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  • Poker’s NBA-and-Mafia betting scandal echoes movie games, and cheats, from ‘Ocean’s’ to ‘Rounders’

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    LOS ANGELES (AP) — The stakes. The famous faces. The posh private rooms. The clever cheating schemes.

    The federal indictment of a big-money poker ring involving NBA figures on Thursday, in which unsuspecting rich players were allegedly enticed to join then cheated of their money, echoed decades of movies and television, and not just because of the alleged Mafia involvement.

    Fictional and actual poker have long been in sort of a pop-cultural feedback loop. When authorities described the supposed circumstances of the games, they might’ve evoked a run of screen moments from recent decades.

    Poker in ‘Ocean’s Eleven,’ ‘Molly’s Game’ and ‘The Sopranos’

    A 2004 episode of “ The Sopranos ” showed a very similar mix of celebrities and mobsters in a New York game whose players included Van Halen singer David Lee Roth and football Hall-of-Famer Lawrence Taylor, both playing themselves.

    In 2001’s “Ocean’s Eleven,” George Clooney finds his old heist buddy Brad Pitt running a poker game for “Teen Beat” cover boys including Topher Grace and Joshua Jackson, also playing themselves. Clooney spontaneously teams with Pitt to con them. And the plot of the 2007 sequel “Ocean’s Thirteen” centers on the high-tech rigging of casino games.

    Asked about the relevance of the films to the NBA scandal, which came soon after a story out of Paris that could’ve come straight out of “Ocean’s Twelve,” Clooney told The Associated Press with a laugh that “we get blamed for everything now.”

    “‘Cause we also got compared to the Louvre heist. Which, I think, you gotta CGI me into that basket coming out of the Louvre,” Clooney said Thursday night at the Los Angeles premiere of his new film, “Jay Kelly.” He was referring to thieves using a basket lift to steal priceless Napoleonic jewels from the museum.

    2017’s “Molly’s Game,” and the real-life memoir from Molly Bloom that it was based on, could almost serve as manuals for how to build a poker game’s allure for desirable “fish” in the same ways and with the same terminology that the organizers indicted Thursday allegedly used.

    The draw of Bloom’s games at hip Los Angeles club The Viper Room were not NBA players, but Hollywood players like Leonardo DiCaprio, Tobey Maguire and “The Hangover” director Todd Phillips. (None of them were accused of any wrongdoing.)

    In the movie written and directed by Aaron Sorkin, Bloom, played by Jessica Chastain, describes the way a famous actor acts as an attractor for other players, the same way officials said Thursday that NBA “face cards” did for the newly indicted organizers.

    The unnamed actor, played by Michael Cera, was at least partly based on the “Spider-Man” star Maguire.

    “People wanted to say they played with him,” Chastain says. “The same way they wanted to say they rode on Air Force One. My job security was gonna depend on bringing him his fish.”

    In her book, Bloom described the allure for the players she drew.

    “The formula of keeping pros out, inviting in celebrities and other interesting and important people, and even the mystique of playing in the private room of the Viper Room added up to one of the most coveted invitations in town,” she writes, later adding that “I just needed to continue feeding it new, rich blood; and to be strategic about how to fill those ten precious seats.”

    Bloom would get caught up in a broad 2013 nationwide crackdown on high-stakes private poker games, probably the highest profile poker bust in years before this week. She got a year’s probation, a $1,000 fine, and community service.

    There were no accusations of rigging at her game, but that didn’t make it legal.

    The legality of private-space poker games has been disputed for decades and widely varies among U.S. states. But in general, they tend to bring attention and prosecution when the host is profiting the way that a casino would.

    A brief history of movies making poker cool

    Poker — and cheating at it — has run through movies, especially Westerns, from their silent beginnings.

    Prominent poker scenes feature in 1944’s “Tall in the Saddle” with John Wayne and 1950’s “The Gunfighter” with Gregory Peck.

    “The Cincinnati Kid” in 1965 was dedicated entirely to poker — with Steve McQueen bringing his unmatched cool to the title character.

    A pair of movies co-starring Robert Redford and Paul Newman really raised the game’s profile, though.

    In the opening scene of 1969’s “Butch Cassidy and the Sundance Kid,’ a hyper-cool Redford is playing poker and refuses to leave until another player takes back a cheating accusation.

    In 1973’s Best Picture Oscar winner “The Sting,” 1930s con-men Newman and Redford seek revenge against a big fish and run a series of increasingly bold gambling scams that could’ve come from Thursday’s indictments. Newman out-cheats the man at poker to set him up for the big con, a phony radio horse race.

    The 1980s saw a dip in screen poker, with the subject largely relegated to the TV “Gambler” movies, starring Kenny Rogers, based on his hit song.

    But the end of the decade brought a poker boomlet from the increased legalization of commercial games.

    Then, at possibly the perfect moment, came “Rounders.” The 1998 Matt Damon film did for Texas Hold ’em what “Sideways” did for pinot noir and “Pitch Perfect” did for a cappella: it took an old and popular phenomenon and made them widespread crazes.

    Soon after came explosive growth in online poker, whose players often sought out big face-to-face games. And the development of cameras that showed players’ cards — very similar to the tech allegedly used to cheat players, according to the new indictments — made poker a TV spectator sport.

    The “Ocean’s” films and the general mystique they brought piled on too.

