxy Holiday Special” (Nov. 25), as Star-Lord and the gang kidnap Kevin Bacon; the live performance “Elton John: Live from Dodger Stadium” (Nov. 20), the pop icon’s final show in North America; and weekly episodes of “Dancing With the Stars” (season finale Nov. 21), the “Star Wars” prequel “Andor” (season finale Nov. 23) and “The Mighty Ducks: Game Changers” (season finale Nov. 30).

    And heads up: Prices for the ad-free tier will jump to $10.99 a month in December, after Disney+ launches its ad-supported tier for $7.99 a month.

    Who’s Disney+ for? Families with kids, hardcore “Star Wars” and Marvel fans. For people not in those groups, Disney’s library can be lacking.

    Play, pause or stop? Play. There’s something for everyone in the household — even grumps who aren’t “Star Wars” fans can get into “Andor,” which absolutely works as a dark, gripping, spy thriller. Meanwhile, fans are realizing it just might be the best “Star Wars” series or movie ever made.

    HBO Max ($9.99 a month with ads, or $14.99 without ads)

    HBO Max is bringing back  “The Sex Lives of College Girls” (Nov. 17) for its second season. Created by Mindy Kaling and Justin Noble (who also teamed on Netflix’s “Never Have I Ever”), the ensemble comedy about four college roommates picks up right after Thanksgiving break, with the girls organizing a “sex-positive” male strip show. It’s sharp, funny, and less cringey than its title suggests.

    Then there’s “A Christmas Story Christmas” (Nov. 17), a nostalgic sequel to the 1983 classic, starring Peter Billingsley as a grown-up Ralphie who returns to his hometown to try to give his kids a perfect Christmas. It’s risky reviving such a beloved movie, and this could either be wonderful or terrible, there’s really no middle ground.

    HBO Max also has a slew of documentaries, including “Love, Lizzo” (Nov. 24), about the pop superstar’s inspiring life story; “Shaq” (Nov. 23), a four-part docuseries chronicling the rise to superstardom of NBA Hall of Famer Shaquille O’Neal; “Low Country: The Murdaugh Dynasty” (Nov. 3), a true-crime series about a South Carolina lawyer’s scandalous fall; and “Say Hey, Willie Mays!” (Nov. 8), a film exploring the life, career and social impact of the greatest baseball player who ever played the game.

    See more: Here’s everything new coming to HBO Max in November 2022, and what’s leaving

    And every week brings new episodes of Season 2 of the very dark vacation comedy “The White Lotus,” Season 3 of “Pennyworth: The Origin of Batman’s Butler” and Season 2 of the cult documentary “The Vow.”

    Who’s HBO Max for? HBO fans and movie lovers.

    Play, pause or stop? Pause and think it over. “The White Lotus” and “The Sex Lives of College Girls” are both worth watching, but beyond that it’s kinda “meh” this month. And Max is too pricey for “meh.”

    Amazon Prime Video ($14.99 a month)

    Amazon
    AMZN,
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    is bringing the star power in November, starting with the Western drama series “The English” (Nov. 11), starring Emily Blunt as an aristocratic Englishwoman who teams with a Pawnee scout (Chaske Spencer) on a mission to cross the violent 1890s American frontier. It looks stylish and bloody — and promising.

    Meanwhile, James Corden and Sally Hawkins star in “Mammals” (Nov. 11), a dark comedy series about modern marriage; pop star-turned-actor Harry Styles stars in “My Policeman” (Nov. 4), a drama about forbidden romance that’s getting very “meh” reviews in its theatrical release; and Kristen Bell, Ben Platt and Allison Janney star in “The People We Hate at the Wedding” (Nov. 18), a raunchy comedy set at a dysfunctional family wedding.

    More: Here’s what’s coming to Amazon’s Prime Video in November 2022

    There’s also NFL Thursday Night Football every week, and new episodes of the intriguing sci-fi drama “The Peripheral,” which is giving very “Westworld”-but-slightly-less-confusing vibes.

    Who’s Amazon Prime Video for? Movie lovers, TV-series fans who value quality over quantity.

    Play, pause or stop? Pause. There’s good stuff here, but nothing that feels must-see.

    Paramount+ ($4.99 a month with ads but not live CBS, $9.99 without ads)

    Taylor Sheridan (“Yellowstone,” “1883,” “Mayor of Kingstown”) has another new series: “Tulsa King” (Nov. 13), starring Sylvester Stallone as a former New York mafia capo who gets freed from prison after 25 years and settles in Tulsa, Okla., to build a criminal empire of his own. Showrunner Terence Winter (“The Sopranos,” “Boardwalk Empire”) knows a thing or two about mob shows, and this one could be good.

    Paramount+ also has the spinoff series “Criminal Minds: Evolution” (Nov. 24), about an elite team of FBI profilers unraveling a network of serial killers; the family movie “Fantasy Football” (Nov. 25), about a girl who can magically control how her NFL-player dad performs on the field; and the series finale of “The Good Fight” (Nov. 10), which its creators promise will be “cataclysmic.”

    There’s also the Thanksgiving Day Parade (Nov. 24) and a ton of live sports, including college football on Saturdays, NFL football on Sundays (and Thanksgiving Day), and group-stage matches for UEFA’s Champions and Europe leagues.

    Who’s Paramount+ for? Gen X cord-cutters who miss live sports and familiar Paramount Global 
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     broadcast and cable shows.

    Play, pause or stop? Pause. Besides its solid live-sports lineup, it’s a good time to catch up and binge “The Good Fight,” and “Tulsa King” could be worth a watch too.

    Hulu ($7.99 a month with ads, or $14.99 with no ads)

    Hulu has a couple of interesting offerings in November, but nothing that screams must-see. Yet, at least.

    FX’s “Fleishman Is in Trouble” (Nov. 17) stars Jesse Eisenberg as a newly divorced dad whose promiscuous dive into app-based dating is disrupted when his ex-wife disappears and leaves him with their kids. Claire Danes, Lizzy Caplan and Adam Brody co-star in the eight-episode drama, which is based on Taffy Brodesser-Akner’s best-selling novel.

