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Tag: Fashion

  • I’ve just had a baby – I lived in these maternity dresses throughout my pregnancy

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    The best maternity dresses don’t just see you through your pregnancy, but after you’ve given birth too. That’s what three Glamour editors on maternity leave found, anyway.

    If you’re anything like us you’ll likely prioritise comfort over style throughout each trimester, reaching (and re-reaching!) for the best maternity leggings, favouring stretchy maternity jeans and wearing your maternity nightwear whenever you can get away with it.

    That being said, maternity dresses are actually just as comfy and are, in fact, so much simpler to wear. A throw-on-and-go outfit when you’re too busy creating life to think about what looks good together? Sign us up.

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    The best maternity dresses, at a glance:

    Outline Lemon High-Neck Maternity Maxi Dress With Draped Skirt

    Jump to review

    Over the nine months that you’re carrying your baby, your body can change in ways you may never have thought possible. And while you might’ve written off maternity clothes altogether, assuming you can eke out the wear of your usual wardrobe staples, let us gently inform you that while possible for some of your looser pieces there may be a lot that you’ve outgrown. And that’s entirely normal, there’s no shame in it whatsoever. The great news, though? A lot of the maternity dresses that we’ve road-tested aren’t actually labelled ‘maternity’ at all; they’re very much versatile enough to be worn pre- and postpartum.

    Yep. Some of our favourite e-tailers have caught on to the need for multi-purpose maternity frocks, and their selections are growing daily – you can now find anything from casual day dresses to office appropriate pieces, and even dresses for a night out (tee-totalling and tearing up the dance floor until 2AM aren’t mutually exclusive, after all).

    Plus, many of our favourite high-street brand’s websites have specific ‘maternity’ sections, which makes shopping for new maternity dresses a lot easier when your mind is distracted by pelvic floor exercises and hospital bag packing…

    Why you can trust us

    Senior Beauty Editor, Elle Turner, Commerce Photo Editor, Neamh Randal and, freelance Fashion Editor, Charlie Teather, have all become first-time mums over the last few years, and – alongside, you know, prepping for one of humankind’s toughest physical feats and the subsequent life-altering reality of a tiny new human to care for 24/7 – rediscovering how to dress a body that was changing every single day posed a real challenge.

    We didn’t want to lose our personal style identities, but we also wanted to celebrate and not just ‘disguise’ this incredible moment in our lives. And if we were finding this balance hard to strike, after working our whole adult lives in the fashion and magazine industry, we figured others must be too. So, we made it something of a personal/professional mission to compile the ultimate maternity fashion guides. If for nothing more than for us to refer back to if/when we ever do this pregnancy thing again, because (spoiler alert) baby brain is no joke, people…

    How we tested the best maternity dresses

    The number of bump-friendly dresses out there is rather overwhelming. So, Elle, Charlie and Néamh, who are all currently navigating life with their tiny humans, trawled through high street and specialist brands to find the most stylish maternity dresses at every price point. They considered fit, style, value for money and longevity postpartum.

    From long sleeve stretchy dresses for casual days to drop-waist midis for nights out (because, yes, you can still hit the town with bump in tow) and a feathered mini dress to pack for your babymoon, they’ve brought you the best selection of maternity dresses out there. See a handful of their favs below, and the rest if you keep scrolling…

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    Soft Rib Maxi Long Sleeve Dress

    Image may contain Adult Person Clothing Sleeve Electronics Mobile Phone Phone and Head
    Image may contain Clothing Dress Formal Wear Adult Person Fashion Standing Evening Dress and Gown

    Elle Turner wearing Free People.

    romina introini/@romilux

    Dahlia Embroidered Maxi Dress

    Here are the very best maternity dresses to add to your wardrobe immediately.

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    Charlie Teather, Elle Turner, Néamh Randall

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  • Paul Costelloe, Personal Designer to Princess Diana, Dies at 80

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    DUBLIN (Reuters) -Irish fashion designer Paul Costelloe, personal designer to the late Princess Diana who became a fixture at London Fashion Week for four decades, has died aged 80, his family said in a statement on Saturday quoted by local media.

    Costelloe was appointed as Diana’s personal designer in 1983, shortly after establishing his own label, Paul Costelloe Collections, and their collaboration continued until her death in a car crash in Paris in 1997.

    Costelloe, who led the development of all his collections from his studio in central London, was invited to show at the city’s premier catwalk event in its inaugural year in 1984 and was there in September to present his latest spring-summer creations.

    Costelloe died peacefully surrounded by his wife and seven children in London following a short illness, the family said in the statement quoted by local media. A spokesperson for Costelloe could not immediately be reached for comment.

    Costelloe was born in Dublin in 1945, where he initially trained before moving to Paris’ revered Chambre Syndicale de la Haute Couture and then to another fashion capital, Milan, where he was designer for the luxury department store La Rinascente.

    He spent some time in New York where he established his own label before settling in London, where his partnership with Princess Diana flourished. His collections today include womenswear, menswear, bags, homeware and jewellery.

    “Paul led a remarkable life as a leading figure in Irish, UK and international fashion and business for decades. He built a hugely successful business through incredible talent, discipline, and an unwavering commitment to quality,” Ireland’s Deputy Prime Minister Simon Harris said in a statement.

    “His was and is a quite remarkable Irish success story.”

    (Reporting by Padraic Halpin. Editing by Mark Potter)

    Copyright 2025 Thomson Reuters.

    Photos You Should See – Nov. 2025

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    Reuters

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  • Manhattan’s Jewel Box Celebrates 95 Sparkling Years

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    New York’s grande dame, The Pierre, knows how to throw a soirée. Last night, the elegant Taj Hotel celebrated 95 years as a beacon of Upper East Side glamour with a ‘Red Diamond’ gala that brought together residents, diplomats, stars and influencers for an unforgettable evening of vintage Manhattan magic.

    Nearly 500 guests, from silver-haired luminaries to fresh-faced Gen Z tastemakers, donned black tie finery to toast The Pierre’s storied history in its famous ballroom. Sipping champagne beneath glittering chandeliers, partygoers were transported to a more gracious era, when the hotel played host to everyone from Elizabeth Taylor and Aristotle Onassis to Audrey Hepburn.

    The entertainment was a love letter to old New York: A Marilyn Monroe impersonator cooed while Deanna First sketched partygoers and professional ballroom dancers swirled across the stage in a swish of satin and sequins. Historic treasures, like archival photos and a $195,000 0.6-carat pink diamond, were displayed without fanfare (or security).

    Getty Images Deanna First.

    But while the gala paid homage to The Pierre’s glamorous past, the crowd reflected its vibrant present. Among those spotted in the sea of tuxedos and gowns: hotel residents, foreign dignitaries, reality TV stars, Instagram celebrities and even the odd baby or two nestled in couture-clad arms. The evening proved that after nearly a century, The Pierre can still create indelible Manhattan moments.

    Courtesy of Lola Tash Lola Tash and Jessica Wang.

    “I was transported back to the galas of the Gilded Age,” Lola Tash told Observer. The Canadian actress and brains behind the satirical, relatable meme account My Therapist Says was “reminded once more why New York is magical.”

    Getty Images Prince Mario-Max Schaumburg-Lippe.

    “The Pierre is my American Home away from home,” Prince Mario-Max Schaumburg-Lippe told Observer. His godmother lived in The Pierre, the prince said, noting “the happiest of my memories are right here” and calling the historic property “the hotel love of my life.”

    Courtesy of Grace Aki Grace Aki.

    Experiencing the hotel’s cinematic history firsthand was a highlight for Grace Aki. The gallery of treasures glowing behind glass displays made the night “all the more special,” Aki told Observer.

    “Like stepping into history,” was how Viola Manuela Ceccarini described the event. “The elegance, the legacy and the energy in the room—witnessing generations of excellence converge under that red diamond, a symbol of timeless prestige and the enduring spirit of New York.”

    Courtesy of Lori Altermann The star of the show poses with Lori Altermann.

    “Everywhere I turn, I see New York’s elite—beautiful celebrities and even Marilyn Monroe!” quipped Lori Altermann. “The fashion, the food, the hotel—everything is fabulous!” Altermann told Observer. “It’s a celebration of luxury,” said Namani Shqipe.

    Getty Images A Rolls-Royce awaits.
    Getty Images Guests enjoyed ice-cold Grey Goose Altius.
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    Getty Images Monica Danae Ricketts.
    Getty Images Evie Evangelo.
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    Getty Images Daria Matkova.
    Getty Images ‘Queen of Versailles’ Jackie Siegel.
    Getty Images Lorna Luft and Jill Martin.
    Getty Images Ramona Singer.
    Getty Images Andy Yu.
    Getty Images Sara Fivessi.
    Getty Images Kate Saucedo and Dymond Veve.
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    Merin Curotto

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  • How to wear culottes in winter, according to a fashion writer

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    We’ll show you how to wear culottes in winter, but first: a history lesson.

    Did you know the history of culottes is linked to class struggle and female liberation? What we know today as a swishy, skirt-like, cropped trouser actually has quite a nebulous definition, as it’s been used to describe different garments over time. From the late Middle Ages until the early 1800s, culottes were the knee breeches worn by men from the European aristocracy and upper classes. They were so associated with money that, at the time of the French Revolution, revolutionaries of the lower classes were known as “sans-culottes” due to their long trousers. But, if you’re reading this, you’re probably more interested in the feminist history of the garment.

    During the Victorian era, split skirts came into use for women for the purpose of horseback riding. (Since trousers for women up until this point were quite scandalous, and in some instances, illegal!) Quite literally skirts split in half, their legs were made up of flowing fabric, a precursor to today’s culottes. The point was that it looked like a skirt, but allowed women more flexibility of movement, particularly when sitting on horseback. The garment was adapted for other activities like cycling, gardening and cleaning, but was not yet mainstream.

    In the 1910s, the jupe-culotte (literally meaning skirt-pant in French) was associated with women’s suffrage. In 1911, the doctor and feminist Madeleine Pelletier was quoted in a Vogue article titled The Distracting Jupe-Culotte saying: “Liberty of movement is conducive to liberty of thought.” We also can’t leave out the contribution of Paul Poiret: while his harem pants are slightly different to the culottes we know today, it was one of the first times women in Europe wore trousers as a fashionable garment. Trousers for women also became a bit of a necessity due to the First World War, when women filled the gap in the workforce left by conscripted men.

