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  • All the Most Exciting Fashion on the 2026 BAFTAs Red Carpet

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    Gracie Abrams and Paul Mescal. Getty Images for BAFTA

    After three awards shows, all in Los Angeles, Hollywood’s A-list is heading across the pond. Yes, it’s time for the BAFTAs, the annual ceremony that honors the best in British and international cinema. Presented by the British Academy of Film and Television Arts, the BAFTAs are once again taking place at Royal Festival Hall in London’s Southbank Centre tonight, Feb. 22, but with a new host. This year, Alan Cumming is taking over duties from David Tennant, who hosted the ceremony for the past two years.

    Paul Thomas Anderson’s One Battle After Another netted the most nominations at 14, followed by Ryan Coogler’s Sinners with 13 and Chloé Zhao’s Hamnet and Josh Safdie’s Marty Supreme, tied with 11 nods each. Leonardo DiCaprio, Timothée Chalamet and Michael B. Jordan are all up for Best Actor, while Kate Hudson, Jessie Buckley and Emma Stone are among the stars nominated for Best Actress. Along with the celeb-studded roster of nominees, the slate of presenters is equally impressive, including Aaron Pierre, Aimee Lou Wood, Alicia Vikander, Alia Bhatt, Bryan Cranston, Cillian Murphy, David Jonsson, Delroy Lindo, Emily Watson, Erin Doherty, Ethan Hawke, Gillian Anderson, Glenn Close, Hannah Waddingham, Karen Gillan, Kate Hudson, Kathryn Hahn, Kerry Washington, Little Simz, Maggie Gyllenhaal, Mia McKenna-Bruce, Michael B. Jordan, Miles Caton, Milly Alcock, Minnie Driver, Monica Bellucci, Noah Jupe, Olivia Cooke, Patrick Dempsey, Regé-Jean Page, Riz Ahmed, Sadie Sink, Stellan Skarsgård, Stormzy and Warwick Davis.

    But before the best and brightest in film head into Royal Festival Hall, they’ll walk the always-glamorous BAFTAs red carpet in their most dazzling sartorial ensembles. Last year’s red carpet did not disappoint, with highlights including Cynthia Erivo in Louis Vuitton, Mikey Madison in Prada, Monica Barbaro in Armani Privé and Lupita Nyong’o in Chanel—all custom, of course. So let’s get ready for the 2026 iteration—below, see all the best and most exciting fashion moments from this year’s BAFTAs red carpet.

    The Prince And Princess Of Wales Attend The 2026 EE BAFTA Film AwardsThe Prince And Princess Of Wales Attend The 2026 EE BAFTA Film Awards
    Catherine, Princess of Wales and William, Prince of Wales. BAFTA via Getty Images

    Kate Middleton and Prince William

    Princess of Wales in Gucci 

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Alicia Vikander. Corbis via Getty Images

    Alicia Vikander

    in Louis Vuitton

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    Timothée Chalamet. Mike Marsland/WireImage

    Timothée Chalamet

    in Givenchy 

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Kathryn Hahn. Getty Images for BAFTA

    Kathryn Hahn

    in Lanvin 

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    Carey Mulligan. Mike Marsland/WireImage

    Carey Mulligan

    in Prada

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Milly Alcock. Variety via Getty Images

    Milly Alcock

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Erin Doherty. FilmMagic

    Erin Doherty

    in Louis Vuitton

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Aimee Lou Wood. FilmMagic

    Aimee Lou Wood

    in Emilia Wickstead 

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    Tilda Swinton. Getty Images for BAFTA

    Tilda Swinton

    in Chanel 

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    Archie Madekwe. Getty Images

    Archie Madekwe

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    Renate Reinsve. Getty Images

    Renate Reinsve

    in Louis Vuitton 

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    Cillian Murphy. Mike Marsland/WireImage

    Cillian Murphy

    in Ferragamo

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    Harry Melling. Getty Images

