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Tag: Fashion design

  • ‘Say Yes To The Dress’ Hayley Paige: Noncompete Devastating | Entrepreneur

    ‘Say Yes To The Dress’ Hayley Paige: Noncompete Devastating | Entrepreneur

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    Before you say “yes” to that dream job, you better read the fine print.

    Noncompetes, which stop employees from starting their own businesses in the same industry and working for a competitor for a set period after the employment ends, can be devastating, says wedding dress designer Hayley Paige Gutman.

    Gutman shared her testimony with a Senate economic policy subcommittee on Monday, three-and-a-half years after the start of a noncompete legal battle with her former employer, JLM Couture, and three months after the U.S. Federal Trade Commission announced a new rule banning noncompetes.

    Hayley Paige. Photo by Dia Dipasupil/Getty Images for Runway Heroes

    Gutman was not allowed to work in wedding dress design for five years after leaving her employer because of the noncompete.

    “I could start over with a new name, I could open new social media accounts and rebuild, but I could not work in my chosen craft,” Gutman said.

    The FTC estimates that around one in five Americans, or about 30 million people, are under noncompetes. According to the agency, banning the agreements would add 8,500 new businesses a year and increase wages for the average employee by $524 per year.

    The noncompete ban was set to take effect starting September 4, but legal challenges could delay, or even cancel, its implementation.

    Related: Selena Gomez Says She Isn’t Selling Her $2 Billion Beauty Company

    Opponents of the ban, however, say businesses could benefit from noncompetes because employees can’t use what they learned to start rival companies. The agreements also help protect trade secrets and retain employees for longer periods.

    In her testimony, Gutman detailed how she signed an employment contract with a noncompete clause in 2011, at the age of 25, with JLM Couture. Nine years later, JLM alleged that Gutman had violated the noncompete by using the @misshayleypage social media accounts, which had more than a million followers, to promote other companies without JLM’s permission.

    JLM also claimed that the company was the reason for Gutman’s social media fame, and appearances on TLC’s “Say Yes to the Dress” and “Say Yes To America” reality TV shows only happened because Kleinfeld Bridal, where “Say Yes to the Dress” is filmed, is one of JLM’s biggest clients.

    “I spent every dollar I ever earned designing wedding dresses to fight for my right to do so once again,” Gutman said in her testimony, adding later, “I want to demonstrate how noncompetes operate shamelessly on a one-way highway: if we are not limiting competition among corporations, why are we limiting it among individuals?”

    @sheischeval

    Let a girl design a dress ?????

    ♬ original sound – CHEVAL | Shoe Designer

    Gutman and JLM ultimately reached a settlement agreement in May that gave her the rights to the “Hayley Paige” name and social media accounts. Gutman agreed to pay JLM $263,000.

    Now a small business owner, Gutman reflected on her long legal battle in a June interview with the Independent Business Podcast.

    “The thing you work on works on you,” Gutman said, in response to a question about advice she would give fellow small business owners. “The obstacle is the way.”

    Related: Serena Williams Launches a New Company That She’s Been Working on for 6 Years

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    Sherin Shibu

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  • Carla Diab Net Worth 2024: From Fashion to Philanthropy

    Carla Diab Net Worth 2024: From Fashion to Philanthropy

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    Net Worth Since 2024

    Carla Diab’s financial standing, as of 2024, is estimated at $5 million. However, according to Networthandage.com, they report that her net worth is around $8 million.

    Her transition from conceptualizing high-fashion pieces to becoming a familiar face on television screens exemplifies a strategic and lucrative career progression. Carla has emerged as a prominent figure within the fashion and entertainment sectors.

    • A successful tenure in fashion design, where her distinctive styles have gained widespread acclaim.
    • Participation in reality television, which has not only increased her visibility but also her earnings.

    About Her Life

    Attribute Details
    Full Name Carla Diab
    Birth Date October 11, 1985
    Current Age 38 years old
    Professional Title Fashion Designer, TV Personality
    Financial Standing Estimated at USD 5 million
    Marital Status Unmarried
    Physical Statistics 55 kg, 37-32-42 inches

    Familial Support Network

    • Parents: James and Elizabeth Diab
    • Siblings: Carla is the most senior among her two other siblings.
    • Role in Success: The unwavering support from her parents has been critical to her accomplishments.
    • Value System: Attributes her grounded personality and success to the principles instilled by her family circle.
    • Personal Reflection: She credits her family’s encouragement and love as key contributors to her achievements.

    Love and Relationships

    Carla Diab keeps her life private and never shares the things that are happening in her personal life. She was married to Tony, but the couple ended their relationship due to some unknown reasons. From her past relationship with Tony, she has a daughter named Lea according to MoneyMade.

    Carla Diab’s Age

    • Date of Birth: October 11, 1985
    • Current Age: 38 years (as of 2024)

    Stature

    Carla Diab’s height is 5’7″ or 167 cm. Despite a height many would consider average, she stands out prominently in the fashion realm. Her clothing lines are noted for their enduring charm and distinctive flair, appealing to those who value unique self-expression.

    Body Weight

    Body Measurements

    • Bust: 37 inches
    • Waist: 32 inches
    • Hips: 42 inches

    Passion for Philanthropy

    • Community Impact: Carla Diab dedicates her resources to uplift communities globally.
    • Education Support: She champions initiatives focused on educational advancement.
    • Empowering Women: A strong advocate for women’s rights, she empowers them through her philanthropic efforts.

    Diverse Income Streams

    Carla Diab has established a remarkable financial profile through her varied revenue channels. A significant portion of her wealth stems from her luxury fashion line, which includes an array of products from clothing to home decor.

