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Tag: hasan minhaj

  • Hasan Minhaj and Ronny Chieng stage a ‘debate to the death’ in Orlando

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    Ronny Chieng and Hasan Minhaj Credit: courtesy image

    This might be the most timely touring comedy show in recent history, as Daily Show correspondents past and present Hasan Minhaj and Ronny Chieng traverse the country, staging a “Debate to the Death.”

    Mirroring the state of our national discourse, they dispense with reasoned discussion of the issues — among them immigration, the economy, food  — and instead go for each other’s jugular. Ain’t that America?

    7 p.m. Sunday, Nov. 16, Hard Rock Live, 6050 Universal Blvd., entertainment.hardrock.com, $96-$290.



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    Matthew Moyer
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  • ‘Babes’ Review: A Gross-Out Comedy That’s Hilarious, Inspiring, And Groundbreaking

    ‘Babes’ Review: A Gross-Out Comedy That’s Hilarious, Inspiring, And Groundbreaking

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    Michelle Buteau and Ilana Glazer in Babes. Gwen Capistran/Neon

    With her sensational feature directorial debut Babes, Pamela Adlon has done the nearly impossible. The comedian, voice-over actor, and showrunner and star of the rightfully beloved FX series Better Things—working from a script by star Ilana Glazer and Josh Rabinowitz (a producer on Glazer’s sitcom Broad City)—has crafted a film that is at once sophisticated and aggressively sophomoric, profoundly romantic and deeply cynical, and as feminist as a barbecue at Gloria Steinem’s house and yet seemingly apolitical enough to appeal to your average Entourage fan. 


    BABES ★★★1/2 (3.5/4 stars)
    Directed by: Pamela Adlon
    Written by: Ilana Glazer, Josh Rabinowitz 
    Starring: Ilana Glazer, Michelle Buteau, Hasan Minhaj, Stephan James, John Carroll Lynch, Oliver Platt
    Running time: 109 mins.


    In doing so, Adlon has unshackled that most onerous of summer movie mainstays—the gross-out comedy—from the sexual shame and bodily fear that has come to define the genre and transformed it into something genuinely uplifting. 

    The film establishes its point of view (literally) within the first three minutes, when pregnant Dawn (Michelle Buteau), meets her ride-or-die since grade school Eden (Ilana Glazer) at the movies on Thanksgiving, an annual tradition going on 20 years. When Dawn’s water breaks, and Eden gets on all fours in the theater to have a look and describe the rhythmic cadence of the drip (“it’s got a swing to it”), we get a clear picture of the assertory and unyielding intimacy at the heart of not only their friendship but also Adlon’s agenda as a filmmaker. 

    The gag keeps building, spawning humor physical, societal, scatological, and even hyper-local as the Astoria-based Eden faces the sticker shock of post-birth celebratory sushi from the Upper West Side. The sushi, along with the video game Mortal Kombat, becomes central to Eden hooking up with Claude, a tuxedoed actor she meets on her epic subway ride home. (The 2 to the 7 to the G to the N, for those keeping score at home.) 

    Claude is played with suave vulnerability by Stephan James, star of Barry Jenkins’ 2018 lovestruck James Baldwin adaptation If Beale Street Could Talk, and Adlon seems inspired by his presence to indulge in a similar type of dreamy romanticism. It’s one of many drastic tone shifts that Adlon handles with an assurance far beyond her freshman status. She’s made a potty humor obsessed movie (a toilet literally blows up in this movie, mercifully off screen) that is also soaked in the autumnal glow and piano bar soundtrack of early Woody Allen. Somehow, it all works. 

    When Eden’s dalliance leads to an unexpected pregnancy (yes, she learns, it can happen even when you have your period) and she chooses to keep the baby and raise it without Claude, the film becomes a treatise on the true elasticity of a seemingly unbreakable bond. Both Glazer and Buteau, the stand-up comedian and podcast host who has up until now had only small parts in movies, work off each other beautifully, gracefully intensifying and attenuating their endlessly layered relationship.