    Then, in the ’20s, the hedonistic flapper mood brought with it a relatively more free attitude to fashion and gender, so it only made sense that culottes grew in popularity as a fashionable garment. Fashion designer Coco Chanel was particularly fond of them, often wearing flowy trousers known as “beach pyjamas” from the late 1910s. Elsa Schiaparelli, another seminal fashion designer of the era, dressed tennis player Lilí Álvarez in culottes in 1931 for Wimbledon, which caused some pearl-clutching at the time.

    As the decades progressed, trousers for women became less of a shock and more a normal part of the female wardrobe – due to factors like wartime pragmatism in the 40s and the cultural revolution of the 60s. Fast forward to today, where culottes on women would not raise an eyebrow in the slightest. (Perhaps they’re even something your mum or grandma might wear!)

    Culottes are a great way to add movement to your outfit, while being just as practical as traditional trousers – makes sense, considering their history. So, how to wear culottes in winter? As Chanel showed us 100 years ago, they look great in the summer on the French Riviera – but rest assured that they can be styled for the colder months, too.

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    Ahead, how to wear culottes in winter.

    With patterned or colourful tights

    Claudio Lavenia/Getty Images

    Image may contain Tomoko Kawase Pedestrian Person Clothing Coat Adult Accessories Bag and Handbag

    Edward Berthelot/Getty Images

    If you’re someone who doesn’t want even a sliver of flesh exposed to the elements in winter (and we don’t blame you) we’d recommend a pair of tights underneath the trousers to offer you some extra protection. Black, opaque, high denier tights are a classic, but you can do better than that. One of the stand-out trends of this year and expected to get even more popular: colourful tights.

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    Anastasia Vartanian

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  • Prada heir Lorenzo Bertelli will have strategic role at Versace as executive chairman

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    MILAN (AP) — Prada heir Lorenzo Bertelli will have a major strategic role as executive chairman of Versace after the Prada Group completes its 1.25 billion-euro ($1.4 billion) deal to buy its rival, expected in the coming weeks, the Prada Group confirmed Thursday.

    Bertelli, 37, has been previously announced as the future leader of the Prada Group, where he has been marketing director since 2019 and head of corporate responsibility since 2020. The elder son of acclaimed designer Miuccia Prada and Prada Group chairman Patrizio Bertelli joined the group in 2017 as head of digital communication.

    Bertelli made the announcement about his next role on an Italian-language Bloomberg podcast Wednesday.

    He said he doesn’t expect any big shake-ups at Versace at least for the first year after the acquisition is complete as he gets to know the company and its executive team. But he underlined that the 47-year-old fashion house founded by the late Gianni Versace has been underperforming its potential.

    “The brand is much bigger than the revenue that it is generating,’’ Bertelli said, noting that Versace remains among the top global fashion brands.

    A model wears a creation as part of the Prada Spring/Summer 2026 collection presented in Milan, Italy, Thursday, Sept. 25, 2025. (AP Photo/Luca Bruno)

    The Prada Group announced in April the deal to buy crosstown fashion rival Versace from the U.S. luxury group Capri Holding, putting Versace’s sexy silhouettes under the same roof as Prada’s “ugly chic” aesthetic and Miu Miu’s youth-driven market.

    Versace represented 20% of its current owner’s 2024 revenue of 5.2 billion euros.

    In a presentation on the deal last spring, Prada estimated that Versace would make up 13% of the Prada Group’s pro-forma revenues, with Miu Miu coming in at 22% and Prada at 64%. The Prada Group, which also includes the Church’s and Car Shoe brands, reported a 17% boost in revenues to 5.4 billion euros last year.

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  • ‘A Night at Davé’ Captures Fashion’s Favorite Restaurant at Its Height

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    Long before Lucien became the bistro of choice for Lady Gaga, Bella Hadid, and Chloë Sevigny to nibble on petits filets and French fries, there was Davé—a Chinese restaurant in Paris’s 1st arrondissement that Tai “Davé” Cheung opened in 1982 and closed in 2018. For more than three glittering decades, Davé was the discreet hot spot for the biggest names in fashion, film, art, and music. Helmut Newton and Grace Coddington were early regulars, but as The New York Times recounted in 1998, the real origin story began in the mid-1970s: “Barney Wan, a British Vogue art director, dined at Davé’s father’s Chinese restaurant, Pergola du Bonheur, in Oberkampf, a terribly unfashionable Paris neighborhood, and liked it so much that he took his colleague Coddington to lunch there. Then Davé met a photographer named June Newton and invited her and her husband, Helmut, to the restaurant. They quickly became regulars.” From there, the crowd only grew, with the restaurant playing host to Iggy Pop, Rei Kawakubo, Lou Reed, Yoko Ono, Madonna, Alexander McQueen, Kate Moss, Tina Turner, Janet Jackson, and Mariah Carey over the years.

    The food at Davé was, by most accounts, secondary to the experience. There were no menus, and a sign on the red-and-gold façade read “COMPLET” (“full”), even when it wasn’t. Guests came not for the cuisine but for the atmosphere, late-night mischief, and Davé himself, who swanned about the space, greeting VIPs, taking pictures, and covering the quilted red walls with photos of his famous customers. “My guests are tired, and this is where they can relax at the end of the day and be with each other socially,” he told The Guardian in 2005. “They don’t want to be disturbed by a bunch of tourists.… My job is to make fabulous people feel fabulous. I mean, really, anybody can serve a spring roll.”

    But not everybody could draw a crowd ranging from Allen Ginsberg and Keith Haring to Yves Saint Laurent, Grace Jones, and Leonardo DiCaprio. Davé took Polaroids of them all, often in a proto-selfie style. Now, the new book A Night at Davé offers an inside peek at the hijinks and glamour of the former hot spot through Davé’s own lens. The limited-edition tome, conceived and edited by Charles Morin and Boris Bergmann alongside Davé himself, features a foreword written by Sofia Coppola (her father, Francis Ford Coppola, is a lifelong friend of Davé, and Sofia grew up frequenting the restaurant). Plus, there is an interview with Davé in which he tells the stories behind the photos. For a preview of the book, out now from IDEA, keep scrolling.

    Sofia Coppola and Kirsten Dunst

    Courtesy of IDEA

    Madonna and Alek Keshishian

    Courtesy of IDEA

    Kate Moss, Davé and Johnny Depp

    Courtesy of IDEA

    Tom Ford and André Leon Talley

    Courtesy of IDEA

    Davé, Tim Burton, and Lisa Marie.

    Courtesy of IDEA

    Isabella Rossellini and David Lynch

    Courtesy of IDEA

    Yves Saint Laurent and Davé

    Courtesy of IDEA

    Linda Evangelista and Kyle MacLachlan

    Courtesy of IDEA

    Davé, Miuccia Prada, and David Sims.

    Courtesy of IDEA

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  • The 2026 Met Gala Theme Is “Costume Art’—Everything to Know So Far

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    It’s not rare to gaze upon the Met Gala looks each year and think, “Wow, that gown is a work of art.” Now, the 2026 iteration of the event is taking that idea to a whole other level. The latest Met Gala theme is “Costume Art,” inspired by the Metropolitan Museum of Art’s vast collection and the connective tissue that runs through it all—the dressed body. Curator in charge of the Costume Institute, Andrew Bolton, said in a recent interview that the core idea is this: no matter which gallery you’re perusing in the world-famous museum, you’ll be exploring the relationship between clothing and the human form.

    It’s not the most straightforward theme—so below, we’re breaking all the details down, as well as keeping track of everything else you need to know about fashion’s biggest night.

    What is the theme of the 2026 Met Gala?

    Next year, the Met Gala and accompanying exhibition will be Costume Art, which addresses “the centrality of the dressed body in the museum’s vast collection,” according to Bolton. This will turn the focus on the Met’s art collection—sculptures, paintings, and objects from across five centuries—while placing them alongside both historical and contemporary garments. For instance, a quintessentially padded Rei Kawakubo for Comme des Garçons garment is situated next to a photograph from German artist Hans Bellmer that displays a similarly bulbous shape. A classical Greek sculpture, meanwhile, is compared to a Fortuny gown from the 1920s, which mimics the color and fabrication of the garment portrayed in the late 5th-century work.

    When it comes to attendees’ looks, expect many art-adjacent gowns and suits. And if you thought sheer dressing was on the way out, think again. This theme is all about the body, and it will likely be shown off like never before on those museum steps. One can also likely expect a lot of Saint Laurent designs on the red carpet, as the brand is a sponsor for the exhibition.

    When is the 2026 Met Gala?

    Per usual, the Met Gala falls on the first Monday in May, meaning in 2026, it will take place on May 4. The exhibition, meanwhile, will run from May 10, 2026, to January 10, 2027.

    A$AP Rocky at the 2025 Met Gala, for which he was named a cochair.

    Udo Salters/Patrick McMullan/Getty Images

    Who will be chairing the 2026 Met Gala?

    As of now, the celebrity chairs of the Met Gala have not been announced. As usual, Anna Wintour is expected to be the primary host of the evening. She will be joined by Jeff Bezos and his wife, Lauren Sanchez Bezos, who are sponsoring the event.

    What will be included in the accompanying exhibition?

    The “Costume Art” show will focus primarily on Western art. Almost 200 works will be displayed with 200 garments and accessories. The exhibition will be divided into three categories: bodies omnipresent in art (i.e., the nude form), other kinds of bodies that are often overlooked (pregnant or aging bodies), and universal bodies (like the anatomical body).

    While both art and fashion will be present in the exhibition, Bolton has ensured that the latter is the priority. He also shared his plans for the exhibition’s mannequins, which will boast mirrored faces designed by artist Samar Hejazi. “I’ve always wanted to try to bridge the gap between the viewer and the mannequin,” Bolton said, explaining the choice will “facilitate empathy and compassion.”

    The exhibition also coincides with the opening of the nearly 12,000-square-foot Condé M. Nast Galleries—situated right next to the Met’s Great Hall—to be the new home of the Met’s fashion collection. If you’ve ever ventured to the Metropolitan Museum of Art for the Costume Institute exhibition before, you know just getting to the Upper East Side building is only half the journey. Upon entering the doors, you must navigate the expansive collection for the exhibition in question, which is sometimes located in the Anna Wintour Costume Center, and at other times tucked between the American Wing and the Impressionists. Well, those days are officially behind us.

    What is the dress code of the 2026 Met Gala?

