ReportWire

Tag: film industry

  • Filmmaker Chloe will Serve You Now

    Chloe may be an accomplished filmmaker with awards, commendations and a prestigious degree from Columbia University but she can also be seen helping customers select their keepsakes at her families Vintage store, Junk for Joy, on Magnolia Blvd. in the heart of Burbank’s Magnolia Park District. That is where I met up with her to ask about her new film and impressive background. Sitting at a small table in the shade just outside the store I started with the usual question. “Who is Chloe Lenihan?” This is what I discovered.

    She is a fifth-generation Californian based in Los Angeles and has always had a passion for telling stories. She started to act at age 7 by chance tagging along on an interview for her baby sister while in New York.  She started doing commercials and modeling until heading off to school in South Bend Indiana where she studied history and film theory. She became interested in the process of making films and started working for film producers including Oscar-winning GK Films on Martin Scorsese’s The Departed and The Aviator, and Jean-Marc Vallée’s The Young Victoria ultimately, she was not suited for office work.

    Enrolling in the 2-year William Esper Studio program she met a community of other creatives and started putting together plays, and short films.  She then went on to get an M.F.A. at Columbia University where she received the New York Women in Film & Television scholarship.  She was awarded the Katharina Otto-Bernstein grant to write and produce her thesis film How Far She Went, which won “Jury Honors” and the “Audience Award” at the Columbia University Film Festival, “Best Female Student Filmmaker” by the Director’s Guild of America East, and “Best Student Film” at BendFilm Festival before making its broadcast premiere on KQED’s “Film School Shorts” series, hosted by PBS.   As a writer/ director/ producer/ actor, her films have screened at Academy-qualifying festivals including: Atlanta, Nordisk Panorama, and Palm Springs among others. A proud SAG member since 1989, Chloe creates heartfelt, humorous stories that explore identity, purpose, and the absurdities of everyday life, immersing audiences in authentic Americana and emotion that lingers long after the screen fades to black.

    Chloe returned to Burbank in 2016 to support the 35th Anniversary of Junk for Joy and help her mother run the store while also taking time to write, direct and act in a series shot in Chicago called the All-American Sex Offender, which won “Best Web Series” at the Oscar-qualifying HollyShorts Film Festival in 2020 and is currently streaming on Amazon Prime. Chloe was selected to develop her feature script, Metanoia, at the Stowe Story Lab and Cine Qua Non Storylines Lab in 2021 and then, in 2022, she revised that script at Cine Qua Non’s Revision Lab in Tzintzuntzan, Mexico.

    Currently, Chloe is in post-production on her feature directorial debut, SMILE…the Worst is Yet to Come, a dramatic comedy about infertility, the generational divide, and how we define success. Her interest in a characters psychological experience and being able to make a little look like a lot served her well on the project. Shooting both here in Burbank and in Big Bear she is proud of her achievement. Yet she is not one to sit still for long, she has completed her next script, a dark family comedy about health and the wellness influencers community. I, for one, can’t wait.

    Originally published in www.theburbankblabla.com

    BurCal Apartments8715

    Brad Bucklin

    Source link

  • Peter Van Ness writes a new life chapter

    Peter Van Ness writes a new life chapter

    Former Gloucester resident Peter Van Ness’s debut novel, a tech thriller called “The Faithful” has arrived, and it is very ambitious indeed.

    Van Ness, who now lives in Florida, says he has always been fascinated by the intersection of science and spirituality/religion. Add to that the confluence of 21st century technology, and you are inside the mind of John Welles, a brilliant and ambitious MIT graduate who is not just the central character but absolutely central to the novel, as much of the book takes place in his mind.

    We first meet John when, as a precocious and curious child, he questions the very existence of reality. Little John recalls in a first-person introductory narrative that he observes the world as a place he can only think to call “pretend.” He can escape it by entering a secret portal in the hallway into infinity where he can time travel at will.

    As the son of a prominent Presbyterian minister, Van Ness himself developed an early interest in spirituality and religion, and their link to the metaphysical. Likewise, as a natural math whiz, science was second nature to him. His mind, he says, was ready made for the 21st century, and his tech resume began in high school when he programed computers connected to the ARPANET, the first operational computer network that became the foundation of the modern internet. Later, he’d go on to co-found a software company “that made his investors rich.”

    Anyone who knows Van Ness from his entrepreneurial 25 years in Gloucester, knows he marches to his own drum. He skipped college, and became a student of world religions, with a special inclination toward Buddhism.

    All of this — science, technology, religion, spirituality, mysticism, not to mention Van Ness’s passion for music — comes home to roost in “The Faithful,” as John’s tech brilliance gets him and his equally brilliant girlfriend Emily swept up in a struggle between two opposing secret religious sects, the Faithful versus the Disciples.

    Van Ness describes “The Faithful” sect as representing those wanting “to protect people from all the dangers of the world. They are absolutely sure they are right and committed to their mission, whatever it takes.” The Disciples, on the other hand, “are endlessly curious, seek adventure … constantly question whether they are doing the right thing, and are always adjusting their plans to adapt to current conditions.”

    When John and Emily stumble upon evidence of an undiscovered energy field that is, to make a long story short, the key to life itself, they become targets of an ensuing Dan Brownish conspiracy reminiscent of a high tech “The Da Vinci Code,” plunging the reader “into the minds and psyches of the couple as they each embark on a personal journey of self-discovery.”

    Ten years in the writing, “The Faithful” evolved with today’s rapidly changing technology and came to include new advances in artificial intelligence. Suffice to say, this is not a tale for tech luddites. But is you are a 21st century digital citizen, then fasten your seatbelts, you’re in for a ride.

    Tech aside, at its heart, “The Faithful” remains deeply humanitarian, even romantic. John, like Van Ness himself, loves music, and music weaves its magic throughout “The Faithful.” John hears it in everything, including the glug, glug, glug of fine wine decanting. Then there is “the maestro” — a beloved conductor revered by his musical students, one of whom is John. Van Ness creates in the relationship between the maestro and his students what sounded to this reader as a metaphor for the relationship between the all-seeing God orchestrating life itself.

    Van Ness, who, with his wife Vicky, was well known in Gloucester as a mover and shaker in downtown community creative and cultural initiatives. From the summer block parties to Discover Gloucester, they were on the launching pads. But they were best known as promoters of local live music. As founders of Gimme Music and Beverly’s “intimate listening room” 9 Wallis, they were — until the COVID-19 pandemic hit — major players on the North Shore’s live music scene.

    One door closes, another opens. In his new home in Florida, Van Ness says he loves swimming daily in the ocean. and as anyone who knows him will not be surprised to hear, in between riding the waves, he’s already writing a sequel. Stay tuned.

    Joann Mackenzie may be contacted at 978-675-2707 or jmackenzie@northofboston.com.

    By Joann Mackenzie | Staff Writer

    Source link

  • For one day, Le Grand David returning to Cabot theater stage

    For one day, Le Grand David returning to Cabot theater stage

    BEVERLY — When the Le Grand David and His Own Spectacular Magic Company ended its historic run at The Cabot theater in 2012, one might say that David Bull disappeared.

    Bull, who played the show’s headlining magician for more than 35 years, moved to western Massachusetts, got married, and has not performed a magic trick in public since.

    “I don’t miss performing the show we did,” he said. “We did over 2,600 performances in Beverly. But I thought, ‘Wouldn’t it be fun to get on stage again and get in front of an audience?’”

    Bull will do just that on Sunday, May 26, when he hosts what he is calling ”Le Grand David’s 70th Birthday Bash.” The show will include comedian Paul D’Angelo, Amy G., Kenny Raskin, the Jethro Tull tribute band Minstrels in the Gallery, and others.

    Bull will mostly play master of ceremonies and tell stories about the history of the magic show, but said he will also perform “three or four” magic tricks, including one called the Upside Down Production Box.

