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Tag: Golden Globes 2024

  • Golden Globes Screeners Go Digital-Only As Organization Teams With Indee on Streaming Platform (Exclusive)

    Golden Globes Screeners Go Digital-Only As Organization Teams With Indee on Streaming Platform (Exclusive)

    Just a few years ago, nominees for and winners of Golden Globe Awards were determined by fewer than 100 people, all of whom were based in the Los Angeles area. But in the aftermath of the 2023 sale of the Hollywood Foreign Press Association and the establishment of the Golden Globes organization in its place, there are now some 300 Globes voters based all around the world, which has made it much harder for film and television companies to screen awards-hopefuls for all of them.

    Until now.

    The Hollywood Reporter has learned that on Tuesday, the Globes will be launching an official streaming platform — compatible with all major digital media providers including AppleTV, iOS, Roku and Amazon Fire — through which film and television companies will be able to make their content available directly to Globes voters in their homes.

    This model is not unlike the Academy of Motion Picture Arts and Sciences’ Academy Screening Room portal, but is being facilitated by Indee, which also facilitates streaming for members of the Producers Guild of America ahead of its PGA Awards.

    Indee advertises itself as a highly secure go-between for content providers and awards voters — “with multiple security options for video assets, including forensic and visible watermarking and multi-DRM” — and a much more eco-friendly option than hard-copy screeners.

    All uploads will come with a $5000 non-refundable “Golden Globe administrative fee,” which includes one email blast to members. Beyond that, pricing will depend on whether an upload is episodic (up to 60 minutes) or feature-length (61 to 999 minutes), and the level of security desired: no security, with no watermarks ($100 for episodic, $250 for feature-length), medium security, with overlay watermarks ($200 for episodic or $1000 for feature-length) or high security, with forensic watermarks ($350 for episodic or $2000 for feature-length).

    Scott Feinberg

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  • Phil Lord, Chris Miller Reveal Themselves as Writers of Golden Globes “Studio Executives” Bit

    Phil Lord, Chris Miller Reveal Themselves as Writers of Golden Globes “Studio Executives” Bit

    When Spider-Man: Across the Spider-Verse voice actors Hailee Steinfeld, Daniel Kaluuya and Shameik Moore took the stage to present best screenplay at the Golden Globes earlier this month, the trio claimed their intro had been written by studio executives.

    But, instead, it was Spider-Verse writers Phil Lord and Chris Miller who crafted the memorably stilted dialogue, The Hollywood Reporter has learned.

    “We were really happy that they wanted to have Hailee, Shameik and Daniel present and present a prestigious award,” Lord tells The Hollywood Reporter. “I think it’s a nice acknowledgment that the cast of our movie is full of Oscar nominees. Hailee is an Oscar nominee and an Academy member. Kaluuya is an [Oscar] winner. And we wanted to make sure they looked great. It’s a fun show, but you want to make sure you don’t go up there and whiff on a bit. So I think our objective was: How do we make something for them that makes them look great, that honors the category, that is still playful?”

    In coming up with the segment, the duo — who have a history of writing for the Lego and Cloudy With a Chance of Meatballs franchises and for Apple TV+’s The Afterparty but who admit they’re “not professional variety show writers” — came up with eight options, trading ideas and soliciting suggestions from friends even as late as the Friday before the awards show. The Spider-Verse team ran through the options in rehearsal, and they knew the “studio executives” bit was a winner.

    “It was very clear anytime it was pretend banter, it just always felt canned,” Lord says. “At least with the three of them, the thing that they gravitated toward and really were able to lean into and felt really confident about was the thing where they could play it really straight but still be in on the joke.”

    The segment also offered one of the show’s few allusions to last year’s writers strike, which was appreciated by the head writers for the Globes, who explained they hadn’t yet found a way to acknowledge the strike, Lord and Miller recall. “They were excited about the bit because it was a way to do it with a friendly touch,” says Miller.

    The moment was a hit with the star-studded audience, which included the executives who supported Spider-Verse who were sitting next to Lord, Miller and Spider-Verse directors Kemp Powers, Justin K. Thompson and Joaquim Dos Santos, who spoke with THR about the bit at the National Board of Review Awards last Thursday.

    All three directors, who were on hand to receive the best animated feature award, said they enjoyed the intro, adding that they were “cracking up” at the “hilarious moment.”

    Powers elaborated that he thought that segment reflected the film.

    “I think that speaks to the spirit of the film that we made and the characters that we had them portray,” Powers told THR. “It was great to have our actors in our film, who are great personalities in their own right, highlighted.”

    As for why they attributed the speech to studio executives and not AI, Miller calls the technology “comedy clam,” or something a bit “hackneyed.”

    “We certainly have no love for AI and don’t want it anywhere near script-writing,” he added.

    Hilary Lewis

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  • Taylor Swift Takes A Joke Too Seriously Again

    Taylor Swift Takes A Joke Too Seriously Again

    Although no one can really say that Jo Koy’s monologue during the intro to the 2024 Golden Globes was exactly “bangin’”—filled as it was with thud-landing jokes and Koy himself laughing at how bad they were and frequently apologizing—one of the moments that was actually least offending to humor sensibilities was the half-attempt at making fun of Taylor Swift for her constant presence at Travis Kelce’s NFL games. Indeed, were fans not so convinced of her “dutiful girlfriend” tendencies, they might think she was being paid off by the NFL to make football have more appeal to an audience it never previously did before. All of whom are waiting for an inevitable breakup album laden with none too subtle football metaphors (please god, don’t let the album be called Tight End…even though that’s exactly what Swift has when it comes to jokes).

    That said, Koy “went along with” (a.k.a. was paid handsomely for) reciting a joke he would likely attribute to the Golden Globes writers, throwing them under the bus whenever something was met with silence. It went like this: “The big difference between the Golden Globes and the NFL? On the Golden Globes, we have fewer camera shots of Taylor Swift. I swear. There’s just more to go to.”

    And, of course, the camera then flashed to Swift’s visual response to that, which was so dripping with contempt it was a wonder she herself didn’t melt to the floor as a result of her barely-concealed hot rage. But what was really to be so upset about? This was hardly on the same level as another joke made about Swift on the first season of Netflix’s Ginny & Georgia back in 2021. With Swift reacting to Ginny’s (Antonia Gentry) dig at her mother, Georgia (Brianne Howey), about going through men faster than Taylor Swift by tweeting, “Hey Ginny & Georgia, 2010 called and it wants its lazy, deeply sexist joke back. How about we stop degrading hard working women by defining this horse shit as FuNnY. Also, @netflix after Miss Americana this outfit doesn’t look cute on you 💔 Happy Women’s History Month I guess.” Her passive aggressive conclusion to the statement is in keeping with her usual brand of white martyrdom. One that has played out nicely over the years since Ye “attacked” her onstage at the 2009 VMAs. And while, yes, Ye (then going by his Christian name, Kanye West) was totally in the wrong for doing what he did, one can’t help but speculate about whether or not the reaction to it would have been just a bit tamer had it been a white man who interrupted Swift. 

