New York’s grande dame, The Pierre, knows how to throw a soirée. Last night, the elegant Taj Hotel celebrated 95 years as a beacon of Upper East Side glamour with a ‘Red Diamond’ gala that brought together residents, diplomats, stars and influencers for an unforgettable evening of vintage Manhattan magic.
Nearly 500 guests, from silver-haired luminaries to fresh-faced Gen Z tastemakers, donned black tie finery to toast The Pierre’s storied history in its famous ballroom. Sipping champagne beneath glittering chandeliers, partygoers were transported to a more gracious era, when the hotel played host to everyone from Elizabeth Taylor and Aristotle Onassis to Audrey Hepburn.
The entertainment was a love letter to old New York: A Marilyn Monroe impersonator cooed while Deanna First sketched partygoers and professional ballroom dancers swirled across the stage in a swish of satin and sequins. Historic treasures, like archival photos and a $195,000 0.6-carat pink diamond, were displayed without fanfare (or security).
Getty Images Deanna First.
But while the gala paid homage to The Pierre’s glamorous past, the crowd reflected its vibrant present. Among those spotted in the sea of tuxedos and gowns: hotel residents, foreign dignitaries, reality TV stars, Instagram celebrities and even the odd baby or two nestled in couture-clad arms. The evening proved that after nearly a century, The Pierre can still create indelible Manhattan moments.
Courtesy of Lola Tash Lola Tash and Jessica Wang.
“I was transported back to the galas of the Gilded Age,” Lola Tash told Observer. The Canadian actress and brains behind the satirical, relatable meme account My Therapist Says was “reminded once more why New York is magical.”
Getty Images Prince Mario-Max Schaumburg-Lippe.
“The Pierre is my American Home away from home,” Prince Mario-Max Schaumburg-Lippe told Observer. His godmother lived in The Pierre, the prince said, noting “the happiest of my memories are right here” and calling the historic property “the hotel love of my life.”
Courtesy of Grace Aki Grace Aki.
Experiencing the hotel’s cinematic history firsthand was a highlight for Grace Aki. The gallery of treasures glowing behind glass displays made the night “all the more special,” Aki told Observer.
“Like stepping into history,” was how Viola Manuela Ceccarini described the event. “The elegance, the legacy and the energy in the room—witnessing generations of excellence converge under that red diamond, a symbol of timeless prestige and the enduring spirit of New York.”
Courtesy of Lori Altermann The star of the show poses with Lori Altermann.
“Everywhere I turn, I see New York’s elite—beautiful celebrities and even Marilyn Monroe!” quipped Lori Altermann. “The fashion, the food, the hotel—everything is fabulous!” Altermann told Observer. “It’s a celebration of luxury,” said Namani Shqipe.
The Dia Art Foundation’s annual Fall Night was a celebration of Melvin Edwards and Meg Webster. Madison McGaw/BFA.com
For more than half a century, Dia Art Foundation has redefined how art can be supported, exhibited and preserved—particularly when it comes to large-scale, long-term, or site-specific works that fall outside the confines of traditional museums and commercial galleries. On Monday (Nov. 3), its annual Fall Night once again celebrated that mission with an elegant dinner that drew a remarkable number of artists—far more than most New York institutions can claim—reminding everyone that artists remain firmly at the center of Dia’s vision.
The evening began with a cocktail reception and exhibition viewing at Dia Chelsea, where guests admired 12 + 2—Duane Linklater’s first major U.S. commission. His monumental clay animal forms inhabited the space, evoking a primal connection to matter. These gigantic creatures seemed to emerge from an elemental prehistory, before and beyond civilization’s structural and rational constraints. In one of the rooms, a circular wall relief of swirling clay channeled a sense of cosmic gesture—an improvised cosmology unfolding in earthy motion, connecting the microcosm of human making with the broader entropic order that regulates all forces between energy and matter.
