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Although some could argue that Ronald Reagan’s oppressive regime in the 1980s is part of what fueled better pop culture than the schlock of the moment, one thing that could never be improved was Donald Trump. A man who did become part of the pop cultural lexicon of that era despite being a New York-confined Patrick Bateman type. For whatever reason (apart from The Art of the Deal), he managed to infiltrate the mainstream consciousness—more than likely because, in those days, it was the height of “aspirational” to be rich. Not that it still isn’t, it’s just more “cloaked” behind “earnest,” “let’s save the planet” messaging.
Trump, obviously, never gave a fuck about that. And still doesn’t. Nor did he ever care about reading, though he did feign being very taken with the “excellent” Tom Wolfe during both men’s heyday. “Excellent” was the word he used to describe the quintessential 80s author in a 1987 interview with Pat Buchanan and Tom Braden when asked what books he was reading. But, of course, 1) he wasn’t actually reading any and 2) Trump couldn’t resist the urge to ultimately say, “I’m reading my own book because I think it’s so fantastic, Tom.” That book was the blatantly ghostwritten The Art of the Deal, released, incidentally, in the month that followed The Bonfire of the Vanities landing on bookshelves everywhere. Indeed, that was the main reason Trump was on the show.
Oddly, Trump’s book (an oxymoron, to be sure) was the thing that made him become a household name in America, as opposed to just being limited to the niche jurisdiction of New York City and certain parts of New Jersey. As for his abovementioned interview, some have speculated that Bret Easton Ellis used this bizarre moment for Bateman/American Psycho inspiration. For it does smack of Bateman saying whatever the fuck comes to his mind just to see if anyone’s actually paying attention (e.g., saying he’s into “murders and executions mostly” instead of “mergers and acquisitions”). A moment where, in one instant Trump is declaring he’s well-versed in all literature Wolfe but hasn’t yet read The Bonfire of the Vanities, and, in the next, claiming to be reading Wolfe’s “last book.” Which would have been, what else, The Bonfire of the Vanities. He certainly wasn’t talking about From Bauhaus to Our House. And yet, even when caught in a lie, Trump always counted on touting generalities with confidence as a means to deflect from his total lack of knowledgeability.
So it is that he keeps repeating such generalities as, “He’s a great author, he’s done a beautiful job” and “The man has done a very, very good job.” Finally, realizing that there might be some people out there not falling for his bullshit, he relies on the excuse, “I really can’t hear with this earphone by the way.” (Or, as Mariah would put it, “I can’t read suddenly.”) Trump, in this and so many other ways, has brought back the “art” of the flagrant lie-con that was popularized by some of the 80s’ most notorious swindlers, like David Bloom and Jim Bakker. Everyone wanting to adhere to the “fake it till you make it” philosophy so beloved by the U.S., and which it was essentially founded upon. A “philosophy” that Trump has taken “to heart” his entire life. Except for the fact that, as Tony Schwartz, the true writer of The Art of the Deal, eventually said, Trump doesn’t actually have a heart. More specifically, “Trump is not only willing to lie, but he doesn’t get bothered by it, doesn’t feel guilty about it, isn’t preoccupied by it. There’s an emptiness inside Trump. There’s an absence of a soul. There’s an absence of a heart.”
And it can be argued that this absence began to extend to the collective of America in a more noticeable way than ever during the Decade of Excess. Uncoincidentally, it was the decade when neoliberalism came back into fashion in a manner as never seen before, courtesy of the “laissez-faire” policies of Reagan and, in the UK, Margaret Thatcher. With such an emphasis on “me first” and “getting ahead at any cost,” it was no wonder that a man like Trump, emblematic of the Wall Street monstrosity that would come to be embodied by Gordon Gekko, was so “revered.” His “lifestyle” coveted. Of course, it was harder then to debunk myths, like the idea that anything about Trump was “self-made.”
In the backdrop (or foreground, depending on who you ask) of Trump and Reagan representing the worst of the 80s, there were, needless to say, so many amazing things about that decade: the birth of MTV, and with it, a new generation of visual artists (including the 1958 Trinity, Madonna Prince and Michael Jackson), Square Pegs, Golden Girls, Pee-Wee’s Playhouse, They Live, E.T., Dirty Dancing, Flashdance, Footloose (a whole rash of dancing movies, really), any John Hughes movie, the eradication of smallpox, the aerobics craze and Jane Fonda’s Workout, Pac-Man (and the rise of video games in general, culminating in the release of Game Boy in 1989), the early days of the internet and personal computers, the first female vice presidential candidate (Geraldine Ferraro), the fall of the Berlin Wall… So many great, memorable things that should outshine the ickier moments today—like the rampant homophobia in response to AIDS, the Challenger explosion, Irangate, the Chernobyl disaster, New Coke, the rise of the yuppie, the death of vinyl (though it would have the last laugh) and George H.W. Bush managing to win the 1988 election so as to take more “Reaganomics” policies into the 90s.
And now, Trump wants to bring all the worst of the decade back. The homophobia, the religious overtones (complete with satanic panic), rampant misogyny, the worship of money, the rollback of environmental regulations and, maybe most affronting of all, Hulk Hogan. The latter, like Trump, experienced his own heyday in the 80s, when interest in pro wrestling and the WWE reached an all-time crescendo. And, also like Trump, Hogan has a reputation for, let’s say, embellishing (read: fabricating) his lore. Because he found his success by being an over-the-top wrestler, Hogan never seemed inclined to shed his performative persona. As a result, many will remain forever haunted by Hogan at the RNC a.k.a. Trump rally ripping his shirt off to reveal a Trump/Vance tank top as he screamed, “Let Trumpamania [unclear why he wouldn’t just say ‘Trump Mania,’ but anyway] run wild brother! Let Trumpamania rule again!”
As many pointed out, it was like seeing the plot of Idiocracy fully realized. A trajectory that can now be rightfully pinned on the “ideals” of the 80s. For while it was the best of times, it was also the worst of times—and those are coming back with a vengeance if Trump manages to win the presidency yet again. On the plus side though, it seems that CDs are making a comeback to align with this potential return to the Decade of Greed.
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Genna Rivieccio
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