    They lead a uniformly funny and almost entirely male supporting cast. (Sandra Bernhard is largely wasted as Dawn’s fellow dentist and coworker.) Hasan Minhaj plays Dawn’s open-hearted and moderately flustered husband, whose primary task is to potty train their rapidly regressing four year old. Zodiac’s John Carroll Lynch shows a deft comic touch as Dawn and Eden’s follicly-challenged OBGYN, while Oliver Platt is quietly heartbreaking as Eden’s estranged and agoraphobic father.     

    Ilana Glazer and Stephan James in Babes. Neon

    When so much humor from this genre tends to come from humiliation, cruelty, and idiocy, a film that mines comic gold from people being loving to one another while acting responsibly is inspiring and groundbreaking. From consent to STDs (the Lucas Brothers have a hilarious cameo as twins who run a testing clinic where Eden is a regular), to pressure about lactation, Babes provides a clearer roadmap for how to navigate sexual intimacy and women’s bodies than any nonfiction film I can recall. (Claire Simon’s 2023 documentary Our Bodies, which examines the lives of patients in the obstetrics and gynecology ward of a public hospital in Paris, comes to mind.) 

    But what Babes truly excels at is putting the comedic pedal to the metal and not letting up for a minute. I found myself at a low giggle, like a cat’s purr, throughout the whole preceding—that is until the conclusion, when I got a little choked up. 

    Fortunately, unlike me, no one in the movie actually cries at the end. It’s pretty much the only bodily fluid Babes has no time for. 

    ‘Babes’ Review: A Gross-Out Comedy That’s Hilarious, Inspiring, And Groundbreaking

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    Oliver Jones

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  • Hasan Minhaj Issues Rebuttal to ‘New Yorker’ Story: “I’m Not a Psycho”

    Hasan Minhaj Issues Rebuttal to ‘New Yorker’ Story: “I’m Not a Psycho”

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    There are two sides to every story, and Hasan Minhaj is ready to share his in excruciating detail. On Thursday, the comedian released a 21-minute video in response to a New Yorker article titled “Hasan Minhaj’s ‘Emotional Truths,’” in which Minhaj admitted to embellishing certain stories about his experiences with racism and Islamophobia in his stand-up specials.  

    Prior to posting the video, Minhaj had released a lengthy statement addressing the New Yorker article by Clare Malone, maintaining that “all my stand-up stories are based on events that happened to me” and that he uses “the tools of stand-up comedy—hyperbole, changing names and locations, and compressing timelines to tell entertaining stories.” 

    In the video, titled “My Response to The New Yorker article” and first published by The Hollywood Reporter, Minhaj doubles down on his claim that all of his stand-up material is based in truth, accusing The New Yorker of publishing a “needlessly misleading” story about him. Minhaj begins his video by addressing the conflict in the Middle East. “I know the news coming out of the Middle East right now feels devastating and hopeless,” Minhaj says. “And I’ve been asked by a lot of people to give my perspective on what is happening in the region.”

    “I’ve also been asked, ‘Wait a second. Aren’t you a liar?’” he adds. 

    Minhaj proceeds to pivot to his current controversy, admitting that while it “feels so trivial” in comparison to world events, it remains “very serious” and “demands an explanation.” He claims that the New Yorker article made him look like “a psycho.”  

    “Underneath all that pomade, is Hasan Minhaj just a con artist who uses fake racism and Islamophobia to advance his career?” he asks. “Because after reading that article, I would also think that.”

    Before launching into a detailed explanation of how he thinks The New Yorker misconstrued its interview, Minhaj offers an apology to his fans and says that he took “a beat” to respond to the allegations because he was still “processing” what had happened. “I just want to say to anyone who felt betrayed or hurt by my stand-up, I am sorry,” he says. “I made artistic choices to express myself and drive home larger issues affecting me and my community, and I feel horrible that I let people down.”

    Over the course of the video, Minhaj attempts to discredit various claims in Malone’s article, providing recordings of his interview with Malone as evidence, while also admitting that he did embellish certain elements of the stories.

