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  • The Fabulous Thunderbirds Have Been “Struck Down by the Blues”

    The Fabulous Thunderbirds Have Been “Struck Down by the Blues”

    Any musician who has labored in the trenches for 50 plus years could be excused for being burned out, jaded or just plain tired. Kim Wilson is none of these.

    On the contrary, Wilson is completely psyched about the release of the album Struck Down, which celebrates the 50th anniversary of his band, the Fabulous Thunderbirds. The record captures the classic T-Birds sound, but in no way does it sound dated. Houston audiences will have a chance to hear the new material live when the band plays for two nights at Main Street Crossing on Wednesday and Thursday, August 7 and 8.

    Vocalist / harmonicist Wilson founded the T-Birds – along with guitarist Jimmie Vaughan – in Austin in 1974. At the time, Vaughan described the band thusly: “We’re an encyclopedia of music from the Gulf Coast, you know, Lightnin’ Slim, Lazy Lester, Texas shuffles, rockin’ Cajun. We are all 27, handsome motherfuckers that dress cool, and our music drives girls wild.”

    Flash forward a few decades, and Wilson is the last T-Bird standing, having led the band through numerous personnel changes since Vaughan’s departure from the group in 1990. There have been many hills and valleys, but Wilson is bullish on the new album and the band’s future.

    Contemporary blues acts often strike a precarious balance between “authenticity” and “relevance,” and Wilson seems comfortable with maintaining this equilibrium. “This is not a museum piece,” Wilson says via Zoom from his home in California. “This is a modern recording, but the sound of it is incredible. Shelly Yakus (John Lennon, Tom Petty, U2 and dozens of other heavy hitters) did the mixing.

    “I haven’t recorded digitally in about eight years, and I found out what they’ve done with digital recording, and it’s kind of blown my mind, how good they can make it sound. They’re about ready to make me a believer. I had a couple of Grammy-nominated CD’s, and they were recorded straight to analog mono. So this is a departure from that. But, that being said, it’s an incredible sounding CD.  Since the Tuff Enuff days [ca. 1986], it’s really the best thing we’ve done, by far,” Wilson says. “Between the material, the sonics, the performance, it’s the best record we’ve done. Including Tuff Enuff.  It’s a true T-Birds record.”

    Wilson and Yakus had never worked together prior to Struck Down, but they quickly discovered a simpatico approach to making records. “The first thing Shelly said is that you have to mix with emotion. And I said, ‘Oh. This is my guy.’ I’ve never had anyone tell me that. You have to have someone who’s a little bit old school for a band like this.”

    So, the album’s title song, “Struck Down by the Blues.”  What exactly does that mean? “It means you just get hit by it. It’s like a truck. And you don’t care what happens after that, you’re gonna do it,” Wilson enthuses. “You’re gonna do it no matter what. I used to say that I was either going to be a musician or a wino. But I had no choice. I was gonna do it no matter what. And it worked out great.”
    From there, the conversation takes a philosophical turn, with Wilson (who would know better?) reflecting on the notion of what it takes to be a real bluesman, as opposed to a poser or a pale imitation. “You have to be you and do it to death. That’s what I learned from all those old guys that I played with. I was friends with everybody. Muddy Waters, Jimmy Rogers, Buddy Guy. And when I was I kid, I was playing with some Texas guys – Albert Collins, Pee Wee Crayton and Lowell Fulson. I was 18, 19, 20 years old when I was playing with these guys.

    “And I learned from them immediately, you’re gonna do it to death, and that’s it. You’ve got to have a monstrously high standard. You’ve got to believe in yourself, because if you don’t believe in yourself, ain’t nobody gonna believe in you.

    “Here’s the thing about blues,” Wilson says, as the master class continues. “All these guys who originated it – and the women – they’ve all got their take on things, they’ve all got their own personality, they’ve all got their own style, they’ve all got their own quirks. It’s an amazing thing to gather all that stuff in. Now it’s more like everybody’s singing church music and calling it blues. It’s very generic. When they mixed rock with blues – not rock and roll, rock – that’s when things got really muddled.”
    Happily, old-school T-Birds fans don’t need to worry about those sorts of things. Wilson makes it clear that he and the collection of musicians that he has assembled are staying true to the spirit and the essence of the blues. “What I love about these guys is that they have their own take on things,” Wilson says. “No matter what I tell them, it’s going to translate and come out of their soul in a whole different way, their own way. That’s very important.

