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Tag: film

  • Author Fred Litwin’s New Book Claims to Debunk Oliver Stone’s JFK Conspiracy Theories

    Author Fred Litwin’s New Book Claims to Debunk Oliver Stone’s JFK Conspiracy Theories

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    Press Release


    Jan 30, 2023 09:00 EST

    In his timely and powerful new book, Oliver Stone’s Film-Flam: The Demagogue of Dealey Plaza, author Fred Litwin debunks the major allegations in JFK: Destiny Betrayed — Oliver Stone’s 2021 documentary series on the JFK assassination.

    Litwin’s book examines: 

    • The formation of the Warren Commission. 
    • The relationship between JFK and the CIA. 
    • Why Jack Ruby killed Oswald.
    • How the medical evidence supports a lone gunman. 
    • The role of imperfect memory in witness testimony. 
    • A refutation of a possible alibi for Lee Harvey Oswald. 
    • The chain of custody of CE 399 – the bullet found at Parkland Hospital.
    • The insidious claim that JFK’s physician, Dr. George Burkley, participated in a cover-up.
    • Spurious allegations about General Curtis LeMay. 
    • Supposed plots against JFK in Chicago and Tampa. 
    • The homophobic persecution of Clay Shaw by Jim Garrison. 

    Oliver Stone’s Film-Flam is extensively sourced and contains over 600 links to the internet (in the Kindle version), as well as excerpts from many JFK assassination documents.

    “This book shows how Oliver Stone gets it wrong and how the evidence just doesn’t support his allegations,” said Fred Litwin. “A lot of the film’s material is surprisingly easy to debunk. Viewers of this documentary series deserve to know the truth.”

    Litwin’s book will interest historians and film critics, fans of President Kennedy, and anyone interested in the debunking of conspiracy theories. It will certainly become a necessary addition to any JFK library.

    Oliver Stone’s Film-Flam, ISBN: 978-0-9948630-6-5, 2023, NorthernBlues Books, 496 Pages, Paperback $17.99, eBook $7.99; Available on Amazon, Kindle, iTunes, KOBO and the author’s website: http://www.OnTheTrailofDelusion.com

    About Fred Litwin: Fred is the author of four books and has written articles for the National Post, the Ottawa Citizen, and the Toronto Sun, among others. His 2020 book, On the Trail of Delusion – Jim Garrison: The Great Accuser exposed the fraudulent prosecution of Clay Shaw for conspiring to murder JFK.

    Source: Fred Litwin, author

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  • Madonna Biopic for Universal Pictures Scrapped

    Madonna Biopic for Universal Pictures Scrapped

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    A feature film about Madonna’s life and career is no longer moving forward at Universal Pictures, Variety, the Hollywood Reporter, and Deadline report. The film was first announced in 2020. Madonna has worked on drafts of the script with both Diablo Cody and Erin Cressida Wilson. Actress Julia Garner was set to star in the lead role. Last week, Madonna announced the 35-city “Celebration Tour,” kicking off July 15 at Vancouver’s Rogers Arena.

    Madonna’s last studio album was 2019’s Madame X. Last year she shared the retrospective remix collection Finally Enough Love and joined Beyoncé on a remix of her single “Break My Soul” that featured an interpolation of her 1990 hit “Vogue.”

    Check out “Madonna Showed Us Her Elite Head Games in Truth or Dare” on the Pitch.

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    Matthew Ismael Ruiz

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  • ‘Scariest thing I’ve ever seen’: Edmonton-made horror film Skinamarink breaks a million at the box office  | Globalnews.ca

    ‘Scariest thing I’ve ever seen’: Edmonton-made horror film Skinamarink breaks a million at the box office | Globalnews.ca

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    An Edmonton-made film has reviews from the New Yorker, The Atlantic and Rolling Stone — and now it’s made over a million dollars at the box office.

    The debut film for director Kyle Edward Ball, Skinamarink, has had sold-out screenings in Toronto, New York and Los Angeles with audience members calling it ‘the scariest thing they’ve ever seen’.

    The movie was filmed in the Edmonton director’s childhood home with a small budget of US$15,000 and is quite possibly the talk of the horror movie world right now.

    John Kmech, associate producer on the film, is also a novice in the film world — his only other credit is on a documentary about Edmonton’s Waste Management Centre — and is blown away by the support so far.

    “I don’t think anybody thought anything like this was going to happen. It was really just intended as his local feature film debut,” said Kmech.

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    The poster for Edmonton-made horror movie Skinamarink.


    Kyle Edward Ball / Shudder

     

    The synopsis says the movie is about two children who wake up in the middle of the night to find their father is missing and all the windows and doors in their home have vanished.

    Kmech got involved with the movie after seeing Ball’s YouTube channel, where the director made nightmares come to life. Ball would ask viewers to describe their nightmares in the comments and in turn would make 5-minute videos that are “best watched with the lights off and headphones on,” according to the description for the channel, Bitesized Nightmares.

    The production of Skinamarink was crowdfunded online, making about $8,500 in donations.

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    Ball reached out to Kmech when he had a first cut of the film done in November 2021, because Kmech was the only person on the crew who hadn’t read the shooting script.

    “Despite the fact a lot of people are calling this a found footage film, it did have a 96-page shooting script. It was very tightly plotted and envisioned by Kyle,” he said.

    Kmech watched it by himself and said he was full of adrenaline and tension.

    “I really think it’s like really nothing I’ve ever seen in a film before.”

    Kmech said TikTok helped create hype for the movie after it was leaked online and creators started raving about the relentlessly eerie ambience of the 100-minute film.

