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  • Gone Too Soon: Notable Black Celebrities Who Passed Away In 2025

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    2025 marked a year of remembrance across the worlds of art, music, media, and sports, as we said goodbye to several influential Black icons. These individuals were trailblazers and, in many cases, history-makers whose creativity, leadership, and cultural impact helped shape generations. While their passing is deeply felt, their legacies continue to inspire. 

    Below is a tribute to the beloved Black celebrities who died in 2025, along with the heartfelt public responses that celebrated their lives and tremendous impact. 

    Ananda Lewis (1976-2025)

    Ananda Lewis, the charismatic MTV VJ and host who became a familiar face on BET’s Teen Summit, MTV Live and TRL, died on June 11 at age 52, following a long battle with breast cancer. She had been open about her fight with stage 4 breast cancer and passed away at home in hospice care, surrounded by family.

    Lewis first discovered a lump in her right breast during a self-exam in 2018. A year later, she was officially diagnosed with HER2-negative Stage 3 breast cancer, as she revealed in a January interview with Essence. Rather than undergo a double mastectomy—like doctors recommended—or pursue conventional cancer treatments like chemotherapy or radiation, Lewis chose an alternative healing path, a decision influenced in part by her mother’s challenging experience with traditional cancer care.

    “It’s not that I don’t trust the medical community. I do, with certain things, but I see a flaw in how they think about treating cancer,” she explained. “So I knew that I would address it in a different way. I wanted to start by figuring out why my body was creating cancer and how to change the terrain.”

    Lewis used her platform to speak candidly about her health struggles, resonating with many fans who grew up watching her on television and those battling their own health conditions. 

    In her interview, Lewis described the comprehensive alternative regimen she followed: monthly ultrasounds conducted by her breast surgeon to monitor tumor growth, high-dose vitamin C infusions, hyperbaric oxygen therapy, qigong—an ancient Chinese practice that combines physical postures and breathing techniques—along with energy healing practices, prayer, fasting, and dietary changes.

    She managed all of this while navigating the emotional strain of ending a decade-long relationship with her son’s father. By early 2020, her scans showed the tumor was still growing, but at a slow pace. But limited care during the height of the pandemic, along with soaring health care costs, impacted her progress. By 2023, her cancer had progressed to Stage 4.  

    Voletta Wallace (1946-2025)

    Source: John Lamparski / Getty

    Voletta Wallace, the Jamaican-born mother of rapper The Notorious B.I.G., died on Feb. 21 at the age of 78. According to her family, Wallace’s death was attributed to natural causes when she passed away in Stroudsburg, Pa., earlier this year. 

    Wallace was widely respected for preserving her son’s legacy in hip-hop and advocating for his influence in music history. As the overseer of his estate, she ensured that his wealth was passed down to his family, including his daughter, T’yanna Wallace, TMZ noted.

    Voletta has also been her son’s biggest supporter, tirelessly championing his memory and contributions to the music world. In September 2024, she took to Instagram to express her gratitude to fans for reaching a record number of streams for Biggie’s songs on Apple Music.

    “2.5 Billions on @applemusic. Thank you!!!” she penned.

    Voletta’s dedication also extended beyond music. She was the head of The Christopher Wallace Memorial Foundation, a charity she established to enhance the lives of inner-city youth through education and the arts. In August 2024, Voletta and the foundation’s team visited A Lovely Trip to the Sound Theater in Pennsylvania, where they posed in front of a mural honoring Biggie. This visit marked another meaningful moment in her ongoing effort to keep her son’s spirit alive.

    Fans and artists alike mourned her as a guardian of one of rap’s most iconic figures during her funeral. 

     D’Angelo (1974-2025)

    D-angelo-black-celebrities-who-died-in-2025
    Source: Paras Griffin / Getty

    Legendary neo-soul artist D’Angelo (Michael Eugene Archer) died on Oct. 14, at 51, after a battle with cancer, widely reported as pancreatic cancer. The music icon gave fans timeless hits like “Untitled (How Does It Feel),” “Lady,” and “Brown Sugar,” fusing raw, vulnerable, and spiritually rooted lyrics that moved.

