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Tag: filming

  • Recording immigration agents: Legal do’s and don’ts

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    A federal agent in Minnesota grabbed a woman’s phone as it recorded him approaching her Jan. 9, two days after a federal agent shot a U.S. citizen. “Have y’all not learned from the past couple of days?” the agent asked the woman. 

    Weeks later in Maine, a woman let her phone camera roll as an agent filmed her license plate and told her her name would be added to a database and she was now considered a domestic terrorist.

    “For videotaping you?” the woman asked. “Are you crazy?”

    And on Jan. 29, a Minnesota driver with a dash cam filmed masked immigration agents as they swerved in front of her car, got out of their vehicle and pulled their guns. 

    What are the rules around filming immigration agents in public?

    Minnesota Gov. Tim Walz encouraged the state’s residents to record agents to create a record of evidence. Bystanders’ video footage has been critical in painting fuller pictures of what happened in agent’s confrontations with civilians, including the fatal shootings of Alex Pretti and Renee Good.

    Homeland Security Secretary Kristi Noem, who is overseeing the Trump administration’s immigration enforcement tactics, said recording on-duty immigration agents is an act of violence. The department’s spokesperson also called videoing officers “doxing,” a “federal crime and a felony.”

    After immigration agents fatally shot Pretti, bystander video from multiple angles challenged Noem’s statements that Pretti had brandished his gun at immigration agents before he was killed. 

    The incidents reveal tension between the public’s First Amendment protections and what law enforcement officers see as obstruction. 

    A federal judge in January ruled against DHS’ attempt to dismiss a case brought by journalists who say the department infringed on their constitutional rights while they were covering immigration enforcement in California. The judge said the journalists had established that DHS has a policy considering filming immigration agents as unlawful civil unrest.

    We spoke to five legal experts about bystanders’ rights when recording immigration agents. 

    “Knowing your rights is paramount. Reminding officers of your rights is important. Standing on your rights is a personal decision,” Kevin Goldberg, vice president at Freedom Forum, a First Amendment rights advocacy group, said.

    Federal Bureau of Prisons officers threaten Associated Press video journalist Mark Vancleave with arrest on Jan. 28, 2026, in Minneapolis. (AP)

    Is it legal to record immigration officials?

    Yes. Recording in public is allowed under the First Amendment. 

    A few states require bystanders to stay a certain distance away from first responders. For example, under Florida’s Halo Law, people are required to stay at least 25 feet away from law enforcement officers, firefighters and emergency medical responders.

    Some buffer-zone laws, such as one in Indiana, have been struck down in federal courts. 

    What does it mean to obstruct law enforcement?

    Even though it’s legal to record law enforcement officers in public, it is not legal to obstruct their activities. 

    Obstructing law enforcement generally requires physical action under federal law, legal experts said, such as standing between an officer and the person they’re trying to arrest. An obstruction must impede officers from carrying out their duties, which is why filming or yelling doesn’t count, Rachel Moran, a law professor at the University of St. Thomas in St. Paul, Minnesota, said.

    Immigration agents have accused several bystanders who record them of obstruction. 

    In many cases agents approach people who are in their cars recording agents. Agents tell the bystanders that this is their one warning and if they continue to follow the agent they will be arrested for obstructing.  

    Goldberg said, “Holding up a camera at an appropriate distance and filming should not inhibit any law enforcement officials from doing their jobs unless they think they’re doing something wrong.”

    A federal judge ruled Jan. 16 that following federal agents “at an appropriate distance does not, by itself, create reasonable suspicion to justify a vehicle stop.”

    An appeals court temporarily paused that order.

    “Following a police car or ICE vehicle on a public road is not obstructing,” Jessica West, a professor at Mitchell Hamline School of Law, said. “Blocking a car in to prevent it from moving in the direction it was headed, might be considered obstructing.”

    Moran agreed, she said the only way following an ICE officer could rise to the level of obstruction would be if a person yelled threats at an officer or drove so close to them “that the agents reasonably believed they were in danger of getting hit.” 

    People’s rights to observe and record law enforcement officers don’t change when someone is in a car, Goldberg said. However, because cars take up more space they can increase the likelihood of an obstruction in small spaces.

    “People are allowed to drive cars on public roads. People are allowed to film from public spaces. But all rules of the road must be followed,” Goldberg said.

    Federal agent brandishing a firearm approaches activists for following agent vehicles Tuesday, Feb. 3, 2026, in Minneapolis. (AP)

    Who decides obstruction? 

    The decision about whether someone is obstructing law enforcement can be subjective. 

    First, a law enforcement officer must determine that there is probable cause — meaning, it’s more likely than not — that someone physically obstructed their actions, West said. Once that’s determined, the officer can make an arrest.