    “Some of the early reactions that people were having were they were saying ‘This is the scariest thing that I’ve ever seen,’ … people who were saying that it made them cry,” he said.

    As for what’s next for Kmech and Ball, they’re very busy thanks to the virality of their movie, and that isn’t leaving much time to plan future projects.

    “I’ve heard that he wants to start writing something else in the next couple of months once he’s able to get past this initial rush. But I haven’t talked about anything — like this was really totally unexpected,” said Kmech.

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    Kmech mentioned another production that has put the province’s film and TV industry on the map: The Last of Us, the HBO series that had Albertans bursting with pride after it was filmed at several locations in Calgary and Edmonton.

    “They’re really kind of polar opposite, you know, one is a $15,000, micro-budget experimental film and I think The Last of Us is one of the biggest TV productions ever,” he said.


    Click to play video: '‘The Last of Us’ premiere draws excitement, momentum for Alberta film industry'


    ‘The Last of Us’ premiere draws excitement, momentum for Alberta film industry


    “But they were both filmed here. So I think that’s also incredible.”

    There are only two more chances to see Skinamarink in Edmonton, at the indie theatre Metro Cinema, on Jan. 29 and 31.

    These screenings were added after the first run sold out completely and prompted lineups outside the theatre, so don’t hesitate to get your tickets online.

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Stephanie Swensrude

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  • Lisa Marie Presley to be laid to rest at Graceland

    Lisa Marie Presley to be laid to rest at Graceland

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    LOS ANGELES, Jan 13 (Reuters) – Singer Lisa Marie Presley will be laid to rest at Graceland, the Memphis mansion she inherited from her father Elvis Presley, the “King of Rock ‘n’ Roll,” a representative for her daughter said on Friday.

    Presley died on Thursday at the age of 54 after being rushed to a Los Angeles area hospital after reportedly suffering cardiac arrest at her home.

    “Lisa Marie’s final resting place will be at Graceland, next to her beloved son Ben,” said a representative for her 33-year-old daughter Riley Keough, an actress. She is also survived by twin 14-year-old daughters Finley and Harper.

    Two days earlier, Lisa Marie Presley had appeared with her mother Priscilla Presley at the Golden Globe Awards, where actor Austin Butler won the best actor award for portraying her father in the film “Elvis” and paid tribute to both women in his acceptance speech.

    “My heart is completely shattered for Riley, Finley, Harper and Priscilla at the tragic and unexpected loss of Lisa Marie,” Butler said in a statement on Friday.

    “I am eternally grateful for the time I was lucky enough to be near her bright light and will forever cherish the quiet moments we shared. Her warmth, her love and her authenticity will always be remembered.”

    Benjamin Keough died in 2020 at age 27, a death ruled a suicide by the Los Angeles County coroner.

    Lisa Marie Presley remembered her son in an essay this year for People magazine that she posted on Instagram, describing herself as “destroyed” by his death.

    As the only daughter of Elvis Presley, Lisa Marie became the owner of her father’s Graceland mansion, a popular tourist attraction in the city. She was nine when Elvis died there of heart failure in August 1977, aged 42.

    Elvis Presley and other members of his family are buried at Graceland’s Meditation Garden.

    Tributes to Lisa Marie Presley continued to pour in on Friday.

    “Over the last year, the entire Elvis movie family and I have felt the privilege of Lisa Marie’s kind embrace,” Baz Luhrmann, the director of “Elvis”, said on Instagram.

    “Her sudden, shocking loss has devastated people all around the world.”

    In the celebrity spotlight since her birth, Lisa Marie began her own music career with a 2003 debut album “To Whom It May Concern.”

    That was followed by 2005’s “Now What,” and both hit the top 10 of the Billboard 200 album chart. A third album, “Storm and Grace,” was released in 2012.Singer Billy Idol posted a picture of them together on Twitter and said she had been “very loving 2 me”, adding, “In Memphis in the 90’s she gave me a viewing of the private sections of Graceland which was very special.”

    Lisa Marie Presley is survived by her mother, daughter Riley Keough, and 14-year-old twin daughters Harper and Finley Lockwood.

    Additional reporting by Lisa Richwine and Dan Whitcomb; Editing by David Gregorio and Clarence Fernandez

    Our Standards: The Thomson Reuters Trust Principles.

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  • Keke Palmer Kicks Off 2023 Red Carpet Season in Shimmery Michael Kors Collection

    Keke Palmer Kicks Off 2023 Red Carpet Season in Shimmery Michael Kors Collection

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    Keke Palmer kicked off the new year back on the red carpet for the 2023 New York Film Critics Circle Awards – just a month after her surprise pregnancy announcement while hosting “SNL” in December.

    The 29-year-old arrived at Tao Downtown in New York City in a dazzling silver sequin gown hailing from Michael Kors Collection, styled by go-to fashion duo Wayman Deon and Micah McDonald. The shimmery dress features a floor-hitting skirt, a plunging neckline and thin spaghetti straps. The actor accessorized with a gold Lorraine West choker; as for glam, she opted to wear her long twisted braids down, paired with bronzed makeup. 

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    India Roby

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  • Is Aaron Taylor Johnson the New James Bond?

    Is Aaron Taylor Johnson the New James Bond?

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    For the past few years, there have been whispers about who will be the next actor to take on the coveted role of James Bond. That icon-making moniker, 007, cannot be passed down casually. The stakes are high. The wait has been long. But could we finally have our next Bond in 32-year-old Aaron Taylor Johnson?