    The New Yorker issued the following statement in response to Minhaj’s video: “Hasan Minhaj confirms in this video that he selectively presents information and embellishes to make a point: exactly what we reported. Our piece, which includes Minhaj’s perspective at length, was carefully reported and fact-checked. It is based on interviews with more than 20 people, including former Patriot Act and Daily Show staffers; members of Minhaj’s security team; and people who have been the subject of his stand-up work, including the former FBI informant ‘Brother Eric’ and the woman at the center of his prom-rejection story. We stand by our story.”

    After sharing his perspective on three stories Malone pointed to as specific evidence of embellishment, Minhaj attempts to differentiate his work as a political comic on shows like The Daily Show and Patriot Act from his work as a comedic storyteller. “I thought I had two different expectations built into my work: my work as a storytelling comedian and my work as a political comedian, where facts always come first,” he says. “That is why the fact-checking on Patriot Act was extremely rigorous. The fact-checking in my congressional testimony, deeply rigorous…. But in my work as a storytelling comedian, I assumed that the lines between truth and fiction were allowed to be a bit more blurry.”

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    Chris Murphy

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  • Hasan Minhaj Is Reportedly Out of the Running to Host ‘The Daily Show’

    Hasan Minhaj Is Reportedly Out of the Running to Host ‘The Daily Show’

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    The next Daily Show host will reportedly not be Hasan Minhaj. Puck News’ Matthew Belloni writes that the comedian and Daily Show alum—at one time considered a front-runner for the job—is no longer in the running.

    According to Belloni’s entertainment industry newsletter “What I’m Hearing,” Minhaj has been told by execs at Paramount Global, Comedy Central’s parent company, that he would not be getting the Daily Show host gig vacated by Trevor Noah last year. “Minhaj would have been announced as the new TDS host this summer had the strike not intervened,” wrote Belloni. “Instead, both sides sat on the announcement, and then…disaster.”

    Last month, Minhaj found himself embroiled in controversy after a New Yorker piece written by Clare Malone accused the comedian of embellishing various stories he’s told in his stand-up specials regarding his personal experiences with Islamophobia. Speaking to Malone, Minhaj admitted that some of his material was not entirely factual, claiming that “the emotional truth is first” and that “the factual truth is secondary” when it comes to his stand-up. “Every story in my style is built around a seed of truth,” he told Malone. “My comedy Arnold Palmer is 70% emotional truth—this happened—and then 30% hyperbole, exaggeration, fiction.”

    In a statement to Vanity Fair last month, Minhaj admitted to embellishing some of the stories, saying, “All my stand-up stories are based on events that happened to me.… I use the tools of stand-up comedy—hyperbole, changing names and locations, and compressing timelines to tell entertaining stories. That’s inherent to the art form. You wouldn’t go to a haunted house and say, ‘Why are these people lying to me?’—the point is the ride. Stand-up is the same.”

    After the controversy, The Daily Show reportedly went “back to square one” in its search for a host, announcing that when it returned after the writers strike, it would do so with a series of guest hosts. Earlier this month, longtime Daily Show correspondent and fan-favorite Roy Wood Jr. announced that he was leaving the show after eight years, leading some to believe he was also passed over for the full-time gig. Comedy Central announced that an official full-time host is slated to take over the desk sometime in 2024.

    Minhaj—who joined The Daily Show as a correspondent under Jon Stewart in 2014—was well-received during his guest-hosting stint in February and March. Belloni alleged that Minhaj and his team at WME believed that they were close to closing the deal before the controversy erupted. “Not a signed deal, but he was the choice,” wrote Belloni, “they’d closed on all the financial details pre-strike, and only the papering remained.” Belloni singled out Paramount Media Networks chief Chris McCarthy as the one who ultimately decided to “move on” from Minhaj as host. 

    “Now the question is what, if anything, Paramount must pay Minhaj to go away,” wrote Belloni. Per Belloni, Paramount believes that the deal “wasn’t closed” and that “several outstanding issues remained.” 