    Yes, “Costume Art” is the theme, but there is usually also a dress code, which provides attendees with a clearer idea of how to dress for the event. For example, while last year’s theme was “Superfine: Tailoring Black Style,” the theme was “Tailored for You”—hence why so many guests arrived in structured suits.

    That being said, the dress code typically isn’t announced until much closer to the actual event. So we will likely have to wait a bit until we get more specifics on what the guests are expected to embody with their ensembles next year.

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  • Ariana Grande & Cynthia Erivo Say Farewell to ‘Wicked’ in Coordinating Looks

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    Wicked: For Good has now taken its final bow on the premiere circuit, but stars Ariana Grande and Cynthia Erivo saved two of their most magical fashion moments for last. Yesterday, the duo stepped out to the New York premiere—the sequel’s final major event after a series of globe-trotting red carpets—in peak Glinda and Elphaba style.

    Fresh off her Galliano-era Dior moment at the Governors Awards over the weekend, Grande hit the step and repeat in a black-and-white couture number by Schiaparelli. Its fitted black bodice was full of surprises: it had a lace edge along one side of the bust and an upturned hem. Underneath, a white tulle skirt added volume to the look and nodded to Grande’s string of vintage-tinged press looks. Designed by Daniel Roseberry, the look took inspiration from house founder Elsa Schiaparelli’s fantastical 1950s designs.

    Jamie McCarthy/Getty Images Entertainment/Getty Images

    Erivo, meanwhile, went full Elphaba in a futuristic look by Pierpaolo Piccioli for Balenciaga inspired by the brand’s spring 2026 collection. The star slipped into a floor-length ball gown that featured a drop waist, a trailing maxi skirt, and long sleeves. Over top, she wore an ultra-cropped top with leather and feather embroidery. She paired the monochrome look with bug-eye mask goggles and diamond jewelry.

    Taylor Hill/WireImage/Getty Images

    For Grande and Erivo, the premiere’s New York setting was poetic. “It’s so full circle to be in New York City where the Gershwin [Theatre] is, where Wicked is and to be celebrating tonight together,” Grande told reporters. Erivo echoed, “It’s really beautiful that we’re finishing here, where it started.”

    Both Grande and Erivo approached this press tour with a different point of view compared to the first Wicked promotional cycle last year. For Grande, that meant combining darker, moodier color palettes from the 1950s with the standard Glinda pinks and pastels. Erivo ditched the neon Elphaba greens for a wardrobe full of jet black and inky grey.

    While Wicked: For Good just celebrated its final premiere, Grande and Erivo are sure to be staples of the 2026 awards season with plenty more themed fashion in store. And with director Jon M. Chu not shutting down the possibility of a third Wicked film, who knows what the future might hold.

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  • Inside Into Archive, NYC’s Luxury Vintage Destination for the World’s Most-Watched Women

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    Tucked away on the top floor of an office building in New York City’s Flatiron District is Into Archive, a treasure trove of luxury vintage pieces from John Galliano’s Christian Dior era, Karl Lagerfeld’s Chanel, Maison Martin Margiela, and Prada, along with under-the-radar brands like Laura Cesaro and Jitrois. Dozens of Fendi Baguettes line the walls (with the very special metallic gold python version from 1997 in a glass case) while one-of-a-kind sunglasses and collectible designer jewelry (including the rare black-and-gold enamel Chanel double-C choker from 2008) fill the space a few feet away.

    Exploring Into Archive is by appointment only, which is fitting, as the experience mimics that of being transported into a dream closet that only celebrities like Kim Kardashian, Kylie Jenner, Sabrina Carpenter, and Tyla could be privy to. Side note: all four ladies have recently sported pieces secured at the expertly curated reseller. Kardashian wore a YSL skirt to an All’s Fair press event in New York while her sister Jenner wore an Alaïa lambskin leather bra from spring 2013 in her “Glosses Part 2” video as part of her King Kylie revival. A few days later, Carpenter made an unforgettable appearance on SNL, in a rare vintage Dolce & Gabbana dress from the early 2000s, paired with Roberto Cavalli denim floral boots hand-picked by her stylist, Jared Ellner. Shortly after that, Tyla was spotted in a pair of Chanel mesh shorts from spring 2002 and heels from spring 2006 while filming her latest Ron Hartleben-styled music video for her song named after the brand.

    Kim Kardashian in a YSL skirt from Into Archive.

    XNY/Star Max/GC Images/Getty Images

    But it’s not just the vintage-loving rich and the famous (or their stylists) that Into Archive’s founder Kate Mao, 27, has in mind as her customers—even though she cites Cardi B as her first major client. “We carry history, but our gaze is on the horizon—forecasting and creating the trends women everywhere will want to explore,” she says. This can likely be attributed to Mao’s personal journey towards an obsession with vintage, which began when she was studying at the Rhode Island School of Design and unexpectedly discovered Japanese auctions, where she scored Dior bracelets for $30 each. Fast forward about a decade, and she’s got an e-commerce business stocked with 10,000 items sourced from the best vendors around the world (The Archive Store, a Margiela collector in Shibuya, Tokyo, Your Garments in Paris, and even spots in Ukraine), plus a year-old physical studio in NYC that houses highlights ripe for purchase and rental.

    When asked what separates Into Archive from other second-hand luxury experiences, Mao says, “Curation. We make the hard call of pre-selecting thousands from millions, so what you see is a ready-made treasure chest.” As for what makes the cut, embroidery and craftsmanship are the primary focus. “For us, craftsmanship leads back to the idea that A) it is hard to duplicate, and B) it is rare in terms of its materiality.” Think embellished Chanel tweeds, the aforementioned decadent Fendi Baguettes, and one-of-a-kind gowns. “I am working on decorating the woman—not just externally, but also internally, because as a woman, you should feel that your closet reflects where you are in your life.”

    On that note, there is something for everyone. “You can be any style, you can be any girl,” says Mao. “It is really like that Polly Pocket dress-up experience.” That explains how Cardi B, by way of her stylist Colin Carter, found the Jean Paul Gaultier mesh top that she wore on Jimmy Fallon in 2020, how Tyla and her stylist Ron Hartleben, nailed a Dior by Galliano sequin moment at the BET Hip Hop Awards in 2024, and how Kali Uchis landed on a wardrobe of Chanel Sport Line back in September of this year.

    Photo by Johnny Nunez/Getty Images for BET

    As for what’s coming down the pipeline, it’s not only the new items that drop daily or a second physical studio on the Upper East Side, in Los Angeles, or Miami. “Personally, I’d love to dress Anna Wintour or Rei Kawakubo,” says Mao, who admits to a fascination with tastemakers swapping signatures. “Picture Anna in Issey Miyake, or Rei carrying a Fendi Baguette. I think the idea of a uniform on celebrities is great, but I also equally love breaking it.”

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  • Midsize & Plus Size Editors’ Honest Reviews of NikeSkims Activewear

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    True, the market is saturated with buzzy collaborations — like Béis x Rare Beauty and Madewell x Alexa Chung — that quickly sell out on the strength of their designs and celebrity founders. But now there’s an entirely new brand built from two powerhouses that has both captured our attention and promised several collections to come. NikeSkims, which launched in September 2025, is the brainchild of a beloved activewear brand (Nike, obviously) and lifestyle juggernaut (Skims, founded by the one and only Kim Kardashian). 

    “Merging Nike’s performance innovation with Skims’ obsession with fit and form, the collection delivers sculpting, versatile pieces that move with her — studio to street, low-impact to high-performance — while unlocking endless possibilities for layering, styling, and self-expression,” a press release notes. 

    The brand’s second drop recently launched on both retailers’ sites, featuring 65 styles across leggings, workout tops, sports bras, and more apparel in sizes XXS through 4X, along with accessories like socks and training gloves. Refinery29 editors were excited to test out the brand’s new styles, which include a Shine colorblocked capsule, mesh-enhanced pieces in the Airy line, Woven Nylon winter layers, and the Matte core collection with Nike Dri-FIT technology — particularly so we could know firsthand if round two of the elevated activewear brand is worth the hype. 

    Ahead, we put NikeSkim to the test. Read midsize and plus size editors’ honest thoughts on the fit and functionality of the trendy activewear pieces below.

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    Victoria Montalti

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  • Currently: Obsessing Over These Fashion Combos That’ll Make The Best Gifts

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    When it comes to gifting, the best fashion presents are the ones that get real use — not just admired in the closet. And while the classic “new coat for winter” is always a safe bet, pairing it with the perfect bag? That’s where things get personal (and a lot more exciting).

    This season, DKNY makes it easy to match every personality on your list with its lineup of trendy outerwear and handbags. Think a tailored wool coat and structured tote for the minimalist who lives by a neutral palette, a belted plaid jacket and bold chain bag for the friend with an It-girl sensibility, or a snuggly sherpa and slouchy shoulder bag for the cozy queen whose entire personality revolves around soft, plush pieces.

    Whether you’re shopping for a ‘90s die-hard, a downtown-cool type, or someone who simply loves a good outerwear moment, consider this your shortcut to gifting something that’ll actually get worn (and photographed) all season long.

    For The Minimalist

    Clean, classic, and all about quiet luxury — this pairing could’ve stepped right out of a ’90s style moodboard. The tailored gray wool coat brings timeless structure, while the chunky chain bag adds that touch of city sleek. Perfect for the friend whose wardrobe is mostly black, beige, or any perfected neutral.

    DKNY Single Breasted Wool Coat, $, available at DKNY

    DKNY Riona Flap Crossbody, $, available at DKNY

    For The Cozy Queen

    She’s the one who owns at least eight loungewear sets and believes coffee runs count as an outing. This snuggly sherpa coat with buckle details delivers full-on plush energy (essentially doubling as a fleece blanket), while the slouchy chain bag adds just enough edge to balance softness with structure. It’s that irresistible mix of tactile and cool — cozy textures paired with sleek hardware that make every errand feel considered.

    DKNY Zip Sherpa Jacket with Buckle Collar, $, available at DKNY

    DKNY Fiona Small Hobo, $, available at DKNY

    For The It-Girl

    If her FYP and IG saves are all street style snaps, this combo was made for her. The longline white puffer somehow delivers both unparalleled warmth *and* style. Offset the cozy outer layer with sleek accoutrements, like stirrup leggings, stilettos, and a chic tote with beautiful knotted detailing. This enviable blend of relaxed and refined gives “effortless,” despite totally being thought out.