    “I’ve been practicing,” he said. “This is not push-button magic.”

    Le Grand David and His Own Spectacular Magic Company ran from 1977 to 2012 in Beverly, making it the longest-running stage magic show in the world, according to Guinness World Records. The troupe that performed the shows also owned both The Cabot and Larcom, two vaudeville era theaters down the street from each other in downtown Beverly.

    The company was led by Cesareo Pelaez, a charismatic Cuban who created the show and played Marco the Magi. The show ended shortly after Pelaez died in 2012. The company eventually sold both theaters and auctioned many of its props, costumes and other artifacts.

    Bull – who won the Illusionist of the Year award from the Milbourne Christopher Foundation and was given honorary lifetime membership in both The Magic Castle in Hollywood and The Magic Circle in London – said he loved performing as Le Grand David, calling it a “wonderful adventure.”

    But he also said he and the rest of the troupe were ready to give it up by the end.

    “The shows were so physically grueling,” he said. “It was go-go-go for 2½ hours. I did it from ages 22 to 58 and it became physically difficult at the end. We were the owner-operator, so we popped the popcorn and went in and swept it up in the morning.”

    “We said, ‘We’ve done it for 35 years. We’re in the Guinness Book of World Records. It’s time to do something else.’”

    The only performing Bull does these days is when he and his wife sing in a choral group in nursing homes and hospices. He survived a heart attack and is now a stepgrandfather, which he called “an unexpected blessing in my life.”

    Bull admits he’s nervous about performing at The Cabot again. But at the same time, he takes comfort in knowing he is returning to a very familiar place.

    “I swing between utter panic and thinking, ‘I’m in my living room. I was on this stage for 35 years.’”

    Staff Writer Paul Leighton can be reached at 978-338-2535, by email at pleighton@salemnews.com, or on Twitter at @heardinbeverly.

    Staff Writer Paul Leighton can be reached at 978-338-2535, by email at pleighton@salemnews.com, or on Twitter at @heardinbeverly.

    Staff Writer Paul Leighton can be reached at 978-338-2535, by email at pleighton@salemnews.com, or on Twitter at @heardinbeverly.

    By Paul Leighton | Staff Writer

    Source link

  • Parenting 101: New activities at the Montreal Science Centre

    Parenting 101: New activities at the Montreal Science Centre

    Banquet, the Montréal Science Centre’s new exhibition, is arriving on May 16th, along with The Techno Garden, another new exhibit. And the new documentary film Australia 3D The Wild Continent is coming to their IMAX theatre too.

    Visitors will put their senses to the test in five discovery zones: The kitchen, the amuse-bouche, the banquet, the show, and the educational workshop. There’s also an interactive kitchen to discover, in collaboration with Radio-Canada! This is the North American premiere of Banquet, which is produced by the Cité des sciences et l’industrie in Paris and adapted by the Montréal Science Centre. It involves the participation of renowned chefs like Paul Toussaint, Colombe St-Pierre, Normand Laprise, Cezin Nottoway, and Charles-Antoine Crête. 

    The Techno garden, which opens to the public on June 1st, offers a surprising, captivating, and accessible incursion into the world of urban agriculture, steeped in innovation and new technologies. Visitors can also meet SERV-EAU, an AI designed to support plant growth, while they observe, measure, and analyze their progress at their own pace. 

    And details on their new IMAX movie are coming soon…

    – JC

    Source link

  • BevCam to open studio in downtown Beverly

    BevCam to open studio in downtown Beverly

    BEVERLY — The city’s local cable television station is heading to downtown Beverly.

    BevCam is scheduled to open a new media center next month at 261 Cabot St., the storefront formerly occupied by A New Leaf. The space will be called BevCam Downtown and will have two studios, including a podcast studio in the front window.

    “We’re very excited about this,” said Paul Earl, president of BevCam’s board of directors. “I think it’s a great move.”

    BevCam, which stands for Beverly Community Access Media, will keep its studio in Beverly High School. But officials are hoping the visibility of a downtown location will increase awareness of the organization.

    BevCam, which began in 2006, is known mostly for its coverage of local government meetings and high school sports. Earl said the organization does that very well, but acknowledged that the demographic of its viewers is “very old.”

    The station’s social media accounts have seen an uptick in recent months under new staff hired by Executive Director Rob Chapman. The opening of a studio on Cabot Street should expose BevCam to Montserrat College of Art students and other young people who visit the downtown’s coffee shops and shops. The studio will be open later hours in the evenings and on weekends, Earl said.

    “Once we get down there and we’re open for business it could help us a lot,” he said.

    In addition to a main studio and the podcast studio, the new location will have a common area that can hold up to 50 people for events and meetings; two edit suites; and an office for Chapman.

    BevCam launched a fundraising campaign to help pay for the new space. As of Friday, it had raised $5,355 toward its goal of $10,000. The fundraiser is scheduled to run through April 5.

    Chapman, who became BevCam’s executive director in 2022, said local access stations in other communities have opened locations in or near their downtowns. Salem, Danvers and Gloucester all have downtown-area studios.

    “There is sort of a move in the industry to be more accessible,” he said.

    Noting that organizations like BevCam are known as “PEG” channels, for public, education and government, Chapman said BevCam has traditionally done well on the government and education portions.

    “It’s building up that ‘P’, getting the public involved,” he said.

    Staff Writer Paul Leighton can be reached at 978-338-2535, by email at pleighton@salemnews.com, or on Twitter at @heardinbeverly.

    Staff Writer Paul Leighton can be reached at 978-338-2535, by email at pleighton@salemnews.com, or on Twitter at @heardinbeverly.

    By Paul Leighton | Staff Writer

    Source link

  • Voices of Hope to reach $1M in donations

    Voices of Hope to reach $1M in donations

    ANDOVER — At first they sang to remember, now they also sing to celebrate.

    Local nonprofit and production company Voices of Hope will hold its annual check presentation today at 7 p.m. at the group’s “Nest” at Ballard Vale United Church, 23 Clark Road.

    The check will push the group above the $1 million mark in its fight against cancer. Voices of Hope has been singing and raising money since 2009.

    “It’s been a whirlwind,” said Greg Chastain, founder of Voices of Hope.

    Money raised by the group go directly to the Henri and Belinda Termeer Center for Targeted Therapies.

    The guest speakers will include Dejan Juric, head of the Termeer Center; Casandra McIntyre, head of nursing at Termeer; Erika Rosato, head of nursing MGH Cancer Center; Jonathan and Susan Zuker, Conquer Cancer Coalition; Jordan Rich, WBZ Radio; and state Reps. Adrianne Ramos and Frank Moran.

    Voices of Hope also has an upcoming production of “Hello, Dolly!” at North Shore Music Theatre in Beverly on April 13-14. The production is based on Thornton Wilder’s comedy “The Matchmaker” and follows matchmaker Dolly Levi while she meddles in the love affairs of others while pursuing a match of her own, according to a press release from Voices of Hope.

    Chastain’s first production for the group came after losing his mom to pancreatic cancer, as a way to give back to the community.

    “Supposed to be a one-time show,” he said. “It has exploded since then.”

    Last year, the nonprofit held two sold-out shows of “The Music Man.”

    The group will also be receiving congratulatory messages via video from Cheryl Bentyne of The Manhattan Transfer; Dave McGillivray, the founder and president of DMSE Sports Inc. and race director for the Boston Marathon; Jonathan and Patti Kraft of the New England Patriots; and Sam Kennedy, president of the Boston Red Sox.

    The group’s donations over the years have been in concert with large strides in medical progress that prolonged the lives of many.

    “Since we have started working with MassGeneral, they brought 24 FDA-approved therapy drugs to market,” he said. “We are a huge part of that.”

    Their donations also fund nursing scholarships at the hospital.

    In addition to the concerts, Voices of Hope also holds a summer youth program. The program lasts for five weeks and sees about 20 participants, Chastain said.