    “Plus,” Belloni added, “if the deal was eventually papered, a standard morals clause would have been included—one that the behavior described in the article may have violated.” 

    Vanity Fair has reached out to Minhaj and Comedy Central for comment.

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    Chris Murphy

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  • Hasan Minhaj’s Shot At ‘The Daily Show’ Sinks After Stand-Up Fib Scandal

    Hasan Minhaj’s Shot At ‘The Daily Show’ Sinks After Stand-Up Fib Scandal

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    Comedy Central is casting a wider net in its search for Trevor Noah’s successor on “The Daily Show.”

    While comedian Hasan Minhaj was initially reported as a frontrunner for the hosting job, Variety is now reporting that Comedy Central’s parent company, Paramount Global, is actively considering other talent amid the fallout from a New Yorker piece that found Minhaj stretched the truth in some of his stand-up routines.

    In his response to The New Yorker, Minhaj admitted to embellishing several supposedly autobiographical anecdotes about Islamophobia but claimed the stories revealed “emotional truths.”

    Noah departed “The Daily Show” in 2022. Since then, the popular late-night TV program has featured a roster of different comics filling in as hosts, including Minhaj, Chelsea Handler, Leslie Jones, Al Franken, Kal Penn, Marlon Wayans and Sarah Silverman, as well as long-time contributors Roy Wood, Jr., Desi Lydic and Jordan Klepper.

    Hasan Minhaj performs at the 13th annual Stand Up For Heroes benefit concert on Nov. 4, 2019.

    According to Variety, Minhaj is still in the running for the role, but Comedy Central is also taking a closer look at audience research to gauge which recent temporary hosts have been successful.

    This casting conundrum comes as the satirical news show readies itself to return to the studio following a five-month hiatus due to strikes by the Writers Guild of America. Hollywood writers will work once more after striking a deal with the Alliance of Motion Picture and Television Producers that secured increased residual pay, more transparency around streaming numbers, better staffing and guardrails around the use of artificial intelligence.

    Following The New Yorker’s report, Minhaj defended his storytelling in a statement to Variety.

    “All my standup stories are based on events that happened to me,” he said.

    “Yes, I was rejected from going to prom because of my race,” Minhaj added. “Yes, a letter with powder was sent to my apartment that almost harmed my daughter. Yes, I had an interaction with law enforcement during the war on terror.”

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  • How Drew Barrymore Went From Hollywood Darling To Scab In The Blink Of An Eye

    How Drew Barrymore Went From Hollywood Darling To Scab In The Blink Of An Eye

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    This article is part of HuffPost’s weekly culture and entertainment newsletter, “The Culture Catchall.” Click here to subscribe.

    Well, folks, despite the WGA and SAG-AFTRA strikes, awards season is in full swing. MTV’s Video Music Awards took place Tuesday evening, with Shakira’s historic Video Vanguard Award win, a nostalgic “Itty Bitty Piggy” performance from Nicki Minaj featuring Lil Wayne, and much more.

    But you know who wasn’t on the mainstage? Or even the Extended Play Stage? Victoria Monét. Fans have been petitioning for the industry veteran to perform her hit single “On My Mama” at the awards show, but sadly it was beyond her control. Monét tweeted, “My team was told it is ‘too early in my story’ for that opportunity so we will keep working!’ If newbies like Olivia Rodrigo and Reneé Rapp (whom I love dearly) can get up on stage just one to two years after releasing debut projects, so can Victoria. Sorry not sorry!

    The show went on for what felt like an eternity, bombarding viewers with filler performances and teleprompter mishaps (to distract from the fact that there are no writers to help the show and banter run smoothly). What brought me reprieve, though, was Selena Gomez’s response to Chris Brown being nominated in the year of our Lord 2023. Now, do I think Selena should have been nominated for *checks notes* an Afrobeats award? Hell no, but she hasn’t been repeatedly accused of assault, so I’ll cope.