    In her latest edition of Being Done Wrong By a Joke, most were quick to side with Swift’s facial reaction that spoke a thousand expletive-filled words. Not just because it was a no-brainer to cite the joke as “bad,” some hardy-har-har, yuk-yuk-yuk fare your uncle might tell at a family function and you’d be forced to laugh along with it. But because it was, “at its core,” sexist (which anything is at its core if we want to dig deep enough…though most don’t). Swift, however, was not at a family function with her uncle, but a very public event where, in truth, she might have expected to be a target. The idea that she wasn’t expecting a joke to be made about her is possibly a sign that she feels she’s become untouchable. Alas, the “joke” in question is the price one pays for attending a ceremony with an opening monologue from a comedian (or someone posing as a comedian). Did anyone come to Robert De Niro’s defense about the joke Koy made regarding becoming a father at seventy-nine? Couldn’t that be interpreted as “ageist”? Not when many were too busy worrying about Swift being able to handle the comment directed at her. Because, once again, people are viewing it as a form of “shaming” Swift for her always active dating life. As a result, the joke has been blown way out of proportion. As though Koy said something directly related, somehow, to her so-called promiscuity. 

    Indeed, considering other jokes that have been about Swift on that front, this one was utterly harmless. For example, back at the 2013 Golden Globes, when Tina Fey and Amy Poehler co-hosted, it was the former who said, “You know what Taylor Swift, you stay away from Michael J. Fox this time!” Swift’s response to that “dig” materialized in a Vanity Fair cover story that came out soon after, when she quoted Katie Couric to Nancy Jo Sales by saying, “There’s a special place in hell for women who don’t help other women.” So yeah, Swift isn’t known for handling jokes about her all that well, especially if they relate to her dating history. Which is somewhat ironic because it’s kind of, like, her thing. Fey wasn’t one to back down on making yet another joke about Swift’s over-the-top reaction, hugging Poheler at the Golden Globes a year later when they co-hosted anew and quipping, “I just wanna say congratulations again to my friend Amy Poehler. I love you and there’s a special place in hell for you.” 

    Thus, Taylor has become somewhat notorious for having a stick up her ass every time anyone says even a hint of an unkind word, from Katy Perry to Damon Albarn. The one person she didn’t seem to react to bringing her love life into a joke was Barack Obama at the 2013 White House Correspondents’ Dinner, during which he remarked, “Republicans fell in love with this thing, and now they can’t stop talking about how much they hate it. It’s like we’re trapped in a Taylor Swift album.” Letting that comment slide perhaps proves that there are only certain men of color Swift is willing to stare daggers at, and Jo Koy happened to be one of them. 

    Although Koy is by no means a “gifted” comedian (complete with a voice that utterly grates), the specific backlash against the comment he made about Swift makes one want to remind the world of something Madonna once said: “You know what I have to say to America? Get a fucking sense of humor, okay? Lighten up!” Even when something isn’t particularly funny, a person doesn’t have to act as though someone just took a huge shit all over their head, or as though Kanye West just jumped on the stage and interrupted them.

    Genna Rivieccio

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  • Most Memorable Golden Globe Moments, From Lily Gladstone and Ali Wong Making History to Kristen Wiig and Will Ferrell Dancing

    Most Memorable Golden Globe Moments, From Lily Gladstone and Ali Wong Making History to Kristen Wiig and Will Ferrell Dancing

    The 2024 Golden Globe Awards were filled with smiles, laughter, tears and record-breaking moments as well as some awkward ones from the presenters, winners, host and Hollywood audience. From Lily Gladstone and Ali Wong making history with their wins to host Jo Koy struggling to get laughs during his monologue and Kristen Wiig and Will Ferrell showing off their dance moves onstage, here are some of the night’s most memorable moments.

    ‘Succession’ Ties Golden Globes Record

    Succession took home the Golden Globe Award for best TV drama series Sunday — tying a record for the awards in the process. The HBO series won its third Globe in the category, following its victories at the 2020 and 2022 ceremonies. Sunday’s victory ties it with The X-Files (1994, 1996 and 1997) and Mad Men (2007-09) for the most wins for best drama at the Golden Globes. Both Succession and The Crown came into the night with a chance to tie the record. Read more here. — Rick Porter

    Lily Gladstone Makes Golden Globes History

    It’s been exceedingly rare for Indigenous actors to play lead roles in Hollywood, even moreso for prestige, awards-contending projects. As such, it should be little surprise that Lily Gladstone’s 2024 Golden Globe win makes her the first Indigenous actor to win an award in the ceremony’s 81-year history. In taking home best actress in a motion picture, drama for their role in Martin Scorsese’s Killers of the Flower Moon, Gladstone (Blackfeet/Nimíipuu) makes history as the only Indigenous person to take home a Golden Globe. Irene Bedard is the only other actor to previously receive a nomination — for best actress in a miniseries or TV movie for 1994’s Lakota Woman: Siege at Wounded Knee — while director Taika Waititi was recognized for Jojo Rabbit’s best musical/comedy film nomination in 2020 and Reservation Dogs was nominated for best musical/comedy series in 2022. Read more here. — Rebecca Sun

    … As Well As Ali Wong With Her Win

    Ali Wong has struck gold in her first outing as a dramatic lead. The top stand-up comedian has won the 2024 Golden Globe for best actress in a limited series for her performance in Netflix’s Beef. Although Wong previously starred in the rom-com Always Be My Maybe and has a string of voice credits in animated comedies, Beef, with its darkly comic turns and existential meditations, was her first foray into substantive dramatic fare. As Amy Lau, a tightly-wound entrepreneur, wife and mother whose simmering self-loathing leads to an escalating battle of mutually assured destruction opposite Steven Yeun’s scammy contractor Danny (who also won a Golden Globe tonight), Wong, who executive produced the series, won widespread critical praise and is an Emmy nominee for the role. Read more here. — Rebecca Sun

    Host Jo Koy Gets Defensive Amid Monologue Struggles

    Well, there’s definitely been worse. First-time — and relatively last-minute — Golden Globes host Jo Koy struggled a bit to generate laughs during his monologue opening the 2024 awards show Sunday night. “I got the gig 10 days ago!” he told the Beverly Hilton’s celebrity-filled audience at one point. “You want a perfect monologue?” “Some I wrote, some other people wrote,” said Koy, who was announced as host on Dec. 21. “I wrote some of these and those are the ones you’re laughing at.” And later, after one joke got a tepid response, “That’s hilarious, I don’t care.” Read more here. — James Hibberd

    ‘Barbie’ Wins Award for New Golden Globes Category

    More than five years after the Academy Awards introduced (and eventually pulled) a new category recognizing blockbuster films in an attempt to combat falling ratings, the Golden Globes have handed out its own award honoring high-grossing movies. Star Wars star Mark Hamill, who was at the center of one of the first blockbusters nearly 50 years ago, presented the award to Barbie, the top-grossing film of 2023. “Thank you so much for the Golden Globes for creating an award that celebrates movie fans,” said star and producer Margot Robbie, standing next to director and co-writer Greta Gerwig. Read more here. — Aaron Couch

    Kristen Wiig and Will Ferrell Showcase Dance Moves on Stage

    Kristen Wiig and Will Ferrell just couldn’t seem to get through their “serious” presentation at the 2024 Golden Globes Sunday and jokingly blamed “whoever is putting on this show.” While presenting the award for best male actor in a motion picture, musical or comedy (Paul Giamatti won for The Holdovers), the duo seemed to keep getting interrupted by a specific musical melody. “I’m not sure what that was,” Ferrell said after getting cut off mid-sentence the first time. As he continued, “Tonight we applaud the outstanding nominees, legends like Nicolas Cage, Matt Damon…” the Barbie actor got interrupted by the same song again. The pair eventually accepted their fate and just went with it, showing off their dance movies to the quite silly melody. Read more here. — Carly Thomas

    Find the complete list of 2024 Golden Globe winners here.