    There’s also “Welcome to Chippendales” (Nov. 22), a true-crime series starring Kumail Nanjiani as the immigrant founder of the 1980s male-stripper franchise, which chronicles his business empire’s rise and fall amid a blizzard of sex, drugs and violence.

    Meanwhile, Adam McKay (“The Big Short”) and Billy Corben (“Cocaine Cowboys”) have the documentary  “God Forbid: The Sex Scandal That Brought Down a Dynasty” (Nov. 1), about the private life of Christian televangelist and former Liberty University president Jerry Falwell Jr. and his very public downfall.

    See: Here’s everything new on Hulu in November 2022 — and what’s leaving

    There are also the final two episodes of “Atlanta” (series finale Nov. 10), whose fourth season has returned to brilliance after an underwhelming Season 3 over the summer, and new episodes every week of ABC’s “Abbott Elementary.”

    Who’s Hulu for? TV lovers. There’s a deep library for those who want older TV series and next-day streaming of many current network and cable shows.

    Play, pause or stop? Stop. While you won’t regret paying for Hulu if you already do, there’s not a lot to lure new subscribers this month.

    Apple TV+ ($6.99 a month)

    Apple TV+ is too inconsistent to be worth the $2-a-month price hike that was just announced, so it’s best to strategically plan when to stream — wait until a good series or two are completed, for example, and binge them all in a month, then cancel. Repeat as needed.

    And it actually is a decent month for Apple. Its second-best comedy, “Mythic Quest” Nov. 11), returns for its third season, with Ian (Rob McElhenny) and Poppy (Charlotte Nicdao) gearing up for war against their old videogame company. With a perfect blend of humor and heart, it’s one of the best workplace comedies on TV.

    Meanwhile, Season 2 of “The Mosquito Coast” (Nov. 4) finds the fugitive Fox family finally hiding out in Central America, after a tedious premise-pilot of a first season that wasted good actors (Justin Theroux and Melissa George) and beautiful cinematography with nonsensical plot twists, while the action series “Echo 3” (Nov. 23) stars Luke Evans and Michiel Huisman as former soldiers trying to rescue a kidnapped scientist in the jungles of South America.

    Apple
    AAPL,
    +7.56%
    also has a pair of high-profile original movies: “Causeway” (Nov. 3), starring Jennifer Lawrence as a former soldier struggling to adjust to civilian life in New Orleans, co-starring Brian Tyree Henry, and “Spirited” (Nov. 18), a musical twist on “A Christmas Carol” told from the ghosts’ point of view, starring Ryan Reynolds and Will Ferrell.

    Who’s Apple TV+ for? It offers a little something for everyone, but not necessarily enough for anyone — although it’s getting there.

    Play, pause or stop? Stop. There’s just not enough to justify a month-to-month subscription. December is a better bet, with “Mythic Quest” and a new season of “Slow Horses” running concurrently.

    Peacock (free basic level, Premium for $4.99 a month with ads, or $9.99 a month with no ads)

    The World Cup from Qatar (Nov. 20-Dec. 18) will be broadcast on Fox and FS1, so cord-cutters are out of luck, unless you subscribe to a live-streaming service like Hulu Live or YouTube TV. However, Peacock will stream every match in Spanish, which could be a decent Plan B for soccer fans.

    And that “it’ll-do-but-it’s-not-exactly-what-I’m-looking-for” description is the running theme for Peacock. November will bring a handful of originals that are unlikely to move the needle, subscriber-wise: There’s the musical-comedy spinoff series “Pitch Perfect: Bumper in Berlin” (Nov. 23), starring Adam Devine; “The Calling” (Nov. 10), a crime drama about a religious cop, from David E. Kelley and Barry Levinson; the Macy’s Thanksgiving Day Parade (Nov. 24); and the streaming debut of Jordan Poole’s sci-fi/horror hit “Nope” (Nov. 18).

    Sports-wise, Peacock has the National Dog Show (hey, it’s a competition!) on Nov. 24, NFL Sunday Night Football every weekend, a full slate of English Premier League matches through Nov. 13, and a ton of golf and winter sports.

    Who’s Peacock for? If you have a Comcast 
    CMCSA,
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     or Cox cable subscription, you likely have free access to the Premium tier (with ads) — though reportedly not for much longer. The free tier is almost worthless, but the recent addition of next-day streaming of NBC and Bravo shows (like “Saturday Night Live” and “Real Housewives”) bolsters the case for paying for a subscription. Still, Peacock is still not really necessary unless you need it for sports.

    Play, pause or stop? Stop. There’s not a lot that’s particularly enticing right now, even on the sports side.

    Discovery+ ($4.99 a month with ads, or $6.99 with no ads)

    More of the same in November for Discovery+, which is a feature, not a bug. Highlights include the vegan cook-and-chat show “Mary McCartney Serves It Up” (Nov. 1); “Tut’s Lost City Revealed” (Nov. 3), about a 3,000-year-old Egyptian city recently discovered by archaeologists; “Vardy vs Rooney: The Wagatha Trial” (Nov. 19), the inside story of the tabloid-fodder “Wagatha” scandal between the wives of English soccer stars; and Season 2 of the excellent CNN food series “Stanley Tucci: Searching for Italy” (Nov. 30). Full disclosure: There are also a handful of sappy holiday movies guest-starring some HGTV and Food Network stars, but they look terrible and I expect better from you, a discerning reader/viewer.

    Who’s Discovery+ for? Cord-cutters who miss their unscripted TV or who are really, really into “90 Day Fiancé.”

    Play, pause or stop?  Stop. Discovery+ is still fantastic for background TV, but it’s not worth the cost. Still, it should add value when the reconfigured Warner Bros. Discovery 
    WBD,
    +3.68%
      combines it with HBO Max next summer.

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  • Bad News About The ‘House Of The Dragon’ Season 2 Release Date

    Bad News About The ‘House Of The Dragon’ Season 2 Release Date

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    As war comes to Westeros in the House of the Dragon finale, fans are wondering when season 2’s release date is going to arrive. But like with most expensive productions these days, we are very far from a yearly schedule. Even though House of the Dragon premiered in August 2022, we now know that season 2 will not arrive anywhere close to a year later.

