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Tag: Grunge

  • Alysa Liu brings fresh look: The two-time Olympic gold medalist with rings bleached in her hair

    Go do it again because you’re gonna do this so again anyway. See, I think it’s. Whoever said quitters never win, never met Alissa Liu. I was done *** year before I quit. I knew I wanted to be done way before I actually announced my retirement. Olympic bronze medalist on the outside, miserable teenager on the inside. I didn’t care for my choreography, the dresses, um, that was all kind of picked for me, um, so I started to think like why am I doing this? And I just wanted to see my friends, my family. I was 16, homesick. She retired to become *** teenager, trading the icy cold for the warmth of family and friends, hiking the Himalayas and college at UCLA. Like I wouldn’t even step in the rank, honestly, I was low key, *** little bit traumatized. With the entrance and the exit, but two years later, the athlete who had been the youngest US figure skating champ at 13 and the first US female figure skater to land *** quadruple jump in international competition. Unretired. Not everyone thought Alyssa coming out of retirement was *** good idea, starting with her coach. I said, Please don’t. I really did. I said, Please don’t respect your legacy. Philip De Gallielmo has coached Alyssa since she was 5. We had *** Zoom call for about 2 hours, and the story is I had *** lot of glasses of wine over that 2 hours, and she talked me into. Her comeback. Just 7 months of training and *** lot of selfies later, Alyssa Liu won *** world title in the sport she left as *** child but returned to as an adult. Nobody’s ever taken this time off, come back and won the world championships. I have *** perspective that not many of the athletes. Right now in the sport have so many people. Their goal is Olympics, and when they get there and it’s over, it’s like they don’t know what to do. You’ve known her since she was 5 years old. What’s the biggest difference now in the coaching relationship because now you got *** 20 year old adult. My 5 year old Alyssa, or 6 year old Alyssa didn’t talk back. She didn’t even talk. Now she likes to talk back. No, now she’s in charge. It’s about Alissa showing what it’s like to love what you’re doing so much that you become the best in the world at it. The best in the world while also being the happiest girl on the ice, proving two things can be true and sometimes quitting is the quickest way to winning again. On the road to Milan Cortina, I’m Deirdre Fitzpatrick.

    Alysa Liu brings fresh look: The two-time Olympic gold medalist with rings bleached in her hair

    Updated: 9:25 AM EST Feb 20, 2026

    Editorial Standards

    The 2026 Winter Olympics are full of eye-catching moments of athletic excellence – ski jumpers in the air like flying squirrels, Breezy Johnson’s gold-medal downhill finish, and Ilia Malinin at the apex of a backflip on ice.But they’re also an opportunity to admire athletes’ individual expression, and there’s no better event for it than figure skating.Two-time Olympic gold medalist Alysa Liu’s fashion and accessories are shaking up typical skater looks – and they’re integral to her presence at the Games.The 20-year-old made history as the youngest women’s national champion in history at age 13, but three years later, she announced her retirement. Now, at age 20, not long after coming out of retirement, Liu is skating on her own terms, having rediscovered her love of skating. Accompanying her new era is a wardrobe that feels more like herself.”Someone called my style alternative, and I’d agree with that,” she told NBC.Liu stands out with her smiley piercing, which goes through the frenulum behind the upper lip and is only revealed when she smiles. Her hair is also breaking the mold among skaters, with thick stripes bleached blond. She’s been adding one halo, as she calls them, per year since 2023, saying the stripes are like rings on a tree.On the ice, Liu now chooses her training outfits and has more of a say in the designs she sports. She’s been photographed training in spiral-adorned tights, and her skating dress at a recent championship featured a jagged hemline and elements drawn from Lady Gaga’s “Bad Romance” music video.Part of what motivated her decision to retire at 16, she has said, was how little control she had over her own life.”All my memories from back then are gone. I have no idea how I felt in the moment. I have watched it, and I was crying, and I seemed super happy, so I guess I was very happy,” she told Elle, reflecting on her wins at ages 12 and 13. “I didn’t enjoy skating back then because I didn’t make my own programs, I didn’t design my own dresses — I was just following orders.”As a teenager, she said she “grew to hate figure skating” and the demands of her training schedule. “All I wanted was to be with my family and friends at home, and live like a normal teenage girl.” Now, she told the AP, “I have ideas and concepts that I want to share with the world, so I’m happy to be here, versus last time I was kind of like, ‘Let’s get this over with.’ Now I want be here, and I don’t want this to end.”As for nerves at this year’s Games, she’s calm, cool and collected.”I don’t know what’s up with me,” she said. “They’re going to actually have to dissect my brain when I’m dead and figure me out.”PHNjcmlwdCB0eXBlPSJ0ZXh0L2phdmFzY3JpcHQiPiFmdW5jdGlvbigpeyJ1c2Ugc3RyaWN0Ijt3aW5kb3cuYWRkRXZlbnRMaXN0ZW5lcigibWVzc2FnZSIsKGZ1bmN0aW9uKGUpe2lmKHZvaWQgMCE9PWUuZGF0YVsiZGF0YXdyYXBwZXItaGVpZ2h0Il0pe3ZhciB0PWRvY3VtZW50LnF1ZXJ5U2VsZWN0b3JBbGwoImlmcmFtZSIpO2Zvcih2YXIgYSBpbiBlLmRhdGFbImRhdGF3cmFwcGVyLWhlaWdodCJdKWZvcih2YXIgcj0wO3I8dC5sZW5ndGg7cisrKXtpZih0W3JdLmNvbnRlbnRXaW5kb3c9PT1lLnNvdXJjZSl0W3JdLnN0eWxlLmhlaWdodD1lLmRhdGFbImRhdGF3cmFwcGVyLWhlaWdodCJdW2FdKyJweCJ9fX0pKX0oKTs8L3NjcmlwdD4=