    Carly Thomas

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  • Jennifer Aniston Brought Back 'The Rachel' Haircut at the Golden Globes

    Jennifer Aniston Brought Back 'The Rachel' Haircut at the Golden Globes

    It’s back! It’s 2003 all over again as Jennifer Aniston debuted a modern version of the cult haircut at the 2024 Golden Globes. Everything old comes back around. Y2K fashion has been in style for so long, it’s not surprising the beauty looks are coming back as well. She debuted her shortest cut in decades at the big award show.

    ‘The Rachel‘ is a cut Aniston made popular during her time on Friends. It’s a mid-length, layered style with tons of volume. Back in 2011, Aniston said in an interview with Allure that hairstylist and BFF Chris McMillan was “the bane of my existence because he started that damn Rachel, which was not my best look.” At the time, Aniston added, “‘How do I say this? I think it was the ugliest haircut I’ve ever seen.’”

    This new modern version has much less volume and a longer layers to bring it into 2024. Though, we have to admit. We love the original ‘Rachel’ and are happy to see it come back. It’s not ugly, Jen!

    BEVERLY HILLS, CALIFORNIA - JANUARY 07: Jennifer Aniston attends the 81st Annual Golden Globe Awards at The Beverly Hilton on January 07, 2024 in Beverly Hills, California. (Photo by Amy Sussman/Getty Images)
    BEVERLY HILLS, CALIFORNIA – JANUARY 07: Jennifer Aniston attends the 81st Annual Golden Globe Awards at The Beverly Hilton on January 07, 2024 in Beverly Hills, California. (Photo by Amy Sussman/Getty Images)

    We’re going to assume McMillan is responsible for this cut as well, probably using Aniston’s LolaVie haircare line. Her highlights look fresh too, with bright blonde around her face. It contrasts nicely with her simple custom Dolce & Gabbana gown. No, it’s not going to win any “Best Dressed” awards for its uniqueness but it’s classic Jennifer Aniston and gives us a chance to talk about her hair.

    BEVERLY HILLS, CALIFORNIA - JANUARY 07: Jennifer Aniston attends the 81st Annual Golden Globe Awards at The Beverly Hilton on January 07, 2024 in Beverly Hills, California. (Photo by Amy Sussman/Getty Images)
    Photo by Amy Sussman/Getty Images.

    The Morning Show star surprised everyone with her shorter cut, one that will probably not make an appearance on the Apple+ show. The lead stars often wear wigs in the show for continuity.

    Elizabeth Denton

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  • Golden Globes 2024 winners list: ‘Oppenheimer’ and ‘Poor Things’ top the night – National | Globalnews.ca

    Golden Globes 2024 winners list: ‘Oppenheimer’ and ‘Poor Things’ top the night – National | Globalnews.ca

    It was a night of glitz and glamour for Hollywood’s best movies and TV shows, along with their starring celebrities, at the 2024 Golden Globe Awards.

    Stars from the silver screen and TV world, including Leonardo DiCaprio, Jeremy Allen White, Margot Robbie and Emma Stone, were all present in the hope of winning a trophy for their performances. Even musician Taylor Swift, who was nominated for her The Eras Tour documentary, was in attendance.

    Comedian and Easter Sunday star Jo Koy handled Golden Globes hosting duties this year, cracking jokes while he attempted to keep the three-hour ceremony on schedule.


    Click to play video: 'Golden Globe nominees announced for ‘Best Actor in a TV Series-Drama’'


    Golden Globe nominees announced for ‘Best Actor in a TV Series-Drama’




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    The first award of the night, Best Performance by a Female Actor in a Supporting Role, was handed to Da’Vine Joy Randolph for her emotional portrayal of Mary Lamb in The Holdovers.

    Robert Downey Jr. then took home the award’s male counterpart for Oppenheimer. He won laughs from the Golden Globes crowd with his short, snappy speech — eased by the “beta blockers” he joked about taking prior.

    After a much-anticipated final season of Succession, the TV spectacle earned the Golden Globe for Best Television Series, Drama.

    Matthew Macfadyen won Succession‘s first award of the night for Best Performance by an Actor in a Supporting Role in a Television Series.

    “I just adored every second playing the weird and wonderful human grease stain that is Tom Wambsgans and — Tom Wambsgans, CEO, I should say,” Macfadyen said in his speech. “God help us.”

    Later, Kieran Culkin also won a Golden Globe for Best Performance by an Actor in a Television Series, Drama. Culkin told fellow nominee Pedro Pascal to playfully “suck it” during his acceptance speech. He dedicated the award to the Succession team, his agent, his wife and his mother.

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    Sarah Snook also won a Golden Globe for Succession. It was her second win for her role as the fierce Shiv Roy.

    Newly minted heartthrob Jeremy Allen White took home his second-ever Golden Globe for The Bear. White thanked the team behind the popular Chicago-based show for his win.

    “I must have done something right in this life to be in your company,” White said of his castmates.


    The cast of ‘The Bear’ pose during the 81st annual Golden Globe Awards on January 7, 2024. ‘The Bear’ won three Golden Globe Awards, including Best TV series, Musical or Comedy.

    Robyn Beck / AFP via Getty Images

    As for the big screen, this year was all about the massively popular films, Barbie and Oppenheimer. 


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    Margot Robbie of Barbie lost the Best Female Actor in a Comedy award to Emma Stone for her role in Poor Things.

    But Cillian Murphy came out on top for his performance as the “father of the atomic bomb” in Oppenheimer. The actor, with lipstick on his nose, praised “visionary” director Christopher Nolan and thanked him for 20 years of working together.

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    For the first time, the Golden Globes included an award for Cinematic and Box Office Achievement, which was awarded to Barbie. Robbie dedicated the award to moviegoers who dressed up in pink to see the film in theatres — and thanked Ken actor Ryan Gosling “for going full beach” in the flick.

    During his Best Actor in a Musical or Comedy acceptance speech, Paul Giamatti of The Holdovers said it must be the first time the Golden Globes has given the award for the portrayal of a character who “smells like fish.” Giamatti, who plays a teacher in the film, dedicated the award to real-life educators everywhere.

