Tag: Fashion

The Top 2026 Denim Trends Ask You to Take Up Space

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Fashion is starting to undergo a major shift. In 2026, as with beauty moving away from the pared-down “clean girl” makeup trend, fashion is moving away from the mainstream minimalism of recent years. In its place is a moodier and maximal sensibility. What does this mean for jeans? Denim trends are going to inspire you to have way more fun as you get dressed in the months ahead.

One theme in particular is ruling over all popular 2026 denim: exaggeration. Prepare to take up space in baggy, inflated silhouettes with playful proportions. “Comfort is a huge factor, but there’s also something about the relaxed look that just feels more modern right now,” Pistola Denim founder Grace Na tells Refinery29.

Skinny jeans aren’t completely out of the picture — don’t let us stop you if they’re your favorites — but tight, figure-hugging styles certainly won’t be dominating the conversation this year. Ultimately: “Jeans should flex with how you feel, where you’re going, and who you want to be that day or even that moment of your day,” L’Agence fashion director Tara Rudes Dann says.

Ahead, meet the top 2026 denim trends to welcome into your wardrobe, as well as some useful shopping picks. But this isn’t an experiment you have to test alone: We spoke to the forces behind some of our favorite brands to break down the looks, why they’re popular, and how to style them.

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Andrea Bossi

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January 29, 2026
It’s a Great Time for Menswear, Especially for Women

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The best look from Men’s Fashion Week in Milan and Paris was seen on a woman.

On Monday, the actor Anya Taylor-Joy wore a Poiret-inspired coat from the Jonathan Anderson–designed Dior men’s show to Anderson’s debut Dior couture show. The coat, which had been shown on the runway just a few days before, was sumptuous, with jewel-colored textiles and a cocoon shape hearkening back to the early 20th century, plus winter-appropriate enormous fur cuffs. I want the coat more than anything I’ve ever wanted from a women’s Dior collection.

I hope it comes as no shock that gender is fluid—despite what the state and federal governments might decree—and that the way we all dress is too. And yet we still have men’s fashion weeks and women’s fashion weeks because that’s how clothes are largely merchandised in stores, although I wonder how long that will last. Still, I thought I would go to the men’s shows late this January and play by the rules, but still break them: by keeping an eye on clothes that women should wear from the men’s collections.

Designers seem to believe that we can all borrow from one another, as many brands—Armani, Zegna, Kartik Research, Our Legacy, Auralee, Lemaire—incorporated female models into their shows. Besides, the male models walking down the runway with their long hair and lean bodies and androgynous features only added to the idea that these are just clothes; anyone can put them on. Whether they suit you is less about whether you’re a man or a woman and more about whether you can pull off the sheer number of shades of purple (lavender to eggplant to shades that almost looked gray) that Leo Dell’Orco sent down the runway at Armani.

The influence of tailoring has recently had women in the strongest chokehold in decades, perhaps since the 1980s. Think of the endless crews of 20-something girls wearing oversized blazers with skirts or giant faded jeans and roaming metropolitan cities. Many other women have learned that trousers are a lot more comfortable than denim. With that in mind, women would look great in the softly tailored suits of Armani. The show was held at Giorgio Armani’s own home, and the brand always make an argument of: What if you just wore a uniform of suits? Maybe. Zegna sent a woman of a certain age down the runway with a matching blouse, pants, and jacket, all woven in sand and rust, and only continued the argument for tailoring.

Dries Van Noten’s men’s collections, now designed by Julian Klausner, have always hinted at what’s to come in its women’s collections. This time they could have been one and the same, with male models dressed in kilts in quiet colors and an array of bright knitwear. The shirts with delicate floral patterns would translate well to a woman’s wardrobe (maybe an oversized one open over a tank and a skirt in the summer), as would the cinched-waist floral pants in slinky fabrics. Everyone should try to preorder the floral parkas because they will surely sell out.

Shirts were also a focal point at Prada, particularly ones with trailing, unbuttoned cuffs. More and more women in my life are buying and wearing tuxedo shirts and others with French cuffs, and Prada’s show felt in conversation with that emerging styling choice. Speaking of styling tricks to steal, the foppish ties that almost looked like silk scarves or ribbons at the Yohji Yamamoto show would be a good alternative for women who want some kind of necktie but think a traditional men’s tie reads too costumey.

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Marisa Meltzer

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January 29, 2026
The 8 Color Trends That Will Reign Supreme In 2026

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A new year means a new set of trending colors for the style set to swoon over. Last year was all about butter yellow; before that, Barbie pink and a highlighter shade of Brat green were the moment. But fashion experts predict that something a little less definitive will infiltrate the market in 2026. Enter specific hues and color combinations that are as vibrant as they are complimentary to each other. “Most of us aren’t living in just one mood or style; instead we’re balancing calm with chaos, and seriousness with play,” says Xanthe Wells, VP of Global Creative at Pinterest. The colors of 2026, she adds: “really capture how layered life feels right now.”

More than a handful of bright colors have already popped up on runways, red carpets, and street-style looks for 2026, proving that the muted neutrals that defined “quiet luxury” are on the decline and something more effervescent is blooming in its place. From traditional primary pigments — red, blue, and yellow — to unexpected pairings like chocolate brown and frost blue, this more dynamic approach is a great opportunity to let your mood shine. “Color has become a language people use to express who they are and intentionally shape how they want to feel,” Wells says. Not yet convinced? Continue ahead for more about the colors that will reign supreme in 2026 fashion.

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Shelby Ying Hyde

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January 29, 2026
Lauren Sánchez Bezos Loves Suits, Be They Crimson, Fur-Collared, or Fringed

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The bond between Lauren Sánchez Bezos and the fashion world is growing stronger, and during couture week in Paris, the journalist, entrepreneur, and wife of Amazon founder Jeff Bezos certainly did not leave her front row seat vacant. From Schiaparelli, which opened the Spring-Summer 2026 schedule, to Christian Dior, which marked Jonathan Anderson’s debut in the world of haute couture, Sánchez Bezos was present at some of the most anticipated shows. She smiled for the photographers, wearing different looks with one common thread: all three were suits. In fitted jacket and pencil skirt, Mrs. Bezos focused on a great wardrobe classic.

The first was a fiery red skirt suit by Schiaparelli, with an artistic, sculptural touch, perfectly in line with the style of the house’s creative director Daniel Roseberry. She paired the suit with a handbag with details forming a trompe-l’oeil face and a pair of red five-inch pumps to create the total look.