    A judge or a grand jury reviews the evidence and decides whether to charge the person. If charged, a judge or jury decides whether to convict.

    “Courts have given a lot of deference to law enforcement officials and so that is something that anyone who’s recording should be aware of,” Goldberg said.

    However, several grand juries have recently refused to indict cases related to impeding or assaulting immigration officers. Other cases have been dismissed.

    Can immigration agents take an observer’s phone or legally compel them to stop recording? 

    Immigration agents cannot legally compel somebody to stop recording so long as the person is not obstructing their work. They may tell observers to step back for safety reasons. 

    There have been recent cases of agents acting unconstitutionally by yelling at people to stop recording or knocking phones out of people’s hands.

    “It can be scary to maintain your rights when an agent is threatening you so ultimately it is the choice of the person recording whether to continue doing that and risk retaliation by the government,” Moran said.

    Agents also can’t take phones without arresting people.

    “It is a violation of civil rights to confiscate someone’s phone or other recording device if they are merely recording and not actively interfering with or obstructing law enforcement activities,” Timothy Zick, a constitutional law professor at William and Mary, said.

    Legal experts recommend disabling Face ID as that might make it easier for officers to unlock a phone.

    To search a person’s phone, agents need a warrant signed by a judge.

    Is recording law enforcement officers doxing and, if so, is that illegal? 

    Homeland Security officials have said that recording immigration agents is a form of doxing, which means publicly identifying or publishing private information about a person, especially as a form of punishment or revenge. (However, DHS’s social media profiles include several videos and photos of immigration agents conducting enforcement operations.)

    Legal experts agreed that recording an immigration agent in public is not considered doxing.

    “It is not doxing to film something that is happening in public, even though somebody would rather not have that information public,” Goldberg said. “Even if someone is masked to hide their identity.”

    Doxing often refers to publishing personal information, such as home or email addresses, phone numbers or private financial information, without someone’s consent.

    Some states have anti-doxing laws that hinge on whether there was an intention to harass or harm someone. ​

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  • Filmmaker Chloe will Serve You Now

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    Chloe may be an accomplished filmmaker with awards, commendations and a prestigious degree from Columbia University but she can also be seen helping customers select their keepsakes at her families Vintage store, Junk for Joy, on Magnolia Blvd. in the heart of Burbank’s Magnolia Park District. That is where I met up with her to ask about her new film and impressive background. Sitting at a small table in the shade just outside the store I started with the usual question. “Who is Chloe Lenihan?” This is what I discovered.

    She is a fifth-generation Californian based in Los Angeles and has always had a passion for telling stories. She started to act at age 7 by chance tagging along on an interview for her baby sister while in New York.  She started doing commercials and modeling until heading off to school in South Bend Indiana where she studied history and film theory. She became interested in the process of making films and started working for film producers including Oscar-winning GK Films on Martin Scorsese’s The Departed and The Aviator, and Jean-Marc Vallée’s The Young Victoria ultimately, she was not suited for office work.

    Enrolling in the 2-year William Esper Studio program she met a community of other creatives and started putting together plays, and short films.  She then went on to get an M.F.A. at Columbia University where she received the New York Women in Film & Television scholarship.  She was awarded the Katharina Otto-Bernstein grant to write and produce her thesis film How Far She Went, which won “Jury Honors” and the “Audience Award” at the Columbia University Film Festival, “Best Female Student Filmmaker” by the Director’s Guild of America East, and “Best Student Film” at BendFilm Festival before making its broadcast premiere on KQED’s “Film School Shorts” series, hosted by PBS.   As a writer/ director/ producer/ actor, her films have screened at Academy-qualifying festivals including: Atlanta, Nordisk Panorama, and Palm Springs among others. A proud SAG member since 1989, Chloe creates heartfelt, humorous stories that explore identity, purpose, and the absurdities of everyday life, immersing audiences in authentic Americana and emotion that lingers long after the screen fades to black.

    Chloe returned to Burbank in 2016 to support the 35th Anniversary of Junk for Joy and help her mother run the store while also taking time to write, direct and act in a series shot in Chicago called the All-American Sex Offender, which won “Best Web Series” at the Oscar-qualifying HollyShorts Film Festival in 2020 and is currently streaming on Amazon Prime. Chloe was selected to develop her feature script, Metanoia, at the Stowe Story Lab and Cine Qua Non Storylines Lab in 2021 and then, in 2022, she revised that script at Cine Qua Non’s Revision Lab in Tzintzuntzan, Mexico.

    Currently, Chloe is in post-production on her feature directorial debut, SMILE…the Worst is Yet to Come, a dramatic comedy about infertility, the generational divide, and how we define success. Her interest in a characters psychological experience and being able to make a little look like a lot served her well on the project. Shooting both here in Burbank and in Big Bear she is proud of her achievement. Yet she is not one to sit still for long, she has completed her next script, a dark family comedy about health and the wellness influencers community. I, for one, can’t wait.