The galleries at Dia Chelsea, 537 West 22nd Street, were open to guests for a special viewing of an exhibition of work by Duane Linklater. Madison McGaw/BFA.com
Guests then moved to 547 West 26th Street, where long, white linen-decked tables awaited. Dinner began with welcoming remarks from Nathalie de Gunzburg, chair of Dia’s board. Next, a radiant Jessica Morgan, Dia’s director, then took the dais. “Paris was a blast,” she said, beginning her speech with genuine enthusiasm following her just-concluded art week abroad, where she opened “Minimal” at La Bourse de Commerce in Paris. The show, a collaboration between the Pinault Collection and Dia, brought part of Dia’s holdings to Europe for the first time, pairing them with a rarely seen selection of works from the French magnate’s collection. The show celebrated the aesthetics and philosophy of Minimalism while tracing its global evolution and enduring influence.
The night’s honorees, Melvin Edwards and Meg Webster, both hold deep significance for Dia. Their concurrent presentations Upstate spotlight how each pioneering practice anticipated many of today’s most urgent artistic concerns. Artist Sanford Biggers delivered a heartfelt tribute to Edwards, reflecting on their shared Houston roots and the profound emotional and artistic bond between them. His remarks captured how Edwards has imbued the rigorous formalism of his welded metal assemblage—steel, chain, barbed wire, machine parts—with a uniquely human and political charge: abstract forms that pulse with the weight of history and memory, between oppression and liberation.
Next, architect Steven Holl paid homage to Webster, tracing how her practice infused Land Art and process-based sculpture with a prescient ecological consciousness. Merging nature and culture, matter and energy, her works embrace the entropic principle of impermanence and transformation while prompting reflection on sustainability and humanity’s relationship with the earth. Webster’s art—poised between the elemental and the formal, the human-shaped and the naturally evolving—feels particularly timely today, as she enjoys a long-overdue moment in the international spotlight, from Dia’s Beacon presentation to her installations currently on view in the frescoed rotunda of La Bourse de Commerce.
And of course, no Dia gathering would be complete without members of the gallery world who have long supported the foundation’s mission: Paula Cooper, Lucas Cooper, Arne Glimcher, Alexander Gray, Carol Greene, Jeanne Greenberg Rohatyn, José Kuri, Dominique Lévy, Alex Logsdail, Siniša Mačković, Ales Ortuzar, Sukanya Rajaratnam, Thaddaeus Ropac, Almine Rech-Picasso and Kara Vander Weg were all among the evening’s guests. Below, we offer a glimpse into the night’s most memorable moments.
Precious Okoyomon, Vidar Logi, Miles Greenberg and Marina Abramović
Precious Okoyomon, Vidar Logi, Miles Greenberg and Marina Abramović. Madison McGaw/BFA.com
Dominique Lévy and Sanford Biggers
Dominique Lévy and Sanford Biggers. Bre Johnson/BFA.com
Steven Holl
Steven Holl. Madison McGaw/BFA.com
Meg Webster
Meg Webster. Bre Johnson/BFA.com
Howardena Pindell and Ann Temkin
Howardena Pindell and Ann Temkin. Bre Johnson/BFA.com
Amy Astley
Amy Astley. Madison McGaw/BFA.com
Molly Epstein and Hugh Hayden
Molly Epstein and Hugh Hayden. Madison McGaw/BFA.com
Nicolas Party
Nicolas Party. Madison McGaw/BFA.com
Maynard Monrow, Julie Hillman and Lucas Cooper
Maynard Monrow, Julie Hillman and Lucas Cooper. Madison McGaw/BFA.com
Axel Rüger, Cathy Ho Lee and Scott Rothkopf
Axel Rüger, Cathy Ho Lee and Scott Rothkopf. Madison McGaw/BFA.com