Lauren Sánchez and Jeff Bezos arrive at the Schiaparelli Haute Couture Spring-Summer 2026 fashion show.

Pierre Suu/Getty Images

The second version was in shades of gray. Chosen for Dior’s Haute Couture show, this outfit consisting of a waist-hugging jacket and a pencil skirt, is an archival piece that comes straight from the Parisian fashion house’s Fall-Winter 1998 collection, when John Galliano was in charge of creative direction.

Lauren Sánchez Bezos in a vintage Dior suit at the house’s Haute Couture show.

JB Lacroix

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Chiara Da Col

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January 28, 2026
Olympic Mode, Activated: The Best Winter Games Inspired Menswear

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Every four years, the Winter Olympics remind us that athletic competition transcends the physical. It becomes a theater of national identity, where what athletes wear as they process into the stadium carries nearly as much symbolic weight as the medals they hope to bring home. The opening ceremony transforms some 3,000 competitors into walking embodiments of their countries, each delegation dressed by designers tasked with distilling centuries of cultural heritage into garments that must perform under scrutiny from billions of viewers worldwide.

The results have ranged from the triumphant to the peculiar. Lithuania’s 1992 appearance in Barcelona in Issey Miyake‘s radical pleated capes, donated free by the designer to the newly independent nation, remains among the most audacious statements ever made on Olympic grounds. Canada’s 1988 Calgary delegation arrived in fringed red trench coats and white cowboy hats, leaning hard into the host city’s Cowtown reputation. Then there’s the eternal question of how much nationalism is too much—how literally a flag should be rendered across a lapel or intarsia knit.

For Team USA, that question has had a consistent answer since 2008, when Ralph Lauren first partnered with the U.S. Olympic Committee for the Beijing Games. The brand’s preppy aesthetic, with navy blazers, white trousers, newsboy caps and rowing-club sensibilities, has become inextricably linked to American Olympic identity. The process begins roughly two and a half years before each Games, with the design team meeting athletes, researching host cities and building garments intended, as David Lauren puts it, to “become timeless.”

Milano Cortina 2026 presents what is perhaps the ultimate test: staging American athletes in one of the world’s undisputed fashion capitals, where sartorial scrutiny reaches its apex. The good news for spectators: many of these official outfitters—Ralph Lauren, Emporio Armani, Le Coq Sportif and others—make civilian versions of their Olympic gear available to the public. What follows is the best of it, from ceremony sweaters to alpine-ready puffers, for anyone who wants to channel the Winter Games from the stands or the sofa.

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Paul Jebara

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January 28, 2026
Chicago woman’s new Aritzia Super Puff becomes busted. Now she’s de-influencing people who were eyeing the $450 coat: ‘Never an issue with North Face’

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A woman owned a $450 Aritzia Super Puff for less than a year. Then, the zipper broke, and the company did not assist her with repairs or replacing the jacket.

“How I have to get out of my less than one year old Aritzia Super Puff jacket because my zipper is busted and Aritzia doesn’t want to send a new one for free,” said Olive (@livmaranan), a TikTok content creator whose video has generated over 878,000 views since posting.

In her video, she shows how she currently gets out of her jacket due to its broken zipper. The woman, unfortunately, stepped over a stuck zipper instead of simply taking the jacket on and off.

Should Aritzia replace the jacket?

Unless the company had an extended, one-year or longer warranty for the Super Puff Jacket, it technically has no reason to replace Olive’s gear. Once an item is purchased from a major retailer without a warranty, it’s usually the customer’s responsibility to handle repairs or any issues with the product.

Aritzia has a short 14-day window for returns on in-person items, meaning that it was incredibly unlikely Olive would receive credit for her jacket. If she ordered the jacket online, that return window only expands to 30 days.

Are Artitzia’s jackets actually high quality?

For a company like Aritzia, the quality of a Super Puff jacket should theoretically be high. Super Puffs normally sell for $200-450, and Artizia itself describes itself as an “everyday luxury” brand. But, everyday luxury doesn’t always translate to high quality.

In this case, Artizia has apparently been decreasing in quality in recent years. Some shoppers noticed a sharp decline after 2016, while others say the company’s core values shifted to create trending, everyday clothing that doesn’t last very long.

“Based on what I am seeing in stores, the focus is on super puffs, sweats and the contour line. Quality has gone down drastically and their styles are simply a repetition of the year before with uglier patterns and cheaper fabrics,” one person stated in a discussion post.

In the fashion world, this means more people buying Artizia regularly, rather than people switching to other brands and companies.

How bad is Aritzia’s customer service?

Aritzia has notably bad customer service, at least according to online blogs, Reddit threads, and discussion posts.

One Reddit user created an AITA about Aritzia’s customer service on r/Aritzia. In the post, the customer explained that they placed an order for $1,000 worth of items, but accidentally sent those items to the wrong address. The customer immediately notified an Artitzia representative regarding the mix-up. They provided a new delivery address to send the items to. But the Artizia representative did not update the order, leading to those items getting sent with the wrong attached address.

In a later update, the customer clarified that the “situation resolved as the package has been refused.” Still, they had an “abysmal” customer experience with Artizia.

What is the consensus on Aritzia Super Puffs?

Generally, commenters shared that they dislike Aritzia’s Super Puffs. They recommended that Olive switch to North Face or another company in the near future to avoid any issues with material or zippers.

“For the record: never an issue with North Face. I have bought their coats for years, including for my three kids. Warm and dependable!” said one commenter.

“All the Super 2.0 have the worst zippers,” said another commenter, referring to Olive’s jacket.

Olive agreed while expressing some disappointment that she found out after purchasing her very own Artizia coat.

@livmaranan going to have to go full karen mode in store this weekend unless @Aritzia sees this and sends me a new one #fyp #aritzia #superpuff #superpuffo2 ♬ Fire the Cannons (1812 Overture) – Jochen Flach & Peter Ilych Tchaikvsky & Thomas Hewitt Jones

The Mary Sue reached out to Aritzia via email and Olive via TikTok direct message for comment.

Have a tip we should know? [email protected]

Rachel Thomas

Rachel Joy Thomas is a music journalist, freelance writer, and hopeful author who resides in Los Angeles, CA. You can email her at [email protected].