    He said students learn a show as well as theater skills, life skills and about philanthropy.

    It also funds a ride share program to transport patients to the hospital.

    Chastain has a photo of his mother at the studio where Voices of Hope rehearses productions.

    “She is a constant reminder of why we do this,” he said.

    By Teddy Tauscher | Staff Writer

    Source link

  • North Shore news in brief

    North Shore news in brief

    Peabody Institute Library welcomes LGBTeens

    On Thursday, March 28, from 4-5 p.m., Teens are invited to hang out with other teens who identify as LGBTQIA+ at the Peabody Institute Library, 82 Main St., Peabody. Like minded friends are also welcome to listen to music and enjoy snacks! We’ll provide different crafts and activities each month, and discuss how to create a more safe and inclusive environment. This event is open for all Teens, grades 6 to 12. This event is free, but registration is required at: https://peabodylibrary.assabetinteractive.com/calendar/lgbteen-hangout/ For more information, please call the Main Library at 978-531-0100, click the link below, or email AThomas@NobleNet.org.

    Pop Up Art School: Plant Buddies

    Peabody Institute Library South Branch, 78 Lynn St, Peabody, invites teens to create a clay plant buddy with free Pop Up Art School on Thursday, March 28, from 6-7:30 p.m.. A Plant Buddy is sure to add a touch of whimsy to any space. Learn a range of techniques in this hands-on art program to shape air dry clay to bring to life an adorable animal figurine that carries a miniature terra-cotta pot. Ages 16 and up welcome. Space is limited and registration is required at: peabodylibrary.org/calendar

    Inside the Oscars

    Peabody Institute Library, Danvers, invites you to get an insider’s insight on this years Oscars. Join Danvers-born film critic and author Charles Bramesco on Zoom for the inside scoop on this year at the movies. A film and TV critic, Bramesco writes for The Guardian, The New York Times, GQ, Forbes and many others. If you love the movies (and who doesn’t?) you’ll love this chance to learn how the nominations/selections are made, who should/will win, great films that have been overlooked. With a Q&A for all your burning question. Registration is required for your Zoom link at: https://danverslibrary.assabetinteractive.com/calendar/adult-program-pending-84/

    Black History Month Community Read

    The Salem Athenaeum, in conjunction with Grace Church, (Salem)’s Anti-Racism Committee, will hold a community discussion of Jon Meacham’s 2020 Pulitzer Prize winning non-fiction book about Civil Rights hero John Lewis entitled ‘His Truth Is Marching On: John Lewis and the Power of Hope.’ The discussion will take place at the Athenaeum, 337 Essex Street, Salem on Thursday, Feb. 29 from 7 to 8 p.m. For more information, please contact Maureen Bingham, chair of the Grace Church Anti-Racism Committee at mcbing@comcast.net.

    Source link

  • Haverhill High students learn from live, virtual concentration camp tours

    Haverhill High students learn from live, virtual concentration camp tours

    HAVERHILL — Students at Haverhill High School are the first in the nation to engage in live, narrated tours of two Nazi concentration camps – Auschwitz and Auschwitz-Birkenau, where unimaginable atrocities took place during World War II.

    Anyone can watch documentaries and read books about the horrors perpetrated by the Nazis in their quest to eradicate the Jewish people of Europe, but short of visiting Auschwitz in person, local teachers say these live tours are the next best thing while also allowing students to ask questions of a knowledgeable tour guide.

    Through a partnership with the Auschwitz-Birkenau Foundation for Genocide Education, the school is introducing these broadcasts as part of the freshman world history curriculum that calls for the study of genocide, not only the one that killed 6 million Jews in Europe during World War II but also genocides in Armenia, Rwanda and Cambodia.

    On Monday in the UMass Lowell iHub in the Harbor Place building on Merrimack Street, more than a dozen high school seniors were among the first to participate in a live broadcast from Auschwitz where more than 1.1 million men, women and children lost their lives.

    Their tour guide, a woman from Poland, interspersed her walking tour of the Auschwitz camp with real images of prisoners waiting to be executed in one inhumane way or another.

    A camera followed the guide through cramped former military barracks once packed with prisoners who were forced to sleep on hard floors before eventually being led to underground chambers where they were exterminated with poisonous gas. Images of prisoners crammed into tight quarters were overlaid onto the now-empty death buildings.

    Meghan DeLong, the district’s history coach, told a crowd that included various school and city officials that Haverhill is the first school district in the country to bring this experiential learning to students “in order to combat hatred in the world and to prevent future genocides.”

    During an intermission, several students talked about their impressions of the broadcast. Some of them had enrolled in a course titled “Holocaust and Crimes Against Humanity”.

    “It’s like you’re actually there visiting Auschwitz,” said senior Lucas Harvey. “What surprised me is how many people they put into such small spaces.”

    Senior Asil Nguyen said the live, narrated tour featured more intense images than she expected.

    “My knowledge of the death camps was not as detailed as this,” she said. “I participated in an earlier tour with a different guide and I was crying.”

    Senior Shea Kelley said what he saw on the video screen was a lot to deal with emotionally.

    “It’s all crammed together in small spaces with unsanitary conditions, it’s terrible to see,” he said.

    The guide continued her tour at Auschwitz II-Birkenau, about two miles from Auschwitz, and talked about how train cars overloaded with prisoners arrived before the people were led into underground gas chambers under the guise of taking showers.

    “Here, I learned how to starve and how to suffer,” a survivor of the death camp said in a recorded interview shown on two large video screens.

    “Trains from across Europe arrived here,” the tour guide said while walking the same path. “The gas chambers operated day and night in the summer of 1944.”

    “By the time Germany entered Hungary in March of 1944, the gas chambers and crematoria were operating at full capacity,” a prerecorded voice said. “In the spring of 1944, a special ramp was built to shorten the distance to the gas chambers. Those selected who were fit to work were abused, enslaved and exploited.”

    By fall 1944, the Nazi SS stopped the exterminations and began to deconstruct their crematorium, the tour guide said, and when the Nazis realized they were defeated, they tried to destroy all evidence of their crimes while continuing to kill Jews until the camps were liberated by Soviet forces in January 1945.

    The tour guide noted that as the Nazis left Auschwitz, they took many prisoners to other camps, which were subsequently liberated, but left behind about 7,500 of the weakest and sickest, who required months of medical care.

    The screen was overlaid with images of what the gas chambers looked like when they were intact, with images of the rubble that remains today.

    Tom Jordan, recently retired dean of history at Haverhill High, told the tour guide that there is an increasing number of Americans who seem open to the idea that the Holocaust did not happen as is stated and is “an exaggeration.”

    He asked what documentation or other evidence is used to prove that the Holocaust did occur.

    The tour guide noted the existence of the death camps’ remnants, including the crematoriums, along with the testimony of survivors, the contents of a museum at Auschwitz created by former prisoners, and other evidence.

    “Unfortunately, we have the lies that people spread and it can spread stronger than the truth,” she said.

    History teacher Ted Kempinksi said he became aware of these tours during a visit last summer to Auschwitz where he attended a professional development program on how technology is changing Holocaust education.

    “The Auschwitz Foundation was doing a presentation on this very tour we saw today,” he said. “I asked the question, ‘How can I bring this to Haverhill.’”

    Kempinksi said he brought the idea back to Haverhill and learned that DeLong had already applied for a grant that allowed the school to revise its curriculum to incorporate these tours.

    “A tour like this is a real privilege,” high school senior David Martinez told the crowd. “To see it live humanizes the stories in a way I don’t think you can really understand through textbooks or documentaries. You feel a real connection and it’s very moving.”

    Rabbi Ashira Stevens, spiritual leader of Temple Emanu-El in Haverhill, said that in the 20th century, baseless hatred led to the systematic persecution and mass murders of millions of people, including 6 million Jews throughout Europe, and that baseless hatred in the form of antisemitism and bigotry is on the rise throughout the country.