    The 2026 Winter Olympics are full of eye-catching moments of athletic excellence – ski jumpers in the air like flying squirrels, Breezy Johnson’s gold-medal downhill finish, and Ilia Malinin at the apex of a backflip on ice.

    But they’re also an opportunity to admire athletes’ individual expression, and there’s no better event for it than figure skating.

    Two-time Olympic gold medalist Alysa Liu’s fashion and accessories are shaking up typical skater looks – and they’re integral to her presence at the Games.

    The 20-year-old made history as the youngest women’s national champion in history at age 13, but three years later, she announced her retirement.

    Now, at age 20, not long after coming out of retirement, Liu is skating on her own terms, having rediscovered her love of skating. Accompanying her new era is a wardrobe that feels more like herself.

    “Someone called my style alternative, and I’d agree with that,” she told NBC.

    MILAN, ITALY - FEBRUARY 08: Gold medalist Alyssa Liu of Team United States celebrates with her medal following the Medal Ceremony for the Team Event after the Men's Single Skating - Free Skating Team Event on day two of the Milano Cortina 2026 Winter Olympic games at Milano Ice Skating Arena on February 08, 2026 in Milan, Italy. (Photo by Jamie Squire/Getty Images)

    Jamie Squire

    Gold medalist Alyssa Liu of Team United States poses with the medal after the medal ceremony for the Team Event on day two of the Milan Cortina 2026 Winter Olympic Games at Milano Ice Skating Arena on Feb. 8, 2026, in Milan, Italy.

    Liu stands out with her smiley piercing, which goes through the frenulum behind the upper lip and is only revealed when she smiles.

    Her hair is also breaking the mold among skaters, with thick stripes bleached blond. She’s been adding one halo, as she calls them, per year since 2023, saying the stripes are like rings on a tree.

    On the ice, Liu now chooses her training outfits and has more of a say in the designs she sports. She’s been photographed training in spiral-adorned tights, and her skating dress at a recent championship featured a jagged hemline and elements drawn from Lady Gaga’s “Bad Romance” music video.

    Alysa Liu competes in the Women's Free Skating during the 2026 United States Figure Skating Championships at Enterprise Center on Jan. 9, 2026, in St. Louis, Missouri.

    Jamie Squire

    Alysa Liu competes in the Women’s Free Skating during the 2026 United States Figure Skating Championships at Enterprise Center on Jan. 9, 2026, in St Louis, Missouri.

    Part of what motivated her decision to retire at 16, she has said, was how little control she had over her own life.

    “All my memories from back then are gone. I have no idea how I felt in the moment. I have watched it, and I was crying, and I seemed super happy, so I guess I was very happy,” she told Elle, reflecting on her wins at ages 12 and 13. “I didn’t enjoy skating back then because I didn’t make my own programs, I didn’t design my own dresses — I was just following orders.”

    As a teenager, she said she “grew to hate figure skating” and the demands of her training schedule. “All I wanted was to be with my family and friends at home, and live like a normal teenage girl.”

    Now, she told the AP, “I have ideas and concepts that I want to share with the world, so I’m happy to be here, versus last time I was kind of like, ‘Let’s get this over with.’ Now I want be here, and I don’t want this to end.”