    However, The Holdovers lost out to Poor Things for the Best Motion Picture, Musical or Comedy honours.

    Lily Gladstone became emotional during her winning Best Female Actor in a Drama speech. Gladstone spoke in both English and in the Indigenous Blackfoot language. She highlighted the importance of telling Indigenous stories within film and said the award is not just for her, but for all “rez kids” and the Osage nation that Killers of the Flower Moon is about.

    But in the end, it was Oppenheimer that took home the Best Motion Picture, Drama award — which was presented by Oprah.

    Find a complete list of the winners in bold below.

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    Best Motion Picture – Drama

    ** WINNER: Oppenheimer
    Killers of the Flower Moon
    Maestro
    Past Lives
    The Zone of Interest
    Anatomy of a Fall

    Best Motion Picture – Musical or Comedy

    Barbie
    ** WINNER: Poor Things
    American Fiction
    The Holdovers
    May December
    Air

    Best Motion Picture – Foreign Language

    ** WINNER: Anatomy of a Fall
    Fallen Leaves
    Io Capitano
    Past Lives
    Society of the Snow
    Zone of Interest

    Best Director – Motion Picture

    Bradley Cooper, Maestro
    Greta Gerwig, Barbie
    Yorgos Lanthimos, Poor Things
    ** WINNER: Christopher Nolan, Oppenheimer
    Martin Scorsese, Killers of the Flower Moon
    Celine Song, Past Lives

    Best Screenplay – Motion Picture

    Barbie — Greta Gerwig, Noah Baumbach
    Poor Things — Tony McNamara
    Oppenheimer — Christopher Nolan
    Killers of the Flower Moon — Eric Roth, Martin Scorsese
    Past Lives — Celine Song
    ** WINNER: Anatomy of a Fall — Justine Triet, Arthur Harari

    Best Performance by a Female Actor in a Motion Picture – Drama

    ** WINNER: Lily Gladstone, Killers of the Flower Moon
    Carey Mulligan, Maestro
    Sandra Hüller, Anatomy of a Fall
    Annette Bening, Nyad
    Greta Lee, Past Lives
    Cailee Spaeny, Priscilla

    Best Performance by an Actor in a Motion Picture – Drama

    Bradley Cooper, Maestro
    ** WINNER: Cillian Murphy, Oppenheimer
    Leonardo DiCaprio, Killers of the Flower Moon
    Colman Domingo, Rustin
    Andrew Scott, All of Us Strangers
    Barry Keoghan, Saltburn

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    Best Performance by a Female Actor in a Motion Picture – Musical or Comedy

    Fantasia Barrino, The Color Purple
    Jennifer Lawrence, No Hard Feelings
    Natalie Portman, May December
    Alma Pöysti, Fallen Leaves
    Margot Robbie, Barbie
    ** WINNER: Emma Stone, Poor Things

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    Best Performance by an Actor in a Motion Picture – Musical or Comedy

    Nicolas Cage, Dream Scenario
    Timothée Chalamet, Wonka
    Matt Damon, Air
    ** WINNER: Paul Giamatti, The Holdovers
    Joaquin Phoenix, Beau Is Afraid
    Jeffrey Wright, American Fiction

    Best Performance by a Female Actor in a Supporting Role in any Motion Picture

    Emily Blunt, Oppenheimer
    Danielle Brooks, The Color Purple
    Jodie Foster, Nyad
    Julianne Moore, May December
    Rosamund Pike, Saltburn
    ** WINNER: Da’Vine Joy Randolph, The Holdovers

    Best Performance by an Actor in a Supporting Role in any Motion Picture

    Willem Dafoe, Poor Things
    Robert De Niro, Killers of the Flower Moon
    ** WINNER: Robert Downey Jr., Oppenheimer
    Ryan Gosling, Barbie
    Charles Melton, May December
    Mark Ruffalo, Poor Things

    Best Motion Picture – Animated

    ** WINNER: The Boy and the Heron
    Elemental
    Spider-Man: Across the Spider-Verse
    The Super Mario Bros. Movie
    Suzume
    Wish

    Best Original Score – Motion Picture

    ** WINNER: Ludwig Göransson, Oppenheimer
    Jerskin Fendrix, Poor Things
    Robbie Robertson, Killers of the Flower Moon
    Mica Levi, The Zone of Interest
    Daniel Pemberton, Spider-Man: Across the Spider-Verse
    Joe Hisaishi, The Boy and the Heron

    Best Original Song – Motion Picture

    ** WINNER: Barbie — What Was I Made For? by Billie Eilish and Finneas
    Barbie — Dance the Night by Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt
    She Came to Me — Addicted to Romance by Bruce Springsteen and Patti Scialfa
    The Super Mario Bros. Movie — Peaches by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker
    Barbie — I’m Just Ken by Mark Ronson, Andrew Wyatt
    Rustin — Road to Freedom by Lenny Kravitz

    Best Television Series – Musical or Comedy

    **WINNER: The Bear
    Ted Lasso
    Abbott Elementary
    Jury Duty
    Only Murders in the Building
    Barry

    Best Television Series – Drama

    1923
    The Crown
    The Diplomat
    The Last of Us
    The Morning Show
    ** WINNER: Succession

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    Best Performance by an Actor in a Television Series – Drama

    Pedro Pascal, The Last of Us
    ** WINNER: Kieran Culkin, Succession
    Jeremy Strong, Succession
    Brian Cox, Succession
    Gary Oldman, Slow Horses
    Dominic West, The Crown

    Best Performance by a Female Actor in a Television Series – Drama

    Helen Mirren, 1923
    Bella Ramsey, The Last of Us
    Keri Russell, The Diplomat
    ** WINNER: Sarah Snook, Succession
    Imelda Staunton, The Crown
    Emma Stone, The Curse

    Best Performance by a Female Actor in a Television Series – Musical or Comedy

    ** WINNER: Ayo Edebiri, The Bear
    Natasha Lyonne, Poker Face
    Quinta Brunson, Abbott Elementary
    Rachel Brosnahan, The Marvelous Mrs. Maisel
    Selena Gomez, Only Murders in the Building
    Elle Fanning, The Great

    Best Performance by an Actor in a Television Series – Musical or Comedy

    Bill Hader, Barry
    Steve Martin, Only Murders in the Building
    Martin Short, Only Murders in the Building
    Jason Segel, Shrinking
    Jason Sudeikis, Ted Lasso
    ** WINNER: Jeremy Allen White, The Bear

    Best Television Limited Series or Motion Picture Made for Television

    ** WINNER: Beef
    Lessons in Chemistry
    Daisy Jones & the Six
    All the Light We Cannot See
    Fellow Travelers
    Fargo

    Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

    Matt Bomer, Fellow Travelers
    Sam Claflin, Daisy Jones & the Six
    Jon Hamm, Fargo
    Woody Harrelson, White House Plumbers
    David Oyelowo, Lawmen: Bass Reeves
    ** WINNER: Steven Yeun, Beef