    “In this homogenized, generic world that we live in, it’s really good to have your own identity. And this band is expounding on the past of this band [the T-Birds], which was expounding on the past of music. If you expound on the past, you can hear the past, you can hear the present, you can hear the future. I think there’s a true future with this band. And people are going to realize that when they hear this record.”

    The Fabulous Thunderbirds will play at 8 p.m. on Wednesday and Thursday, August 7 and 8, at Main Street Crossing, 111 W. Main in Tomball. For more information, call 281-290-0431 or visit MainStreetCrossing.com.

    For more information on the Fabulous Thunderbirds, visit FabulousThunderbirds.com

    Tom Richards

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  • Column: With friends in tow at Griffith Park, Pete Teti walks out of one century and into another

    Column: With friends in tow at Griffith Park, Pete Teti walks out of one century and into another

    If the key to a long life — along with good genes and lots of luck — is to keep moving, Pete Teti is on the right trail.

    He started Thanksgiving Day as he has begun most every other day for more than 20 years — with a hike in Griffith Park. Teti, three days away from his 100th birthday, met up with his usual cohort of friends near the Griffith Observatory and began the climb toward Mt. Hollywood, a roughly two-mile round trip.

    He stopped briefly to take a seat on a park bench that has his name engraved on it — he’s a bit of a legend in these parts — and played his harmonica for a few minutes. Then he was back up and moving.

    Pete Teti, middle, turns 100 years old on Sunday. Pete is hiking with his buddies Kori Bernards, left, and her dog Lucca, and Annette Sikand, right, in Griffith Park early in the morning on Thursday in Los Angeles. Teti is mentally sharp and physically fit, an inspiration to friends.

    (Francine Orr / Los Angeles Times)

    Los Angeles stretched out beneath us, skyscraper to sea, in the silver, cloud-filtered light of a newborn day. In a city of strivers ricocheting around in congested isolation, the park is an island of repose, a place where lives intersect and time slows. Teti exchanged smiles, waves and greetings of “good morning” and “happy Thanksgiving” with fellow travelers he’s come to know.

    “They leave all their problems down there in the city,” Teti said, moving with the ease of a man half his age.

    “He’s got a lot of swagger,” said his friend and walking mate Annette Sikand, who took note of Teti’s erect posture and steady gait.

    Teti, wearing a charcoal colored newsboy cap, paused at a turnout in the trail and blew into his harmonica again, the Hollywood sign clinging to the mountain at his back. Then the World War II vet, who served in Europe, Africa and the Pacific with the U.S. Army, decided to keep advancing up a steeper portion of the incline.

    “I thought we were … ready to go down again, but no,” said Teti’s friend Jay Miller, who is 20 years younger than Teti. “No, you have to keep going up.”

    Pete Teti, who turns 100 on Sunday, takes regular hikes in Griffith Park.

    Pete Teti, who turns 100 on Sunday, takes regular hikes in Griffith Park.

    (Francine Orr / Los Angeles Times)

    Tom McGovern met Teti several years ago, when McGovern accompanied the late Councilman Tom LaBonge on daily hikes, and the men bonded under the hypnotic spell of the park. The senior member of the walking club may have slowed a bit over time, McGovern said, but not much.

    “His pace, for his age, is remarkable. No doubt about it,” said McGovern. “For any age, his pace is good.”

    Along the dusty trail we bumped into Mozhi Jabberi, who said she was walking once or twice a week until she met Teti recently. Inspired by him, she decided to hike more frequently.

    “I want people to know he started his serious hiking at the age of 79,” said Jabberi, 52.

    Nancy Kristol and her husband, Mark, were heading up the trail with Rocco, one of the many dogs who seem to enjoy being serenaded by the harmonica-playing hiker. The Kristols met Teti during the pandemic, Nancy said, and she enjoys her encounters with a man so “in tune with his environment and the love of his mountain.”

    “It’s very special to have met him up here,” she said, “when there’s all this chaos down there and all this insanity that we’ve all experienced. To meet him up here was just a gift, and we appreciate him every day.”