Arne Glimcher, Milly Glimcher and Bernard Ruiz-Picasso
Arne Glimcher, Milly Glimcher and Bernard Ruiz-Picasso. Madison McGaw/BFA.com
Scott Rothkopf and Shelley Fox Aarons
Scott Rothkopf and Shelley Fox Aarons. Madison McGaw/BFA.com
Olivier Sarkozy, Eva Lorenzotti and Charles de Gunzburg
Olivier Sarkozy, Eva Lorenzotti and Charles de Gunzburg. Madison McGaw/BFA.com
Eliza Ravelle-Chapuis, Michael Fisch, Brooke Lampley and Sukanya Rajaratnam
Eliza Ravelle-Chapuis, Michael Fisch, Brooke Lampley and Sukanya Rajaratnam. Madison McGaw/BFA.com
Li Xin and Thaddaeus Ropac
Li Xin and Thaddaeus Ropac. Madison McGaw/BFA.com
Marisa Murillo, Azikiwe Mohammed and Tiona Nekkia McClodden
Marisa Murillo, Azikiwe Mohammed and Tiona Nekkia McClodden. Madison McGaw/BFA.com
Akio Tagawa and Karen LaGatta
Akio Tagawa and Karen LaGatta. Madison McGaw/BFA.com
Sarah Gavlak
Sarah Gavlak. Madison McGaw/BFA.com
David Israel, Maynard Monrow and Julie Hillman
David Israel, Maynard Monrow and Julie Hillman. Madison McGaw/BFA.com
Joost Elffers and Pat Steir
Joost Elffers and Pat Steir. Madison McGaw/BFA.com
William T. Williams and Alexander Gray
William T. Williams and Alexander Gray. Bre Johnson/BFA.com
Paul Richert-Garcia, David Lewis and Barry X Ball
Paul Richert-Garcia, David Lewis and Barry X Ball. Bre Johnson/BFA.com
Dana Lee and Heather Harmon
Dana Lee and Heather Harmon. Madison McGaw/BFA.com
Vanessa Yoa and Brandon Chen
Vanessa Yoa and Brandon Chen. Madison McGaw/BFA.com
Maynard Monrow and Stephanie Ingrassia
Maynard Monrow and Stephanie Ingrassia. Madison McGaw/BFA.com
Alex Magnuson, Jacob Proctor and Jillian Brodie
Alex Magnuson, Jacob Proctor and Jillian Brodie. Madison McGaw/BFA.com
Tehching Hsieh and Hiroyuki Maki
Tehching Hsieh and Hiroyuki Maki. Madison McGaw/BFA.com
Corinne Dixon, Pandora Thomas and Nicole Dixon. Photo: Drew Altizer
The crown jewel of this year’s Nexus: SF/Bay Area Black Art Week was the Museum of the African Diaspora’s Afropolitan Ball—a glittering, high-octane gala that raised more than $1 million for the institution’s programming. The black-tie fête once again drew a mix of power players from art, fashion, entertainment and philanthropy, all converging at the San Francisco Ferry Building to see and be seen while celebrating MoAD’s 20th anniversary.
Mary Graham. Jessica Monroy for Drew Altizer Photography
Kicking off the evening’s festivities, event chair Eric McDonnell took the stage to spotlight MoAD’s achievements over two decades before Woodford Forbes honored the museum’s founding board, including Belva Davis, inaugural board president and the first African American woman television reporter on the West Coast. MoAD executive director and CEO Monetta White then unveiled the museum’s new mandate. “We step boldly into the future with a new mission, to place contemporary art and artists of the African Diaspora at the center of the global cultural conversation,” she said. “This is not just a statement, it is a charge. A charge to lift up the voices of artists from the African Diaspora and to make sure their contributions are not at the margins, but at the very center of culture.”
Once the speeches concluded, auction specialist Naomi Lewis rallied the glitterati to raise their paddles for experiences including a Donum Estate wine tasting and a private dinner with White and curator Key Jo Lee. A spellbinding performance by Alonzo King LINES Ballet followed—offering a preview of its upcoming collaboration with Grammy-winning artist Esperanza Spalding—before DJ Novena Carmel took over the balcony, spinning a genre-spanning set that kept guests dancing late into the night.