    D’Angelo was known for merging genres like gospel, jazz, funk, and hip-hop into something uniquely his own. His passing sent shockwaves through the music world. His family released a statement expressing heartbreak and gratitude for his “legacy of extraordinarily moving music,” while fans and fellow artists shared tributes across social platforms.

    Angie Stone (1951-2025)

    Angie-stone-black-celebrities-who-died-in-2025
    Source: Raymond Boyd / Getty

    Soul and R&B singer Angie Stone died on March 1, at age 63, in a traffic accident in Alabama. Her van, returning from a concert, was struck by a truck after overturning, and she was the lone fatality. 

    Stone’s voice and songwriting—including classics like “Wish I Didn’t Miss You”—influenced a generation of artists. Her passing came just seven months before D’Angelo’s untimely death, a shock, as the two stars left behind their son Michael Archer II, who paid tribute to both celebs in October after news of his father’s death broke.  

    “I am grateful for your thoughts and prayers during these very difficult times, as it has been a very rough and sad year for me,” said Archer in a statement shared with BOSSIP. “I ask that you please continue to keep me in your thoughts as it will not be easy, but one thing that both my parents taught me was to be strong, and I intend to do just that.”

    Roberta Flack (1937-2025)

    Roberta Flackblack-celebrities-who-died-in-2025
    Source: Christian Rose / Getty

    Roberta Flack, whose timeless ballads likeKilling Me Softly With His Song” and “The First Time Ever I Saw Your Face” became cultural touchstones, died Feb. 24, at age 88. She had been living with amyotrophic lateral sclerosis (ALS) in later years, a progressive neurodegenerative disease that attacks nerve cells.

    Her memorial on March 10 was a star-studded celebration of her life, with Lauryn Hill, Stevie Wonder, Wyclef Jean, and Lisa Fischer among those honoring her legacy through music.

    Before powering through a teary-eyed rendition of Flack’s timeless cover, “The First Time I Ever Saw Your Face,” Hill shed a few tears while reflecting on Flack’s legacy. 

    “Her existence was a form of resistance,” Hill told the crowd during her speech. “I adore Ms. Roberta Flack… Roberta Flack is [a] legend.”

    Stevie Wonder also paid a tribute to the R&B and soul diva with a song titled, “I Can See the Sun,” and shared a few kind words about the music titan, praising her for spreading her “love all over this world.” 

    “The great thing about not having the ability to see with your eyes is the great opportunity of being able to even better see with your heart. And so I knew how beautiful Roberta was, not seeing her visually but being able to see and feel her heart,” the hitmaker added.

    Irv Gotti (1970-2025)

    Murder Inc BTS stills featuring Irv Gotti and Ja Rule
    Source: Sam Hicks / BET

    Veteran producer and label executive Irv Gotti (born Irving Domingo Lorenzo Jr.) died on Feb. 5 at the age of 54, following ongoing health issues in recent years related to diabetes and strokes.

    A towering figure in hip-hop, Gotti left an indelible mark on the genre by helping shape the careers and sound of artists such as DMX, Ja Rule, and Ashanti through Murder Inc., the influential label he co-founded with his brother, Christopher Gotti, in 1998. Before launching the imprint, Gotti made his name as an A&R executive at Def Jam, where he was instrumental in signing several artists to the label. Working under the alias DJ Irv, he also proved his skills as a producer, crafting Jay-Z’s “Can I Live” from the rapper’s 1996 debut album, Reasonable Doubt.

    After Murder Inc. was later rebranded as The Inc., Gotti expanded the label’s scope beyond hip-hop, signing pop singer Vanessa Carlton and co-producing her 2007 album, Heroes and Thieves, alongside Rick Rubin and Stephan Jenkins of Third Eye Blind.

