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Tag: Fashion Week

  • NYFW Has A Size Diversity Problem—But These Designers Are On The Right Side Of History

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    When designers approach representation as part of their brand identity, it effortlessly translates to the audience. Both legendary R&B singer Monica and the Whoopi Goldberg independently praised Siriano’s commitment to making fashion for all backstage. “It was absolute elegance, and it was for every size, shape, color and creed, so many different types of women — and men! — in the show,” Monica noted. “Gives you all sorts of inspiration!” Goldberg summed it up even more succinctly: “Christian’s work just always inspires me and makes me so happy, because we can all wear it.”

    That type of organic inclusion was also evident in Chuks Collins’s striking presentation, which ranged from lush topstitched knits to sharp suits to stunning structured ballgowns, all shown on a range of sizes and body types. (Collins was heavily influenced by how scarification, purposeful, ritual, and otherwise, can play into the way we present ourselves to the world.)

    “I grew up seeing people that look like you, people that look like me,” Collins said. “My mom is not a size 2. My grandmother, who taught me to sew, she’s not a size 10. About 40 to 50% of my clients are plus size people. So I am not going to lie to myself and say ‘oh, my demographic, my ideal demographic is a size 2 to 4.’”

    For Collins, who started the brand in 2006, building a collection for customers of all sizes is both a labor of love and a practical financial matter — after all, he’s building a label he wants to last. “I have to create clothes that people see themselves in, that they want to wear. With that, I’m becoming a successful business,” he noted. “I also just love dressing people with curves, because that’s what I started doing, that’s how I started my career. So I’m not going to — because of what, industry standards? — I’m not going to include that? And I love women. I love beautiful women with curves. I tell the stories of how I feel, and my work is a representation of myself.” 

    In the end, an outsized portion of the size diversity this season came from emerging designers and those making their CFDA debuts, such as Menyelek Rose of the eponymous label Menyelek. Designer Andrew Curwen, meanwhile, showed a sexy, directional, and haunting (complimentary!) collection. “Nocturnal Conditions” looked stunning on every figure, and the diverse cast (by F10 Casting agency) felt simultaneously natural and intentional. 

    Camryn Mcclain of RENÉE NYC also cited body diversity as integral to her inspiration: “For casting this season, we focused on different characters of everyday people of various shapes and sizes that reflect what I see in the city,” Mcclain said. That thoughtfulness complemented a presentation of some of the most interesting knitwear I’ve seen lately, with bold braiding and fringe details rendered in rich jewel tones and gilded neutrals.

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    Sarah Chiwaya

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  • Runway 7 holds 10th annual showcase highlighting diversity and inclusivity at New York Fashion Week | amNewYork

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    The beats blasted endlessly as designers from across the globe showcased their best looks on models from everywhere imaginable. The lights pulsed like an underground celebration inside Sony Hall, where Runway 7 held its 10th annual showcase during New York Fashion Week.

    Runway 7 is a Fashion Week production company redefining what accessibility looks like in high fashion. From designers to models to media, the platform integrates cultural diversity with intentional inclusivity, creating an environment where both everyday New Yorkers and industry professionals feel welcome.

    Unlike many NYFW week showcases, tickets are available to purchase for Runway 7 shows, making it one of the few shows that everyone has the ability to access. Many shows occurring in New York require invite-only access, and that makes it all the more challenging for the city’s fashionistas looking for the experience of a lifetime. How cool is it to be able to say, “I went to New York Fashion Week this year, no big deal!” 

    Runway 7’s commitment to bridging the gap between the public and designers from across the world. Its venue, nestled right in the heart of Times Square, gives attendees the perfect blend of shopping and viewing. 

    Runway 7 held its 10th showcase at New York Fashion Week.Photo by Bridget Sawyer
    Runway 7 held its 10th showcase at New York Fashion Week.Photo by Bridget Sawyer

    Beyond the guests, the models enjoy Runway 7’s lively atmosphere all the same. Louis Mojica, celebrating his second year anniversary as a model, feels the same, “This event, I just like the energy, the vibe. I love the music, this has been by far my favorite event.” 

    Mojica shared his inspiration for modeling, bringing the diverse aspect of this runway show to life, “I was born different, so I just wanna break barriers and show people that diversity is beautiful,” he said, “so I’m gonna empower them. I’m doing it for the next generation of models that were born different, giving that confidence, showing that if I could do it, they definitely can” 

    Diversity is a key component of Runway 7’s marketing and brand. This year, the show hosted over 85 brands from over 15 different countries. This kind of representation makes the showcasing all the more special.

    Ambere StDenis, Designer of the brand Ombare, believes that diversity should be represented through fashion, and the models wearing the designs. As a woman in the fashion design industry, her goal, “I’ve been very cognizant of creating branding that is inclusive and sizing that is inclusive, I’ve actually started calling things different names than just the sizes,” she shared, “I really love diversity.”

    The collection that StDenis showcased this Fashion Week is a line catering towards men’s activewear, a way to honor through expression, “I decided to do a men’s wear collection because my brother passed away last year and so I wanted to have some way of remembering him.”

    a model at fashion week
    Runway 7 held its 10th showcase at New York Fashion Week.Photo by Bridget Sawyer
    Runway 7 held its 10th showcase at New York Fashion Week.Photo by Bridget Sawyer

    Fashion breaks constraints, connecting people from across the globe, bridging gaps between trendy and vintage, and giving artists like designers, models, and consumers a way to connect with themselves and the world around them. Connection is key in the fashion industry. 

    Networking is another major perk of Runway 7’s stellar lineup, said Availle, a model who walked in one of the shows. “I think networking, making new friends, making new connections for sure,” she said, “and traveling, obviously, who doesn’t love to travel? 

    Jessica Woodall, another model, believes that modeling is a form of performance worthy of a character arc, “I love all of it, you get to become a character and just immerse yourself in any vibe.”

    Beyond networking and modelling, the energy of the scene is just as important, especially to those who are trying to immerse themselves in an authentic experience in one of the fashion capitals of the world. Makeup artist, and current Hospitality Lead for Runway 7’s showcase, Mariah Crandall, believes this show is the place to be.

    “I ended up doing makeup for Milan fashion week, and then Paris, and then New York, and then New York again,” she said, “and my favorite is still Runway 7, it’s the best fashion event. I got into fashion as a makeup artist, but then I fell in love with the show and I changed my major to hospitality and then to hospitality and tourism, and now I’m the hospitality lead!” 

    So, as Fashion Week comes to an end in New York City this season, many designers, artists, models, and viewers are leaving satisfied and ready to close this chapter and watch their next fashion story begin. From diversity, inclusivity, and accessibility, Runway 7 is a great place for New Yorkers looking to experience a taste of the iconic Fashion Week.

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    By Bridget Sawyer

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  • ‘Clueless’ -inspired app Alta partners with brand Public School to start integrating styling tools into websites | TechCrunch

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    Much has changed for Jenny Wang, the founder who’s bringing “Clueless” fashion tech to life. 

    Last year, her company, Alta, raised $11 million in a round led by Menlo Ventures to let users create digital closets and try on their clothes with their own virtual avatars. It’s a tech once seen only in movies, most notably in “Clueless,” where Cher styles and plans her outfits using computer technology. Alta is similar to that, allowing users to plan and style outfits using the latest AI innovations.

    A slew of big names participated in Atla’s round last year, including models Jasmine Tookes and Karlie Kloss, Anthropic’s VC arm Anthology Fund, and Rent the Runway cofounder Jenny Fleiss. 

    TechCrunch caught up with Wang during New York Fashion Week to talk about how the company has expanded since that round.

    For starters, the product is officially in the app store; Time and Vogue named it one of the best innovations of last year, and Wang said more than 100 million outfits have been generated on the platform since its launch in 2023.  It has partnerships with Poshmark and the Council of Fashion Designers of America, with more partnerships to be announced soon.