    Despite her aversion to becoming a meme, it was inevitable, especially as Gomez sat beside bestie Taylor Swift, who was just having the time of her life. Swift, who won Video of the Year, has been in the news lately amid a rumored entanglement with NFL player Travis Kelce. (If you know me, you know how I feel about that man.) I’m going to reserve my comments — but I will let this TikTok do the talking. If you don’t know who his ex-girlfriend is, I suggest you look her up. Quickly.

    Anyway, happy Friday, happy Latinx Heritage Month and welcome to another edition of The Culture Catchall.

    NEW YORK, NEW YORK – APRIL 26: Drew Barrymore attends the 2023 Time100 Gala at Jazz at Lincoln Center on April 26, 2023 in New York City. (Photo by Jamie McCarthy/Getty Images)

    Jamie McCarthy via Getty Images

    We’re Still Talking About It

    • To borrow a phrase from Tyra Banks: Drew Barrymore, we were rooting for you! We were all rooting for you! I have never in my life yelled at a girl like this! Our favorite Hollywood darling is now being called a scab, after she effectively crossed the picket line by resuming her eponymous talk show. “I own this choice,” she said, as audience members get kicked out for displaying support for Hollywood workers. Earlier this year, Drew walked away from her duties as the MTV VMAs show host in solidarity with her comrades. Now, a vicious precedent has been set as more daytime TV shows are returning to the air. (On Friday, Drew released an apology video, but her show will continue to go on.)
    • Just in time for the NFL’s 2023-2024 season, Disney and Spectrum have finally reached a carriage agreement deal. While ESPN, FX and ABC stations are restored in major markets, eight networks will be left behind. Parents: your kids, tweens and teens are, unfortunately, getting the short end of the stick. Learn more from Deadline about which networks and local broadcast outlets are impacted.
    • In a bombshell exposé, NBC News internet reporter Kat Tenbarge shed light on accusations that “Rick and Morty” co-creator Justin Roiland used his fame to pursue young fans. Eleven women and nonbinary people came forward, citing and providing “thousands of messages with Roiland from 2013 to 2022” — many of which became sexual exchanges. Some of these fans were 16 years old when Roiland allegedly contacted them. Please use caution, as this article contains explicit language and graphic details.
    • Hasan Minhaj: I can’t keep defending you, Mr. Homecoming King. In a New Yorker profile, the former “ Daily Show” correspondent admitted to fabricating details of his standup bits in various comedy specials, ranging from a fake anthrax exposure scare to a contrived prom rejection story. Not only does this undermine Minhaj’s integrity, but it raises doubts about his use of identity and oppression as vehicles to further comedy — when those traumatic events may never have actually happened to him. One can only wonder what shadow this now casts on other comics of color. Read up for yourself here.
    • “Euphoria” producer and talentless hack Sam Levinson has been accused of ripping off a female filmmaker and photographer’s visual aesthetic. In an interview with Hungarian outlet Punkt, director Petra Collins alleged that Sam approached her to direct the HBO series, claiming he was “inspired” by her photos. Seems like pushing women out of opportunities is his M.O. (*Coughs* Remember Amy Seimetz, original creator of “The Idol”?) I’d say something like “I hate to say I told you so,” but then I’d be lying!
    • The notorious Gannett network is looking for two reporters to exclusively cover Beyoncé and Taylor Swift at USA Today and The Tennessean. (Emphasis on “reporters,” not middle-aged stans who run Timothée Chalamet fan accounts.) Mind you, the listings come after Gannett has slashed countless roles in local news markets over the past two years. We love the lack of job security in news! It’s so fun! The Daily Beast has more details.
    NEWARK, NEW JERSEY - SEPTEMBER 12: Olivia Rodrigo attends the 2023 MTV Video Music Awards at the at Prudential Center on September 12, 2023 in Newark, New Jersey. (Photo by Dia Dipasupil/FilmMagic)
    NEWARK, NEW JERSEY – SEPTEMBER 12: Olivia Rodrigo attends the 2023 MTV Video Music Awards at the at Prudential Center on September 12, 2023 in Newark, New Jersey. (Photo by Dia Dipasupil/FilmMagic)

    Dia Dipasupil via Getty Images

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    To get complete industry news and the full entertainment newsletter in your inbox weekly, subscribe to The Culture Catchall here.