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Rachel Thomas

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January 27, 2026
NYC woman gets an email from ‘Skims’ asking for bikini pics. It’s not from Skims: ‘There’s no way y’all are falling for this in 2026’

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Making it as a fashion influencer nowadays isn’t easy. With millions of creators worldwide trying to break into the scene, the market is saturated.

Pair that with the glitz and glam audiences have grown to expect from these types of creators, and you realize you not only need good storytelling and consistency, but also a decent budget to start.

The ultimate goal for fashion influencers, of course, is for big brands and creator programs to sponsor their career.

If you’re new to the game and a brand such as Kim Kardashian’s Skims reaches out, that’s when you know you’ve made it. That’s what one creator on TikTok thought happened, but the reality was much more sinister.

TikToker Shares PSA About a New Skims Scam

In a recent trending video, which garnered over 207,500 views, Julia Santucci (@notjuliasantucci) shared the full storytime.

“On January 13th, 2026, I was almost sextorted by Skims,” she begins. “Or rather, by someone who is pretending… to be an influencer coordinator at Skims over email.”

For context, sextortion is a common form of coercion where the abuser attempts to extort money or sexual favors from the victim by threatening to reveal their sexual activity, nude photos or clips, and more.

Santucci clarifies that she wants to share the story so she can warn fellow aspiring content creators “who would do anything to work with a brand like Skims.”

Upon receiving the email, Santucci says she immediately did her due diligence.

“The first thing I checked when I received this very exciting email was the email domain itself, and it said ‘[email protected],’” she says. She also explains that she looked out for the “@gmail.com” server name, as she understands brands don’t usually use that for official communications.

“It passed the first test,” she says.

Then, she proceeded to check if there were any typos or grammatical errors in the body of the email. “Nope, passed all the tests,” she says. “It felt like an advertising girly to another advertising girly.”

She says she looked up the woman’s name on LinkedIn and saw she had Skims as part of her corporate history. “However, she was currently the CMO at J. Crew,” she explains. “And I think I excitedly overlooked this.”

The Skims ‘Collaboration’ Begins

Not paying attention to that first red flag, she continued communicating with the impersonator.

“What was required seemed very reasonable,” Santucci explains. “They were picking 50 influencers for this campaign, and in exchange for two videos, you would get two Skims swimwear sets and a small sum of money.”

To enter, Santucci explains, they asked for three digital images: a photo of her in a bikini from the front, the side, and the back. Additionally, they asked for a 30-second talking video of her in a bikini, explaining the fit.

“All these things made sense to me, especially for a brand like Skims,” she states.

The Situation Takes a Concerning Turn

After sending the materials, things immediately got fishy, prompting Santucci’s mom to call her upon seeing a screenshot of the email reply.

She attaches the screenshot to the video as well, and it reads, in part, “One small note regarding the swimwear used, the bottoms are great, but the top provides quite a bit more coverage than the triangle styles in our new line. To help us best assess the fit, could you reshoot the front angles with slightly less coverage?”

It continues, “If you do not have a more minimal top, that’s totally ok, you may adjust your current one or use pasties if you are comfortable doing so.”

“This was the final red flag that it took for me to realize, ‘Oh [expletive], I just sent pictures of myself and a video to someone that is not Skims. A complete creep on the internet,’” she explains.

Santucci says that although these photos of her can already be found on her Instagram, she feels violated and unsettled.

“This bothers me because where are these materials going?” she asks. “And god forbid a minor fell for this.”

She theorizes how this material might be used by the extorters. “You would have kept undressing to a point where they would use these photos that were so scandalous against you in return for you to pay them,” she says.

Santucci says she has reached out to the woman they’re impersonating, as well as the Skims legal team.

“If this has happened to anyone else, please feel free to message me or to comment on this video,” she concludes. “Experiencing this alone, it is so insanely violating.”

Is This a Well-Known Scam?

In the comments, a couple of users said the same thing happened to them recently.

“THIS HAPPENED TO ME!” one person exclaimed. “Skims x youngla collab. I made a post about this.”

Another commenter said they experienced a similar job scam. “Omg this is so scary this happened to me for a job at meta they were impersonating a hiring manager who had a very real LinkedIn page that worked there,” they wrote.

A user on r/scams posted their story about a year ago. They say an impersonator pretending to be someone from Boutine LA convinced them to model in lingerie and a bikini via Zoom. “I don’t know what to do if he happened to be recording my entire life would literally be over,” they wrote.

@notjuliasantucci ⚠️WARNING!!! DO NOT FALL FOR THIS SKIMS EMAIL SCAM ASKING FOR BIKINI PHOTOS TO BE CONSIDERED FOR AN UPCOMING SKIMS SWIM CAMPAIGN⚠️ @SKIMS @Kim Kardashian #skims #skimsswim #scam #emailscam ♬ original sound – Jules

How To Protect Yourself Against Sextortion?

According to a guide by the Federal Bureau of Investigation (FBI), it’s never a good idea to send compromising photos of yourself to anyone, no matter who they are.

They also advise against opening attachments from people you don’t know, since it exposes your electronic devices to a hack that gains access to your private information, including photos.

Additionally, they suggest turning off your electronic devices and web cameras when not in use.

If you’re a victim of sextortion, the FBI encourages you to file a complaint with the Internet Crime Complaint Center (IC3).

The Mary Sue has reached out to Santucci and Skims via email for official comment.

Have a tip we should know? [email protected]

Ljeonida Mulabazi

Ljeonida is a reporter and writer with a degree in journalism and communications from the University of Tirana in her native Albania. She has a particular interest in all things digital marketing; she considers herself a copywriter, content producer, SEO specialist, and passionate marketer. Ljeonida is based in Tbilisi, Georgia, and her work can also be found at the Daily Dot.

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Ljeonida Mulabazi

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January 27, 2026
Chanel couture gets a breath of fresh air — and a star-studded audience

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PARIS — PARIS (AP) — Fashion powerhouse Chanel stacked the Paris front row like a movie premiere Tuesday: Nicole Kidman, Dua Lipa, Penélope Cruz, A$AP Rocky, Gracie Abrams, Margaret Qualley.

Then, it handed the spotlight to its new designer, Matthieu Blazy, for his much-anticipated couture debut built on one big, confident swing: joy.

Inside the Grand Palais, the house went full fantasy.