    “Alta’s own app also features thousands of brands that users can shop from,” Wang said. 

    Right now, the company is focused on building app and website integration experiences for brands, she said, where customers can try on a designer’s clothing using a personalized Alta Avatar. This week, the company unveiled its first integration collaboration, teaming up with Public School, a storied New York City brand. 

    Techcrunch event

    Boston, MA
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    June 23, 2026

    “Shoppers can style looks from the new collection on their own Alta avatar,” Wang said. 

    She met the Public School team — Dao-Yi Chow and Maxwell Osborne — through the founder of Poshmak, who is also an angel investor in both companies. 

    “Public School designers Dao-Yi Chow and Maxwell Osborne had been looking for an AI partner and virtual try-on avatar solution, and Dao-Yi has been an Alta app user himself,” Wang said. 

    Public School actually went on hiatus for a few years, with this NYFW marking its grand re-debut. When asked, the founders of the brand said they rediscovered their voices and what they wanted to say.

    “We have to look at tech as a partner in the business today,” Chow told TechCrunch, adding, “It’s not 2015 anymore,” so the team wants to take advantage of the latest technological developments. “We want to be thoughtful on how we use tech and AI,” he continued, “not as a design tool but as a tool to extend our storytelling and a tool to interact with the consumer and have them experience the brand even if they can’t do so in person.”

    Image Credits:Alta

    Wang said this is one of the first instances of a designer embedding personal avatar and styling technology into its own website. Near the bottom of Public School’s product page, there is an icon that says Style by Alta. Clicking that takes the customer to Alta for them to then style their avatars and test out how Public School clothing would look on them, should they purchase. 

    Users on Alta’s standalone app can also access Public School through Alta’s app. Wang said the goal is for Alta to integrate more experiences like this into other brands and websites, so Alta users can try on clothes on other websites even while outside the Alta app. 

    “Right now, a user would have to add a potential purchase into their Alta wishlist, then style outfits and try on their avatar, versus being able to do that directly on the brand website.” (For every site but Public School, that is.) “The goal is to bring their community on a new journey to engage with and shop the brand.” 

    Many major fashion brands, like Zara and Balmain, have already experimented with digital avatars. Wang said what makes Alta different here, especially compared to Zara, is that Alta avatars can put on at least 8 items within seconds, whereas Zara avatars can wear only four and often take around two minutes. 

    Overall, demand for virtual avatars has increased. Wang considers Alta both still the “Cluless”  technology that it started out with, and a digital avatar business. 

    “The consumer Alta app is the ‘Clueless’ closet, while the enterprise Alta experience allows shoppers to style pieces and try the outfits on their pre-existing Alta avatar,” he said. Eventually, Wang said she wants Alta to be the “personal identity layer for the future of consumer AI and shopping.”

    For agentic commerce to truly work, she said, “We need a data layer that understands the shopper’s style preferences, such as their closet, past purchases, and their avatar, likeness, and body, which is Alta.”

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    Dominic-Madori Davis

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  • The Best New York Fashion Week Street Style Looks (So Far)

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    The streets of New York City are swelling with waves of fashion’s finest, thanks to the New York Fashion Week Autumn/Winter 2026 season. From front-row celebrities and models to media personalities and journalists, the fashion-obsessed are proudly showing off their outfits. From tons of layers, dramatic fur coats, statement hats, and tried-and-true boots, bundling up has never looked so chic.

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    Victoria Montalti

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  • It’s a Great Time for Menswear, Especially for Women

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    The best look from Men’s Fashion Week in Milan and Paris was seen on a woman.

    On Monday, the actor Anya Taylor-Joy wore a Poiret-inspired coat from the Jonathan Anderson–designed Dior men’s show to Anderson’s debut Dior couture show. The coat, which had been shown on the runway just a few days before, was sumptuous, with jewel-colored textiles and a cocoon shape hearkening back to the early 20th century, plus winter-appropriate enormous fur cuffs. I want the coat more than anything I’ve ever wanted from a women’s Dior collection.

    I hope it comes as no shock that gender is fluid—despite what the state and federal governments might decree—and that the way we all dress is too. And yet we still have men’s fashion weeks and women’s fashion weeks because that’s how clothes are largely merchandised in stores, although I wonder how long that will last. Still, I thought I would go to the men’s shows late this January and play by the rules, but still break them: by keeping an eye on clothes that women should wear from the men’s collections.

    Designers seem to believe that we can all borrow from one another, as many brands—Armani, Zegna, Kartik Research, Our Legacy, Auralee, Lemaire—incorporated female models into their shows. Besides, the male models walking down the runway with their long hair and lean bodies and androgynous features only added to the idea that these are just clothes; anyone can put them on. Whether they suit you is less about whether you’re a man or a woman and more about whether you can pull off the sheer number of shades of purple (lavender to eggplant to shades that almost looked gray) that Leo Dell’Orco sent down the runway at Armani.

    The influence of tailoring has recently had women in the strongest chokehold in decades, perhaps since the 1980s. Think of the endless crews of 20-something girls wearing oversized blazers with skirts or giant faded jeans and roaming metropolitan cities. Many other women have learned that trousers are a lot more comfortable than denim. With that in mind, women would look great in the softly tailored suits of Armani. The show was held at Giorgio Armani’s own home, and the brand always make an argument of: What if you just wore a uniform of suits? Maybe. Zegna sent a woman of a certain age down the runway with a matching blouse, pants, and jacket, all woven in sand and rust, and only continued the argument for tailoring.

    Dries Van Noten’s men’s collections, now designed by Julian Klausner, have always hinted at what’s to come in its women’s collections. This time they could have been one and the same, with male models dressed in kilts in quiet colors and an array of bright knitwear. The shirts with delicate floral patterns would translate well to a woman’s wardrobe (maybe an oversized one open over a tank and a skirt in the summer), as would the cinched-waist floral pants in slinky fabrics. Everyone should try to preorder the floral parkas because they will surely sell out.

    Shirts were also a focal point at Prada, particularly ones with trailing, unbuttoned cuffs. More and more women in my life are buying and wearing tuxedo shirts and others with French cuffs, and Prada’s show felt in conversation with that emerging styling choice. Speaking of styling tricks to steal, the foppish ties that almost looked like silk scarves or ribbons at the Yohji Yamamoto show would be a good alternative for women who want some kind of necktie but think a traditional men’s tie reads too costumey.

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    Marisa Meltzer

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  • Inside the Craziest, Buzziest Show at Paris Fashion Week: Willy Chavarria

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    This is the new name of the game for labels like Chavarria’s, to find a corporate partner eager for some “community” brownie points to foot the bill. He worked with Tinder for his first show in Paris and his ties with Adidas have become closer. He’s had a fruitful partnership with the sportswear behemoth since 2024 (if not with the misstep of mimicking a pair of huaraches, the traditional leather sandals made by Indigenous artisans in Mexico, for which the designer apologized), and is also now acting as a consultant, working on its inline collections in addition to his cobranded collaboration.

    He’s also teamed up with Grindr for this show. “I’m really happy to partner with them because, first of all, I’m here to support anything gay,” he says with a laugh. “Grindr is used for sex, for a hookup, but they have this interesting perspective on how they celebrate a very elevated perspective of gay culture.”

    The work with these corporate sponsors has become a business of itself for Chavarria. He launched Creative Services, through which he offers visual consultancy services to brands and partners. “It’s been like a side hustle for me,” he says. Plainly, Creative Services allows Chavarria to produce and conceptualize campaigns and other projects, the income of which goes back into his brand. Corporations come to him for a partnership and Chavarria turns them into clients, too, doubling his income stream.

    “These companies, they’re desperate for cultural validity,” Chavarria says. “I’m not stupid, I know what I’m giving them. I am offering a pathway to a demographic that brings them business,” he says, “a way to connect with people that corporations can’t always figure out how to reach.”