    Harry Melling

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Freya Allan. Getty Images for BAFTA

    Freya Allan

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Little Simz. Getty Images for BAFTA

    Little Simz

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    Noah Jupe and Sadie Sink. WireImage

    Noah Jupe and Sadie Sink

    Sink in Prada

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Maggie Gyllenhaal. WireImage

    Maggie Gyllenhaal

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Glenn Close. FilmMagic

    Glenn Close

    in Erdem 

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    Teyana Taylor. FilmMagic

    Teyana Taylor

    in Burberry 

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Patrick Dempsey and Talula Fyfe Dempsey. Getty Images for BAFTA

    Patrick Dempsey and Talula Fyfe Dempsey

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Maya Rudolph. Getty Images for BAFTA

    Maya Rudolph

    in Chanel 

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    Ruth E. Carter. Getty Images for BAFTA

    Ruth E. Carter

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    Jenna Coleman. Getty Images

    Jenna Coleman

    in Armani Privé

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    Minnie Driver. Getty Images for BAFTA

    Minnie Driver

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    Emma Stone. Corbis via Getty Images

    Emma Stone

    in Louis Vuitton

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Monica Bellucci. Getty Images

    Monica Bellucci

    in Stella McCartney 

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Kerry Washington. FilmMagic

    Kerry Washington

    in Prada

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Chase Infiniti. Getty Images

    Chase Infiniti

    in Louis Vuitton

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Jessie Ware. Getty Images for BAFTA

    Jessie Ware

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Maura Higgins. Getty Images for BAFTA

    Maura Higgins

    in Andrea Brocca

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    Ejae. Getty Images

    Ejae

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Tom Blyth. Getty Images for BAFTA

    Tom Blyth

    in Saint Laurent 

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Michael B. Jordan. Getty Images for BAFTA

    Michael B. Jordan

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    Jesse Plemons and Kirsten Dunst. FilmMagic

    Jesse Plemons and Kirsten Dunst

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Chloé Zhao. Getty Images for BAFTA

    Chloé Zhao

    in Gabriela Hearst 

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Joe Alwyn. Getty Images for BAFTA

    Joe Alwyn

    2026 EE BAFTA Film Awards - VIP Arrivals2026 EE BAFTA Film Awards - VIP Arrivals
    Rege-Jean Page. Max Cisotti/Dave Benett/Getty Im

    Rege-Jean Page

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Kate Hudson. Getty Images for BAFTA

    Kate Hudson

    in Prada

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    Leonardo DiCaprio. Getty Images

    Leonardo DiCaprio

    in Dior 

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Gracie Abrams and Paul Mescal. Getty Images for BAFTA

    Gracie Abrams and Paul Mescal

    Abrams in Chanel

    2026 EE BAFTA Film Awards - Arrivals2026 EE BAFTA Film Awards - Arrivals
    Olivia Cooke. Getty Images

    Olivia Cooke

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Stormzy. Getty Images for BAFTA

    Stormzy

    in Gucci

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Rose Byrne and Bobby Cannavale. Getty Images for BAFTA

    Rose Byrne and Bobby Cannavale

    Byrne in Miu Miu 

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    Harry Lawtey. WireImage

    Harry Lawtey

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Gillian Anderson. Getty Images for BAFTA

    Gillian Anderson

    in Roksanda 

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    Odessa A’zion. FilmMagic

    Odessa A’zion

    in Dior 

    EE BAFTA Film Awards 2026 - ArrivalsEE BAFTA Film Awards 2026 - Arrivals
    Jessie Buckley. Getty Images for BAFTA

    Jessie Buckley

    in Chanel 

    All the Most Exciting Fashion on the 2026 BAFTAs Red Carpet

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    Morgan Halberg

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  • ‘The Woman in Cabin 10’ Review: Keira Knightley and Guy Pearce Give Billionaires on Yachts a Bad Name in Serviceable Whodunit Adaptation