The set was a dream-garden of candy-colored trees and giant pink-and-red mushrooms: a surreal antidote to the gray January day outside, and to the even heavier mood of the world beyond the doors.

Before the first look, Blazy even teased the mood with an animation film of woodland animals at work in the Chanel ateliers, “Cinderella” style: a wink that said this would be couture, but not grim.

Then came the clothes, and the message landed fast: lightness.

Blazy took Chanel’s most famous codes — the suit, the pearls, the chain-weighted hems — and made them feel almost weightless.

A classic skirt suit arrived as a sheer, barely-there version of itself, cut so delicately it looked like air had been tailored.

In a house where tweed can be armor, this was tweed as whisper.

Birds hovered over the collection as a guiding idea: freedom, motion, travel.

Featherlike textures and flighty embroideries fluttered across silhouettes that moved like breath instead of structure.

There were flashes of plumage in color and surface — at times bright, at times raven-dark — and plenty of soft, floating chiffon that made the models look as if they were gliding rather than walking.

The best trick was how the craft wasn’t obvious.

Up close, the work was meticulous: a level of handwork couture clients pay for, and ateliers live for.

But the overall effect stayed easy, almost casual; as if the clothes were beautiful without demanding applause.

Blazy played with the artistic technique trompe l’oeil, including a tank top-and-jeans idea reimagined in organza, and with textures that were romantic but also a little strange; couture that winked.

In a brand built on total looks and strong house signatures, Blazy offered something personal: choice.

Models were invited to pick symbols and messages to stitch into the clothes — a love note, a sign, a private mark.

It pushed Chanel away from “uniform” and toward intimacy: couture as a wearable secret, not just a public statement.

The show also had a sense of casting as storytelling.

Blazy’s runways have tended to carry an open, joyful energy, and that continued here — a mix of ages, backgrounds and presences that made the clothes feel lived-in.

Model Bhavitha Mandava, fresh off her viral moment at the house’s Métiers d’Art show, returned.

Later she closed as a couture bride, shimmering and feathered, smiling as if she knew she was ending the scene exactly on the right note.

The soundtrack shifted moods like a DJ set, moving from Disney sweetness to millennial nostalgia — including Moby’s “Porcelain,” and a mashup that blended Oasis’ “Wonderwall” with The Verve’s “Bitter Sweet Symphony.”

By the finale, the room was playing along.

Big sets are easy. Blazy’s debut didn’t try to overpower Chanel with noise or force a new era with aggression. Instead, he made it feel alive.

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January 27, 2026
All of Taylor Swift’s Grammys Red-Carpet Looks Through the Years

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It’s an honor just to be nominated, but winning at the Grammy Awards isn’t so bad either. Just ask Taylor Swift, she knows. Trophies are forever, but so are red-carpet photos, and looking back on what artists like Swift chose to wear over the years is something of a sartorial time capsule.

Swift, who attended her first Grammy Awards ceremony in 2008 as a 19-year-old nominee for best new artist (she was up against Ledisi, Feist, Paramore, and Amy Winehouse, who ultimately won the category), has won 14 Grammys total. She has been honored with the album-of-the-year award a record-setting four times, with her latest win in 2024, for the album Midnights, breaking the tie she’d previously held in the category with Frank Sinatra, Stevie Wonder, and Paul Simon.

Though Swift’s latest effort, The Life of a Showgirl, isn’t eligible for the awards this year due to its October release date, she may still be a guest at the ceremony. In celebration of the Grammys 2026, revisit Swift’s Grammys looks, from the ethereal pale purple strapless Sandy Spika gown she wore for her first time at the ceremony in 2008, to her 2025 choice of a sparkly red custom Vivienne Westwood look accessorized with a tiny “T” charm on a chain—perhaps a nod to fiancé Travis Kelce—codesigned with Lorraine Schwartz, coyly adorning her thigh.

Ahead, take a walk down memory lane and see all 12 dresses that Taylor Swift has worn to the Grammy Awards over the years.

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Kase Wickman

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January 26, 2026
Paris men’s fashion week in 5 trends: rebuilt tailoring, quiet craft and clothes built to last

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PARIS — Paris men’s Fashion Week ended Sunday with two messages that kept coming up on runways: dress sharply, and build clothes to last.

Japanese powerhouse Sacai pushed new shapes by breaking up the usual top-and-bottom silhouette.

Hermès, in an emotional farewell show for longtime designer Véronique Nichanian, made a case for simple lines and long life.

Here are five trends that stood out in the final days of shows, with a nod to each of the big collections.

The season’s key item was the coat — long, tailored and meant to be noticed.

At Hermès, Nichanian closed her last men’s show after 37 years with a dark coat in glossy crocodile leather.

Earlier looks included aviator-style pieces like shearling bombers, earflap caps and stand-up buckle collars, plus shearling dyed a coral-pink.

Accessories stayed strong: boxy overnight bags and boots with bright orange soles.

Junya Watanabe also made coats the center of his show, sending out classic camel and navy styles, then mixing them with sportier parts — like bomber backs, leather jacket fronts and down-jacket quilting — to make formal outerwear feel tougher and more modern.

Many designers worked with classic suits and jackets, but changed how they sit on the body.

At Sacai, Chitose Abe added new sections to jackets, trousers and outerwear — extra panels, pockets and quilted inserts — often built around a triangle theme.

The show moved through tailored looks, workwear and strong denim, including collaborations with Levi’s and A.P.C., but the big idea stayed clear: reshape the silhouette without losing wearability.

Comme des Garçons Homme Plus did the opposite with more shock.

Rei Kawakubo cut into black suits and coats — altering lapels and hems — then later sent out white versions of her shapes as the mood shifted from dark to bright.

The styling was intense (wigs and masks), but the clothes still pointed to tailoring as the base.

Another trend was restraint on the surface, with the craft happening in the cut.

Kiko Kostadinov stripped away decoration and focused on construction: clean coats and jackets with folded panels, curved collars and careful drape, often in black and mineral tones.

Even details were hidden — buttons behind plackets, no obvious hardware — so the shape and movement did the talking.

A lot of the week leaned formal, but not sweet.

Watanabe’s show felt serious — café-table set, Miles Davis soundtrack, a somber cast — and his black, sharply tailored denim pieces (from an ongoing Levi’s collaboration) were styled like a modern uniform.

Jacquemus took the same “dress up” impulse in a lighter direction, riffing on black-tie codes with playful tuxedo twists and a knowingly retro party mood.