    There have been many names thrown into the ring for Daniel Craig’s successor. For a time, many speculated Idris Alba. Some said Richard Madden, of Game of Thrones —and now Marvel Studio’s Eternals — fame. There was a brief moment where Harry Styles was rumored to be in talks for the role. Other speculated candidates include Tom Hardy, John Boyega, Sam Heughan, and so on and so on.

    At the conclusion of the most recent Bond installment, No Time to Die, it seemed that a female Bond could be in the cards. However, that was ruled out by the Bond producers who verified that the next Bond will be male. So some British man in his 30s — young enough to take on the 10-12 year commitment, but old enough to be realistic.

    But eventually, we’ll hear a decision. Let’s hope soon. Aaron Taylor Johnson appears to be the frontrunner for the part — especially after his Blockbuster-shattering role in Bullet Train.

    Johnson has always had leading man potential, but his career’s currently on a rapid upward trajectory and he’s finally getting the recognition he deserves.

    His breakout role was in the 2008 Britsh teen movie Angus, Thongs, and Perfect Snogging. He then went on to find leading role success in films like Kick-Ass, Anna Karenina, and even a brief time in the Marvel Cinematic Universe. But the buzz around his latest role makes him prime Bond fodder.

    Bullet Train, a feature-filled with heartthrobs and action could have been okay if they hadn’t forced the cast to do those Guy Ritchie-esque accents. A box office success, it’s maintained a consistent spot on the Netflix Top 10 list. More importantly, it put Johnson on the map.

    But is Aaron Taylor Johnson truly the new James Bond? Nothing official has been released but word on the street (yes, including Deuxmoi) is it’s looking good for the 007-hopeful.

    The Sun stoked these rumors in November with reports that Johnson had impressed producers in a “secret audition”. It’s also confirmed that he spoke with producers in a recent meeting. However, the only wrench in the plan might be this: Johnson’s getting a titch too famous.

    Bond is a star-making role. It puts actors on the map, making them household names. But the producers want someone they can take to those heights with the Bond franchise. Not someone who already has a mega-fan base or is known too well known for a former role. So, that rules out Harry Styles, I guess.

    Johnson’s right on the cusp of this kind of fame. Especially considering he’s about to re-enter the Marvel Cinematic Universe as the lead in Kraven The Hunter. He’s also supposed to co-star in The Fall Guy alongside Ryan Gosling.

    While all of this is good news for Johnson’s career and for us as viewers, that might be the only thing keeping him from Bond. Only time will tell. Either way, I’ll be in the front row of whatever movie ATJ stars in next.

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    LKC

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  • An Animated Debate: Which Feature Will Bring Home the Oscar?

    An Animated Debate: Which Feature Will Bring Home the Oscar?

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    This was such a good year for animation. Last year it truly boiled down to “Encanto vs. Mitchells”, but the field is wide open, so let’s run it down with the help of Vareity!

    With Disney/Pixar, we have Turning Red, a critical darling. Not commercial, because Disney didn’t give it a wide release….and Lightyear and Strange World, both of which did receive wide releases, flopped, and are non-entities in this race. Turning Red, which marks the first from Pixar to be solely directed by a woman, has received critical acclaim for Shi’s depictions of female friendships and the mother-daughter relationship.

    OP Note: TR is still probably my favorite film of the year.

    Netflix has quite a lot, including The Sea Beast, their most successful animated film to date. There’s also My Father’s Dragon, the latest from Cartoon Saloon, which hit the platform with a mild splash. Of course, there’s Guillermo del Toro’s Pinocchio, which is almost guaranteed to place in the nominations.

    The article does not, however, mention Henry Selick’s Wendell and Wild.

    OP Note: Sea Beast was fine enough, and GDT’s Pinocchio was really cool. Nice to see a multitude of stop motion available, sad W&W isn’t getting more attention.

    GKIDS missed a nomination last year with Belle (tip: the soundtrack is amazing), but with Inu-Oh already being nominated for a Golden Globe, maybe they can take it all the way (and give us a US release, y/y?).

    Did you, like most people, forget Dreamworks Animation had not one, but two films this year? The Bad Guys had a fairly slow rollout worldwide with it’s soft, almost Spider-verse-esque style for a bunch of criminals. It sadly seems to have sunk out of the public conciousness. Meanwhile, the sixth entry into the Shrek franchise, Puss In Boots: The Last Wish, may be 11 years too late, but it was worth the wait, with very positive reviews, and a bombastic artstyle and story that stops just short of saying memento mori.

    OP Note: Ok, maybe Puss in Boots is my favorite this year?

    Welcome to the animation side, A24, and welcome Marcel The Shell With Shoes On. I didn’t like it. But I’m glad another stop motion/live action hybrid is making the rounds, and is winning a lot of smaller circuits!

    src –> ft Apple and their John Lasseter film.

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    sandstorm

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  • Southwest, NIO, AMC, Tesla, and More Stock Market Movers Tuesday

    Southwest, NIO, AMC, Tesla, and More Stock Market Movers Tuesday

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    • Order Reprints

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  • Alex Ross Perry Is Making a Pavement Movie

    Alex Ross Perry Is Making a Pavement Movie

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    This month, the indie director Alex Ross Perry staged an unlikely musical theater show in New York: Slanted! Enchanted!: A Pavement Musical. The production is part of an unorthodox feature film on the beloved indie-rockers, according to a profile in this week’s New Yorker. Though details are thin, the movie will reportedly mix footage from the musical and its creation with elements of biopic and documentary. 