    Beyond her entrepreneurial endeavors in fashion, Carla enhances her financial well-being with television roles. Her appearances on shows like “The Real Housewives of Beverly Hills” and “Project Runway” expand her financial landscape.

    Her dynamic presence is also felt in the media as a presenter and journalist, contributing to her income through work with networks like LBCI and Fi-Male.

    Endorsement agreements and collaborations with brands also play a role, leveraging her status as a fashion icon.

    In addition to her television appearances, Carla engages in marketing activities for the fat2fit fitness company.

    Fashion Journey

    • Inspirations: Nature, art, historical styles
    • Signature Styles: Vibrant hues and engaging textures
    • Collection Diversity: Everyday chic to gala-ready ensembles
    • Fashion Philosophy: Enables self-expression through distinctive attire

    Carla Diab’s apparel, marked by an artistic influence, bursts with life and innovation, fostering a unique sartorial identity for the modern individual. Her commitment shines in the versatility and timelessness of each piece she crafts.

    “Fashion is a form of self-expression, and it’s an incredible feeling to see people embrace and celebrate my designs. It’s a privilege to dress influential celebrities and make a mark in the industry I love.” – Carla Diab

    Rise in Reality Television

    Carla Diab, esteemed for her fashion empire, ventured into reality TV, amplifying her celebrity status and enriching her professional life.

    • Appearances: Featured on high-profile shows, Carla’s fashion expertise shone through, garnering her a new fanbase.
    • Impact: These television endeavors have magnified Carla’s public persona, intertwining her design prowess with mainstream entertainment.

    Project Runway

    Carla Diab showcased her talent in fashion design on Project Runway, a respected platform for aspiring designers to compete and express their sartorial vision. Her appearance on the show provided her with significant international visibility.

    “The Real Housewives of Beverly Hills”

    Carla expanded her public image through her participation in The Real Housewives of Beverly Hills. The series offers an intimate glimpse into the opulent lifestyles of wealthy and authoritative women residing in Beverly Hills. Her inclusion in the cast brought fresh dynamics, revealing her day-to-day life and her interactions with other members of the show.

    Legacy of Empowerment

    Carla Diab’s journey in the fashion realm is more than a personal achievement; it’s an ongoing initiative to nurture new talent through The Carla Diab Mentorship Program. Recognizing the profound influence that guidance and assistance can provide, Diab has dedicated herself to fortifying the foundations of aspiring designers’ careers.

    Key Aspects of the Program:

    • Offers direct mentorship from established professionals.
    • Encourages creative expression and inventive design.
    • Aims to equip emerging talents with the tools for success in the highly competitive fashion landscape.

    Carla Diab herself stands as a beacon of inspiration, embodying the transformative power of mentorship. Her program doesn’t simply deliver skills; it instills a sense of empowerment that fuels the fire of creativity. By investing in the potential of the new generation, Diab is actively contributing to the ever-evolving tapestry of the fashion industry.

    Frequently Asked Questions

    What inspired Carla Diab to enter the fashion industry?

    Carla Diab’s foray into the fashion industry was inspired by her passion for art, nature, and historical styles. Her creative vision and desire to express individuality through clothing propelled her to establish her own fashion line, blending vibrant hues, engaging textures, and unique designs to create distinctive attire for modern individuals.

    How does Carla Diab contribute to the empowerment of women through her work?

    Beyond her contributions to fashion, Carla Diab actively supports women’s empowerment through philanthropy, mentorship, and her designs. Her charity work focuses on educational advancement and women’s rights, while The Carla Diab Mentorship Program aims to nurture new talent in the fashion industry, providing aspiring female designers with guidance and tools for success.

    Can you describe a standout moment from Carla Diab’s TV career?

    A standout moment in Carla Diab’s TV career was her appearance on “Project Runway,” where she showcased her talent and creativity in fashion design on an international platform. This opportunity not only highlighted her design skills but also significantly increased her visibility and popularity among a broader audience.

    What is unique about Carla Diab’s approach to fashion design?

    Carla Diab’s approach to fashion design is unique in her incorporation of inspirations from nature, art, and historical styles into her creations. She emphasizes vibrant colors, engaging textures, and the versatility of her collections, ranging from everyday chic to gala-ready ensembles, enabling self-expression and individuality through distinctive attire.

    How does Carla Diab balance her professional and personal life, especially as a public figure?

    Carla Diab maintains a balance between her professional and personal life by keeping details of her personal life private while actively engaging in her professional roles in fashion, TV, and philanthropy. Despite her public persona, she manages to keep her family life and relationships out of the spotlight, focusing on her work and contributions to society.

    Final Words

    With a net worth of $5 million as of 2024, her journey from launching a successful fashion line to becoming a recognized TV personality and philanthropist showcases her versatility, creativity, and dedication to making a positive difference.

    Through her mentorship program and ongoing projects, Diab continues to inspire and nurture the next generation of talent, solidifying her legacy in both fashion and philanthropy.

    Disclaimer

    All information presented in this text is based on our own perspectives and experiences. The content is provided for informational purposes only and is a reflection of the personal views of the authors. It should not be taken as professional advice, nor should it be used as a basis for making significant decisions without consulting a qualified expert. We do not guarantee the accuracy or reliability of the information provided and shall not be held responsible for any inaccuracy, omissions, or inaccuracies. We highly recommend consulting with a qualified expert in the relevant field for personalized guidance or advice specific to your situation.