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    Best Performance by a Female Actor in a Limited Series or Motion Picture Made for Television

    Riley Keough, Daisy Jones & the Six
    Brie Larson, Lessons in Chemistry
    Elizabeth Olsen, Love and Death
    Juno Temple, Fargo
    Rachel Weisz, Dead Ringers
    ** WINNER: Ali Wong, Beef

    Best Performance by a Female Actor in a Supporting Role in a Musical, Comedy or Drama Television Series

    ** WINNER: Elizabeth Debicki, The Crown
    Abby Elliott, The Bear
    Christina Ricci, Yellowjackets
    J. Smith-Cameron, Succession
    Meryl Streep, Only Murders in the Building
    Hannah Waddingham, Ted Lasso

    Best Performance by an Actor in a Supporting Role in a Musical, Comedy or Drama Television Series

    Billy Crudup, The Morning Show
    ** WINNER: Matthew Macfadyen, Succession
    James Marsden, Jury Duty
    Ebon Moss-Bachrach, The Bear
    Alan Ruck, Succession
    Alexander Skarsgård, Succession’

    Best Performance in Stand-Up Comedy on Television

    ** WINNER: Ricky Gervais, Ricky Gervais: Armageddon
    Trevor Noah, Trevor Noah: Where Was I
    Chris Rock, Chris Rock: Selective Outrage
    Amy Schumer, Amy Schumer: Emergency Contact
    Sarah Silverman, Sarah Silverman: Someone You Love
    Wanda Sykes, Wanda Sykes: I’m an Entertainer

    Cinematic and Box Office Achievement

    ** WINNER: Barbie
    Guardians of the Galaxy Vol. 3
    John Wick: Chapter 4
    Mission: Impossible – Dead Reckoning Part One
    Oppenheimer
    Spider-Man: Across the Spider-Verse
    Taylor Swift: The Eras Tour
    The Super Mario Bros. Movie

    Sarah Do Couto

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  • Feinberg Forecast: Oscar Race Standings Post-Globe and Critics Choice Noms

    Feinberg Forecast: Oscar Race Standings Post-Globe and Critics Choice Noms

    PLEASE NOTE: This forecast, assembled by Scott Feinberg, The Hollywood Reporter’s executive editor of awards coverage, reflects Scott’s best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon conversations with voters and other industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars and the history of the Oscars itself. There will be regular updates to reflect new developments.

    * * *

    Best Picture

    Frontrunners
    1. Oppenheimer (Universal)
    2. Barbie (Warner Bros.)
    3. Killers of the Flower Moon (Apple)
    4. Poor Things (Searchlight)
    5. American Fiction (Amazon/MGM)
    6. Maestro (Netflix)
    7. Past Lives (A24)
    8. The Holdovers (Focus)
    9. Anatomy of a Fall (Neon)
    10. The Zone of Interest (A24)

    Major Threats
    11. The Color Purple (Warner Bros.)
    12. Saltburn (Amazon/MGM)
    13. May December (Netflix)
    14. Air (Amazon/MGM)
    15. All of Us Strangers (Searchlight)
    16. Spider-Man: Across the Spider-Verse (Sony)

    Possibilities
    17. Rustin (Netflix)
    18. The Iron Claw (A24)
    19. Are You There God? It’s Me, Margaret (Lionsgate)
    20. Origin (Neon)
    21. Ferrari (Neon)
    22. Priscilla (A24)

    Best Director

    Frontrunners
    1. Christopher Nolan (Oppenheimer)
    2. Greta Gerwig (Barbie) — podcast
    3. Martin Scorsese (Killers of the Flower Moon)
    4. Yorgos Lanthimos (Poor Things)
    5. Jonathan Glazer (The Zone of Interest)

    Major Threats
    6. Bradley Cooper (Maestro)
    7. Celine Song (Past Lives)
    8. Alexander Payne (The Holdovers)
    9. Cord Jefferson (American Fiction)
    10. Todd Haynes (May December) — podcast
    11. Justine Triet (Anatomy of a Fall)

    Possibilities
    12. Emerald Fennell (Saltburn)
    13. Blitz Bazawule (The Color Purple)
    14. Andrew Haigh (All of Us Strangers)
    15. Ava DuVernay (Origin)
    16. Michael Mann (Ferrari)
    17. Hayao Miyazaki (The Boy and the Heron)

    Best Actor

    Frontrunners
    1. Bradley Cooper (Maestro)
    2. Cillian Murphy (Oppenheimer)
    3. Jeffrey Wright (American Fiction)
    4. Paul Giamatti (The Holdovers)
    5. Colman Domingo (Rustin)

    Major Threats
    6. Leonardo DiCaprio (Killers of the Flower Moon)
    7. Andrew Scott (All of Us Strangers)
    9. Barry Keoghan (Saltburn)
    10. Matt Damon (Air)
    11. Nicolas Cage (Dream Scenario) — podcast

    Possibilities
    12. Franz Rogowski (Passages)
    13. Christian Friedel (The Zone of Interest)
    14. Adam Driver (Ferrari) — podcast
    15. Gael García Bernal (Cassandro)
    16. Michael Fassbender (The Killer)
    17. Kôji Yakusho (Perfect Days)

    Best Actress

    Frontrunners
    1. Emma Stone (Poor Things) — podcast
    2. Lily Gladstone (Killers of the Flower Moon)
    3. Margot Robbie (Barbie) — podcast
    4. Carey Mulligan (Maestro) — podcast
    5. Sandra Hüller (Anatomy of a Fall)

    Major Threats
    6. Greta Lee (Past Lives)
    7. Annette Bening (Nyad)
    8. Natalie Portman (May December) — podcast
    9. Fantasia Barrino (The Color Purple)
    10. Cailee Spaeny (Priscilla)
    11. Helen Mirren (Golda) — podcast

    Possibilities
    12. Alma Pöysti (Fallen Leaves)
    13. Aunjanue Ellis-Taylor (Origin) — podcast
    14. Eve Hewson (Flora and Son)
    15. Leonie Benesch (The Teacher’s Lounge)
    16. Trace Lysette (Monica)
    17. Thomasin McKenzie (Eileen) — podcast

    Best Supporting Actor

    Frontrunners
    1. Ryan Gosling (Barbie)
    2. Robert Downey Jr. (Oppenheimer)
    3. Mark Ruffalo (Poor Things)
    4. Willem Dafoe (Poor Things) — podcast
    5. Charles Melton (May December)

    Major Threats
    6. Robert De Niro (Killers of the Flower Moon) — podcast
    7. Sterling K. Brown (American Fiction) — podcast
    8. Jesse Plemons (Killers of the Flower Moon) — podcast
    9. Paul Mescal (All of Us Strangers)
    10. Chris Messina (Air)

    Possibilities
    11. Glenn Howerton (BlackBerry)
    12. Dominic Sessa (The Holdovers)
    13. Ben Whishaw (Passages)
    14. John Magaro (Past Lives)
    15. Peter Sarsgaard (Memory)