    DKNY Silky Long Quilted Parka, $, available at DKNY

    DKNY Paula Small Commuter Tote, $, available at DKNY

    For The Refined Maximalist

    She never met a color she didn’t love — especially when it’s oversize and tactile. This rich Bordeaux duo is plush, dramatic, and imbued with Main Character Energy. The monochrome palette makes it the ultimate throw-on-and-go outfit that somehow feels elevated and styled to perfection (even if she’s out the door in five minutes).

    DKNY Faux Teddy Fur Jacket, $, available at DKNY

    DKNY Medium Paula Commuter Tote, $, available at DKNY

    For The Athluxe Lover

    She’s the friend who always makes leggings look intentional. This glossy puffer nails the balance of form and function, while the metallic silver tote reflects her sporty-but-luxe sensibility — practical at heart, but with an eye for shine. Both pieces are wardrobe workhorses: the black puffer pairs with everything, and the tote transitions seamlessly from coffee runs to nights out.

    DKNY Funnel-Neck Lightweight Puffer Jacket, $, available at DKNY

    DKNY Hadlee Small Metallic Logo Tote, $, available at DKNY

    Like what you see? How about some more R29 goodness, right here?

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    Laura Lajiness Kaupke

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  • Jennifer Aniston twins with new boyfriend on date night in matching his and her outfits

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    Those who dress together stay together! Friends actress Jennifer Aniston braved the pouring rain in Los Angeles for a date night with new beau Jim Curtis on November 14. Jennifer joined Jim and her longtime stylist Jamie Mizrahi at the Italian restaurant Pace in the heart of Lauren Canyon in the Hollywood Hills. Jennifer wore classic blue denim jeans with a black sweater for the casual dinner, pairing the jeans with white lace-up sneakers. Jennifer wore her jeans with a large turn-up and kept warm in a long wool trench coat.

    Jim, the popular celebrity hypnotherapist and wellness coach, also kept his fit casual, wearing black jeans with white sneakers and a black sweater. The pair both stayed dry with large golf umbrellas to stave off the worst of the storms. Los Angeles has been under a storm warning since Thursday, November 13. Flash flood warnings were put in place across a large swath of Los Angeles County, including the Eaton fire burn scar in Altadena, downtown Los Angeles, Malibu and Santa Monica.

    © The Daily Stardust / BACKGRID
    Jennifer was seen heading out for a dinner date with her boyfriend Jim

    The actress and Jim sparked rumors of a brewing romance when they were seen vacationing together earlier this year. In June they stayed at the five-star eco-friendly resort Ventana Big Sur, and in pictures shared on DailyMail.com in July, they were seen with Friends star Courteney Cox, director and actress Olivia Wilde, Amy Schumer and Jason Bateman on a yacht in Mallorca, where Jim was pictured giving Jennifer a back massage. They have reportedly been friends for some time, but it turned to love with Jim showing up at the premiere of The Morning Show earlier this fall to support his partner. 

    *EXCLUSIVE* American actress Jennifer Aniston was seen heading out for a dinner date with her boyfriend Jim Curtis and a group of friends at the Italian restaurant Pace in Los Angeles.© The Daily Stardust / BACKGRID
    Jim is a popular celebrity hypnotherapist and wellness coach

    In honor of his 50th birthday in early November, Jennifer, 56, took to her Instagram page to hard launch the relationship with a candid snap of the pair taken together at his birthday party. The photo was a rare glimpse into Jennifer’s usually private love life, and she captioned the post: “Happy birthday my love. Cherished.”

    “He’s quite extraordinary, and helps many, many people,” Jennifer told Elle magazine, dubbing him “very special, very normal, and very kind.”  As for his work, Jennifer added that he “wants to help people heal, move through their trauma and stagnation into clarity,” calling it “a beautiful thing to commit your life to.”

    Jennifer Aniston and Jim Curtis embrace in a snap taken at the latter's 50th birthday party, shared on Instagram© Instagram
    Jennifer and Jim embrace in a snap taken at the latter’s 50th birthday party

    After a career in the stock market, Jim worked extensively with organizations like WebMD, Everyday Health and HealthCentral Corporation before branching out into his own work as an author, hypnotherapist, hypno-coach, wellness advisor, and grief counselor.

    He has worked with the likes Julianne Hough, Nina Agdal, Miranda Kerr, Lewis Howes and Jennifer’s best friend Courteney Cox. His bio reads: “I not only transformed my health, anxiety and relationships, I’ve helped thousands of others break free from their past & patterns to create an entirely new reality full of connection, abundance and love.”

    In a recent Q&A with followers, Jim was asked how to find love in your forties, and he said: “That’s a great question. The same as you do at 22 and 32 but with more confidence, more experience and more authenticity.” He added: “Go out, open yourself to love, make eye contact and smile. Connect with people and most importantly, love yourself. When you love yourself, you will magnetise more love to you.”


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    Rebecca Lewis

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  • How the funny and feminist fashion in ‘Palm Royale’ further the storytelling

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    NEW YORK (AP) — When Kristen Wiig steps out of a vintage Rolls-Royce in the opening scene of Season 2 of “Palm Royale,” she’s sporting a tall, yellow, fringed hat, gold platform sandals and sunny bell bottoms, with fabric petals that sway with every determined step. It’s the first clue that the costumes on the female-driven comedy are taking center stage.

    The Apple TV show made a splash in its first season with the starry cast, high production values and ubiquitous grasshopper cocktail. Wiig’s character, Maxine, tries to break into Palm Beach high society in 1969 and bumps heads with co-stars Carol Burnett, Allison Janney, Leslie Bibb and Laura Dern. But also playing a starring role are the vintage designer frocks that reflect each character.

    Kristen Wiig in “Palm Royale.” (Erica Parise/Apple TV via AP)

    For Season 2, which premiered this week, Emmy-winning costume designer Alix Friedberg says she and her team coordinated “thousands” of looks that reflect the characters’ jet-setting style. She says 50-60% of the brightly colored and graphic print costumes are original vintage designer pieces, sourced by shoppers and costume designers.

    “The looks are so iconic. Sometimes Kristen will walk in in something, and it brings tears to my eyes,” Kaia Gerber — who plays Mitzi — told The Associated Press in a recent interview.

    The creative process entails more than shopping

    If not original vintage, Friedberg’s team builds the costumes, and if a character has to wear an outfit in multiple scenes or in big dance numbers, the team may create duplicates to preserve continuity. Friedberg says she was lucky to find so many vendors with vintage designer pieces in great condition.

    “(Bibb’s character) Dinah wears a few original Oscar de la Renta pieces that are really so perfect. Bill Blass was a big one, Oleg Cassini,” Friedberg says. “There’s a dress that (Janney’s character) Evelyn wears that’s this all emerald green jersey, it’s an original Halston and it’s so stunning on her and it really does sort of evoke what’s to come in the ‘70s.”

    This image released by Apple TV shows Allison Janney in a scene from "Palm Royale." (Erica Parise/Apple TV via AP)

    Allison Janney in “Palm Royale.” (Erica Parise/Apple TV via AP)

    Janney calls Friedberg “brilliant” and marveled at her talent at finding pieces that are like works of art. Some of her favorites were the characters’ après-ski looks in the Swiss Alps — but she finds it hard to pick an ultimate favorite.

    “All of them just make me feel divine. And the hair is just a masterpiece, and the makeup — it all goes together to just create Evelyn and I barely have to do anything,” Janney says.

    Costumes can be funny

    The costumes also help heighten the comedy. Friedberg says Evelyn’s stoic and deadpan character elicits laughs with some of her over-the-top getups.

    “She’s delivering this dialogue, these lines with, like, seven wigs on top of her,” Friedberg says. “The absurdity comes out really in how these women present themselves time and time again. … It was just so much fun to get to laugh and wink at the audience.”

    This image released by Apple TV shows Carol Burnett in a scene from "Palm Royale." (Erica Parise/Apple TV via AP)

    Carol Burnett in “Palm Royale.” (Erica Parise/Apple TV via AP)

    Burnett called costume fittings on the show “great fun” and said they helped her find her character, the scheming Norma. “I work from the outside in. I have to know what I’m going to look like,” she says.

    Norma’s signature turban started as a practical idea to help Burnett save time in hair and makeup. “The first time she put it on, we were both like, ‘Oh, that’s really so fabulous,’ and every time she came out as Norma without the turban, I really missed it,” Friedberg says. “Each time we built her a dress, we always had to sort of think about what the turban would be, and then it started to switch, and we started designing the turbans before the dress!”

    Season 2 of Apple TV’s “Palm Royale” features fabulous costumes and sets, lots of laughs and an undercurrent theme of feminism and female friendship. (Nov. 10)

    Many looks go deeper than sparkly sequins

    The costumes also help set the tone for the female empowerment theme that permeates this season. “Evelyn wore a lot more pants — which seems ridiculous to say today — but back then that was a real power move,” Friedberg says.

    This image released by Apple TV shows Leslie Bibb in a scene from "Palm Royale." (Erica Parise/Apple TV via AP)

    Leslie Bibb in “Palm Royale.” (Erica Parise/Apple TV via AP)

    Bibb had ideas to show how Dinah evolves from her trophy wife persona. “I knew this season was about her finding sort of her own wealth without a man … and what that looked like. I always have been obsessed with Sharon Stone in ‘Casino,’” Bibb says — and so they “stole” a bit of that look. “We really have Dinah going into pantsuits and just a different sense of her and she’s really becoming her most modern self.”

    Friedberg conveyed the privilege and simplicity of the rich men in the series through clothing as well. Josh Lucas plays Douglas, who suffers some disappointments this season, reflected in his costumes.

    “What if we approach Douglas where he’s always been dressed by women in his life? He’s always been dressed by someone else. He’s never shopped,” Lucas says he posed to Friedberg (who happens to be his sister-in-law in real life). “And for the first time, (his wife’s) character is not doing that, so he only has three hole-filled Hawaiian shirts.”

    He’s in fact the rare character who repeats outfits, Friedberg notes. “You can kind of see them, as the series goes along, getting a little bit more and more threadbare,” she says.

    This image released by Apple TV shows Kaia Gerber in a scene from "Palm Royale." (Erica Parise/Apple TV via AP)

    Kaia Gerber in “Palm Royale.” (Erica Parise/Apple TV via AP)

    Gerber’s character gets a major makeover this season after coming into money. The actor gushed about Friedberg’s intentional designs as Mitzi finds her “womanhood and her power.”

    “It was so fun to be able to be wearing these expensive gowns and jewelry and the hair and the makeup, and how that really sort of parallels Mitzi’s inner journey as well,” she says.