The show, staged at the Picasso Museum, drew a celebrity crowd including Elton John, Sophie Marceau and Josh Hartnett, underlining how much the week now treats men’s tailoring as both product and spectacle.

Louis Gabriel Nouchi pushed the idea further in an underground car park with loud techno and an “Alien” theme.

He mixed sharp coats and dark tailoring with provocative body-hugging pieces and graphic references, aiming for clothes that can pass in daily life while still carrying a charge.

In a fashion world that moves fast, several moments pointed the other way.

At Hermès, Nichanian said she included designs she first made decades ago to show they still work — and she offered a simple goodbye message: “Slow down.”

White Mountaineering’s Aizawa also treated his final show as a long-view statement: technical outerwear, strong color and careful pattern work, framed as the end of a 20-year chapter rather than a quick trend.

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January 25, 2026
The Story of Máxima of the Netherlands’ Mellerio Ruby Tiara

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The jewels that form part of a royal collection are rarely the result of a purely aesthetic choice. Behind each commission there is usually a political context, a personal motif—an anniversary, a wedding, a birth—and often a very clear desire for permanence. The Mellerio ruby tiara worn today by Queen Maxima of the Netherlands was not created as just another ornamental jewel, but as a piece designed to consolidate image, lineage and continuity within the House of Orange.

Commissioned in the late nineteenth century and used, since then, by all Dutch queens, this tiara has gone through more than a century of history without losing relevance. Its trajectory allows us to understand, in addition to the evolution of taste and protocol, the role that jewelry has played—and continues to play—in the representation of feminine power within European monarchies.

Mellerio dits Meller: the favorite family jeweler of the European court

When King William III entrusted the commission of a large set of rubies to Mellerio, the Parisian firm had been building a solid reputation among European elites for centuries. Founded in 1613, Mellerio dits Meller is one of the oldest active jewelry houses and a rare exception in a sector marked by constant closures, mergers and reinventions. Its uniqueness lies in having maintained uninterrupted family continuity and a recognizable aesthetic identity, even in times of profound historical change.

Long before arriving in the Netherlands, Mellerio had already consolidated its position as a reference jeweler for royalty. One of the most decisive chapters in that history was its relationship with French empress Eugénie de Montijo, who, according to the firm, visited the jeweler’s shop every week.

During the Second Empire, Eugenia made jewelry a central element of her public image and found in Mellerio an ally capable of translating power, sophistication and modernity in pieces of great visual impact. That alliance definitively placed the company on the map of the great European courts, long before the queens of the north became regular customers.

A commission with a legacy vocation

In December 1888, William III commissioned Mellerio to create a set of jewelry for his wife, Queen Emma. The result was a complete set of rubies and diamonds, the centerpiece of which was an elaborately designed and balanced tiara. The use of sapphires was initially considered, but rubies were finally chosen, a choice that provided greater visual strength and a symbolism associated with power, protection and dynastic continuity.

The tiara contains a total of 385 precious stones, including rubies and diamonds, and is part of a larger set that includes earrings, brooch, choker and bracelet. The stones were integrated into a structure of scrolls and clusters that combined movement and symmetry. The design, attributed to the jeweler Oscar Massin, reflected the technical mastery of the house and its ability to create pieces designed not only to impress, but to last.

Jewelry that adapts to royal life

The death of King William III just two years after the commission marked the first major turning point in the history of the tiara. During her period of mourning, Queen Emma adapted the jewel to the strict standards of the time by replacing the rubies with diamonds, a possibility foreseen since the original design. This versatility—unusual in pieces of such caliber—reveals a very modern conception of royal jewelry: not as an untouchable object, but as a living element, capable of accompanying different life stages.

Other pieces of the set were also transformed over time. Elements of the necklace were reused as brooches, and some gems were dismantled to facilitate different uses. Far from detracting from the ensemble, these adaptations reinforced its value, making it a tangible testimony to the personal history of its owners.

From queen to queen: a carefully protected inheritance

Queen Juliana

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Marta Martínez Tato

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January 25, 2026
Inside the Craziest, Buzziest Show at Paris Fashion Week: Willy Chavarria

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This is the new name of the game for labels like Chavarria’s, to find a corporate partner eager for some “community” brownie points to foot the bill. He worked with Tinder for his first show in Paris and his ties with Adidas have become closer. He’s had a fruitful partnership with the sportswear behemoth since 2024 (if not with the misstep of mimicking a pair of huaraches, the traditional leather sandals made by Indigenous artisans in Mexico, for which the designer apologized), and is also now acting as a consultant, working on its inline collections in addition to his cobranded collaboration.

He’s also teamed up with Grindr for this show. “I’m really happy to partner with them because, first of all, I’m here to support anything gay,” he says with a laugh. “Grindr is used for sex, for a hookup, but they have this interesting perspective on how they celebrate a very elevated perspective of gay culture.”

The work with these corporate sponsors has become a business of itself for Chavarria. He launched Creative Services, through which he offers visual consultancy services to brands and partners. “It’s been like a side hustle for me,” he says. Plainly, Creative Services allows Chavarria to produce and conceptualize campaigns and other projects, the income of which goes back into his brand. Corporations come to him for a partnership and Chavarria turns them into clients, too, doubling his income stream.

“These companies, they’re desperate for cultural validity,” Chavarria says. “I’m not stupid, I know what I’m giving them. I am offering a pathway to a demographic that brings them business,” he says, “a way to connect with people that corporations can’t always figure out how to reach.”

Photographer Ellen Fedors.

He is now in expansion mode, partnering with talent and making luxury clothing, but he’s not leaving behind his core audience. Chavarria has also decided to launch a diffusion line called Big Willy as of this show. It will be an inexpensive version offering the clothes he was first known for before he leaned into luxury wear and tailoring: Clever slogan and printed tees, generously cut hoodies and trackwear, and even underwear. “I want to provide a world that people can immerse themselves in,” he says, “knowing that not all can afford my $800 jeans, but they could afford the $150 Big Willy pieces.”

As Chavarria works on spreading his gospel on a global scale—and stage—he’s also thinking of ways to expand that vision past the Latino identity. “It’s not always going to be Latino centric, but at this exact moment right now, I think it’s necessary for the world to see Latinos in all our glory,” the designer says. “In the most beautiful clothes, singing the most beautiful music. This needs to be on the highest pedestal I can possibly manage, and I will do whatever I can do for the world to see that.”