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    In the interest of full disclosure, I like my shipboard murder mysteries with an all-star cast and at least a soupçon of camp. That makes it hard to top the high-water mark of the 1978 Death on the Nile, with the delicious feast of Bette Davis and Maggie Smith swapping acid-tongued barbs and Angela Lansbury in full dotty-eccentric glory; or 1973’s The Last of Sheila, written by Anthony Perkins and Stephen Sondheim, no less, and featuring the incomparable Dyan Cannon as a stand-in for brash ‘70s Hollywood superagent Sue Mengers. By contrast, Netflix’s The Woman in Cabin 10 takes itself very seriously.

    That might not necessarily be a bad thing for readers who loved Ruth Ware’s 2016 mystery novel. But Australian theater and film director Simon Stone’s blandly glossy, capably acted adaptation, co-written with Joe Shrapnel and Anna Waterhouse, is mostly a pedestrian affair that waits until the denouement to crank up the suspense and show some teeth.

    The Woman in Cabin 10

    The Bottom Line

    Watchable, if a bit waterlogged.

    Release date: Friday, Oct. 10
    Cast: Keira Knightley, Guy Pearce, David Ajala, Art Malik, Guga Mbatha-Raw, Kaya Scodelario, David Morrissey, Daniel Ings, Hannah Waddingham, Gitte Witt, Christopher Rygh, Pippa Bennett-Warner, John Macmillan, Paul Kaye, Amanda Collin, Lisa Loven Kongsli
    Director: Simon Stone
    Screenwriters: Joe Shrapnel, Anna Waterhouse, Simon Stone, based on the novel by Ruth Ware

    Rated R,
    1 hour 32 minutes

    Keira Knightley plays Laura “Lo” Blackwood, a respected London investigative journalist traumatized by the killing of a woman who agreed to speak with her for an exposé of NGO embezzlement. While her editor, Rowan (Gugu Mbatha-Raw, wasted in a nothing role), doubts there’s much of a story in it, she agrees to send Lo on the maiden voyage of the Aurora Borealis, a “fuck-off big yacht” owned by Richard Bullmer (Guy Pearce).

    The husband of Anne Lyngstad (Lisa Loven Kongsli), a shipping heiress with stage four leukemia, Richard is taking the company’s well-heeled board members on a three-day cruise that will wind up in Norway with a fund-raising gala for the cancer foundation being established in Anne’s name. He wants Lo to come along and cover it to help raise awareness; she hopes the cushy assignment might restore her shaky faith in humanity.

    But tension intrudes as soon as she boards the mega-yacht and starts sipping champagne amid the standard — though generally thin — character introductions. Lo and behold (sorry), her photo-reporter colleague Ben Morgan (David Ajala), with whom she had a romantic entanglement that unraveled badly, will be staying in the cabin directly opposite hers. Awkward.

    Also on board is the doctor and longtime family associate treating Anne, Robert Mehta (Art Malik); cocky party boy Adam Sutherland (Daniel Ings); high-end art gallerist Dame Heidi Heatherley (Hannah Waddingham) and her pompous toff husband Thomas (David Morrissey); tech titan Lars Jensen (Christopher Rygh) and Grace (Kaya Scodelario), the influencer posing as his girlfriend for optics; plus assorted others. Most are either composites of or departures from the characters in Ware’s novel.

    In lieu of “the movie star, the professor and Mary Ann” (if only), there’s recovering addict and guitar-strumming former music star Danny Tyler, played by Paul Kaye as the gone-to-seed love child of Johnny Depp in Pirates of the Caribbean and Gary Oldman in Slow Horses. Coarse and unfiltered, he’s allegedly a dear old chum of suave Richard’s, though the connection doesn’t compute.