    She added that the hate speech in the news and on social media is “frightfully reminiscent of the time leading up to the Holocaust.”

    “We must continue to teach about what led to the Holocaust and how utterly horrific, devastating and far reaching it was,” Stevens said.

    The rabbi said the collaboration between the Auschwitz Foundation and Haverhill Public Schools will offer students a powerful opportunity to witness the horrors of the Holocaust, see firsthand the conditions at Auschwitz-Birkenau, and learn about the ideologies that led to the atrocities committed by the Nazis.

    To conclude the event, the educators presented a glass memento to Wojciech Soczewica, director general of the Auschwitz-Birkenau Foundation in recognition of the partnership with Haverhill Public Schools.

    By Mike LaBella | mlabella@ieagletribune.com

    Source link

  • Anton Greene, star of Ukrainian film ‘The Guide’ speaks at Cinema Salem

    Anton Greene, star of Ukrainian film ‘The Guide’ speaks at Cinema Salem

    Anton Greene, the lead actor in the 2014 Ukrainian drama “The Guide” about life in mid-1930s Soviet Ukraine, was welcomed at Cinema Salem on Saturday, where the film made its American debut in 2022, to answer questions about the film and provide insight into how its themes of hope and resistance amid tyranny are relevant to the ongoing war in the region.

    In the movie, Greene plays 10-year-old Peter Shamrock, whose father is killed after acquiring secret documents detailing a planned mass seizure of food by the Soviets. While Peter escapes with the documents, he spends the rest of the film running from the Soviet Secret Police and bearing witness to the atrocities carried out by the Soviet regime leading up to the historic man-made famine, “the Holodomor,” which killed an estimated 3.5 million to 7 million Ukrainians from 1932 to 1933.

    While obviously much has changed in the past 100 years, Greene emphasized that the full-scale invasion of Ukraine in 2022 is just the most recent development in a century-long conflict between Russia and Ukraine, and much of what the audience sees in the film continues to this day.

    “Many of the things you’ll see in this movie — destroying grain, destroying Ukrainian culture, the genocide of Ukrainians, are things that (Russia) is doing right now,” he said. “And I think it’s really important to keep in mind as you watch this movie, which is set almost 100 years ago, just how little has really changed.”

    Studying jazz saxophone and political science at the University of Michigan, Greene said acting would most likely not be in his future. Nevertheless, spending summers with relatives in Ukraine every year up until 2019 and being involved in the film has allowed him to connect deeper with his family’s Ukrainian heritage, which happens to have a history of resisting the Soviet regime.

    “My family has a lot of resistance fighters in them,” he said. “Both my great-grandparents spent a combined total of 60 years in gulags throughout Siberia, Ukraine, and Russia. My grandfather was actually born in a Soviet prison as a result of that. So my family has this sort of history of actively resisting against the Soviet regime. And so being in this film, and having my role right now as a kind of semi-spokesperson for the film, I feel like I’m really tapping into that aspect of my family.”

    Since the film’s American debut in Salem in 2022, it has generated about $150,000 in donations across the United States, Australia, Canada, and the Netherlands.

    “We’ve arranged for the film to play in about 700 theaters in four countries,” said Marshall Strauss, who co-owns Cinema Salem with his wife Elaine Gerdine. “The agreement was that cinemas could have the film for free, as long as they donated the ticket revenue. That rule has been followed in those four countries enthusiastically.”

    At Saturday’s showing, Mayor Dominick Pangallo said, “(Cinema Salem) is much more than a movie theater — it’s a community space, and events like this are really reflective of that. I just came from an event at Old Town Hall for Charlotte Forten, who was an abolitionist, first black graduate of Salem State, and writer, and one of the things she said was ‘liberty makes tyrants tremble,’ and I think about the people of Ukraine and what they’re going through, and what started here with this film to get humanitarian relief for the people of Ukraine.

    “And that makes me think that what happens in Salem can change the world. So thank you to Elaine and Marshall, to the staff at Cinema Salem, and to everybody who’s made this film possible to be shown here again.”

    Michael McHugh can be contacted at mmchugh@northofboston.com or at 781-799-5202

    By Michael McHugh | Staff Writer

    Source link

  • 5 Things To Do This Weekend

    5 Things To Do This Weekend

    A little bathtub humorThe Newburyport Documentary Film Festival presents its inaugural screening of the NBPT Docu Fest Series on Friday with “Bathtubs Over Broadway” at Firehouse Center for the Arts, One Market Square, Newburyport. The event, sponsored by Dyno Records,…

    Source link

  • NBPT Docu Fest to screen ‘Bathtubs Over Broadway’

    NBPT Docu Fest to screen ‘Bathtubs Over Broadway’

    NEWBURYPORT — The Newburyport Documentary Film Festival is presenting the inaugural screening of the NBPT Docu Fest Series on Friday, Feb. 23, to celebrate its 20th anniversary, welcoming back an award-winning audience favorite that opened the 2018 festival, “Bathtubs Over Broadway.”

    Sponsored by Dyno Records and hosted by the Firehouse Center for the Arts, One Market Square, Newburyport, the event will begin with a 6 p.m. reception and will be followed by the 7 p.m. screening. 

    While gathering material for a segment on “The Late Show With David Letterman,” comedy writer Steve Young stumbled onto a few vintage records that would change his life forever.

    Bizarre cast recordings marked “internal use only” revealed elaborate Broadway-style musicals about some of the most recognizable corporations in America: General Electric, McDonald’s, Ford, DuPont, Xerox.

    Directed by Dava Whisenant, “Bathtubs Over Broadway,” follows Young on his quest to find all he can about this hidden world. Along the way, Steve forms unlikely friendships and discovers that this discarded musical genre starring tractors and bathtubs was bigger than Broadway. Featuring David Letterman, Chita Rivera, Martin Short, Jello Biafra, Florence Henderson, and more.

    Following the screening, there will be a Q&A with Young and a live performance of a favorite corporate show tune and screening of a bonus vintage clip.

    Ticket prices are $15/$12 for seniors/students. To purchase tickets online, visit the Firehouse website: (www.firehouse.org), visit the Firehouse box office in person or call 978.462.7366.

    Be sure to mark your 2024 calendars for the Newburyport Documentary Film Festival taking place Sept, 20-22, and visit the website: www.nbptdocufest.org.

    Source link

  • Stuntwoman helps her father celebrate 100th birthday

    Stuntwoman helps her father celebrate 100th birthday

    METHUEN — Rosine “Ace” Hatem has appeared as a stuntwoman in over 100 movies that starred people like Tom Cruise, Clint Eastwood and Jim Carey.

    But the most satisfying production she has been part of may be the 100th birthday party that is being held for her father, Tuffic Hatem, on Wednesday, Feb. 21, at the Senior Activity Center.

    “I want him to see how he’s loved,” Hatem said.

    The event is a dual celebration that will also salute the 100th birthday of Violet Jessel, a Haverhill resident and former yoga instructor at Methuen’s Senior Activity Center. Her birthday is on Feb. 12, and his is on Feb. 19. The party will run from 10 a.m. to 2 p.m., but reservations for lunch are full.

    Jennifer Loiselle, activity director at the senior center, invited Mayor Neil Perry and the Methuen City Council to the party at a council meeting in January, and said that the mayor and city council of Haverhill were also being invited.

    “We believe that sharing in the festivities with our community leaders will further emphasize the unity and sense of togetherness that makes our city great,” she said.

    While Hatem tells people that her most difficult stunt was “surviving Hollywood for 40 years,” it may also include her ability to take care of her parents while maintaining a career in Los Angeles.

    “I started coming back when my mom got sick, 13 or 14 years ago,” Hatem said.

    Hatem moved to Los Angeles in September 1980 after transferring to the University of California, Los Angeles, with her sights set on getting into movies.