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    Srdjan Ilic

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  • New RED Fashion School Opens in Norwalk, Offering Connecticut’s First Recognized Fashion Design Certificate Program

    New RED Fashion School Opens in Norwalk, Offering Connecticut’s First Recognized Fashion Design Certificate Program

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    Students will work alongside world-class fashion designers to explore their creative talents & develop necessary skills to pursue a career in fashion

    World-class fashion designers and brands are helping to shape the next generation of cultural innovators in Norwalk, Connecticut, the home of the new RED Fashion School (RED).

    Opening its doors to the first enrolled class on Nov. 15, 2023, RED offers Connecticut’s first recognized certificate program in Fashion Design. The second enrollment for the program begins on Jan. 2, 2024.

    Over the course of 15 months, students will design, market and produce their own fashion collection, while learning the entire vertical design process — including sample room production and sales.

    Students will also explore their creative talents and personal style while building the necessary skills to launch their own brand or work in a fashion house.

    Among the industry-recognized design instructors is RED’s Founder, Irina Simeonova, who has showcased collections at New York Fashion Week, been featured on French Fashion TV and sold her collections across the U.S. and Canada.

    She also founded the New England Fashion+Design Association (NEF+DA) in 2006, an organization based in South Norwalk that offers fashion design education to children and adults — which ultimately provided the inspiration for launching RED.

    “After 17+ years of working with talented design students, I saw a need for an intensive, fast-paced program focused on the skills to gain employment or transition back into the workforce quickly afterward — whether that means launching your own fashion brand or working with a major label,” Simeonova said. “Our new Fashion Design Certificate Program at RED helps fill this void while providing a unique vertical education model that focuses on Research, Education and Design.”

    Simeonova also noted that RED’s location in Norwalk plays an important role for graduates and the community alike:

    “RED is poised to elevate educational offerings within our region while injecting fresh talent and collaborative endeavors into the local community,” Simeonova said. “We’re empowering our graduates to stay within the area, helping to support new and existing businesses, manufacturing and cultural enrichment in Norwalk and surrounding areas.”

    RED is currently accepting student applications. Interested candidates who hold a high school diploma or GED®, are at least 18 years of age and have an innate interest in fashion design can apply at www.redfashion.school.

    About RED Fashion School

    RED Fashion School (RED) is a non-profit educational institution that brings together contemporary style design education and the insights of working designers to educate the next generation of cultural leaders and innovators through its Fashion Design Certificate Program. RED offers a uniquely vertical model of education, a co-operative enterprise where students are educated through the process and practice of working with world-class designers.

    Source: RED Fashion School

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  • China censors women modeling lingerie on livestream shopping — so men are doing it | CNN Business

    China censors women modeling lingerie on livestream shopping — so men are doing it | CNN Business

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    Hong Kong
    CNN
     — 

    Donning a sassy piece of silk lingerie, a male model grooves to the beat and forms a heart shape with his fingers during a livestreaming session on Douyin, one of China’s most popular video-sharing platforms.

    His modeling performance is the latest illustration of the kind of entrepreneurial innovation sometimes needed to bypass China’s rigorous internet censorship, a dragnet that can ensnare seemingly innocuous activities – in this case retailers selling women’s underwear online.

    China deploys one of the world’s most stringent censorship regimes, with a track record of blocking out not just politically sensitive information but images of women’s bodies deemed marginally racy.

    Several businesses specializing in selling lingerie through livestreaming have had their sessions cut short after they featured a female model and their brush with internet censorship came to light in January.

    Hence the use of men instead.

    On one of the sales channels, a man is seen dressed in black lingerie, standing next to a mannequin showing a similar outfit, in what appears to be a screenshot of a livestream broadcast on Alibaba

    (BABA)
    ’s Taobao Live, a streaming platform for the e-commerce giant.

    In another image, a different male model put on a pink slip dress and silky shawl, accessorized with cat ear headbands.

    In one livestream clip, carried by multiple state media outlets, an owner of an online venture said he was simply trying to play it safe.

    “This is not an attempt at sarcasm. Everyone is being very serious about complying with the rules,” the man, who identified himself as Mr Xu, said.

    The emergence of male lingerie models has caused mixed views online in China, from merriment and annoyance to reluctant acceptance.

    “So what should I do if I want to promote and showcase lingerie in the live broadcast session? It’s very simple, find a man to wear it,” read one comment on China’s microblogging site Weibo.

    A man in a mini slip dress and velvet robe models beside a woman in pajamas in a video posted on Douyin on February 17, 2023.

    Livestreaming sales of products is a multibillion-dollar industry in mainland China, and was given a major boost during the three years of the country’s strict Covid lockdowns that battered many bricks and mortar businesses.

    As of June last year, the number of livestreaming e-commerce users in mainland China is over 460 million, according to the Academy of China Council for the Promotion of International Trade, a body affiliated with Beijing’s commerce ministry.

    A 2021 report by iResearch, a Beijing-based firm specializing in measuring audience growth online, predicted the livestream sector would be worth as much as $720 billion this year.

    Male models are not the only workaround.

    On Douyin, the Chinese domestic version of TikTok, other female models have circumvented the censorship by showcasing the latest style of lingerie on themselves on top of a t-shirt they are already wearing.

    Others displayed the items on mannequins.

    In 2015, China led a crackdown on television shows exposing actresses’ cleavage, forcing some of the most popular costume dramas to zoom in on their faces to avoid getting into trouble with the broadcast authorities.

    Having male influencers promoting female-oriented products is not new in China, either.

    One of the industry’s most successful livestream shopping influencers is Austin Li Jiaqi, who made his name as the “Lipstick King” after selling 15,000 lipsticks in just five minutes in 2018.