    The costumes may be eye candy, but Friedberg says each look also carries deeper meaning.

    “Maxine wears this dress that was an original Oscar de la Renta dress,” Friedberg says. “It’s very much something that Norma would wear, and it is saying to the audience without saying to the audience that she’s arrived, it’s her time, it’s time for her to rule.”

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  • From gowns to pantsuits, Michelle Obama explains her iconic fashion picks in a new book, ‘The Look’

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    WASHINGTON (AP) — On any day during her eight years as first lady of the United States, Michelle Obama said she could go from giving a speech to meeting with a counterpart from another country to digging in her vegetable garden with groups of schoolchildren.

    And her clothes had to be ready for that. There was too much else to do, including raising daughters Sasha and Malia, and she said she did not have time to obsess over what she was wearing.

    “I was concerned about, ‘Can I hug somebody in it? Will it get dirty?’” she said Wednesday night during a moderated conversation about her style choices dating to growing up on the South Side of Chicago to when she found herself in the national spotlight as the first Black woman to be first lady. “I was the kind of first lady that there was no telling what I would do.”

    Obama would become one of the most-watched women in the world, for what she said and did, but also for what she wore. She chronicled her fashion, hair and makeup journey in her newest book, “The Look,” written with her longtime stylist Meredith Koop and published earlier this month.

    The sold-out conversation was taped as part of “IMO: THE LOOK,” a special, six-part companion series to the IMO podcast she hosts with her brother, Craig Robinson.

    She wanted her clothes to be welcoming as well as versatile.

    “The thing about clothes that I find is that they can welcome people in or they can keep people away, and if you’re so put together and so precious and things are so crisp and the pin is so big, you know, it can just tell people, ‘Don’t touch me,’” she said.

    She said she would not wear white to events with rope lines in case someone wanted a hug.

    “I’m not going to push somebody away when they need something from me, and I’m not going to let the clothes get in the way of that,” Obama said.

    Here’s what she said about a few of her notable fashion choices:

    The gown for Obama’s first inauguration

    President Barack Obama and first lady Michelle Obama dance at the Obama Home States Inaugural Ball in Washington, Jan. 20, 2009. (AP Photo/Charlie Neibergall, File)

    The white, one-shoulder chiffon gown was designed by Jason Wu, then an unknown 26-year-old who was born in Taiwan. But when she stepped out at the inaugural ball wearing the gown, the moment changed Wu’s life. That was by design, she said.

    “We were beginning to realize everything we did sent a message,” Obama said, speaking of herself and her husband, former President Barack Obama. “So that’s what we were trying to do with the choices we made, to change lives.”

    She would continue to help launch the careers of other up-and-coming designers by wearing their creations.

    Chain mail state dinner gown

    President Barack Obama and first lady Michelle Obama wait at North Portico of the White House to greet Italian Prime Minister Matteo Renzi and his wife Agnese Landini, for a State Dinner, Oct. 18, 2016. (AP Photo/Manuel Balce Ceneta, File)

    President Barack Obama and first lady Michelle Obama wait at North Portico of the White House to greet Italian Prime Minister Matteo Renzi and his wife Agnese Landini, for a State Dinner, Oct. 18, 2016. (AP Photo/Manuel Balce Ceneta, File)

    Obama wore the rose gold gown by Versace for the Obama administration’s final state dinner, for Italian Prime Minister Matteo Renzi in October 2016.

    “So that was a kind of a, ‘I don’t care’ dress,” she said of the shimmery, one-armed gown.

    “I put that on. I was like, ‘This is sexy.’ It’s the last one,” she said, meaning their final state dinner. “All of my choices, ultimately, are what is beautiful — and what looks beautiful on.”

    Pantsuit worn to Joe Biden’s inauguration

    Former President Barack Obama and former first lady Michelle Obama arrive to attend the 59th Presidential Inauguration at the U.S. Capitol in Washington, Jan. 20, 2021, as Joe Biden was sworn in as the 46th president of the U.S. and Kamala Harris became the first woman vice president. (Jonathan Ernst/Pool Photo via AP, File)

    Former President Barack Obama and former first lady Michelle Obama arrive to attend the 59th Presidential Inauguration at the U.S. Capitol in Washington, Jan. 20, 2021, as Joe Biden was sworn in as the 46th president of the U.S. and Kamala Harris became the first woman vice president. (Jonathan Ernst/Pool Photo via AP, File)

    “I was really in practical mode,” Obama said, explaining why she chose the maroon ensemble by Sergio Hudson with a flowing, floor-length coat that she wore unbuttoned, exposing the belt around her waist with a big, round gold-toned buckle. Her boots had a low heel.

    “The sitting president was trying to convince us that Jan. 6 was just a peaceful protest,” she said.

    The inauguration ceremony at the Capitol was held two weeks after the Jan. 6, 2021, riot there by supporters of President Donald Trump who had sought to overturn Biden’s victory.

    She said she had been thinking about the possibility of having to run if something else had happened that day.

    “I wanted to be able to move. I wanted to be ready,” she said. But she and her team “had no idea” the outfit “was going to break the internet,” she said.

    White House East Wing

    Obama also spoke about the East Wing, the traditional base of operations for first ladies that Trump last month tore down to make room for a ballroom he had long desired.

    Former first lady Michelle Obama speaks about her new book "The Look" during an event at Sixth and I, Wednesday, Nov. 12, 2025, in Washington. (AP Photo/Allison Robbert)

    Former first lady Michelle Obama speaks about her new book “The Look” during an event at Sixth and I, Wednesday, Nov. 12, 2025, in Washington. (AP Photo/Allison Robbert)

    Obama described the East Wing as a joyful place that she remembers as full of apples, children, puppies and laughter, in contrast to the West Wing, which dealt with “horrible things.” It was where she worked on various initiatives that ranged from combating childhood obesity to rallying the country around military families to encouraging developing countries to let girls go to school.

    She said she and her husband never thought of the White House as “our house.” They saw themselves more as caretakers, and there was work to do in the mansion.

    “But every president has the right to do what they want in that house, so that’s why we’ve got to be clear on who we let in,” Obama said.

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  • Helena Bonham Carter’s Lookalike Daughter With Tim Burton Makes Her Modeling Debut

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    A new nepo baby has entered the villa. 17-year-old Nell Burton, daughter of Oscar-nominated actor Helena Bonham Carter and macabre filmmaker Tim Burton, just made her modeling debut in a regal campaign featuring some dazzling heirloom jewelry. The younger Burton posed alongside her mother, 59, in a fashion shoot celebrating the 25th anniversary of the haute jewelry brand Larkspur & Hawk, with the duo dripping in over $18,000 worth of jewels inspired by founder Emily Satloff in photos obtained by People.

    “I love jewelry and how it can out survive us humans, carrying stories over the decades, and over the centuries,” Bonham Carter said of the campaign in a press release. “I also basically love dressing up and make believe is what I do for a living, so when Emily asked if I’d be up for a commemorative photoshoot, I jumped at the chance of going full Georgian.” Indeed, the campaign’s jewels have featured on period dramas like Queen Charlotte.

    In an especially touching twist, Nell is wearing a Larkspur & Hawk necklace that belongs to her mother: specifically, the Sadie Large Riviere piece, which Bonham Carter received as a gift from her own mother, Elena Propper de Callejón, as a birthday present. “One day it will be on to my own daughter, Nell, if she doesn’t steal it before!” the Harry Potter star joked of the heirloom piece. “My riviere will be our baton.”

    The shoot marks something of a debut for Nell Burton, who has spent very little time in the public eye despite her parents’ worldwide acclaim. In 2016, she attended the premiere of Tim Burton’s film Alice Through the Looking Glass alongside her brother, 22-year-old Billy Raymond Burton. In 2019, the pair were among the guests of honor at the premiere of another Tim Burton film, Dumbo, and in 2021, they rubbed shoulders with the culturati at the Rome Film Festival. This year, the mother and daughter joined forces at the Royal Academy Summer Exhibition Preview Party, with Nell proving that she has inherited her mother’s Baroque style in a stunning pink dress.

    Helena Bonham Carter, Frankie Chainey Wallens and Nell Burton attend the 1500th performance of “Cabaret At The Kit Kat Club” on July 7, 2025 in London, England.Dave Benett/Getty Images

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    Ben Jureidini

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  • How the funny and feminist fashion in ‘Palm Royale’ further the storytelling

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    NEW YORK — When Kristen Wiig steps out of a vintage Rolls-Royce in the opening scene of Season 2 of “Palm Royale,” she’s sporting a tall, yellow, fringed hat, gold platform sandals and sunny bell bottoms, with fabric petals that sway with every determined step. It’s the first clue that the costumes on the female-driven comedy are taking center stage.

    The Apple TV show made a splash in its first season with the starry cast, high production values and ubiquitous grasshopper cocktail. Wiig’s character, Maxine, tries to break into Palm Beach high society in 1969 and bumps heads with co-stars Carol Burnett, Allison Janney, Leslie Bibb and Laura Dern. But also playing a starring role are the vintage designer frocks that reflect each character.

    For Season 2, which premiered this week, Emmy-winning costume designer Alix Friedberg says she and her team coordinated “thousands” of looks that reflect the characters’ jet-setting style. She says 50-60% of the brightly colored and graphic print costumes are original vintage designer pieces, sourced by shoppers and costume designers.

    “The looks are so iconic. Sometimes Kristen will walk in in something, and it brings tears to my eyes,” Kaia Gerber — who plays Mitzi — told The Associated Press in a recent interview.

    If not original vintage, Friedberg’s team builds the costumes, and if a character has to wear an outfit in multiple scenes or in big dance numbers, the team may create duplicates to preserve continuity. Friedberg says she was lucky to find so many vendors with vintage designer pieces in great condition.

    “(Bibb’s character) Dinah wears a few original Oscar de la Renta pieces that are really so perfect. Bill Blass was a big one, Oleg Cassini,” Friedberg says. “There’s a dress that (Janney’s character) Evelyn wears that’s this all emerald green jersey, it’s an original Halston and it’s so stunning on her and it really does sort of evoke what’s to come in the ’70s.”

    Janney calls Friedberg “brilliant” and marveled at her talent at finding pieces that are like works of art. Some of her favorites were the characters’ après-ski looks in the Swiss Alps — but she finds it hard to pick an ultimate favorite.