    As for nerves at this year’s Games, she’s calm, cool and collected.

    “I don’t know what’s up with me,” she said. “They’re going to actually have to dissect my brain when I’m dead and figure me out.”

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  • After Almost 40 Years, the Pixies Can Still Conjure Up Some Fairy Dust

    Musician / producer / conceptualist Brian Eno once said, “The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band.”

    The Pixies have sold a few more albums than the Velvet Underground, but, in a similar fashion, the band’s influence is perhaps larger than its fame. The Pixies have been credited with giving rise to alternative rock and grunge in the early ‘90s, and Kurt Cobain famously tipped his hat by acknowledging that he was guilty of “ripping off” the band’s use of dramatic dynamics along with the soft verse / loud chorus formula.

    Many of the acts who were inspired by the Pixies have fallen by the wayside, but the genuine article is still active, with a new album, The Night the Zombies Came, released late last year and a current tour that will stop at the White Oak Music Hall on Saturday, September 6.

    click to enlarge

    The Pixies (l-r Joey Santiago, David Lovering, Black Francis and Emma Richardson) have been called “The Fathers of Alternative Rock.”

    Photo by Travis Shinn

    Guitarist Joey Santiago, an original Pixie along with vocalist / guitarist Black Francis (aka Charles Michael Kittridge Thompson IV) and drummer David Lovering, hasn’t had his morning coffee yet, but he is nevertheless enthusiastic about discussing the band that he cofounded in 1986. Like most trailblazers, the Pixies have never sounded quite like anyone else. There is certainly a punk rock vibe present, but surf music influences also show up, along with periodic hints of a pop-ish sensibility.

    Speaking via Zoom, Santiago reflects on The Night the Zombies Came and how it differs from previous Pixies efforts. “It is different,” Santiago allows. “To me, it seems moodier. It still has the DNA of the Pixies in there, which is very important, but we can’t help that.” So what exactly is in the Pixies’ DNA? “Charles’ voice, obviously. We can’t run away from that. Just speaking for myself, I try to retain the guitar style, sound, stuff like that.”

    Santiago and Black Francis met while attending the University of Massachusetts, Amherst. Many bands who formed during the members’ formative years and continue playing together into middle age find that the initial kinship can fade over time. Almost 40 years later, how has the relationship between the two musicians changed?

    “We’re still friends. We’re friends, colleagues. We switch hats. We still joke around.”

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    “We’re still friends,” Santiago says. “We’re friends, colleagues. We switch hats. We still joke around. You know, we live 3000 miles away. I live on the other side. I live on the west coast, he lives on the east coast. We’ve got family and all that stuff.

    “David and I have gotten closer over the past year. But when we go into the studio, it’s just the same. We have the work ahead of us, which is ‘How can we make these songs good?’ And that’s how it’s always been, ever since we started. I would like to have more of a rapport — like we have had — before recording another album. Just to see where we’re at. We are kind of like being a bit of strangers at the moment.”

    Santiago recalls, “When [Charles and I] were rooming together, in the summertime, hot summertime in Amherst, we did listen to a lot of surf music. We thought it was fun. We thought the titles were even funnier. Do they really think of the title and write about it, or do they write it and go, ‘OK, this sounds like blah blah blah.’ You don’t know which came first. We listened to that, Iggy Pop, Stooges, Bowie. I remember we went to see the Fleshtones. We loved that band.”
    Like many alt-rockers, Santiago is a self-taught guitarist. Pros and cons? “The pro is definitely having the discovery of this instrument every time you pick it up. In creating things, you’re looking for a feeling rather than a scale. That discovery is good, just going by feel and emotion,” Santiago says.

    “Even though, at times, I would [use a scale] and think, ‘God, that feels so good!’ There’s this one song on the [latest] album called “Chicken,” and I like the solo a lot. And I’m looking at it and go, ‘Fuck! I’m on the pentatonic scale, goddammit!’ Because I try not to do that.  But it just sounds so good.”  (N.B. The pentatonic scales — both major and minor — are, by far, the most frequently used in rock music.)

    After working for decades as a professional musician, does Santiago still enjoy playing the guitar and making loud noises? “I do. I was actually enjoying it very much yesterday. I really just ham it up. I’ll go on YouTube and search ‘backing track for smooth jazz.’ And then I chum around the house, trying to make my wife sick with goofy, goopy, drippy stuff. And I’m surprised I can actually do that shit. I don’t want to do it, but the exercise there was ‘OK, I’m capable of this, but fuck this shit!’”