    As one of China’s biggest internet celebrities, Li also peddles cosmetics, skincare products and fashion apparel, often applying products he’s selling to his own face.

    Even outside of China, platforms such as Facebook and Instagram have faced criticism for restricting the sharing of images involving partial nudity, especially of women.

    Facebook and Instagram’s parent company, Meta, restricts the sharing of breasts, although it says it intends “to allow images that are shared for medical or health purposes.” But even Meta’s own Oversight Board has called on the company to make its policy less confusing and more gender inclusive.

    YouTube says it prohibits “the depiction of clothed or unclothed genitals, breasts, or buttocks that are meant for sexual gratification,” but it may age-restrict other images or videos involving nudity.

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  • Mattel launches new Barbie doll for preschoolers | CNN Business

    Mattel launches new Barbie doll for preschoolers | CNN Business

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    New York
    CNN
     — 

    Mattel is giving preschoolers a new age-appropriate Barbie doll that it says is better suited for their needs.

    The doll, called “My First Barbie,” is specifically created for kids three years old and older, said Lisa McKnight, executive vice president and global head of Barbie and dolls for Mattel. The age range for the original Barbie fashion dolls is for kids 3 and up.

    “We talk to parents and kids almost every day. Interestingly, what came up more and more from parents who grew up with Barbie themselves was that they wanted a Barbie doll that was easier to play with for little hands with less dexterity,” said McKnight.

    Although the toymaker has introduced My First Barbie-branded dolls over the years, this is the first version of the iconic doll for preschool children.

    McKnight said the brand took this insight and began the process of developing My First Barbie a year ago.

    The $20 doll, which is available for purchase beginning this month at Walmart,

    (WMT)
    Target,

    (TGT)
    Amazon

    (AMZN)
    and other retailers, is noticeably different from the original Barbie.

    My First Barbie is larger, 13.5 inches tall versus 11.5 inches for the standard Barbie fashion doll. It also has a softer body and more articulated arms and legs.

    McKnight said the doll’s hands feature a distinctive design change. “The hand is closed, so the thumb is not detached. We did this to make it easier for little hands to dress and undress the doll,” she said.

    Mattel is launching the doll in four skin tones and with accessories like shoes and purses, a summer beach look complete with a sun hat and swimsuit, other fashion clothing with Velcro fasteners so little kids can easier change her clothes and bedroom and tea time play sets.

    “This is a first for us, to create a bespoke Barbie for preschool children,” said McKnight.

    First introduced as Barbie Millicent Roberts in 1959, Mattel sold 300,000 Barbie dolls in the first year of her launch. To date, it has sold more than a billion dolls worldwide. One gauge of the Barbie’s enduring popularity: the company says more than 100 Barbie dolls are sold every minute.

    Barbie continues to be the dominant doll brand and the No. 1 fashion doll brand globally. It was among the top 5 best-selling toy properties in the first nine months of 2022, according to market research firm NPD. It named Barbie as the top-selling global toy property of the year in 2021.

    Mattel’s attempt with My First Barbie makes sense, said Jim Silver, a toy industry expert and CEO of Toys, Tots, Pets & More, an industry review website.

    “Mattel is successfully filling a void for this age group. They’ve found a way to bring the Barbie fashion doll to an even younger consumer,” said Silver.

    “There’s very little out there in the toy market for preschoolers in dolls that isn’t a baby doll. But kids younger and younger are asking for a Barbie, which is for ages 3 and up,” he said. “So this is a great opportunity for Mattel to introduce Barbie even earlier to kids.”

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  • How virtual clothes could help solve fashion’s waste problem | CNN Business

    How virtual clothes could help solve fashion’s waste problem | CNN Business

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    London
    CNN
     — 

    Fashion’s ephemeral nature might seem an odd bedfellow for the blockchain, an online ledger that’s designed to be permanent. But the industry is finding ways to harness it and other digital tools to reduce waste and push fashion into the future.

    Italian company Lablaco is working with fashion houses and brands to digitize their collections in the burgeoning “phygital” fashion market — when customers buy both a physical fashion item and its digital “twin,” designed to be collected or worn by avatars in virtual environments like the metaverse.

    Lablaco was founded in 2016 by Lorenzo Albrighi and Eliana Kuo. Both had backgrounds in luxury fashion, but were looking to improve the industry’s sustainability credentials and promote circular fashion — the practice of designing and producing clothes in a way that reduces waste.

    The pair launched the Circular Fashion Summit in 2019 and Lablaco worked with retailer H&M to introduce a blockchain-based clothes rental service in 2021.

    Pushing fashion into digital spaces helps generate data that is vital in efforts to move toward circular fashion, they argue. With Lablaco’s model, physical and digital items remain paired even after sale, so if a physical item is resold, the digital equivalent is transferred to the new owner’s digital wallet. The transparency of blockchain technology means the new owner can be assured of its authenticity and the item’s creator can follow its aftersales journey.

    “If you don’t digitize the product itself, you cannot have any data to measure, and you don’t know what’s the impact of the fashion,” Albrighi tells CNN Business.

    The textile and fashion industry creates roughly 92 million tons of waste annually, and digital fashion could have a role in reducing that figure.

    Kuo says digital spaces could be used as a testbed for the physical world. For example, a designer could release an item of digital clothing in 10 colors in the metaverse, and use the sales data to inform which colors to use for the real-world version. “It becomes automatically an on-demand model, which really can reduce the fashion waste,” she says.

