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Tag: Gavin Rossdale

  • How Bush’s Gavin Rossdale Beat Loneliness

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    So, I’m on a Zoom with Bush frontman Gavin Rossdale, and two things quickly become apparent.

    1. Rossdale, approaching 60, is still a ridiculously beautiful man.

    2. More importantly, the dude both appreciates and embraces therapy.

    He’s even putting it into the public space.

    Rossdale and Bush play Toyota Center (Shinedown is also on the bill) on Wednesday night, and in addition to the music, some of the graphics to accompany the show will include things like suicide hotline numbers, mental health factoids and resources, things of that nature.

    The band is touring in support of its latest, the absolutely awesome I Beat Loneliness, which tackles an array of mental health topics and even includes Rossdale – ever the charismatic frontman – taking on the role of pseudo-therapist.

    “We wanted to make a record for now; suicide rates are staggering, it’s simply unbelievable,” Rossdale said from his Cleveland hotel room. “Everyone in life is dealing with a different perspective. We’re all crazy and trying to get along with ourselves and other people, so I wanted this to be a useful record, something people could rely upon.”

    I Beat Loneliness is all that and then some. Musically, it’s got shades of ’90s peak era Bush – melodic, hard but not overly aggressive, listener-friendly, etc. – but it also showcases a songwriter in Rossdale who has grown incredibly comfortable in his skin.

    He’s vulnerable, a man stripped bare by a rough upbringing, a life spent in the spotlight and the frontman of one of the biggest bands of the post-grunge 90s wave.

    “It’s hard to get through so much suffering,” the pleasant and engaging Rossdale said. “If you’re really open with yourself, you feel for people in dire situations. I’ve never driven past a homeless person and not been crushed … And I’m, like, ‘What the fuck happened? Where do you come from?’ I don’t know if that could have been me, but it very well could have been. I’m certainly not better than anyone else. I could lose my way just the same.”

    Added Rossdale: “I’ve tried to write ‘story songs,’ but I was, like, God, you’re so full of shit. What the fuck are you talking about? That isn’t real; it’s made up and I’m no good at it. Rather, what was I feeling myself? … It doesn’t matter if things in your mind are jagged and move around; it’s what our brains do all the time. So that (third-person songwriting approach) doesn’t work for me.”

    Yep, this guy gets it.

    Rossdale is also incredibly thankful to have fronted a band that has remained in the cultural zeitgeist for more than 30 years. When Rossdale opines on never writing a “party song” that generates a reaction in the public space, I’m quick to recall a recent outing when “Comedown,” one of Bush’s biggest and earliest hits, came over the venue’s speaker system. Everyone went nuts and sang along. A party song? Not exactly, but one that has lived on in the decades since.

    The ’90s are having a bit of a renaissance in their own right. Woodstock ’99 had not one, but two, documentaries released in succession, detailing the utter chaos that was the event. Creed is back on tour. Limp Bizkit headlined a successful tour last year. Teenagers everywhere are rocking Nirvana shirts. A wave of 90s-era wonders have reunited, some to celebrate their legacy, others to capitalize and cash in on a little nostalgia, others a mixture of both.

    Rossdale is appreciative of Bush’s 90s heyday and what it provided to him – a career, a name, purpose, fame and fortune.

    “More than 30 years after Sixteen Stone (the band’s smash 1994 breakout), we’re playing to 20,000 people every night,” he said. “I’ve had such an incredible life with such depth and meaning; what a gift. I live in constant gratitude; there’s no other way to look at it. If it all ended tomorrow, I’ve had an incredible run.”

    Before we part ways, and given the title and focus of Bush’s new record, I have to ask – how exactly does one beat loneliness?

    Rossdale has obviously given this a lot of thought.

    “Everything has a solution, and time certainly helps,” he said. “Beating loneliness is not about being lonely for a period of time. It’s about being connected, self-reflecting … At times, we all feel a certain sense of loneliness, but you have to feel that sometimes in order to be connected to others, including yourself. At different stages of life, you’re feeling all these emotions. It’s all about fostering a culture of connectivity, and people understand that.”

    Bush and Shinedown perform Wednesday, August 27 at Toyota Center, 1510 Polk. For more information, visit toyotacenter.com. Tickets $46, plus fees.

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    Clint Hale

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  • Gwen Stefani’s teen son is Blake Shelton’s mini-me in birthday tribute

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    Gwen Stefani‘s middle child, Zuma Rossdale, could’ve been his stepfather‘s twin in a touching tribute post shared by his mother on Thursday.

    The 17-year-old, whom Gwen welcomed with her ex-husband, Gavin Rossdale, looked so grown up in the carousel post, which also featured photos from his childhood.

    Mini-me

    © Instagram
    The duo looked like twins in the sweet snap

    “Happy birthday to our sweet and talented Zuma!! We love u soooo much!!” the No Doubt frontwoman lovingly wrote in the caption.

