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Tag: Foundation

  • How to apply foundation to mature skin, according to pro makeup artists

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    When it comes to creating a flawless makeup base, we’re often inclined to stick to the routine that works. But learning how to apply foundation to mature skin might make a world of difference—especially if your usual products and techniques aren’t delivering the same results they used to.

    “Since our skin changes as we age, our makeup should too! Meet your skin where it is now,” says Laura Geller, whose namesake makeup brand Laura Geller Beauty caters to mature skin. If you’re dealing with new or different concerns, especially with foundation on changing skin, you’re certainly not alone.

    “One of the biggest client frustrations with mature skin is that foundation often highlights what you’re trying to diffuse,” says celebrity makeup artist Christian Briceno. That can mean product settling into expression lines on the face, making them appear deeper, or draining the skin of moisture, which highlights dryness and texture. But for every new concern, there’s a simple solution.

    Featured in this article

    Armani Luminous Silk Perfect Foundation

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    Best Drugstore Option: L’Oreal Paris True Match Super-Blendable Foundation

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    Whether it’s a technique adjustment, a new formula, or a little extra skin prep, small tweaks can help you get the most out of your favourite foundation on mature skin.


    Ahead, you’ll find expert-backed insight on…


    Image may contain: Adult, Person, Accessories, Jewelry, Necklace, Bracelet, and Cosmetics

    11 best moisturisers for mature skin of 2025, reviewed

    How to choose a foundation for mature skin

    There are a few key factors to keep in mind when selecting a foundation for mature skin in particular. Chief among them is retaining moisture: “As we get older, our skin craves hydration, not heavy, drying formulas,” Laura says.

    When choosing a liquid formula, Christian recommends prioritising the following attributes:

    • Light to medium buildable coverage. Heavy coverage options can be drying and might exaggerate texture on the skin.
    • A satin or radiant-natural finish. Flat, matte options tend to settle into fine lines, while dewy options can highlight dryness or texture.
    • High water content. Water-rich foundations sink into thinner surface skin seamlessly, and prevent cracking.
    • Skincare support. Hydrating skincare ingredients such as ceramides, peptides, hyaluronic acid, and antioxidants can help smooth the skin’s surface and improve wear time.
    • Gentle mineral or hybrid formulas. If you have sensitive, thinning, or reactive mature skin, these tend to be less irritating and often feel weightless.
    Armani Beauty Luminous Silk Perfect Glow Flawless Oil-Free Foundation

    Courtesy of brand

    Armani Luminous Silk Perfect Foundation

    Charlotte Tilbury Charlotte’s Beautiful Skin Foundation

    Haus Labs Triclone Skin Tech Medium Coverage Foundation

    Laura Geller Baked Balance-n-Brighten Color Correcting Foundation

    If you prefer a solid foundation to a liquid, Laura advises opting for a baked formula. “Baked products start as creamy pigments, then are baked for 24 hours to lock in moisture, leaving you with a silky, lightweight finish that glides right over fine lines,” she says.

    Laura’s Baked Balance-n-Brighten Color Correcting Foundation is a good example: “It evens tone, brightens dullness, and never looks heavy on mature skin,” she says.

    How to apply foundation to mature skin, step-by-step

    Step 1: Moisturise.

    Any makeup routine—at any age—should begin with clean, hydrated skin. “Mature skin loses water faster than it loses oil,” Christian says. He recommends prepping the skin with a moisture-locking serum (we love Medik8’s Hydr8 B5 Intense), “to plump the surface so that the foundation has something to grip onto.” Follow that with a non-greasy moisturiser, which helps to smooth texture in addition to hydrating.

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    CeraVe Hydrating Hyaluronic Acid Serum

    Charlotte Tilbury Magic Cream Face Moisturizer

    Courtesy of brand

    Charlotte Tilbury Magic Cream

    If you’re still seeing signs of dryness, Christian recommends adding a light layer of emollient, perhaps a thin ceramide cream, only to “high-movement zones,” including your smile lines and the corners of your eyes. “This keeps the foundation from cracking later. Let everything absorb fully, as rushing this step guarantees slip and separation,” he says.

    Biossance Squalane + Omega Repair Cream

    Courtesy of brand 

    Biossance Squalane + Omega Repair Cream

    Step 2: Apply a primer.

    “If there’s one step you never want to skip as your skin matures, it’s primer, primer, primer!” Laura says. “Primer creates a gorgeous, smoothing barrier between your skin and your makeup so foundation doesn’t seep into wrinkles, look caky, or break apart midday.” She also notes that the right primer can be your ticket to richer colour payoff and longer wear.

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    Fenty Beauty Grip Trip Hydrating Primer

    Lancôme La Base Pro Makeup Primer

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    Lancôme La Base Pro Perfecting Make-Up Primer

    Christian emphasises the importance priming with precision. “Use a hydrating primer on dull or dehydrated areas (cheeks, under-eye perimeter), and a smoothing or blurring primer very lightly on pores and smile lines,” he says.

    Step 3: Apply your foundation.

    If you’re using a liquid formula, Christian recommends pumping a small amount onto the back of your hand first. Use a dense, flat brush to pick up a minimal amount of product, and apply it to your skin. Laura recommends using “light sweeping or buffing motions,” while Christian suggests “light circular motions to sheer the foundation out and stretch it toward the hairline.”

    Hourglass Ambient Soft Glow Foundation Brush

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    Hourglass Ambient Soft Glow Foundation Brush

    Fenty Beauty Precision Makeup Sponge 100

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    Fenty Beauty Precision Makeup Sponge 100

    Both experts advise against applying a heavy layer of foundation all over your face. Instead, dot it strategically onto the areas where you want more coverage, evening of skin tone, or brightening. Christian says to “avoid loading crow’s-feet, deep lines, and the outer jaw” with more foundation; these are areas where the product might settle in and draw more attention.

    Step 4: Remove excess product.

    To avoid a caky finish and product settling into fine lines, it’s a good idea to remove the excess foundation from the surface of your skin. Christian’s pro tip: “Take a damp makeup sponge and press—don’t drag—over the skin. This pushes pigment into texture and lifts off extra product.”

    Step 5: Set and finish.

    If you prefer to set your foundation with powder, Christian recommends only setting the areas where your face moves the most (smile lines, sides of the nose, and under the eyes if needed). Use a small, fluffy detail brush or a puff to very lightly, gently tap powder into these areas.

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    Grace McCarty

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  • Shoppers Praise This Complexion Stick for Not Settling Into Laugh Lines—‘My Skin Feels Baby Soft Again’

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    All products and services featured are independently chosen by editors. However, StyleCaster may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

    If you peek into my makeup bag, you’ll notice no signs of a liquid or powder foundation. Instead, you’ll dig up Merit Beauty’s The Minimalist Perfecting Complexion Stick. A complexion stick can work overtime as a foundation, concealer, contour, or whatever you want it to be for your base. That’s why I’m such a huge proponent of this multitasking makeup product, but not every brand gets it right. One that does, however, is Ogee with its Sculpted Complexion Foundation Stick, which has an early Black Friday discount right now.

    There are several reasons to love this formula. For one, it’s more than just a makeup product. It boasts skincare properties and leaves the complexion nourished, smooth, and youthful-looking. You have patchouli leaf extract, green coffee oil, and elderberry extract to thank for the glowing results. The former calms, smooths, and increases skin firmness, the middle promotes collagen and elastin production to boost firmness, and the latter helps “tighten” your complexion and shield it from oxidative stress. Another important thing to note about this creamy formula is that it’s clean, certified organic, and cruelty-free, which means it excludes a bunch of ingredients that are bad for your skin and doesn’t test on animals.

    Ogee Sculpted Complexion Foundation Stick

    On Sale 20% off

    Shades: 20 (7 light, 6 medium, and 7 deep)
    Size: 9.7 grams
    What It Does: Evens complexion and balances skin tone, and boosts elasticity and collagen production
    Key Ingredients: Patchouli leaf extract, green coffee oil, and elderberry extract
    Highlights: Buildable, multi-benefit, blendable, skincare-infused, high-performance
    Also Important: Clean, certified organic, cruelty-free
    Early Black Friday Deal: 20% off sitewide with code GLOWCLEAN

    All of these claims of anti-aging powers beg the question, “Does it actually work?” According to many shoppers, it does.

    “Lightweight coverage (with buildable option) that looks more natural than any foundation I’ve ever used (and I have tried many!),” wrote one reviewer who gave the product a five-star rating. “Glides on and blends effortlessly and stays put and most importantly, doesn’t settle into my many ‘laugh lines.’”

    “After trying every make-up brand out there, this stick knocked Shiseiedo out of 1st place and at a lower cost. I’m 57 and this gives me just enough luminous glow without looking oily and looks impossibly natural,” another shopper raved. “I don’t look ‘made-up’ I just look terrific and my skin feels baby soft again. Hooked and will be ‘sticking’ with this for a long time.”

    Lastly, a third reviewer said, “I love how the sculpting complexion stick feels and works! For the first time in my 64 years I LOVE putting on a foundation.”

    These are just a few of the shopper reviews that applaud Ogee’s Sculpted Complexion Foundation Stick for not emphasizing fine lines. So, if you’ve been trying to master an even complexion and second-skin feel with your foundation but haven’t had any luck, this stick is about to change the game.

    The brand recommends using multiple shades to create your perfect all-over base shade, or you can even order a deeper shade for contouring or a brighter shade for concealer. Simply use your fingers to dab the product into your skin, and remember, it’s buildable! Start with one layer and keep adding more for extra coverage.