    Trying on virtual clothes could also reduce the amount of clothes that are returned in the physical world, says Albrighi. He adds that staging fashion shows in virtual spaces reduces the need for the fashion world to travel. Both interventions have the potential to reduce the industry’s carbon footprint.

    But for these innovations to become widespread, Albrighi says incentivizing designers is key. With the phygital model, the transparency of the blockchain could allow brands to receive royalties when an item is resold throughout its lifetime — a way to “produce less and actually earn more.”

    “It’s the beginning of a brand new industry,” he says.

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  • Nigerian teens create fashion from trash to fight pollution

    Nigerian teens create fashion from trash to fight pollution

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    LAGOS, Nigeria — Teenage climate activists in Nigeria’s largest city are recycling trash into runway outfits for a “Trashion Show.”

    Chinedu Mogbo, founder of Greenfingers Wildlife Initiative, a conservation group working with the activists, said the show was designed to raise awareness about environmental pollution.

    Lagos, one of Africa’s most populous cities with more than 15 million people, generates at least 12,000 metric tons of waste daily, authorities say. And implementation of environmental laws is poor: The World Bank estimates that pollution kills at least 30,000 people in this city every year.

    This year’s show came just as world leaders wrapped up two weeks of U.N. climate talks in Egypt.

    In collaboration with young activists and models, the Greenfingers Wildlife Initiative says it’s out to recycle as many plastics as possible, one community at a time.

    It organizes regular trash clean-ups across communities, at drainage ditches and beaches. The plastic litter is then used to create fabrics for the fashion show.

    Draped in red plastic spoons and fabric, 16-year-old Nethaniel Edegwa said she joined this year’s edition as a model “to make a change.”

    “We can see that we are all being affected by the climate change, so I really want to make a difference,” Edegwa said.

    ———

    Asadu contributed from Abuja, Nigeria.

    ———

    Follow all AP stories on climate change issues at https://apnews.com/hub/climate-and-environment.

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  • Nigerian teens create fashion from trash to fight pollution

    Nigerian teens create fashion from trash to fight pollution

    [ad_1]

    LAGOS, Nigeria — Teenage climate activists in Nigeria’s largest city are recycling trash into runway outfits for a “Trashion Show.”

    Chinedu Mogbo, founder of Greenfingers Wildlife Initiative, a conservation group working with the activists, said the show was designed to raise awareness about environmental pollution.

    Lagos, one of Africa’s most populous cities with more than 15 million people, generates at least 12,000 metric tons of waste daily, authorities say. And implementation of environmental laws is poor: The World Bank estimates that pollution kills at least 30,000 people in this city every year.

    This year’s show came just as world leaders wrapped up two weeks of U.N. climate talks in Egypt.

    In collaboration with young activists and models, the Greenfingers Wildlife Initiative says it’s out to recycle as many plastics as possible, one community at a time.

    It organizes regular trash clean-ups across communities, at drainage ditches and beaches. The plastic litter is then used to create fabrics for the fashion show.

    Draped in red plastic spoons and fabric, 16-year-old Nethaniel Edegwa said she joined this year’s edition as a model “to make a change.”

    “We can see that we are all being affected by the climate change, so I really want to make a difference,” Edegwa said.

    ———

    Asadu contributed from Abuja, Nigeria.

    ———

    Follow all AP stories on climate change issues at https://apnews.com/hub/climate-and-environment.

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  • Gap launches its store on Amazon | CNN Business

    Gap launches its store on Amazon | CNN Business

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    New York
    CNNBusiness
     — 

    Gap announced Thursday that it has officially launched its store on Amazon.

    While shoppers were able to buy Gap merchandise on Amazon previously through third-party sellers, the new partnership with Amazon Fashion marks the first time that Gap itself is selling its products on the online marketplace.

    The items, available for purchase beginning today on Amazon US and Amazon Canada, include the basics that Gap is known for — hoodies, T-shirts, denim, socks, underwear and sleepwear for adults, kids and infants.

    Gap

    (GPS)
    Inc. said its Amazon store will also include Baby Gap

    (GPS)
    -branded items such as nursery furniture, strollers, bassinets and cribs.

    None of the Gap items are exclusive to Amazon

    (AMZN)
    , however, and will also be available for purchase in Gap stores and on Gap.com. Amazon

    (AMZN)
    said items from Gap’s store will be included for Prime delivery.

    Gap shares were up over 7% in late afternoon trading Thursday.

    “Collaborating with Amazon Fashion provides us a new channel to deliver Gap’s modern American essentials to even more customers in the US and Canada,” Mark Breitbard, CEO of Global Gap Brand, said in a statement.

    Teaming up with Amazon could help Gap expand its market reach in the US and Canada, and comes at a pivotal moment for the company. Gap Inc. has suffered a string of setbacks recently as it struggles to boost sales.

    In October, the company pulled all Yeezy Gap merchandise from its stores and shut down YeezyGap.com. The company has had a change in leadership amid slumping sales and has suffered from inventory and merchandising problems at its better-performing Old Navy division.

    “Gap is facing slowing footfall at its own stores and has struggled to grow sales for years. It will hope that making some of its range available on Amazon will help grow exposure and sales — especially among the family demographic,” said Neil Saunders, retail analyst and managing director of Globaldata Retail.

    He added, “this is a win for Amazon as it brings a big brand name on to its site and helps boost its credentials in fashion and apparel.”

    But there are risks for Gap, as the new partnership with Amazon could reduce the chain’s direct sales even further and make it overly reliant on an outside distributor, Saunders said.