    This confirmation comes from HBO chief content officer Casey Bloys who says House of the Dragon’s release date will be “sometimes in ’24.” Speaking to Vulture, he said: “We’re just starting to put the plan together, and just like last time, there are so many unknowns. It’s not to be coy or secretive, but you don’t want to say it’s going to be ready on this date, and then you have to move it.”

    And then just: “Don’t expect it in 2023.”

    We can at least try to do a rough estimate based on the length of time between Game of Thrones seasons, given that the productions are of at least somewhat similar size and scope.

    For a very, very long time, HBO had Game of Thrones seasons down to a pretty regimented schedule. The show would arrive in April and run until June. That was the case from 2011 to 2016 with just nine month waits between seasons, but then things changed. Season 7 debuted 13 months after season 6, and then season 8 debuted about 20 months after season 7 premiered.

    If we are closer to the latter era of Game of Thrones now, bare minimum, it would be about 14 months since season 1 of House of the Dragon aired to make it arrive in January 2024. It seems more likely it could be closer to a year and a half, so 18 months would take it closer to April 2024 instead, back to traditional Game of Thrones release timing. Two full years would of course take us all the way to October 2024, and I don’t think anyone wants that.

    It’s becoming more and more common for there to be lengthy stretches between seasons of especially big TV shows. Almost nothing had the traditional “release during this month every year” window anymore. This was obviously disrupted by the pandemic, which delayed the production of literally everything, but even afterward, it’s still happening, and seems to be the new norm for many productions. I do wonder if some of this may be due to a backlog of VFX studio work that’s currently plaguing Hollywood, in addition to other issues.

    So yes, you will have to wait a while for House of the Dragon season 2. Production and filming should begin early next year, and we’ll see where we go from there.

    Follow me on Twitter, YouTube, Facebook and Instagram. Subscribe to my free weekly content round-up newsletter, God Rolls.

    Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.

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    Paul Tassi, Senior Contributor

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  • The Best New Movies And Shows To Stream On Netflix, Hulu, HBO, Disney+, Apple TV+, Paramount+, And Mubi This Weekend

    The Best New Movies And Shows To Stream On Netflix, Hulu, HBO, Disney+, Apple TV+, Paramount+, And Mubi This Weekend

    [ad_1]

    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive weekend: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, including Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Peacock, Mubi, Disney+, Apple
    AAPL
    TV+, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this weekend.

    The White Lotus: Season 2 (HBO)

    An all-star cast head to a resort and unleash their worst, most privileged impulses. The series is a sharp social satire following the exploits of various guests and employees of the fictional White Lotus resort chain, whose stay becomes affected by their various dysfunctions. A week in the life of vacationers is unravelled as they relax and rejuvenate in paradise. With each passing day, a darker complexity emerges in these picture-perfect travelers, the hotel’s cheerful employees, and the idyllic locale itself.

    Wendell & Wild (Netflix)

    The two devious demon brothers Wendell and Wild (Jordan Peele and Keegan-Michael Key) have to face their arch-enemy with the help of the nun Sister Helly, who is notorious for expelling demons. However, the brothers are not only plagued by her, but also by her altar boys.

    Run Sweetheart Run (Amazon Prime)

    After what begins as dinner with a client, a single mom finds herself hunted by a monstrous and seemingly unstoppable assailant.

    Clean (Hulu)

    A tormented rubbish man named Clean tries to live a quiet life of redemption, but when his good intentions make him the target of a local crime boss, he must soon reconcile with the violence of his past.

    Alvin and the Chipmunks: The Squeakquel

    Now in the care of Dave Seville’s nephew (Zachary Levi), chipmunks Alvin, Simon and Theodore take a break from pop-music stardom and return to school. Almost immediately, the tiny tunesmiths get the giant task of saving their school’s music program by winning a battle-of-the-bands contest. Though the boys think winning it will be easy, romantic and musical sparks fly when they meet Brittany, Eleanor and Jeannette — also known as The Chipettes.

    Louis Armstrong’s Black & Blues

    This documentary honours the musician’s legacy as a founding father of jazz. The film shows how Armstrong’s life spans the shift from the Civil War to the civil rights movement, and how he became a lightning rod figure in that turbulent era.

    Survival of the Dead (Mubi)

    Zombies have taken over the world, and a ragtag band of soldiers led by Sarge Crockett (Alan Van Sprang) roams the countryside trying to scavenge what they can. Constantly on guard against flesh-eaters, the group is intrigued when they hear of a safe haven on Plum Island. But when they arrive, they find the supposed paradise torn apart by a family feud between the O’Flynns, who want to exterminate all zombies, and the Muldoons, who coexist peacefully with their undead relatives.

    Every new movie and show you can stream this weekend

    Netflix

    • All Quiet on the Western Front (October 28)
    • The Bastard Son & The Devil Himself (October 28)
    • Big Mouth: Season 6 (October 28)
    • Drink Masters (October 28)
    • I AM A STALKER (October 28)
    • If Only (October 28)
    • My Encounter with Evil (October 28)
    • Wendell & Wild (October 28)
    • Wild is the Wind (October 28)
    • Deadwind: Season 3 (October 29)

    Amazon

    • The Devil’s Hour (October 28)
    • Downton Abbey: A New Era (October 28)
    • Run Sweetheart Run (October 28)

    Hulu

    HBO

    • Garcia!: Season 1 Premiere (October 28)
    • The Lost Kitchen: Season 3 (October 30)
    • The White Lotus: Season 2 Premiere (October 30)

    Disney+

    • Alvin and the Chipmunks: The Squeakquel (October 28)
    • Marvel’s Hulk: Where Monsters Dwell (October 28)

    Apple TV+

    • Louis Armstrong’s Black & Blues (October 28)

    Mubi

    • The Commune (October 28)
    • Dear Diary (October 29)
    • Survival of the Dead (October 30)

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    Travis Bean, Contributor

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  • ‘House of the Dragon’ Season 1 Finale: All the ‘Fire and Blood’ Easter Eggs from Episode 10

    ‘House of the Dragon’ Season 1 Finale: All the ‘Fire and Blood’ Easter Eggs from Episode 10

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    House of the Dragon flew high one last time with its season finale, “The Black Queen,” an episode as mesmerizing as it was mystifying for the Fire and Blood faithful. Readers of George R.R. Martin’s fictional history book, the basis of the prequel series’ plot, were waiting with bated dragon breath all season long for Rhaenyra Targaryen (Emma D’Arcy) to accept her father’s crown, only to lose something much more precious: her son, Luke (Elliot Grihault), the highest-profile casualty yet in a war known throughout Westeros history as “The Dance of the Dragons.”