    Clooney, talking about the broader set of busts Thursday that included alleged gambling on basketball itself, pointed out that his Cincinnati Reds were the beneficiaries of sport’s most infamous gambling scandal, the 1919 “Black Sox” and the fixing of the World Series, “so I have great guilt for that.”

    “But you know there — we’ve never had a moment in our history that we didn’t have some dumb scandal or something crazy,” he said. “I feel very bad for the gambling scandal ’cause this was on the night that, you know, we had some amazing basketball happen.”

    —-

    Associated Press writer Leslie Ambriz contributed to this report.

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  • Marisa Pavan, Oscar-Nominated Actress in ‘The Rose Tattoo,’ Dies at 91

    Marisa Pavan, Oscar-Nominated Actress in ‘The Rose Tattoo,’ Dies at 91

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    Marisa Pavan, the Italian actress and twin sister of Pier Angeli who received an Oscar nomination for her performance as the daughter of Anna Magnani’s seamstress in the 1955 drama The Rose Tattoo, has died. She was 91.

    Pavan died Wednesday in her sleep at her home in Gassin, France, near Saint-Tropez, Margaux Soumoy, who wrote Pavan’s 2021 biography, Drop the Baby; Put a Veil on the Broad!, told The Hollywood Reporter.

    Pavan also portrayed the French queen Catherine de’ Medici in Diane (1956), starring Lana Turner; an Italian girl who had an affair years ago with a corporate exec (Gregory Peck) in The Man in the Gray Flannel Suit (1956); and the love interest of a former cop (Tony Curtis) investigating the murder of a priest in the film noir The Midnight Story (1957).

    In Paramount’s The Rose Tattoo (1955), an adaptation of the Tennessee Williams play that won four Tony Awards, including best play, Pavan was memorable as the headstrong Rosa Delle Rose alongside Magnani, Burt Lancaster, Jo Van Fleet and Ben Cooper. Williams adapted the screenplay with Hal Kanter.

    The film, directed by Daniel Mann and shot in Florida by James Wong Howe, was nominated for eight Oscars, including best picture, and won three. Pavan lost out on Oscar night to Van Fleet — who won not for The Rose Tattoo but for East of Eden — but she did get to the podium at the Pantages, accepting countrywoman Magnani’s trophy for best actress.

    Marisa Pavan with Ben Cooper in 1955’s ‘The Rose Tattoo’

    Courtesy Everett Collection

    Maria Luisa Pierangeli and her sister (birth name Anna Maria Pierangeli, who was older by a few minutes) were born on June 19, 1932, in Cagliari, Sardinia, Italy. Their father, Luigi, was an architect and construction engineer, and their mother, Enrica, was a homemaker who once dreamed of being an actress.

    “My mother adored Shirley Temple and took us to see all her movies,” Pavan said in Jane Allen’s 2002 book, Pier Angeli: A Fragile Life. “She even dressed us like Shirley Temple, hence the big bows in our hair.”

    The family moved to Rome in the mid-1930s and was threatened when the Nazis occupied the city.

    When she was 16, Anna was strolling along the Via Veneto on the way home from art school when she was discovered by Vittorio De Sica, and she portrayed a teenager on the verge of a sexual awakening opposite him in Tomorrow Is Too Late (1950). That brought her to the attention of MGM, which cast her in Teresa (1951), signed her to a seven-year contract and gave her the stage name Pier Angeli.

    Angeli and her sister then moved to Los Angeles, and Maria, with no acting experience, was signed by Fox. Newly christened Marisa Pavan, she made her big-screen debut as a French girl in John Ford’s World War I-set What Price Glory (1952), starring James Cagney and Dan Dailey.

    Pavan then appeared in 1954 in the film noir Down Three Dark Streets and in the Western Drum Beat, starring Broderick Crawford and Alan Ladd, respectively, before she broke out in The Rose Tattoo.

    Pavan also co-starred in a pair of epic adventures released in 1959, playing Robert Stack’s love interest in John Farrow’s John Paul Jones (1959) and the servant Abishag in King Vidor’s Solomon and Sheba (1959). In the latter, she worked alongside Yul Brynner, who joined the film in Spain after the sudden death of Tyrone Power.

    Pavan worked mainly in television after that, with stints on such shows as The United States Steel Hour, Naked City, 77 Sunset Strip, Combat!, The F.B.I., Wonder Woman, Hawaii Five-O and The Rockford Files.

    THE MIDNIGHT STORY, Tony Curtis, Marisa Pavan, on-set, 1957

    Marisa Pavan and Tony Curtis on the set of 1957’s ‘The Midnight Story’

    Courtesy Everett Collection

    In 1976, she appeared as Kirk Douglas‘ mentally ill wife in the Arthur Hailey NBC miniseries The Moneychangers, and she played Chantal Dubujak, mother of crime lord Max DuBujak (Daniel Pilon), in 1985 on the ABC soap opera Ryan’s Hope.

    Angeli, who dated James Dean before she married singer Vic Damone and portrayed the wife of champion boxer Rocky Marciano (played by Paul Newman) in 1956’s Somebody Up There Likes Me, died in 1971 at age 39 of a barbiturate overdose at a Beverly Hills apartment. It was never firmly established whether she died by suicide or suffered a reaction to prescribed medication.

    Pavan was married to French actor Jean-Pierre Aumont (her castmate in John Paul Jones) from 1956 until his 2001 death. Survivors include her sons, Jean-Claude (a cinematographer) and Patrick, and her younger sister, Patrizia Pierangeli, also an actress.

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    Mike Barnes

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