    Photographer Ellen Fedors.

    He is now in expansion mode, partnering with talent and making luxury clothing, but he’s not leaving behind his core audience. Chavarria has also decided to launch a diffusion line called Big Willy as of this show. It will be an inexpensive version offering the clothes he was first known for before he leaned into luxury wear and tailoring: Clever slogan and printed tees, generously cut hoodies and trackwear, and even underwear. “I want to provide a world that people can immerse themselves in,” he says, “knowing that not all can afford my $800 jeans, but they could afford the $150 Big Willy pieces.”

    As Chavarria works on spreading his gospel on a global scale—and stage—he’s also thinking of ways to expand that vision past the Latino identity. “It’s not always going to be Latino centric, but at this exact moment right now, I think it’s necessary for the world to see Latinos in all our glory,” the designer says. “In the most beautiful clothes, singing the most beautiful music. This needs to be on the highest pedestal I can possibly manage, and I will do whatever I can do for the world to see that.”

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    José Criales-Unzueta

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  • Heated Rivalry’s Hudson Williams Makes Runway Debut for Dsquared2 at Milan Fashion Week

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    Shane Hollander may have felt a little sheepish about hiring a stylist, but Heated Rivalry star Hudson Williams appears to be much more at ease in high-fashion circles: After accessorizing his silky Armani dinner jacket with roughly four acres of sternum and Bvlgari jewelry at the Golden Globes 2026 last weekend, Williams made his runway debut in Milan on Friday, the very first official day of Milan Fashion Week.

    Williams, who hails from British Columbia, took to the catwalk on behalf of Dsquared2, a line helmed by Canadian-born identical twin brothers Dean and Dan Caten and based out of Milan. The house frequently features celebrities in its runway presentations: In 2025, for the brand’s 30th anniversary celebration, Doechii opened the show, and Christina Aguilera, Brittany Murphy, and Naomi Campbell have all walked for them in the past. The Catens even designed wardrobes for Beyoncé’s 2016 Super Bowl halftime show and the Formation Tour, as well as Britney Spears’ 2009 Circus Tour, among other major celebrity collaborations.

    Fans of Heated Rivalry, the steamy show that has the world’s social media algorithms in a (consensual) chokehold, are already in a seemingly permanent state of tizzy, but when a glimpse of a board featuring the headshots of the show’s models, Williams included, appeared in the background of an Instagram reel posted by the brand, the frenzy only increased. The sweat, she dripped.

    Hudson Williams walks the runway at the Dsquared2 fashion show on January 16, 2026 in Milan, Italy.Daniele Venturelli

    Appropriately enough, the set design for the show was a hockey-themed winter wonderland, featuring frosty white steps for the models’ entrances, and snow-tipped firs, as well as boards on either side of the runway printed with the Canadian flag’s signature maple leaf and bold red and blue “D2” emblems. Williams not only walked in the show, but led the charge by being first on the runway in the opening look. He wore coated denim jeans, tall winter boots with a red maple leaf detail, and a mixed-material top that appeared to be, like, six jackets all bonded into one rat-king superjacket.

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    Kase Wickman

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  • I Tested the Viral Coach Kisslock Clutch That Sells Out in Minutes

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    While each product featured is independently selected by our editors, we may include paid promotion. If you buy something through our links, we may earn commission. Read more about our Product Review Guidelines here.

    As someone who works in New York City, I’m very particular about handbags. I’ve never been the stylish commuter who grabs a mini clutch and is off for a day of adventure from the office to dinner to cocktails. My work bag is essentially the equivalent of a car trunk for me so the more space, the better. That said, it’s no surprise I gravitated to Coach’s recent oversize bag offerings, particularly the Coach Large Kisslock Frame Bag ($695).

    Main Image

    But obviously, it’s not just about function. When I saw it on the runway, I immediately recognized the design inspiration: grandma’s coin purse. Coach actually cites the vintage Cashin Carry as its muse, the 1969 handbag conceived by Bonnie Cashin, the brand’s first lead designer. How innovative for Coach to reimagine that archival staple as an oversize It bag — I’ve never seen anything like it. I shared clips of the bag on TikTok and immediately the comment section was flooded with praise. It was clear Coach had yet another burgeoning viral handbag moment on their hands (viral is now an understatement: the bag sells out in a matter of minutes). While the teddy bear and dinosaur styles are also on my shopping list, the kisslock frame bag feels especially fun and versatile — and it comes in a bunch of bold and neutral colors.

    I have to admit though, I had my reservations. The models carried the bag hoisted under their arms on the runway and it was all very cool and effortless but I’m sorry — I need to be on my phone, grabbing my wallet, pulling out my emotional support water bottle, applying my lip oil, taking my supplements, finishing my coffee, and something else I’m forgetting. A hands-free options is needed! Fortunately, Coach planned for that and more.

    Keep reading for my full review of the Coach Large Kisslock Frame bag.

    What I Like About the Coach Large Kisslock Frame Bag

    The Coach Kisslock Frame bag is ludicrously capacious in the best way, to quote “Succession.” In fact, after the fashion show, I switched to flats and was looking for a tote to carry my knee-high boots. Imagine my surprise when they actually fit in the Frame bag — that’s how roomy it is.

    To my delight, it does have a strap so if you don’t feel like hoisting a huge bag under your arm, there’s another option for carrying it hands free.

    PS Photography | Jessica Andrews

    What’s Worth Noting About the Coach Large Kisslock Frame Bag

    It features an inside zip pocket so you don’t have to go deep sea diving to find your wallet. But if you prefer even more organization and easy access to your smaller items, I’d invest in a handbag organizer ($7, originally $10) you can throw inside.

    Main ImageMain Image

    It’s also a bold style that commands attention, which is further proof that the loud-luxury trend is having a moment. If you prefer a more understated, roomy bag, I’m equally in love with the Coach Soft Empire Carryall Bag ($695).

    Main ImageMain Image

    Who Is the Coach Large Kisslock Frame Bag Best For?

    This bag marries style and function in a way that’s truly unprecedented. If you need a spacious, go-with-everything carryall but are tired of being left out of the “It bag” conversation, this is the style for you. It’s the rare head-turning conversation starter that does double duty by holding all your essentials.

    The bag is perfect for everyone from a college student who needs to lug their computer back and forth to class; to a parent whose bag has to house all their kids’s snacks and toys; to a commuter like myself whose essentials need to be on hand at all times. But what sets this apart from your average roomy bag is you can tuck the handle in and be ready for any stylish event on your social calendar.

    PS Photography | Jessica Andrews

    About the Coach Large Kisslock Frame Bag

    • It’s available to shop in black, dark brown, and a rainbow logo style.
    • It’s 12.25″ long, 11.75″ high, and 7.75″ wide.
    • It has a detachable leather strap with a 9.75″ drop.
    • It features one inside zip pocket.
    • The exterior is made out of glove-tanned leather and features a leather inner lining.

    Where Is the Coach Large Kisslock Frame Bag Available?

    The Coach Large Kisslock Frame Bag is available on the brand’s website and Dillard’s.

    Rating:
    ★★★★★

    Jessica C. Andrews (she/her) is an award-winning editor and writer who currently works as the senior style director of PS, overseeing beauty, fashion, shopping, and identity content. With more than 15 years of experience, her areas of expertise include fashion, shopping, and travel. Prior to joining PS, Jessica held senior roles at Teen Vogue, Refinery29, and Bustle and contributed to The New York Times, Elle, Vanity Fair, and Essence. She’s appeared on “Good Morning America,” NBC, and Fox 5 New York and spoken on various panels about fashion, hair, and Black culture.