    And yet, those same readers were likely shocked, and perhaps even a bit baffled, by the way Luke’s death played out. It’s yet another instance of showrunners Ryan Condal and Miguel Sapochnik (the latter of whom will not be returning for season two) taking Martin’s source material and using it as a launch point for its own fresh narrative. Fire and Blood itself is told from the perspective of highly unreliable narrators, so revisionist history is absolutely fair game. In the case of Aemond Targaryen (Ewan Mitchell) kin-slaying his nephew, however, I expect some out there in the book-reading crowd are narrowing at least one eye.

    Poor choice of words aside, here’s a rundown of some book-heavy highlights from the House of the Dragon season finale, and the differences between the HBO show and Martin’s originally written version of events.

    Daughter of the Dragon

    In both House of the Dragon and Fire and Blood, Rhaenyra’s early labor comes after hearing about her father’s death. Martin writes that “the tidings from King’s Landing had driven the princess into a black fury, and her rage seemed to bring on the birth, as if the babe inside her were angry too, and fighting to get out.” Specific lines from the book were brought into the show, such as Rhaenyra screaming “get out, get out, GET OUT!” The book tells us Rhaenyra’s daughter was named Visenya, after Aegon the Conqueror’s sister-wife. The child was “a stillborn girl, twisted and malformed, with a hole in her chest where her heart should have been, and a stubby, scaled tail,” a description that’s sadly reflected in the show.

    Crown of the Queen

    Following Visenya’s birth and death, the book’s version of Rhaenyra states, “She was my only daughter, and they killed her. They stole my crown and murdered my daughter, and they shall answer for it.” In the show, Rhaenyra’s fury is more contained, though its explosiveness is strongly hinted at toward the end of the hour. As for the crown itself, both book and show see Rhaenyra taking the crown of her father, King Viserys (Paddy Considine), standing in contrast to King Aegon (Tom Glynn-Carney) wearing the crown of his conquering namesake. In the show, Erryk Cargyll (Elliott Tittensor) comes to Rhaenyra with Viserys’s crown, which previously belonged to the Old King Jahaerys. In the book, Erryk was already on Dragonstone, with the duty falling to a knight named Steffon Darklyn; funny enough, the show flipped these roles, as Steffon was one of the Dragonstone knights Daemon forced into fealty.

    The Queen’s Army

    “Thirty knights, a hundred crossbowmen, and three hundred men-at-arms.” Daemon (Matt Smith) lays these numbers out for the folks gathered around Dragonstone’s Painted Table, numbers he pulls straight from the pages of Fire and Blood. Much of the scene plays out similarly between book and show, including the long name-drop list of dragons at Rhaenyra’s disposal. A very big difference, however: Rhaenyra’s the one who highlights how many dragons they have in the book, stating that their fire-breathing arsenal “is how we shall win this war.” Oddly, while the book’s Daemon agrees with Rhaenyra’s assessment of the dragons, he’s also the one who first offers diplomacy as a tactic: “We must fight this war with words before we go to battle.” Not only is there not a scene during this period of Fire and Blood where Daemon assaults Rhaenyra as he did in the finale, but the two of them are also very much like-minded in their approach to fighting the war.

    The King’s Terms

    In “The Black Queen,” Otto Hightower (Rhys Ifans) leads King Aegon’s crew toward Dragonstone to lay out terms of surrender for Rhaenyra. In the book, he’s not part of this party. Instead, the task is left to Grand Maester Orwyle (Kurt Egyiawan), also present in the show’s take on the scene. The terms laid out are exactly the same between book and show. The aftermath is fairly similar as well, except in the show, the queen rips Otto’s Hand of the King pin from his chest, whereas in the book, she strips Orwyle of his chain of office, and does it with a greater show of physical force. Additionally, where the show’s Rhaenyra told Otto she would consider the terms, the book’s Rhaenyra not only flat-out rejects them, she sends Orwyle back to Aegon with the following warning: “Tell my half-brother that I will have my throne, or I will have his head.”

    A Quick Aside

    This next bit is not from Martin’s book, but, it’s from a book all the same! Remember back in the season premiere when Rhaenyra and Alicent were reading by the Weirwood tree, and Rhaenyra tore out a page about the warrior queen Nymeria? It looks like Alicent saved that page, as it’s the same piece of paper Otto hands Rhaenyra in the bridge scene, signifying the long-lost friendship between the two women. This is an invention of the show, but a great easter egg in its own right, calling back to House of the Dragon’s developing history as its own entity free of the source material.

    The Strong Flight

    Both book and show see Jacaerys (Henry Collett) and Lucerys volunteering to act as envoys on behalf of their mother, flying off to corners of the Seven Kingdoms to shore up support. In the book, their youngest brother Joffrey also volunteers to join the expedition, but at 11 years old, is forbidden from going. In the show, Joff is roughly six at this point, so, yeah, no chance, not on Rhaenyra’s watch, at least. The Velaryon boys have the same destinations between book and show, with Luke’s considerably shorter in a variety of tragic ways. For Jace, however, the journey continues into season two, as he’s tasked with visiting both the Vale and Winterfell, two exciting outcomes for Game of Thrones fans hoping to see some iconic locations come back to life. What’s more, in the book, Jace is also ordered to stop at White Harbor, the biggest city in the North, which has yet to be featured in live-action. With any luck, we’ll finally see it when Jace’s story continues in season two.