    In several of the snaps, Zuma was dressed like his stepfather, Blake Shelton, in button-down shirts, denim, and cowboy hats.

    Learn more about their close bond below…

    WATCH: Blake Shelton gushes over “really talented” stepson Zuma

    The teen even sported the same mullet-style haircut that Blake had back in the early days of his career, proving that the country superstar is both a fashion and musical inspiration for Zuma.

    The pair looked like twins in one photo, where they smiled as Blake pointed to the camera. 

    zuma rossdale guitar© Instagram
    The teen sported a mullet in the tribute post

    They both sported cowboy hats and button-down shirts as they relaxed inside a restaurant.

    Gwen also shared a clip of Zuma singing a country song while playing guitar, and a video of Blake introducing his stepson onto the stage at his Oklahoma bar, Ole Red. He made his musical debut at the venue in July 2024.

    blake shelton mullet© WireImage for CMT: Country Music
    Blake had a similar hairstyle in the early days of his career

    Fans rushed to the comment section to declare that Zuma was growing up to be just like the Grammy nominee, with one writing, “He’s got the old school Blake mullet started,” while another added, “Awww we can see Blake’s musical influence on him…this kid is talented.”

    “Aww he picked up Blake’s mannerisms when he sings, so cute. Love that Blake has had such a positive impact on your kids,” another commented, while a fourth declared that Zuma was a “mini Blake Shelton.”

    Parenting 101

    Blake Shelton and Gwen Stefani pose on the red carpet for Opry 100: A Live Celebration at Grand Ole Opry at the Ryman Auditorium on March 19, 2025 in Nashville, Tennessee© Getty Images
    The couple married in 2021

    Gwen and Blake started dating in 2015, after meeting as judges on The Voice, and married in 2021. The “Don’t Speak” singer had just split from Gavin, with whom she also shares sons Kingston, 19, and Apollo, 11.

    Blake has taken on the role of stepfather with ease and shared with Entertainment Tonight how he was faring in parenthood.

    “I get to teach them the country, you know, and I love that,” he said. “When people say it’s not about you anymore when you have a kid…I think if you’re doing it right, it’s not about you anymore. That’s true.”

    zuma rossdale playing guitar© Instagram
    Blake is teaching Zuma country songs

    He later joked that the fivesome could form a family band, with their combination of musical talents.

    “That would be a lot of fun. I know that that would be Gwen’s dream come true is to have, like, a family band or something like that,” he told the Today show.

    A budding musician

    In this handout photo provided by Disney, Gwen Stefani and Gavin Rossdale, with their children, Kingston, 4, and Zuma, 1, visit the Mad Tea Party attraction at Disneyland on July 7, 2010 in Anaheim, California© Getty Images
    Gwen welcomed her three sons with Gavin

    It comes as no surprise that Gwen’s children have the music bug, considering that their father, Gavin, is also a musician. He is the lead singer and rhythm guitarist of the British rock band Bush, and has been trying to learn country songs to play with Zuma.

    “One son loves the Pumpkins and… Zuma, he’s got the country bug,” Gavin told US Weekly. “I have no idea where he gets that from, but he’s got it.”

    zuma rossdale guitar© Instagram
    Zuma is learning guitar from his father, Gavin

    “I promised to learn a couple of songs, so we can play them because he’s also learning guitar,” the proud father continued. “He now wants to play acoustic. So I said, ‘Let’s play a couple of songs together.’ So I’m learning a couple of Zach Bryan songs this week.”

    He added: “I’ll sit with him and just play them. I just want to do that, to get in his head.”

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    Katie Fitzpatrick

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  • Gavin Rossdale Says He and Ex Gwen Stefani Are Not Co-Parenting, They “Just Parent”

    Gavin Rossdale Says He and Ex Gwen Stefani Are Not Co-Parenting, They “Just Parent”

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    Gavin Rossdale isn’t beating around the bush about co-parenting his three sons, Kingston, 17, Zuma, 14, and Apollo, 9, with ex-wife Gwen Stefani

    On Thursday’s episode of the podcast Not So Hollywood, the Bush frontman said that he and Stefani, who divorced in 2015 due to “irreconcilable differences,” have different parenting philosophies. They have since had their marriage officially annulled by the Catholic Church.

    “I think you can go one of two ways—you can either do everything together and really co-parent, and see how that goes—or you can just parent,” he said. “And I think we just parent.”

    Rossdale said that he and Stefani “definitely have some particularly opposing views” and are “very different people.” “I don’t think there’s much similarity in the way we bring them up,” he said, describing watching football games or graduations over FaceTime sometimes, because he and Stefani share custody.

    “I know that wherever they are, either house, they’re loved and supported,” he said. Stefani has since remarried to country star Blake Shelton in 2021 (officiated by Carson Daly, no less), while Rossdale said that he’s currently single and turns Raya “on and off,” though he’s “not sure how tangible it is.”