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    Jessica Andrews

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  • The Top 12 Spring 2026 Accessory Trends From the Runways

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    Increasingly, accessories have become their own kind of main character in the fashion world, fading from their former status as accompaniments to ready-to-wear looks. The spring 2026 collections—shown in New York, London, Milan, and Paris in September and October—more than proved that fact. With so many designer debuts and sophomore collections taking the stage this season (especially at heritage leather-goods houses like Chanel, Dior, Celine, and Loewe) it was high time for creative directors to pour their personalities into bags, shoes, hats, sunglasses, jewelry, and more. They did so in spades, bringing each piece to life on the catwalk. Below are the 14 biggest accessories trends we saw during Fashion Month, which will surely be all over the streets by the time the leaves bloom again next year.

    Pocketbook Change

    One of our favorite spring 2026 trends was the continuation of what we dubbed last season the “Twisted Lady” look. For fall 2025, designers seemed enamored with the idea of a proper dame gone slightly mad, and many of them sent bags down the runway that were slightly off. For spring 2026, a modern update was applied to the classic pocketbook—at Bottega Veneta and Celine, and for Jonathan Anderson’s Dior debut, which featured the new Ciale Bag, designed after the silhouette of Christian Dior’s Cigale dress from the 1950s.

    From left: Bottega Veneta, Dior and Celine

    Courtesy of Bottega Veneta, Getty Images and Celine

    She’s Come Undone

    Another hallmark aspect of the updated Twisted Lady: a look we’re calling “She’s Come Undone,” which calls for belts, bags, and other baubles intentionally styled incorrectly. Valentino’s heels were seemingly held together with tape, while Versace and Louis Vuitton left both their bags and their belts unbuckled. Fendi, Loewe, and Chanel had their bags hanging wide open as models walked down the runway.

    From left: Louis Vuitton, Chanel and Versace

    Courtesy of Getty Images (2) and Versace

    Pile On

    More is still more. Amid minimal looks from houses like Alaïa, there were alternately enormously decorated outfits for spring 2026. The Row came up with super-chic hair combs; Torisheju might’ve pulled inspiration from the children’s book Caps for Sale. Beaded necklaces at Chanel and Celine were, quite literally, piled on, as were belts at Chopova Lowena.

    From left: Chanel, Celine, Moschino, Torisheju, Chopova Lowena, and Jean Paul Gaultier

    Courtesy of Getty Images (3), Torisheju, Getty Images, and Jean Paul Gaultier

    Indecent Woman!

    She’s proper on paper, but peculiar in practice—and she’s the talk of the town. There was an endless amount of commentary on women’s roles in society this season. We saw the messaging come through in footwear that, like their bag counterparts, were a tad weird. At Dior, Jonathan Anderson added bunny ears to Roger Vivier’s original Dior heels. Chloe made plastic kitten heels a 1950s housewife might rock. Prada’s heels looked like they were being held together by string. Matthieu Blazy’s take on Chanel’s classic cap-toe shoe ties back to his days at Bottega Veneta, with a color palette nodding to Italian terrazzo and mint gelato.

    From left: Chloé, Dior, Prada, Chanel, Lanvin and Bottega Veneta

    Courtesy of Getty Images (5) and Bottega Veneta

    Natural Selection

    Turquoise pendants, stones that would skip perfectly over water, glowing salt crystals—these were some of the more grounded accessories that brands made, which were inspired by Mother Nature herself. Oyster shell bucket bags at Loewe were chic and au naturel, while Versace applied graffiti to its rock necklaces.

    From left: Schiaparelli, Loewe, and Versace

    Courtesy of Schiaparelli, Loewe, and Versace

    Far From Wooden

    Wood and rattan were major materials of inspiration for spring. At Miu Miu, the latter was used for a chic handbag that slightly resembled your grandmother’s porch chairs (in a good way). Bottega Veneta’s clog, meanwhile, came with a woven Intrecciato body and a wooden heel.

    From left: Miu Miu and Bottega Veneta

    Courtesy of Getty Images (2)

    Everyday Elevation

    This season, everyday footwear like sneakers and flip-flops were given the Special Occasion Treatment—embellished with gilded feathers (Rabanne) or done in sumptuous satin (Prada). At Dries Van Noten, deep blue sneakers were made of eel skin, and Carven and Rabanne studded their sandals with pearls.

    From left: Dries van Noten, Rabanne and Prada

    Courtesy of Getty Images (2) and Prada

    Soft Power

    Evening bags have lost their edge—sort of. In the place of hard clutches and blocky minaudières were soft, cinched pouches for spring 2026. Prada did its version in satin, while Loewe opted for the most supple leather and Valentino’s came with artful beading.

    From left: Prada, Loewe and Valentino

    Courtesy of Getty Images

    Groundbreaking Florals (For Real This Time)

    Each spring, we in the fashion industry make some kind of Devil Wears Prada-adjacent joke about florals being groundbreaking. But this time, we really mean it—many designers this season swapped flowery prints for 3-D florals, crafted with their house codes in mind. Jonathan Anderson was inspired by Vivier’s La Rose shoe, which was first designed for Christian Dior in the ’50s. Silvia Venturini Fendi was inspired by both eggs and flowers, and channeled their jolly pastel vibes on bags and heels. Frilly floral Chloé purses were modeled after 1940s swim caps.

    From left: Fendi, Dior and Chloé

    Courtesy of Getty Images

    Never Neutral

    The vast majority of bags and shoes that walked this season were done in bright hues, especially primary colors and super-saturated tones. Fendi’s hot-pink bags were matched with a cranberry red, while Celine’s butter-yellow skirt came with a pair of electric-blue shoes.

    From left: Fendi, Celine and Miu Miu

    Courtesy of Getty Images

    Straight Outta the Louvre

    Less than two weeks after Paris Fashion Week wrapped, thieves broke into the Louvre and stole jewelry worth millions of dollars. Designers’ baubles for spring 2026 seemed darkly prescient in their Baroque designs and museum-ready gemstone size. From Gothic pieces at Saint Laurent to lighthearted jewel stickers at Julie Kegels, the message was clear: this trend is fit for a queen.

    From left: Simone Rocha, Julie Kegels and Saint Lauren

    Courtesy of Getty Images

    Mad Hatter

    The hats this season redefined the term “whimsical.” At Dior, Anderson paid homage to former house designer John Galliano with structured tricorne hats. Chanel had caps made of soft plumes of red feather, calling once more to Blazy’s time at the helm of Bottega Veneta. Alaïa, meanwhile, was inspired by Constantin Brâncuși, whose artful shapes informed headwear silhouettes.

    From left: Chanel, Dior and Schiaparelli

    Courtesy of Getty Images (2) and Schiaparelli

    A Cinderella Story

    The lucite footwear look has just gotten a modern upgrade. From Loewe’s molded booties—some of which were worn with colorful socks, or pedicures—to Chloé’s pointy kitten heels, there was a glass slipper to fit everyone.

    From left: Loewe, Maison Margiela and Chloé

    Courtesy of Getty Images (2) and Maison Margiela

    Out of Sight

    No bad views here. This season, sunglasses provided an escape from reality, with enormous sculpted goggles at Rabanne, alien-esque rhinestones at Balenciaga, and Valentino’s diamanté cat eyes.

    From left: Rabanne, Balenciaga and Valentino

    Courtesy of Getty Images

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  • How Roger Vivier’s Belle Vivier Became the Most Famous Pump in Fashion

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    At Maison Vivier, Roger Vivier’s recently opened Paris atelier and archive, housed in a Saint-Germain-des-Prés hôtel particulier, a black patent pump with a large rectangular buckle takes pride of place. Behind its glass case, a wall of black-and-white photographs showcases more Belle Viviers—the maison’s most emblematic shoe—worn by 1960s fashion icons. Jackie Kennedy and Audrey Hepburn stroll city streets in shift dresses, while Sophia Loren faces the paparazzi in a leopard-print coat. “But nothing compares to Catherine Deneuve walking up the stairs in Belle de Jour while the camera lingers on her feet,” says creative director Gherardo Felloni, referring to a memorable scene from Luis Buñuel’s 1967 film, in which a doctor’s wife ascends grand, Haussmannian wrought-iron steps toward her secret life in a brothel. Immaculate in an Yves Saint Laurent double-breasted coat, pillbox hat, and gloves, only her glossy Belle Viviers are visible, each tentative step a quiet negotiation between propriety and desire.