    The Stormy Night

    Speaking of places we have not seen in the Game of Thrones franchise before, there’s Storm’s End. We were here earlier in the season, when young Rhaenyra (then played by Millie Alcock) was on her tour of Westeros to find a suitable husband. But we had never seen the exterior of House Baratheon’s ancestral home before, until this week’s episode. It lived up to the hype of its dark-and-stormy reputation, no doubt. Back inside, the tragedy unfolds similarly between book and show. In both interpretations, Aemond makes it to Storm’s End ahead of his nephew Luke with time to spare. And in both interpretations, Aemond calls for his nephew’s eye, to make up for the one Luke put out so many years ago. The show also finally revealed Aemond’s over-the-top sapphire eye, something more befitting a Gotham City villain than a Game of Thrones character, but a relic from Martin’s book all the same.

    Fall of the Dragon

    While Aemond kills Luke in Fire and Blood, the exact circumstances are left somewhat unclear. There’s a lot of gossip about how Aemond dispatched his nephew, including one salacious tale where he carved out Luke’s eyes. “Some say Vhagar snatched Lucerys off his dragon’s back and swallowed him whole,” writes Martin, which is much closer to the show’s reality. But there’s a huge change between book and show: the accidental nature of Luke’s death. There are no moments in Fire and Blood indicating Aemond and Luke losing control over their dragons, with the beasts imbuing the fight with a life of their own. There’s absolutely nothing about Aemond trying to stop Vhagar from killing Luke and his dragon Arrax. But the show went down the route of a bitter fight between relatives spiraling wildly out of either child’s control. How will Luke’s accidental death, instead of Aemond unapologetically murdering his nephew, impact the show moving forward? We’ll have to wait until season two to find out.

    A Son for a Son

    Finally, let’s end not on an easter egg, but with a warning. Luke Velaryon’s death in the book paves the way for so much of what comes next, including a sequence so harrowing that if brought to the screen faithfully, it could easily top the list of the most disturbing Game of Thrones scenes of all time. It’s been hinted at throughout season one, and will be impossible to miss on a rewatch. You have until 2024 or so to prepare your stomach accordingly. Good luck!

    Listen to the Still Watching: House of the Dragon podcast, and sign up to receive a weekly “Westeros Update” in your inbox.

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    Josh Wigler

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  • ‘House of the Dragon’ Season 1 Finale Recap: Dance Off

    ‘House of the Dragon’ Season 1 Finale Recap: Dance Off

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    The death of an old king made war within the realm a likelihood. The death of a young prince made it an inevitability.

    House of the Dragon’s suspenseful, action-packed season finale, “The Black Queen,” changes the Game of Thrones prequel’s calculus forever. When Viserys Targaryen (Paddy Considine) died, blood was sure to flow through the city streets of King’s Landing and the further reaches of Westeros. Now, that blood is flowing furiously, thanks to a dance of the dragons miles above the Seven Kingdoms, between two children playing as men, armed with fire-breathing weapons of mass destruction.

    Ironically enough, when director Greg Yaitanes’s “The Black Queen” begins, Prince Lucerys Velaryon (Elliot Grihault) has death on the mind, just not his own. He’s still mulling the potential passing of his injured grandfather, Corlys Velaryon (Steve Toussaint), whose death would mean possession of Driftmark falling to Luke. For his part, the young prince wants none of it, a line he’s held as far back as when he was a small boy in episode seven, when he told the Sea Snake, “If I’m the Lord of Driftmark, it means everyone’s dead.” Oh, sweet summer child.

    Luke’s mother Rhaenyra (Emma D’Arcy) doesn’t have much time to assuage Luke’s concerns over these looming responsibilities. In no time at all, a visitor comes to Dragonstone with ill tidings: Princess Rhaenys (Eve Best), newly arrived from King’s Landing with the dark wings and darker words about Viserys’s death, and the Hightowers taking the crown in kind. The two-pronged bits of bad tidings are enough to send Rhaenyra into early labor, leading House of the Dragon to yet another childbirth scene, and still another with an unhappy ending: Rhaenyra’s child entering the world, twisted and dead. It’s the first child Rhaenyra has lost, and as we learn by the episode’s end, it won’t be her last.

    Meanwhile, Rhaenyra’s (one last big sigh for the Kingsroad) husband-uncle Daemon, having previously lost a child of his own under similar circumstances, has no desire to go through those motions again. Instead, he has only one item on his agenda: war. The Rogue Prince makes his preparations to take the fight to King’s Landing, to challenge the Hightowers directly and remove Aegon (Tom Glynn-Carney) from the throne by force. Daemon threatens a pair of knights into service, and does so in the presence of Rhaenyra’s heir Jacaerys (Harry Collett), to make sure the young prince knows the stakes of the moment. Consider the stakes learned, especially when the news flies across Dragonstone about Rhaenyra’s tragic labor.

    The Targaryens receive their first and nearly only bit of good news sometime shortly thereafter, during the funeral of Rhaenyra and Daemon’s unborn child. (In Fire and Blood, this baby has a name: Visenya, so named after Aegon the Conqueror’s sister-wife, a fearsome warrior who has been name-checked in relation to Daemon and his temperament throughout the season.) As the funeral pyre rages, one of the brothers Cargyll, Ser Erryk (Elliott Tittensor), arrives with an item in hand: Viserys’s crown. Erryk publicly declares loyalty to Rhaenyra, bowing before the Queen Who Oughta Be. The remaining attendees all bow in kind, with one notable exception: Princess Rhaenys, who is waiting to make her declarations until she consults with her husband, Corlys, said to be on the road to recovery following his recent injury.

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    Josh Wigler

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  • ‘House of the Dragon’ Season Finale Leaks Online Days Early

    ‘House of the Dragon’ Season Finale Leaks Online Days Early

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    King Viserys might be dead but interest in House of the Dragon remains strong. So strong, in fact, that the season finale of the Game of Thrones spinoff has leaked online ahead of its scheduled debut.

    An HBO spokesperson confirmed the leak, saying in a statement that the company is “disappointed that this unlawful action has disrupted the viewing experience for loyal fans of the show.” The leak “appears to have originated from a distribution partner in the EMEA region,” the spokesperson added. “HBO is aggressively monitoring and pulling these copies from the internet.”

