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Tag: filmmakers

  • New online hub helps young DC-area filmmakers get connected to start making movies – WTOP News

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    The website helps aspiring movie makers find the equipment and instruction needed to get started.

    Finding the equipment and instruction needed to get started as a young filmmaker can be extremely difficult. The D.C. Independent Film Festival has launched a new online hub that helps fill that gap.

    “We hope that we are giving young people useful skills to take with them,” said Deirdre Evans-Pritchard, executive director of the D.C. Independent Film Festival.

    She said they have launched a new unique online hub, Y-CAM.org, for young filmmakers aged 13 to 19.

    “We realized that it was necessary to make a space for young people who have not yet moved into the adult world, to be able to take part in this, to be creative, to build some community, to learn what’s out there, find opportunities,” she said.

    The website features are free and makes it easy for aspiring filmmakers to connect with professionals for advice and find local equipment to make their ideas come to life.

    “TikTok has opened up all sorts of possibilities in young people’s minds. You can film on your phone now, and so everything has suddenly changed,” Evans-Pritchard said.

    They also have a monitored and dedicated Discord channel.

    “That’s where we’re going to have a lot of our sort of immediate activities, conversations, opportunities, possibly for young filmmakers to say that they want to meet other filmmakers, and so that way we can keep an eye on it and make sure that it’s a good place for people to connect,” she said.

    Evans-Pritchard’s group is also launching special production awards for young D.C.-region movie makers to help them get going. The $600 awards are only available to emerging filmmakers in Maryland, Virginia, Pennsylvania and West Virginia.

    The deadline for the first awards is Dec. 31. The grants will be awarded three times a year to two recipients per cycle.

    “Say you want to be an animator, and you started working in animation, but you just need that little extra money to get the camera or to make a stand, to buy yourself the iPad, or to get the materials you need to film something,” she said. “This is just a handout of money. All you have to do is apply.”

    In the application, she said you have to give them “a sense of what the project is” and have one adult be a reference to “say that this project is really going ahead in some way.”

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    Valerie Bonk

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  • Ann Arbor Film Festival brings back its week of experimental films for a 62nd year

    Ann Arbor Film Festival brings back its week of experimental films for a 62nd year

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    The internationally renowned Ann Arbor Film Festival returns this week, continuing its tradition of celebrating the diversity of experimental film. Established in 1963, this year marks the festival’s 62nd anniversary, continuing its legacy as the oldest independent experimental film festival in North America.

    This year, the festival will be a hybrid event, blending in-person activities from March 26-31 with online showings that will be available until April 7. The event features 40 programs with more than 180 films from over 20 countries of all lengths and genres, including experimental, animation, documentary, fiction, and performance-based works.

    Films will be screened all week under categories “Film in Competition,” “Feature in Competition,” and “Special Programs,” as well as the festival’s new “Off The Screen” series, which will focus on programs of new media, video, live performances, and art installations.

    On Tuesday, March 26, multidisciplinary artist David Olson will open the festival with his “Off The Screen” live performance Grafica Harmolodica at 4:30 p.m. in the U-M North Quad. The event is free to the public and includes art that will be installed for the remainder of the week.

    An opening party will follow from 6:30-8 p.m. at the Michigan Theater, with drinks and food provided by Ann Arbor area businesses including the Ann Arbor Distilling Company, Bigalora, Jerusalem Garden, Zingerman’s, and more.

    Finally, the first film screening will take place at 8:15 p.m. in the theater’s main auditorium ahead of an after party to celebrate the opening day.

    For the fourth year in a row, the Ann Arbor Film Festival is able to pay filmmakers to show their films in competition. The festival will close on Sunday with an awards ceremony and screenings of the award-winning films to celebrate the week and all of the filmmakers involved.

    While most of the festival will require a ticket, there will be a few free events to help make cinema accessible to the public.

    For those who would like to attend the festival in person, a Full Festival Pass includes access to all programs in person and online. Online-only passes will allow access to most in-competition films and juror programs as well as an online film forum and filmmaker interviews.

    In-person events will mainly take place at various art and film spaces in Ann Arbor. You can find the complete schedule for the 62nd Ann Arbor Film Festival and purchase tickets at aafilmfest.org.

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    Layla McMurtrie

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  • 3 Valuable Leadership Lessons From Disney’s ‘The Little Mermaid’ | Entrepreneur

    3 Valuable Leadership Lessons From Disney’s ‘The Little Mermaid’ | Entrepreneur

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    Opinions expressed by Entrepreneur contributors are their own.

    The Little Mermaid, a live remake of the original 1989 Disney animated classic, was released at the start of the summer with a bang. The big-budget live-action remake passed what the original film generated, making more than $550 million in ticket sales at the worldwide box office. Young girls of color were excited to see themselves reflected on the big screen. But the film’s success was not without controversy and racist attacks, which started long before the movie even began filming.

    The Little Mermaid once again reminds us of the power of storytelling and the power we as leaders have to disrupt bias and shatter stereotypes. Here are three lessons we can take from the movie.

    Related: Will a Professional Mermaid’s Business Idea Sink or Swim?