    Before its close-up, the Belle Vivier had already made fashion history. After a decade crafting innovative heels at Christian Dior, Vivier brought couture precision—and a playful subversion of tradition—to his own line in 1963, as well as to prolific runway collaborations. The low-heeled buckle pump debuted on the Yves Saint Laurent fall 1965 runway, paired with the infamous Mondrian dress that shocked the fashion world with its stark minimalist geometry. Cut from inky patent leather, with a slanted Skyscraper heel and a sculptural buckle as its only adornment, the shoe felt just as strikingly modern. Inspired by 18th-century men’s court shoes worn at Versailles, it was dubbed the Pilgrim-buckle shoe by the American press and later renamed the Belle Vivier after Deneuve’s starmaking turn in Belle de Jour. Polished yet flirting with provocation, the pump sold tens of thousands of pairs, establishing it as one of the first true It accessories.

    Catherine Deneuve in Belle de Jour

    REPORTERS ASSOCIES/Gamma-Rapho/Getty Images

    The Mondrian Dress with Belle Vivier shoes on the runway at the Yves Saint Laurent Haute Couture showspring 2002.

    Victor VIRGILE/Gamma-Rapho/Getty Images

    Six decades later, the Belle Vivier is worn by stars such as Nicole Kidman, Selena Gomez, and Lola Tung, its sharp, angular lines ensuring it hasn’t lost its edge. At the Maison Vivier opening cocktail during Paris Fashion Week earlier this month, the now 81-year-old Deneuve looked effortlessly cool, pairing Belle Viviers just like the ones she wore in Belle de Jour with a plaid shirt, wide-leg trousers, and a long trench. Inès de la Fressange, the house’s longtime brand ambassador who curated the archival displays, recounts a moment that illustrates the shoe’s enduring appeal. “I have the proof,” she says, pausing and smiling. “Once a woman arrived at our Paris store wearing a black sweater, black pants, and these awful loafers. She tried on Belle Viviers and instantly looked 300% better. Good accessories give you style by adding a ‘twist.’”

    Since joining the maison in 2018, Felloni has pushed the Belle Vivier’s silhouette and fabrication; this fall, he designed pony-effect animal print slingbacks and soft nappa leather booties. For spring 2026, he will unveil the Belle Vivier 60 collection, a range of richly embellished pumps, slingbacks, and ballet flats celebrating the maison’s iconic shoe on its 60th anniversary. “I wanted to do something that hadn’t been done yet on this shape by applying the couture techniques Roger Vivier brought from his millinery work,” Felloni says. The collection infuses the Belle Vivier’s streamlined form with the theatricality of Vivier’s 1940s hat designs and Felloni’s own love of jewelry. Standouts include the Pizzo, a black lace-and-satin pump adorned with black jet and glass elements, and the Prato, a pink satin pump encrusted with green and pink sequins evoking a garden in bloom. “You can wear it with jeans and a T-shirt,” says Felloni, proving that beneath its elegant exterior, the Belle Vivier retains a mischievous spirit.

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  • For NYC Students, Fashion Week is just the beginning | amNewYork

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    New York Fashion Week wrapped up last month, and when the lights dimmed on the final runway of this year’s NYFW, it marked the end of another season of high fashion, but the beginning of something else entirely. For New York’s college students, the chaos and glamour of Fashion Week isn’t a finish line; it’s a starting line.

    Beyond the flashbulbs and VIP invitations, the week opens doors for young people trying to break into the industry. For students across the city, Fashion Week offers more than a front-row seat. It’s a place to work, learn, and meet people who can shape their future careers.

    As the last looks from this year’s New York Fashion Week fade into the rearview, we spoke with three New York college students who are already turning the lessons they learned into fuel for their next steps, with some speeding ahead and others switching lanes entirely.

    Whether behind the camera, running their own brand, or managing a guest list, these students used Fashion Week to take their first real steps into one of the most competitive creative scenes in the world.

    Matt Barsallo — Long Island University

    At Long Island University, Matt Barsallo spends most of his time behind a camera or a computer screen. The graphic design student shoots photos and makes graphics for the LIU men’s soccer team, which is how he first started building connections on campus. That same mix of creativity and networking eventually landed him at New York Fashion Week.

    “I worked with a guy named Anthony, his company is Perspective Saints,” Barsallo said. “I got in touch with them because I got invited to a clothing release party.”

    After the release party, Barsallo mentioned that he did design work. The conversation turned into a collaboration that later brought his graphics to the Perspective Saints’ Fashion Week show.

    “I just got in touch with them and kept texting back and forth, and then he was telling me how he wanted to do a show for Fashion Week,” Barsallo said. “He’s not really a designer—he’s more of an entrepreneur. He wanted me to get a couple of icons and logos for his shirts, and I made a clothing catalog for him. “The designs I made were the ones I posted on Instagram,” he said.

    Balancing both design and photography has become Barsallo’s calling card. “Photography is so easy to get connections,” he said. “I go over there to do photography work, but introduce myself as a graphic designer. It kind of goes hand in hand.”

    That approach helped him turn Fashion Week into more than just a one-off gig. “For me, what I learned is it’s really good for connections. Everyone comes,” Barsallo said. “I met some people from Jersey, some people from Chicago, from LA — a bunch of people. It was actually sick.”

    Now, he’s carrying those connections forward. “The same person wants to make a video for the Afghan Cup,” he said. “I’m going to help him do some camera work and probably get something designing up there, thumbnails and more, whatever is needed.”

    Between that and his ongoing work with LIU soccer, Barsallo said he’s just focused on building. “You know, still moving forward.”

    Desmond Samms — St. John’s University

    While Barsallo found his path through design, another student built his own spotlight.

    When you think of college students participating in NYFW, it’s most likely helping backstage or behind the scenes. For Desmond Samms, a marketing student from Los Angeles, he skipped all those steps, launching his very own show. NYFW was a turning point for his growing clothing brand, TAGD.

    Samms, who’s been steadily building the brand’s presence on social media and around the St. John’s University campus, said the idea for his first Fashion Week show came almost out of nowhere.

    “I just started off by one day going to another brand’s pop-up, Corteiz,” Samms said. “Just that whole experience, seeing stuff like that, I was like, ‘Okay, now I gotta figure out what I can do in Manhattan.’”

    A few days later, the right message came through. “Someone hit me up saying she was hosting a large fashion show partnered up with a party planning organization called Lux,” he said. “They were hosting the ‘Under Pressure’ fashion show on Sept. 20 in Chelsea.”

    For Samms, that call was all he needed. “I always say the smallest opportunities lead to the greatest blessings,” he said. “Regardless of how quick they seem or however I feel ready or not for fashion, I’m gonna say yes now and figure it out along the way.”

    The result was his debut Fashion Week show, where he introduced his new GAMEDAY collection, which dropped on Oct. 3, to a packed audience.

    “I think I was one of the youngest brand owners there,” Samms said. “The reactions I got from the first impression of my next drop that I presented at the show were just — people were excited and obsessed. I got a couple preloads that day. Everybody was in love with it.”

    He said the city itself pushed him to level up. “LA got me here and New York taught me to be better,” he said. “New York taught me how to be a hustler and promote what I do, no matter what happens. You gotta be your own biggest supporter. You gotta be your own biggest fan. You gotta be the dog that’s always gonna be hungry no matter what.”

    As for what comes next, Samms kept it short. “Whole world TAGD,” he said. 

