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  • He dreamed of a midcentury haven in L.A. He found it in an iconic rental off Sunset

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    Growing up in a small town outside of Cleveland, Tyler Piña was fascinated by Los Angeles and the glamour of Hollywood.

    “My dad grew up out here, and it’s where my parents met,” says the 33-year-old screenwriter and Emmy Award-winning director of “Next Level With Lauren Goode.” “I remember looking at old Polaroids of them in the ‘80s and seeing how much fun they had.”

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    His attraction to Los Angeles, however, was more than just nostalgia. “I was mesmerized by the landscapes and architecture,” he says, noting the Santa Monica Mountains that run alongside the Pacific Ocean and glass-and-steel Case Study Houses such as the Stahl House, perched on a hillside overlooking Los Angeles.

    “I had never seen anything like it in Ohio,” he says. “It felt like another world, so far from reach. Yet it was a life I aspired to live one day.”

    Looking back, he can’t believe he realized his dream of moving to Los Angeles from San Francisco in 2018 and eventually renting a Midcentury Modern penthouse steps from the Sunset Strip.

    A wet bar with copper bar stols
    A bar window surrounded by botanical wallpaper
    Tyler Piña stands at his bar in his penthouse apartment in the Sunset Lanai Apartments

    “A Midcentury Modern penthouse on Sunset Boulevard in the heart of West Hollywood, with a bar in the living room? I mean, does it get more iconic? I am, in no way, cool enough to live here,” says Piña.

    “It’s a little bit of a fishbowl,” Piña says, standing inside his living room with views of a Netflix billboard through the unit’s floor-to-ceiling windows. (It’s an ad for “Happy Gilmore 2” that reads “When Life Gives You S— for Breakfast … Go to Your Happy Place.”)

    More than once, Piña has been caught sitting on his couch in his underwear, writing scripts on his laptop, as Hollywood tour buses stop at the traffic light outside.

    In other instances, friends have driven by his building and texted him, “‘Hey, I just drove by and saw you in your living room,’” he says, laughing.

    Tyler Pina stand by a large window in penthouse apartment in the Sunset Lanai apartments.

    Although he feels like he is living in a fishbowl at times, Piña draws energy from the city outside his windows.

    The two-story, 22-unit Sunset Lanai apartment complex, designed by acclaimed midcentury architect Edward H. Fickett and built in 1952 by developer George Alexander, is an oasis in the middle of a bustling part of the city. That is because Fickett designed the West Hollywood apartments to face inward, toward a lush courtyard and swimming pool, avoiding the activity of the Sunset Strip.

    Piña’s penthouse apartment spans almost the entire top floor and boasts many of the architectural touches that Fickett was known for including as an indoor-outdoor floor plan that connects to a lanai, vaulted ceilings, partial walls and lots of glass.

    Over the years, the apartment’s owners and the West Hollywood City Council have debated its relevance as a historic landmark that needs preservation. But talk to Piña, and he’ll tell you it’s special.

    The Sunset Lanai Apartments in West Hollywood

    The Sunset Lanai apartments were designed by noted modernist architect Edward Fickett and constructed by George Alexander in 1952.

    “I walked by the apartment every day before I moved in and was always curious what it looked like inside,” he says. “When I saw the ‘for rent’ sign, I immediately went on a tour. But the price was a little high for me, so I waited.”

    His patience paid off as the apartment stood vacant for seven months during the COVID-19 pandemic. Following several price reductions, Piña, his boyfriend at that time and a friend of theirs rented the 2,850-square-foot unit for $5,200 a month in 2020.

    “Right away it felt like home,” he says of the first time he stepped inside. “This was the place I grew up dreaming about.”

    Two people stand in the lanai area of a penthouse apartment.

    Piña, right, and his boyfriend, Vittorio Manole, stand in the lanai in front of the apartment.

    A lanai area with mats, weights and washer and dryer.

    The lanai has enough room for a gym, washer and dryer and a lounge. It also has ample built-in storage.