    Originally published in www.theburbankblabla.com

    BurCal Apartments8715

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    Brad Bucklin

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  • ‘The Bear’ Could Be Filming Seasons 3 and 4 Back to Back in Chicago

    ‘The Bear’ Could Be Filming Seasons 3 and 4 Back to Back in Chicago

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    As Chicagoans attempt to track The Bear with Season 3 production underway in various locations around town, including Randolph Restaurant Row, reports have emerged that the show has already been green-lit for Season 4.

    There’s speculation that Seasons 3 and 4 are being filmed back to back with episodes for Season 4 already in production. Some have also called Season 4 the show’s final season. In the wonderful world of television, nothing is ever a certainty and FX hasn’t confirmed any of this.

    Show creator Christopher Storer, a Park Ridge native, reportedly has a long list of projects necessitating an endgame to Carmy, Sydney, and Richie’s antics. Similarly, actors Jeremy Allen White, Ayo Edebiri, and Ebon Moss-Bachrach are entertaining more opportunities. It’s come a long way since the 2022 James Beard Awards in Chicago where White attended and was easily approachable. His stock, along with his co-stars’, has soared since then.

    Season 3 should debut in June on Hulu.

    Atelier and Christian Hunter Make Moves

    Back in January, Christian Hunter, the chef at Michelin-starred Atelier in Lincoln Square, posted a diner menu on Instagram (since deleted), and that prompted folks to think that the James Beard-nominated chef was on the cusp of opening a second restaurant. Hunter would tell Eater in January that this was a dream, to open a diner that would pay homage to his mother’s (Angela Laverne) Cincinnati roots. Yes, that meant chili loaded with noodles and cheese. He also mentioned Coney Dogs, burgers, chicken sandwiches, and veggie options. Fine dining was great, but Hunter wanted to open a more affordable restaurant and was working with Atelier founder Tim Lacey on fleshing out the concept. In late February, Atelier announced that Hunter was now a co-owner and that they had promoted Bradyn Kawcak from chef de cuisine to executive chef to give Hunter room to pursue new projects as a bonafide restaurant group. Kawcak had worked at Michelin-starred restaurants in Chicago like Band of Bohemia, Entente, and Elizabeth. As far as the diner is concerned, Lacey and Hunter are searching for spaces with hopes of opening something by the end of the year.

    River North nightclub owner faces felony drug charges

    The 43-year-old owner of Spybar, a River North nightclub, has been arrested and faces felony drug trafficking charges for allegedly attempting to smuggle 14 pounds worth of ketamine and about 5.8 grams of ecstasy through O’Hare International Airport.

    Cook County prosecutors claim Dino Gardiakos tried to bring the illegal drugs through airport security as he arrived from London with the intent to sell them. Gardiakos had already been placed on probation for felony drug charges. He now faces a battery of charges including trafficking of a controlled substance and possession of a controlled substance. He’s been released on pre-trial conditions after appearing in court on Thursday.

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    Ashok Selvam

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  • Homeless camps in Sacramento cleared for Leonardo DiCaprio movie filming

    Homeless camps in Sacramento cleared for Leonardo DiCaprio movie filming

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    (FOX40.COM) — Parts of Downtown Sacramento look clearer than usual as officials remove homeless camps from Cesar Chavez Park amid scheduled filming for a new movie starring Leonardo DiCaprio and Teyana Taylor.

    Over the past few weeks, Warner Bros film crew has been spotted throughout the area working on a movie referred to as the “BC Project.” Although “Notice of Filming” signs were plastered throughout Downtown Sacramento in advance, the area has not been fully camera-ready.

    Homeless camps are prevalent near Cesar Chavez Park, where some movie-filming is being done. The City of Sacramento officials took action for the film crew and placed notices on tents on Friday that advised campers they have to pack up and leave within 24 hours.

    “Six tents were noticed in the filming area,” said City of Sacramento spokesperson, Tim Watson. “Through outreach and engagement from city resource coordinators, people in the area were offered connection to services and placement at the city’s Roseville Road campus.”

    Watson said that four campers accepted the city’s offer.

    Sacramento Homeless Union President Crystal Sanchez said the city’s latest move is just another instance of the City of Sacramento discriminating against the unhoused population. She addressed the producers of the film in a prepared statement:

    “We hope they take a minute and understand the crisis of homelessness and that the film has notably harmed some folks trying to survive this homeless crisis. We ask that the producers are cognizant of the City of Sacramento’s harmful action and would hope they address it with them.”

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    Veronica Catlin

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