    Best Supporting Actress

    Frontrunners
    1. Da’Vine Joy Randolph (The Holdovers)
    2. Danielle Brooks (The Color Purple)
    3. Jodie Foster (Nyad) — podcast
    4. Julianne Moore (May December)
    5. Emily Blunt (Oppenheimer) — podcast

    Major Threats
    6. America Ferrera (Barbie)
    7. Rosamund Pike (Saltburn) — podcast
    8. Sandra Hüller (The Zone of Interest)
    9. Taraji P. Henson (The Color Purple) — podcast
    10. Erika Alexander (American Fiction)

    Possibilities
    11. Penélope Cruz (Ferrari) — podcast
    12. Viola Davis (Air)
    13. Claire Foy (All of Us Strangers) — podcast
    14. Juliette Binoche (The Taste of Things)
    15. Anne Hathaway (Eileen)
    16. Patricia Clarkson (Monica) — podcast

    Best Adapted Screenplay

    Frontrunners
    1. Oppenheimer (Christopher Nolan)
    2. Poor Things (Tony McNamara)
    3. Killers of the Flower Moon (Eric Roth & Martin Scorsese)
    4. American Fiction (Cord Jefferson)
    5. All of Us Strangers (Andrew Haigh)

    Major Threats
    6. The Zone of Interest (Jonathan Glazer)
    7. Are You There God? It’s Me, Margaret (Kelly Fremon Craig)
    8. Spider-Man: Across the Spider-Verse (Dave Callaham, Phil Lord and Chris Miller)
    9. Priscilla (Sofia Coppola)

    Possibilities
    10. The Color Purple (Marcus Gardley)
    11. Dumb Money (Rebecca Angelo and Lauren Schuker Blum)
    12. Nyad (Julia Cox)
    13. Ferrari (Troy Kennedy Martin)

    Best Original Screenplay

    Frontrunners
    1. Barbie (Noah Baumbach and Greta Gerwig) — podcast (Gerwig)
    2. Past Lives (Celine Song)
    3. The Holdovers (David Hemingson)
    4. Anatomy of a Fall (Arthur Harari and Justine Triet)
    5. May December (Samy Burch and Alex Mechanik)

    Major Threats
    6. Maestro (Bradley Cooper and Josh Singer)
    7. Air (Alex Convery)
    8. Saltburn (Emerald Fennell)
    9. Origin (Ava DuVernay)

    Possibilities
    10. Rustin (Dustin Lance Black and Julian Breece)
    11. Fair Play (Chloe Domont)
    12. Dream Scenario (Kristoffer Borgli)
    13. Flora and Son (John Carney)
    14. Asteroid City (Wes Anderson and Roman Coppola)

    Best International Feature

    Frontrunners
    1. The Zone of Interest (United Kingdom)
    2. The Taste of Things (France)
    3. Society of the Snow (Spain)
    4. Four Daughters (Tunisia)
    5. The Teacher’s Lounge (Germany)

    Major Threats
    6. Perfect Days (Japan)
    7. 20 Days in Mariupol (Ukraine)

    Can’t Yet Call
    Blaga’s Lessons (Bulgaria)
    Fallen Leaves (Finland)
    Shayda (Australia)
    Io Capitano (Italy)
    Godland (Iceland)
    The Promised Land (Denmark)
    In the Shadow of Beirut (Ireland)
    About Dry Grasses (Turkey)
    Thunder (Switzerland)
    The Mother of All Lies (Morocco)
    Brothers (Czech Republic)
    Do Not Expect Too Much From the End of the World (Romania)
    Traces (Croatia)
    Voy! Voy! Voy! (Egypt)
    Sweet Dreams (Netherlands)

    Best Documentary Feature

    Frontrunners
    1. American Symphony (Netflix)
    2. Still: A Michael J. Fox Movie (Apple) — podcast (Davis Guggenheim)
    3. Beyond Utopia (Roadside)
    4. 20 Days in Mariupol (PBS)
    5. Kokomo City (Magnolia)

    Rest of the Shortlist
    6. Four Daughters (Kino Lorber)
    7. The Disappearance of Shere Hite (IFC)
    8. Bobi Wine: The People’s President (Nat Geo)
    9. The Eternal Memory (MTV)
    10. Stamped from the Beginning (Netflix) — podcast (Roger Ross Williams)
    11. The Deepest Breath (Netflix)
    12. The Mission (Nat Geo)
    13. Silver Dollar Road (Amazon)
    14. Anselm (Sideshow/Janus)
    15. Lakota Nation vs. United States (IFC)

    Possibilities
    16. The Pigeon Tunnel (Apple)
    17. Every Body (Focus)
    18. Occupied City (A24)
    19. To Kill a Tiger (still seeking U.S. distribution)
    20. King Coal (still seeking U.S. distribution)
    21. The League (Magnolia)
    22. Joan Baez: I Am a Noise (Magnolia)

    Can’t Yet Call
    32 Sounds (Abramorama)
    Black Ice (Lionsgate)
    A Compassionate Spy (Magnolia)
    Copa 71 (still seeking U.S. distribution)
    Defiant (still seeking U.S. distribution)
    Going to Mars: The Nikki Giovanni Story (HBO)
    Hollywoodgate (still seeking U.S. distribution)
    In the Rearview (Film Movement)
    In the Shadow of Beirut (Cyprus Avenue)
    Judy Blume Forever (Amazon)
    Little Richard: I Am Everything (Magnolia)
    Menus-Plaisirs Les Troisgros (Zipporah)
    The Mother of All Lies (still seeking U.S. distribution)
    Orlando, My Political Biography (Sideshow/Janus)
    Periodical (MSNBC)
    Smoke Sauna Sisterhood (Greenwich)
    A Still Small Voice (Abramorama)
    Uncharitable (Abramorama)
    What the Hell Happened to Blood, Sweat & Tears? (Abramorama)
    While We Watched (PBS)
    Your Fat Friend (still seeking distribution)

    Best Animated Feature

    Frontrunners
    1. Spider-Man: Across the Spider-Verse (Sony)
    2. The Boy and the Heron (GKIDS)
    3. Elemental (Pixar) — podcast (Pete Docter)
    4. Nimona (Netflix)
    5. The Super Mario Bros. Movie (Illumination)

    Major Threats
    6. Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount)
    7. Chicken Run: Dawn of the Nugget (Netflix)
    8. Leo (Netflix)
    9. Wish (Disney)
    10. They Shot the Piano Player (Sony Classics)

    Can’t Yet Call
    Amazing Maurice (Viva)
    Deep Sea (Viva)
    Ernest & Celestine: A Trip to Gibbertia (GKIDS)
    The First Slam Dunk (GKIDS)
    Migration (Illumination)
    Robot Dreams (Neon)
    Stopmotion (IFC)
    Suzume (Toho)
    Trolls Band Together (DreamWorks)

    Best Cinematography

    Frontrunners
    1. Oppenheimer (Hoyte van Hoytema)
    2. Killers of the Flower Moon (Rodrigo Prieto)
    3. Poor Things (Robbie Ryan)
    4. Barbie (Rodrigo Prieto)
    5. Maestro (Matthew Libatique)