    The film is reportedly based on an obscure directive from Stephen Malkmus, who, as profile writer Hannah Seidlitz reports, “said he wasn’t interested in hiring a documentary filmmaker. He wanted to hire a screenwriter. But he didn’t want a screenplay.” Perry, whose résumé includes Pavement’s “Harness Your Hopes” video and an array of beguiling movies starring Elisabeth Moss, decided to write something “legitimate, ridiculous, real, fake, idiotic, cliché, illogical,” he said. “You take the Todd Haynes Bob Dylan movie, the Scorsese documentary, the Pennebaker documentary, and the movie Dylan himself directed that everyone hates [Renaldo and Clara], and put them all in a blender.” For now, no release date has been set.

    Read “Elisabeth Moss Is Essentially Courtney Love in the Rock’n’Roll Drama Her Smell,” about Perry’s 2019 film, on the Pitch:

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    Jazz Monroe

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  • Dressed to Kill (and Thrill): Costumes Fit for an Oscar

    Dressed to Kill (and Thrill): Costumes Fit for an Oscar

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    Babylon (Paramount)

    We meet Nellie LaRoy (Margot Robbie) in Babylon just as she’s skidded her car onto the front lawn of a glamorous Hollywood house party she’s hoping to crash. She steps out of the car in a skintight red ensemble with a plunging neckline that immediately signals this is someone who captures people’s attention—even in a rollicking bash with an elephant, debaucherous dancers, and a little person hopping around on a penis-shaped pogo stick. Babylon costume designer and three-time Oscar nominee Mary Zophres says of Robbie’s lady-in-red entrance, “We knew that it needed to be striking, we wanted it to be sexy, and we wanted it to stand out in the crowd.”

    Director Damien Chazelle told Zophres early on that he wanted to avoid typical looks from the 1920s and 1930s in his Hollywood period piece. But the designer wanted this look to be something that Nellie, a scrappy aspiring actor, could have made herself at home during that period. “She’s trying to get away with as little clothing as possible but still be allowed into the door,” says Zophres, who went through six different prototypes before landing on this look. At first, the vintage-silk top was paired with pants, but then, inspired by an image of a woman from the Ziegfeld Follies, Zophres created a pair of hot pants and wrapped a sarong around it. “Instantly, you know somebody daring is wearing that,” Zophres says. “Someone who’s got a zest for life and is not afraid to take chances.”

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    Rebecca Ford, Katey Rich, Chris Murphy, Yohana Desta

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  • Discussion for The White Lotus S2 finale

    Discussion for The White Lotus S2 finale

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    Discussion for The White Lotus S2 finale

    2×7: Arrivederci
    Albie asks Dominic for a karmic payment to help Lucia. Tanya grows wary of Quentin’s motives. Ethan confronts Cam.


    Meghann Fahy

    Mike White

    Haley Lu Richardson

    1 2 3 4

    ONTD, who did you hope were the murder victims (multiple choice so pick as many as you like)?

    Who do you hope is the returning character in S3?

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    silverstarry

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  • ‘Brother,’ ‘Black Ice’ among the films on this year’s Canada’s Top Ten list from TIFF  | Globalnews.ca

    ‘Brother,’ ‘Black Ice’ among the films on this year’s Canada’s Top Ten list from TIFF | Globalnews.ca

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    A coming-of-age film set in Scarborough and an immigrant story that’s been a hit on the awards circuit are among the Toronto International Film Festival’s top selections of the year.

    TIFF’s annual Canada’s Top Ten list includes Clement Virgo’s latest project “Brother,” based on David Chariandy’s novel about two Trinidadian-Canadian brothers growing up in 1990s Scarborough, a neighbourhood in Toronto.

    Also making the list is “Black Ice,” by director Hubert Davis, a documentary that explores the role race played in hockey through a collection of first-hand accounts from players past and present.

    Read more:

    ‘The Fabelmans’ wins People’s Choice, ‘Riceboy Sleeps’ snags Platform Prize at TIFF

    Another pick related to identity is “Riceboy Sleeps,” based on Korean Canadian director Anthony Shim’s experiences growing up in British Columbia in the 1990s, which has picked up awards at film festivals in Toronto, Vancouver and Windsor, Ont.

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    TIFF says the Canada’s Top Ten selections will screen Jan. 26 to 29 at TIFF Bell Lightbox.

    It says the list is chosen by programmers in consultation with industry panellists, filmmakers and festival programmers from across Canada.

    The other features that made the list are: “Cette Maison” by Miryam Charles, “Crimes of the Future” by David Cronenberg, “I Like Movies” by Chandler Levack, “Something You Said Last Night” by Luis De Filippis, “To Kill a Tiger” directed by Nisha Pahuja, “Rosie” by Gail Maurice, and “Viking” by Stéphane Lafleur.


    Click to play video: 'TIFF films highlights newcomer community'


    TIFF films highlights newcomer community


    &copy 2022 The Canadian Press

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  • Taylor Swift to Direct Feature Film Based on Her Own Original Script

    Taylor Swift to Direct Feature Film Based on Her Own Original Script

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    Taylor Swift is set to direct a feature film for Searchlight Pictures based on a script she wrote herself. Searchlight presidents David Greenbaum and Matthew Greenfield said in a statement, “Taylor is a once in a generation artist and storyteller.  It is a genuine joy and privilege to collaborate with her as she embarks on this exciting and new creative journey.” The title and other details have not yet been confirmed.

    Swift, who released Midnights in October, wrote and directed a short film last year to accompany an extended version of her song “All Too Well (Taylor’s Version).” It was submitted for the 2023 Oscars, and won the 2022 VMA for Best Direction. The latter award made Swift, who also won in 2020 for “The Man,” the first solo artist to receive the honor twice.