    “All of them just make me feel divine. And the hair is just a masterpiece, and the makeup — it all goes together to just create Evelyn and I barely have to do anything,” Janney says.

    The costumes also help heighten the comedy. Friedberg says Evelyn’s stoic and deadpan character elicits laughs with some of her over-the-top getups.

    “She’s delivering this dialogue, these lines with, like, seven wigs on top of her,” Friedberg says. “The absurdity comes out really in how these women present themselves time and time again. … It was just so much fun to get to laugh and wink at the audience.”

    Burnett called costume fittings on the show “great fun” and said they helped her find her character, the scheming Norma. “I work from the outside in. I have to know what I’m going to look like,” she says.

    Norma’s signature turban started as a practical idea to help Burnett save time in hair and makeup. “The first time she put it on, we were both like, ‘Oh, that’s really so fabulous,’ and every time she came out as Norma without the turban, I really missed it,” Friedberg says. “Each time we built her a dress, we always had to sort of think about what the turban would be, and then it started to switch, and we started designing the turbans before the dress!”

    The costumes also help set the tone for the female empowerment theme that permeates this season. “Evelyn wore a lot more pants — which seems ridiculous to say today — but back then that was a real power move,” Friedberg says.

    Bibb had ideas to show how Dinah evolves from her trophy wife persona. “I knew this season was about her finding sort of her own wealth without a man … and what that looked like. I always have been obsessed with Sharon Stone in ‘Casino,’” Bibb says — and so they “stole” a bit of that look. “We really have Dinah going into pantsuits and just a different sense of her and she’s really becoming her most modern self.”

    Friedberg conveyed the privilege and simplicity of the rich men in the series through clothing as well. Josh Lucas plays Douglas, who suffers some disappointments this season, reflected in his costumes.

    “What if we approach Douglas where he’s always been dressed by women in his life? He’s always been dressed by someone else. He’s never shopped,” Lucas says he posed to Friedberg (who happens to be his sister-in-law in real life). “And for the first time, (his wife’s) character is not doing that, so he only has three hole-filled Hawaiian shirts.”

    He’s in fact the rare character who repeats outfits, Friedberg notes. “You can kind of see them, as the series goes along, getting a little bit more and more threadbare,” she says.

    Gerber’s character gets a major makeover this season after coming into money. The actor gushed about Friedberg’s intentional designs as Mitzi finds her “womanhood and her power.”

    “It was so fun to be able to be wearing these expensive gowns and jewelry and the hair and the makeup, and how that really sort of parallels Mitzi’s inner journey as well,” she says.

    The costumes may be eye candy, but Friedberg says each look also carries deeper meaning.

    “Maxine wears this dress that was an original Oscar de la Renta dress,” Friedberg says. “It’s very much something that Norma would wear, and it is saying to the audience without saying to the audience that she’s arrived, it’s her time, it’s time for her to rule.”

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  • The Glamorous History of The Pierre: Manhattan’s Iconic Hotel Turns 95

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    When The Pierre Hotel opened its doors in 1930, it instantly became a playground for Manhattan’s elite. Over the past 95 years, this iconic hotel has witnessed everything from the repeal of Prohibition to jewel heists and Hollywood scandals, all while maintaining its reputation as one of New York’s most glamorous destinations. From its $15 million debut to hosting Hollywood royalty and surviving the Great Depression, The Pierre has remained a beacon of glamour in the heart of New York City since 1930.

    A Complete History of The Pierre Hotel

    Image by Nextrecord Archives / G

    The Early Days: A Playground for Manhattan’s Elite

    When The Pierre Hotel opened on October 1, 1930, casting its 714-room shadow over Central Park, it instantly became the playground for Manhattan’s elite. Merely four months later, E.B. White’s Ballad of the Hotel Pierre was published in the New Yorker, describing it as home to “The little band that nothing daunts/this year’s most popular debutantes.” This was true. Prospective debutantes had started booking the ballroom for their November entrances in June, months before the luxury hotel opened. 

    Gabrielle ‘Coco’ Chanel posing in her suite at The Pierre during her first visit to New York City, on March 10, 1931.
    Getty Images

    Within a year, the film and stage star Ina Claire was sinking into a club chair at the hotel as she discussed with journalists whether she would be divorcing John Gilbert. (She claimed she would not. She would.) In 1932, Coco Chanel called The Pierre home during her first visit to New York. And that same year, the famed “Tobacco King” Arthur Mower refused to leave his Pierre bed for his stepdaughter’s early morning wedding . 

    Little wonder no one wanted to leave. Every inch of the 41-story hotel offered an almost otherworldly spectacle. The 60-by-100-foot ballroom where those debutantes waltzed was paneled in mirrors flanked by rose marble columns imported from French quarries. The chandeliers above sparkled with traces of ruby crystals from the room that would become known for the “swankest presentation balls” given for the city’s “spoiled darlings.” Attendees might make their way to the Grill Room, which was decorated to resemble an “undersea garden.” Wall panels and ceiling murals replicated ocean foliage, and the carpet was woven with images of seashells and sea urchins. In the upstairs dining room, paneled in hand-carved French walnut, interspersed with gold brocade hangings, Auguste Escoffier, the father of French cooking, prepared the hotel’s first meal.

    Bettmann Archive Miss Elizabeth R. G. Duval, a prominent member of New York society, and Sidney Wood, a well-known tennis star, sit on the steps inside The Pierre in 1933.

    From Waiter to Hotelier: The Story of Charles Pierre

    But The Pierre didn’t begin in those gilded rooms. It began in a kitchen, with a Corsican waiter named Charles Pierre Casalasco, who learned the trade from his father. When Louis Sherry dined at the Savoy Hotel in London in 1903, the American restaurateur noted a young waiter watching him with eager attention. Casalasco was “awed by this former waiter who had become proprietor of a smart dining room in New York.” Sherry was so impressed with the waiter’s desire to learn more about the hospitality business that, when he returned to New York, he made Casalasco his assistant. There, the waiter quickly dropped his surname in favor of being known simply as Charles Pierre. At that time, it was almost a forgone conclusion that New York’s debutantes were introduced at Sherry’s ballroom. Charles Pierre, tasked with organizing these splendid events, became “the favorite of the younger set, married matrons and the dowagers.” 

    Smart set, Mrs. Robert Goddard and Mrs. Roland Hazzard, in front of The Pierre.
    Bettmann Archive

    When Charles Pierre opened his own Park Avenue restaurant in 1920, his devoted group followed him. In 1930, their social set husbands, like Walter Chrysler, Edward Hutton, and C.K.G. Billings, helped finance his dream, The Pierre Hotel, which reputedly cost a staggering $15 million to build. In retrospect, too much may have been spent on those underwater-themed murals. By 1932, during the Great Depression, a petition of bankruptcy was filed—but Charles Pierre was kept on as managing director to run the hotel. 

    Disciplined and knowledgeable with a European flair, Charles Pierre ran the hotel with aplomb.

    Penske Media via Getty Images

    The Return of the ‘High-Class Hotel’

    When the repeal of Prohibition came in 1933, he rejoiced. No hotel man was more excited by the prospect of liquor coming back on the menu again. He declared that Prohibition had destroyed American appreciation for wine—and really any liquor that did not come from a bathtub. Now, a “new generation will have to learn all over again how to drink.” He intended to outfit The Pierre with a wonderful cellar to teach them. He planned gala celebrations. People could now gather for cocktails at his newly opened supper club, the Corinthian Room. He promised, “The next few years will see the rejuvenation of the high-class hotel.” 

    A young woman enjoys the luxuries of room service at The Pierre in 1943.
    Getty Images

    He was correct. But sadly, Charles Pierre would never see the heights to which his hotel would climb. He passed away in 1934 at the age of 55 from appendicitis. He was too weak from an abdominal infection to be saved by medicine flown in from Florida in what was described as a “13-hour airplane race against death.”  

    But his legacy lived on in The Pierre Hotel.

    Bettmann Archive Joan Crawford at The Pierre on January 22, 1959.

    Celebrities like Joan Crawford and Claudette Colbert would flock there, as well as younger disciples. By 1938, following her father’s death, the 13-year-old heiress Lucetta Cotton Thomas was spending $1,416 a month (approximately $32,000 today) to live at the hotel. Eloise at The Plaza had nothing on her. By that time, the hotel belonged to oilman John Paul Getty, who quipped that it was his “only above-ground asset.” 

    In 1944, the hotel—and the room prices—were the subject of scandal. It was found that munitions manufacturer Murray Garsson had housed and paid the hotel bills for key personnel in the army’s Chemical Warfare Service in what was known as “Operation Pierre.” In 1942, the decorator Samuel Marx had redone the hotel’s dining room in red, white and blue, and commissioned murals of early American life for the Grill Room, so it was certainly a patriotic wartime pick. However, officers knew that, when traveling to New York City, they had a $6 daily stipend. As even young Lucetta Cotton Thomas could have told them, rooms at the Pierre cost somewhat more. Garsson may have received $78 million in government contracts, but was imprisoned for bribery in 1949. Still, no one at the trials said that they did not like staying at The Pierre.   

    Bettmann Archive Ginger Rogers gets her Daiquiri-toned French lace dress fitted by its designer, Richard Meril, in preparation for the “Prestige Award from France” fashion show at The Pierre Pierre.

    1950s Glamour and The Birdcage Bar

    By the 1950s, the hotel had reached new heights of glamour. Chief among the novelties was The Birdcage, a plexiglass bar suspended above the rotunda. It was splashily advertised as “a rendezvous for cocktails.” Charles Pierre, who once prophesied that people would flock to his hotel for drinks, would have been pleased.  

    In the coming years, the hotel would not only be home to the city’s toniest citizens, but Hollywood royalty. Joan Blondell noted that, when her dog “gave birth to seven puppies, the manager of the Pierre hotel assisted the vet in delivery.” Audrey Hepburn stayed there throughout the filming of that quintessential New York movie, Breakfast at Tiffany’s. During those years, she was feted at the hotel with a gala hosted by Countess Alexandra Tolstoy. The meeting would inspire one of her future roles in War and Peace.  

    Audrey Hepburn, who won Hollywood’s Academy Award for her performance in the film “Roman Holiday,” is ecstatic after finally receiving her Oscar at a special ceremony in at The Pierre. Sharing her enthusiasm is fellow winner William Holden
    Bettmann Archive via Getty Images

    The fact that in 1958 the hotel became a co-op, where guests could buy apartments, only added to its appeal. Especially as those apartment owners included Aristotle Onassis and Elizabeth Taylor, the thought of visiting New York from Middle America may have been exciting on its own. The thought of running into Elizabeth Taylor in the lobby of the hotel you were staying at was almost overwhelming.