    Major Threats
    6. Saltburn (Linus Sandgren)
    7. The Zone of Interest (Łukasz Żal)
    8. The Color Purple (Dan Laustsen)
    9. Society of the Snow (Pedro Luque)
    10. Ferrari (Erik Messerschmidt)
    11. Napoleon (Dariusz Wolski)
    12. Past Lives (Shabier Kirchner)

    Possibilities
    13. May December (Christopher Blauvelt)
    14. The Taste of Things (Jonathan Ricquebourg)
    15. The Holdovers (Eigil Byrid)
    16. All of Us Strangers (Jamie D. Ramsay)
    17. Air (Robert Richardson)
    18. The Killer (Erik Messerschmidt)
    19. El Conde (Ed Lachman)

    Best Costume Design

    Frontrunners
    1. Barbie (Jacqueline Durran)
    2. Poor Things (Holly Waddington)
    3. Killers of the Flower Moon (Jacqueline West)
    4. The Color Purple (Francine Jamison-Tanchuck)
    5. Wonka (Lindy Hemming)

    Major Threats
    6. Napoleon (David Crossman & Janty Yates)
    7. Priscilla (Stacey Battat)
    8. Maestro (Mark Bridges)
    9. Oppenheimer (Ellen Mirojnick)
    10. The Little Mermaid (Colleen Atwood)
    11. Are You There God? It’s Me Margaret (Ann Roth)

    Possibilities
    12. Ferrari (Massimo Cantini Parrini)
    13. Asteroid City (Milena Canonero)
    14. Saltburn (Sophie Canale)
    15. Rustin (Toni-Leslie James)
    16. Cassandro (María Estela Fernández)
    17. The Hunger Games: The Ballad of Songbirds and Snakes (Trish Summerville)

    Best Fim Editing

    Frontrunners
    1. Oppenheimer (Jennifer Lame)
    2. Killers of the Flower Moon (Thelma Schoonmaker)
    3. Poor Things (Yorgos Mavropsaridis)
    4. Barbie (Nick Houy)
    5. Maestro (Michelle Tesoro)

    Major Threats
    6. Air (William Goldenberg)
    7. Ferrari (Pietro Scalia)
    8. American Fiction (Hilda Rasula)
    9. Past Lives (Keith Fraase)
    10. The Holdovers (Kevin Tent)
    11. The Zone of Interest (Paul Watts)

    Possibilities
    12. Spider-Man: Across the Spider-Verse (Michael Andrews)
    13. Mission: Impossible: Dead Reckoning Part One (Eddie Hamilton)
    14. The Color Purple (Jon Poll)
    15. The Killer (Kirk Baxter)
    16. May December (Affonso Gonçalves)
    17. Origin (Spencer Averick)

    Best Makeup & Hairstyling

    Frontrunners
    1. Maestro (Kay Georgiou, Sian Grigg, Kazu Hiro & Lori McCoy-Bell)
    2. Poor Things (Mark Couler, Nadia Stacey & Josh Weston)
    3. Barbie (Ivana Primorac)
    4. Priscilla (Cliona Furey & Jo-Ann MacNeil)
    5. Killers of the Flower Moon (Kay Georgiou & Thomas Nellen)

    Rest of Shortlist
    6. Oppenheimer (Luisa Abel, Jason Hamer, Jaime Leigh McIntosh & Ahou Mofid)
    7. The Color Purple (Lawrence Davis & Carol Rasheed)
    8. Golda (Karen Hartley Thomas)
    9. Nyad (Ana María Andrickson, Jandeira Avirón, Felicity Bowring, Corey Castellano, Vanessa Colombo, Daniel Curet, Julie Hewett, Ann-Maree Hurley, Maha Lessner)
    10. Guardians of the Galaxy Vol. 3 (Alexei Dmitriew & Cassie Russek)

    Possibilities
    11. Rustin (Melissa Forney & Beverly Jo Pryor)
    12. Ferrari (Marcelle Genovese, Marco Pompei, Aldo Signoretti & Scott Wheeler)
    13. The Little Mermaid (Camille Friend & Peter Smith King)
    14. The Society of the Snow (Ana López-Puigcerver, Belén López-Puigcerver, David Martí & Montse Ribé)
    15. The Iron Claw (Elle Favorule & Natalie Shea Rose)
    16. Wonka (David Darby, John Nolan & Ivana Primorac)
    17. Air (Luisa Abel & Carla Joi Farmer)
    18. The Creator (Francesca van der Feyst)
    19. Napoleon (Jana Carboni & Francesco Pegoretti)

    Best Original Score

    Frontrunners
    1. Killers of the Flower Moon (Robbie Robertson)
    2. Oppenheimer (Ludwig Göransson)
    3. Spider-Man: Across the Spider-Verse (Daniel Pemberton)
    4. Poor Things (Jerskin Fendrix)
    5. Barbie (Mark Ronson & Andrew Wyatt)

    Rest of Shortlist
    6. The Zone of Interest (Mica Levi)
    7. The Boy and the Heron (Joe Hisaishi)
    8. Elemental (Thomas Newman)
    9. American Fiction (Laura Karpman)
    10. Society of the Snow (Michael Giacchino)
    11. Indiana Jones and the Dial of Destiny (John Williams)
    12. The Killer (Trent Reznor & Atticus Ross)
    13. Origin (Kris Bowers)
    14. The Boys in the Boat (Alexandre Desplat)
    15. Nyad (Alexandre Desplat)

    Possibilities
    16. Past Lives (Christopher Bear & Daniel Rossen)
    17. Monster (Ryuichi Sakamoto)
    18. Saltburn (Anthony Willis)
    19. Wish (David Metzger)
    20. Ferrari (Daniel Pemberton)
    21. Rustin (Branford Marsalis)
    22. The Pigeon Tunnel (Philip Glass & Paul Leonard-Morgan) — podcast (Glass)
    24. A Haunting in Venice (Hildur Guðnadóttir)
    25. The Creator (Hans Zimmer) — podcast
    26. Are You There God? It’s Me, Margaret (Hans Zimmer) — podcast
    27. Napoleon (Martin Phipps)
    28. The Marvels (Laura Karpman)
    29. All of Us Strangers (Emilie Levienaise-Farrouch)
    30. The Super Mario Bros. Movie (Brian Tyler)

    Best Original Song

    Frontrunners
    1. “What Was I Made For?” (Barbie), Billie Eilish & Finneas — podcast
    2. “I’m Just Ken” (Barbie), Mark Ronson & Andrew Wyatt — podcast (Ronson)
    3. “Road to Freedom” (Rustin), Lenny Kravitz — podcast
    4. “This Wish” (Wish), Julia Michaels & Benjamin Rice
    5. “Peaches” (The Super Mario Bros. Move), Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond & John Spiker