    In early 2024, Gotti spoke openly about the toll diabetes had taken on his health, saying the disease was gradually weakening his body. TMZ reported that he had suffered a minor stroke more than six months earlier due to diabetes-related complications. At the time, his representative said Gotti had made significant lifestyle changes, including adopting a healthier diet, and had since recovered, spending time at home with his family and focusing on his well-being.

    “Irv has been struggling with diabetes for years, which caused him to have a minor stroke over six months ago,” Gotti’s rep said in a statement. “He has since changed his diet to eating more healthily. He’s been successful in making a full recovery. Irv is not in a rehab facility. He is at home with his family, enjoying life.”

    Some of his most well-known hits include the multi-platinum track, “Always On Time” by Ja Rule featuring Ashanti, and Ashanti’s “Foolish.”

    George Foreman (1949-2025)

    US-BOXING-GEORGE FOREMAN
    Source: MICHAEL TRAN / Getty

    Boxing legend George Foreman—the two-time heavyweight champion and later, business icon—died on March 21, at age 76. His family announced his peaceful passing surrounded by loved ones. After winning a gold medal in boxing at the 1968 Mexico City Olympics, George Foreman quickly established himself as one of America’s most promising young athletes. Turning professional soon after, he stormed through the heavyweight division with legendary knockout power, compiling a perfect 37–0 record with 35 knockouts by 1972, according to NewsOne. 

    That same year, Foreman delivered one of the most dominant performances in boxing history by defeating reigning champion Joe Frazier in just two rounds to claim the heavyweight title. 

    Beyond the ring, Foreman reinvented himself as a wildly successful businessman, becoming the face of the George Foreman Grill, which went on to sell over 100 million units worldwide. His affable personality and savvy deals—including selling the grill’s naming rights for $137.5 million—helped build an estimated net worth of over $300 million by 2022.

    Jimmy Cliff (1944-2025)

    Jimmy Cliff
    Source: Gie Knaeps / Getty

    Reggae icon Jimmy Cliff, whose music brought global recognition to Jamaican sounds, died on Nov. 24 at 81. His wife confirmed he suffered a seizure and complications from pneumonia.

    “I am thankful for his family, friends, fellow artists, and coworkers who have shared his journey with him. To all his fans around the world, please know that your support was his strength throughout his whole career. He really appreciated each and every fan for their love,” she wrote on Nov. 24.

    Cliff’s hits—including “The Harder They Come” and “Many Rivers to Cross” — made him a foundational figure in reggae and world music. Beloved for his ability to weave social commentary into soulful, resonant music, Cliff built a catalogue that shaped reggae’s global identity. Themes of liberation, resilience, and nature flowed throughout his work, fitting for someone born during a storm and destined to shake global music.

    Jimmy Cliff was a two-time Grammy winner, receiving awards for Best Reggae Recording in 1986 for “Cliff Hanger” and Best Reggae Album in 2013 for Rebirth.

    Assata Shakur (1947-2025)

    JoAnn Chesimard photographed in Cuba
    Source: Newsday LLC / Getty

    Activist and revolutionary Assata Olugbala Shakur died on Sept. 25 in Havana, Cuba, at the age of 78. Cuban officials and her daughter confirmed that her death was due to health complications and advanced age after decades living in exile under political asylum. Shakur, born JoAnne Deborah Byron and later known as JoAnne Deborah Chesimard after her marriage, was born in Queens in 1947. She was a prominent member of the Black Panther Party and later associated with the Black Liberation Army.

    Shakur’s life became a focal point of discussions on racial justice, U.S.-Cuba relations, and revolutionary activism. On May 2, 1973, Assata Shakur and two other members of the Black Liberation Army were stopped on the New Jersey Turnpike by State Trooper Werner Foerster and another highway officer. The encounter quickly escalated into a violent confrontation, ending in a shootout that left Foerster and another individual dead.

    Supporters of Shakur have consistently challenged the case, arguing that her trial was deeply flawed. They point to the absence of conclusive physical evidence, conflicting eyewitness accounts, and the broader historical context of law enforcement efforts—including those by the FBI—to undermine and sabotage civil rights and Black power movements during that era.