    The Pixies will perform at 5 p.m. on Saturday, September 6, at the White Oak Music Hall, 2915 N. Main. Spoon and Fazerdaze will open. For more information, call 713-237-0370 or visit whiteoakmusichall.com. $78 and up.

    Tom Richards

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  • Recession Pop Resonates With Audiences

    It is new soundtrack for the time, catchy pop anthems with emotional depth. Discover why this cultural trend resonates.

    Back in the early 1990s, Gen X found themselves in grunge clubs, moshing out frustration to Nirvana and Pearl Jam. The music gave voice to a generation’s angst. Fast forward three decades, and a new genre has emerged, Recession Pop resonates with audiences, especially millennials and Gen Zers.  This sonic comfort is a shimmering, danceable, yet emotionally heavy style of music reflecting economic anxiety, heartbreak, and the strange urge to dance through it all.

    RELATED: The History Of The Cocktail Party

    Recession Pop blends upbeat pop beats with lyrics hitting closer to home than most bubblegum pop ever dared. Instead of carefree escapism, these songs reflect the reality of living in an era of rising rents, student debt, job instability, and inflation. It’s music for the dance floor, but with a knowing sigh in between choruses.

    “Espresso” by Sabrina Carpenter

    Artists like Sabrina Carpenter and Chappell Roan are leading the charge. Carpenter’s smash hit Espresso may sound like playful fun, but underneath is a commentary on hustling, energy, and burnout in the modern economy. Roan, often described as a rising pop provocateur, captures millennial and Gen Z frustrations in glittery, theatrical anthems like Hot To Go!—a track equal parts fun and cathartic release.

    Then there’s Charli XCX, who has long fused experimental pop with sharp cultural observations. Her music resonates with younger listeners because it captures both the highs of nightlife and the lows of existential dread. Together, these artists have defined a genre that is less about ignoring hardship and more about transforming it into something beautiful and communal.

    Standout Tracks in Recession Pop

    • “Espresso” by Sabrina Carpenter – A TikTok-fueled anthem sounding carefree but reflects a restless, work-driven mindset.

    • “Hot To Go!” by Chappell Roan – A neon-soaked escape inviting listeners to dance away their stress.

    • “360” by Charli XCX – A stylish track pairing electronic production with sly commentary on image and modern identity.

    RELATED: End-of-Summer Digital Detox Is 2025’s Coolest Trend

    What makes Recession Pop so culturally powerful is its ability to balance optimism with honesty. Millennials and Gen Z are drawn to it not only because it’s fun to stream, share, and dance to—but also because it speaks to their lived experience. The upbeat production provides escapism, while the lyrics quietly acknowledge the struggles of navigating adulthood in uncertain times.

    Much like grunge gave Gen X a raw voice in the early ’90s, Recession Pop provides today’s younger generations with a soundtrack to endure instability, while still celebrating joy wherever it can be found.

    Sarah Johns

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  • How to Get the Acubi Aesthetic (with Styling Tips)

    How to Get the Acubi Aesthetic (with Styling Tips)

    This post may contain affiliate links, which means we may receive a commission if you purchase through our links. Please read our full disclosure here.

    Are you a fan of 2000s fashion and Korean style? If so, you might be interested in checking out the acubi aesthetic for some style inspo!

    If you have never heard of the acubi aesthetic before, it is a Korean trend that mixes minimalism and Y2K fashion but with a grunge twist.

    Instead of the pink and girly Y2K fashion trends that may come to mind when you think of the decade, acubi style incorporates trends like baggy jeans, cargo pants, oversized sweatshirts, and graphic tees.

    So, if you are obsessed with 2000s fashion, but you want to have an edgier look, then the acubi aesthetic is definitely the type of style you should go for!

    Below I’ll show you everything you need to know about the acubi aesthetic and how to get it for yourself.

    Elements of the Acubi Aesthetic

    When shopping for your new acubi aesthetic wardrobe, there are certain things you will want to look for.

    First, this aesthetic focuses on neutrals and dark colors, so seek those out.

    Also, you will want to look for oversized clothing like baggy jeans or oversized sweatshirts to help you get the look. Balance them with cropped shirts or baby tees.

    Lastly, don’t forget to add some trendy accessories to make your look unique, such as beanies, baseball caps, or shield sunglasses.