    There’s the threat of some bitchy, class-divide fun early on as Heidi looks down her nose at Lo, asking her husband, “Why is she in jeans? I feel like there was a dress code.” Lo then makes herself a target of snarky digs by overcompensating for her differences — she’s a Nicholas Kristof type, more comfortable embedding with oppressed Kurdish women — by throwing on a silver sequined number for a casual light supper. So gauche.

    But the script has little interest in exploring any potential for incidental humor. Instead, intrigue is planted when Lo is summoned to meet Anne in her cabin the first night. Professing her admiration for Lo’s work “giving a voice to the voiceless,” the heiress reveals that she was the one to request the journo’s presence.

    Admitting that her mind isn’t what it was since treatment, Anne asks Lo to look over her speech for the gala, outlining her decision to leave her entire fortune to charity and put the foundation in the hands of “smarter, kinder people.” “Charity without the ego,” coos Lo admiringly.

    If you can’t guess the kind of dirty deeds that portends, you need to brush up on your Hercule Poirot. A key piece of casting alone is a tipoff, though the mystery is teased out as to exactly what happened and whether there was a crime at all. The script foregoes the usual pleasures of making almost everyone a suspect — even if more than one person might be in on it.

    After an unintended encounter with a furtive woman (Gitte Witt) in cabin 10, the one next to Lo’s, the reporter hears a violent scuffle through the walls, followed by a splash. She rushes onto her balcony in time to glimpse what appears to be a body in the water and a bloody handprint on the wall. But the ship’s mayday alert is called off the next day when a head count reveals that nobody is missing and Lo is informed that cabin 10 was never occupied.

    Despite increasingly menacing warnings to back off and stop prying into the lives of rich power players thorny about their privacy, Lo remains determined to get to the truth. This prompts hostility from fellow passengers dismissing her as a nut who imagined everything — even after she has a brush with death in the swimming pool.

    Knightley plays all this with intensity, integrity and lots of lip-biting anxiety, making the movie absorbing enough as Lo gets puts through the gaslighting wringer in the glamorously claustrophobic setting. But only in the fraught final stretch, as they get closer to docking and then go ashore for the gala at a scenic coastal location, do other characters have anything vital to do.

    Most notably, that includes Witt’s mystery woman and Richard’s head of security Sigrid (Danish actress Amanda Collin, who I spent a scene or two convinced was Sandra Hüller). Ajala and Malik’s characters also come into play in more strategic ways, though most of the assembled party is too colorless to make them all that compelling.

    Like much original streaming fodder, The Woman in Cabin 10 will be perfectly adequate entertainment for multitasking viewers, though it’s a bit plodding, even at 90 minutes. Stone (who directed The Dig for Netflix) does a competent job connecting the dots, but where’s the sense of style of these rich folks? Or the décor flourishes of a squillion-dollar yacht that’s tasteful to a fault? We’ve seen better f**k-off boats and chic wardrobes on Succession.

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    David Rooney

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  • What to stream: Adam Sandler, John Legend, ‘Only Murders in the Building’ and Star Wars Outlaws

    What to stream: Adam Sandler, John Legend, ‘Only Murders in the Building’ and Star Wars Outlaws

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    “The Lord of the Rings: The Rings of Power” returning for its second season and Adam Sandler’s first comedy special since 2018 are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: John Legend offers his first-ever children’s album, season four of “Only Murders in the Building” shifts to Los Angeles and DJ and dance producer Zedd is back with an album after nearly a decade.

    NEW MOVIES TO STREAM

    “The Fall Guy” is finally coming to Peacock, where it will be streaming starting Friday, Aug. 30, alongside an “extended cut” version. It might not have reached the blockbuster heights the studio dreamed about during its theatrical run, but it’s pure delight: A comedy, action, romance that soars thanks to the charisma of its stars. Based on the 1980s Lee Majors television series (he gets a cameo), the film features Ryan Gosling as a stunt man, Emily Blunt as his director and dream girl, Aaron Taylor-Johnson as an egotistical movie star and “Ted Lasso’s” Hannah Waddingham as a Diet Coke slurping producer.