    Don’t forget to enter code GLOWCLEAN at checkout so you can save 20% on the entire Ogee site as an early Black Friday treat (it’s the brand’s biggest sale of the year!). Since the whole online store is marked down, you might as well add more to your cart. Here are a few other options that shoppers are loving:

    Ogee Tinted Sculpted Lip Oil

    On Sale 21% off

    Color, moisture, and nourishment are all you can really ask for in a lip formula. This one’s the full package and even contains vegetable-derived volumizers for adding extra plumpness to your pout.

    Shades: 10
    Size: 3 grams


    Ogee Contour Collections

    On Sale 36% off

    On the hunt for a gift for your beauty-obsessed friend? This trio of Ogee face products is a must-buy. It includes three balmy sticks: one for bronzing, one for adding a flush to your cheeks, and one for highlighting.


    Ogee Sculpted Face Stick

    On Sale 20% off

    Glowy balms are having a moment, thanks to the clean-girl and no makeup makeup trends. Swipe this sheer, subtle shimmer highlighter to bring some Hailey Bieber-level dewiness to your complexion.

    Shades: 12
    Size: 8 grams

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    Katie Decker-Jacoby

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  • Ford Foundation Visionary Darren Walker Still Believes in America

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    Darren Walker was not supposed to run the Ford Foundation. Born to a single mother in Louisiana in 1959, Walker grew up Black and poor in rural Texas. “I think I was always a strange little gay boy,” he says with a laugh. “I was fortunate. My mother gave me unconditional love, and so I never felt out of place or unwelcome.”

    Who knew Beula Spencer’s strange little boy would one day become the 10th president of the Ford Foundation, a private philanthropic organization with the goal of advancing human welfare and social change. Founded in 1936 by Edsel and Henry Ford, the Ford Foundation is one of the wealthiest private foundations in the world, with a reported endowment of over $16.8 billion. Since 2013, Walker has overseen the entire operation.

    Today, after almost 13 years, is leaving his post. On a Zoom from his home on the east side of Manhattan, Walker chats with Vanity Fair while sitting in his kitchen, intricately decorated with art and photos of Black luminaries like Muhammad Ali and James Baldwin. “I have all sorts of things pinned on it—an inspiration wall,” he says.

    Marty Baron, José Carlos Zamora, Amal Clooney, George Clooney, Melinda French Gates, Walker, and Fatou Baldeh attend the Clooney Foundation For Justice’s The Albies.Taylor Hill/Getty Images.

    Inspiration is a core tenet of Walker’s new book, The Idea of America. Published on September 3 and featuring a foreword by Bill Clinton, the book is a 500-plus page compilation of Walker’s speeches, essays, and musings about the promise and pitfalls of our nation—and how to remain optimistic even in our current political landscape. “I believe in this country because it made my journey possible,” says Walker.

    A graduate of the University of Texas’s undergraduate program and law school, Walker says that federally funded social programs like the Pell Grant are responsible for getting him to where he is today. “There were so few barriers to my getting on that mobility escalator,” he says. “I was in the first Head Start program. I went to great public schools. I proudly assert that I have never had a day of private education in my life. That is because my country believed in my potential, and that manifests in the kinds of policies and programs and private philanthropy.”

    Walker decided to write his book, which he calls “a love letter to America,” after reflecting on the multitude of essays he’d written and speeches he’d given at both universities and Fortune 500 companies. He quickly realized “how prescient and timely many of them remain,” he says. “I wrote about the growing skepticism of capitalism by younger people. I wrote several about extremism and polarization and how we had been growing intolerant on both sides. On the right and the left, there was less willingness to tolerate, to engage, to even think about building consensus with people who we disagreed with—and how harmful that is for our democracy.”

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    Chris Murphy

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  • Lee Pace’s Dreamiest Sci-Fi, Fantasy, and Horror Roles

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    It’s never been a bad time to be a Lee Pace fan, but all of a sudden—some two decades into the tall, handsome, dramatic (yet quirky!) actor’s career—he is seemingly everywhere. With some high-profile projects on the horizon and an impressive list of films and TV already logged on his resume, we’re rounding up our favorites among his sci-fi, fantasy, and horror projects.

    © Apple TV+

    Brother Day, Foundation

    Across three seasons of the Apple TV+ Isaac Asimov adaptation, Pace has played Brother Day, filling the middle-aged spot in an ever-rotating trio of cloned rulers, all named Cleon. This means that we’ve seen Pace play multiple iterations of Brother Day, including an ambitious deceiver, a campy warmonger, and a lovelorn drug addict. It’s the same man in appearance only, and that allows Pace the chance to explore all the nuances (and hairstyles) that make Cleon such a complex character.

    Season three’s shocking climax left Brother Day’s future uncertain, but Apple TV+ surely realizes Pace is a big reason why people tune into Foundation’s sci-fi dramatics, and we think Day will find a way to return.

    Leepacethefall
    © Roadside Attractions

    Roy Walker/Black Bandit, The Fall

    Set during the early days of Hollywood, Tarsem’s lush 2006 fantasy imagines that a stuntman (Pace) befriends a young girl when they’re both hospitalized. He entertains her with the epic tale of a bandit (also played by Pace) fighting an evil ruler, with characters in the made-up story portrayed as exaggerated versions of people in their real lives.

    Gorgeous locations and visuals are (rightfully) what everyone remembers about The Fall, but amid its celebration of storytelling is a bleaker plot about Pace’s depressed character encouraging the little girl to help him steal morphine. In the years after its release, The Fall has become a cult classic—a designation helped along by the fact that until a 2024 4K restoration by Mubi, it was notoriously difficult to track down in either streaming or physical form.

    Leepaceronangotg
    © Marvel Studios

    Ronan the Accuser, Guardians of the Galaxy and Captain Marvel

    Pace’s Marvel moment came playing Ronan the Accuser, a Kree warlord who menaces the Guardians of the Galaxy misfits and tries to claim one of Thanos’ Infinity Stones for his own use. That doesn’t go so well for him, but Pace’s performance was so memorable—he’s a villain, but he’s far from one-note—that it was a delight to see Ronan return (briefly) for a failed attempt at battling the Skrulls in 2019’s Captain Marvel, which takes place before the events of 2014’s Guardians.

    Leepacewonderfalls
    © Fox

    Aaron, Wonderfalls

    This 2004 Todd Holland-Bryan Fuller creation only aired a handful of episodes before being cancelled, though its singular season eventually got a DVD release. Perhaps its premise—about Jaye, a Niagara Falls shop clerk (Caroline Dhavernas, who went on to co-star in Fuller’s Hannibal series) who tries to make the world a better place, urged on by the seemingly magical trinkets she sells—was simply too out-there for Fox audiences.

    Pace had a supporting role as Jaye’s easygoing brother; his skepticism about her claims of having conversations with inanimate objects erodes over the course of the series and eventually makes him question his own beliefs about the cosmic order of things.

    Leepacepushingdaisies
    © ABC

    Ned, Pushing Daisies

    Pace re-teamed with Fuller for this cult-beloved ABC drama, which ran for two seasons from 2007 to 2009. Pace starred as Ned, a piemaker with the ability to revive the dead with his touch—and then send them back to the beyond with a second touch—who teams up with a private eye on murder cases. He also rediscovers his first love after her untimely murder, then must deal with the agony of never being able to touch her.

    Pushing Daisies was equal parts sweet and macabre and favored a fantastical storybook palette in its production design—so it had a lot to love about it. But even with a fun supporting cast (including Kristen Chenoweth) and some memorable guest stars, Pace’s adorable character was really the big draw.

    Leepacethehobbit
    © New Line Cinema

    Thranduil, The Hobbit trilogy (An Unexpected Journey, The Desolation of Smaug, The Battle of the Five Armies)

    Thranduil, the Elvenking, brings big drama to all three Hobbit movies (particularly the second and third, released in 2013 and 2014). Is he a true villain—or just an icy, elegantly haughty antagonist? Peter Jackson’s mainline Lord of the Rings movies are near-universally accepted as superior to his Hobbit trilogy for many reasons, but when fans tick off things they do like about his Hobbit movies, Lee Pace’s indelible turn as Thranduil is always right near the top.

    Leepacebodies
    © A24

    Greg, Bodies Bodies Bodies

    The rare horror outing for Pace is technically a horror comedy, with emphasis on the comedy, about a group of catty friends whose drug-fueled “murder” bash turns unexpectedly bloody. Pace plays the older boyfriend of one of the partiers (played by Bottoms’ Rachel Sennott) and becomes an early suspect—though (spoiler!) he meets his own untimely end pretty early on.

    We’d love to see Pace add more horror to his resume; he has a couple of supernatural-themed entries we never actually heard of until compiling this list (2017’s The Keeping Hours is one example), but his ability to seamlessly blend comedy and drama makes him an ideal anchor for any high-tension setting.

    Leepacetwilight 2
    © Summit Entertainment

    Garrett, The Twilight Saga: Breaking Dawn – Part 2

    Here’s your reminder that Pace did indeed pop up in the very last Twilight movie, released in 2012. He played an Alaska-based vampire so notably dreamy he attracted some fan notice. That’s no small feat in a movie that’s mostly about theatrically fraught vampire-on-vampire feuds as well as the very odd growth cycle of Edward and Bella’s freaky newborn daughter.