    1. Mesh Top

    Mesh top from Dolls Kill

    This mesh top is a super cute item to add to your wardrobe that gives off Y2K vibes and will help you get the acubi aesthetic!

    What you will love about this top is that you can wear it with basically any kind of bottom, whether it’s a skirt, jeans, or pants.

    Or, you could even pair it with a matching mesh skirt like this one to make your look stand out even more!

    2. Ruffle Dress

    If you are looking for the perfect dress for the acubi aesthetic, look no further!

    This dress has a bit of girly vibe with the ruffle design, however, the dark shade of the dress gives it a more grunge look.

    The bow detailing on the shoulder gives it a slightly girly vibe while still keeping the dress’s edgy feel. It’s perfection!

    3. Layered Pants

    Another fun look that you can go for to achieve the acubi aesthetic is layered pants.

    Layered pants like these, which look like sweats with boxers worn underneath, would be a great outfit to wear when lounging around or for everyday activities.

    Just pair these pants with some sneakers and a cute crop top, and you will have the perfect everyday look that gives you the acubi aesthetic.

    4. Track Pants

    Track pants are also perfect for the acubi aesthetic since they’re very 2000s.

    Track pants like these would go perfectly with a crop top or baby tee. Just add sneakers for an outfit that you can either lounge around in or use as an everyday look!

    5. Maxi Denim Skirt

    Maxi denim skirts like this one are very popular right now. So, you will not only look trendy in this piece but also channel an acubi aesthetic type of style.

    I recommend pairing this skirt with boots and a cute crop top or sweater to finish your look!

    6. Patchwork Jeans

    If you like jeans but want a pair that really stands out, you will love these patchwork jeans!

    These jeans come with a super cool star design on the sides to make them very eye-catching.

    So, for an everyday look that is unique and gives off the acubi aesthetic, pair these jeans with a cute crop top and sneakers or slides!

    7. Denim Mini Skirt

    If you like the denim maxi skirt look, you also might like this denim mini skirt look!

    For this look, you will pair a denim mini skirt like this one with a cute crop top or cropped jacket. It doesn’t get more 2000s than this combo!

    And, to finish the look, I recommend pairing this outfit with some cute boots or sneakers. You could also do sandals or slides in the summer months.

    8. Cargo Pants

    Cargo pants are another great clothing item to add to your wardrobe to help you achieve the acubi aesthetic. And again, they’re already trending, so they’re easy to find everywhere!

    With cargo pants like these, you will have a trendy and more edgy look that you can wear every day. Not to mention they’ll be the comfiest pants you own.

    9. Graphic Baby Tee

    If you love the Y2K-inspired graphic tee trend, then you will love pairing your favorite graphic baby tee with some baggy pants to create an acubi aesthetic look!

    To make this everyday look more fun, pair it with fun accessories like shield sunglasses or chunky jewelry.

    10. Oversized Hoodie

    Another clothing item you should be shopping for is an oversized sweatshirt or hoodie!

    Having an oversized sweatshirt or hoodie will make it so much easier for you to create a comfy acubi aesthetic outfit for everyday wear.

    All you need to do is find a hoodie in a neutral or darker shade like this one and pair it with some cute shorts or even a skirt to finish the look.

    And, you can make this look more fun by buying an oversized sweatshirt with a cute design like the star design featured on this hoodie.

    11. Top & Matching Gloves Set

    Top and matching gloves setTop and matching gloves set

    You might have seen the top and matching gloves trend during the Y2K era. If you want to achieve the acubi aesthetic, you can totally bring this trend back!

    Just pair a top and matching glove set like this one with a maxi skirt or some jeans to create an acubi look that will show off your Y2K style.

    12. Graphic Long Sleeve Top

    If you like graphic baby tees, you might also like graphic long-sleeve tops. This is another type of clothing item that would be perfect for the acubi aesthetic.

    For example, you should check out this graphic long sleeve top that comes with a grunge design! This looks exactly like a vintage piece from the 2000s.

    13. Pullover Sweater

    If you like the look of oversized hoodies, you might also like the pullover sweater look!

    Since acubi incorporates lots of oversized pieces, a big pullover that looks like it was stolen from a guy is the perfect choice for the look.

    To style, pair your sweater with a cute pleated skirt or baggy jeans to create a cute and trendy acubi aesthetic look.

    14. Off the Shoulder Top

    Another type of clothing item that fits the acubi aesthetic is the off-the-shoulder top, another 2000s staple.

    A black off-the-shoulder top like this one will look perfect when paired with a cute denim skirt or pleated skirt. Again, dark colors are key for dressing acubi.