    Regardless, Shakur escaped from prison in 1979 and eventually resurfaced in Cuba, where she was granted political asylum and lived out the remainder of her life. She spent her life after prison advocating for Black liberation and making sure her story was told. Her 1988 autobiography, Assata, became a blueprint for resistance and self-determination, widely studied by activists, scholars, and young people searching for a voice in the struggle. Her life inspired movements like Assata’s Daughters in Chicago, and her name was shouted in protests in Ferguson and across the world. Assata was a human rights activist and freedom fighter who stood in solidarity with oppressed people worldwide—and for that, her legacy will endure.

    Malcolm-Jamal Warner (1970-2025)

    Malcolm-Jamal Warner Stars in the Production of "Guess Who's Coming To Dinner"
    Source: The Washington Post / Getty

    Beloved actor Malcolm-Jamal Warner died on July 21 at 54. Warner, best known for his role as Theo Huxtable on The Cosby Show, drowned accidentally while swimming during a family vacation in Costa Rica after being caught in a strong current. Emergency responders attempted resuscitation, but Warner was pronounced dead at the scene. Warner’s death was officially ruled an accidental drowning (asphyxiation by submersion).

    Carl Carlton (1952-2025)

    Disco Fever 2018
    Source: Bobby Bank / Getty

    Funk and R&B singer Carl Carlton died at the age of 73 on Dec. 15, leaving behind a legacy that helped define soul and funk music across generations. The music titan was known for songs like “I Can Feel It” and his funk and soul classic “She’s a Bad Mama Jama.”

    His son, Carlton Hudgens II, confirmed the news on Sunday, Dec. 14, sharing a tribute on Facebook alongside a photo of his father. “RIP Dad, Legend Carl Carlton, singer of ‘She’s a Bad Mama Jama,’” he wrote. “Long hard fight in life, and you will be missed.” 

    Born Carlton Hudgens in Detroit in 1952, Carlton began his music career at a young age, recording in the 1960s under the name Little Carl Carlton. He later dropped the nickname and found early success in 1971, when his single “I Can Feel It” reached the Billboard Soul Singles chart. The song was a raw, emotional expression of love and longing, showcasing the gritty, heartfelt vocal style that would become his signature.

    Carlton reached mainstream success in 1974 with his cover of “Everlasting Love,” which reached No. 6, cracking the Top 10 on the Billboard Hot 100. The song, a joyful and optimistic declaration of romantic devotion, introduced Carlton to a wider pop audience while maintaining his soul roots. It remains one of the most recognizable versions of the classic love song.

    Carlton suffered a stroke six years ago, though an official cause of death has yet to be announced by the singer’s family, according to People and SoulTracks.

    Mickey Lee (1990-2025)

    Mickey Lee, a former Big Brother contestant whose vibrant personality made her a fan favorite, passed away early Christmas evening after suffering several cardiac arrests. She was 35.

    Mickey Lee
    Source: Big Brother / Big Brother

    News of her death came just days after supporters learned she had been hospitalized in critical condition.

    “With profound sadness, the family of Mickey Lee announces her transition on Christmas in the early evening,” her family said in a statement shared to Instagram. “Mickey captured the hearts of audiences nationwide through her appearance on Big Brother, where her authenticity, strength, and spirit left a lasting impression on fans and fellow cast members alike. She will be remembered for the joy she brought into the lives of so many and for the genuine connections she formed both on and off screen.”

    Let’s keep all the Black celebrities who died in 2025 in our thoughts and prayers.

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    Shannon Dawson

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  • Does the sport of boxing have a future? ‘Boxing has failed to replace and replenish its audience’ 

    Does the sport of boxing have a future? ‘Boxing has failed to replace and replenish its audience’ 

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    Exactly five years ago, HBO pulled out of the boxing business, which was a shock to the sport.