    — Ishana Night Shyamalan’s thriller, “The Watchers,” in which Dakota Fanning plays an artist stranded in western Ireland where mysterious creatures lurk and stalk in the night, begins streaming on MAX on Friday, Aug. 30.

    — Emma Stone gives a performance (and interpretive dance) worth watching in “ Kinds of Kindness,” her latest collaboration with Yorgos Lanthimos fresh on the heels of her Oscar-winning turn in “Poor Things.” The film, streaming on Hulu on Friday, Aug. 30, is a triptych with a big ensemble cast including Willem Dafoe, Jesse Plemons (who won a prize for his performance at Cannes), Hong Chau, Margaret Qualley, Mamoudou Athie and Joe Alwyn. Jocelyn Noveck, in her Associated Press review, described it as “a meditation on our free will and the ways we willingly forfeit it to others — in the workplace, at home, and in religion.” Noveck wrote that the “Stone-Lanthimos pairing… is continuing to nurture an aspect of Stone’s talents that increasingly sets her apart: Her fearlessness and the obvious joy she derives from it.”

    — Somehow the Yorgos Lanthimos film is not the most eccentric new streaming offering this week. That title goes to “ Sasquatch Sunset,” Nathan and David Zellner’s experimental film about a family of sasquatches just living their lives. Starring an essentially unrecognizable Jesse Eisenberg and Riley Keough (in addition to Nathan Zellner), this Sundance curiosity begins streaming on Paramount+ on Monday. In his review for the AP, Mark Kennedy wrote that it is “a bewildering 90-minute, narrator-less and wordless experiment that’s as audacious as it is infuriating. It’s not clear if everyone was high making it or we should be while watching it.”

    AP Film Writer Lindsey Bahr

    NEW MUSIC TO STREAM

    — DJ and dance producer Zedd is back with an album after nearly a decade, “Telos.” The first single is the appropriately titled “Out of Time” featuring Bea Miller, a dreamy tune with atmospheric strings that builds into a dancefloor banger. Zedd has revealed that he started writing “Out Of Time” way back in 2015 but was never able to finish it. That changed with Bea — “her voice added an emotional depth that completed the song. ‘Out Of Time’ really encapsulates the DNA of the Telos album, which is why I chose it to be the song that introduces this new era,” he says.

    — If you’re into a slower change of pace, check out John Legend, who releases his first children’s album, “My Favorite Dream,” on Friday, Aug. 30. It’s produced by the chamber pop polymath Sufjan Stevens and centers on universal themes like love, safety, family and dreams across nine original tracks, two covers, a solo piano track and three bonus covers of Fisher-Price songs.

    — Get ready for a blast of K-pop — on your television. Apple TV+ has the six part documentary “K-Pop Idols,” a behind-the-scenes look at the highly competitive reality of K-pop stardom, starting Friday, Aug. 30. It features Jessi, CRAVITY and BLACKSWAN as they learn choreography and pull everything together to seize the stage. Producers say the series “follows the superstars through trials and triumphs, breaking down cultural and musical barriers in K-pop with passion, creativity and determination as they chase their dreams.”

    RZA takes a sharp turn as a classical composer with the album “A Ballet Through Mud.” The composition made its debut in the form of a ballet last year, performed by the Colorado Symphony Orchestra. Composed and scored by the Wu-Tang Clan star, the piece mirrors his journey from growing up in the projects in New York City to famous artist, “weaving in tales of love, loss, exploration, Buddhist monks, and a journey ‘through mud.‘” RZA says he began the project early in the pandemic after rediscovering notebooks full of lyrics he had written as a teenager. “The inspiration for ‘A Ballet Through Mud’ comes from my earliest creative output as a teenager, but its themes are universal — love, exploration, and adventure,” he says.