    Inside, the apartment is a treasure trove of unique features. The expansive living room seamlessly connects to a formal dining room, which in turn leads to an updated kitchen with stainless steel appliances, all with a view of Sunset Boulevard. Two bedrooms and two bathrooms, each with more built-in storage than they can use, sit off an intersecting hallway.

    At the center of the living room, a stylish enclosed wet bar, an original design by Fickett, exudes a “Mad Men” vibe. On the wall behind the bar, Piña hung a peel-and-stick wallpaper that he found on Etsy, reminiscent of the iconic banana-leaf wallpaper at the Beverly Hills Hotel, and a yellow neon sign that reads “Lost in euphoria.”

    “There’s something really special about a Fickett building,” Piña says. “A Midcentury Modern penthouse on Sunset Boulevard in the heart of West Hollywood, with a bar in the living room? I mean, does it get more iconic? I am, in no way, cool enough to live here.”

    Artworks, plants in a penthouse apartment
    A bookshelf, plant and window overlooking a courtyard

    “In a way, I guess decorating is just another medium for me to express my creativity like I do with film and writing,” Piña says.

    “I tried my best to do this space justice,” Piña says, referring to his frantic two-week effort to decorate the apartment while working on “Comeback Coach” and “Women in Business,” two reality shows sponsored by Verizon. He has also worked on trailers for Amazon, shot and edited commercials for Google, Levi’s and Sephora, edited “Making Emilia Perez” for Netflix and wrote and directed the award-winning documentary “88 Cents.”

    “At my previous place, I slowly decorated over time,” he says. “By the time it finally felt perfect, it was time to move out. In this space, I wanted it to feel lived in right away so I could enjoy it fully for as long as possible.”

    Working until 3 in the morning, Piña sourced Midcentury-inspired furniture from the online retailer All Modern, CB2 and several local vintage shops. He also purchased a variety of furnishings, plants and accessories on Etsy and Offer Up as well as artworks by local artists, photographers and friends.

    Inspired by a print on wood by Australian photographer Sarah Bahbah in his dining room, Piña decorated the living and dining room in a similar color palette. Similarly, copper-colored bar stools he spotted in a small shop in San Francisco inspired the bar area.

    A dark and moody bedroom with large windows.

    The bedroom is dark and moody, with windows that look out over the Sunset Strip.

    Explaining his decorating process, Piña says he likes to start with a statement piece such as an artwork, rug or piece of furniture and then build a story around it. “In a way, I guess decorating is just another medium for me to express my creativity like I do with film and writing,” he says.

    Adding to the spacious floor plan is a lanai, which has enough room for weights, mats and a Peloton, as well as a lounge area, washer and dryer, sink and a huge walk-in storage space. “I have a projector and have hosted movie nights,” Piña says.

    A dining room and wet bar.

    The formal dining room connects to an updated kitchen with stainless steel appliances that faces Sunset Boulevard.

    At night, Piña says his apartment glows from the streetlights and soaks up the energy from the neighborhood. “It’s the best place to have a good cry,” he says. “Because you never feel alone. I put so much love into this apartment. And it’s given me so much back in return. And the tears I cried here, the immense struggles that I faced — a pandemic, losing work from the strikes, multiple relationships that came and went. But even in the hard moments, there was so much beauty. The architecture brings this place to life.”

    But like so many good things that come to an end, Piña recently decided to move out of the apartment after his roommate left.

    Tyler Pina sets on his sofa in his penthouse apartment.

    Piña moves on with nothing but happy memories.

    “I’m ready for the next dream,” he says.

    Last month, Piña sold and donated all of his furniture. He plans to travel to Europe and Asia and work remotely for a while. “Just me and a suitcase,” he says.

    According to the director, he enjoyed selling his furnishings on Facebook Marketplace and plans on using it as a source for his next home. “I met so many cool people from all over the city,” he says. “The whole concept of passing items down versus buying new just makes the home feel more lively in my opinion, like every item comes with its own story and a bit of love — not to mention it’s way more cost-effective.”

    He leaves Los Angeles with his Polaroids, just like his parents.