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José Criales-Unzueta

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January 23, 2026
Read Emmanuel Macron’s Heartfelt Tribute to Pharrell Williams

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He looked back at every highlight of Pharrell’s career, from the Neptunes to hits produced for Jay-Z and Britney Spears, including, of course, the hit song “Happy,” which elevated the singer to international stardom. “The irresistible lyrics of this soundtrack, composed for Despicable Me, a movie made from a French studio, travelled far beyond cinema screens,” Macron said. “Its rhythm spread and you became the man who made the world dance in unison.”

“But Pharrell,” he continued, “with you, creation is never confined to a single art.”

On February 4, 2023, fashion house Louis Vuitton shook up the fashion world with the announcement that Pharrell was to become artistic director of its men’s collections.

Vuitton selected Pharrell “for your irreverence, your boundless creativity, and your total commitment. And from the very first year, you delivered with a spectacular debut collection, unveiled during a landmark show on the Pont Neuf, transformed for the occasion into a golden stage,” Macron said. “The world discovered the silhouettes you had imagined: the Louis Vuitton Damier reinterpreted as bold pixelated camouflage, boldly paired with denim, tailoring, or with unexpected hats and accessories.”

It was, Macron said, “a manifesto show, in your own image, expressing a vision of masculinity liberated from clichés. And you went even further at UNESCO in 2024, where your new collection carried a universal message—a call for unity among humankind, beneath the United Nations flags at the Place de Fontenoy.”

The tribute was also an opportunity to talk about Pharrell’s connection with contemporary art, into which he continues to infuse historical references, pop culture, and a sense of performance: “Moving from musician to exhibition curator might have made others hesitate. But not you. You didn’t shy away from experimenting—not even when it meant being cast in a mold, remaining immobile for hours, breathing through a straw, so that Daniel Arsham could create a sculpture in your likeness. After all, you always sought to learn from the very best, and to create alongside them.”

Macron, who recalled Williams’ participation in the Pièces Jaunes concert with his wife Brigitte Macron, didn’t shy away from commenting on the rigorous lifestyle and discipline of the artist.

“Dear Pharrell, listing all your achievements would be impossible: you have the rare ability to live a thousand passions within a single lifetime,” he said. “You managed to do so because you are incredibly talented, but also thanks to your steadfast discipline that could intimidate even an Olympic athlete. A five a.m. wake-up call. Five hundred sit-ups. Meditation. A hot bath, a cold shower—and sometimes even a burst of songwriting in the bathroom itself.”

Beyond routine, however, is something less tangible, he said. “Behind the brilliance of your success lies this daily rigor. But also a guiding principle to which you remain deeply faithful: gratitude. Gratitude for the journey that brought you here, allowing you, despite worldwide recognition, to remain the humble, witty, and deeply human creator so admired by your teams.”

Originally published in Vanity Fair France.

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Valentine Ulgu-Servant

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January 23, 2026
Queen Letizia makes the case for styling ‘It-girl’ balloon pants in your 50s

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Queen Letizia of Spain‘s sense of style is defined by her love of a left-field silhouette, and her ability to make business attire look incredibly cool, as well as appropriately serious.

As she attended the official opening of the 46th International Tourism Trade Fair at Ifema on 22 January in Madrid, she proved once again that she can look stylish and professional at the same time, without compromising on either.

© WireImage
Queen Letizia of Spain and King Felipe VI of Spain at the official opening of the 46th International Tourism Trade Fair at Ifema on January 22, 2026 in Madrid

The 53-year-old opted for an all-black look, including a button-up shirt, a pair of pleated trousers with a wide-leg silhouette that looked like a slightly more formal take on balloon pants, rounding it all off with a simple belt to break the outfit in two.

Her husband, King Felipe, looked incredibly dapper in a similarly formal ensemble, opting for a grey pinstripe suit over a crisp white shirt and black tie. For an official outing like this, it makes sense for the Spanish royals to avoid donning anything too adventurous, but it’s no surprise to see Queen Letizia putting her own spin on business casual.

Recommended videoYou may also likeWATCH: Queen Letizia of Spain’s Style Evolution

An expert’s take on Queen Letizia’s look

Queen Letizia certainly has her signature style, her blend of high-street and high-fashion, as well as her love for a slightly stranger silhouette, but this look is actually bang on-trend in the context of wider celebrity style.

We spoke to Orion Scott, HELLO! Fashion‘s Style Editor, who broke down the Spanish Queen’s outfit, and how it fits into the trend cycle. She explained: “Pleated suiting trousers are a hero piece for many fashion obsessives. Not only are they utterly comfortable, but they’re also easy to style up and down for all occasions.

“Letizia’s high-waisted options featured intricate pleat detailing around the waist, before falling into a wide leg silhouette – the perfect pairing to accentuate the waist, she continued. “In today’s world, notable names and stylish It-girls, including Hailey Bieber and Elsa Hosk, are leaning further away from slim-fitting trouser options, with oversized alternatives reigning supreme.”

Sharing her top tip for incorporating them into your own look, our fashion expert suggested that pleated trousers are “perfect for pairing with a kitten heel for an after-dark soirée, with loafers or ballet flats, for a more laid back look, or, with a heeled boot to add a few extra inches of height like Queen Letizia.”

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Josh Osman

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January 23, 2026
Stars and the Public Say Final Good Goodbye to Fashion Icon Valentino at Rome Funeral

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ROME (AP) — Global fashion celebrities will join the public on Friday morning to say goodbye to iconic designer Valentino at his funeral service in Rome at the central Basilica di Santa Maria degli Angeli e dei Martiri.

After a two-day public viewing Wednesday and Thursday at the Valentino foundation’s headquarters in the Italian capital, the funeral marks the final tribute the internationally acclaimed designer.

Top fashion names including designers Tom Ford and Donatella Versace along with longtime Vogue magazine powerhouse Anna Wintour and Hollywood stars like Anne Hathaway are expected to attend the funeral service.

Valentino Garavani, who died aged 93 at his Rome residence Monday, was adored by generations of royals, first ladies and celebrities such as Jackie Kennedy Onassis, Jordan’s Queen Rania and Julia Roberts who swore the designer always made them look and feel their best.

Hundreds of people have already paid their respects to the “last emperor” of Italian fashion during the public viewing. Valentino always maintained his atelier in Rome, while he mostly unveiled his collections in Paris.