    AP Entertainment Writer Mark Kennedy

    NEW SHOWS TO STREAM

    — Adam Sandler has the feels in his new Netflix special “Adam Sandler: Love You” featuring his standup and trademark comedy songs. It’s directed by Josh Safdie who — with his brother Benny — co-directed Sandler in the 2019 movie “Uncut Gems.” “Love You” is Sandler’s first comedy special since 2018. It premieres Tuesday on Netflix.

    — Charles, Oliver and Mabel (Steve Martin, Martin Short and Selena Gomez) head to Los Angeles in season four of “Only Murders in the Building,” because their podcast is being turned into a film. Their Hollywood life is interrupted when another murder occurs, meaning the trio has a new case to cover. Eugene Levy, Zach Galifianakis and Eva Longoria join the cast. “Only Murders in the Building” premieres Tuesday on Hulu.

    — A new animated series in the “Terminator” universe comes to Netflix on Thursday. It follows new characters voiced by “House of the Dragon” actor Sonoya Mizuno, Timothy Olyphant, André Holland Rosario Dawson and Ann Dowd.

    — Season two of “The House of the Dragon” has aired in its entirety on HBO and if your fantasy itch still needs to be scratched, “The Lord of the Rings: The Rings of Power” returns for its second season Thursday on Prime Video. The story is set in the Second Age of Middle-earth, prior to the events of J.R.R. Tolkien’s “The Hobbit” and “The Lord of the Rings.”

    Alicia Rancilio

    NEW VIDEO GAMES TO PLAY

    — Luke Skywalker may get the headlines, but the true MVPs of the Star Wars franchise are rascals like Han Solo and Lando Calrissian. Ubisoft’s Star Wars Outlaws introduces a new scoundrel: Kay Vess, a young thief who’s trying to work her way up the galaxy’s crime syndicates and make the big score. She isn’t a Jedi or a Sith, but she knows how to fire a blaster and fly a spaceship. Outlaws comes from Massive Entertainment, the developers of Tom Clancy’s The Division, and it aims to spread Ubisoft’s brand of open-world adventure across multiple planets. It launches Friday, Aug. 30, on PlayStation 5, Xbox X/S and PC.

    — Many gamers who grew up with the Super Nintendo Entertainment System remember 1993’s Secret of Mana as their introduction to a particular type of high-fantasy role-playing. It’s been 15 years since we’ve gotten a new chapter in the marquee Mana series, but Square Enix is finally delivering Visions of Mana. A youngster named Val is chosen to accompany his friend Hinna on a pilgrimage to the life-sustaining Mana Tree, and they’ll need to use magic and swordplay to fight all the monsters along the way. The lush, anime-style graphics are bound to stir memories in old-school RPG fans, starting Thursday, Aug. 29, on PlayStation 5/4, Xbox X/S and PC.

    Lou Kesten

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  • Reviews For The Easily Distracted: The Fall Guy

    Reviews For The Easily Distracted: The Fall Guy

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    Title: The Fall Guy

    Heather Thomas or Heather Locklear? Heather Graham

    Brief Plot Synopsis: He’s not the kind to kiss and tell, but he’s been seen with Emily.

    Rating Using Random Objects Relevant To The Film: 3.5 praying hand emojis out of 5.

    Tagline: “Fall hard.”

    Better Tagline: “Fun, dumb, and full of stunts.”

    Not So Brief Plot Synopsis: Colt Seavers (Ryan Gosling) had it all: a flourishing career as stunt double for action star Tom Ryder (Aaron Taylor-Johnston) and a relationship with cameraperson Jody Moreno (Emily Blunt). But after breaking his back during a stunt gone awry, he abandons both. That is, until mega-producer Gail Myer (Hannah Waddingham) tells him Jody is now a director, and wants Colt to come join the production of her new movie in Australia. Two problems: Jody didn’t *actually* ask for him, and Ryder — the star of the picture — has disappeared.
    “Critical” Analysis: Gosling and Blunt have finally buried their Barbenheimer hatchet by appearing in a movie together. The Fall Guy, directed by former stunt dude David Leitch, is an action-comedy in the truest sense of both words. The stunt sequences are suitably pants-dampening, and the jokes are unforced and effective, thanks in large part to the chemistry between our leads.