    This will give you a simple but super cute acubi aesthetic look that is more girly but also grunge.

    15. Loose Fitting Jeans

    Loose-fitting or baggy jeans are another great clothing item to add to your wardrobe to help you create everyday looks that fit the Acubi aesthetic.

    Once again, these are insanely trendy right now, so you can get them at any store.

    For an acubi feel, pair baggy jeans like this one with some boots and a tube top to get a trendy look you could wear when hanging out with friends!

    16. Sheer Layered Crop Top Sweater

    Some of you may have seen the layered top trend of the 2000s, and with the acubi aesthetic, you can totally bring this trend back!

    To get the look, pair a cute layered top like this one (while it resembles a sweater and tank, it’s actually two pieces combined), with your favorite pair of jeans for a Y2K-inspired look that you will love.

    Also, you can dress this look up by pairing this outfit with some heels or heeled boots!

    More Tips for Getting the Acubi Aesthetic

    Where to Shop for Acubi Pieces

    The acubi aesthetic is known to be a bit more on the grunge side, so you will want to ensure you know where to shop to make building your wardrobe easier!

    And, to help you in your search for your new wardrobe, you should definitely watch this video to see the kinds of stores where you should be shopping.

    What’s great about the acubi aesthetic is it incorporates a lot of the trends that are in style right now. For example, baggy jeans and cropped shirts are super trendy, so you will definitely still look stylish with this kind of look!

    And, to help you build a unique acubi aesthetic wardrobe that makes your style unique, make sure to check out this video to see what kind of trendy items you can add to your look.

    Which outfit from this list do you like the most? What y2k trends will you be incorporating into your outfits?

    Ashlyn – University of Florida

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  • Olivia Rodrigo Tries to Fill the Hole Where Hole Used to Be

    Olivia Rodrigo Tries to Fill the Hole Where Hole Used to Be

    As supposed Olivia Rodrigo nemesis Taylor Swift once said, “I come back stronger than a 90s trend.” That’s precisely what’s happened of late in the live performances Rodrigo has been doing in promotion of her Guts album. It started roughly two months ago, when Rodrigo appeared on Jimmy Kimmel Live! to sing “ballad of a home schooled girl” (a timely choice considering the then upcoming release of Mean Girls 2024). Although not exactly outfitted in “Courtney Love circa 1994” attire during this instance, the entire vibe of the performance smacked of Rodrigo’s desire to bring back the raucous stylings of 90s-era frontwomen (e.g., Kathleen Hanna, Justine Frischmann, Shirley Manson), with an especial emphasis on the riot grrrl sound and look (granted, Love was no fan of that mid-90s movement).

    Out of all those “alt-rock” (a cringe-y term that Daria Morgendorffer undoubtedly hated) bands, Courtney Love’s personal style as the frontwoman of Hole was the most visible, aided along by the fact that she was dating (and then married) the “king” of grunge, Kurt Cobain (a name Gen Zers often have no knowledge of despite freely and vexingly sporting Nirvana t-shirts on the regular). While Rodrigo might have adopted solely the “tone” of Love’s performances (albeit more of a Love Lite vibe than an all-out visceral experience) on Jimmy Kimmel Live!, she saved an homage to all-out Hole aesthetics until she appeared on the December 9, 2023 episode of Saturday Night Live.

    Choosing to introduce a new song to the less-versed in her Guts album, Rodrigo followed her stripped-down performance of “vampire” with a more production value-y “all-american bitch.” Outfitted in a pink babydoll dress (this style of frock being Love’s well-known signature around the time of Live Through This), complete with a white, doily-esque collar, Rodrigo sits at a table decorated with cakes and other assorted sweets as she initially sings in her most precious voice while placing sugar cubes into a coffee cup (this, one imagines, will be repurposed again for her Guts Tour, along with babydoll dresses galore). Once the chorus hits, though, she shatters a champagne flute in her hand and proceeds to semi-writhe on the table in a botched attempt at “doing the Madonna at the 1984 VMAs.”

    Rodrigo then briefly goes back to being a “good little girl” before again ramping up the repressed anger she holds back in these moments, finally going all in on decimating the desserts on the table, not just hurtling them aside, but also throwing some of it at the camera and violently stabbing one of the cakes with a knife like she’s stabbing at the patriarchy itself. This blending of Madonna and Courtney Love (notoriously contentious toward one another for a while there) performance sensibilities is perhaps a testament to the pastiche overload of our current time. Something that Rodrigo, like anyone of her generation, can’t help but be a (for lack of a better word) victim of. 