    She had resolved on that career as a youngster, when she was the only girl taking classes at Larry Giordano’s Methuen Karate Association. That was where she discovered that she loved to fight, and where she earned the nickname “Ace” after hockey Hall of Famer Ace Bailey.

    In Los Angeles, she took a break from UCLA and instead enrolled in a stunt school, where she learned how to do high falls and to stage fight scenes.

    She then spent five years working at gyms while trying to break into the movie business.

    “I did it the hardest way,” Hatem said.

    That meant finding out where films were being shot, then showing up on set and asking for work, where people sometimes tore up Hatem’s resume and threw it in the trash.

    “I was so tenacious, and so naive,” she said.

    But Hatem eventually worked for people like stuntman “Judo” Gene LeBell, who she said is “one of the toughest men alive,” and whom she credits with helping her get her first job as a stunt double, for Ruth Buzzi.

    Hatem’s ambition was eventually rewarded with jobs that included the original “Point Break” in 1991, “Three Kings” and “Man on the Moon” in 1999, “Spider-Man” in 2002 and “Spider-Man 2” in 2004, “Ghostbusters” in 2016 and “Black Panther: Wakanda Forever” in 2022.

    Hatem won work as a stunt actress in “Million Dollar Baby” with Clint Eastwood in 2004, which she said was the highlight of her career, where she appears as a boxing opponent for the character played by Hilary Swank.

    “I convinced the stunt coordinator,” Hatem said. “They were looking for someone really mean. I said, ‘Look in my eyes.’”

    But before long Hatem was also flying home to make protein shakes for her mother, Diana, and checking in on her at nursing homes.

    After her mom died in 2014, Hatem focused her attention on her father, whose recent challenges have included two cases of COVID-19 and a fall that required 18 staples in his scalp.

    “He looked like Frankenstein,” Hatem said.

    It might have been her father, in fact, who provided her with the toughness needed to succeed in Hollywood.

    He had gone to work at an early age after his father died during the Depression, when the family lived on Chestnut Street in Lawrence.

    He scavenged cardboard for $2 a ton, cleaned out mills, and drove people to work at four in the morning for 10 cents a ride, like an early version of Uber, Hatem said.

    For a while he delivered ice – the tongs he used to carry the huge cubes still hang from a beam in his home in Methuen.

    Among other manual labor jobs, Tuffic dug graves at St. Anthony’s Maronite church.

    “I dug graves from the age of 10 until I was 86,” Tuffic said. “When I turned 70, I started using a backhoe.”

    He shares his daughter’s affection for “Million Dollar Baby,” and said it was his favorite of her films.

    About two years ago, Hatem sold her house in Los Angeles and moved back to Massachusetts so she could be near her father.

    Moving home has worked out because it corresponded with slowdowns in film and TV production caused by the pandemic, then by the striking Screen Actors Guild-American Federation of Television and Radio Artists from July to November last year.

    Hatem also admits that, at 63, she isn’t in demand the way she used to be for punishing stunts, although the business is safer than it used to be.

    “There were a lot more ‘thumpers’ back in my day,” Hatem said. “You knew you were going to get bumps and bruises falling down stairs or taking a car hit.”

    But Hatem is working as a stunt double on several projects, including “The Old Man,” a thriller series on FX Networks that stars Jeff Bridges.

    “I just got a call to work as a wife that gets shot and killed and has a couple of lines,” Hatem said. “I get a lot of stunt acting ones that don’t need big stunts, stair falls or car hits. I’m OK with that. I just want to work.”

    She can fly standby wherever she needs to go, and stays with friends when she goes to LA, so living in Methuen or Boston is no impediment to her career.

    “I can get a call to work in Italy, Florida, LA, I just need a couple of days to fly back,” Hatem said.

    By Will Broaddus | wbroaddus@eagletribune.com

    Source link

  • North Shore news in brief

    North Shore news in brief


    Music

    Feb. 26, 7:30 pm.,  award-winning a cappella jazz quintet  ‘Vox One’  at the ‘Recital Hall, 71 Loring Ave. Blues, funk, gospel, and folk. Their own brand of vocal music. Lush voicings, complex reharmonizations and inspired improv. Tickets $15/$10 seniors/free for college students and under 18. Free for Salem residents on March 1. Purchase at www.salemstatetickets.com           

    Theatre

    Feb. 23-25 and March 1-3 — ROE, a play by Lisa Loomer, at Sophia Gordon Center for Creative and Performing Arts. 356 Lafayette St/.Cuts through the headlines and rhetoric with clever, shocking, and poignant portrayal of the two women at the center of the landmark 1973 Supreme Court ruling,  Recently updated script through the 2022 Dobbs V. Jackson Women’s Health decision. Mature audiences. Friday/Saturday at 7:30 p.m. and Sunday at 2 p.m. Tickets:$15 /$10 seniors/free for college students and under 18. Free for Salem residents on March 1. Purchase at www.salemstatetickets.com 

    Art and abolition with  Charlotte Forten  

    Join Salem’s own abolitionist, writer, and educator, Charlotte Forten, Salem State’s first African American graduate, for a special craft time at the Salem Armory Regional Visitor Center, 2 New Liberty St., Salem, during February School Vacation Week, Thursday, Feb. 22 at 11 a.m. With clay, wood, and colors, kids and their caregivers will contribute to building a 3D miniature city of gratitude for the freedoms and comforts long fought for during Charlotte’s lifetime. Spend the morning with Charlotte making mini foods and other goods, while learning about her life along the way. The event is FREE, but registration is encouraged to ensure availability of craft materials. Space is limited. Visit essexheritage.org/events to register!

    Marblehead Museum free program for school vacation

    Marblehead Museum is hosting a free new program — Sugar and Spice: Sweet Treats of the 18th Century.’ — a drop in event on Saturday, Feb. 24, from 10 a.m. to 2 p.m., in the Jeremiah Lee Mansion.  Guests can visit the mansion kitchen to help Culinary Historian Melissa Vickers as she prepares 18th century gingerbread, lemon drops, march-pane, and pepper cakes. Learn history through food and the availability and accessibility of sugar and spices in Colonial New England, including how and where sugar was produced, the many uses of today’s favorite “sweet” spices, and what types of flavorings were common before vanilla became a pantry staple. Visitors are also  welcome to tour of the mansion’s first floor, free of charge during this program.

    School to sea program 

    On Wednesday, Feb. 21 at 6:45 p.m., Abbot Public Library and Salem Sound Coastwatch present Carly McIver to discuss Salem Sound Coastwatch’s School to Sea program in a hybrid event taking place at the library and online via Zoom. The library is temporarily located at the Eveleth School. 9 Maple St, Marblehead. For information/registration, visit the library newsletter site ay: https://lp.constantcontactpages.com/su/9A5X8Zx/AbbotLibraryNewsletter

    Abbot Public Library movie screenings schedule 

    The Abbot Public Library, temporarily located at the Eveleth School will present these movie showings in February: on Thursday, Feb. 22 at 4 p.m. for teens, and on Saturday, Feb. 24 at 10:30 a.m. for children and 1 p.m. for adults. Check out the schedule, then check the event calendar at: https://abbotlibrary.org/events/ to for the names of the films, The Eveleth School is located at 9 Maple St, Marblehead. This program is sponsored by the Friends of Abbot Public Library.

    Thursday, Feb. 22, 4 p.m. – Teen Movie Screening

    Saturday, Feb. 24, 10:30 a.m. – Children’s Morning Movie

    Saturday, Feb. 24, 1 p.m. – Midday Movie Matinee for Adults, Program Room, Abbot Public Library at Eveleth School

    Thursday, Feb. 22, 4 p.m. – 5:30 p.m. Special Teen Movie Screening. In 1965, two 12-year-olds fall in love at a summer camp. They run off together into the wilderness, but an unexpected event leads to various friends and adults forming a search party to find the youths before calamity strikes.