Eric McDonnell, Monetta White, Ralph Remington and Key Jo Lee
Eric McDonnell, Monetta White, Ralph Remington and Key Jo Lee. Mahelly Ferreira for Drew Altizer Photography
Naomi Lewis
Naomi Lewis. Jessica Monroy for Drew Altizer Photography
Maya Forbes and China Forbes
Maya Forbes and China Forbes. Mahelly Ferreira for Drew Altizer Photography
Mikael Owunna
Mikael Owunna. Jessica Monroy for Drew Altizer Photography
Ayana Jackson, Gustavo Nazareno, Lava Thomas and Yasmin Lambie-Simpson
Ayana Jackson, Gustavo Nazareno, Lava Thomas and Yasmin Lambie-Simpson. Jessica Monroy for Drew Altizer Photography
Robin Washington and Carl Washington
Robin Washington and Carl Washington. Jessica Monroy for Drew Altizer Photography
Toye Moses and Alma Robinson Moses
Toye Moses and Alma Robinson Moses. Mahelly Ferreira for Drew Altizer Photography
Willie Brown and Monetta White
Willie Brown and Monetta White. Photo: Drew Altizer
Luke Liss, Peggy Woodford Forbes and Shana Simmons
Luke Liss, Peggy Woodford Forbes and Shana Simmons. Mahelly Ferreira for Drew Altizer Photography
Brandin Vaughn and Gustavo Nazareno
Brandin Vaughn and Gustavo Nazareno. Jessica Monroy for Drew Altizer Photography
Joy Ofodu
Joy Ofodu. Mahelly Ferreira for Drew Altizer Photography
Chuck Collins, Paula Collins and Ralph Remington
Chuck Collins, Paula Collins and Ralph Remington. Mahelly Ferreira for Drew Altizer Photography
Concepcion Federman and Irwin Federman
Concepcion Federman and Irwin Federman. Mahelly Ferreira for Drew Altizer Photography
Key Jo Lee, Lava Thomas, Ashara Ekundayo and Richard Beavers
Key Jo Lee, Lava Thomas, Ashara Ekundayo and Richard Beavers. Photo: Drew Altizer
Naomi Lewis and Ramekon O’Arwisters
Naomi Lewis and Ramekon O’Arwisters. Photo: Drew Altizer
Charisse Howse and David Howse
Charisse Howse and David Howse. Jessica Monroy for Drew Altizer Photography
Ebony Lewis, Bobby Miller and Kristina Kirkenaer-Hart. Photo: Kaitlin Saragusa
On a recent balmy night, Dallas’s see-and-be-seen set gathered in the industrial-style kunsthalle that is Dallas Contemporary for the institution’s annual gala and benefit auction. Presented by Headington Companies and museum board president Ann McReynolds with John McReynolds, and organized by co-chairs Shayna Fontana Horowitz, Peter Augustus Owens and Robyn Siegel, the glamorous, art-fueled event raised over $1 million—a testament to the important place the DC holds in Dallas’ scene.
A series of Fontana Horowitz’s atmospheric still lifes projected on the walls greeted gala-goers, who fueled up on hors d’oeuvres and specialty cocktails before moving into the auction gallery to preview work by the evening’s auction artists: Chris Wolston, Ali Dipp, Katherine Bradford, Maria Haag, Willie Binnie and Xxavier Edward Carter. Spotted in the crowd were philanthropist and collector Grace Cook, artisan and entrepreneur Rachel Bently, luxury retail merchant Brian Bolke, collector and patron Marguerite Hoffman, artist Vicki Meek (former executive director of the Dallas Contemporary), The Power Station founders Alden and Janelle Pinnell, museum director Jeremy Strick and sundry gallerists and art lovers.
Lucia Simek addressing gala-goers. Photo: Chase Hall
Fontana Horowitz’s final projection—a crystal bell—pulsed as chimes rang throughout the museum, signaling the start of dinner. Tables were set in “You Stretched Diagonally Across It: Contemporary Tapestry,” DC’s spring 2025 exhibition guest curated by Su Wu, with centerpieces part-victual, part-bouquet: an artful collision of moss, sweetgrass, pomegranates and cherry tomatoes. Christina Forrer’s Untitled (on brown background), on loan from Hoffman’s collection, wafted above the crowd, complementing works by Mika Tajima, Marie Hazard and others on the walls.
Between bites of Sassetta’s black pepper Parmesan panna cotta and Joule’s Texas wagyu short rib, benefactors enjoyed a runway of students from Booker T. Washington School for the Performing Arts modeling original designs by Caroline Correa, Kathleen Cusick, Skylar O’Hara, Lily Wilkinson, Maude Williams, Emmanuel Gillespie and artist Sai Sankoh. At the dais, Dallas Contemporary executive director Lucia Simek thanked supporters, declaring that, “it’s the necessary collaboration” that makes each year’s gala “so meaningful.” Christian Vasquez screened a short film featuring Meek, Wu, Simek and publisher Deep Vellum’s Will Evans, among others. Capping off the evening was the live auction, led by Christie’s Brett Sherlock, who had the honor of announcing the Eugene McDermott Foundation’s gift of $100,000 to fund free museum admission through 2026. A surprise donation from painter Francisco Moreno (who will mount a solo exhibition at Dallas Contemporary in spring 2026) kept bidders on their toes.