    After loosely returning to her faux sugary sweetness shtick for another verse, Rodrigo once more goes apeshit during the chorus, the entirety of which is: “Forgive and I forget/I know my age and I act like it/Got what you can’t resist/I’m a perfect all-American bitch/With perfect all-American lips/And perfect all-American hips/I know my place, I know my place, and this is it.” The dripping-with-sarcasm aura also smacks of Love’s brand. Most notably on 1994’s “Miss World,” wherein she drones, “I’m Miss World/Somebody kill me/Kill me pills/No one cares, my friends.” In another part of that song, Love belts the chorus, “I’ve made my bed, I’ll lie in it/I’ve made my bed, I’ll die in it/I’ve made my bed, I’ll die in it/I’ve made my bed, I’ll cry in it.” “Coincidentally” enough, this expression is something that crops up in a Rodrigo song on Guts called “making the bed.” The track explores similar self-deprecating themes surrounding fame as Rodrigo laments, “And I’m playin’ the victim so well in my head/But it’s me who’s been makin’ the bed/Me who’s been makin’ the bed/Pull the sheets over my head, yeah/Makin’ the bed.” 

    This is also a song she sang live recently for NPR’s Tiny Desk Concert, rounding out the set of four songs (which additionally included “love is embarrassing,” “vampire” and “lacy”) with this one while wearing what is quickly becoming her own signature babydoll dress. After all, she’s openly stated her favorite fashion era is the 90s, with a budget for “vintage” clothing to support her zeal. Thus (and probably needless to say), Courtney Love would surely be present on the proverbial Pinterest board of that decade’s fashion trends. Accordingly, Rodrigo’s influences on Guts have clearly shifted far more toward the 90s rage of alt-rock than the “happy anger” of 00s pop-punk, which was more palpable on Sour (though that wasn’t without its major “girl rage” 90s influence either: Alanis Morissette—and Alanis gets more play on this album cycle, too…at least visually speaking). This likely due to her declaration that Rage Against the Machine was a key influence on her while recording the album, particularly “all-american bitch.” But as far as promotional performances have gone since Guts was released in September of ‘23, the most overt influence has been purely Love (whether Rodrigo wants to admit to being fully aware of it or not). 

    Some can appreciate this commitment to homage, while others might not necessarily find it quite so “cute” or “endearing.” Although Rodrigo has pointed out that nothing in music is ever new, there is an increasing sense of “watered down-ness” the more the decades go by and people keep “gleaning” from the past. However, as Rodrigo insisted, “Every single artist is inspired by artists who have come before them. It’s sort of a fun, beautiful sharing process. Nothing in music is ever new. There’s four chords in every song. That’s the fun part—trying to make that your own.” 

    Rodrigo does her best to make Hole her own too. Though it’s a prime example of the Narrator (Edward Norton, who, fittingly, once dated Courtney Love) in Fight Club remarking, “Everything is a copy of a copy of a copy.” So if you’re going to copy yourself off of someone, Love isn’t the worst choice—musically or visually. But it still doesn’t quite fill the hole where Hole used to be. 

    Genna Rivieccio

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  • Mudhoney’s Mark Arm on the Band’s Enduring Rock Legacy

    Mudhoney’s Mark Arm on the Band’s Enduring Rock Legacy

    Last week, Mudhoney released their 11th studio album Plastic Eternity. Fans of the legendary Seattle rock band get what they’ve come to expect: messy and melodic guitars, booming drums, and Mark Arm’s passionate vocals. As the title suggests, the album is a warning about the climate crisis and the impact of ignoring it. It’s been a few years since their last release, and the band sounds fresh.

    Although not as well known as other Seattle groups like Soundgarden and Nirvana, Mudhoney’s place in rock history is cemented. Kurt Cobain cited them as an influence, and their snarling punk/grunge sound has echoed through generations of alternative bands.

    Jordan Edwards and Demi Ramos spoke to Arm about the band’s influence on rock music, his interactions with Nirvana and Sonic Youth, and the recording of Plastic Eternity. Watch the interview below.

    Mudhoney | It’s Real with Jordan and Demi

    For more from Mudhoney, follow them Instagram and Twitter.