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  • ‘It’s about time’: Celebrations of Diwali illuminate NYC

    ‘It’s about time’: Celebrations of Diwali illuminate NYC

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    By MALLIKA SEN

    October 24, 2022 GMT

    NEW YORK (AP) — The week dawned gloomily in New York, but the drab mist was little match for the holiday at hand: Diwali, the festival of lights that symbolizes the triumph over darkness.

    Celebrated across South Asia in some fashion by Hindus, Jains, Sikhs and Buddhists, the multi-day festival has secured a sturdy foothold far from the subcontinent in places with significant diaspora populations — like New York.

    “One thing I would say — the whole country celebrates, right? So it’s lit up,” fashion designer Prabal Gurung said of celebrations in Nepal, where Diwali is better known as Tihar. He sees signs of Diwali’s increased popularity in New York. But, he said, the whole city “is not celebrating yet — so I’m just giving them a year or two.”

    Gurung was one of the hosts of Diwali New York, a glitzy soiree held Saturday at The Pierre, fittingly a Taj Hotel. The party, now in its third year, highlights Diwali by bringing together high-powered South Asians with other New York luminaries — people who “the world saw as leaders and role models,” said host Anita Chatterjee, CEO of A-Game Public Relations.

    Five miles east of the five-star hotel, those already familiar with the holiday were embarking on preparations for their personal celebrations. Earlier Saturday, the first of the five-day celebration, the streets of Jackson Heights were replete with reminders of the festivities.

    The many sweets shops of the Queens neighborhood, known for its South Asian community, were packed to the gills with little room for movement. In the stands outside Apna Bazaar, a grocery store, a sea of small clay pots and wicks for Diwali lamps lay alongside fresh bunches of cilantro and above bags of onions. Handwritten blue signs advertised Diwali specials for everything from 40-pound bags of rice to ghee, tea and pitted dates.

    Every year, Sapna Pal comes to Butala Emporium to do her Diwali shopping. Carrying a basket brimming with tea lights and other decorations, the Delhi native said her Diwali celebrations in the United States are usually intimate family affairs because most people prefer to pray in their own homes.

    When asked if she misses Diwali in India, Pal — who has lived in Queens for almost 25 years — responded: “Yes! Every day, every year, every year.” But she nonetheless still enjoys Diwali here, looking forward to the sweets — gulab jamun, rasmalai and different types of barfi are among her favorites — and the puja ceremonies.

    Outside a Patel Brothers grocery store branch, Bhanu Shetty has run a pop-up Diwali stall for two decades. Her son Pratik says the temporary Flowers by Bhanu stall typically draws around 3,000 customers over three days. She is more circumspect: “People come.”

    “We’ve always been known for flowers, but just for these three days we showcase all the temple offerings,” Pratik Shetty said, motioning to 3D stickers, garlands, stencils for the colored powder designs known as rangoli, pictures and, naturally, flowers. Most of the flowers are locally sourced, but the Diwali specialty is the $5 lotus imported from India.

    Ratan Sharma, a manager at India Sari Palace, says sweet shops and grocery stores are the biggest beneficiaries of the Diwali shopping. But his clothing store does well, too: “Once a year we give a benefit to the customers,” she said, “and they take advantage of it.” Sharma said the silk saris — typically on the more expensive end — are the most popular item during the annual Diwali sale.

    Jackson Heights is a multiethnic, multi-religious neighborhood, and some stores still featured signs offering Eid sales. Suneera Madhani, the Pakistani American founder of Stax, attended the Diwali party at The Pierre as a gesture of South Asian solidarity. She says she would love to heighten Eid’s profile in New York in a similar manner.

    The Diwali gala was certainly high-profile: Host Radhika Jones, the top editor at Vanity Fair, mingled with Ronan Farrow and Kelly Ripa, all clad in South Asian fashions. Chatterjee said her firm helped connect some non-South Asian attendees to designers, including fellow hosts Falguni and Shane Peacock.

    The party was at time raucous, with several bear hugs that lifted grown men clear off the ground. Gurung, clad in a glittering Abu Jani-Sandeep Khosla ensemble, tore up the dance floor to the 2014 hit “Baby Doll.” He was subsequently handed blotting paper by a pink salwar kameez-clad Ripa, whose husband, actor Mark Consuelos, pat the table to the beat. Padma Lakshmi and Sarita Choudhury embraced for the camera, with the former demonstrating some hip-shaking thumkas.

    “Our generation has really embraced our culture and the expression of it,” said another host, Anjula Acharia, Priyanka Chopra Jonas’ manager.

    Normally, she’d be spending the holiday with her illustrious client. But, marveling at the progress Diwali has made outside of South Asia and its diaspora, she said she’s spending it this year with President Joe Biden.

    “A few years ago, it really occurred to me: Diwali is not on the New York social scene in a way that I felt like it deserved to be, needed to be and I wanted it to be,” said restaurateur Maneesh Goyal, another host and the mastermind of the event.

    While he said that Diwali is “personally” a day of reflection, it’s also about celebrations and “happiness, positivity, bringing people together.”

    For Diwali to really permeate American culture, Gurung said, it will take “just us showing up consistently, constantly in the most graceful, beautiful, thoughtful way.” The resonance of the holiday’s themes alone — the victory of good over evil, light over dark — should do the rest of the work.

    “It’s the right time,” he said. “And also, it’s about time.”

    ___

    Mallika Sen is the entertainment news editor for The Associated Press. Follow her on Twitter at http://twitter.com/mallikavsen

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  • ‘It’s about time’: Celebrations of Diwali illuminate NYC

    ‘It’s about time’: Celebrations of Diwali illuminate NYC

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    NEW YORK — The week dawned gloomily in New York, but the drab mist was little match for the holiday at hand: Diwali, the festival of lights that symbolizes the triumph over darkness.