    Though not an ideal scenario for HBO—which wants as many people to watch what the spokesperson called “a pristine version” of House of the Dragon’s tenth and final episode on its platforms on Sunday night—it does show that fans are eager to see how the fight for the Iron Throne unfolds. House of the Dragon had the biggest new show premiere in the history of HBO when it debuted at the end of August, the company said at the time. The show’s viewership has remained consistent throughout the first season, with each episode averaging around 29 million viewers across all platforms. The popularity of both House of the Dragon and Amazon’s The Lord of the Rings: The Rings of Power has offered valuable lessons for Hollywood as competitors search for their own platform-defining genre hits.

    HBO renewed House of the Dragon in August, though the show will be without one of its co-showrunners moving forward. Miguel Sapochnik, who co-led the first season of the show alongside Ryan Condal and directed its premiere episode, said he would not work on the fantasy drama’s second season.

    This isn’t the first time that the Game of Thrones franchise has faced online leaks ahead of its scheduled air date. An episode of the seventh season of the original series was also uploaded to torrent sites in 2017.

    Listen to the Still Watching: House of the Dragon podcast, and sign up to receive a weekly “Westeros Update” in your inbox.

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    Natalie Jarvey

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  • Hulu’s New ‘Rosaline’ is Merely One Reason It’s Giving Netflix a Run For Its Money

    Hulu’s New ‘Rosaline’ is Merely One Reason It’s Giving Netflix a Run For Its Money

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    You know that shocking, stomach-sinking feeling you get when you catch a glance of your weekly screen time notification on your smartphone or tablet? Well, if they tallied up the hours I’ve spent scrolling through Netflix for a tv show or movie — hello, ANY-thing — to watch, I’d undoubtedly feel so much worse.

    You know the routine: you close your WFH tabs, then open Netflix and settle down and search for satisfying content. But you don’t find anything. Before you know it, you’ve wasted an hour anxiously scrolling through every last one of the recommended titles. So — endlessly frustrated — you give up and doomscroll for hours. Is this your life?

    It was mine until I got a Hulu subscription. I was lured in — like the best of us are — by Dylan O’Brien.

    Hear me out. Earlier this year, Hulu released the much-anticipated comedy-of-errors, Not Okay, starring Zoey Deutch. This satirical comedy about social media is one of the most entertaining commentaries on a young adult life that I’ve seen in a while. The romantic lead? Dylan O’Brien with a blond buzzcut. Need I say more?


    NOT OKAY Trailer (2022)

    www.youtube.com

    That was my first indication that I might have been sleeping on Hulu’s streaming library. Their latest romantic comedy, Rosaline, has cemented my theory: Hulu is fire.

    Rosaline — starring Kaitlyn Dever — is Shakespeare in Love for Gen-Z. It’s a comedic take on Romeo and Juliet from the perspective of Romeo’s jilted ex-lover, Rosaline. It’s fun, fast-paced, and refreshing.

    Honestly, Netflix could never.


    Rosaline | Official Trailer | Hulu

    www.youtube.com

    Here’s my theory: Netflix has been so focused on awards fodder that the rest of its content is glorified Hallmark — I’ll still be watching that new Lindsay Lohan Christmas movie, though. With all that mid-content and high drama surrounding its top-quality releases — like Luckiest Girl Alive and Dahmer — I’m tired of it.

    But with Hulu releasing hit after hit and racking up its own share of awards, Netflix should sleep with one eye open.

    Sure, HBO has Euphoria, Disney Plus has Hocus Pocus 2, and Peacock has that (terrible) new Pete Davidson feature. But if you’re looking for a new streaming service to explore, Hulu is that girl.

    Don’t know where to start? Here are the best titles to stream on Hulu

    Only Murders in the Building

    This Selena Gomez smash is the best thing she’s been in since Wizards of Waverly Place. Alongside co-stars Steve Martin and Martin Short, Gomez plays a true-crime aficionado who stumbles into a murder mystery of her own. It’s the whodunnit for the true crime era. The newly released second season is just as fine as the first.

    Booksmart

    We’ve talked — and worried — enough about Olivia Wilde’s second directorial feature, Don’t Worry Darling. But her first film is where it’s at. Starring Beanie Feldstein (Jonah Hill’s sister, fun fact) and Kaitlyn Dever, it’s Superbad for the girls. It’s disarming, complex, and endlessly rewatchable.

    High Fidelity

    ​Hulu took a mid-90s rom-com and turned it into the coolest show with the coolest clothes. Euphoria can set aside. I’d raid the High Fidelity costume closet in a minute. And don’t even get me started on the soundtrack. One of those Gossip Girl teens is in it, too. Tragically, it was canceled after one season, but all the best shows are.

    Under the Banner of Heaven

    https://www.youtube.com/watch?v=IDRqWtwbiSM

    Andrew Garfield is fire in this strange, dark series based on a Jon Krakauer stunning nonfiction book of the same title. Garfield stars alongside Daisy Edgar-Jones in this detective drama about LDS community in Salt Lake City. If you liked him in Tammy Faye, you’ll love him in this.

    Normal People

    Skip the Conversations with Friends series. Normal People is by far the superior Sally Rooney novel and superior limited series. It catapulted the careers of Paul Mescal and Daisy Edgar-Jones into the stratosphere, so we can thank it for that.

    Abbott Elementary

    https://www.youtube.com/watch?v=cO-_7oi-61Y

    Wondering where you can stream the beloved, Emmy-winning Abbott Elementary? Hulu has got you covered. Don’t miss Quinta Brunson’s masterpiece — and join us as we patiently await the second season.

    Ramy

    The third season of Ramy is out right now and making headlines for the Bella Hadid cameo. But there’s more to it than that. This award-winning series is both hilarious and earnest, and an absolute must-watch.

    Don’t miss the best of Hulu. It’s waiting for you to binge.

    All products featured are independently selected by our editors. Things you buy through our links may earn us a commission.

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    LKC

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  • The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Mubi And Paramount+ This Week

    The Best New Movies And Shows To Stream On Netflix, Amazon, Hulu, HBO, Disney+, Apple TV+, Mubi And Paramount+ This Week

    [ad_1]

    If you’re like me, then you have multiple subscriptions to several different streaming platforms—which are all constantly adding new movies. Which begs the question each successive week: What do I watch?