    “I had heard about it before I read about it,” recalled Seth Abraham, the former head of HBO Sports on its demise. He was president of Madison Square Garden at the time. “It was very, very sad to see that brand sort of go away.”

    And away it did with all its great pugilistic memories.

    HBO’s first big fight was Joe Frazier vs. George Foreman for the heavyweight championship in 1974, followed by classics like Foreman-Muhammad Ali, Ali-Frazier III, Sugar Ray Leonard-Thomas Hearns I and II, Mike Tyson-Buster Douglas, Oscar De La Hoya-Floyd Mayweather Jr., and the Arturo Gatti-Micky Ward trilogy to name a few.

    Now Showtime Sports, HBO’s longtime rival in televising the sweet science, took a ten count.

    The final “Showtime Championship Boxing” broadcast was Saturday, Dec. 16 featuring WBA “regular” super middleweight champ David Morrell Jr. vs. Sena Agbeko.

    Their final pay-per-view bout was the David Benavidez vs. Demetrius Andrade bout on Nov. 25 for the WBA interim super middleweight crown won by Benavidez by sixth-round stoppage.

    Showtime has had its own run of memorable events like: Marvelous Marvin Hagler-John “The Beast” Mugabi (debut 1986), Tyson-Donovan Ruddock I and II, Tyson-Evander Holyfield I and II, Pernell Whitaker-Julio Cesar Chavez, Mayweather-Canelo Alvarez, Mayweather-Conor McGregor, Deontay Wilder-Tyson Fury I, and Errol Spence Jr.-Terence Crawford.

    HBO and Showtime even partnered up for Lennox Lewis vs. Tyson and Mayweather vs. Manny Pacquiao. Now they are both gone.

    Boxing fans have always suffered withdrawals as they’ve seen staples like Gillette’s Cavalcade of Sports, USA Tuesday Night Fights and even the Daily News Golden Gloves tournament become extinct.

    Just five months ago in a RingTV.com article, Stephen Espinoza, 12 years the president of Showtime Sports stated proudly:

    “This is the healthiest boxing has been since I’ve been president of Showtime Sports. The sport is in a fantastic place.”

    So, what happened to boxing that just 50 years ago was still a major draw for sports fans? The glory of the 1976 Olympic boxing team hadn’t come into fruition yet. George Foreman was the heavyweight champion of the world and  Muhammad Ali and Joe Fraizer were still fighting.

    Roberto Duran was still a force at lightweight and “No Mas” wouldn’t happen until 1980.

    Closed circuit TV was booming, but now the sport has become the niche-iest of niche sports.

    Boxing has done much of the damage to itself.

    Take October’s freak show where the WBC heavyweight champion of the world — Tyson Fury — decides to take a non-title fight against the former UFC heavyweight champ who never had a pro boxing match.

    Instead of fighting Anthony Joshua which would have been a mega-fight in the UK, or unifying the titles against WBA, IBF and WBO champ Oleksandr Usyk, (which is now a go for Feb. 17 in Riyadh, Saudi Arabia), he fights Francis Ngannou, gets dropped in the third round of a scheduled 10-rounder and wins a dubious split decision.

    Tyson Fury, of England, the WBC and lineal heavyweight champion, fights with former UFC heavyweight champion Francis Ngannou, of Cameroon, during their boxing match to mark the start of Riyadh Season at Kingdom Arena, in Riyadh, Saudi Arabia, Sunday, Oct. 29, 2023. (AP Photo/Yazeed Aldhawaihi)

    The biggest problem with boxing are the organizations. If you look at the ratings of the four organizations they have regular champs, super champs, interim champs, champs in recess and don’t forget the “Franchise” champ, whatever that is.

    There are also too many weight divisions as two more have been recently added.

    The WBC created the bridgerweight division for fighters weighing between 190-224 pounds. It was named after a six-year-old (named Bridger) who saved his sister from a stray dog. True.

    Earlier this month, the WBA followed up by creating the super cruiserweight division (200-224) minus the canine hook.