    Leepacemarmaduke
    © 20th Century Fox

    Phil, Marmaduke

    Does Marmaduke count as fantasy? The dogs talk to each other and have exciting off-leash adventures while the human characters (including Marmaduke’s owner, played by Pace) deal with boring life stuff. Marmaduke (voiced by Owen Wilson) and Phil do get involved in a high-stakes, raging-waters rescue at the end that ends up saving not just life and limb but also Phil’s job when a video of it goes viral.

    Marmaduke was clearly a choice Pace made as an early career opportunity rather than a creative challenge, but who even remembers this movie? It’s silly, but at least it’s not embarrassing.

    Leepacerunningman
    © Paramount Pictures

    Future Roles

    Pace fans, prepare to feast! Not only is he in Edgar Wright’s The Running Man as a masked hunter chasing after Glen Powell (in theaters November 14), but he also just joined the cast of the Prime Video animated superhero series Invincible, voicing Grand Regent Thragg in next year’s season four. He also has an as-yet mysterious role in the much-anticipated witchy sequel Practical Magic 2, due out in fall 2026.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • Lee Pace Reveals the Secrets of His ‘Foundation’ Bod

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    Foundation season three has ended (we’re still reeling) and we are more than thrilled that a fourth season is on the way. Though Apple TV+’s Asimov adaptation has a lot of things to recommend about it—complex characters, dynamic worldbuilding, a plot that celebrates the wonders of math—you also can’t count out the Lee Pace factor.

    The charismatic, cult-beloved actor has been a pivotal part of all three seasons. Though Foundation takes place across hundreds of years, the galaxy it’s set in is ruled by clones who are replaced over time. Pace plays the Cleon clone named Brother Day, and the iterations of him we’ve met across three seasons have been widely varied.

    In season one, Cleon XIII underwent a grueling religious pilgrimage to prove he had a soul—and therefore cut off a would-be power grab from religious opponents. In season two, Cleon XVII toyed with the idea of ending the genetic dynasty, then escalated the conflict with Foundation and was undone by his own ego. Season three’s Cleon XXIV shirks his royal duties, preferring to hang with his lady friend and get high—at least until he discovers a more noble purpose.

    That’s a too-brief summary of the various Brother Days Foundation has introduced over the years. But it’s important to note they all look like Lee Pace—and they’re forever popping up in various stages of undress.

    In a new interview with GQ, Pace discussed the fitness routine he followed to be ready to leap out of Cleon’s robes at any moment.

    “Every season I play a different character, and it’s very important to me to create physicality for the characters, to help tell that story, even though the idea is that they’re the same man cloned again and again,” he said. “I guess it’s important for me and my own sanity to know that none of us can actually be the same, that clones are impossible, that we are intrinsically individuals and unique from each other. So it’s important to me to make a very different body for these characters every season.”

    Pace has worked with the same trainer for the duration of Foundation, he said, to help him embody each version of Cleon that he’s played. “In the first season, he was the strong emperor of the galaxy, eager to execute people. And in the second season, I guess I just went wild with this idea of his ego, that he actually believed he was the most important person in the galaxy.”

    Season three, Pace said, was less about spending long hours in the gym. “It was important for me this season to think about the character as pretty relaxed—and you can still exercise in a relaxed way. I think that’s something that I very much appreciate because I don’t like feeling overly pressured. We also wanted to push a lot of weight with the character. We felt like there was a size to him that felt right.”

    If you haven’t yet watched the season three finale, “The Darkness,” and you care about Foundation spoilers, stop here!

    In the season three finale, Brother Day—who chose to have his royal self-healing nanites removed—is murdered by his older brother, Darkness, who then smashes all the tanks containing the backup Cleon clones.

    Does that mean Pace won’t be back for Foundation season four? Demerzel, the robot who kept the Cleon conveyor belt moving, has herself been murdered by Darkness. And who knows how much of the equipment needed to clone human beings remains operational?

    However, the youngest Cleon—Brother Dawn—is still alive and nearly of the right age to become Brother Day. (In Foundation’s suspension-of-disbelief dramatics, though Brother Dawn is played by Cassian Bilton, Brother Day always looks like Lee Pace.)

    Also, the finale made sure to show us that the long-preserved body of Cleon the First is still hanging around. He’s the ruler who implemented the genetic dynasty generations ago, using his own DNA as a blueprint.

    But the show’s trajectory toward the long-promised “fall of Empire” suggests that we’ve reached the end of the clone era, even if creating more Cleons could somehow be possible. A lot will depend on where season four picks back up with the story, though given how we left things, it seems likely there won’t be another 150-year gap.

    All this is to say that we love Lee Pace and we hope Foundation finds a sci-fi way to keep him on the show. You can watch all three seasons of Foundation on Apple TV+ now.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • Foundation Finale Interview: Bayta Mallow Actor Synnøve Karlsen

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    Foundation season three just dropped its finale episode, “The Darkness,” and it was jam-packed with reveals and twists. When io9 got a chance to talk to Synnøve Karlsen, who plays Bayta Mallow on the Apple TV+ show, we didn’t hesitate, since Bayta plays a crucial part in what happens in the climax, and there’s no doubt she’ll be having an impact on the show’s just-announced fourth season.

    If you haven’t watched “The Darkness” yet, be warned! We talk spoilers galore.

    Foundation Baytalyingdown
    © Apple TV+

    Foundation‘s season finale brought the long-awaited showdown between Gaal Dornick (Lou Llobell), head of the Second Foundation, and the mysterious Mule (Pilou Asbæk). And we don’t use “long-awaited” lightly; Gaal literally put herself in stasis on and off for 152 years so she’d be alive during the Mule’s rise to power. She’s been having vivid visions of their violent confrontation for years.

    So when the moment finally arrived in “The Darkness,” viewers were shocked to find the Mule isn’t the Mule at all. He’s just a pirate being puppeted by the real Mule: Bayta Mallow (played by Karlsen), a rich socialite who’s been hiding her true identity all season. Surprise!

    Cheryl Eddy, io9: In episode 10 we learn Bayta has a big secret. At what part in the process did you learn her true story?

    Synnøve Karlsen: I learned fairly early on. When I was meeting for the role, they had kind of hinted there was something underneath that they hadn’t revealed yet. And then once I officially signed on, they told me exactly who she really was, which was very exciting.

    io9: How did you infuse that into your performance? Were there any specific moments leading up to episode 10 that felt like hints to the audience?

    Karlsen: It’s really difficult because as I was playing her, she [was] just acting in complete honesty and truth to what she believes in. There’s just one thing that she holds back throughout, so it’s this unspoken thing that she just doesn’t say. I’d say that across the board it was quite easy to play along in a really genuine way, because these were all goals that she really, truly wanted.

    What was harder were moments when, say, [the balladeer] Magnifico’s playing the visi-sonor, or Magnifico’s talking about his relationship to the captain. Nobody’s looking at Bayta, and the camera’s on Bayta. And I think in those moments, I just let her feel how she would have felt. Luckily, there were no lines, so it didn’t give anything away.

    But I definitely think for the viewer, once they know the reveal, when you go back and watch it, it’ll be pretty obvious. There will be some real moments to stick out. I mean, as a viewer of it myself, although I’m in it, when I watch it back, I’ve been like, “Oh, god, this is so obvious!” But luckily, I don’t think that many people have kind of caught on to the reveal yet. So hopefully I kept it subtle enough.

    io9: When she says, “I’m the Mule”—what are the emotions she’s feeling right then? What was it like making that scene?

    Karlsen: There were quite a few iterations of that scene, just in terms of length and how the reveal is played out. Ultimately, I think it becomes something of—it’s sort of like when something painful needs to be said, there’s no masking it. You have to say what it is and it felt like a catharsis, really, for me as an actor, and I think for Bayta.

    I think she’s truly a good person who believes in what she’s doing; it’s just she hasn’t been able to say this one truth and she’s been holding on to it for so long. I think the [pirate] describes it as a pre-ordained consummation, so everyone is finally in this room and she’s been waiting for this moment our whole life. To be confronted with Gaal and to have Toran and Magnifico and all these people around her and the pirate dead, it’s this moment of “Oh, this is what I’ve been waiting for. And I’m so happy that I can finally be honest about who I am.” So that’s how it felt for me playing it.

    Foundation
    Toran (Cody Fern) and Bayta. © Apple TV+

    io9: She says, “I’m going to explain all of it, I promise,” to Toran, but we don’t get to hear that, beyond the flashback that shows it was her childhood, not the Mule’s, that we saw in episode seven. Can you kind of walk us through what you think her plan looked like?

    Karlsen: I had ideas. I think there’s like a really kind of—I don’t really know how to describe it, but kind of like a feral side to Bayta. She has come up through such hardship that she can be super ruthless when she needs to be, and I think she’s also not afraid to almost sell herself in certain ways to be seen and to become famous.

    Her backstory was quite important to me in terms of figuring out kind of how she found Toran. I imagine that it was, as I said, a really difficult path. But she obviously had this power that she was kind of crafting and coming to terms with and trying to understand and use to her favor.

    I think she met the pirate and it felt quite fortuitous, because he was this person who didn’t really care about being a complete brute. She could use him as a pawn and then also claim rightly or wrongly that she wasn’t in control of him in his entirety, so for any of the truly awful things that he did, she can kind of not take the blame for, in a way. Yes, definitely an interesting backstory, that’s for sure.

    Foundation Finale Mule
    Pilou Asbæk as “the Mule.” © Apple TV+

    io9: Did you work with Pilou Asbæk at all to sort of align your characters?