    1. Reimagine who is included in the world of fantasy

    Disney has been on a journey to build a more inclusive culture and to focus on a diversity of representation in content. Disney launched the Reimagine Tomorrow initiative, which sets inclusion standards across Disney general entertainment and live-action studio productions. The goal is to advance representation in front of and behind the camera, in marketing and more. Disney has shared its goals and progress publicly to hold itself accountable.

    We have a responsibility to remind the world that everyone deserves to be represented in fantasy. All of our children should be able to imagine themselves in made-up cultures, countries and worlds. Creating goals and tracking progress is one way to ensure that we are focused on a diversity of representation in the world of fantasy — and all types of media.

    2. Stand up to the critics

    When Disney released its first trailer for The Little Mermaid featuring Halle Bailey singing “Part of Your World,” the internet exploded with racist comments. On YouTube, users left more than two million dislikes, making fun of the lead actress and including a barrage of racist comments. Hashtags like #notmyariel gained traction.

    Disney didn’t back down. Director Rob Marshall said, “When that controversy arose, from narrow-minded people, I thought, wow, that really feels like it’s coming from another century. Are we really still there?” From the moment it was announced Bailey was cast as Ariel, the backlash mounted. Disney stayed the course when it came to producing the movie and bringing it to market.

    We can’t let racist criticism and backlash change the course of our storytelling. Our stories have the power to change hearts and minds and inspire change. Don’t be the leader or brand that backs down; be the leader and the brand that stands up for what is right in times of intense hate.

    3. Remember the details matter

    When it came to Bailey becoming Ariel, the details mattered. The film’s hair department head, Camille Friend, was nominated for an Oscar for her work on Black Panther: Wakanda Forever. Friend was on a mission to create a look for Bailey that would work and still capture the essence of the famous redheaded mermaid Ariel. Maintaining Bailey’s natural hair was a must; she has long locs and it was important to stay true to her Black heritage. With many scenes being filmed underwater, little details mattered — just as small details should matter to leaders as they strive for inclusion.

    In my new book, Reimagine Inclusion: Debunking 13 Myths to Transform Your Workplace, I share how focusing on a diversity of representation among talent is only the first step in filmmaking and other content businesses. How talent is represented on screen, respected on set, and how they are able to be true to themselves and their characters are details that can’t be overlooked. Disney shows us again that we have the power — and responsibility — to reimagine who is included in the world of fantasy.

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    Mita Mallick

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  • Orrefors Crystal Designs Nordic International Film Festival Award

    Orrefors Crystal Designs Nordic International Film Festival Award

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    Press Release


    Nov 14, 2022 09:00 EST

    The Swedish glass manufacturer Orrefors, established in 1898, is pleased to announce its association with the Nordic film industry as the new provider for the Nordic International Film Festival Award. 

    “We are excited to have started this collaboration with the Nordic International Film Festival (NIFF). It feels natural for us to partner with NIFF, which supports Scandinavian filmmakers and connects the Nordic regions with the rest of the world. Orrefors is a leading crystal company with production in Sweden that represents Nordic glass heritage and Scandinavian design. We look forward to a long-lasting partnership with NIFF and sharing the Orrefors award with the international film community,” says Emon Maasho, CEO & President, Orrefors North America.

    The company produces special products and awards for various organizations and events, such as the Gerald Loeb, The Perfect World Foundation, American Song Contest, and the Nobel Banquet. The Nobel collection from Orrefors was designed in 1991 for the 90th anniversary of the Nobel Prize. The stemware glasses have been used at the prestigious event every year since.

    “Having grown up with Orrefors’ products being gifted at all milestones of life, I got very excited when a collaboration between the brand and NIFF became possible. The quality and craftsmanship of Orrefors’ products feel like a beautiful manifestation of the films that we at Nordic International Film Festival celebrate,” says Linnea Larsdotter, Founder and Creative Director, Nordic International Film Festival.

    Orrefors

    Orrefors is a world-renowned crystal brand with a heritage dating back to 1898. The design is characterized by timeless Swedish aesthetics, functionality, sustainable quality, and craftsmanship. Since the early 1900s, Orrefors has contributed a significant part to the movement and style of Scandinavian Design. The high-quality glass made in the factory in Sweden has been the main focus since the beginning, and products by Orrefors are still to this day requested for prestigious events, such as the Nobel Banquet. Today, the brand is presented at some of the most exclusive department stores and galleries all over the world. 

    Learn more at https://www.orrefors.us/

    The Nordic International Film Festival 

    Based in New York City and founded in 2015 by the Swedish film producers Linnea Larsdotter and Johan Matton, Nordic International Film Festival has quickly grown to become a cultural element in the competitive film festival landscape. Since its inception, NIFF has taken every opportunity to showcase the talent of Nordic actors and filmmakers while successfully introducing them to the international film market. Every year, NIFF screens films that encourage discussion regarding the present social and political climate and creates an environment and atmosphere that facilitates in-depth discussion about those films. 

    Learn more at https://www.nordicfilmfest.org/.

    For more information, please contact:

    Emon Maasho
    CEO
    Orrefors & Kosta Boda
    emon@orrefors.us

    Source: Orrefors

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