    Penske Media via Getty Images Bill Buckley and Nan Kempner at an annual gala held at The Pierre.

    Jewel Heists and Fashion Royalty

    By 1967, the hotel underwent a transformation also fit for royalty. The new owner, Peter Dowling, commissioned Edward Melcarth to paint the rotunda’s iconic trompe l’oeil mural. Inspired by 17th-century palaces, Melcarth claimed that he wanted to “make people feel very special and important when they walk into this room. The figures are heroic in scale because I want to rehumanize man as an individual. We’re not digits on a computer card.” The people in the mural, accordingly, were not confined to the past. The painting features columns and Greek gods in recline, alongside “a hippie boy and mini-skirted girl” meant to depict a modern Adam and Eve. Rather to her surprise, Melcarth’s mural also boasted a depiction of former First Lady Jacqueline Kennedy Onassis. (Kennedy asked to be removed from the picture. Melcarth accommodated by partially disguising her, but a discerning visitor can still spot her image.)

    Pat Nixon leaving The Pierre to go shopping.
    Penske Media via Getty Images

    Visitors would get a less agreeable thrill when burglars broke into the hotel on January 2, 1972. On that day, four reportedly well-dressed gunmen pulled up to the hotel in a limousine. They handcuffed a variety of employees and guests. After, they proceeded to clean out 47 safe deposit boxes containing approximately $3 million in jewels, before departing, again, in a limousine. The men were arrested within a week, and the jewels recovered, though police recalled it as being one of “the biggest and slickest hotel robberies ever.”

    Penske Media via Getty Images Karl Lagerfeld at The Pierre in the 1970s.

    The flurry of reportage around the jewel theft only increased the hotel’s allure to the fashionable set. In 1970, the designer Karl Lagerfeld, a habitué of the hotel, would say, “I discovered New York from The Pierre . . . Distances in the city were measured only by how far they were from The Pierre.” He did not have to go far to see his friends. Givency, Yves Saint Laurent and Valentino were all regulars—Valentino even bought St. Laurent’s Pierre apartment in 2007. 

    Getty Images Andy Warhol outside of The Pierre in 1985.

    Pat Nixon, not to be outdone by Jackie, had designers bring their creations to her while staying in a suite at the hotel. In 1975, Betty Ford went to see the first Chanel Fashion show in the country, held, predictably, at the hotel Coco herself had loved. By 1976, Jackie Kennedy was on the premises once more, this time with Valentino for his show benefiting the Special Olympics. Television Dynasty star Joan Collins showcased her hats at the hotel in 1985, with Andy Warhol in attendance. The hats were lovely, but did prompt a reporter to wonder, “When, besides for lunch at the Pierre, would someone wear a large straw hat?” This seemed as much an inducement for many to lunch at The Pierre as it was for them to do away with hats.

    Getty Images Richard Nixon at The Pierre in January 1969.

    The Pierre on the Silver Screen

    By the 1990s, the hotel again found itself connected to Hollywood, although this time in front of the scenes. Al Pacino twirled in The Pierre ballroom for the famed tango scene in 1995’s Scent of a Woman. The penthouse served as the Anthony Hopkins character’s home in 1998’s Meet Joe Black. And, following the $100 million renovation The Pierre underwent in 2013, it was featured in the heist movie Ocean’s 8. Considering its legacy, there could certainly be no more fitting hotel for a film about a group of well-dressed female jewel thieves. 

    Jacqueline Kennedy with American diplomat/businessman Sol Linowitz outside of The Pierre.
    Penske Media via Getty Images

    Ron Galella Collection via Getty Dionne Warwick and Burt Bacharach at The Pierre.

    Today, the hotel is celebrating 95 years, an admirable accomplishment in a city where new establishments seem to pop up nightly. Perhaps part of its success has to do with the respect its owners have shown towards its storied legacy. Right now, the restaurant offers a tribute to Auguste Escoffier, and the mural, lovingly repainted in 2016, ensures that the rotunda is considered one of the most romantic rooms in New York. The details and owners may have changed, but The Pierre remains as glamorous and beloved as it was by those long-ago debutantes and Charles Pierre Casalasco himself. 

    Getty Images A view from Central Park of the Pierre (left) and Sherry Netherland hotels on Fifth Avenue, Manhattan, New York City. Both buildings were designed by Schultze and Weaver.

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    Jennifer Ashley Wright

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  • The Top 12 Spring 2026 Accessory Trends From the Runways

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    Increasingly, accessories have become their own kind of main character in the fashion world, fading from their former status as accompaniments to ready-to-wear looks. The spring 2026 collections—shown in New York, London, Milan, and Paris in September and October—more than proved that fact. With so many designer debuts and sophomore collections taking the stage this season (especially at heritage leather-goods houses like Chanel, Dior, Celine, and Loewe) it was high time for creative directors to pour their personalities into bags, shoes, hats, sunglasses, jewelry, and more. They did so in spades, bringing each piece to life on the catwalk. Below are the 14 biggest accessories trends we saw during Fashion Month, which will surely be all over the streets by the time the leaves bloom again next year.

    Pocketbook Change

    One of our favorite spring 2026 trends was the continuation of what we dubbed last season the “Twisted Lady” look. For fall 2025, designers seemed enamored with the idea of a proper dame gone slightly mad, and many of them sent bags down the runway that were slightly off. For spring 2026, a modern update was applied to the classic pocketbook—at Bottega Veneta and Celine, and for Jonathan Anderson’s Dior debut, which featured the new Ciale Bag, designed after the silhouette of Christian Dior’s Cigale dress from the 1950s.

    From left: Bottega Veneta, Dior and Celine

    Courtesy of Bottega Veneta, Getty Images and Celine

    She’s Come Undone

    Another hallmark aspect of the updated Twisted Lady: a look we’re calling “She’s Come Undone,” which calls for belts, bags, and other baubles intentionally styled incorrectly. Valentino’s heels were seemingly held together with tape, while Versace and Louis Vuitton left both their bags and their belts unbuckled. Fendi, Loewe, and Chanel had their bags hanging wide open as models walked down the runway.

    From left: Louis Vuitton, Chanel and Versace

    Courtesy of Getty Images (2) and Versace

    Pile On

    More is still more. Amid minimal looks from houses like Alaïa, there were alternately enormously decorated outfits for spring 2026. The Row came up with super-chic hair combs; Torisheju might’ve pulled inspiration from the children’s book Caps for Sale. Beaded necklaces at Chanel and Celine were, quite literally, piled on, as were belts at Chopova Lowena.

    From left: Chanel, Celine, Moschino, Torisheju, Chopova Lowena, and Jean Paul Gaultier

    Courtesy of Getty Images (3), Torisheju, Getty Images, and Jean Paul Gaultier

    Indecent Woman!

    She’s proper on paper, but peculiar in practice—and she’s the talk of the town. There was an endless amount of commentary on women’s roles in society this season. We saw the messaging come through in footwear that, like their bag counterparts, were a tad weird. At Dior, Jonathan Anderson added bunny ears to Roger Vivier’s original Dior heels. Chloe made plastic kitten heels a 1950s housewife might rock. Prada’s heels looked like they were being held together by string. Matthieu Blazy’s take on Chanel’s classic cap-toe shoe ties back to his days at Bottega Veneta, with a color palette nodding to Italian terrazzo and mint gelato.

    From left: Chloé, Dior, Prada, Chanel, Lanvin and Bottega Veneta

    Courtesy of Getty Images (5) and Bottega Veneta

    Natural Selection

    Turquoise pendants, stones that would skip perfectly over water, glowing salt crystals—these were some of the more grounded accessories that brands made, which were inspired by Mother Nature herself. Oyster shell bucket bags at Loewe were chic and au naturel, while Versace applied graffiti to its rock necklaces.

    From left: Schiaparelli, Loewe, and Versace

    Courtesy of Schiaparelli, Loewe, and Versace

    Far From Wooden

    Wood and rattan were major materials of inspiration for spring. At Miu Miu, the latter was used for a chic handbag that slightly resembled your grandmother’s porch chairs (in a good way). Bottega Veneta’s clog, meanwhile, came with a woven Intrecciato body and a wooden heel.

    From left: Miu Miu and Bottega Veneta

    Courtesy of Getty Images (2)

    Everyday Elevation

    This season, everyday footwear like sneakers and flip-flops were given the Special Occasion Treatment—embellished with gilded feathers (Rabanne) or done in sumptuous satin (Prada). At Dries Van Noten, deep blue sneakers were made of eel skin, and Carven and Rabanne studded their sandals with pearls.

    From left: Dries van Noten, Rabanne and Prada

    Courtesy of Getty Images (2) and Prada

    Soft Power

    Evening bags have lost their edge—sort of. In the place of hard clutches and blocky minaudières were soft, cinched pouches for spring 2026. Prada did its version in satin, while Loewe opted for the most supple leather and Valentino’s came with artful beading.

    From left: Prada, Loewe and Valentino

    Courtesy of Getty Images

    Groundbreaking Florals (For Real This Time)

    Each spring, we in the fashion industry make some kind of Devil Wears Prada-adjacent joke about florals being groundbreaking. But this time, we really mean it—many designers this season swapped flowery prints for 3-D florals, crafted with their house codes in mind. Jonathan Anderson was inspired by Vivier’s La Rose shoe, which was first designed for Christian Dior in the ’50s. Silvia Venturini Fendi was inspired by both eggs and flowers, and channeled their jolly pastel vibes on bags and heels. Frilly floral Chloé purses were modeled after 1940s swim caps.

    From left: Fendi, Dior and Chloé

    Courtesy of Getty Images

    Never Neutral

    The vast majority of bags and shoes that walked this season were done in bright hues, especially primary colors and super-saturated tones. Fendi’s hot-pink bags were matched with a cranberry red, while Celine’s butter-yellow skirt came with a pair of electric-blue shoes.

    From left: Fendi, Celine and Miu Miu

    Courtesy of Getty Images

    Straight Outta the Louvre

    Less than two weeks after Paris Fashion Week wrapped, thieves broke into the Louvre and stole jewelry worth millions of dollars. Designers’ baubles for spring 2026 seemed darkly prescient in their Baroque designs and museum-ready gemstone size. From Gothic pieces at Saint Laurent to lighthearted jewel stickers at Julie Kegels, the message was clear: this trend is fit for a queen.