As always, the gala spilled into the night with an afterparty hosted by soon-to-open hi-fi bar Shyboy. Friends of the museum danced to sets spun by New York DJ GE-OLOGY, alternating between sipping signature highballs and cooling off with soft serve ice cream on what was a near-perfect night.
Rod Sager, Ann McReynolds, Lucia Simek, Robyn Siegel and Shayna Fontana Horowitz
Rod Sager, Ann McReynolds, Lucia Simek, Robyn Siegel and Shayna Fontana Horowitz. Photo: Kaitlin Saragusa
Mark Agnew and Emily Clarke
Mark Agnew and Emily Clarke. Photo: Kaitlin Saragusa
Michael Phelps and Ra Kazadi
Michael Phelps and Ra Kazadi. Photo: Joe Johnson
Ann McReynolds
Ann McReynolds. Photo: Kaitlin Saragusa
Jill Parker and Rod Sager
Jill Parker and Rod Sager. Photo: Kaitlin Saragusa
Rand Horowitz and Shayna Fontana Horowitz
Rand Horowitz and Shayna Fontana Horowitz. Photo: Kaitlin Saragusa
Bryn Stringer
Bryn Stringer. Photo: Joe Johnson
Rod Sager
Rod Sager. Photo: Kaitlin Saragusa
Kelly Mason
Kelly Mason. Photo: Joe Johnson
Faisal Hallum, Ceron and Brian Bolke
Faisal Hallum, Ceron and Brian Bolke. Photo: Kaitlin Saragusa
Elizabeth Hooper O’Mahoney, Ashley Varel, Shayna Fontana Horowitz and Nadia Dabbakeh
Elizabeth Hooper O’Mahoney, Ashley Varel, Shayna Fontana Horowitz and Nadia Dabbakeh. Photo: Joe Johnson
Brad Owen, Peter Augustus Owen and Thomas Fuelmer
Brad Owen, Peter Augustus Owen and Thomas Fuelmer. Photo: Kaitlin Saragusa
Alden Pinnell and Ben Slater
Alden Pinnell and Ben Slater. Photo: Joe Johnson
Sal Jafar and Christina Jafar
Sal Jafar and Christina Jafar. Photo: Kaitlin Saragusa
The Guggenheim’s Naomi Beckwith with Director of the High Museum of Art Rand Suffolk. All photos by Rafterman / Courtesy of The High Museum of Art
Several events are billed as the “Met Gala of the South,” among them the High Museum of Art’s David C. Driskell Prize Gala, which on April 26 brought more than 250 artists, curators, musicians, designers and art aficionados to the institution for a black tie evening of red carpet mingling, dinner, dancing and celebration.
The annual event honors the winner of the Driskell Prize in African American Art and Art History—the first award in the country to recognize the contributions to contemporary art by Black artists and scholars. This year’s prize went to Naomi Beckwith, who became the Guggenheim’s first Black deputy director and chief curator in 2021. Since then, she has made significant contributions to the field of African American art with her scholarship on Black identity in contemporary art and her work amplifying the work of African American artists. J. Tomilson Hill, chairman of the Guggenheim’s board, has called her a “catalytic thinker.”
As always, the gala attracted Atlanta’s see-and-be-seen set who rubbed elbows with art world insiders like curator Valerie Cassel Oliver, Nickol Hackett of the Joyce Foundation, HGTV’s Mike Jackson, futurist and designer El Lewis, stylist Jerrimiah James, artist Charly Palmer, Tanya Sam of The Real Housewives of Atlanta, HGTV’s Egypt Sherrod and artist Tyler Mitchell (who will have a solo exhibition at the High Museum this June). Sergio Hudson, winner of Bravo TV’s “Styled to Rock” and best known for dressing Vice President Kamala Harris and former First Lady Michelle Obama, dressed several of the gala’s attendees.
