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  • Bad Bunny Super Bowl halftime show: ‘Party’ and Puerto Rican culture highlights in performance

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    Following a relatively uneventful first half of Super Bowl 60, megastar Bad Bunny delivered a love letter to Puerto Rican culture that also included a handful of celebrity cameos.Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, teased days ahead of Sunday that his 13-minute performance was going to be a “big party,” and his first song of choice began in that direction.Standing amid a field of farmworkers, Bad Bunny began with “Tití Me Preguntó.” As he kept walking through the field, other various facets of Puerto Rican culture were featured.The songs that followedBad Bunny kept most of his setlist to party music, playing some of his well-known hits that include “Yo Perreo Sola,” “Safaera,” and “Party” before he sampled Daddy Yankee’s “Gasolina,” an anthem that is one of the most famous reggaeton songs in the entire genre.The singer’s back half of the show included more recent songs, such as “Monaco, “EoO” and “DtMF,” with the last two songs being part of the album that won him the Album of the Year Grammy last week.Bad Bunny has mentioned in recent interviews that his DeBÍ TiRAR MáS FOToS album was his effort of trying to connect more to his cultural roots. Celebrities featured in Bad Bunny’s halftime showThere were a handful of featured guests, some widely speculated ahead of the Big Game, who made an appearance during the show.Among those featured were Pedro Pascal, Cardi B, Karol G, Young Miko, and Jessica Alba.Lady Gaga was one of two — the other being Ricky Martin later on — guests to actually sing. She performed a Latin rendition of “Die With a Smile,” a song released in 2025 by both her and Bruno Mars. She appeared right after what appeared to be a mid-show wedding.According to The Associated Press, that wedding was real. Bad Bunny served as their witness and signed their certificate before he transitioned to perform “Baile Inolvidable” and “NuevaYol.”When Martin performed, he sang Bad Bunny’s “Lo Que Le Pasó a Hawaii,” which translates to “What Happened to Hawaii.” That song echoes sentiment from Puerto Ricans pushing for cultural autonomy.Martin himself is from Puerto Rico.Transitioning the themeOne of the final songs Bad Bunny performed was “El Apagón,” which makes reference to others wanting to be Latino, but who lacked seasoning, drums and reggaeton. Bad Bunny performed this song while standing on top of a telephone pole; the song translates to “the blackout.”The latter part of the song, not played in the halftime show, has lyrics that roughly translate to, “I don’t want to leave here. Let them leave.”Also toward the end of the performance was a moment where a child was watching a clip from Bad Bunny during the Grammys. Seconds later, Bad Bunny handed the child a Grammy.Visible on the Levi’s Stadium scoreboard was the same message he shared during the Grammys: “The only thing more powerful than hate is love.”To close, Bad Bunny named every country and territory from South America to Canada, with every flag being carried out across the field. He also carried a football that read, “Together, we are America.” -The Associated Press contributed to this reporting.

    Following a relatively uneventful first half of Super Bowl 60, megastar Bad Bunny delivered a love letter to Puerto Rican culture that also included a handful of celebrity cameos.

    Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, teased days ahead of Sunday that his 13-minute performance was going to be a “big party,” and his first song of choice began in that direction.

    Standing amid a field of farmworkers, Bad Bunny began with “Tití Me Preguntó.” As he kept walking through the field, other various facets of Puerto Rican culture were featured.

    The songs that followed

    Bad Bunny kept most of his setlist to party music, playing some of his well-known hits that include “Yo Perreo Sola,” “Safaera,” and “Party” before he sampled Daddy Yankee’s “Gasolina,” an anthem that is one of the most famous reggaeton songs in the entire genre.

    The singer’s back half of the show included more recent songs, such as “Monaco, “EoO” and “DtMF,” with the last two songs being part of the album that won him the Album of the Year Grammy last week.

    Bad Bunny has mentioned in recent interviews that his DeBÍ TiRAR MáS FOToS album was his effort of trying to connect more to his cultural roots.

    There were a handful of featured guests, some widely speculated ahead of the Big Game, who made an appearance during the show.

    Among those featured were Pedro Pascal, Cardi B, Karol G, Young Miko, and Jessica Alba.

    Lady Gaga was one of two — the other being Ricky Martin later on — guests to actually sing. She performed a Latin rendition of “Die With a Smile,” a song released in 2025 by both her and Bruno Mars. She appeared right after what appeared to be a mid-show wedding.

    According to The Associated Press, that wedding was real. Bad Bunny served as their witness and signed their certificate before he transitioned to perform “Baile Inolvidable” and “NuevaYol.”

    SANTA CLARA, CALIFORNIA - FEBRUARY 08: Bad Bunny and Lady Gaga perform onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California. (Photo by Kevin C. Cox/Getty Images)

    SANTA CLARA, CALIFORNIA - FEBRUARY 08: Ricky Martin performs with Bad Bunny onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California. (Photo by Ronald Martinez/Getty Images)

    When Martin performed, he sang Bad Bunny’s “Lo Que Le Pasó a Hawaii,” which translates to “What Happened to Hawaii.” That song echoes sentiment from Puerto Ricans pushing for cultural autonomy.

    Martin himself is from Puerto Rico.

    Transitioning the theme

    One of the final songs Bad Bunny performed was “El Apagón,” which makes reference to others wanting to be Latino, but who lacked seasoning, drums and reggaeton.

    Bad Bunny performed this song while standing on top of a telephone pole; the song translates to “the blackout.”