His sumptuous gowns have graced countless Academy Awards, notably in 2001 when Roberts wore a vintage black and white column to accept her best actress statue. Cate Blanchett also wore a one-shouldered Valentino in butter-yellow silk when she won the Oscar for best supporting actress in 2005.

Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Photos You Should See – January 2026

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Associated Press

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January 23, 2026
Inside Nicola Peltz’s tactical mirroring of mother-in-law Victoria Beckham

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Nicola Peltz Beckham has been in the news ever since she married into one of the UK’s most famous families, the Beckhams, back in 2022. The daughter of billionaire businessman Nelson Peltz and his second wife, Claudia Heffner, has always had a strong interest in fashion, trying her hand at modelling and wearing designer dresses for various appearances on the red carpet.

Despite the ongoing family rift that came to a fever pitch with Brooklyn‘s public declaration on Instagram this week, Nicola and her mother-in-law, Victoria Beckham, seemed to get along wonderfully, and of course, had one big common ground – fashion. Let’s not forget that the former Spice Girl is one of the world’s most prolific fashion figures, and her eponymous brand has been embraced by Nicola many times; she has often stepped out wearing lots of her intricately designed garments over the years, even twinning with VB on various occasions.

© AFP via Getty Images
Nicola has often worn Victoria Beckham designs

Purple floral frock

Nicola gave VB a ‘shout-out’ whilst wearing her purple dress

In 2020, whilst enjoying a holiday in Italy with the Beckhams, Nicola wore a glorious purple number that was adorned with the brand’s coveted bohemian wallpaper floral print from the Pre-Fall 2020 collection.

Sharing a picture on Instagram, Nicola penned: “Thanks for letting me wear your clothes every day! I love you!” Mother-of-four Victoria also wore the same dress a few months later, and little Harper had her own custom version, too.

Recommended videoYou may also likeWATCH: Nicola Peltz Beckham stuns in photoshoot BTS

Yellow ruffle dress

Nicole wore a yellow Victoria Beckham dress to announce her engagement to Brooklyn

White corset

© FilmMagic

Nicola wore a white VB outfit in 2024 at the premiere of Lola

In February 2024, at the premiere of her directorial debut, Lola, Nicola pledged allegiance to her mother-in-law by donning a sleek white corset and low-slung trousers from Victoria Beckham.

© @victoriabeckham

Victoria wore the same co-ord a year later

A year later, whilst on a dinner date with David and family friends, Victoria wore the same ensemble. Adding an extra element of sophistication to the ‘fit, VB scooped her brunette locks up into a messy bun, leaving out a few face-framing tendrils.

Birthday dress

© Victoria Beckham Instagram

Victoria wore a mint green dress at her 50th birthday party

In 2024, Victoria hosted the most fabulous party to celebrate her 50th birthday, and the fashion mogul opted to wear an item from her own collection, in the form of a beautiful mint green dress. The material was delicately transparent, and it featured expert ruffle detailing at the hip.

© Victoria Beckham Instagram

Nicola wore the dress first!

The dress was actually debuted by Nicola two months earlier for Paris Fashion Week. Victoria shared an image backstage of herself with her son’s wife on Instagram with the caption: “Pre-show prep and fittings in Paris!! [French flag emoji] Kisses @NicolaAnnePeltzBeckham xx.”

Vintage leather jacket

Nicola borrowed Victoria’s vintage jacket in Paris

In 2024, Nicola and Brooklyn were in Paris for Victoria’s show, and Nicola wowed fans with her vintage leather jacket, which had an eye-catching flash of blue running through it.

© Getty Images

Victoria wore the jacket in 2001

Designed by Dolce & Gabbana, Victoria first wore it back in 2001 to watch Manchester United play at Old Trafford in the Premier League Championship final.

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Laura Sutcliffe

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January 21, 2026
Paris mourns Valentino, the last titan of couture’s golden age

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PARIS — PARIS (AP) — Valentino Garavani’s death cast a long shadow over the opening day of Paris Fashion Week menswear Tuesday, with front-row guests and industry figures mourning the passing of one of the last towering names of 20th-century couture — an Italian designer whose working life was closely entwined with the Paris runways.

Valentino, 93, died at his Rome residence, the Valentino Garavani and Giancarlo Giammetti Foundation said in a statement announcing his death. While he built his house in Rome, he spent decades presenting collections in France.

He “was one of the last big couturiers who really embodied what was fashion in the 20th century,” said Pierre Groppo, fashion editor-in-chief at Vanity Fair France.

On a day meant to sell the future, many guests said they were thinking about what fashion has lost: the couturier as a living institution.

Groppo pointed to the codes that made Valentino instantly legible — “the dots, the ruffles, the knots” — and to a generation of designers who, he said, “in a way, invented what is celebrity culture.”

Valentino’s vision was built on a simple idea: make women look luminous, then make the moment unforgettable.

He dressed Jacqueline Kennedy Onassis and Elizabeth Taylor, among others, fixed his signature “Valentino red” in the public imagination, and — through his decades-long partnership with Giancarlo Giammetti — helped turn the designer himself into part of the spectacle, as recognizable as the clients in his front row.

Prominent fashion writer Luke Leitch framed the loss in similarly outsized terms, calling Valentino “the last of the fashion ‘leviathans of that generation’,” and saying it was “absolutely” the end of a certain class of designer: figures whose names could carry a global house, and whose authority came not from viral speed but from permanence.

Trained in Paris before founding his maison in Rome, Valentino became a rare bridge figure: Italian by origin, but fluent in the rituals that made Paris couture an institution. His career moved between those two capitals of elegance, bringing Roman grandeur into a system that still treats fashion not only as commerce, but as ceremony.

Even as he aged, the house’s founder kept turning up at its couture and ready-to-wear shows, as observed by one Associated Press journalist — until he eventually retreated from public life, all the while radiating quiet grandeur from his front-row seat.

For some in Paris on Tuesday, the loss felt personal precisely because Valentino’s world was never only Italian.

Groppo recalled the designer as “very much more than a fashion brand,” adding: “It was a lifestyle.”

That lifestyle — couture polish, social glamour, and the conviction that elegance could be a form of power — remains a reference point even as fashion accelerates toward louder branding and faster cycles.