    Of course, sanctioning fees will be required for all fighting for these prestigious titles.

    The WBC also showed their stupidity by not sanctioning undisputed featherweight champ Amanda Serrano’s October successful title defense against Danila Ramos.

    The Brooklyn native was not allowed to defend the WBC portion of her title because she decided to fight, just like the men, in a 12-round, three minute championship contest. The women’s championship bouts are 10-rounds and two minutes.

    “The WBC has refused to evolve the sport for equality,” she said to  ESPN.com. “So, I am relinquishing their title.”

    Then there are the “stripped” champs.

    Terence Crawford defeated Errol Spence Jr. in July to unify the welterweight division for the first time in the four-belt era. Crawford added Spence’s IBF, WBA and WBC belts to his own WBO title.

    Four months later, the IBF stripped Crawford of their strap and anointed Jaron “Boots” Ennis their new title holder, moving him up from his “interim champ” status.

    Got it?

    By the way, after Ngannou lost to Fury, the WBC, in its wisdom, installed him at No. 10 in the ratings even after a loss and with a record of 0-1.

    Go figure.

    Boxing can’t get out of its own way even when they have a good thing going.

    This two-part series will take a look at why boxing had such a high broadcast kill rate for HBO and Showtime, and if the sport can be rebuilt.

    Boxing, thy name is niche.

    * * *

    Showtime’s bottom line for 2023 should have made any bean counter flush with joy.

    “This year the industry had its first million buy event in April with the Tank Davis-Ryan Garcia fight,” points out R. Thomas Umstead, Senior Content Producer, Programming for Multi-Channel News and Broadcasting and Cable. “Hadn’t seen that in a couple of years and that wasn’t even a fight where you would consider it being a million buy fight.

    “There was a lot of marketing in there. It brought in a new audience that we hadn’t seen before in younger viewers.”

    Boxing has a numbers problem not with the amount of viewers, but with their age, points out Abraham.

    “One of the never ending problems [with boxing] is its audience dying,” he declares. “Men 60, 70, 80 and older who grew up with boxing, they’re dying. Young men [it’s] mixed martial arts. That’s what they’re interested in and the WWE.

    “Boxing has failed to replace and replenish its audience.”

    Showtime had been in the boxing business for 37 years and was highly successful, but then their parent company — Paramount Global — decided to go in another direction with scripted entertainment and not boxing.

    “There will still be boxing,” predicts Abraham. “There’s no question that this sport will exist, but it will exist on a microscopic level, on a very small level, and it will continue to lose fans.”

    And what of boxing’s long-term outlook?

    “Smaller, smaller, smaller, smaller,” warns Abraham, “and one day pickleball will jump over it.”

    Hopefully, that’s far off in the future but boxing better come up with new ideas — and fast.

    * * *

    The death of newspapers and the loss of boxing writers has also damaged the sport. Sadly, Keith Idec of BoxingScene.com and Mike Coppinger of ESPN.com are the only two full-time boxing writers left in the U.S.

    Major newspapers have had no dedicated boxing writer for years and that medium helped grow the sport just like another did in the past.

    “The first fight I ever heard on the radio was Joe Louis and Max Schmeling when I was seven-years old,” recalls former HBO boxing analyst Larry Merchant, now 92-years old. Besides working for HBO, Merchant covered sports as a columnist for the Philadelphia Daily News and the New York Post. “That made me want to hear other fights that were on the radio.

    “I got interested in Henry Armstrong and Sugar Ray Robinson and others. That’s how it works in America because we do have so much competition.”

    Pickleball, anyone?

    * * *

    For Stephen Espinoza, the head of Showtime Sports, it’s a bittersweet time.

    “It’s been 12 years since I embarked on this pretty drastic career change going from an entertainment attorney who had never worked at a TV network before to being the head of a sports division responsible for programming and content,” he said, five weeks before the big shutdown. “I’ve never second guessed or doubted that decision once.”

    But as the leader comes the tough decisions especially with layoffs during the holidays.