    Karlsen: Yeah, definitely. We chatted a lot. And I studied his scenes almost in the same way that I would study my own scenes, because I was so fascinated by what his character was really doing and the purpose he was serving for Bayta. But as I said, it was quite intentional that she chose someone like him, because she can kind of be absconded from the blame in terms of the kind of terror and cruelty that he enacts.

    So it was important to me to find something of a similarity in them but also it was just interesting to see the way that he played it. I also watched a lot of his scenes. I’d come and watch him on set and see what he was doing. Because I think there’s a dual awareness in Bayta, and you don’t really know what’s true and what isn’t. It was interesting for me to have that darkness, almost, in her, that this person is out there doing these things and she’s kind of aware of it but kind of not fully in control of it.

    io9: You get the sense early in the season that people underestimate her. She comes off as sort of vapid, and as a result people don’t realize how intelligent she is. Do you think she deliberately leans into that?

    Karlsen: Totally, yeah. And it’s in that that she has so much power in a way because she’s so, as you said, semi-vapid. But once you know—I mean, it was so exciting for me reading the scripts, because when you have the knowledge of who she really is, there’s such a different weight to it. You realize how it’s completely not vapid and it’s completely powerful and kind of amazing.

    io9: Bayta is a character in the Asimov books, though her story is changed a lot for the show, as is the Mule reveal—in the books it’s Magnifico, not Bayta, who’s revealed as the Mule in disguise. Are you anticipating what the audience reaction might be?

    Karlsen: I’m not sure. That’s something I’m a little bit nervous about, but I’m very excited. I think that this is an exciting change. I think that the show has done really well in putting female perspectives into a genre that isn’t traditionally led by many women. So I think that it’s a great twist and I think that it’s exciting. And also, I think it’s fun to be kept on your toes. It’s fun to be entertained and to be shocked and I think this definitely does that. So I hope that diehard fans of the books aren’t too disappointed—but they’re actually excited by this change that’s been made.

    Foundation season three is now streaming on Apple TV+.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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  • ‘Foundation’ Will Return for Season 4

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    As sci-fi nerds, we here at io9 love Foundation, even if the show hasn’t gotten the mainstream buzz of certain other Apple TV+ series. It’s hardly a Severance-level blockbuster. But as the current third season of the Asimov adaptation prepares to air its finale, there’s an excellent bit of news from the streamer: Foundation will return for a fourth season. We can only assume that means cliffhangers galore in tomorrow’s finale, as is Foundation tradition—but we’re so happy with the announcement, we don’t even care (too much)!

    In an Apple TV+ press release, co-showrunners Ian Goldberg and David Kob sounded suitably excited and confirmed they’ll both be back for more.

    “There is no series quite like Foundation and we feel lucky and honored to be carrying the torch forward as co-showrunners into season four,” they said. “We look forward to continuing the epic, emotional, storytelling that defined the first three seasons of the show, and to be working alongside some of the most talented, passionate creative partners in the business.”

    The head of Apple TV+ programming, Matt Cherniss, praised the series. “It’s been fantastic to watch Foundation become such a global phenomenon, with fans tuning in from every corner of the world,” he said. “With each new season, the excitement around this trailblazing sci-fi epic just keeps building due to the bold storytelling and collective artistry of this extraordinarily talented cast and creative team. We’re excited to keep exploring this universe together in season four.”

    Season three brought back stars Jared Harris, Lee Pace, Lou Llobell, Laura Birn, Cassian Bilton, Terrence Mann, and Rowena King; new characters were played by Cherry Jones, Brandon P. Bell, Synnøve Karlsen, Cody Fern, Tómas Lemarquis, Alexander Siddig, Troy Kotsur, and Pilou Asbæk.

    Foundation‘s season three finale, ominously titled “The Darkness,” hits Apple TV+ tomorrow. We’ll have our thoughts and more coverage to share soon!

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • The Video Game History Foundation’s fight for game preservation isn’t over

    The Video Game History Foundation’s fight for game preservation isn’t over

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    Last week, the Video Game History Foundation (VGHF) released a expressing its regret that the US Copyright Office’s refused to grant an exemption to the Digital Millennium Copyright Act (DMCA) to help preserve rare video games. However, the VGHF continued by saying it won’t back down and will continue advocating for improved video game preservation.

    For some context, the VGHF had been a longtime supporter of the Software Preservation Network’s (SPN) petition to receive a for the sake of preserving video games, especially for researchers who need access to them and can’t do so due to unavailability. As the only currently legal way is to get a legitimate hard or soft copy of the game and play it on its corresponding console, researchers are encountering difficulties in progressing in their studies. Piracy would be illegal, of course, which is why the SPN is fighting for an exemption. However, there are those who don’t see things this way.

    Despite not convincing the Entertainment Software Association (ESA) and the US Copyright Office, the VGHF doesn’t regret supporting the SPN’s petition for a DMCA exemption. Its goal, and that of several like-minded organizations (as mentioned by ), is to help preserve out-of-print and obscure video games for future generations to enjoy. The petition sought to allow researchers to access these games remotely from libraries and archives.

    The ESA pushed hard against the petition, refusing to allow any remote game access whatsoever. ESA members have even ignored calls for comment on the situation, reports. As the VGHF says, researchers are now forced to use “extra-legal methods to access the vast majority of out-of-print video games that are otherwise unavailable.”

    Three years of fighting for a cause and not giving up shows that the VGHF remains committed to video game preservation. The organization ended its statement by calling game industry members to support its cause.

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    Jeremy Gan

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  • Engineering company creates adaptive Halloween costumes for kids

    Engineering company creates adaptive Halloween costumes for kids

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    IT’S NOW AT 26 MINUTES. A KANSAS CITY NONPROFIT IS DOING WHAT IT CAN TO MAKE SURE THAT EVERYONE HAS A COSTUME. KMBC NINE TERISA WHITE SHOWS US THE DESIGNS COMING TO LIFE FOR KIDS LIVING WITH MOBILITY ISSUES. CAN YOU IMAGINE A COMPANY THAT MAKES HALLOWEEN COSTUMES INCLUSIVE TO ALL? WELL, NOW YOU DON’T HAVE TO IMAGINE BECAUSE ONE FOUNDATION IS DOING EXACTLY THAT. IT’S HALLOWEEN SEASON AND ALL OF THE CREATIVE COSTUMES ARE COMING OUT OF THE WOODWORKS, BUT NONE AS CREATIVE AS THE ONES FROM A-Z FOUNDATION. THIS IS THE FOUNDATION’S FIRST YEAR PARTNERING WITH WALK IN AND ROLLIN. A LOCAL NONPROFIT WHICH AIMS TO BRING ADAPTIVE COSTUMES TO KIDS WITH DISABILITIES. WE PARTNER WITH DIFFERENT CHARITIES ACROSS KANSAS CITY EVERY SINGLE YEAR, AND SOMEBODY ACTUALLY BROUGHT THIS CHARITY TO OUR FOUNDATION AND THOUGHT IT WAS A GREAT IDEA. WE HAVE AN ENGINEERING TEAM AND THEY DESIGNED IT, AND THEN WE ACTUALLY HAVE A FABRICATION SITE HERE AS WELL. AND THEY CUT ALL THE PIECES OUT OF PLASTIC AND WE ASSEMBLED IT AND THEN PUT THE DETAIL, THE FINE DETAILS ON IT. THE FOUNDATION HAS THE RESOURCES TO MAKE ALL THE KIDS COSTUME DREAMS COME TRUE WITH A WATER JET CUTTER. THEY BUILT A BLUEY COSTUME, A SURPRISE FOR SARAH. RAMBO NESS NORTH NEWTON PAUL I KNOW, LOOK AT THAT. SOLOMON CHARACTER. IT FITS HER WHEELCHAIR AND IT’S HER FAVORITE SHOW. SARAH’S MOTHER, KATIE, SAYS SHE COULDN’T BE HAPPIER. JUST MIND BLOWING. I DIDN’T EVEN KNOW WHAT TO EXPECT, BUT DIDN’T EXPECT THIS. AND IT’S PRETTY AMAZING. THE COMPANY USUALLY MAKES CONVEYOR BELTS, BUT SAYS IF YOU HAVE THE RESOURCES, THEN WHY NOT MAKE A KID’S DREAMS COME TRUE? REPORTING IN KANSAS CITY, TERISA WHITE KMBC NINE NEWS. ASI SAYS THEY’RE HOPING TO PARTNER WITH

    Engineering company creates adaptive Halloween costumes for kids

    A Kansas City, Missouri, company is partnering with an area nonprofit to create adaptive Halloween costumes for children with disabilities.Automatic Systems, Inc. and the ASI Foundation, known for their engineering and fabrication capabilities, are using their resources to make inclusive costumes with nonprofit Walkin’ and Rollin’ Costumes.”We partner with different charities across Kansas City every single year,” said Erika Jump with ASI. “Somebody actually brought this charity to our foundation, and we thought it was a great idea.”This year, the group surprised Sarah, a young girl who uses a wheelchair, with a custom Bluey costume.The cartoon dog is her favorite character.Sarah’s mom, Katie Antoniotti, said the work was incredible.”Just mind-blowing,” Antoniotti said. “I didn’t even know what to expect. I didn’t expect this. It’s pretty amazing.”The foundation usually makes conveyor belts, but officials said if you have the resources, why not make a kid’s dream come true?ASI said they’re hoping to partner with Walkin’ and Rollin’ for this initiative every year.

    A Kansas City, Missouri, company is partnering with an area nonprofit to create adaptive Halloween costumes for children with disabilities.