    Chloe LaBel — Fashion Institute of Technology

    For some students, Fashion Week solidifies a dream. For others, it redefines one.

    At the Fashion Institute of Technology, Chloe LaBel has already seen both sides of Fashion Week, the grind of being an intern and the rush of working on-site. The art history and museum professions major has worked multiple seasons as a student, allowing her to get a full perspective on the New York fashion scene.

    “I worked with The Hilton Group, which is a fashion public relations company,” LaBel said. “I was a freelance worker for the week and worked front of house, predominantly checking in guests and VIPs. I also helped with seating, guiding people to their seats for the shows, and assisting with anything else needed.”

    It wasn’t her first NYFW, but it was her first time not as an intern. “As an intern, I was in their office a few days a week, usually three,” she said. “So I got to see a lot more of the work that goes into the shows ahead of time. This year, I was more involved on-site. I got to direct some of the interns and make sure everyone knew what they were doing during the event.”

    The experience helped LaBel realize where her true interests lie. “I don’t necessarily want to go into fashion, which, honestly, working Fashion Week kind of confirmed for me,” she said. “It’s a really cool experience, and I love doing it every season, but it showed me it’s not something I want to do as a full-time job.”

    Her background in art and history continues to guide her goals, but Fashion Week introduced her to a new skill she didn’t expect to enjoy. “I learned a lot about event planning,” LaBel said. “There are people who produce fashion shows for a living, which is super cool, and I never knew that existed. Working shows made me realize I’m actually really interested in planning events.”

    LaBel was inducted as co-president of FIT’s Student Activities Board this past semester. “That experience led to me getting more involved in that at school, which has been really fun.”

    Even if fashion isn’t her long-term path, LaBel said she plans to return next season to keep those connections alive. “It’s given me a lot of great connections,” she said. “My supervisors at the company have been amazing mentors. They’re always willing to connect me with people if I want to explore a specific field, and they’re super supportive when it comes to opportunities.”

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    By Parker Songco

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  • A Wild Skirt & Simple Shirt Was the #1 Outfit Formula From the Runways

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    Going somewhere fancy? This season, designers suggested breaking out your party skirts—but not your “going out” tops.

    Over the past weeks, Milan and Paris’s spring 2026 runways were rife with a dimorphic formula of festive, cascading skirts and relatively mundane tops. Think: that plain office button-down with a New Year’s Eve-esque sparkle skirt placed at the bottom. A fitted black coat with a maxi fit for a princess. It’s very Carrie Bradshaw, and a bit like Sharon Stone’s infamous 1998 Oscars outfit taken to extremes. Let’s refer to this as the “statement skirt, plain shirt” phenomenon.

    On the final eve of Paris Fashion Week, Chanel’s new designer Matthieu Blazy seemed especially drawn to the idea. He presented a sequence of skirt-forward silhouettes, including a cropped pinstripe Charvet shirt worn with a 3-D floral skirt in bold orange. One skirt, a low-waisted piece inspired by the camellia flower, was shown with a silk blouse featuring a bateau neckline. A similar shirt defined the finale look, which featured a floor-length design lined with flowers in every color of the rainbow. Model Awar Odhiang couldn’t help but smile with joy as she wore it.

    Chanel Spring/Summer 2026

    Kristy Sparow/Getty Images Entertainment/Getty Images

    Chanel Spring/Summer 2026

    Kristy Sparow/Getty Images Entertainment/Getty Images

    At Balenciaga, Pierpaolo Piccioli presented a light pink t-shirt (a very luxe one, at that) with a feathered fluorescent orange maxi cut just high enough to reveal the model’s platform flip-flops. At Bottega Veneta in Milan, Louise Trotter’s strong-shouldered terry cloth tee was party-ready thanks to a textured tea-length skirt made from recycled fibers. Trotter, for what it’s worth, also designed the inverse: plain shift skirts and “look-at-me” tops.

    Balenciaga Spring/Summer 2026

    Victor VIRGILE/Gamma-Rapho/Getty Images

    Bottega Veneta Spring/Summer 2026

    Victor VIRGILE/Gamma-Rapho/Getty Images

    While not entirely novel, the pairing does speak to a modern way of getting dressed. It departs from the rigidity of formalwear—the idea that certain items must be styled in certain ways—and the casual feel that usually comes with loungewear. It’s a thoughtful approach to styling that takes into consideration both form and function. (No, not every look needs to be overdone and weighed down with showpieces—one statement item is more than enough most of the time).

    Loewe’s new designers Jack Mccollough and Lazaro Hernandez reflected that essence. They created a beaded bright blue number with a high-low hemline, worn with a bomber coat featuring pockets so big, no handbag was required for a night out. Even Alaïa’s off-the-shoulder body con tops looked simple in comparison to the lime green skirt with fringe tassels Pieter Mulier sent down the runway.

    So, it’s time to rethink how you wear that polka-dotted or sequined skirt of yours. A t-shirt might be its new companion.

    Peter White/Getty Images Entertainment/Getty Images

    Alaïa Spring/Summer 2026

    Courtesy of Alaïa

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  • This is exactly how many plus size models walked during fashion month

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    “We would love for you to attend our fashion month show.”

    Me: “Are you providing dressing options?”

    “Nothing in your size, sadly, but we do have these really fun earrings!”

    In 2019, this was a common conversation I had with many London Fashion Week shows. It became rather tedious and honestly quite offensive.

    For many years, as a plus-size woman, I’d been made to feel grateful to even be invited to these fashion month shows because, quite frankly, I didn’t have the acceptable ‘fashion-worthy body’ that’s so prevalent in the fashion industry – even though I had nearly a decade’s worth of high-end fashion editorials, billboards, beauty campaigns and articles under my name. My size was definitely still an issue. Plus-size models were definitely still an issue.

    So, for the last three years I have been recording how many curve or plus-size models walk down the runway across the four main fashion weeks, and looking into whether any social trends or headlines have been able to alter and manipulate the numbers across the board dramatically. Let’s look at this past fashion month’s credentials…

    NEW YORK FASHION WEEK

    The rise of the Ozempic trend in the US is still hanging around, three years since its first popularity – and it was quite apparent that the impact of this trend alongside the return of archaic phrases such as ‘heroin chic’ and ‘skinny is back’ hugely altered the messaging at NYFW back in 2022. After a lot of backlash, they more than doubled their numbers for curve models to 70 models later in that year, but their numbers have been decreasing ever since – averaging at around 40 models each season in 2024. Last Feb we saw a 50% drop and now the later part of 2025 we are back to our low average.

    Gone are the days when the US were leaders when it comes to size inclusivity on the runway, so it is a real shame to see the big apple plummet back the past few years. Again in 2025, there was also no male plus-size representation, which is highly disappointing from the city that used to be the forefront of inclusion.

    With over 117 designers showing this season and an average of 40 looks per show, there were around 4680 looks on the runways.

    46 of them were considered curve or plus.

    The designer loyally flying the flag for representation season after season is Christian Siriano, who cast eight plus-size girls on his runway this season. Jade Ward had four curve models, Michael Kors, Kim Shui, Bach Mai, Christian Cowan all had three models each.

    Launchmetrics.com/spotlight

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    Felicity Hayward

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  • Kai Schreiber, Naomi Watts and Liev Schreiber’s Daughter, Is the Star of Fashion Week

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    From New York to Paris, the month dedicated to Spring-Summer 2026 collections had a main character: Kai Schreiber. With blond hair and porcelain skin, the model has been a regular presence on various fashion week runways throughout the year, donning styles from a wide variety of designers on the runway, from Jason Wu to Fendi, Moschino to Valentino.