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    Jazz Monroe

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  • Ariana Grande Is Completely White Again?

    Ariana Grande Is Completely White Again?

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    Ariana Grande Is Completely White Again?

    Gurl, your blackfishing was off the charts in the seven rings era and your recent plunge into “asian” was something else.

    Everyone knows you’re trying it because you’re playing Glinda in a two-movie attempt at a block-buster that I’m betting is gonna flopp-

    But, I’m not having it.

    SHE ACTUALLY HAS THE NERVE TO CALL THIS MAKE-UP RELEASE “MOD VANILLA”.

    For those of us that still remember and have eyes to see…

    SOURCE

    ONTD are you multi-racial?

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    ichabod_crake

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  • The 10 Best Movies of 2022

    The 10 Best Movies of 2022

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    This year, the nervous clench of the pandemic eased up (to some extent), with movie theaters fully reopened and film festivals carrying on like they used to before 2020.  The industry, and moviegoing itself, is still in trouble, but, at least, there was a host of thrilling work to celebrate and enjoy throughout all that tumult. So many, in fact, that plenty of worthy films—the hushed memoir piece Aftersun, the prickly fable The Banshees of Inisherin, the scrappy found-family drama Broker—had to be left off this list, for brevity’s sake. The ten films listed below shone brightest for me in 2022.  

    Courtesy of A24

    On paper, Dean Fleischer Camp’s film sounds like a mistake. Based on viral shorts from a decade or so ago, Marcel could easily have been lazy, cloying nostalgia, a too-late attempt to cash in on a bygone era of internet quirk. Instead, Marcel is a wistful wonder of a children’s film, one that carefully balances the silly with the serious. The film’s visual invention and graceful writing distinguish it from many of its peers; Marcel speaks to little ones on their level while gently encouraging them to think and feel more expansively about their lives and the life of the world around them. Anchoring the project is the invaluable voice work of co-writer Jenny Slate, who gives the adorable creature of the title some necessary pepper lest he become too cute. Melancholy without being sappy, mordant without being cynical, Marcel the Shell with Shoes On was the poignant surprise of the year, a marvelous debut feature from a director who, I hope, will take us on many more humane adventures in the future.

    9. Saint Omer

    Courtesy of Super LTD

    Alice Diop’s quiet and somber film is a courtroom drama, but not in the familiar sense. There is no lawyerly speechifying, no sudden discovery of salient evidence. Instead, Saint Omer is a measured consideration of a tragedy: the death of an infant whose mother, Laurence (a forceful Guslagie Malanda), stands accused of murder. Diop, a documentarian making her narrative debut, based her film on the real-life case of a Senagalese immigrant convicted of killing her child. She  patiently and compassionately listens to Laurence in the form of Rama (Kayije Kagame), a pregnant writer who sits in on the trial in search of a story. As these two women mull over, publicly and privately, their lives as Black women in France—and as mothers—Saint Omer whispers with the voices of so many drifting in the margins of what is meant to be a progressive and egalitarian society. The slow build of this precisely structured film is remarkable, as if we are watching the reinvention of a hoary genre. Saint Omer is another sterling entry in the recent spate of films, like Mati Diop’s Atlantics and Nikyatu Jasu’s Nanny, that have addressed the West African diaspora with resounding power.

    8. Hit the Road

    ©Kino International/Everett Collection.

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    Richard Lawson

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  • Black Panther: Wakanda Forever is Finally Here, But What’s Going on with Letitia Wright?

    Black Panther: Wakanda Forever is Finally Here, But What’s Going on with Letitia Wright?

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    The Black Panther sequel, Wakanda Forever, is finally here after years of anticipation. Following the life-altering original Black Panther film, the sequel has much to live up to. And after the tragic passing of Chadwick Boseman, who played the titular role, fans were wondering how the film would honor his legacy.

    If you, like me, have been overflowing with pent up excitement as you waited for the sequel, I will not spoil the film. But know that this elegant tribute will meet your expectations — and possibly leave you sobbing on the way home.


    As the press gears up, the unending backstage drama has also been making the headlines. And now the cast can finally spill in interviews — without giving anything away, of course.

    Even before the film had a release date, news of the cast had been swirling about the airwaves. After Boseman’s death, many wondered who’d take the reigns. Many eyes were on Shuri, T’Challa’s sister, played by Letitia Wright. However, the controversy around Letitia only made it completely ambiguous.

    If you missed it, here’s what happened:

    Letitia Wright Vaccination Controversy

    During the pandemic, celebrity bad behavior ran rampant. Ignoring mask mandates, careless vacationing, and nutty opinions about vaccines.

    When Letitia Wright spoke up about her views on the vaccine, it raised eyebrows. It all started when Wright Tweeted out a 69-minute anti-vax YouTube video featuring Light London Church leader Tomi Arayomi. In the video, Arayomi questioned the legitimacy of the Covid-19 vaccine.

    When the Twitterverse erupted with backlash, Wright tweeted: “If you don’t conform to popular opinions. but ask questions and think for yourself….you get cancelled.”

    Many Twitter users were particularly disappointed because of Wright’s status within the Black community. Due to Western practices of medical racism and even experimentation performed on Black communities, there were many concerns about how the vaccination rollout would be presented to Black communities.

    Vaccine skepticism, combined with the statistical realities of Covid’s larger impact on Black communities, made vaccination a delicate subject. So many found Wright’s comments detrimental to vaccination efforts, and her talk point about “thinking for yourself” more harmful than she might have intended.