    Automatic Systems, Inc. and the ASI Foundation, known for their engineering and fabrication capabilities, are using their resources to make inclusive costumes with nonprofit Walkin’ and Rollin’ Costumes.

    “We partner with different charities across Kansas City every single year,” said Erika Jump with ASI. “Somebody actually brought this charity to our foundation, and we thought it was a great idea.”

    This year, the group surprised Sarah, a young girl who uses a wheelchair, with a custom Bluey costume.

    The cartoon dog is her favorite character.

    Sarah’s mom, Katie Antoniotti, said the work was incredible.

    “Just mind-blowing,” Antoniotti said. “I didn’t even know what to expect. I didn’t expect this. It’s pretty amazing.”

    The foundation usually makes conveyor belts, but officials said if you have the resources, why not make a kid’s dream come true?

    ASI said they’re hoping to partner with Walkin’ and Rollin’ for this initiative every year.

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  • The James Beard Foundation Unveils a Fresh Crop of Celebrity Hosts for Its 2024 Gala

    The James Beard Foundation Unveils a Fresh Crop of Celebrity Hosts for Its 2024 Gala

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    The James Beard Foundation announced five new hosts for its annual red-carpet gala on Tuesday, May 21, just weeks ahead of the awards ceremony that’s considered among the highest honors in the American restaurant industry.

    The first-time co-hosts poised to take the stage on Monday, June 10 at the Lyric Opera in Chicago are California-based Top Chef alum Nyesha Arrington, named Eater LA’s chef of the year in 2015; Top Chef: All-Stars champion and Beard-nominated cookbook author Richard Blais; celebrity chef, cookbook author, and Food Network regular Amanda Freitag; and celebrity chef and multiple James Beard Award-winner Marcus Samuelsson.

    Michelle Miller, a national correspondent for CBS News and co-host of CBS Saturday Morning, will host the media awards on Saturday, June 8. Karen Washington, winner of the 2023 James Beard Humanitarian Award will host the leadership awards ceremony on Sunday, June 9.

    This media-savvy group will oversee the proceedings at the June gala, where just four Chicago restaurants and chef finalists will vie for their respective awards.

    Tune in with Eater’s livestream on June 10.

    Correction, Tuesday, May 21, 4:17 p.m.: This piece has been updated to reflect the hosts of the media and leadership awards ceremonies.

    Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Awards. Eater is partnering with the James Beard Foundation to livestream the awards in 2024. All editorial content is produced independently of the James Beard Foundation.

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    Naomi Waxman

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  • I have dry skin and this tinted moisturiser is my everyday go-to

    I have dry skin and this tinted moisturiser is my everyday go-to

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    “Unlike generic tinted moisturisers, which are designed to add hydration with just a touch of pigment, BB creams – or ‘Beauty Balms’ – are designed to merge these skincare effects with makeup pigments and SPF whilst still being relatively lightweight,” muses Rose when I quiz her on the matter.

    “CC Creams – or ‘colour correctors’ – merge makeup, skincare and SPF with the specific intention of colour correcting any uneven tones to create a more even canvas. These tend to have slightly more pigment and coverage as they’re used to correct things like redness, pigmentation or acne.” She continues, “DD creams, or ‘Daily Defence’ creams, are the least popular. Daily defence really pertains to a cream like the others, but this time with ingredients designed to offer high SPF protection or protection against environmental aggressors with targeted ingredients like vitamin C.”

    Long story short, the market is full of options. Lots of them are great, but some are also quite meh, which is why I’ve narrowed down the very best tinted moisturisers for all skin types, budgets and preferences. I’ve tried to keep this list to tinted moisturisers only, but we have more guides on the best BB creams and CC creams if you like the sound of them too. For now though, if you like the sound of a lightweight tint to keep you feeling fresh and confident this summer, then just keep scrolling – ‘cos a healthy glow is but a click away.

    How we tested tinted moisturisers

    Throughout the years, the GLAMOUR team has collectively tried hundreds of tinted moisturisers, having tested said formulas on a variety of skin types, skin tones and age groups. When reviewing each formula, we’ve assessed the final look and whether it lasts all day, as well as value for money and how innovative it is compared to other options on the market.

    Feeling inspired to upgrade your makeup routine? Check out our guides on the best bronzers, best concealers, best lightweight foundations, best cream blushes and best liquid blushes. We can also help you pick the best lipstick, best highlighter, best eyebrow product, best setting spray, best retinol serums, best moisturisers and lotions, best body scrubs and more.

    For more beauty content from our Beauty Commerce Contributor Humeara Mohamed, follow her on Instagram @humeara and TikTok @humearaa.

    Scroll for our full edit of the best tinted moisturisers…

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    Elle Turner, Sophie Cockett, Denise Primbet, Humeara Mohamed

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  • 12 Foundations That Won’t Slip, Smudge, or Slide Off of Oily Skin

    12 Foundations That Won’t Slip, Smudge, or Slide Off of Oily Skin

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    Celebrity makeup artist J Guerra says there are four things to look for. First, choose an oil-free formula. “These are typically designed for oily skin types specifically,” he says. “They provide coverage and perform like other formulas without adding extra oil to the skin.” Second, choose a formula with a matte finish. “This will help control shine and give the skin a more refined surface without adding any unwanted glow or shine,” he adds. Third, choose a foundation that’s labeled noncomedogenic, which means the product is not likely to clog pores. Guerra says, “That’s especially crucial for oily skin, which can be more prone to breakouts.” Finally, look for claims like “long-wearing” or “24-hour wear.” Guerra says these formulas are designed to last longer and can stand up against oil production better than other foundations.

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    Kaitlyn McLintock

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  • This TikTok-Viral Foundation Gives a Radiant, Filtered Effect in Seconds

    This TikTok-Viral Foundation Gives a Radiant, Filtered Effect in Seconds

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    After applying a thin layer, I would say it blurs out imperfections and creates that filtered effect on the skin. You should know that this is more of a sheer-coverage foundation. Usually, I’m not a sheer-coverage girlie in the slightest—I like a buildable medium- or full-coverage foundation, period. If you struggle with acne and dark spots, I’m sure you get it. I was so surprised by how much I loved this. Although it is a bit sheer, you can build up coverage, and it creates a beautiful glow that gives a glass-skin effect.

    If you’re someone who really likes skin tints that give you light coverage and offer a glow, I think you’ll love this. Full-coverage folks should also hear me out, though. I see you! I’m one of you! But give this foundation a chance. It looks beautiful on the skin, and I was pleasantly surprised by how much I loved it. It feels fresh and light on the skin and blurs out imperfections in a nice way. If you have dark spots like me, you’ll probably need to build it up a bit more before achieving your desired level of coverage, but I’ll definitely continue to use this one. The price tag also isn’t too bad at just $21!

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    Shawna Hudson

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  • Out of All the Makeup Brands Editors Have Access to, We Use These 8 the Most

    Out of All the Makeup Brands Editors Have Access to, We Use These 8 the Most

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    Merit Beauty, founded by Katherine Power, seamlessly combines clean ingredients, fuss-free application, and stunning results in a range of products that prioritize the health of your skin. The brand embraces modern minimalism, impossible-to-mess up products, and a well-edited makeup routine. Among the cult favorites from Merit are their Flush Balm Cream Blush, Minimalist Perfecting Complexion Foundation and Concealer Stick, Signature Lip Lightweight Lipstick, and the Bronze Balm Sheer Sculpting Bronzer.

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    Maya Thomas

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  • I've Given Beauty Advice for Over a Decade—Don't Sleep on This Buzzy Foundation

    I've Given Beauty Advice for Over a Decade—Don't Sleep on This Buzzy Foundation

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    But that’s what you’d expect of the brand’s most buzzed-about launch within the Ambient Lighting family, the makeup collection known for delivering that flawless, effortless glow everyone is after. This foundation does just that and more: It’s formulated with blurring spheres and light-diffusing pigments to help soften the look of skin imperfections while minimizing the look of pores, lines, and wrinkles. It’s also made with antioxidant-rich ingredients like vitamin E and white-tea extract, which give the formula its super-blendable, second-skin finish while protecting it against outside stressors and blue light–induced free radicals. I’m not a foundation-every-day sort of girl, but I have to admit how impressed I am by the shade range (32 shades to be exact!), the lightweight formula, and how easy it is to blend into my skin, especially when I use the Ambient Soft Glow Foundation Brush ($47). My co-workers are equally as impressed and have thoughts. Keep scrolling for all of their takes.

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    Caitie Schlisserman

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  • 15 Drugstore Foundations Makeup Artists and Beauty Editors Obsess Over

    15 Drugstore Foundations Makeup Artists and Beauty Editors Obsess Over

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    We believe in being 100% transparent here at WWW Beauty, and we’d be lying if we said we don’t have exceedingly high expectations when it comes to a face-perfecting foundation formula. As makeup artists can attest, foundation is one makeup category worth splurging on because you often get what you pay for regarding finish, naturalness, and longevity in the best foundations. Since we greet the world with the skin on our face, we always want our complexion to live up to its full potential, and, simply put, we have zilch time for unflattering shades or difficult application.

    That said, there is a select—let us emphasize—a very select group of drugstore foundations both celebrity makeup artists and product-jaded beauty editors stand by—formulas so good we actually apply them on the regular and keep stocked next to our bottles that are three, sometimes five, times the price. Curious to know which affordable drugstore foundations actually stand up to our super-high standards? Keep scrolling. Ahead, we’re naming 15 of the best drugstore formulas you should most definitely swipe next time you’re at CVS, Rite Aid, or wherever you make your tampon, deodorant, and Trident Layers runs.