    For me, it helps to have all of those new films in one place. So in this article, I’ll run through the biggest new movies on major stream platforms, such as Netflix
    NFLX
    , Amazon
    AMZN
     Prime, Hulu, HBO, Disney+, Mubi, Apple
    AAPL
     TV+, Peacock, and Paramount
    PARA
    +.

    At the end of the article, you can find a full list of all the new films available to stream this week.

    The Peripheral: Season 1 (Amazon Prime)

    Set in the future when technology has subtly altered society, a woman discovers a secret connection to an alternate reality as well as a dark future of her own.

    Abandoned (Hulu)

    After a couple move into a remote farmhouse with their infant son, the woman’s struggles with postpartum psychosis begin to intensify.

    Raymond & Ray (Apple TV+)

    Half-brothers Raymond and Ray reunite when their estranged father dies — and discover that his final wish was for them to dig his grave. Together, the process who they’ve become as men, both because of their father and in spite of him.

    Love is Blind: Season 3 (Netflix)

    Singles try to find a match and fall in love — without ever seeing each other face-to-face, as emotional connection attempts to conquer physical attraction.

    The Fastest Woman on Earth (HBO)

    A story that follows Jessi Combs’ epic seven-year quest to break the land speed racing records.

    Spider-Man: The New Animated Series: Season 1 (Disney+)

    He’s Peter Parker the college student — and then he’s Spiderman, crime-fighter extraordinaire.

    The Grudge (Paramount+)

    A detective investigates a murder scene that has a connection to a case that her new partner handled in the past. The killings occurred in a haunted house that passes on a ghostly curse to those who dare enter it. Soon, the curse spreads to a terminally ill woman and her husband, and another unsuspecting couple who were in the wrong place at the wrong time.

    The African Desperate (Mubi)

    A sculptor struggles with success, graduation, friends, and family.

    Every new movie and show you can stream this week

    Netflix

    • Dracula Untold (October 16)
    • Toni Morrison: The Pieces I Am (October 16)
    • Waffles + Mochi’s Restaurant (October 17)
    • Gabriel Iglesias: Stadium Fluffy Live From Los Angeles (October 18)
    • LiSA Another Great Day (October 18)
    • Somebody Feed Phil: Season 6 (October 18)
    • Unsolved Mysteries: Volume 3 (October 18)
    • The Green Glove Gang (October 19)
    • Love Is Blind: Season 3 (October 19)
    • Notre-Dame (October 19)
    • The School for Good and Evil (October 19)
    • The Stranger (October 19)
    • 28 Days Haunted (October 21)
    • Barbarians II (October 21)
    • Descendant (October 21)
    • From Scratch (October 21)
    • High: Confessions of an Ibiza Drug Mule (October 21)
    • ONI: Thunder God’s Tale (October 21)
    • Pokémon Ultimate Journeys (October 21)
    • LOL Surprise! Winter Fashion Show (October 22)

    Amazon

    • May I Help You (October 19)
    • American Horror Story S10 (October 20)
    • Torn Hearts (October 20)
    • Modern Love Tokyo (October 21)
    • The Peripheral (October 21)
    • Argentina, 1985 (October 21)
    • Hush Hush (October 22)

    Hulu

    • Being Flynn (October 16)
    • Benediction (October 16)
    • Sinister 2 (October 16)
    • The Paloni Show! Halloween Special! (October 17)
    • Duncanville: Final 6 Episodes (October 18)
    • Annabelle: Creation (October 20)
    • Bitterbrush (October 20)
    • Matriarch (October 21)
    • Abandoned (October 21)
    • Wyrm (October 21)
    • The Hair Tales: Two-Episode Series Premiere (October 22)

    HBO

    • Mr. Pickles (October 17)
    • The Vow: Part Two (October 17)
    • Batwheels, Season 1B Premiere (October 18)
    • By Design: The Joe Caroff Story (October 18)
    • Mama’s Boy (October 18)
    • Meet the Batwheels: Season 1A (October 18)
    • Year One: A Political Odyssey (October 19)
    • Legacy: Season 1 Premiere (October 20)
    • The Fastest Woman on Earth (October 20)
    • Restoration Road with Clint Harp: Season 3 (October 21)
    • Teen Titans Go!: Season 7D (October 21)
    • Vale Dos Esquecidos: Season 1 Premiere (October 21)

    Disney+

    • Dancing with the Stars: Episode 5 (October 17)
    • Dancing with the Stars: Episode 6 (October 18)
    • Alice’s Wonderland Bakery: Season 1, 4 episodes (October 19)
    • Bear in the Big Blue House: Seasons 1-4 (October 19)
    • PB&J Otter: Seasons 1-3 (October 19)
    • Raven’s Home: Season 5, 8 episodes (October 19)
    • Spider-Man: The New Animated Series: Season 1 (October 19)
    • The Incredible Dr. Pol: Season 21 (October 19)
    • The Spectacular Spider-Man: Season 1 (October 19)
    • Wicked Tuna: Season 11 (October 19)
    • Andor: Episode 7 (October 19)
    • The Mighty Ducks: Game Changers: Episode 204 “Draft Day” (October 19)
    • Hall of Villains (October 21)

    Apple TV+

    • Raymond & Ray (October 21)
    • Acapulco: Season 2 (October 21)
    • Ghost Writer: Season 3 (October 21)

    Paramount+

    • The Grudge (October 17)
    • Drunk History: Seasons 1 – 6 (October 19)
    • Teenage Mutant Ninja Turtles: Season 2 (October 19)
    • PAW Patrol: Mighty Pups (October 19)
    • Inside Amy Schumer: Season 5 Premiere (October 20)
    • Blacklight (October 21)

    Mubi

    • She Mad: Bitch Zone (October 17)
    • The Gold-Laden Sheep & the Sacred Mountain (October 18)
    • Soliloquy (October 19)
    • Lake of Dracula (October 20)
    • The African Desperate (October 21)

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    Travis Bean, Contributor

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  • Kim Petras Is a Bitch Who Gets What She Wants on ‘Los Espookys’

    Kim Petras Is a Bitch Who Gets What She Wants on ‘Los Espookys’

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    Kim Petras is one powerful pop star. On tonight’s episode of Los Espookys, the blonde, Barbiecore US Ambassador Melanie Gibbons (played by Greta Titelman) has finally met her match in Secretary of State Kimberly Reynolds—her even blonder and Barbie-r boss—played by Petras, making her acting debut. “I was super nervous,” Petras admits to Vanity Fair between intermittent pulls from her vape pen in a joint Zoom interview with Titelman. “I got an acting coach to explain to me how acting works and did all this research.”