    Though it’s a little dicey at the outset. The opening titles kick off with the extremely disagreeable “I Was Made For Loving You” by Kiss. And if that wasn’t a bad enough omen, it’s the signature tune of the film, with remixes popping up alongside songs like “Thunderstruck,” a karaoke version of “Against All Odds” (performed by Blunt), and other selections likely to appeal to people in Leitch’s age group.

    *cough*

    Butt-rock selections aside, Leitch deftly weaves Colt’s onscreen punishment with a surprisingly satisfying romantic arc. It’s easy to chalk it up to the snappy dialogue between Gosling and Blunt, but it’s more likely they’re just naturally charismatic people. Blunt was able to convincingly portray being in love with *John Krasinski*, for crying out loud. And Gosling’s greatest onscreen romance was clearly with Russell Crowe.

    Speaking of bad ’80s decisions, calling Jody’s breakthrough movie Metalstorm has to be an in-joke for Reagan era nerds, right? Metalstorm: The Destruction of Jared-Syn (spoiler!)? Not to be confused with Megaforce? Fun fact: in my rabbit-holing for this review, I learned that Jared-Syn was played by Michael Preston, who was Pappagallo in The Road Warrior! Maybe five of you care, but I thought that was pretty rad.

    This version of Metalstorm sounds distinctly dumber than the original (if you can believe that), but that’s part of The Fall Guy’s charm. This movie-inside-a-movie approach allows Leitch to wink at the camera in a slightly less meta way than he did in Deadpool 2. Or almost, such as when Colt ruminates on why there’s no Academy Award for stunt performers

    It’s also a bit of an insulting premise that Gosling isn’t good looking enough to be a lead (and hence, is eclipsed by Tom Ryder). Then again, Taylor-Johnson is quite the hunk.

    And it’s just as well that The Fall Guy doesn’t take anything too seriously, because the key romantic conflict — Colt’s failure to reach out to Jody after his accident — is hardly “cheating on her with her best friend” territory. The guy was going through an existential crisis, for pity’s sake. So let he who hasn’t ghosted someone after 18 months cast the first stone.

    Also: 18 months? Didn’t Batman heal his own broken back in, like, six weeks?

    The Fall Guy is a rarity these days: a mainstream popcorn flick that appeals to just about everyone. With some brains, a lot of heart, old school stunt work, and an authentic romance, it’s some real old-fashioned moviemaking, and a less maudlin look at the industry than Hal Needham’s Hooper.

    Could’ve used more bar brawls, though.

    The Fall Guy is in theaters today.

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    Pete Vonder Haar

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  • Ted Lasso Season 3 Is Here With A Nike Collab To Prove It

    Ted Lasso Season 3 Is Here With A Nike Collab To Prove It

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    Pack your bags, we’re going to an AFC Richmond game. Ted Lasso Season 3 is officially back on Apple TV+, which is great news for just about everyone on the whole entire planet. The 40-time Emmy nominated show follows American coach Ted Lasso (Jason Sudeikis) as he tries to wrangle the English soccer team, AFC Richmond.


    Seemingly the final season in the series, we will see how Richmond owner Rebecca (Hannah Waddingham) deals with her ex-husband, Rupert, in his attempt to purchase West Ham United. At Season 2’s conclusion, we know Rupert has hired Richmond’s assistant coach, Nate, whose lust for the spotlight festered throughout the entire season. Plus, we’ll see the fallout from the breakup between Roy Kent (Brett Goldstein) and Keeley (Juno Temple).

    With stellar episodes written and produced by Sudeikis, Goldstein, and Brendan Hunt (Coach Beard), you can’t go wrong. A go-to comfort show for many, Ted Lasso makes you believe in – and root for – a fully fictional sports team. Season 3’s 10 episodes will air over 2 months and conclude on May 17th.