    Born in New York City in 2008, Kai is a transgender woman, the second child of two big names in Hollywood, Naomi Watts and Liev Schreiber, who have shared stories of her transition, which began at a young age. She’s often been targeted by the media for this as much as for the always controversial label of being a so-called nepo-baby in the fashion world. Her father recently said he didn’t take that criticism seriously: “I don’t have many thoughts for the haters,” he told TMZ earlier this year following Kai’s runway debut. “I’m gonna put it to you like this: What if you were a professional actor and your child decided they wanted to do something in this world. Do they have the choice of what you did? It doesn’t matter, like, that’s her life. She does what she wants with her life. And I’m super proud of her. I thought she did an amazing job on the show.”

    Kai is represented by IMG Models.

    Kai with her mother, actress Naomi Watts.

    Santiago Felipe/Getty Images

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    Chiara Da Col

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  • Gwyneth Paltrow, Demi Moore, and More Front-Row Stars at Milan Fashion Week

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    Following New York and London, Milan will take its turn at trendsetting as the biggest designers unveil their spring-summer 2026 collections at the city’s annual fall Fashion Week. The event will see several anticipated debuts, starting with Demna’s first collection as artistic director of Gucci.

    The house opened Milan Fashion Week with a screening of The Tiger, a film celebrating the Balenciaga defector’s first collection, La Famiglia, which was unveiled to everyone’s surprise a few hours earlier on social media. Directed by Spike Jonze and Halina Reijn, the short film stars Demi Moore as a Gucci heiress on the verge of a breakdown, joined by Edward Norton, Keke Palmer and Kendall Jenner. Its Hollywood-worthy cast gave the evening the feel of a world premiere.

    Stars packed the Palazzo Mezzanotte including, Gwyneth Paltrow, Valeria Golino, Anna Wintour, Alex Consani, Anna Ferzetti, Isabella Ferrari, and Jin from the group BTS. The pieces from La Famiglia, available from midnight yesterday evening in ten hand-picked Gucci boutiques, were already being worn by Paltrow (a monogrammed satin suit), Serena Williams (a black mermaid dress with feathers), and Lila Moss (a crocodile miniskirt and matching boots). Moore caused a sensation in a shimmering gold dress with a long train and a dazzling open back. The collection, made up of thirty-seven silhouettes, summons the house’s signatures—reinvented stripes, leather jackets worn on bare skin, larger-than-life feather coats, and unashamed sensuality—and Demna also didn’t skimp on nods to the house’s Tom Ford era in the 1990s. The Georgian designer also took the opportunity to present a brand new Gucci trunk.

    As we know, Fashion Week is not only a showcase for the biggest names in fashion: it is also an irresistible showcase for celebrities, who crowd into the front rows of the most high-profile shows. Their attendance is a spectacle within the spectacle, much to the delight of fans and curious onlookers gathered in front of the most glamorous venues. On this first day, Alberta Ferretti gathered around her show a choice cast including Rocío Muñoz Morales, Cristina Marino, and Olivia Palermo.

    On the third day of Milan Fashion Week, the sun was shining on the stars who illuminated the first fashion shows of the day. This time around, the standout was David Beckham—an ambassador for Boss, who was highly anticipated as a front row guest after he announced his arrival in Milan with a post on Instagram.

    Dressed in an elegant brown suit, the footballer captured attention alongside Aaron Pierre, Meghann Fahy, Fai Khadra and many other well-known faces. Max Mara opened Fashion Week’s third day, gathering celebrities like Paz Vega, Anna Ferzetti, Derek Blasberg, Maude Apatow, and many others. At Prada, we could see Kerry Washington, Bendetta Porcaroli, Emma Chamberlain, Carey Mulligan, Felicity Jones, and Elodie.

    Below, find all the stars at Milan Fashion Week so far—day by day, fashion show by fashion show.

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    Laura Scafati

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  • Directors Spike Jonze and Halina Reijn On Creating Gucci’s Film, The Tiger

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    SJ: The starting point was a call from Demna: he said he would like the film to be about a matriarch and her family. Then he sent us all the photos of the lookbook, all his new clothes worn by models, with all the names of the individual characters—but maybe I would say they are rather archetypes—explaining what the Italian names he gave them meant, like Il Bastardo. He was very precise, but at the same time very open: an approach that made this work very challenging.

    Was it easy to write the script?
    HR: Well, we were certainly a little bit under time pressure, but that pressure made it very fun. We worked in a very different way than usual—it was unique how much artistic freedom we all had.

    What was it like having two people direct a film?
    SJ: First we did a kind of mind meld, a kind of six-week meditation, like 8 hours a day, to foster nonverbal communication. I recommend it for any kind of collaboration.

    Good advice. If you were to write a short synopsis of this film, for example for Wikipedia, what words would you use?
    SJ: I don’t know, I’m not allowed to edit Wikipedia entries.
    HR: I would just use one question, ‘What would you do if you were in a room with a tiger?’

    Here, what would you do in a room with a tiger?
    HR: I can’t answer that, you have to see the movie. What would you do?

    I would negotiate.
    HR: Makes sense: Negotiate to tame it.

    The soundtrack is fantastic. How did you mix such different songs together?
    SJ: When we were writing the film, I created a playlist that I shared with Halina and Demna: the beautiful Italian song, “Guarda che luna,” he found it. You know, a lot of these songs, like “Mood Swings” and “Nosebleeds,” are songs I’m obsessed with, they’re songs I love by two artists I really like, Little Simz and Doechii. The playlist, which was later completed by Cristobal Tapia de Veer, also kind of shaped the story. The whole process was crazy, very fast, almost wild: it’s a 30-minute film, which we edited in three weeks. Usually, it takes much longer. I could almost call it a stream of consciousness: the writing, the shooting, the editing… it was a continuous movement, which we let flow freely, without thinking too much about anything.

    The costumes, of course, are a key part of the film. Did they influence the filming in any way?
    SJ: From an actor’s point of view, I think the wardrobe can define the character in a certain way. When we rehearsed, one of the most beautiful things was to see the outfits in their detail and construction before they were even worn: some of them are incredibly intricate, with all these embroidered beads… I think the costumes helped the actors understand right away and precisely what their characters looked like.

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    Simone Marchetti

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  • The Sporty Trend Lives On At The NYFW SS26 Runways

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    While some collections made slight nods to sports via rugby-inspired polos paired with knee-high Pilates socks (Christian Cowan) or striped leotards and neon netting (Diotima), others waved their pom poms (figuratively and literally). Gabe Gordon presented a collection that “suggests that desire is not simply expressed through bodies, but through impact,” according to its show notes. And the impact in question clearly includes a tackling metaphor as a few looks featured shrug-esque tops that looked both like football shoulder pads and actual footballs. The “get your goat on” graphic dress also speaks for itself.

    Area’s new creative director, Nicholas Aburn, made his debut with splashy and joyful designs. The spring collection featured tinsel pom pom purses (that quickly went viral) as well as sequined dresses made from deconstructed basketball jerseys from the Chicago Bulls, Los Angeles Lakers, and more.

    Meanwhile, Kate Barton’s collection was the first to catch my eye in person, thanks to a collared long-sleeve jersey… paired with a bubble skirt. The show notes read: “Retro athletic references are interwoven with eveningwear codes, underscoring Barton’s fresh instinct for balancing the sportive with the feminine, the nostalgic with the new.”

    And the sport jersey influence didn’t end there. After taking three years off from NYFW, Dauphinette re-entered the spotlight with a hauntingly beautiful collection. But of course, the style that shined for me was a seashell-covered polo top with the number 10 on the back (typically reserved for the best of the best soccer players, like Lionel Messi).

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    Victoria Montalti

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  • New York Fashion Week Street Style Is Giving Us Transitional Outfit Inspo

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    From rich colors (especially jewel tones) and elevated basics (à la white button-up tops) to strategic layering (a statement coat can make a look), the NYFW street style outfits are the perfect inspiration for your own fall wardrobe refresh. Whether you’re considering styling (or buying) barrel-leg pants, a shaggy coat, knee-high boots, or a statement top-handle bag, scroll on for outfit inspo from the best NYFW looks we’ve seen so far.