    Saturday, Feb. 24, 10:30 a.m. — Children’s Morning Movie

    NMYO Youth Symphonic Summer Program

    The Northeast Massachusetts Youth Orchestras (NMYO) will hold its fourth annual summer music program the week of July 29 – August 2, at Trinity Episcopal Church, 124 River Rd, in Topsfield. Sessions include small and large ensembles, jazz, pops, fiddling, traditional & concert band, symphonic works, and lots more! Youth musicians, with at least two years of instrument study with a private teacher and the ability to read music, can register. NMYO welcomes its current members and also any student musician in the area looking for an opportunity to play music with others this summer,” Led by NMYO’s outstanding conducting staff and guest teaching artists, young musicians will enjoy a valuable musical experience and a fun opportunity to keep up their skills during the summer break from school. For information/registration, register by June 21 at: nmyo.org. Those who register before April 15 receive a $25 discount. Questions? Email info@nmyo.org or phone Executive Director Terri Murphy at 978-309-9833.





    Source link

  • Filming Christmas in July? How Hollywood strikes hit holiday movie-making here – National | Globalnews.ca

    Filming Christmas in July? How Hollywood strikes hit holiday movie-making here – National | Globalnews.ca

    It’s a classic holiday film tale: small towns, snowflakes and star-crossed lovers.

    But this year’s queue of beloved holiday movies may be considerably smaller due to the worldwide shut-down of productions caused by current Hollywood writers’ and actors’ strikes.

    Glitch SPFX is an Ottawa-based special effects company responsible for simulating most of the artificial snow in holiday films produced in the province in the last five years — the majority of those films for American studios and networks.

    Now, Glitch SPFX founder Ben Belanger said the company is completely out of work.

    “It went from us working on literally three films at the same time in June … and then it was the writers’ strike that seemed like it was going to be nice and short.”

    “But now with the actors’ strike jumping on top of that, it makes things a little more uncertain,” Belanger told Global News in an interview, referring to the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and Writers Guild of America (WGA) strikes.

    Story continues below advertisement


    Click to play video: 'Canadian impact of the SAG/AFTRA strike'


    Canadian impact of the SAG/AFTRA strike


    Glitch has been in business for 10 years, but Belanger said the last five have been especially lucrative due to deals with American networks such as the Hallmark Channel, known for pumping out some of the most talked about holiday films each year.

    Many of those films have been produced in Canada, with small-town locations in Ontario and British Columbia as well as the nation’s capital Ottawa flourishing with business the past few years.

    But due to the strikes this year, the number of holiday films produced in Canada for Hallmark and similar networks will be greatly reduced, experts say — not because of the crews, but actors.

    1Development Entertainment Services is an Ottawa-based production company with a focus on holiday, made-for-TV movies. Like Glitch, almost all of the studio’s projects are in collaboration with American unions and networks due to having a larger market and audience size.

    Story continues below advertisement

    Founder of 1Development, Shane Boucher, said it’s a big deal for networks to have at least one American star in a holiday film. That’s why many companies will likely choose to wait out the actors’ strike instead of working on new projects with an entirely Canadian cast.

    “The SAG requirement is usually pretty high. There’s either a level of a Hallmark-known star … that’s going to help drive the viewership, or it’s just an American star that has a really high social media presence. Normally they’re higher than some of your top-level Canadians just because of the reach and the audience.”

    Canadian studios will typically opt to hire domestic crews for tax credit purposes, which is more cost-effective.


    Picketers carry signs outside Netflix studios on Thursday in Los Angeles. The strike by actors comes more than two months after screenwriters began striking in their bid to get better pay and working conditions.


    AP Photo/Chris Pizzello

    Boucher said 1Development will not be one of the companies waiting out the strike and will work with networks to develop their own intellectual property (IP) in the meantime.

    Story continues below advertisement

    “We’re usually busy servicing production, so that’s kind of the silver lining. It gives us an opportunity,” he said.

    Boucher said his goal has always been to grow the film industry in Ottawa since joining 20 years ago. Since work with American unions and networks is currently off the board, he’ll be focusing on smaller projects to fill the gaps.

    “My job over the next few weeks to a month is to … work on getting some sort of projects so that we can keep everybody working … regardless of where it comes from.”

    ACTRA Toronto executive director Alistair Hepburn said there is a small chance that some holiday film productions will be able to secure an American actor.

    SAG-AFTRA is working on an agreement in which independent producers — those not affiliated with the Alliance of Motion Picture and Television Producers (AMPTP) — will be able to engage the services of a SAG member through a waiver system for the duration of the strike.

    “That may be something that we see maybe even more of because they will be filling that gap,” Hepburn said in an interview with Global News.

    Hepburn noted that even if Canadian productions are able to hire SAG-AFTRA actors, those projects cannot be distributed by AMPTP companies, such as Netflix or Disney. Instead, independent producers can sell their project’s wares to unaffiliated networks like Hallmark.

    Story continues below advertisement

    “That is a very clear direction from SAG,” he said.


    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    Belanger said that he’s fortunate to feel financially secure enough during Glitch’s uncertainty, but that he worries about many of his employees.

    “I’m more worried about the guys whose pay cheques I sign. The guys that work for me are looking for whatever other income they can get right now.”

    Belanger said that what his company is currently experiencing is similar to the strain felt in the industry due to the COVID-19 pandemic, which also saw an industry-wide shut-down. A number of Glitch employees left at the time to supplement their income elsewhere, and not all returned.

    However, Belanger said many of his staff are enjoying having a break. Though the holidays are still some time away, the summer season is typically the busiest for filming.

    Story continues below advertisement

    “It’s a bit of an abnormality. They don’t seem to be too worried about it, but we also don’t know when we’re coming back,” he said.

    SAG-AFTRA is entering its second week of striking. Hepburn said that he doesn’t know how long the strikes will go on and that doesn’t see a resolution coming soon.

    “This is going to have an impact for months, absolutely months,” Hepburn said. “On not just performance, but the entire industry as a whole.”

    &copy 2023 Global News, a division of Corus Entertainment Inc.

    Naomi Barghiel

    Source link

  • Why the Hollywood strike is already ‘a big deal’ for Canada’s film industry – National | Globalnews.ca

    Why the Hollywood strike is already ‘a big deal’ for Canada’s film industry – National | Globalnews.ca

    The strain of Hollywood’s actors’ and writers’ strikes is being felt in productions all around the world, and film industry insiders say Canada is far from exempt.

    Due to long-established industry ties to American unions and networks, most film and television productions in Canada have come to a screeching halt. Alistair Hepburn, executive director of ACTRA Toronto, says productions began slowing down in spring when rumours of the Writers Guild of America (WGA) strike began.

    “Some shows that were scheduled to come (to Canada) never even started. With this now, adding our siblings at SAG-AFTRA to the picket lines, we will absolutely see an impact,” Hepburn said to Global News in an interview, referring to the Screen Actors Guild-American Federation of Television and Radio Artists.

    “There won’t be new shows recorded over the summer in time for a fall premiere.”

    Story continues below advertisement

    Summer is typically the film industry’s most lucrative season across the board, he said, but this year will be “relatively slow.”

    A lot of Canadian productions work with American studios and SAG-AFTRA actors, but just under half of the work done in provinces like Ontario is domestic, which includes shows like Murdoch Mysteries and Run the Burbs.

    “It’s all of those shows that are filmed here using Canadian talent, Canadian writers, Canadian directors, Canadian crews to do the work. Those shows continue,” Hepburn explained.


    Click to play video: 'Impact of Hollywood strike on Canada’s film industry'


    Impact of Hollywood strike on Canada’s film industry


    SAG-AFTRA is also working on an agreement where independent Canadian producers – not affiliated with the Alliance of Motion Picture and Television Producers (AMPTP) – will be able to engage the services of a SAG member through a waiver system for the duration of the strike.