    Rest of Shortlist
    6. “It Never Went Away” (American Symphony), Jon Batiste & Dan Wilson
    7. “The Fire Inside” (Flamin’ Hot), Diane Warren — podcast
    8. “For the First Time” (The Little Mermaid), Alan Menken & Lin-Manuel Miranda — podcast (Miranda)
    9. “Keep It Movin’” (The Color Purple), Denisia Andrews, Halle Bailey, Brittany Coney & Morten Ristorp
    10. “Dance the Night” (Barbie), Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt — podcasts (Lipa & Ronson)
    11. “Addicted to Romance” (She Came to Me)
    12. “Can’t Catch Me Now” (The Hunger Games: The Ballad of Songbirds and Snakes), Dan Nigro & Olivia Rodrigo — podcast (Rodrigo)
    13. “High Life” (Flora and Son), John Carney & Gary Clark
    14. “Better Place” (Trolls Band Together), Amy Allen, Karl Schuster & Justin Timberlake — podcast (Timberlake)
    15. “Camp Isn’t Home” (Theater Camp), Noah Galvin, Molly Gordon, Nick Lieberman, Ben Platt & Mark Sonnenblick — podcast (Platt)

    Possibilities
    16. “Am I Dreaming” (Spider-Man: Across the Spider-Verse), Michael Dean, Peter Lee Johnson, Rakim Mayers, Landon Wayne & Leland Wayne
    17. “Steal the Show” (Elemental), Ari Staprans “Lauv” Leff, Michael Matosic & Thomas Newman
    18. “I Am” (Origin), Te Kanapu Anasta, Michael Fatkin, Vince Harder & Stan Walker
    19. “A World of Your Own” (Wonka), Simon Farnabay, Neil Hannon & Paul King
    20. “Superpower (I)” (The Color Purple), Terius Gesteelde-Diamant
    21. “Out-Alpha the Alpha” (Dicks: The Musical), Megan Thee Stallion
    22. “The Scuttlebutt” (The Little Mermaid), Alan Menken & Lin-Manuel Miranda — podcast (Miranda)
    23. “Everything Is Gonna Be Alright” (Bobi Wine: The People’s President), Bobi Wine
    24. “Wounded Heart” (Silver Dollar Road), Ondara
    25. “Live That Way Forever” (The Iron Claw), Richard Reed & Laurel “Little Scream” Sprengelmeyer
    26. “All Love Is Love” (Dicks: The Musical), Aaron Jackson & Josh Sharp
    27. “Quiet Eyes” (Past Lives), Zach Dawes & Sharon Von Etten
    28. “Gonna Be You” (80 for Brady), Diane Warren — podcast

    Best Production Design

    Frontrunners
    1. Oppenheimer (Ruth De Jong & Claire Kaufman)
    2. Barbie (Sarah Greenwood & Katie Spencer)
    3. Killers of the Flower Moon (Jack Fish & Adam Willis)
    4. Poor Things (Shona Heath, James Price & Szusza Mihalek)
    5. Maestro (Rena DeAngelo & Kevin Thompson)

    Major Threats
    6. Saltburn (Suzie Davis & Charlotte Diricks)
    7. Asteroid City (Kris Moran & Adam Stockhausen)
    8. Wonka (Nathan Crowley & Lee Sandales)
    9. The Color Purple (Paul D. Austerberry & Larry Dias)
    10. Napoleon (Elli Griff & Arthur Max)
    11. Ferrari (Maria Djurkovic & Sophie Phillips)
    12. Society of the Snow (Alain Bainée & Angela Nahum)

    Possibilites
    13. The Zone of Interest (Joanna Kus, Chris Oddy & Katarzyna Sikora)
    14. The Taste of Things (Toma Baqueni)
    15. Anatomy of a Fall (Cécile Deleu & Emmanuelle Duplay)
    16. Priscilla (Patricia Cuccia & Tamara Deverell)
    17. Air (François Audouy & Jan Pascale)
    18. May December (Sam Lisenco & Jess Royal)
    19. Origin (Ina Mayhew & Jacqueline Jacobson Scarfo)
    20. Spider-Man: Across the Spider-Verse (Patrick O’Keefe)

    Best Sound

    Frontrunners
    1. Oppenheimer (Willie Burton, Richard King, Kevin O’Connell & Gary A. Rizzo)
    2. Maestro (Richard King, Steve Morrow, Tom Ozanich, Jason Ruder & Dean Zupancic)
    3. The Color Purple (Richard Bullock, Paul Massey, Steve Morrow, Julian Slater & Renee Tondelli)
    4. Barbie (Dan Kenyon, Ai-Ling Lee, Kevin O’Connell & Nina Rice)
    5. Ferrari (Tony Lamberti, Lee Orloff, Andy Nelson & Bernard Weiser)

    Rest of Shortlist
    6. Killers of the Flower Moon (John Pritchett, Philip Stockton & Mark Ulano)
    7. The Zone of Interest (Johnnie Burn)
    8. Spider-Man: Across the Spider-Verse (Juan Peralta, Geoffrey G. Rubay & Michael Semanick)
    9. Poor Things (Johnnie Burn & Tamás Dévényi)
    10. Transformers: Rise of the Beasts (Erik Aadahl, Ron Bartlett, Anna Behlmer, Simon Pidrette & Ethan Van Der Ryn)

    Possibilities
    11. Napoleon (Stephane Bucher, James Harrison, Paul Massey, William Miller & Oliver Tarney)
    12. Wonka (Niv Adiri, Ben Barker, John Casali, Glenn Freemantle & Paul Massey)
    13. The Creator (Erik Aadahl, Tom Ozanich, Ethan Van Der Ryn, Ian Voigt & Dean Zupancic)
    14. Guardians of the Galaxy Vol. 3 (David Acord, Christopher Boyes, Cheryl Nardi, Lee Orloff & Gary A. Rizzo)
    15. Mission: Impossible — Dead Reckoning Part One (Chris Burdon, James H. Mather & Chris Munro)
    16. Indiana Jones and the Dial of Destiny (David Giammarco, Paul Massey, Juan Peralta, Gary Rydstrom, Donald Sylvester & Stuart Wilson)
    17. Wish (David E. Fluhr & Shannon Mills)
    18. 32 Sounds (Mark A. Mangini)
    19. The Deepest Breath (Will Chapman, Greg Gettens & Chad Orororo)

    Best Visual Effects

    Frontrunners
    1. Guardians of the Galaxy Vol. 3
    2. Poor Things
    3. The Creator
    4. Mission: Impossible — Dead Reckoning Part One
    5. Society of the Snow

    Rest of Shortlist
    6. Spider-Man: Across the Spider-Verse
    7. Transformers: Rise of the Beats
    8. Indiana Jones and the Dial of Destiny
    9. Rebel Moon: Part One — A Child of Fire
    10. Wonka

    Possibilities
    11. The Marvels
    12. Napoleon
    13. Aquaman and the Lost Kingdom
    14. Ant-Man and the Wasp: Quanumania
    15. Dungeons & Dragons: Honor Among Thieves
    16. Barbie
    17. Killers of the Flower Moon
    18. Godzilla: Minus One
    19. The Boys in the Boat
    20. Nyad

    Scott Feinberg

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