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    Victoria Montalti

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  • The 2000s Dresses-Over-Pants Look Is Back, Plus 7 Other Fall Fashion Trends to Know

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    While each product featured is independently selected by our editors, we may include paid promotion. If you buy something through our links, we may earn commission. Read more about our Product Review Guidelines here.

    Amid a week of near-arctic temperatures in the city that never sleeps, New York Fashion Week brought vibrance and energy that kicked off Fashion Month with a bang. Strong Fall 2025 trends have already begun to emerge that carry with them a maximalist spirit, be it in silhouette, color, or detail.

    From oversized wrap coats to beautifully embellished detailing, monochromatic looks in bright cherry red and fringe details that possess alluring movement as you walk, New York Fashion Week’s Fall 2025 shows were a true celebration of creativity and a return to a whimsical spirit we are all so desperately seeking. And the trend everyone will be talking about marks a return to nostalgic fashion aesthetics: dresses layered over pants for a cool 2000s vibe.

    Though American designers went full-force with the presentation of oversized shapes, light-catching crystals, and more, it was all juxtaposed with more practical roots. Be it a wool skirt suit from Michael Kors with extensive embellished detailing, fringe bags from Altuzarra that are the ultimate in throw-on-and-go, or Altuzarra wrap coats that offer a true effortless sophistication, the stylistic balance was palpable.

    Ahead, check out eight fall 2025 trends that we can’t get enough of. And we’ve pulled together some of our favorite pieces of the moment so you can start shopping these looks right now.

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    Avery Matera

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  • The Best Looks From Copenhagen Fashion Week Spring 2026

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    Each year, Copenhagen Fashion Week’s influence and prominence steadily increases—and for spring 2026, the climb continues as the Danish capital hosts 44 brands for presentations and runway shows from August 4-8. Of course, the event makes for some of the best street style in the business. But it’s also an opportunity for Nordic designers to show off their latest offerings for the season.

    Cecilie Bahnsen, who normally shows in Paris, will return to her hometown for her eponymous brand’s 10th anniversary. Bahnsen will act as CPHFW’s inaugural guest designer, and in the seasons moving forward, the city will host other Nordic talent in a similar spot of honor.

    From the more established to the fledgling brands, the New Talent program will introduce Anne Sofie Madsen to the spotlight, while continuing its relationship with Berner Kühl and Bonnetje, both showing one final time with the program. One To Watch designers—Kettel Atelier, Taus, and Stem—will also have a place on the week’s schedule as part of New Talent’s ongoing support of the region’s up-and-coming brands.

    Fans of Nordic designers will recognize many of the returnees on the schedule, including Marimekko, 66°North, Filippa K, The Garment, Deadwood, and the Royal Danish Academy. All of these brands (and the 38 others set to show) will follow CPHFW’s sustainability requirements, which go into full effect in January 2026.

    From OpéraSport’s opening show to Rotate’s closing presentation, you won’t want to miss what is the biggest season of CPHFW yet. So, keep checking back here often as we update you on our favorite fashion moments from the week.

    Rotate

    Photograph by James Cochrane

    Rotate

    Photograph by James Cochrane

    Rotate

    Photograph by James Cochrane

    Rotate

    Photograph by James Cochrane

    TG Botanical

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    TG Botanical

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    TG Botanical

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    TG Botanical

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    Kettel Atelier

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    Kettel Atelier

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    Kettel Atelier

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    Kettel Atelier

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    Filippa K

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    Filippa K

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    Filippa K

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    Filippa K

    Photograph by James Cochrane

    Deadwood

    Photograph by James Cochrane

    Deadwood

    Photograph by James Cochrane

    Deadwood

    Photograph by James Cochrane

    Deadwood

    Photograph by James Cochrane

    Nicklas Skovgaard

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    Nicklas Skovgaard

    Photograph by James Cochrane

    Nicklas Skovgaard

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    Nicklas Skovgaard

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    Sunflower

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    Sunflower

    Photograph by James Cochrane

    Sunflower

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    Sunflower

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    Birrot

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    Birrot

    Photograph by James Cochrane

    Birrot

    Photograph by James Cochrane

    Birrot

    Photograph by James Cochrane

    CMMN SWDN

    Photograph by James Cochrane

    CMMN SWDN

    Photograph by James Cochrane

    CMMN SWDN

    Photograph by James Cochrane

    CMMN SWDN

    Photograph by James Cochrane

    The Royal Danish Academy of Fine Arts

    Photograph by James Cochrane

    The Royal Danish Academy of Fine Arts

    Photograph by James Cochrane

    The Royal Danish Academy of Fine Arts

    Photograph by James Cochrane

    The Royal Danish Academy of Fine Arts

    Photograph by James Cochrane

    Baum Und Pferdgarten

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    Baum Und Pferdgarten

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    Baum Und Pferdgarten

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    Baum Und Pferdgarten

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    Gestuz

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    Gestuz

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    Gestuz

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    Gestuz

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    MKDT Studio

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    MKDT Studio

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    MKDT Studio

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    The Garment

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    The Garment

    Photograph by James Cochrane

    The Garment

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    The Garment

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    Herskind

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    Herskind

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    Herskind

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    Herskind

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    Iamsigo

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    Iamsigo

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    Iamsigo

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    Iamsigo

    Photograph by James Cochrane

    Alis

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    Alis

    Photograph by James Cochrane

    Alis

    Photograph by James Cochrane

    Alis

    Photograph by James Cochrane

    Rolf Ekroth

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    Rolf Ekroth

    Photograph by James Cochrane

    Rolf Ekroth

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    Rolf Ekroth

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    Han Kjøbenhavn

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    Han Kjøbenhavn

    Photograph by James Cochrane

    Han Kjøbenhavn

    Photograph by James Cochrane

    Han Kjøbenhavn

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    Skall Studio

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    Skall Studio

    Photograph by James Cochrane

    Skall Studio

    Photograph by James Cochrane

    Skall Studio

    Photograph by James Cochrane

    Rave Review

    Photograph by James Cochrane

    Rave Review

    Photograph by James Cochrane

    Rave Review

    Photograph by James Cochrane

    Rave Review

    Photograph by James Cochrane

    Anne Sofie Madsen

    Photograph by James Cochrane

    Anne Sofie Madsen

    Photograph by James Cochrane

    Anne Sofie Madsen

    Photograph by James Cochrane

    Anne Sofie Madsen

    Photograph by James Cochrane

    Caro Editions

    Photograph by James Cochrane

    Caro Editions

    Photograph by James Cochrane

    Caro Editions

    Photograph by James Cochrane

    Caro Editions

    Photograph by James Cochrane

    P.L.N.

    Photograph by James Cochrane

    P.L.N.

    Photograph by James Cochrane

    P.L.N.

    Photograph by James Cochrane

    P.L.N.

    Photograph by James Cochrane

    Freya Dalsjø

    Photograph by James Cochrane

    Freya Dalsjø

    Photograph by James Cochrane

    Freya Dalsjø

    Photograph by James Cochrane

    Freya Dalsjø

    Photograph by James Cochrane

    Bonnetje

    Photograph by James Cochrane

    Bonnetje

    Photograph by James Cochrane

    Bonnetje

    Photograph by James Cochrane

    Bonnetje

    Photograph by James Cochrane

    OpéraSPORT

    Photograph by James Cochrane

    OpéraSPORT

    Photograph by James Cochrane

    OpéraSPORT

    Photograph by James Cochrane

    OpéraSPORT

    Photograph by James Cochrane

    Forza Collective

    Photograph by James Cochrane

    Forza Collective

    Photograph by James Cochrane

    Forza Collective

    Photograph by James Cochrane

    Forza Collective

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

    Swedish School of Textiles

    Photograph by James Cochrane

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