    “And all the amazing memories,” he says. “Those are coming with me.”

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    Lisa Boone

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  • They snagged an L.A. dream rental with parking and nice neighbors — then made it better

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    When Natalie Babcock and Samuel Gibson found a listing for a sunny apartment in Beachwood Canyon five years ago, they immediately fell for the two bedroom’s charming built-in bookshelves, faux fireplace, hardwood floors and formal dining room. Practical amenities such as an in-unit laundry and a garage, which are often elusive in Los Angeles rentals, didn’t hurt.

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    Today, however, the couple says they are most impressed by the sense of belonging they have found in the community just outside their 1928 Spanish fourplex. Here, where tourists and brides in wedding gowns often pose for photographs in the middle of the street in an effort to capture the Hollywood sign in the background, Babcock and Gibson have become part of a larger family. “Everyone knows our dogs’ names,” says Babcock, a 35-year-old educator working in the adolescent mental health field. “There is a true community vibe in this neighborhood.”

    Adds Gibson, a 38-year-old screenwriter and Spanish professor and tutor from London: “I’ve never lived in a place that felt like a neighborhood. We’re in a message group with our neighbors. Sometimes our dog walks take forever because we stop every few minutes to say hello to someone.”

    The couple was living in a charming apartment in Los Feliz when Gibson had to return to England to care for his mother, who had pancreatic cancer. Compounding their distress, Babcock’s father suffered a stroke, and Babcock moved in with her parents to help her sister, Eve, care for their father.

    “It was the worst year of our lives,” Babcock recalls of that period. “Sam’s mother died, and my father had a catastrophic stroke.”

    Their Los Feliz apartment was filled with bad memories, and they were excited by the prospect of creating happier memories in a new apartment.

    A man sits at his desk in an art-filled bedroom.

    Gibson’s office is decorated with artworks by local artists including his sister and one found on the street.

    After scouring countless rentals online, the couple found a listing for the Hollywood apartment on Zillow, only to encounter what they now describe as “a feeding frenzy” when they arrived at the open house. The apartment, they say, was priced too low at $2,995 compared with similar units, and they were faced with fierce competition.

    So they decided to do what many people do when trying to persuade sellers to choose them to buy their house. They wrote a letter about themselves, included photos and sent it to their potential new landlord.

    “Eve and I were in a panic because the apartment was so beautiful and we really wanted to live there,” says Babcock. “The three of us were an unconventional group, though, and we hoped they might choose us.”

    Samuel Gibson and wife Natalie Babcock sit at their dining room table.

    The couple enjoys having dinner parties in their dining room, which has a mix of chairs and benches.

    When they moved into the apartment in February 2020, they were thrilled, not realizing they would end up isolating there together during the COVID-19 pandemic. “The apartment was a welcome reset,” Babcock says, “It gave us plenty of time to nest and decorate.”

    A year later, Eve moved out, and Gibson converted her bedroom into an art-filled office that now doubles as a guest room when family and friends visit. The key to a comfortable — and flexible — guest bed, they say, is a durable mattress topper from IKEA, which they store in the garage and carry into the apartment when they have overnight guests. “Blow-up mattresses always deflate,” Babcock says of their choice. “This is a better option.”

    The couple’s taste is vibrant, and the colorful interiors reflect their sense of fun and love of design. They painted one wall in Samuel’s office a dramatic Kelly green, which makes the white-trimmed windows and his extensive art collection pop. Behind their bed in their bedroom, they painted an accent wall a charcoal hue, which gives the bedroom a peaceful feel.

    Pictures of family and friends decorate the refrigerator.

    Pictures of family and friends decorate the refrigerator.

    A small dining table in a corner of a kitchen.
    Decorative tiles and spices in a kitchen.

    Decorative tiles and sunshine illuminate the kitchen.

    “Paint is your friend,” Babcock says. “Be bold in your color choices, and when it comes to DIY and landlords, ask for forgiveness, not permission.”