“It’s quite sad as he’s so important to the fashion industry, and he contributed a lot and I cannot forget the stunning red he created,” said Lolo Zhang, a Chinese fashion influencer attending Louis Vuitton ’s show in Paris.

“He always celebrated pure beauty, and architecture for the silhouette, and how he used color. The old era just passed by.”

Other guests described a delayed realization — the kind that arrives only when a figure who seemed permanent is suddenly gone.

“There are some people who want to be Yves Saint Laurent, Chanel. … There are also people who are spontaneously Valentino,” said Guy-Claude Agboton, deputy editor of Ideat magazine. “It’s a question of identity.”

For Paris fashion observer Benedict Epinay, the grief was bound up with memory. And with the emotional charge of Valentino’s final bow.

“It was such a great moment. I was lucky enough to attend the last show he gave,” Epinay said. “It was so moving because we knew at that time it was the last show.”

Fashion observer Arfan Ghani pointed to what Valentino represented to younger designers: a “classy” standard of restraint in an era that often rewards noise.

“Because it was very classical materials,” Ghani said. “It wasn’t as loud as a lot of other of these brands are with branding.”

Paris-based sculptor Ranti Bam described Valentino in the language of form: less trend than structure, less look than line.

“As a sculptor I saw Valentino as an artist,” Bam said. “He transcended fashion into sculpture.”

“He didn’t follow trends, he pursued form,” she added. “That’s why his work doesn’t date, it endures.”

The fashion house Valentino has for years continued under a new generation of leadership and design — still showcased in Paris.

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Corrects previous misspellings of Paris fashion observer Benedict Epinay and Guy-Claude Agboton, deputy editor of Ideat magazine.

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Associated Press writer Amy Seraphin in Paris contributed to this report.

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January 20, 2026
Queen Letizia Shared Valentino Dresses With Her Mother-in-Law, Queen Sofia

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Queen Letizia of Spain has been known to borrow an outfit from her mother-in-law, Queen Sofía. A few of those garments were designed by renowned fashion designer Valentino Garavani, who died on Monday, January 19 at age 93.

It has been nearly three years to the day that Queen Letizia was seen wearing a haute couture ensemble from the Queen Mother, designed by the Italian fashion icon, while attending a reception at the Royal Place in Madrid on Monday for the diplomatic corps accredited in Spain alongside her husband King Felipe. She wore a Valentino dress featuring a long, A-line forest green skirt with a pink and white sash at the waist and a sheer, wide-sleeved organza top adorned with large, pink floral embroidery. This gown previously belonged to Felipe’s mother, Queen Sofía, who last wore the look in 1977, the year of the collection, at Gymnich Castle on a state trip to Germany with her husband, King Juan Carlos. He abdicated the throne in 2014.

Queen Sofia in the same outfit as her mother-in-law, in 2022.

Pool/Getty Images

Queen Sofia wearing Valentino from the spring/summer 1977 collection in Germany.

© Getty Images

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César Andrés Baciero

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January 20, 2026
Fashion designer Valentino Garavani dies at 93

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Acclaimed fashion designer Valentino Garavani, known simply as Valentino, has died at age 93. Seth Doane looks back at his life and legacy.

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January 19, 2026
Jenna Bush Hager looks phenomenal in figure-hugging dress with thigh-high slit

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Jenna Bush Hager has been receiving many compliments for her style choices of late, and it’s easy to see why!

On Friday January 16, the star featured in a montage showcasing her daily outfits on Today with Jenna & Sheinelle, which consisted of short clips of her walking out of the lift in a different look from each morning of the show.

One outfit stood out in particular – a peach colored figure-hugging floor length dress, featuring a thigh-high slit and draped neckline.

WATCH: Jenna Bush Hager wows with her fashion choices

The colorful design was teamed with pink stilettos. Jenna wore the dress on the show, and later as she visited former co-host Hoda Kotb at SiriusXM, along with Sheinelle Jones.

Jenna always looks fantastic on the show, and previously revealed that she is her own stylist. She told InStyle in February 2024: “It’s hilarious because sometimes people will say, ‘Fire your stylists’. I think people think because we work on television that I have a stylist and I have to say, ‘I would be firing myself.’ Or if they’re like, ‘We love your look. Can you send us where you got it from? Can you ask your stylist?’”

© Getty Images
Jenna Bush Hager looked fantastic in a figure-hugging statement peach dress

Jenna – a busy working mom-of-three – also confessed that her outfits are often planned “last minute” and that she is also a huge fan of Rent the Runway.

“I definitely lay out clothes that I haven’t worn or that I want to wear over the couple weeks and then I kind of play within it,” she said. “But I am not one who puts a ton of thought into it. And sometimes in fact, they’re like, ’10 minutes to air,’ and I’m still wearing my jeans and T-shirt that I came in.

© Instagram
Jenna wearing the dress on Today with Jenna & Sheinelle

“And I feel like that is reflective in my style that I want things to look effortless, because typically they are. I feel like if I want look to put together, which happens if I’m on Ellen or something like that that feels special, I’ll really think about my outfit. I’ll ask my sister for advice. I have friends that are designers and I’ll borrow things. And then sometimes I look at myself and I’m like, ‘Who is she?’ And I feel like the mornings when I have put things together quickly and feel like myself are the mornings I feel best.”

It’s been an eventful week for Jenna – who has not only had her first week with her new permanent co-host, Sheinelle – but she also revealed revealed on January 13th’s show that she will be an executive producer on the pilot Protection, which has been greenlit by NBC’s Universal Television.

© Getty Images
Jenna with her co-stars and friends, Sheinelle Jones and Hoda Kotb

Jenna will work alongside Joshua Safran, who wrote and created the show Quantico, as well as acted as an EP on the shows Gossip Girl, Smash, and the short-lived 2021 Gossip Girl reboot. “NBC called us yesterday, we’ve been working on this for a while,” she explained.

“Who knew I would do something like this, ladies and gentlemen?” She went on to explain that she show is about “different levels of law enforcement,” and is keen to pull from her own experience as the daughter of the President of the United States and being surrounded constantly by the secret service.

© TODAY
Jenna started officially hosting with Sheinelle on Monday January 12

“Y’all know I know about that,” she joked. “It’s a mystery, and I joined all the pitches.” She noted that she found joy in seeing the “jaws drop” of the producers in the room when they heard the show’s big twist, which she immediately branded “so good!”

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Hanna Fillingham

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January 16, 2026