    The hard work paid off, as Petras is delightful on the show as a politician with a Paris Hilton vibe, in a role that Los Espookys creators Julio Torres and Ana Fabrega wrote specifically for her. “When I got the scripts for season two, Julio mentioned to me, ‘I think we’re getting Kim Petras to be your boss,’” Titelman says. “I was like, ‘Are you kidding me?’ And he was like, ‘Yeah, we wrote the part for her. We think she’s down to do it.’” But then, of course, a global pandemic occurred, creating a three-plus year gap between season one and season two of the HBO comedy, forcing Titelman to keep Petras’s involvement on the show secret from even her closest confidants, like Fire Island and I Love That for You’s Matt Rogers, a close friend and frequent collaborator. “I didn’t tell Matt. I didn’t tell any of our other friends,” says Titelman. “I was like, ‘It’s so major, I can’t spoil it.’”

    It all began, as so many surprise collaborations do, backstage at a concert. “In 2019, Julio came to my show at Terminal 5 in New York—Julio and [Saturday Night Live’s] Bowen Yang,” Petras recalls. “We talked backstage. I’m a big fan of Julio and of Bowen, and we just had a good time and linked up.” Naturally, that backstage kiki led to a correspondence that set everything in motion. “A couple weeks later I got an Instagram DM like, ‘Would you ever be down to be in Los Espookys? Because we have been listening to ‘Turn Off the Light’ nonstop writing it.’”

    Even though her guest spot was put on hold by the pandemic, Petras was always determined to make it happen. “[During] those two years. I was like, ‘Well, once this is over, I’m going to shoot Los Espookys. Fuck everyone.’” A fan of the show and all things Halloween-related, Petras says that she and her friends watched season one “three times over” and “are all addicted to it.” “I’m a spooky girl. I love to be spooked,” she says. “So it was kind of a no-brainer. I was like, ‘Yes, absolutely.’”

    “I didn’t want to act one day,” Petras tells VF. “I was a songwriter, studio rat my whole life.” But once she arrived on the Los Espookys set in Santiago, Chile, it clicked that the blonde and powerful political figure Torres and Fabrega wrote for her was an extension of the pop star persona she had already perfectly crafted. “Once I got there, it was like, ‘We wrote this for you,’” Petras says. “It’s kind of your stage character, just in politics. Move the stage character to politics.”

    Given that one of Petras’s most beloved refrains goes, “I want all my clothes designer / I want someone else to buy ’em / If I cannot get it right now / I don’t want it, I don’t want it, I don’t want it at all,” it wasn’t all that tricky to get into character. “I can be a bitch who gets what she wants onstage—that’s the persona I’ve created,” says Petras. “It was easy bringing that into Melanie Gibbons’s office and being Secretary of State.”

    Titelman maintains that Petras felt like a pro on set. “Kim was so easy,” Titelman says. “I was intimidated, obviously, because I am a huge Kim fan. I was singing Kim’s songs to her on set.” (“I loved it,” chimed in Petras.) “It didn’t feel like Kim was acting for the first time,” Titelman continued. “She just immediately fit into the Los Espookys universe because she has the same sensibility, knows the same references. We’re all a part of the same kind of culture. She just got it.”

    Greta Titelman and Kim Petras

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    Chris Murphy

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  • ‘Titans’ And ‘Doom Patrol’ Season 4 Have Release Dates, Trailers

    ‘Titans’ And ‘Doom Patrol’ Season 4 Have Release Dates, Trailers

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    The strangest little corner of the DC Universe has survived all the mass chaos over at WB/Discovery. That would be Titans and Doom Patrol, two refugee series from the DC Universe streaming service which was turned into a comic thing and its shows fled to HBO Max.

    Titans is a gritty version of Teen Titans that has attracted a surprisingly large audience over the last few years, and remains one of the most in-demand comics series out there. Doom Patrol is easily the most absurd comic show in existence, even considering the likes of Harley Quinn and Peacemaker, an R-rated comedy that everyone, critics and fans, seem to love for its weirdness.

    Now, both shows are about to return for their respective season 4s. We have release dates, and we have trailers. Albeit one shows a lot more than the other.

    Titans season 4’s release date is November 3 on HBO Max, just a few weeks from now. HBO just released this new trailer teasing the season, which reveals that the villain the crew is facing this time is Brother Blood, a famed baddie in Teen Titans lore.

    Meanwhile, Doom Patrol season 4’s release date is December 8, and features uh, carnivorous butts, which we’ve seen previously. And a lot more footage than Titans’ Brother Blood spot, without giving too much away:

    Both of these shows are being broken up into two parts for season 4, where the first half will start now, and the second half will air some time in 2023. This is kind of unusual for these series, but with 10-13 episode seasons, they are longer than some similar superhero productions, so maybe that’s a factor.

    DC’s TV content strategy is nearly as all over the place as its movie strategy, but I’d argue it’s going quite a bit better. I didn’t love last season of Titans, but it has its fanbase. Doom Patrol is always great. Harley Quinn and Peacemaker are fantastic. A Penguin series out of The Batman universe sounds promising, and an Arkham show may be coming later. Literally only one piece of all that is directly connected to the DCEU (Peacemaker) and I think the lineup is better for that. Over on film, we’re about the get the launch of Black Adam as The Rock attempts to change the power dynamics of the DC universe, and projects like The Flash and Aquaman 2 remains plagued with issues via their real-life actors.

    I’m certainly looking forward to the return of Titans and Doom Patrol, and we don’t have long to wait now. Stay tuned.

    Follow me on Twitter, YouTube, Facebook and Instagram. Subscribe to my free weekly content round-up newsletter, God Rolls.

    Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.

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    Paul Tassi, Senior Contributor

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