    Story continues below advertisement

    Independent Canadian producers will have access to actors who are dual card holders as well, meaning they have both a SAG-AFTRA and ACTRA membership.

    “We’ve been in constant contact with our colleagues at SAG-AFTRA and they are assuring us that they’re not looking to do harm to our industry,” Hepburn said.

    Hepburn says he doesn’t know how long the strikes will go on and doesn’t see a resolution coming soon.

    “This is going to have an impact for months, absolutely months on not just performance, but the entire industry as a whole.”

    Hepburn emphasized that it’s not just performers that will be affected by the production drought. Directors, technicians, caterers and Mom-and-Pop hardware stores will feel the strain too.

    “In Ontario, it’s 35,000 full-time equivalent jobs in the film industry. The trickle-down effect is real,” Hepburn said.

    Shane Boucher, who is the founder of an Ottawa-based studio called 1Development Entertainment Services, says this is the first July in the industry where he hasn’t worked.

    “It’s really an industry-wide shutdown. It’s a big deal,” Boucher said in an interview with Global News.

    1Development is a service company, meaning they service other parent companies or networks. Almost all of the TV movies the company works with are American.

    Story continues below advertisement


    Click to play video: 'Implications of Hollywood strikes on Canadian Film Industry'


    Implications of Hollywood strikes on Canadian Film Industry


    Boucher says business started as usual at the start of the year with approximately 16 productions lined up. When rumours of the WGA strike started, Boucher found himself scrambling to finish as many films as possible by June. Now, he doesn’t have any projects in production.

    Many productions gained buzz when it was announced they were set to film in Canada this summer, including the first season of Cruel Intentions, filmed in Toronto.

    Stefan Steen, a producer on the show by Amazon, says production has stopped until the strike ends.

    “It’s completely devastating to the local film industry. Everyone currently filming U.S. productions has had to stop and all local crews are immediately out of work. Most get one week’s additional pay but that’s it,” Steen said in an email to Global News.

    Story continues below advertisement


    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    Creative B.C., a program in British Columbia that supports the provinces’ creative sector, said in a statement on their website that they are “watching the situation closely” and “respect the process and all parties.”

    “In our role as the economic development organization for motion picture in B.C., together with our local industry partners, we are concerned for the workforce, companies, industry, and people,” the group said.

    “The industry is evolving rapidly, business models have changed, and addressing these changes is part of a necessary industry business cycle.”

    Hepburn says anyone who wants to support the strike can vote with their wallets.

    “It’s time to cancel your streaming account. That’s ultimately what is going to force the hand here. It’s going to be about financial hardships on the AMPTP companies,” he said.

    Story continues below advertisement

    “There needs to be action taken by the public.”

    Hepburn also says he hopes other countries will show solidarity in what performers are fighting for.

    “SAG’s fight is everybody’s fight,” he said. “It’s a righteous fight on behalf of performers worldwide.”

    &copy 2023 Global News, a division of Corus Entertainment Inc.

    Naomi Barghiel

    Source link

  • Hollywood actors union set to vote on strike as no deal reached – National | Globalnews.ca

    Hollywood actors union set to vote on strike as no deal reached – National | Globalnews.ca

    The union representing film and television actors says no deal has been reached with studios and streaming services and its leadership will vote on whether to strike later Thursday.

    The Screen Actors Guild -American Federation of Television and Radio Artists said early Thursday that its decision on whether to join already striking screenwriters will be considered by leadership at a meeting later Thursday.

    If the actors go on strike, it will be the first time since 1960 that actors and writers picket film and television productions.

    The actors’ guild released a statement early Thursday announcing that its deadline for negotiations to conclude had ended without a contract. The statement came hours after this year’s Emmy nominations, recognizing the best work on television, were announced.


    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    “The companies have refused to meaningfully engage on some topics and on others completely stonewalled us. Until they do negotiate in good faith, we cannot begin to reach a deal,” said Fran Drescher, the star of “The Nanny” who is now the actors’ guild president.

    Story continues below advertisement

    The group representing the studios, the Alliance of Motion Picture and Television Producers, said it was disappointed by the failure to reach a deal.

    “This is the Union’s choice, not ours. In doing so, it has dismissed our offer of historic pay and residual increases, substantially higher caps on pension and health contributions, audition protections, shortened series option periods, a groundbreaking AI proposal that protects actors’ digital likenesses, and more,” the AMPTP said in a statement.

    It added that instead of continuing to negotiate, “SAG-AFTRA has put us on a course that will deepen the financial hardship for thousands who depend on the industry for their livelihoods.”

    If the actors strike, they will formally join screenwriters on the picket lines outside studios and filming locations in a bid to get better terms from studios and streaming giants like Netflix and Amazon. The actors’ guild has previously authorized a strike by a nearly 98% margin.

    Mem


    Click to play video: 'Writer shares experience picketing at Paramount Studios during strike'


    Writer shares experience picketing at Paramount Studios during strike


    bers of the Writers Guild of America have been on strike since early May, slowing the production of film and television series on both coasts and in production centers like Atlanta.

    Story continues below advertisement

    Issues in negotiations include the unregulated use of artificial intelligence and the effects on residual pay brought on by the streaming ecosystem that has emerged in recent years.

    Actors have joined writers on picket lines for weeks in solidarity. An actors’ strike would prevent performers from working on sets or promoting their projects.

    Whether the cast of Christopher Nolan’s film “Oppenheimer” attends Thursday’s London premiere hangs in the balance of whether the actors strike.

    Attending a photo event on Wednesday, star Matt Damon said that while everyone was hoping a strike could be averted, many actors need a fair contract to survive.


    Click to play video: 'Writers strike could affect B.C. productions'


    Writers strike could affect B.C. productions


    “We ought to protect the people who are kind of on the margins,” Damon told The Associated Press. “And 26,000 bucks a year is what you have to make to get your health insurance. And there are a lot of people whose residual payments are what carry them across that threshold. And if those residual payments dry up, so does their health care. And that’s absolutely unacceptable. We can’t have that. So, we got to figure out something that is fair.”

    Story continues below advertisement

    The looming strike has cast a shadow over the upcoming 75th Emmys. Nominations were announced Wednesday, and the strike was on the mind of many nominees.

    “People are standing up and saying, `This doesn’t really work, and people need to be paid fairly,”’ Oscar-winner Jessica Chastain, who was nominated for her first Emmy Award on Wednesday for playing Tammy Wynette in “George & Tammy,” told the AP. “It is very clear that there are certain streamers that have really kind of changed the way we work and the way that we have worked, and the contracts really haven’t caught up to the innovation that’s happened.”

    &copy 2023 The Canadian Press

    Source link

  • SAG-AFTRA members vote to authorize strike, joining picketing writers – National | Globalnews.ca

    SAG-AFTRA members vote to authorize strike, joining picketing writers – National | Globalnews.ca

    Actors represented by the Hollywood union SAG-AFTRA voted Monday evening to authorize a strike if they don’t agree on a new contract with major studios, streamers and production companies by June 30.

    The strike authorization was approved by an overwhelming margin — nearly 98% of the 65,000 members who cast votes.

    The guild, which represents over 160,000 screen actors, broadcast journalists, announcers, hosts and stunt performers, begins its negotiations with the Alliance of Motion Picture and Television Producers on Wednesday, over a month after the Writers Guild of America began striking over its own dispute with AMPTP. If the actors union ultimately moves forward with the strike, it would be limited to television and film productions; news and broadcast work would not be directly affected.

    At stake is increased base compensation, which actors say has been undercut by inflation and the streaming ecosystem, the threat of unregulated use of artificial intelligence, benefit plans and the burden of “self-taped auditions” — the cost of which used to be the responsibility of casting and production.

    Story continues below advertisement

    “We are approaching these negotiations with the goal of achieving a new agreement that is beneficial to SAG-AFTRA members and the industry overall,” the AMPTP said in a statement Monday.