    The latter part of the song, not played in the halftime show, has lyrics that roughly translate to, “I don’t want to leave here. Let them leave.”

    Also toward the end of the performance was a moment where a child was watching a clip from Bad Bunny during the Grammys. Seconds later, Bad Bunny handed the child a Grammy.

    Visible on the Levi’s Stadium scoreboard was the same message he shared during the Grammys: “The only thing more powerful than hate is love.”

    To close, Bad Bunny named every country and territory from South America to Canada, with every flag being carried out across the field. He also carried a football that read, “Together, we are America.”

    -The Associated Press contributed to this reporting.

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  • Power outage reported in Arden-Arcade near where vehicle crashed into pole

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    Power outage reported in Arden-Arcade near where vehicle crashed into pole

    Updated: 11:29 PM PDT Sep 2, 2025

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    More than 1,000 people were without power in Sacramento County on Tuesday night, according to an outage map from SMUD. The Sacramento Metropolitan Fire Department said it was responding to a crash near the intersection of Watt and Whitney avenues around 10:47 p.m.A vehicle had crashed into a power pole and hydrant, officials said. No injuries were reported.Sac Metro Fire said the power pole had been sheared, causing outages in the area. The water district was requested to shut down the water and replace the hydrant.The majority of outages were in the Arden area, but SMUD also reported a handful of outages in Carmichael.An estimated restoration time was listed as 12:20 a.m., according to the SMUD outage map.The crash is under investigation by the California Highway Patrol.See more coverage of top California stories here | Download our app | Subscribe to our morning newsletter | Find us on YouTube here and subscribe to our channel

    More than 1,000 people were without power in Sacramento County on Tuesday night, according to an outage map from SMUD.

    The Sacramento Metropolitan Fire Department said it was responding to a crash near the intersection of Watt and Whitney avenues around 10:47 p.m.

    A vehicle had crashed into a power pole and hydrant, officials said. No injuries were reported.

    Sac Metro Fire said the power pole had been sheared, causing outages in the area. The water district was requested to shut down the water and replace the hydrant.

    The majority of outages were in the Arden area, but SMUD also reported a handful of outages in Carmichael.

    An estimated restoration time was listed as 12:20 a.m., according to the SMUD outage map.

    The crash is under investigation by the California Highway Patrol.

    See more coverage of top California stories here | Download our app | Subscribe to our morning newsletter | Find us on YouTube here and subscribe to our channel

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  • 112 acres in Brentwood: Largest estate in decades goes on L.A. market for $70 million

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    In L.A.’s jam-packed real estate market, an acre is huge. Five acres is a dream. But 100-plus acres is historic.

    The Robert Taylor Ranch, a massive equestrian estate sprawled in the hills of Brentwood, is hitting the market for $70 million.

    At 112 acres, it’s the largest residential estate to hit the market in the city of L.A. since at least the 1980s, when the Multiple Listing Service started tracking home sales. For reference, the property single-handedly makes up more than 1% of Brentwood, which spans just over 15 square miles.

    There are a handful of larger residential properties around L.A. — including the Mountain, a prized 157-acre undeveloped parcel in Beverly Crest that once listed for $1 billion — but none with homes on them that have officially hit the market.

    The ranch has roughly 20,000 square feet of living space spread across three structures. There’s a 12,000-square-foot main house with seven bedrooms, a dog spa, art studio and massage room, as well as a guesthouse, barn and workshop.

    “It’s a once-in-a-lifetime estate,” said Rochelle Maize of Nourmand & Associates, who’s handling the listing.

    The main house spans 12,000 square feet with seven bedrooms, a dog spa and art studio.

    (Barcelo Photography Inc.)

    Designed in 1950 by architect Robert Byrd, the ranch was built for oil baron Waite Phillips and later owned by actors Robert Taylor and Barbara Stanwyck, who hosted parties at the residence. In its Old Hollywood heyday, it once featured a secret casino accessed by hidden doors; the casino has since been removed, but the hidden door and hallway, found through a rotating bookcase, remain.

    In the ’70s, the property was bought and remodeled by Ken Roberts, the concert promoter who turned KROQ-FM into a rock radio giant. Roberts tried selling the ranch a handful of times over the next few decades, asking $45 million for it in 1990, but it was eventually seized by a hedge fund in 2010 after Roberts was unable to repay a $27.5-million loan from New Stream Capital.

    The property was auctioned off two years later to Chicago real estate developer Fred Latsko for $12 million and most recently traded hands for $18.7 million in 2015.

    Titanic estates have dotted L.A. over the last century, but most have been whittled down by developers subdividing the lots and selling them as separate properties. With so many owners over the years, Maize said it’s a surprise that it hasn’t been chopped into pieces.

    “When it last listed, there were two other offers from people that wanted to subdivide the land,” Maize said. “But my client wanted to keep it together and update the property while maintaining the original feel, and it’s one of the reasons why their offer won.”

    During the most recent ownership, a four-year remodel brought new finishes including bronze windows, reclaimed timbers, limestone floors and hand-laid stucco both inside and out.

    The property features 13 flat, buildable acres, while the rest of the hillside estate is navigated by hiking trails. It includes eight Assessor’s Parcel Numbers, meaning a buyer could divide it into eight different properties. It would bring an end to the ranch’s impressive acreage, but offer plenty of incentive for a developer looking to add housing.

    “The potential will be attractive to some,” Maize said. “But either way, the buyer will be someone that values privacy. The setting here is second to none.”

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    Jack Flemming

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