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  • Hasan Minhaj Admits to Embellishing Islamophobic Events in Comedy Specials

    Hasan Minhaj Admits to Embellishing Islamophobic Events in Comedy Specials

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    Hasan Minhaj has admitted to playing fast and loose with the truth. A new report from The New Yorker claims that the comedian and former Patriot Act host embellished or fabricated some stories about his harrowing experiences with racism and Islamophobia as a practicing Muslim from an Indian family; the stories were often found in his stand-up comedy and featured in his comedy specials. In an interview with The New Yorker’s Clare Malone for the report, Minhaj admitted that some of his stand-up material was, in fact, not entirely true. “The emotional truth is first,” said Minhaj. “The factual truth is secondary.”

    “Every story in my style is built around a seed of truth,” Minhaj told Malone. “My comedy Arnold Palmer is 70% emotional truth—this happened—and then 30% hyperbole, exaggeration, fiction.”

    Malone, who wrote the report and conducted the interview, could not verify a handful of major stories relayed in Minhaj’s comedy, ones in which he claimed to have experienced a racist or Islamophobic incident. In his 2017 Netflix special, Homecoming King, Minhaj recounted asking a white girl to prom and going to her doorstep to pick her up the night of the dance, only to find someone else putting a corsage on her wrist. As he told it, she went back on his prom invitation because her parents didn’t want their daughter to take pictures with a “brown boy.”

    The would-be prom date, however, disputed certain aspects of Minhaj’s story, saying she turned him down days ahead of the event. She added that Minhaj hadn’t made enough effort to hide her identity, leading her to face online threats and doxxing for years after the special. While Minhaj admitted to her version of the prom events, he homed in on the “emotional truth” of the situation, saying his version of the story resonated because “there are so many other kids who have had a similar sort of doorstep experience.” 

    In Minhaj’s 2022 Netflix stand-up special, The King’s Jester, the comedian told a story about a white man named “Brother Eric” who converted to Islam and joined Minhaj’s family’s Sacramento-area mosque in 2002, when Minhaj was a junior in high school. As Minhaj told it, “Brother Eric” wound up being an FBI informant actually named Craig Monteilh, who had reported Minhaj’s mosque to authorities, leading police officers to show up at the mosque and pin Minhaj to the hood of a car.

    However, The New Yorker’s reporting found that entire story to be false: Craig Monteilh, a.k.a. “Brother Eric,” was in prison in 2002, the year Minhaj claimed to have met him, and didn’t become an FBI counterterrorism informant until 2006; Monteilh said he had never worked for the FBI in the Sacramento area, only in Southern California. “I have no idea why he would do that,” Monteilh told The New Yorker. Speaking to Malone at a comedy club in the West Village, Minhaj admitted that the “Brother Eric” story was made up and that it was based on “a hard foul he received during a game of pickup basketball in his youth,” when he and other Muslim teens played against middle-aged men whom they believed to be police officers.  

    In another anecdote from the same special, Minhaj claimed that an envelope containing white powder was mailed to his home, and that he opened it and accidentally spilled it on his young daughter. Unsure whether it was anthrax, Minhaj rushed his daughter to the hospital, and she turned out to be unharmed. The New Yorker found that no such event took place, and Minhaj admitted that it did not, though he claimed the story was based on a time when he received a real letter containing a powdery substance. Minhaj maintained that although both of the King’s Jester stories were only based on “emotional truths,” “the punch line is worth the fictionalized premise.”

    “No, I don’t think I’m manipulating,” Minhaj told The New Yorker. “I think they are coming for the emotional roller-coaster ride. To the people that are like, ‘Yo, that is way too crazy to happen,’ I don’t care because yes, fuck yes—that’s the point.”