    Click to play video: 'U.S. Congress holds hearing on risks, regulation of AI: ‘Humanity has taken a back seat’'


    U.S. Congress holds hearing on risks, regulation of AI: ‘Humanity has taken a back seat’


    The strike authorization vote, a tool at the bargaining table, comes at a pivotal moment for the industry as 11,500 writers enter their sixth week of striking and the directors guild reviews a recently reached tentative agreement with studios on issues like wages, streaming residuals, and artificial intelligence. Should the actors strike, the industry already hobbled by the writers strike would come to a near-standstill, from production to promoting completed projects.

    The WGA, DGA and SAG-AFTRA have shown solidarity with one another since the writers began walking the picket lines on May 2. Many in Hollywood worried about the very real possibility that all three guilds would strike at the same time, as both the directors and the actors contracts were soon due to expire as well.

    Story continues below advertisement

    That scenario changed Sunday night when the directors guild, which represents 19,000 film, television and commercial directors, announced that they had reached a “truly historic” tentative agreement with studios. The terms, which have not been disclosed in detail to the press or the other guilds, will be presented to the DGA board on Tuesday for approval and then to the membership for ratification.

    Representatives for both the writers guild and the actors guild congratulated the directors group for reaching a tentative deal, though neither commented on specific points of the DGA terms. The WGA also said that its bargaining positions remain the same.

    The DGA deal did not sit well with some individual WGA members, some of whom remembered when the directors negotiated their own contract while the writers were striking in 2007-2008. That deal 15 years ago, some felt, set precedent that forced the writers to fall in line with the terms agreed to by the DGA and end the strike.

    “Zero surprise. The AMPTP continues to use their tired old playbook. And the DGA sadly continues to toe the line, knowing that they can draft off of the WGA’s resolve to strike for a truly historic deal. Disappointing, but not surprising,” veteran television writer Steven DeKnight, who also wrote and directed “Pacific Rim: Uprising,” tweeted.


    Click to play video: 'Canadian TV exclusive with Jane Lynch'


    Canadian TV exclusive with Jane Lynch


    Seemingly anticipating a repeat, the WGA negotiating committee last week released a letter cautioning that the studios would once again pursue a “divide and conquer” strategy, pitting the guilds against one another.

    Story continues below advertisement

    “Our position is clear: to resolve the strike, the companies will have to negotiate with the WGA on our full agenda,” the WGA letter had said. “We will continue to march until the companies negotiate fairly with us.”

    While the unions have appeared more united this time, their aims are also different in many arenas. For the directors, securing international streaming residuals that account for subscriber growth was a key component, as were wages, safety (like banning live ammunition on set), diversity and inclusion and the addition of Juneteenth as a paid holiday.

    The WGA agenda includes increased pay, better residuals and minimum staffing requirements. One key area of overlap between all is artificial intelligence. The DGA said they’d reached a “groundbreaking agreement confirming that AI is not a person and that generative AI cannot replace the duties performed by members.”

    Duncan Crabtree-Ireland, the chief negotiator for SAG-AFTRA, maintains the needs of the guild’s actor members are unique. Hollywood actors haven’t gone on strike against AMPTP since 1980, which saw a 95-day strike over terms for paid television and VHS tapes.

    “Our bargaining strategy has never relied upon nor been dependent on the outcome or status of any other union’s negotiations, nor do we subscribe to the philosophy that the terms of deals made with other unions bind us,” Crabtree-Ireland said Sunday.

    On Monday, he added that the vote was a “clear statement that it’s time for an evolution in this contract.”

    &copy 2023 The Canadian Press

    Source link

  • Parenting 101: More than 50 things to do for March Break

    Parenting 101: More than 50 things to do for March Break

    We’re more than halfway through March Break, and at this point, many parents may be scrambling to find things to keep kids, and themselves, busy. Here are 55 things you can do to keep busy over March Break:

    1. Spring clean your entire house
    2. Declutter – for inspiration, watch “Tidying up with Marie Kondo” on Netflix, or read about Kondo’s tidying tips here
    3. DIY/Revamp old clothes
    4. Read, read and read some more
    5. Try new recipes – baking or cooking
    6. Learn a new skill – YouTube is a great place to do this. You can also try SkillShare which has many videos for professional development
    7. Follow a livestream fitness class – many fitness center and studios are hosting LIVE videos everyday
    8. Dance – like no one is watching, of course
    9. Do yoga and/or stretch
    10. Go for long walks and/or runs
    11. Listen to a podcast – there are podcasts for every topic imaginable. I’m sure you will find one that you like! Some of my favorites are “The Drawing Bored Podcast” and “Kalyn’s Coffee Talk.” I highly recommend both for motivation and inspiration.
    12. Journal – Write out feelings and thoughts about the whole situation. It’ll be interesting to read back in the future!
    13. Paint – materials required: paint, paint brush, paper, and a whole lot of CREATIVITY. Rules: NONE
    14. Binge-watch a new TV show – Netflix, Amazon Prime, Disney+… These will surely help your days go by!
    15. Have a movie day – Choose a theme, and watch movies all. day. long
    16. Make a playlist of all your favorite songs, and then have a dance party
    17. Plan around with makeup – try and experiment with different looks
    18. Write a book – a children’s book, a teen romance, a murder-mystery… the options are endless
    19. DIY a board game – take a game that you already own, but never play. Then, make new rules and revamp the board
    20. Try bullet journaling – in the last year, this has become a huge trend. The problem for many: it is too time-consuming. Well, not that you have the time, give it a try!
    21. Build a fort – why the heck not!
    22. Watch YouTube videos – you know all those videos in your “watch later” on YouTube? Now’s that time.
    23. Make a puzzle
    24. Play cards with your housemates
    25. Sketch and/or draw
    26. Meditate – try different types of mediation
    27. Become a master at a certain subject (how to start a business, astrology, plant-based diets, dolphins and their habitat… as you can see, it can really be anything!)
    28. Start a blog – write about things you’re passionate about
    29. Try a challenge – no social media for a day, daily meditation, makeup-free for a week, no coffee for the month…and you can even document your experience for others
    30. Learn a new language – Duolingo is a helpful app for this
    31. Have a spa-day – face masks, bubble baths, hair treatments… all the above
    32. Do a digital declutter – clear out clutter off your phone, your computer, your social media, etc.
    33. Write a letter to someone you love – reaching out on social media is amazing and easy, but there is something special about a hand-written note
    34. Write a letter to your younger self and/or future self
    35. Make a dream board – what do you want your year, or your next few years to look like?
    36. Rearrange a room in your house
    37. Have FaceTime parties with your friends
    38. Budget your finances
    39. Scrapbook – have an event that recently passed? Turn it into a scrapbook and include all your favorite photos and mementos
    40. Try new hairstyles
    41. Learn a choreography online, or make your own dance sequence to your favorite song
    42. Explore the world through Google Maps – sounds boring, but it’s actually quite entertaining and passes the time!
    43. Make your own Ted-Talk – passionate or knowledgeable about an issue? Become a motivational speaker for the day and record yourself doing a “Ted-Talk”
    44. Make some DIYs or crafts – Pinterest will be your best friend for this
    45. Plan your dream vacation – one day you’ll make it happen!
    46. Play with your pets
    47. Look at old photos and home videos
    48. Set goals and create action plans
    49. Write a poem
    50. Try nail art, or just simply paint your nails
    51. Catch up on sleep
    52. Learn an instrument – have a piano or guitar sitting in your closet? Now is the time to learn a simple song or two
    53. Write a song
    54. Make a bucket list
    55. Check in with friends and family – self-isolation can take a toll on our mental health. Stay connected through phone calls, FaceTime chats and messaging

    Melissa Migueis is a student at Dawson College in the profile Cinema-Communications. She loves to lead a healthy lifestyle by eating clean, being active and keeping a healthy mindset! Oh, and you can always find her somewhere in nature!

    Source link