    As Sudeikis is one of the main writers, one has to wonder how much this show parallels his real life experiences. It features a recently divorced Ted Lasso flying overseas, missing his son, and even mentions that Ted’s ex-wife has a new boyfriend the end of episode 1. Plus, the plot itself is almost a tad too similar to the Harry Styles/Olivia Wilde relationship that blew up only a few months ago.

    If you’re ready for more Ted Lasso, Nike has collaborated with the show to give us AFC Richmond merch. I’m Richmond till I die, so here are my fave pieces:

    1. AFC Richmond Jersey
    2. AFC Richmond Scarf
    3. AFC Richmond Men’s Nike Club Fleece Hoodie
    4. AFC Richmond Nike Bantr Shirt

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    Jai Phillips

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  • I Love How Queer ‘Willow’ Is, But I Hate What Happens to This Couple | The Mary Sue

    I Love How Queer ‘Willow’ Is, But I Hate What Happens to This Couple | The Mary Sue

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    I love how unapologetically queer a lot of TV is nowadays. Take Willow, for instance: They don’t have to heavily code or hint at the romance between Princess Kit (Ruby Cruz) and Jade (Erin Kellyman), her champion. The two are simply in love—and check it out, civilization hasn’t crumbled yet!

    In episode 3, “The Battle of the Slaughtered Lamb,” we meet another queer couple: Hubert and Anne, a pair of lesbian homesteaders played by Hannah Waddingham and Caoimhe Farren. Hubert and Anne are living the queer dream! They’re toasting their lunches on an open flame next to their firewood! Their forest cottage has moss on the roof! Also, Hannah Waddingham!! Of Ted Lasso and Game of Thrones fame! What a treat!

    I instantly fell in love with Hubert and Anne, and my interest in the series shot up when their scene made it look like they’d be recurring characters. That’s why their fate was especially disappointing.

    What happens to Hubert and Anne?

    Here’s a quick recap: Elora Danan escapes the monsters (known as “disciples”) sent by the Crone to capture her, and runs through the forest until she stumbles upon Hubert and Anne outside their cottage. Elora warns them about what’s coming, and the couple, awestruck that they’re in the presence of the True Empress, vow to dedicate themselves to the “great host” that’s prophesied to help her defeat the forces of darkness.

    But as they’re getting ready to leave, the disciples show up and attack. Hubert seems to kill their leader, the corrupt Commander Ballantine (Ralph Ineson), but then he swings his sword around and runs her through. Elora and Anne try to escape, but the disciples catch up and take out Anne, too.

    Yep, that’s right. They both die.

    It’s such a tremendous waste. Waddingham is absolutely delightful as Hubert, with her quirky choices of vocabulary and her unflagging cheer. Even though Anne never has a chance to get a word in, Farren’s chemistry with Waddingham is a pleasure to watch. I could hang out with these gals all series. As it is, though, they only get a couple of scenes. There’s a chance they could come back from the dead, but I’m not holding my breath.

    By killing Hubert and Anne off, the show turns them into props to show that the Crone is dangerous, which … um, we already knew. They also prompt Elora to proclaim, later in the episode, that she won’t let anyone else die because of her, but there are plenty of other paths to heroism Elora could have taken.

    Plus, by not surviving even one episode, Hubert and Anne end up as casualties of the “bury your gays” trope, in which queer characters are more likely to die in film and TV. Yeah, a lot of other characters die in this episode, too, but Hubert and Anne’s deaths still feel unnecessary.

    I’m still loving Willow, and I can’t wait to see how Kit and Jade’s relationship continues to unfold. But unless a miracle is in the works, the loss of Hubert and Anne just seems pointless.

    (featured image: Lucasfilm)

    The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

    Have a tip we should know? [email protected]

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    Julia Glassman

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