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    Erin Jahns

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  • I’m Always Saving Barbara Palvin’s Beauty Looks—I Asked Her How She Creates Them

    I’m Always Saving Barbara Palvin’s Beauty Looks—I Asked Her How She Creates Them

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    There’s absolutely no denying that model has a unique ability to flawlessly execute beauty trends while embracing her natural features. A quick scroll through her Instagram page reveals a feed peppered with everything from editorial photo shoots with major brands to snaps of her everyday life. “When I’m in a time crunch, my go-to products are Armani Beauty’s Luminous Silk Foundation, Eyes to Kill Wet Waterproof Mascara, and Lip Powder Lipstick,” she explains. “Even just these three products make such a difference in helping me look put-together.” In many of her personal pics posted to her page, Palvin sports fresh-faced, barely-there makeup looks while on the go.

    It’s no wonder her approach to quick and easy makeup happens to be the blueprint of the social media–driven “model off duty” look that’s risen to prominence over the past couple of years. Palvin also has a soft spot for 2023’s ‘90s-inspired makeup trends, more of which we’ll be seeing throughout this year on and off the runway. “[I] just want the ’90s strong-lip-liner trend to stay,” says Palvin. In 2024, beauty trends are certainly skewing in her favor, with chocolate-colored liner and full, glossy lips predicted to stick around a while longer with modern-day products.

    The arrival of January gives us the perfect opportunity to hop on the last of winter’s beauty trends, and I’ll be taking cues from Palvin to kick off the New Year in style. “I always love to go with a stronger lip—not necessarily a classic red lip, but maybe something deeper and darker,” she says. To create this bold look, she layers Armani’s Lip Power Matte in shades 603 and 207. The stunning lip combo is also her go-to during the holiday season.

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    Maya Thomas

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  • The best serum foundations to add to your beauty routine

    The best serum foundations to add to your beauty routine

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    Key ingredients: stearic acid.

    9. Best serum foundation for a soft, dewy glow

    L’Oreal Paris True Match Nude Plumping Tinted Serum

    Why we love it: Soft like a serum and tinted like a light coverage foundation, this hybrid product from L’Oreal Paris helps deliver a nude, glowy finish. Approved by dermatologists, it comes with 1% pure hyaluronic acid that helps plump and hydrate your complexion with each use.

    Key ingredients: 1% pure hyaluronic acid.

    10. Best premium serum foundation

    Dior Capture Totale Super Potent Serum Foundation

    Why we love it: Particularly perfect for mature skin, this premium serum foundation from Dior helps firm up your complexion, introduce radiance and reduce the appearance of dark spots, hyperpigmentation and wrinkles. The best part is that it stays in place comfortably all day long.

    Key ingredients: hyaluronic acid and jasmine flower extract.

    11. Best serum foundation for a radiant finish

    Estée Lauder Futurist SkinTint Serum SPF 20

    Why we love it: Enriched with a range of botanical oils such as meadowfoam seed and rosehip, this serum foundation provides a radiant finish with light coverage. It also provides broad spectrum protection from UVA and UVB rays to keep your skin in tip-top condition.

    Key ingredients: meadowfoam seed oil and rosehip oil.

    12. Best long-lasting serum foundation

    Clinique Even Better Clinical Serum Foundation SPF 20

    Why we love it: Formulated to last for up to 24 hours at a time, this makeup product has a lightweight formula improves the appearance of bare skin while offering medium coverage with a smooth, satin finish. Ideal for both combination skin and oily skin.

    Key ingredients: hyaluronic acid.

    13. Best soothing serum foundation

    IT Cosmetics Your Skin But Better Foundation + Skincare

    Why we love it: Made with vitamin E, vitamin B5 and aloe vera, this soothing formulation helps minimise the appearance of enlarged pores while improve both tone and texture. One of our go-tos for the trending ‘no-makeup makeup’ skin looks.

    Key ingredients: aloe vera, vitamin E, vitamin B5 and hyaluronic acid.

    What is a serum foundation?

    Just like the name suggests, a serum foundation usually provides buildable light-to-medium coverage while also delivering a seemingly endless range of skincare benefits that you can tailor to specifically address any skin concerns you might have.

    What’s the difference between a serum foundation and a standard foundation?

    First of all, both serum foundations and typical ol’ foundations offer different amounts of coverage. Serum foundations have less concentrated amounts of colour pigments, meaning that while you shouldn’t expect full coverage from a serum foundation, it’s definitely the best option for the fans of the ‘no-makeup makeup‘ look that’s been making rounds on the Internet in the past few years.

    And to make matters slightly more confusing, skin serum foundations are also rather similar to tinted moisturisers, which also belong to the family of skincare/makeup hybrid products – however, the latter tend to focus mostly on hydration and plumping rather than any other skincare benefits.

    Which serum foundation should I use?

    When it comes to skincare, everything can be tailored to your individual skin needs and there’s rarely a ‘one-size-fits-all’ solution. For example, if you have dry skin, you might want to get ahold of the MAC Studio Radiance Serum Powered Foundation, which contains a range of hydrating ingredients such as jojoba oil, hyaluronic acid and vitamin E.

    If you have sensitive skin, you’ll likely have better luck with the Kosas Revealer Skin-Improving Foundation Broad Spectrum SPF 25, or the ILIA Super Serum Skin Tint SPF 30, both of which have non-comedogenic and fragrance-free formulas that don’t feel heavy or cake-y. Oh, and don’t forget the Glossier Stretch Fluid Foundation – after all, you can pretty much never go wrong with Glossier when it comes to lightweight, radiant and dewy makeup looks.

    After more makeup goodness? Check out our guides on best drugstore foundations, best setting powder, best foundation brushes, best concealers, best highlighters and the best setting sprays. And don’t forget to prep your skin with one of the best moisturisers, best hyaluronic acid serums and the best sunscreens for face.

    For more shoppable makeup, skincare and wellness content from Glamour UK Commerce Writer Denise Primbet, follow her on Twitter @deniseprimbet and Instagram @deniseprimbet.

    This article originally appeared on GLAMOUR Germany.

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    Denise Primbet, Leona Ullmann

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  • Wealthy L.A. philanthropists loosen grip on donations, shifting money toward social justice

    Wealthy L.A. philanthropists loosen grip on donations, shifting money toward social justice

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    Fernando Torres got his first gang tattoo when he was 15, a rite of passage among some members of his family. “I thought it was an honor to die for your gang,” he says.

    Acknowledging that he was quick to throw a punch, he says that he was soon expelled from high school. But two years later, Torres, then 17, was enrolled at FREE L.A. High, a charter school affiliated with decarceration activists at the Los Angeles-based Youth Justice Coalition.

    It wasn’t a smooth transition. It took an arrest for carrying a loaded handgun and the threat of prison time, he says, before he finally started to listen to FREE L.A. teachers and staff — several of whom had been incarcerated — and extracted himself from gang life.

    “They see themselves in us,” says Torres, who is now 22 and works in construction, “and want us to have a better outcome.”

    For 20 years, young people like Torres have had their lives turned around by the Youth Justice Coalition — an organization that relies on support from California philanthropies. The key to that success has been no-strings-attached grants, says Emilio Zapién, the coalition’s director of communications.

    “It has been a heavy lift,” Zapién says.

    Over the last decade, more and more of L.A.’s institutional foundations have gotten behind that idea: trusting nonprofits with increasing amounts of money, with fewer restrictions. The trend accelerated during the pandemic.

    The Youth Justice Coalition is one of dozens of community organizations to benefit from what the leaders of these foundations say is a collective effort to support those closest to the problems the foundations hope to solve.

    According to the foundations involved in this effort, L.A. County nonprofits received at least $476.2 million in grants in 2021, compared with at least $282.1 million in 2017.

    This more generous approach has allowed the Youth Justice Coalition to “strengthen” staff and support services at FREE L.A., where 66 students are now enrolled, Zapién says.

    A man handing a woman a bag of groceries, one of dozens lined up below a colorful mural behind him in a parking lot

    Louis Neal, a volunteer with the New World Academy Foundation, hands out groceries during a food giveaway at Chuco’s Justice Center, run by the Youth Justice Coalition in South Los Angeles.

    (Mel Melcon / Los Angeles Times)

    The coalition reported $2.5 million in contributions for fiscal year 2021, up from $1.9 million a year earlier, and $1.2 million in fiscal year 2019. Contributions came from the Roy + Patricia Disney Family Foundation and Liberty Hill Foundation, among other organizations.

    Zapién and other nonprofit activists are quick to say that local philanthropists need to give more with even fewer restrictions. But they agree that the era of L.A.’s leading philanthropists dictating what is best for all Angelenos is fading.

    The need to move money quickly to disadvantaged communities during the pandemic accelerated this movement, according to the nonprofit community groups, philanthropic foundations and government agencies interviewed for this story.

    “Our landscape is ever-changing,” Zapién says. “Our funding has to be general operating support. Our funders have to trust us.”

    ::

    For decades, Southern California’s wealthy business leaders burnished their reputations by creating charitable foundations, which built glitzy theaters, high-ceilinged concert halls, and museums showcasing their donors’ art collections. Local hospital wings and university buildings bear their names.

    In 1937 James Irvine stashed a chunk of the wealth from his 110,000-acre real estate empire in the James Irvine Foundation. Hotelier Conrad N. Hilton launched his foundation in 1944. Insurance and banking mogul Howard F. Ahmanson and real estate tycoon Ben Weingart each created one in the 1950s. Engineering pioneer Ralph M. Parsons started his in 1961, and Walter H. Annenberg established his in 1989.