DJ Princess Cut and Mike “Killer Mike” Render getting the gala afterparty started. All photos by Rafterman / Courtesy of The High Museum of Art
This was the first Driskell Gala with an official afterparty, helmed by DJ Princess Cut and the Grammy-winning DJ Drama. Before the evening’s end, rapper and activist Killer Mike jumped up to take the tables for a spin.
Cristal Steverson and Sergio Hudson
Cristal Steverson, Sergio Hudson. All photos by Rafterman / Courtesy of The High Museum of Art
Scott Uzzell and Sunda Uzzell
Scott Uzzell, Sunda Uzzell. All photos by Rafterman / Courtesy of The High Museum of Art
Tyler Mitchell
Tyler Mitchell. Photo by Rafterman / Courtesy of The High Museum of Art
Karen Comer-Lowe and Leslie Parks Bailey
Karen Comer-Lowe, Leslie Parks Bailey. All photos by Rafterman / Courtesy of The High Museum of Art
El Lewis and Leslie Parks Bailey
El Lewis, Leslie Parks Bailey. All photos by Rafterman / Courtesy of The High Museum of Art
Eva Marcille and Jason Halliburton
Eva Marcille, Jason Halliburton. All photos by Rafterman / Courtesy of The High Museum of Art
Monique Meloche and Ebony Patterson
Monique Meloche, Ebony Patterson. All photos by Rafterman / Courtesy of The High Museum of Art
Tanya Sam
Tanya Sam. All photos by Rafterman / Courtesy of The High Museum of Art
Charlene Crusoe-Ingram and Earnest Ingram
Charlene Crusoe-Ingram, Earnest Ingram. All photos by Rafterman / Courtesy of The High Museum of Art
Nikki Crump, Sunda Uzzell, Naomi Beckwith, Charlene Crusoe-Ingram, Robyn Wallace, Louise Sams
Nikki Crump, Sunda Uzzell, Naomi Beckwith, Charlene Crusoe-Ingram, Robyn Wallace, Louise Sams. All photos by Rafterman / Courtesy of The High Museum of Art
Kent Kelley and Tamara Kelley
Kent Kelley, Tamara Kelley. All photos by Rafterman / Courtesy of The High Museum of Art
Andrew Warren and Ava Dash at the Save Venice Ball. Marcy Swingle
It’s Friday night, and a highlight of the gala season is on the calendar: Save Venice’s Un Ballo in Maschera, an event I always look forward to. The glitzy soirée, which focuses on raising money dedicated to the artistic preservation of Venice, Italy, is, fittingly, held at the Plaza Hotel. While the non-profit organization hosts several galas, the New York iteration is always special; this year, it fell on Friday, April 12.
Tonight’s date is Ava Dash, one of my best friends and, luckily, one of those girls who is surprisingly easygoing, because we both ended up last-minute winging our looks for the evening—shockingly enough, they worked out quite well, if I do say so myself. When I say I was texting my salesperson at Saks at 5 p.m. looking for the perfect McQueen blazer, I’m not exaggerating. Luckily, Ava and I had a good starting place, as Julian Polak of Maison Spoiled texted Ava and me photos of sparkling diamond options to tie our outfits together, and base the looks around—I ended up basing my look around a white gold-and-yellow diamond brooch Julian picked for me.
For Ava, I pulled a vintage, circa-1980s couture Calvin Klein marigold gown from my late grandmother’s collection, and tied the look together with tan Rachel Roy shoes and a bejeweled Judith Leiber monkey bag. Sometimes I do miss being in fashion, because I always love when my girlfriends let me style them. A few photos later, and we hopped in an Uber and were off to the Plaza.
Ava Dash. Matteo Prandoni/BFA.com
We arrived just in time for the last moments of cocktail hour, and my inner Kris Jenner came out, making sure Ava, the 24-year-old daughter of Damon Dashand Rachel Roy, was photographed by everyone.
Now, onto the actual event, which was sponsored by Oscar de la Renta and the Gritti Palace, a Luxury Collection Hotel. The sold-out event, themed La Primavera and attended by over 400 guests, raised more than $1.2 million for the preservation of historic art and architecture in Venezia.