    “It was brutal,” said Espinoza. “Anyone who does sports television makes tremendous sacrifice. We just did a pay-per-view (Benavidez-Andrade) on Thanksgiving [weekend] and to have to deliver this kind of news to people who have dedicated themselves personally and professionally to supporting the sport was absolutely brutal.

    “We’ve got several employees who are in excess of 30 year employees and a handful who have been here since the very start of Showtime sports in 1986. That was truly the end of an era and the passing of something really important, not just in the sport of boxing but for televised media overall.”

    In Part 2 of this series, boxing experts predict the future of the sport.

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    Tony Paige

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  • Khris Davis took the hits to become ‘Big George Foreman’

    Khris Davis took the hits to become ‘Big George Foreman’

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    Khris Davis did not know who he was auditioning for when he first got the lines for an untitled project about a boxer. They didn’t even tell him it was based on a true story at first. But he liked that there was a character arc – it’s more than actors often get early in auditions.

    Somewhere along the way he began to piece it together. And then it clicked: Oh, this is George Foreman, he thought.

    The film, “Big George Foreman,” is now playing in theaters nationwide. It charts his path from impoverished youth to heavyweight champion, his crushing loss to Ali in Zaire that led him to give up boxing, all the way through his miraculous comeback to the sport at age 45.

    “A lot of people see George as the grill guy,” said director George Tillman Jr. “Some people see him as the boxer. I wanted to tell a story of things that you don’t know.”

    Tillman Jr. (“The Hate U Give”) had been searching for a while for the right actor. Some had the acting chops but not the size. Some had the size but not the chops. And they had the added pressure that Foreman himself was executive producing. Then 6-foot-4-inch Davis emerged. It would take a chemistry test with Sullivan Jones, who plays Muhammad Ali, to seal the deal.

    Davis cut his teeth in the theater world, in Philadelphia first before he made the jump to New York. Oddly enough, his big break came in 2016 with a play also about a boxer, as the lead in Marco Ramirez’s “The Royale” at Lincoln Center Theatre. It was loosely based on the life of heavyweight Jack Johnson. Davis’ Broadway debut came in 2017 with “Sweat.” Movies started coming, too, with roles in Kathryn Bigelow’s “Detroit” and “Judas and the Black Messiah.”

    He’d never had a challenge quite like George Foreman, but he was used to giving it all in the theater and he was going to do that here, too.

    “It didn’t occur to me to put on a fat suit,” Davis said. “Why would I put on a fat suit if I can gain the weight? It didn’t occur to me to put a bald cap on. Why would I do that? I’m going to cut my hair off. It never occurred to me to cut a corner.”

    Still, Tillman Jr. was a little nervous when he sent Davis off for a five-week hiatus in which he was supposed to put on a significant amount of weight. He didn’t tell his star, but he had a backup plan of a fat suit waiting. He also knew it was an imperfect solution: How would it look when the shirts came off in the ring?

    But he didn’t need to worry. When Davis came back, Tillman was shocked to see that he’d actually gained 50 pounds in five weeks, going from 225 pounds to a heavyweight 275.

    “I didn’t know my body could do that,” Davis said. “And sometimes I look at the images and I’m still in shock because I can’t believe that I managed to do that to myself. I was eating 7,000 calories a day. The heaviest I got was 282.”

    It was, he said, hard on him emotionally to look in the mirror and see “Khris” going through this. That’s when he cut his hair, shaved his beard, took his shirt off, looked in the mirror and saw “George” instead.

    “I said, ‘There you are. There it is,’” Davis said. “Every calorie that I was eating was worth it because it was working and I could see it being built all around me. It was insane. It was intense. But I think that amount of effort was worth it.”

    The boxing was another challenge, full of complex choreography and a number system for where the hits were going to go. And they got to a certain point where they were comfortable enough to make “real contact” with the hits. During the staged Ali fight in Zaire, he believes he was punched in the face about 45 times. Davis got his hits in too, though.