    Celebrated across South Asia in some fashion by Hindus, Jains, Sikhs and Buddhists, the multi-day festival has secured a sturdy foothold far from the subcontinent in places with significant diaspora populations — like New York.

    “One thing I would say — the whole country celebrates, right? So it’s lit up,” fashion designer Prabal Gurung said of celebrations in Nepal, where Diwali is better known as Tihar. He sees signs of Diwali’s increased popularity in New York. But, he said, the whole city “is not celebrating yet — so I’m just giving them a year or two.”

    Gurung was one of the hosts of Diwali New York, a glitzy soiree held Saturday at The Pierre, fittingly a Taj Hotel. The party, now in its third year, highlights Diwali by bringing together high-powered South Asians with other New York luminaries — people who “the world saw as leaders and role models,” said host Anita Chatterjee, CEO of A-Game Public Relations.

    Five miles east of the five-star hotel, those already familiar with the holiday were embarking on preparations for their personal celebrations. Earlier Saturday, the first of the five-day celebration, the streets of Jackson Heights were replete with reminders of the festivities.

    The many sweets shops of the Queens neighborhood, known for its South Asian community, were packed to the gills with little room for movement. In the stands outside Apna Bazaar, a grocery store, a sea of small clay pots and wicks for Diwali lamps lay alongside fresh bunches of cilantro and above bags of onions. Handwritten blue signs advertised Diwali specials for everything from 40-pound bags of rice to ghee, tea and pitted dates.

    Every year, Sapna Pal comes to Butala Emporium to do her Diwali shopping. Carrying a basket brimming with tea lights and other decorations, the Delhi native said her Diwali celebrations in the United States are usually intimate family affairs because most people prefer to pray in their own homes.

    When asked if she misses Diwali in India, Pal — who has lived in Queens for almost 25 years — responded: “Yes! Every day, every year, every year.” But she nonetheless still enjoys Diwali here, looking forward to the sweets — gulab jamun, rasmalai and different types of barfi are among her favorites — and the puja ceremonies.

    Outside a Patel Brothers grocery store branch, Bhanu Shetty has run a pop-up Diwali stall for two decades. Her son Pratik says the temporary Flowers by Bhanu stall typically draws around 3,000 customers over three days. She is more circumspect: “People come.”

    “We’ve always been known for flowers, but just for these three days we showcase all the temple offerings,” Pratik Shetty said, motioning to 3D stickers, garlands, stencils for the colored powder designs known as rangoli, pictures and, naturally, flowers. Most of the flowers are locally sourced, but the Diwali specialty is the $5 lotus imported from India.

    Ratan Sharma, a manager at India Sari Palace, says sweet shops and grocery stores are the biggest beneficiaries of the Diwali shopping. But his clothing store does well, too: “Once a year we give a benefit to the customers,” she said, “and they take advantage of it.” Sharma said the silk saris — typically on the more expensive end — are the most popular item during the annual Diwali sale.

    Jackson Heights is a multiethnic, multi-religious neighborhood, and some stores still featured signs offering Eid sales. Suneera Madhani, the Pakistani American founder of Stax, attended the Diwali party at The Pierre as a gesture of South Asian solidarity. She says she would love to heighten Eid’s profile in New York in a similar manner.

    The Diwali gala was certainly high-profile: Host Radhika Jones, the top editor at Vanity Fair, mingled with Ronan Farrow and Kelly Ripa, all clad in South Asian fashions. Chatterjee said her firm helped connect some non-South Asian attendees to designers, including fellow hosts Falguni and Shane Peacock.

    The party was at time raucous, with several bear hugs that lifted grown men clear off the ground. Gurung, clad in a glittering Abu Jani-Sandeep Khosla ensemble, tore up the dance floor to the 2014 hit “Baby Doll.” He was subsequently handed blotting paper by a pink salwar kameez-clad Ripa, whose husband, actor Mark Consuelos, pat the table to the beat. Padma Lakshmi and Sarita Choudhury embraced for the camera, with the former demonstrating some hip-shaking thumkas.

    “Our generation has really embraced our culture and the expression of it,” said another host, Anjula Acharia, Priyanka Chopra Jonas’ manager.

    Normally, she’d be spending the holiday with her illustrious client. But, marveling at the progress Diwali has made outside of South Asia and its diaspora, she said she’s spending it this year with President Joe Biden.

    “A few years ago, it really occurred to me: Diwali is not on the New York social scene in a way that I felt like it deserved to be, needed to be and I wanted it to be,” said restaurateur Maneesh Goyal, another host and the mastermind of the event.

    While he said that Diwali is “personally” a day of reflection, it’s also about celebrations and “happiness, positivity, bringing people together.”

    For Diwali to really permeate American culture, Gurung said, it will take “just us showing up consistently, constantly in the most graceful, beautiful, thoughtful way.” The resonance of the holiday’s themes alone — the victory of good over evil, light over dark — should do the rest of the work.

    “It’s the right time,” he said. “And also, it’s about time.”

    ———

    Mallika Sen is the entertainment news editor for The Associated Press. Follow her on Twitter at http://twitter.com/mallikavsen

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  • Kanye West’s Twitter, Instagram locked over offensive posts

    Kanye West’s Twitter, Instagram locked over offensive posts

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    Kanye West’s Twitter and Instagram accounts have been locked because of posts by the rapper, now known legally as Ye, that were widely deemed antisemitic.

    A Twitter spokesperson said Sunday that Ye posted a message that violated its policies.