    Minhaj has his defenders. Comedian and former Patriot Act writer Ismael Loutfi told The New Yorker that he believes his former boss was well within his right to embellish certain stories and aspects of his life. “Maybe it’s just three or four facts he combined into one,” Loutfi said. “Every stand-up you see who’s telling any joke, there is an element of truth, but then the thing that provokes laughter is dishonest. I can see how you would find it sort of disreputable, but at the same time I don’t think that that’s a story I’ve heard anyone talk about.”

    Minhaj has made a name for himself with political comedy that often centers on issues surrounding Islamophobia and South Asian identity. Before hosting the Emmy- and Peabody-winning Patriot Act, Minhaj was a correspondent on The Daily Show. He headlined the White House Correspondents’ Dinner in 2017 and was named one of Time’s 100 most influential people in 2019. He also recently had a long sit-down interview with former president Barack Obama. Following Trevor Noah’s departure, Minhaj did a stint as guest host of The Daily Show in March, and he is now rumored to be a front-runner to take over the full-time hosting gig.

    Minhaj delivered the following statement to Vanity Fair when asked for comment: 

    “All my stand-up stories are based on events that happened to me. Yes, I was rejected from going to prom because of my race. Yes, a letter with powder was sent to my apartment that almost harmed my daughter. Yes, I had an interaction with law enforcement during the war on terror. Yes, I had varicocele repair surgery so we could get pregnant. Yes, I roasted Jared Kushner to his face. I use the tools of stand-up comedy—hyperbole, changing names and locations, and compressing timelines to tell entertaining stories. That’s inherent to the art form. You wouldn’t go to a haunted house and say, ‘Why are these people lying to me?’—the point is the ride. Stand-up is the same.”

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    Chris Murphy

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  • Hasan Minhaj Dramatically Sticks It To Twitter In The Middle Of ‘The Daily Show’

    Hasan Minhaj Dramatically Sticks It To Twitter In The Middle Of ‘The Daily Show’

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    “Here’s the thing, guys,” Minhaj said on Wednesday night, leaning forward as if about to share a secret. “Elon didn’t make Twitter terrible. Twitter has been terrible for years ― because of us!”

    He called Twitter “the shittiest platform on planet Earth.”

    “It’s worse than Tinder, and Tinder gives you geniital herpes,” he said.

    Minhaj noted that most of the people who complain about Twitter either insist they can’t leave, or claim they’re going to leave but don’t. Then, he realized he’s one of them ― and concluded his monologue by quitting Twitter right on the air, showing his phone screen as he did it.

    Minhaj walked off the set and out the door as he encouraged everyone else to “join me in the real world.”

    Check it out in his Wednesday night monologue:

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  • ‘Daily Show’ Guest Hasan Minhaj Has Filthiest Explanation For Tucker Carlson

    ‘Daily Show’ Guest Hasan Minhaj Has Filthiest Explanation For Tucker Carlson

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    Minhaj went through the explosive court documents released in recent days that show Carlson and others at the right-wing network knew Donald Trump and his representatives were lying with their claims of fraud in the 2020 presidential election.

    But they went on the air with those claims anyway, according to the documents.

    Minhaj said one behind-the-scenes message “truly freaked me out.”

    It was a message from Carlson warning that viewers might leave for Newsmax if Fox News didn’t toe the Trump line and spread his conspiracy theories.

    “He’s saying, ‘If I don’t say this bullshit, my viewers will leave me,’” Minhaj translated. “This whole time we thought Fox News was manipulating its viewers. But it turns out the viewers were manipulating Fox News.”

    Then he offered up his explanation of Carlson’s behavior:

    “Just think of it like this: Tucker Carlson is a moral vacuum. A hole, if you will, who glorifies election deniers. So, a glory hole. And his viewers expect him to please them with his mouth, and he’s constantly terrified that they’ll find a new, more satisfying glory hole. And that is why Tucker Carlson will never stop sucking.”

    See more in his Tuesday night monologue:

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