    He follows no secret diet, Teti told me. He eats what he feels like eating — including a pastry at Figaro Bistro, if the mood strikes him, or a burger from In-N-Out. But all things in moderation, he said. He began hiking when he had trouble tying his shoes one day and decided to slim down, and the park is conveniently located not far from his home in Silver Lake.

    But there are a couple of things about Teti’s lifestyle that belong in any textbook on aging well. He does not live in isolation, and his physical activity is matched — actually, it’s surpassed — by his intellectual curiosity.

    Teti worked for half a century as a teacher in Los Angeles, mostly in the arts, but late in life, he has reinvented himself in pursuit of new interests. Many people, as they age, resist change. Teti embraces it.

    “He’s made two violins, he does engraving, he’s a painter, he’s currently creating animation, he’s constantly learning about physics, geometry, fractiles,” said Jay Miller.

    The day before our hike, I visited Teti at his home, where he built a stained-glass gazebo in the front yard and laid tiles in the back patio. His studio is stuffed with books, computers and his most recent abstract paintings. He works in one corner of the house while his equally artistic wife, Rose Marie, 89, works in a room that serves as an ever-growing museum of her vibrantly colored paintings and whimsical home-made chandeliers.

    Pete Teti holding the harmonica he plays while hiking.

    Pete Teti holds the harmonica he plays while hiking. He is a hiker, artist, teacher and WWII veteran as he approaches his 100th birthday.

    (Francine Orr / Los Angeles Times)

    Teti — who took up the harmonica just a few years ago — told me his curiosity dates back to his childhood in southern Italy.

    “I was nosey, and from school, I would stop at the cabinetmaker’s and stand by the door and sometimes he invited me in and put a tool in my hand,” Teti said. “And then I’d go to the blacksmith, and he invited me in to make a horseshoe, and I was excited.”

    His family moved to Pennsylvania in the 1930s, and Teti settled in Los Angeles after serving in World War II and earning a master’s in art at USC. When school ended, his lifelong course in continuing education began. Teti showed me the bank of screens and keyboards in his workshop, where he’s teaching himself to convert sounds, shapes and colors into computer-driven art and animation.

    A lot of it was beyond my comprehension, but Teti bubbled with childlike enthusiasm. Sometimes, he said, it’s impossible for him to get a good night’s sleep. His imagination keeps waking him up.

    “It’s pretty incredible that a 100-year-old guy knows how to use this software,” said Les Camacho, a sound engineer who is half Teti’s age and helped him with the computer setup.

    Not long ago, Teti called Camacho midday and said hey, let’s go get a burger.

    “On the way back from In-N-Out we were listening to KLOS and all of a sudden AC/DC’s ‘Highway to Hell’ comes on, so I wanted to change it, and he said, ‘No, no, leave it, I like that,’” said Camacho, 47. “He was head-banging in my car.”

    There’s such unbridled optimism and positivity about him, Teti’s friends say, he’s something of a pied piper in the park, where he’s been known to dance a jig while playing his harmonica.

    “In a city so big and sometimes so lonely and troubled, he’s a constant light to those who get to be around him,” said Kori Bernards, another hiker.

    Pete Teti, second from right, hikes with his buddies in Griffith Park early on Thanksgiving morning.

    Pete Teti, second from right, hikes with his buddies in Griffith Park early on Thanksgiving morning.

    (Francine Orr / Los Angeles Times)

    A man of 100 might be inclined toward disillusionment at the state of the world, given domestic fracturing, the devastation in Ukraine, the war in the Middle East and the acceleration of climate change. But when I asked him about this, Teti told me he remembers the dirt floors of his childhood home, the Great Depression, the millions of lives lost in World War II and so much more.

    “It’s a cycle,” he said. “It seems like I’ve lived from the Renaissance to modern times, and I look back and say what’s happening now is nothing new. It’s happened throughout history. So I tell my friends this is a low cycle right now. … But I trust in younger people who come into the world without the prejudice of adults. I trust young people to change things.”

    So how did Teti intend, on Sunday, to celebrate 100?

    You guessed it. The plan was to meet pals near the bench with the L.A. Parks Foundation dedication that reads: “Pete Teti. Harmonica man, avid Griffith Park hiker, artist, teacher and WWII veteran.”

    And then Teti would lead the walk up the trail and into the next century.

    Steve.lopez@latimes.com

    Steve Lopez

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