    He’s not a “rockstar dad” to his kids, either: “I’m the juice killer, I’m the caterer,” he said.

    “I spend my life either on tour or with my kids,” he said. “I do tell them that, the one trouble that I do have is that when I come home from tour, I am missing the applause, and if the three of them could figure out a way to congratulate me for bringing food to the table, taking them somewhere, a little round of applause wouldn’t go badly.”

    On Tuesday, he posted a selfie with his three sons, palling around London.

    Instagram content

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    Though they are, as Stefani’s former band No Doubt might have said, different people, it sounds like the one thing Rossdale and Stefani do still have in common is a mutual care for their children.

    “It’s just about the kids and them alone, that’s it,” he said.

    A representative for Stefani did not immediately return a request for comment. 

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    Kase Wickman

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  • “Mouth” As The Soundtrack to Being Infected While Out and About

    “Mouth” As The Soundtrack to Being Infected While Out and About

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    Among Bush’s often underrated oeuvre is a song from their 1996 album, Razorblade Suitcase. Although “Swallowed” was its lead single—garnering the most attention—“Mouth” would later gain traction after being released in 1997 on a Bush remix album called Deconstructed and being featured heavily in the trailer (and the film itself) for An American Werewolf in Paris that same year. The song’s particular suitability for the movie stemmed from, obviously, how one ends up as a werewolf—that is to say, through a bite-filled mauling.

    But beyond that, “Mouth” sounds endlessly well-suited to soundtrack a day out amongst the hordes. Though many continue to act as though the pandemic isn’t still “a thing” (and like a new one won’t come to roost)/it never even happened at all (much as those who endured the 1918 flu pandemic needed to party the next decade away in order to forget), the after-shock of coronavirus, paired with the sudden remembrance that it’s flu season, makes “Mouth” an all-too-relevant song. And, incidentally, it also shares album space with a track called “Cold Contagious.” So clearly, for whatever reason, “spread” was on the mind of Gavin Rossdale in 1996—perhaps it had to do with meeting Gwen Stefani the year before and worrying that their long-distance relationship would get him caught in the act of cheating by giving her an STD.

    With an accompanying video directed by John Hillcoat, the scene opens at ground zero of contagion: a diner. Specifically the now-defunct Jenny Rose Restaurant, located somewhere between Death Valley and Joshua Tree. To play up the tie-in to An American Werewolf in Paris, Julie Delpy, who portrays Sérafine Pigot in the movie, appears out of nowhere to extract Gavin from his languid musing over the menu (despite already having food and coffee). Do they know each other? Is this a stranger’s hookup? It’s all as nebulous as the decision-making behind the werewolf visual effects.

    Maybe, in taking him by the hand and getting him to drive her through the desert, the retroactive point is to accentuate how free one can feel when they’re not traumatized by recently enduring the effects of a pandemic. In other words, the late 90s were a blithe time. Even in the sense that AIDS had “calmed down” (at least in the eyes of the straights) and it was once again a seeming free-for-all. Mouths on mouths, bodies on bodies, whatever.

    Nonetheless, a sense of foreboding lurks throughout the mid-tempo “Mouth,” especially as Rossdale opens with the lyric, “You gave me this.” Something about it smacks of Isabella Rossellini as Dorothy Vallens in Blue Velvet screaming, “You put your disease in me!” That’s what we all do every day to one another, just by daring to go outside. To walk around, ultimately slack-jawed as we cough, touch our noses and then touch something else, talk loudly (in public and usually on the phone) for no good reason and generally radiate carbon dioxide. That’s all a mouth is, in the end. One big carbon dioxide/contagion-emitting hole. The human body a sack of emissions designed seemingly only to harm fellow flesh husks with its propensities for attracting and “giving back” disease. Particularly now that we’ve hit the official eight billion mark in bodies. So, indeed, “nothing hurts like your mouth…” running all over town and breathing whatever old- and new-fangled disease you’ve contracted and seen fit to spread.

    Other accusations related to infection are manifest in the lines, “Pollute my heart-drain/You have broken me/Broken me/All your mental armor drags me down.” Would that one had some physical armor to actually battle contagion, beyond a mask—for, as many vigilant mask-wearers have experienced, it hasn’t kept Miss Rona from sinking in regardless. Especially since mask-wearing isn’t enforceable and not everyone will do it. And, unfortunately, donning a hazmat suit is something that only Tyra Banks appears to be able to pull off.

    Just as “Comedown” from 1994’s Sixteen Stone would become synonymous with Fear, so “Mouth” would with An American Werewolf in Paris. And yet, it’s a song with more newfound resonance in the current moment. The only thing one can hear on repeat in their mind (once they’ve made the correlation) while confronting the public space—seeing all those maws ajar. Utterly uncaring and immune to what they’re taking in or giving out with that gob of theirs, so long as they get to where they’re going and they buy what they want to buy while doing it.

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    Genna Rivieccio

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