    So, was she canceled? What would that mean for the film shoot? And would her ambiguous vaccination status put production even further behind?

    But is this controversy unfair?

    Although this question was raised during the press tour, any claims that Wright’s vaccination status cost the production time were shot down.

    Producer, Nate Moore, labeled the controversy unfair, saying no one else’s vaccination status was held under a microscope. With no apparent vaccine mandate, news reports claiming she was vocally anti-vax on set seemed false. “She never talked about her views either way. We read the stories that I would argue were unfair, because I don’t know where they’re coming from.” Moore emphasized Wright’s positive contribution to the set. “She only ever was the utmost professional and a joy to have around.”

    The Black Panther Cast, including Chadwick Boseman

    Letitia Wright’s on-set injury filming Black Panther

    It seems that Wright had larger problems to address, anyway. While there had been whispers of a messy behind-the-scenes experience that caused changes, setbacks, and delays. Wright recently spoke out about the reports that she was injured while they were filming.

    During a bike-chase scene in Boston, the equipment snagged and caused the bike to fall over — with Wright on it. This terrifying accident sent her to the hospital with multiple injuries, including a fractured shoulder and a concussion. Personally, I’ll take this as a sign never to go to Boston (again).

    “I’m still processing it,” Wright told Variety. “I’m still working through it in therapy. It was really traumatic.”

    Others on the set also felt the emotional weight. Showrunner Ryan Coogler said, “I mean, I love these actors. That’s me and Chad’s little sister. Imagine getting that call that your little sister’s hurt. It’s the fucking worst thing in the world.”

    Despite her physical injuries and mental trauma, Wright went back to work as soon as she could. “I had great, great, great medical support, great patience on set,” Wright said. “I’m just extremely proud of myself. I’m extremely proud of Ryan, of the team, for just the resilience — overcoming adversities every step of the way. When I finished filming, I cried like a little baby.”

    What does all this mean for the film?

    Despite the commotion, the show goes on. If you haven’t bought your ticket to Black Panther: Wakanda Forever yet, you better scour Fandango for available seats in your local theater this weekend. Crowds will undoubtedly show in droves, just like they did for the first film.

    And as for Wright, she’s healed physically and is working on her mental health. Jury is still out on her vaccination status and if her so-called “cancellation” will affect her career. But whatever comes, there will always be a place for her in the Black Panther family.

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  • The 30 Best 80s Movies That Are Still Totally Bodacious Today

    The 30 Best 80s Movies That Are Still Totally Bodacious Today

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    The key to appreciating Purple Rain beyond its obvious surface pleasures is to take it in as a spin on a 1930s musical. Think of it set in an old time vaudeville theater, and the story of Minneapolis’s First Avenue concert venue with its house bands that practically live there starts to make more sense. But, hey, no one has really loved this movie for its story (or, let’s face it, its acting.) It’s Prince’s score, and the outstanding performances by The Revolution (and Morris Day and the Time) that have cemented this as an 80s musical classic. The final medley of “I Would Die 4 U” into “Baby I’m A Star” is why they invented cameras and lenses. Prince was a charisma machine, and, sure, the scenes with his feuding parents don’t quite work, but any close-up of his eyes reminds you that this was a man who owned any room he entered.

    Back to the Future (1985)

    “Great Scott!” “Think, McFly, think!” “1.21 gigawatts!” Boy, there sure are a lot of out-of-context lines burned into our collective unconscious thanks to Robert Zemeckis’s classic 80s movie, this family-friendly sci-fi adventure. Michael J. Fox is the lovable teen who rides a DeLorean souped-up with a Flux Capacitor burning Libyan plutonium and ends up in 1955 … and accidentally paradoxes himself out of existence unless he can get his father to take his mother to the Enchantment Under The Sea dance. Along the way he invents rock ’n’ roll, freezes the clock tower, and kills a baby pine tree, forever changing the name of a shopping mall. It’s not only one of the best 80s teen movies, but a big, enjoyable hit that still works with audiences of all ages.

    Desperately Seeking Susan (1985)

    Considering that Madonna was one of the biggest pop stars of the 80s (and 90s, and onward) it’s fun to look back at her first film and see how scrappy and downtown it was. Shot and set in New York’s underground art scene (the cameos from Rockets Redglare to Arto Lindsay to Annie Golden and many more are incredible!), this madcap swapped-identity comedy from Susan Seidelman is one of the most breezy, fun, and romantic movies of the 80s. Rosanna Arquette is a bored New Jersey hausfrau who takes a trip to Oz after stalking the freewheeling Susan (Madonna) whose sartorially-innovative lifestyle includes eating Cheez Doodles and crossing state lines with stolen earrings from ancient Egypt. Don’t worry too much about the plot, but do look on in wonder at Santo Loquasto’s production and costume design, which made its mark on pop culture and in music videos for years. Whenever anyone says there aren’t good 80s movies, point them this way.

    Ran (1985)

    Japanese master Akira Kurosawa was basically blind by the time he directed this adaptation of Shakespeare’s King Lear, but he’d been painting the storyboards for a decade. The result is a film that’s epic in scope, ranging from battle scenes of brutal realism to dreamlike sequences of natural splendor. (Rarely can one legitimately cite “wind” as a character in a movie.) The Lear story is switched here to three sons, and when things get dicey between them, things turn bloody. Battling factions fly bright, primary-colored flags, making this one of the more sumptuous displays in filmmaking, even if people are killing one another horribly. Tatsuya Nakadai, who starred in five of Kurosawa’s films as well as Japanese classics The Face of Another, Kwaidan, and Portrait of Hell, is mesmerizing as the 16th-century feudal lord slowly losing touch with reality as he transitions between this world and the next.