    From left: Simone Rocha, Julie Kegels and Saint Lauren

    Courtesy of Getty Images

    Mad Hatter

    The hats this season redefined the term “whimsical.” At Dior, Anderson paid homage to former house designer John Galliano with structured tricorne hats. Chanel had caps made of soft plumes of red feather, calling once more to Blazy’s time at the helm of Bottega Veneta. Alaïa, meanwhile, was inspired by Constantin Brâncuși, whose artful shapes informed headwear silhouettes.

    From left: Chanel, Dior and Schiaparelli

    Courtesy of Getty Images (2) and Schiaparelli

    A Cinderella Story

    The lucite footwear look has just gotten a modern upgrade. From Loewe’s molded booties—some of which were worn with colorful socks, or pedicures—to Chloé’s pointy kitten heels, there was a glass slipper to fit everyone.

    From left: Loewe, Maison Margiela and Chloé

    Courtesy of Getty Images (2) and Maison Margiela

    Out of Sight

    No bad views here. This season, sunglasses provided an escape from reality, with enormous sculpted goggles at Rabanne, alien-esque rhinestones at Balenciaga, and Valentino’s diamanté cat eyes.

    From left: Rabanne, Balenciaga and Valentino

    Courtesy of Getty Images

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  • 7 best winter coats for women, according to the runways

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    Read more about how we test/choose things here.

    Ahead, the 7 best women’s winter coats for women for 2025:

    1. The trench coat

    Not that you need to be influenced to buy one of the best trench coats (as they’re sort of a forever-on-trend item), but this year we’ve spotted them everywhere from The Frankie Shop to & Other Stories in every fabric you could possibly desire. The ASOS Design Curve faux suede rendition has captured the hearts of everyone on Instagram – including ours – while Karen Millen’s sleek wool offering is ticking off two key coat trends in one fell swoop.

    Asos Design Curve Faux Suede Funnel Neck Trench Coat

    Pros

    • On-trend faux suede.
    • Also available in Asos Design in sizes 4-18.

    Cons

    • Material harder to keep looking its best.

    Plus Size Herringbone Wool Trench Coat

    Pros

    • Premium look and feel.
    • Will look smart enough to wear for work.

    Cons

    • On sale so may sell out quickly.

    Pros

    • Utilitarian details including belted cuffs, epaulettes and a storm flap.
    • Machine wash at 40 degrees.

    Cons

    2. The raincoat

    Unless you live in some magical part of the UK where it never rains (drop the pin, if that’s the case), then you’ll likely already own a raincoat/rain jacket. Though, in my case anyway, it’s also probably incredibly un-chic. Let’s face it, no one looks good in an anorak or waterproof jacket. The ones below are the most trend-driven waterproof and water-resistant designs you’ll currently find on the market, thanks to their earth-tone hues and high-shine finishes, all while being wind-resistant and remaining ready for wet weather. AKA winners in the versatility category. And everyone from H&M and Free People to specialist brands Sweaty Betty and Rains (of course) has them.

    Rain Jacket With Stormmove

    Pros

    • Have stormwear technology to make it wind-proof and rain-proof.
    • Can also use the drawstring to pull in the waist.

    Cons

    • Only available in beige and black.

    Pros

    • Lots of handy pockets.
    • Super lightweight and has reflective details for winter.

    Cons

    Pros

    • Patent design takes cues from the Alexander McQueen runway.
    • Available in 13 colours.

    Cons

    • Really lightweight so won’t keep you warm.

    Pros

    • Waterproof and windproof.
    • Made from 100% recycled polyamide
    • Available in green, brown and black.

    Cons

    • More expensive than other rain coats.

    Save when you shop for winter coats for women with these Free People discount codes at checkout.

    3. The barn jacket

    Not sure what a barn jacket is? Think corduroy collars, big pockets and wax-treated fabrics – the sort of winter jacket outerwear you’d opt for if King Charles invited you on a hunting trip at Balmoral or if Alexa Chung took you to Glastonbury as her plus one. So many editors and insiders had this coat style last year and they’re back once again. I’ve been seeing this ALIGNE one all over TikTok.

    Barbour Beadnell Wax Jacket

    Pros

    • Alexa Chung-approved.
    • A classic winter coat that’ll never date.

    Cons

    • Might need to size up if you want to wear jumpers beneath.

    Pros

    • Has zip and popper closure so will keep out the chill.
    • Great quality for the price.

    Cons

    Leopard Printed Canvas Midi Jacket

    Pros

    • Instantly recognisable as a Ganni buy.
    • Also available in sky blue or beige.

    Cons

    ASOS DESIGN Bomber Barn Jacket With Camel Collar

    Pros

    • Under £60 so an affordable option.
    • Also comes in dusty pink or chocolate brown.

    Cons

    • May be too cropped if you’re tall.

    Save when you shop for winter coats for women with these ASOS discount codes at checkout.

    4. The wool coat

    If you’re looking for something timeless that’ll remain in your wardrobe for years to come, then invest in one of the best wool coats. It goes with the territory of the fabric – wool lasts forever – but also the nature of their design, too. Often tailored to either a single-breasted or double-breasted silhouette, longline with peak lapels and perfect for wearing or commuting to work in and/or going to dinner parties, a wool coat is something you’ll never regret owning. Where to buy the best ones? Jisaw and Reiss never fail to impress me, especially because Reiss has different lengths to choose from.

    Brown Double Breasted Relaxed Coat

    Pros

    • Feels as expensive as it looks.
    • Also available in petite.

    Cons

    • Only in brown or brown check.

    Double Faced Wool Wrap Coat

    Pros

    • 80% wool so nice and cosy.
    • Works so well with burgundy – as you can see here.

    Cons

    Samsoe & Samsoe Alma Check-Pattern Wool-Blend Coat

    Pros

    • Gives a catwalk vibe with the heritage checks.
    • Cool oversized shape.

    Cons

    • It’s a wool blend.
    • Dry clean only.

    Save when you shop for winter coats for women with these Jigsaw discount codes at checkout.

    5. The fluffy coat

    From the best teddy coats to faux fur coats and shearling styles, fluffy outerwear is in for 2025. You heard it from us. & Other Stories’ sell-out fur-effect coat with belt is back again in the rich chocolate brown colour-way that’ll go with everything from your best jeans and white T-shirts to knitwear and a pair of wide-leg trousers, while toasty silhouettes such as Max Mara’s Teddy icons remain… well, iconic. On the coldest of cold weather days, these are the styles you’ll lean into. And they’re runway-approved, with the likes of Michael Kors and Roksanda all putting shaggy styles in their shows.

    Shearling Cuff And Collar Leather Coat

    Faux Fur Single Breasted Longline Coat

    Faux-Fur Coat with Buttons

    Save when you shop for winter coats for women with these Mango discount codes at checkout.

    6. The puffer coat

    Also known as duvet coats and down jackets/down coats, puffer coats are basically what they say on the tin: coats with stuffing. Think Michelin Man, but more fashion. They are the winter equivalent of A/W’s favourite quilted jackets, and promise to keep you warm and cosy thanks to often featuring down insulation and feather fillings. They’re also great for wearing with the best fleece-lined leggings.

    With many featuring adjustable hoods, two-way windproof zippers, breathable, durable and high-quality fabrics, a synthetic insulation or down-filled winter parka is the style to shop for if you want something practical or for extra warmth on chilly days throughout the winter season. The latest style I rate? Damson Madder’s best-selling two-in-one style now comes with a detachable scarf – and I’m obsessed.

    Pros

    • The bestseller has had an update with the removable scarf.
    • Detachable sleeves/2-in-1 gilet design.
    • Made from recycled materials.

    Cons

    Miu Miu Cotton Corduroy Down Jacket

    Pros

    • Iconic designer Miu Miu style.
    • Contrast collar taps into field jacket trend, too.

    Cons

    Brown Longline Padded Puffer Coat

    Pros

    • Great price for a long length puffer coat.
    • Comes in three timeless colours – brown, beige and black.

    Cons

    Save when you shop for winter coats for women with these New Look discount codes at checkout.

    7. The scarf coat

    Scarf coats were a huge hit last year, namely the high-end TOTEME design. Since then, there’ve been tonnes of other designer brands replicating the success, and now they’ve taken over the high street too. Why? They cut out the middleman. There’s no need to invest in one of the best winter scarves when your outerwear already features one. To make them feel new for AW25, look for additional drape details – they were all over the runways at Brandon Maxwell, Calvin Klein and Khaite.

    TOTEME + NET SUSTAIN Draped Fringed Wool-Blend Jacket

    Pros

    • Cult classic.
    • Everyone will know it’s a chic Toteme style.

    Cons

    Róhe Scarf Effect Wool Trench Coat

    Pros

    • Ticks off three trends in one – wool, trench and scarf detail.
    • Timeless colourway.

    Cons

    Brown Wool Blend Check Scarf And Trench Coat

    Pros

    • Scarf is detachable and the coat looks so premium.
    • Ticking off two trends in one being a trench coat with the scarf detail.

    Cons

    Long Buttoned Coat with Removable Scarf

    Pros

    • Looks so expensive.
    • Colour of the season.

    Cons

    • Dry clean only.
    • Wool mix, only 51% wool.

    Save when you shop for winter coats for women with these Net-A-Porter discount codes at checkout.

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    Georgia Trodd, Harriet Davey

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  • Simone Biles On The One Part Of Being An NFL WAG That “Stresses” Her Out

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    SB: There’s a couple. I’m going to start with the sateen bucket bag. That is just such a fashionable piece. It’s just a really cute accessory. And I think people are going to love to layer it, as well as the Elation Shine Leggings, those have a subtle zebra print, which you can’t really tell until you’re up close. It just adds something extra without being overpowering. That’s really, really cute and fashionable. We have the sateen bomber jacket that in the fall and the winter, I just put over everything. We also have the Forever Fleece sweatpants, which are a barrel leg, and that is just so fun. What I love about Athleta so much is that everyone can wear it. We try to be inclusive — there’s extra extra small, all the way to extra large, as well as tall and petite sizing. And for me, at 4’8, that’s perfect. But then we got my girl, [Olympic swimmer] Katie Ledecky, over here, wearing tall. We don’t want it to be one size fits all. We want everyone to be able to rock it, especially through this fall and this winter weather. 

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    Kathleen Newman-Bremang

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