    Staff

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  • Making Megs McLean “It’s My Truck” Documentary Now Available to the Public Featuring Music Legends Ben Smith of “Heart” on Drums and Bassist Brad Smith From “Blind Melon”

    Making Megs McLean “It’s My Truck” Documentary Now Available to the Public Featuring Music Legends Ben Smith of “Heart” on Drums and Bassist Brad Smith From “Blind Melon”

    The short documentary “Making Megs McLean “It’s My Truck”” is now available to the public. The documentary chronicles the recording of Megs “It’s My Truck” which is the first single off of her debut album recorded at world renowned London Bridge Studio. Megs recently became the first artist to have her likeness etched into the infamous vintage Neve 8048 recording console at London Bridge Studio.

    Press Release


    Aug 5, 2015

    The short documentary “Making Megs McLean “It’s My Truck”” is now available to the public. The documentary chronicles the recording of Megs “It’s My Truck” which is the first single off of her debut album recorded at world renowned London Bridge Studio. Megs recently became the first artist to have her likeness etched into the infamous vintage Neve 8048 recording console at London Bridge Studio that was built in 1973. Megs has also joined notable acts such as Pearl Jam, Blind Melon, Alice and Chains, Melissa Etheridge, Macklemore, Candle Box, Mother Love Bone, and other standouts that have recorded through this piece of Seattle music history.

    Megs was joined in the recording of her breakout single “It’s My Truck” by legendary Seattle drummer Ben Smith, who has been drumming for the band Heart for over twenty years, and bassist Brad Smith of Blind Melon, who’s unforgettable bass line in the international sensation “No Rain” was recorded  at London Bridge in 1992

    “Not only was I able to work with legendary musicians such as Ben Smith and producer Geoff Ott, but I also had the opportunity to have it all documented by multi Emmy award winning producers Todd Crites and Jackson Nguyen of TurnLeft/ReelTime Partners. Being able to team up with such talented people has been a true blessing and I can see why they are among the most sought after producers in the industry. While filming the documentary and recording “It’s My Truck” we were simultaneously working on a very special project that will soon debut. I couldn’t have done it without such an amazing team.”

    Megs McLean, Singer/Songwriter/Actor

    Ben Smith commented on the making of “It’s My Truck” and his collaboration with Megs McLean: “She’s a super strong singer at a young age but obviously is motivated about it. The band I play in “Heart” has an element of their sound that’s super aggressive so that’s part of my style is being able to hit things aggressively and find the right spots and dynamics in songs. I’m not really surprised by the aggressiveness of the tune “It’s My Truck”.  It’s always fun to come out and play, come out and really play and really bring it.  The roominess of this space, that really works well for drums so it feels great to play in this room and they do a great job of recording it here and I love to come out here.”

    Geoff Ott, Co-Owner London Bridge Studio and recent Pacific NW Chapter President of the Grammys (2013-2015), stated: “I think what Seattle brings to country is a little bit of the grunge factor.  If you think about “I’m going to be in a country band you go to Nashville, you go to these amazing studios, you get these amazing players, they are just killer and they lay it down and you’re like that sounds awesome. Up here we are a little less refined. We like things a little bit looser, a little bit sloppier, which is kinda down homey, it’s kinda swampy, it kinda fits into that Americana thing really well I think. And what Megs brings is that feeling of country. I think people are going to be blown away when they hear Megs and “It’s My Truck”. She’s got some great pipes and really knows what she’s after. “

    Megs McLean commented by saying: “Not only was I able to work with legendary musicians such as Ben Smith and producer Geoff Ott, but I also had the opportunity to have it all documented by multi Emmy award winning producers Todd Crites and Jackson Nguyen of TurnLeft/ReelTime Partners. Being able to team up with such talented people has been a true blessing and I can see why they are among the most sought after producers in the industry. While filming the documentary and recording “It’s My Truck” we were simultaneously working on a very special project that will soon debut. I couldn’t have done it without such an amazing team.”

    About Megs McLean: Megs Mclean is a country music artist/actor who has managed to blend the heart of country with the no rules “play it like you feel it” Seattle music style. Her unique sound comes from her roots as a country girl and competition barrel racer, mixed with her hometown influence from the Seattle grunge scene. Megs McLean puts a twist on traditional country with a kick from the current generation.  

    The short documentary of Megs in studio experience can be seen in the documentary “Making Megs McLean “It’s My Truck” which can be viewed at https://www.youtube.com/watch?v=MBCoo2vAz2M .

    “It’s My Truck” is available at all major music portals or at iTunes at https://itunes.apple.com/us/album/its-my-truck/id1003827933?i=1003828005&ignmpt=uo%3D4

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