    Aliens (1986)

    Sigourney Weaver’s Ripley wasn’t the very first science fiction hero to wear a mech suit, but she was certainly the one that made the most lasting impression. While Ridley Scott’s 1979 film Alien is surely the best horror movie in space, James Cameron’s Aliens can make a good case for itself as the best action-adventure movie in space. The premise here (and every forthcoming Alien movie) is basically the same—“The Company” is stupid enough to think it can trap, contain, and exploit the power of these vicious interplanetary beasties, and it doesn’t care how many of their people die trying to get the job done. Bill Paxton, Jenette Goldstein, Michael Biehn, Lance Henriksen, and more co-star as Xenomorph fodder, and things get truly gross by the end, making it one of the more popular 80s movies. Weaver’s badassery turned a corner for women in gun-toting action roles in a way that felt natural, and racing through air conditioning vents has never been the same.

    Blue Velvet (1986)

    Before the invention of the internet, it took special flames like a David Lynch movie to draw all the freaky moths together. Blue Velvet, which drinks from a similar well as Lynch’s magnum opus Twin Peaks, is a hyper-stylized psycho-sexual thriller blending kitschy comedy with brutal violence and dark impulses. Kyle MacLachlan is a college student visiting his small-town home who discovers a severed ear crawling with ants amid the manicured lawn. Clearly, the picturesque locale (is this set in the 1950s? It’s hard to say) is hiding a layer of human cruelty, and as the mystery widens we meet the gas-huffing Frank Booth (Dennis Hopper) and the imprisoned lounge singer Dorothy Vallens (Isabella Rosselini). In between scenes of film noir-style suspense are moments of surrealist comedy and inexplicable moments of dread. Yet for all the weirdness, this is one of Lynch’s more straightforward projects. A good on-ramp, or maybe the end of the road, depending on your tastes.

    Hannah and Her Sisters (1986)

    Michael Caine and Diane Wiest both won Oscars in this sprawling masterpiece of interpersonal dynamics loosely based on Chekhov’s Three Sisters. At its center is Mia Farrow, in peak form as a caring wife, mother, daughter, and sister trying to keep a widening group of psychologically spiraling people together. Farthest in orbit is her ex-husband, played by Woody Allen, who won another Oscar for his screenplay. This movie, perhaps more than anything else he’s done, has its legacy felt in a generation of comedies rooted in complex human interaction. Barbara Hershey, Carrie Fisher, Maureen O’Sullivan (Farrow’s mother), and Julie Kavner round out the tremendous cast. Max Von Sydow’s monologue as a grumpy painter flipping channels on television is perhaps the funniest scene from any 80s comedy movie.

    Moonstruck (1987)

    By MGM/ Everett Collection.

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  • The 30 Best Halloween Movies on Netflix to Stream This October

    The 30 Best Halloween Movies on Netflix to Stream This October

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    And now we reach the vibe subcategory of Halloween movies. Crimson Peak isn’t all that scary (unless you are the wuss of all wusses) but director Guillermo Del Toro is very much in his element in an amped-up Edwardian-era English manor. This is a love story as much as it is anything else, but with ghosts, penniless gentry, deteriorating buildings, lots of eyeballs, and some of cinema’s most eerily shot falling snow. Of films released in the last 10 years, this is essential stuff for anyone interested in design (perhaps even more so than Del Toro’s Oscar-winner The Shape of Water), and the performances by Mia Wasikowska, Jessica Chastain, Tom Hiddleston, and Charlie Hunnam (underrated!) are all top-notch, too.

    Deliverance (1972)

    From the Everett Collection.

    This box office sensation that garnered three Academy Award nominations (best picture, best editing, and best director for John Boorman) is not regularly associated with Halloween. If anything, it seems like a summer movie, what with a group of people taking a canoeing trip. But it is a survival horror picture, with some still-shocking acts of violence throughout. Burt Reynolds, Jon Voight, Ronny Cox, and Ned Beatty are four Atlanta businessmen who find themselves grossly out of their element among the locals, whose landscape is about to be severely changed due to a coming dam. If only the gang split after their nice banjo encounter!

    Eerie (2018)

    This often-overlooked movie is just one of the many foreign language gems tucked away deep on Netflix’s servers. Filipino director Mikhail Red leans in to the title with a chilling tale of a Catholic girls’ school haunted by a past suicide. The location mixes modernist architecture with classic religious iconography, and while there isn’t too much gore (though there are plenty of jump-scares), it’s the tone that does wonders here. Flickering candles, shadows, lots of eyeballs (what’s creepier than eyeballs?), and disorienting nightmares add up to an unusual sensation of dread.

    The Fear Street Trilogy (2021)

    From Netflix/Everett Collection.

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  • A Dangerous Allure Drives Park Chan-Wook’s Film ‘Decision To Leave’

    A Dangerous Allure Drives Park Chan-Wook’s Film ‘Decision To Leave’

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    As a detective, Hae-joon is very focused on his work. He finds it hard to let unsolved cases go. A central character in Park Chan-wook’s film, Decision to Leave, Hae-joon investigates so fastidiously that his determination intrudes on other aspects of his life. He can’t sleep, which means he’s always running on empty, but he’s running nevertheless, sometimes for days on end. The detective, played by Park Hae-il, pays minimal attention to his marriage, but keeps a wall full of grisly crime photos to spur on his investigations. It has been suggested to him that those crime scene photos are the reason he can’t sleep.