    Those campaigns funding brick-and-mortar civic institutions still dominated local philanthropy in 1999 when Fred Ali, who had recently run Hollywood’s Covenant House, which serves homeless youth, was named president of the Weingart Foundation.

    It was passionless, Ali says.

    It’s easier for a leader of an endowed foundation with money in the bank to shift funding priorities if they have the support of their board of directors. With an “aging, all-white” board, Ali says, he started early in his tenure to replace retiring members with people aligned with his progressive vision.

    A man half-sitting, hands clasped and one foot on the floor, at the head of a large meeting table surrounded by empty chairs

    Dr. Robert Ross said the California Endowment has moved from trying to “alleviate misery with charity” to funding community-led advocacy groups that are increasing access to healthcare and mental health services.

    (Robert Gauthier / Los Angeles Times)

    A year later, Robert Ross, a doctor trained in public health, arrived in L.A. as president and chief executive of the California Endowment, then a young multibillion-dollar statewide health foundation. During his first decade at the foundation, Ross says, he worked hard to “alleviate misery with charity.” One project he championed was the Children’s Health Initiative, a program delivering healthcare to a limited, underserved population.

    Then he changed course.

    “Poor Black and brown folks are at the short end of health disparities,” says Ross, “which tells you what we’re dealing with is structural. It’s systemic. It’s not bad luck.”

    In 2010 he shifted millions of dollars from the health initiative and started funding advocacy efforts by several nonprofits that, by 2021, permanently expanded Medi-Cal eligibility to a broad underserved population across the state.

    Where Ross had initially directed California Endowment funding to individual mental health programs within a cohort of local-level probation departments, he shifted those funds to community-led advocacy groups that secured public funding for similar mental health services.

    The pivot started, Ross says, when he began to collaborate with Liberty Hill Foundation, which introduced him to community activists in L.A. who were working to empower poor people of color.

    “People who are most impacted by problems know best how to fix them,” says Shane Goldsmith, president and CEO of Liberty Hill.

    A woman seen from the waist up, looking into the camera and resting her left hand on a large white object in the foreground

    “People who are most impacted by problems know best how to fix them,” says Shane Goldsmith, head of the Liberty Hill Foundation, which funded community groups in their decade-long battle to stop oil and gas drilling in L.A. County neighborhoods.

    (Robert Gauthier / Los Angeles Times)

    In 2013, Liberty Hill began funding STAND-L.A., a coalition of seven community groups — led by Communities for a Better Environment and Physicians for Social Responsibility — demanding an end to neighborhood oil and gas drilling. It took 10 years and $4.5 million in philanthropic funding, but in 2022, Goldsmith says, city and county governments agreed to ban new drilling and phase out the operation of existing wells across the county.

    The community groups identified the wells, tracked the health effects and worked with regulators on the solutions, Goldsmith says. She calls these grassroots coalitions “our next generation of community leaders.”

    When Antonia Hernández was named president and CEO of the California Community Foundation in 2004, it was a conservative “don’t rock the boat” organization, she says. And it was struggling to survive.

    But she figured the organization wanted to become a more progressive funder; after all, they’d hired her — an activist attorney with the Mexican American Legal Defense and Educational Fund — to run the show.

    A woman sitting at an angle, her hands on her lap, looking into the camera

    “I wanted donors interested in serving the vulnerable, giving voice to the poor,” says Antonia Hernández, pictured in 1998. Under her leadership, the California Community Foundation changed from a struggling conservative philanthropy into a progressive powerhouse.

    (Robert Gauthier / Los Angeles Times)

    Hernández transformed the foundation into a progressive powerhouse by cultivating new donors among the wealthy social activists she’d met through the Mexican American fund. “I wanted donors interested in serving the vulnerable, giving voice to the poor,” she says.

    In less than 20 years, the California Community Foundation went from $540 million to $2.3 billion in assets. It gives money directly to dozens of groups supporting marginalized communities, including the South Asian Network, Filipino Migrant Center and African Communities Public Health Coalition. And through countywide collective philanthropic initiatives supporting education, Black empowerment and the arts, the foundation funds hundreds more groups.

    Ali, Ross, Goldsmith, Hernández and Judy Belk, then president and CEO at the California Wellness Foundation, formed a new progressive core within L.A.’s philanthropic ecosystem. In 2014, Don Howard became president and CEO of the James Irvine Foundation and joined their ranks.

    The Annenberg Foundation is well-known for the institutions that bear its name, and President and CEO Wallis Annenberg has supported progressive initiatives, particularly in food equity, and has expanded her giving to include efforts by these foundation leaders.

    These philanthropists are following national trends. But observers say they stand out for having turned their organizations around quickly, thoroughly and collectively.

    L.A.’s leading philanthropic foundations have “transformed” themselves, says Aaron Dorfman, executive director of the National Committee for Responsive Philanthropy. These formerly tradition-bound charitable institutions have become “national leaders in their commitment to equity and justice,” he says.

    Institutional foundations in New York City and the San Francisco Bay Area are far wealthier, according to Dorfman. They can, and do, dedicate more resources to fighting injustice. But L.A.’s leading foundations dedicate a greater share of their resources to that fight, he says, adding that “it has become a consistent theme in L.A., a steady beat,” in recent years.

    Whether this transformation continues depends on the foundation boards — Ross, Belk and Hernández recently announced their retirements. The foundation boards are picking their successors.

    Ali retired in 2021 and was succeeded as president and CEO by Miguel Santana, a longtime L.A. civic servant who continued Ali’s efforts to use all of the foundation’s assets, including its endowment, to redress the racist redlining practices that were once endemic within L.A.’s real estate industry.

    “We think about all of our assets as vehicles to advance racial and social justice,” says Santana, who estimates Weingart is a third of the way toward moving its entire endowment into mission-aligned investments.

    Weingart recently invested $5 million in Primestor, a Latino-owned real estate developer based in Culver City that invests in historically ignored communities of color; $5 million in the Female Founders Fund, which invests in women‘s entrepreneurial ventures; and $500,000 in iimpact capital, a Latina-owned real estate investment firm based in El Segundo that invests in affordable-housing developers owned by women.

    To help guide this “truth and reconciliation” effort, Santana hired Edgar Villanueva, author of “Decolonizing Wealth,” an indictment of old-school American philanthropy. “Coming to terms with that history,” says Villanueva, “grieving that, apologizing for it,” sets the stage for “reparations to repair the harm caused by that history.”

    Apparently this impressed the California Community Foundation’s board. In October, they poached Santana to replace Hernández.

    ::

    Eli Broad, who died in 2021, was one of L.A.’s leading philanthropists for decades — a holdover from a generation of business leaders who believed they knew what was best for the city. In addition to building the Broad, a museum to house his art collection, he helped bring the Museum of Contemporary Art and Walt Disney Concert Hall into existence.

    He was also a driving force in private efforts to enhance public education, leading a coalition of billionaires — Bill Gates, Reed Hastings and others — whose ultra-wealthy foundations pushed charter schools as a singular solution to bring about some much-needed changes to public schools in Los Angeles.

    A woman standing in a white room, next to a large window with a city view of tall buildings below

    Under President Gerun Riley, the Broad Foundation pivoted from traditional education and charter schools to funding programs that “advance social and economic mobility for students from historically marginalized and underrepresented communities.”

    (Brian van der Brug / Los Angeles Times)

    Broad’s “impatient” style foreclosed any easy avenues to collaboration with the community he believed he was serving, says Gerun Riley, president of the Eli and Edythe Broad Foundation. Parents and teachers loyal to their existing schools often felt voiceless and powerless in the ensuing political maelstrom.

    At the start of Riley’s tenure as president, three years before Broad’s death, she urged him to change his approach. Her suggestion: Ask local families what they want from their public schools. Broad had never, nor would he ever, do such a thing, Riley says. So she did it for him.

    “I set up a listening tour. I met with over 300 people, drove 600 miles,” she says. Parents expressed “frustration, exasperation.” They told her the battle over charter schools was “an ugly, unnecessary debate.” And they were clear about what they wanted for their children, she says: preparation for jobs in a technology-driven economy.

    With Broad’s blessing, Riley says, the foundation pivoted away from directly funding traditional K-12 education. It stopped using high school graduation rates as a measure of the success of its programs, she says.

    The Broad Foundation’s new approach focuses on out-of-school enrichment programs, support for science, technology, engineering and math education, and workforce training to “advance social and economic mobility for students from historically marginalized and underrepresented communities,” Riley says.

    She points to the foundation’s Expanded Learning Alliance, or ExpandLA, which aspires to bring public schools, after-school program providers and government and philanthropic funders together to create a countywide network of opportunities for students. The foundation established ExpandLA, still in its formative phase, as an independent nonprofit with an initial $5-million grant in 2020.

    Separately, the Broad Foundation is supporting groups that provide services under the ExpandLA umbrella, including DIY Girls, a Latina-focused science, technology, engineering, art and math program in northeast San Fernando Valley ($584,650 over five years), and the Hidden Genius Project, an Inglewood-based computer science and entrepreneurship program for Black male high school students ($310,000 over five years).

    Today, “L.A.’s core progressive foundations consider Broad in league with their efforts to strengthen community-based organizations,” says Christine Essel, president and CEO of Southern California Grantmakers, an association of philanthropists whose progressive leadership tripled membership during this transformative decade.