    A glance around the apartment confirms not just their love of art but also the personal stories behind each piece: framed prints in the kitchen, black-and-white photographs in the dining room, large-scale oil paintings in the living room and hallway, and mixed-media pieces in the office, including works from local artists, EBay, Gibson’s sister and even one found on the street.

    Mixed in with the artwork is an abundance of lush houseplants, including Monstera deliciosa, a rubber tree and a ponytail palm, that is thriving thanks to the surplus of bright, indirect light that filters in through the large picture windows overlooking bustling Beachwood Drive.

    “Art is one thing that I am always happy to spend money on,” Gibson says.

    A white bed against a charcoal wall of a bedroom.
    A black pitbull stands on a white bed.

    In the bedroom, a charcoal-colored accent wall, vintage furnishings and art help to create an inviting retreat.

    A hallway filled with paintings

    A painting by Alexander Mayet hangs in the hallway.

    Last year, Gibson painted the kitchen walls blue and installed peel-and-stick floor tiles from WallPops over the dated yellow linoleum flooring, providing an inexpensive, albeit temporary, update. (One package of a dozen 6.2 x 6.2-inch sheets costs $17.99.)

    “It wasn’t the hardest project,” Gibson says, “but you do have to measure each tile to the centimeter because the apartment has moved slightly over the years, presumably from earthquakes.”

    Throughout the 1,200-square-foot apartment, the couple has decorated with vintage Midcentury furniture and thrifted furnishings and accessories sourced from Facebook Marketplace and Craigslist.

    “There’s something nice about scraping together designs,” says Gibson. “It’s like a puzzle where you have to patch different styles together.”

    Peaches the pitbull lounges on the sofa in the living room.

    Peaches lounges on the sofa in the living room.

    In the living room, the couple has furnished the space with an L-shaped Bensen sofa, which they purchased at a warehouse sale mentioned on Craigslist, comfortable yellow swivel chairs they picked up from the back of someone’s car in downtown L.A. and a pair of leather loungers they found on Facebook Marketplace.

    To accommodate their love of hosting formal dinner parties, they purchased a table that seats eight, which they found on Craigslist. “We found it in a grungy flat in Hollywood,” Gibson says.

    Admitting her husband “has become the primary household chef,” Babcock takes the lead when it comes to dinner parties and “goes all out.”

    Samuel Gibson and Natalie Babcock walk their dogs with the Hollywood sign in the background.

    “Sometimes our dog walks take forever because we stop every few minutes to say hello to someone,” says Gibson.

    “I grew up around the dining-room table,” says Babcock, a Los Angeles native who was raised in West Los Angeles.

    In the corner of their dining room, across from a thrifted wooden bar cart, they installed a stone cigar table inspired by their trip to Casa Luis Barragán in Mexico City. They purchased it from a designer who was living in a loft in downtown Los Angeles.

    Ultimately, some of their rental’s decor, such as having washable sofa covers, is influenced by their dogs Chili, whom they rescued as a puppy in 2020, and Peaches, their “foster fail,” whom they adopted in 2023 after a neighbor pulled her from a shelter the day she was scheduled to be euthanized.

    “We’ve made great friends here,” says Gibson. “From our apartment, we can walk the dogs in every direction. We can walk to the Hollywood Reservoir in the Hollywood Hills, to the caves in Bronson Canyon, to the Sunset Ranch stables at the top of Beachwood Drive, or to Griffith Park, which is a two-hour loop.”

    Chili gives Natalie Babcock a kiss in the living room.

    Chili gives Babcock a kiss in the living room.

    Do they ever dream of owning a home like other couples their age? “Yes, of course,” Gibson says. “But I think we would truly never leave this apartment unless we could buy a house with a yard. It’s like London, in that, having a yard is a luxury.”

    Babcock agrees, admitting that small things such as an outdoor space for the dogs or a second bathroom would be nice.

    But it would be a shame “to buy a house that’s not as nice as this,” Gibson says.

    In the meantime, they are happy in their Hollywood Hills home, which reflects their love of art and their deep affection for their sweet-natured four-legged friends and their neighborhood.

    “We joke that we will die here,” Babcock adds, laughing.

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    Lisa Boone

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