As someone who has attended charity galas since I was 14 years old, I’m confident that I know a thing or two about how to do them right. The key to this event was the backdrop, which meant having it decorated and transformed into a Venetian garden by Save Venice co-chair and event engineer Bronson van Wyck and his team, Van Wyck & Van Wyck. With Bronson on decor, there isn’t much left to worry about, especially with Nathalie Kaplan’s consultancy agency, NGK Global, handling logistics. She’s the queen of these society charity galas, which are her speciality. And with corporate sponsors like Chaneland Gucci,the night was bound to be a success.
Ivy Getty, Emily Ratajkowski and Nicky Hilton. Matteo Prandoni/BFA.com
Aside from Ava, of course, some of the other best-dressed attendees included Tina Leung (in an Oscar de la Renta Barbie-esque sheer crystal top and pink silk bow dress),Di Mondo (in a blue hydrangeas-covered creation with butterflies and a matching mask),Ivy Getty(in a sheer, embellished Oscar de la Renta gown and Bulgari jewels) and Natalie Jackson (in a classic black Vivienne Westwood gown and over-the-top butterfly mask). And let’s not forget about van Wyck’s peacock cape. Other fashionable attendees included Emily Ratajkowski, Jenna Lyons, Nicky Hilton Rothschild, Anna van Patten, Julian Schnabel, Huma Abedin, LaQuan Smith and Ezra J William, to name just a few.
After the cocktail hour came to an end, Ava and I headed to our seats for the dinner.Laura KimandFernando Garcia, the co-creative directors of Oscar de la Renta, presided over the Ceremony for Outstanding Masks; Jordan Roth, Andy Yu and Lisa Sher-Chambers won the three prizes.
Paolo Lorenzoni, Bronson van Wyck and Lisa Sher-Chambers. Deonté Lee/BFA.com
It was an incredibly, glamorous evening, and in the midst of the festivities, I caught up with Ava on what she’s up to right now.
Observer: What’s the latest with you?
Ava Dash: I just moved back to New York. After graduating college at LMU in L.A., I’m excited to be back in the city and focusing on modeling as well as television projects.
What’s next for you, career-wise?
I recently worked with PETA, launching a campaign advocating for the welfare and well-being of animals. This has always been a priority to me, and working with their team has taught me so much. I am also very grateful to have just signed with a new modeling agency in New York City.
Why the switch from L.A. to New York?
I was born in New York and I moved to L.A. with my family when I was 14 years old; I did high school as well as college there, and was ready for a change. I wanted to elevate my career and experience my 20s in the city. The experiences that I can have in New York City, I just wasn’t having in L.A.. The New York lifestyle is so spontaneous; I was walking around Soho with friends and kept running into people we knew, adding to our group, and a magician stopped us and did an impromptu show. This type of thing never happens in L.A., where you’re just driving from place to place.
What’s your favorite part of New York?
Being able to walk around and meet new people. The feeling of endless possibilities drew me back to the city where I was born. Literally whatever you’re into, you can find the best of it in this city.
We’re at Save Venice—what other charitable causes are important to you?
The well-being of children is the most important. My mom and I co-authored a young adult novel [96 Words for Love, published in 2019] and gave the proceeds to girls rescued from sex trafficking in India. I am also very passionate about the well-being of animals, and have traveled to Thailand to work at a sanctuary for rescued elephants.
Ava Dash, Andrew Warren, Julia Moshy, Sarah Shatz and Natalie Jackson. Deonté Lee/BFA.com
What has been your favorite part of the night thus far?
I love people-watching and seeing how people come together for a theme. There is so much devastation that happens in Venice every year, so I am proud to be a part of a community that cares about this cause.
The event was beautiful! The food was delicious, the drinks were flowing and I love that the dance floor was packed throughout the night. It seems like everyone enjoyed themselves in helping to raise money for the historical and fabulous city of Venice.
Rate the decor one to 10?
It’s quintessential old school New York—9/10.
Who’s best dressed that you’ve seen tonight
Me!
I must ask—boyfriend or single lady?
Single lady! Trying to channel my inner Carrie Bradshaw with my recent move.
Well, on that note—anyone you’d immediately say yes to going on a date with?