    When he meets Seo-rae, played by award-winning Chinese actress Tang Wei, he ignores the immediate attraction he feels because she’s a suspect in her husband’s death. Or at least he tries to ignore the way he feels. He stakes out her house, but the attention he pays to the details of her life might also be described as stalking. Hae-joon’s younger partner, played by Go Kyung-po, is convinced that Seo-rae played a part in her husband’s death, but Hae-joon is not so sure. He just needs to keep watching her for a little while longer.

    When he’s watching her, it’s as if he’s in the room with her, which might be exactly where he wants to be. Oddly, when he’s near her, he can comfortably fall asleep. She’s aware that he’s watching when she consumes ice cream, talks to a cat or watches TV, and she also begins to watch him. Is she trying to understand him or deciding how to use his interest?

    The storyline includes myriad twists and turns, with shifting perspectives that are pleasingly reminiscent of Alfred Hitchcock’s film Vertigo. That’s no surprise since Park once said he decided to become a director after seeing Vertigo. Each twist further complicates the mystery of who Seo-rae is. Is she an innocent victim or a heartless killer and does it even matter?

    Decision to Leave is the story of an obsession, the kind of crazy urge to be with someone that makes a person abandon reason. Park’s film career has explored various manifestations of obsession. His 2016 film The Handmaiden is an erotic tale of love, obsession and revenge. Park’s internationally renowned Vengeance Trilogy, which consists of Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Lady Vengeance (2005), might focus on revenge, yet the desire for revenge is also an obsession. As a filmmaker he is drawn to examine the subject, much the way the fastidious Hae-Joon is drawn to the unpredictable Seo-rae.

    Moody and masterfully done, his film Decision To Leave teases mystery after mystery, leaving viewers to wonder where the thin line between love and romantic obsession really lies.

    Decision To Leave was shown at the 2022 Cannes Film Festival, where it won Park the award for Best Director, and has been selected as South Korea’s entry for best international feature film at the 2023 Academy Awards. Distributed by Mubi, the murder-mystery-romance will premiere in New York and LA theaters on Oct. 14.

    Park Hae-il has appeared in dozens of Korean films including Hansan: Rising Dragon, The Last Princess and The King’s Letters. Tang Wei is a popular Chinese TV and film actress, the winner of a Cannes Film Festival Award, a Golden Horse Film Festival Award and a Baeksang Arts Award.

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    Joan MacDonald, Contributor

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  • University in Escondido Finishes Production on Feature Film

    University in Escondido Finishes Production on Feature Film

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    ‘O, Brawling Love!’ — the first project in John Paul the Great Catholic University’s Feature Film Program — finished filming on Tuesday

    Press Release


    Jun 30, 2022

    O, Brawling Love!, the first project in John Paul the Great Catholic University’s Feature Film Program, finished filming on Tuesday. The film was shot in Escondido, California, using locations such as Escondido Charter High School, Grape Day Park, and the university’s soundstage. Over 50 JPCatholic students, along with several alumni, were involved both on and off set.

    Prof. George Simon, Chair of Communications Media, is spearheading JPCatholic’s Feature Film Program. He announced the initiative last year as a way to integrate feature film productions into the curriculum, providing students the opportunity to collaborate with alumni and professors each year in bringing a new film to life.

    “This program is made possible by the talent, creativity, and passion of our students,” he said. “Every day on set, these filmmakers set a standard of excellence and professionalism that is truly remarkable. We all knew it was possible to pull off a feature film with our students, but they didn’t just pull it off, they knocked it out of the park.”

    As previously announced, JPCatholic’s faculty selected O, Brawling Love! from a pool of nearly 50 student and alumni pitches. An original story by senior screenwriting student Bella Lake, the script is about two rival acting students who are forced to reconcile their differences and play lovers Romeo and Juliet in their final school play, vying for a $25,000 cash prize.

    The film was directed by JPCatholic alumna Maggie Mahrt (’10), whose resume includes work for Disney Digital, Paramount Studio, and NBC. In 2016, she was selected as one of eight women by the American Film Institute’s Directing Workshop for Women, through which she wrote and directed the award-winning short film Unbound.

    Since January, students and faculty have been busy with courses on story development and pre-production applied directly to planning the project. Production spanned June 2-28, taking place primarily during the break between Spring and Summer quarter.

    Several students also acted in the project, including senior acting student John Howard who was cast as the male lead. He participated in the blind audition process with Mahrt, and was selected from a pool of over 50 candidates from both inside and outside the school. “Starring in a feature film was a big step up from acting in short films,” he said. “It was a welcome and rewarding challenge.”

    With production complete, Prof. Melinda Simon will lead a team of students this quarter in editing the project. Like previous stages of the film, the post-production experience is a class students are taking for credit. When the film is completed in late 2022 or early 2023, the university will seek distribution.

    John Paul the Great Catholic University describes itself as “The Catholic University for Creative Arts and Business Innovation,” focusing on combining hands-on programs such as film, animation, graphic design, acting, and business entrepreneurship with a Catholic liberal arts education in theology, philosophy, and humanities. Launched in 2006 in the Scripps Ranch community of San Diego, JPCatholic relocated to a permanent campus in downtown Escondido in 2013 and has been accredited with WSCUC since 2015. JPCatholic operates on a year-round quarter system, with students earning a bachelor’s degree in just three years. 

    More information can be found at www.jpcatholic.edu.

    Source: John Paul the Great Catholic University

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