    The Broad Foundation’s endowment is $1.8 billion — but, Riley says, it’s “not set up to exist in perpetuity.” The plan is to give it all away over the coming decades.

    As it plans to clear out its coffers, it is worth noting that the Broad Foundation sets itself apart from L.A.’s core progressive foundations in one important way: It funds advocacy, but it does not fund activists, according to staff.

    It’s a distinction some other L.A. philanthropists also make. Both activists and advocates seek to influence public policies. But Los Angeles foundations define advocacy as something that typically happens behind the scenes. Activists take it to the streets, foundations say, with overt political agendas.

    (The $1.2-billion Ahmanson Foundation is one leading L.A.-centric foundation that does not participate in philanthropic efforts to influence public policy. President and CEO Bill Ahmanson has distanced his foundation from this progressive movement.)

    Like Broad, the Hilton and Parsons foundations support advocacy to change public systems, but they do not fund activism.

    L.A.’s newest philanthropic force — former Microsoft CEO Steve Ballmer and his wife, Connie — are also in this camp, according to Nina Revoyr, Ballmer Group’s L.A. executive director.

    Steve Ballmer speaking into a microphone at a basketball game as a Clippers player and a crowd of fans look on.

    Steve Ballmer, at a preseason Clippers game last year, and wife Connie have become a philanthropic force in Los Angeles.

    (John Froschauer / Associated Press)

    With a personal fortune that Forbes estimates is in excess of $100 billion, the Ballmers, who reside in the Seattle area, started their Los Angeles County philanthropic work in 2016, two years after buying the L.A. Clippers.

    So far this year, Ballmer Group has committed $115 million to nonprofits in L.A. County, compared with $55 million in grants last year. Much of this year’s increase is associated with a $39.2-million commitment to early childhood education workforce support, including scholarships and training.

    Among their many early childhood education grantees is Crystal Stairs, a nonprofit receiving $1.3 million over three years to provide child-care services, research and advocacy tailored to Black educators.

    Ballmer recently announced a $24-million multiyear commitment to 170 Boys & Girls Club sites in Los Angeles County, an increase from their previous $2 million in multiyear grants to the clubs. South L.A.’s Brotherhood Crusade received a $2.3-million commitment.

    ::

    A young man with a black bandanna on his head, seen from the shoulders up in front of a mural of several large portraits

    The Youth Justice Coalition helped Fernando Torres get through high school and avoid prison. He now works in construction and is having his gang tattoos removed.

    (Mel Melcon / Los Angeles Times)

    Before it was home to FREE L.A. High School, the Youth Justice Coalition’s 35,000 square-foot building on South Central Avenue was a juvenile court. The courtrooms now are classrooms and the dank holding cells are open to the community as places to pay respect to friends and family who have been or remain incarcerated.

    Coalition staff worked with Torres’ court-appointed attorney to create a diversion program: If Torres could graduate from high school and complete 40 hours of community service, he would do no prison time.

    In his spare time now he draws portraits, Torres says, flipping through phone photos of a dozen pencil and crayon drawings of young women of color. His gang tattoos are in the process of being removed.

    “Seeing the cells motivates me,” Torres says. “I don’t want to be in a box. I want to be free.”

    Among the Youth Justice Coalition’s supporters is the California Black Freedom Fund, a collective statewide philanthropic response to the 2020 police murder of George Floyd. Led by the Irvine Foundation — which had embraced a singular focus in 2016 on low-income workers — the fund’s goal is to get $100 million in unrestricted funds into Black-led community groups.

    The fund’s L.A.-based contributors include the Weingart, Annenberg, Liberty Hill and Hilton foundations, the California Community and California Wellness foundations and the California Endowment.

    The Black Freedom Fund’s ambitious goal recently expanded, says Marc Philpart, its executive director. His backers are pushing the state to match their $100-million commitment and turn the fund into an endowed foundation that survives long into the future.

    A man pictured from the waist up, standing, with Los Angeles City Hall and trees in the background

    “We want to establish a long-term, sustained approach to racial equity, racial justice,” says Marc Philpart, executive director of the California Black Freedom Fund, which began as a statewide philanthropic response to the 2020 police murder of George Floyd.

    (Robert Gauthier / Los Angeles Times)

    “We want to establish a long-term, sustained approach to racial equity, racial justice,” says Philpart.

    Gov. Gavin Newsom has agreed to an initial investment of $3.5 million, nudging the project forward, according to Philpart.

    In addition to the Youth Justice Coalition, which has received $200,000, other nonprofit beneficiaries of the Black Freedom Fund include the Afrikan Black Coalition ($100,000), the Los Angeles Black Worker Center ($500,000) and the Los Angeles Community Action Network ($350,000).

    Howard, of the Irvine Foundation, says California has a long history of erecting legal and structural barriers that block Black people and members of other marginalized groups from jobs, healthcare and housing, and each community faces different barriers.

    “We need to understand how to dismantle those barriers,” he says. “If we’re going to transform society, everyone has to have a seat at the table.”

    “There’s a sea shift in who has power in California,” says John Kim, president and CEO of Catalyst California, which advocates for racial justice and whose revenue has doubled in recent years. “Money is power, and the foundations are giving it directly to people of color.”

    Community groups have used that power to make “real gains” in L.A. County and city budget allocations, Kim says.

    But “after 170 years of exclusion and extraction, it’s just one decade of progress,” he adds. “L.A. has a long way to go.”

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    Corie Brown

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  • How some foundations get philanthropic dollars inside L.A. County bureaucracy

    How some foundations get philanthropic dollars inside L.A. County bureaucracy

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    Wendy Garen, the recently retired president and chief executive of the Ralph M. Parsons Foundation, likes to say problems that seem to defy solutions — homelessness, injustice, child welfare issues — are too big for philanthropy to solve.

    “We’re pocket dust,” she says, referring not just to the roughly $20 million the Parsons Foundation gives away each year to groups like the Coalition for Responsible Community Development, but to philanthropy dollars across Los Angeles.

    While Garen believes that progressive philanthropies such as the Weingart Foundation and the California Endowment are right about the need to support marginalized communities by fixing broken public systems, directing unrestricted funds to community activists was a nonstarter at Parsons.

    Instead, the foundation shifted to the public side of the equation, getting philanthropic dollars inside government bureaucracy to seed innovation.

    The result was a union of the public and the private: Los Angeles County’s Center for Strategic Partnerships, within the county’s Chief Executive Office.

    Garen — along with Fred Ali, former president of the Weingart Foundation, and Christine Essel, president and CEO of Southern California Grantmakers, which represents hundreds of regional foundations and corporate funders — was instrumental in the creation of the center, which opened in 2016. The Annenberg Foundation provided early support and continues to do so.

    In the seven years that philanthropies have been working directly with county staff, $41.5 million in private funds have supported a wide range of public-private initiatives, according to Kate Anderson, executive director of the partnership center.

    Before the center’s creation, private philanthropies thought the county considered them a cash machine, says Joe Nicchitta, L.A. County’s chief operating officer — and the county believed philanthropies only funded what they wanted, regardless of what the county needed.

    “There is now a true partnership between L.A. County and philanthropy,” he says.

    Kate Anderson of the county Center for Strategic Partnerships says $41.5 million in private funding has gone to a variety of public-private initiatives since philanthropies began working with county staff seven years ago.

    (Jason Armond / Los Angeles Times)

    Once mutual trust was established, Anderson says, private funds could move quickly to wherever the county needed them most — becoming particularly helpful in times of crisis. During the pandemic, the center fast-tracked private funds to pay for county services including child care for emergency workers and Wi-Fi hotspots for students struggling to connect remotely with their teachers.

    It’s a model, Anderson says, that other local governments are considering.

    One of the big-ticket projects is the county Department of Youth Development, created in June 2022 with a $50.6-million budget for programs to keep at-risk youth out of juvenile jails — especially out from under the authority of the county Probation Department.

    The Probation Department has struggled for decades to safely care for young offenders. Juvenile halls have been plagued by staffing issues, drug overdoses, fights and beatings. Some facilities were stripped of their certifications to operate. Earlier this year, the county reopened one juvenile hall, and a few days later, a gun was found inside.

    The strong correlation between the population of youths caught up in the juvenile justice system and those involved in L.A. County’s foster-care system has made improving foster care a top priority for Garen.

    “About 1,200 kids a year emancipate from foster care,” she says. “We know from research that, within two years, half of those kids are homeless. … Two years after that, half of those children are permanently off track, broken.”

    Earlier this year, The Times reported that attorneys from four law firms had filed a complaint saying the state and the county were “shirking their responsibility to ensure foster youths between the ages of 16 and 21 have a safe and stable place to live.”

    When youths age out of foster care, “we throw them in the river only to fish them out half-drowned downstream,” says Garen. “Can’t we just not throw them in the river?”

    Research from the Annie E. Casey Foundation shows that foster youths do better when they are placed with family rather than strangers, Garen says. With support from the partnership center, the county now prioritizes family placements, hiring a dedicated team to track down relatives of children in the system who might foster them.

    In the meantime, local philanthropists have been working on an ambitious project to help support youths who age out of the foster system.

    Last year, Garen brought Anderson together with her counterparts at Weingart, the Conrad N. Hilton Foundation, Ballmer Group and other philanthropies for a brainstorming session.

    The result: a $750-million proposal to create housing with wrap-around services, jointly funded by L.A. County and philanthropic foundations.

    “The foundations listened to the voices of foster youth,” says David Ambroz, an advocate for those in foster care, who supports the project.

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    Corie Brown

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