    “Those weren’t easy, soft punches,” Davis said. “If they would have cut the audio down and just let you hear my gloves hitting his body, it was shocking.”

    And top of mind was always the real person he was playing.

    “He was always kind of overlooked and bypassed. Mr. Foreman should not have been an underdog as much as he was in his life,” Davis said. “People talked about his rage. And as I was looking at interviews and looking at him on talk shows and on TV shows, I kept seeing this guy smiling and I’m like, ‘Wait a minute. Hold on, hold on. You guys are saying this is a crazy, deranged, mean guy, but this guy is smiling so much, he’s laughing, belly laughing out loud.’ I was like, ‘There’s a gentle person in there with a big heart. I can see it.’ So I wanted to carry that not just in the second half.”

    Davis continued: “People think that he learned how to do that when he came back. No, that’s who he always was. But in the second half of his life, he didn’t have to commit to the persona anymore… This is his story. It’s not my story. Sure, part of my legacy is married to his story because I’m telling his story, but it’s his. It’s really a continuation of his legacy. I just didn’t want to disappoint him.”

    —-

    Follow AP Film Writer Lindsey Bahr: www.twitter.com/ldbahr.

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  • George Foreman’s Brother Aims to Knock Out COVID-19 With Charity Shirt

    George Foreman’s Brother Aims to Knock Out COVID-19 With Charity Shirt

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    Press Release



    updated: Aug 26, 2020

    ​​​​Roy Foreman, famed boxing manager of legendary great, George Foreman, is fighting COVID-19 with a punch of his own. This time he aims to knock out the disease with a powerful uppercut by designing a KO COVID t-shirt in collaboration with Skrapper Brands and donating 20% of sales to First Responders Children’s Foundation

    Foreman and famed artist William Quigley, Founder of Skrapper, have teamed up to design this limited edition KO COVID t-shirt, with the first 100 orders signed via livestream by Mr. Quigley.

    “COVID-19 has devastated friends of mine throughout the country. I have lost members of my community to the coronavirus,” says Roy Foreman. “This limited edition KO COVID t-shirt was designed to unite and raise money for our first responder heroes.” 

    Roy Foreman, a leading voice in the boxing world, managed his brother George Foreman through his championship years, served on the U.S. Olympic boxing committee and was a ringside announcer for HBO Sports.

    “First Responders Children’s Foundation would like to thank Roy Foreman, William Quigley and Skrapper Brands for their efforts to help knock out COVID-19,” said Jillian Crane, President of First Responders Children’s Foundation. “There’s no doubt that first responders on the front lines of the COVID-19 pandemic are sacrificing so much to protect our families, and it’s our responsibility as a nation to help them through this crisis by providing financial hardship grants, PPE, scholarships and partnerships.”

    Since March of this year, First Responders Children’s Foundation has given financial hardship grants to 9,000 first responders, supplied over 650,000 face masks, and paid for 13,000 hotel rooms with meal stipends to keep first responders and their families safe. 

    The limited edition shirts can be purchased at skrapper.co

    About First Responders Children’s Foundation

    For almost 20 years, First Responders Children’s Foundation has been providing college scholarships to the children of first responder parents who have been injured or lost in the line of duty. The Foundation also awards grants to families enduring significant financial hardship and supports, promotes, and facilitates educational activities and programs created and operated by first responder organizations to benefit children or the communities in which they live. The First Responders Children’s Foundation COVID-19 Emergency Response Fund was established in March 2020 to provide financial hardship grants, PPE, and hotel accommodations to first responders on the front lines of the pandemic. The Foundation was a charity partner of the “Fox Presents The iHeart Living Room Concert For America” and the “One World: Together at Home” concerts paying tribute to front line heroes.

    About Skrapper Brands

    Skrapper collaborates with forward-thinking brands, artists, designers, charitable organizations and foundations. Their mission is to produce limited edition, creative clothing and products. Since 2000, Skrapper Brands has sold more than 100,000 apparel pieces.

    Source: Skrapper

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