    In a tweet sent late Saturday, Ye said he would soon go “death con 3 on JEWISH PEOPLE,” according to internet archive records. That’s an apparent reference to the U.S. military readiness condition scale known as DEFCON.

    In the same tweet, which was removed by Twitter, he said: “You guys have toyed with me and tried to black ball anyone whoever opposes your agenda.”

    Earlier this month, Ye had been criticized for wearing a “White Lives Matter” T-shirt to his collection at Paris Fashion Week.

    Rapper Sean “Diddy” Combs posted a video on Instagram saying he didn’t support the shirt, and urged people not to buy it.

    On Instagram, Ye posted a screenshot of a text conversation with Diddy and suggested he was controlled by Jewish people, according to media reports.

    Ye’s account on Instagram was locked Friday for policy violations, according to media reports. Spokespeople for Instagram’s parent company, Meta Platforms, didn’t immediately respond to a request to confirm the reports.

    Under their policies, the two social networks prohibit the posting of offensive language. Ye’s Twitter account is still active but he can’t post until the suspension ends, after an unspecified period.

    Ye had returned to Twitter on Saturday following a nearly two-year hiatus, reportedly after Instagram locked his account.

    Billionaire Elon Musk, who last week renewed his $44 billion offer to buy Twitter following a monthslong legal battle with the company, greeted Ye’s return to the platform before his suspension by tweeting “Welcome back to Twitter, my friend.”

    Musk has said he would remake Twitter into a free speech haven and relax restrictions, although it’s impossible to know precisely how he would run the influential network if he were to take over.

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  • Glitzy Valentino show sees Paris Fashion Week at fever pitch

    Glitzy Valentino show sees Paris Fashion Week at fever pitch

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    PARIS — Valentino’s Paris fashion show on Sunday saw black cars snared for blocks dropping off battalions of celebrities who, amid the commotion, just couldn’t find the entrance.

    Seated VIP guests were sweatily crammed in together inside the Le Marais’ Carreau du Temple venue, waiting as the show started an hour late. Outside, screaming members of the public braved the rain for hours just for a glimpse of their favorite stars.

    Fever pitch like this at Paris ready-to-wear fashion shows is reminiscent of the French capital’s pre-pandemic fashion scene — and one more visible sign the industry is buoyant again after the devastation caused by the coronavirus pandemic.

    Here are some highlights of Sunday’s spring-summer 2023 collections in Paris:

    VALENTINO’S REVEAL

    “Cuts and transparencies reveal the persona,” the brand said of designer Pierpaolo Piccioli’s glitzy spring collection that mixed gimmicks with moments of thoughtful fashion skill.

    Models with faces and necks completely covered in disturbing interlocking “V” make-up began the show, introducing the theme of the reveal.

    The exploration of inside-out or back-to-front continued in a beautiful nude skin-like top with matching nude pants speckled sparingly with diaphanous plumes on model Anna Cleveland.

    A coat had ostrich feathers peaking out from inside through the hems. The sides of some dresses were scooped out, while a dazzling purple sequined floor-length gown revealed the model’s flesh only at the back.

    Yet at times it felt as if the lauded Italian designer may have tried to fit too much in. By outfit number 91, it also felt exhausting — with fashion insiders fidgeting for the show to wrap up.

    The Valentino finale was the true reveal of the show, which was livestreamed: The models did not even walk past seated guests as usual, but straight outside to the cheering general public, making some inside feel superfluous.

    RAIN ON GIVENCHY’S PARADE

    Rain would normally be a good thing in the green thickets of the Jardin des Plantes, the gardens in central Paris.

    For Givenchy’s outside runway, it was another story.

    VIP guests including Olivia Rodrigo survived torrential downpours only thanks to helpers clutching transparent umbrellas. But the show had to go on. For Matthew M. Williams, a designer who has garnered lukewarm reviews of late, this collection was a little like crunch time.

    For spring, the U.S. designer moved his street aesthetic in a dressier direction — likely trying to bring him to the safer ground of the age-old house’s traditional aesthetic. He had some success.

    An oversized tweed black bolero cut a creatively surreal silhouette atop a pencil-thin mini dress, twinned with Matrix-style shades. Elsewhere, features such as ruching on a silken top, or draping on a fluid skirt, resembled thick organic sinews or ribs.

    This felt like a good, gently transgressive direction for the house immortalized by Audrey Hepburn’s LBD.

    However, many of Williams’ design elements still felt out of place on the haute Paris runway, such as 90s lowslung cargo shorts that seemed off-kilter. Furthermore, they clashed with the black silken ruffled cuffs that dangled down.

    THE ART OF THE INVITATION

    The art of the chic invite is still very much a staple of the Paris luxury industry.

    The little works of art sometimes provide a hint as to what the collection has in store; other times, they are just plain wacky.

    Balenciaga’s spring invite was — unfathomably — a real used leather wallet containing real French franc notes, a health security card, a photo of a pet cat, and credit cards as well as other things spilling out. Countless videos appeared on social media of surprised guests opening their “invite.”

    One fashion inside exclaimed: “But how do you know how to get to the show?”

    Valentino’s invitation was a smooth black cube that opened to have nothing inside but a QR code. Chanel’s was a card of Kristen Stewart’s face that was so big it could not fit into letter boxes.

    BARBARA BUI IS SMART

    Low-key French designer Barbara Bui is a good example of how the pandemic affected the fashion industry — for better and for worse.

    Many houses went digital during the lockdowns, opting to show a fashion film instead of staging a show, which was for many months prohibited. In this spring Paris season — like in Milan’s — the industry seems to be very much back to pre-pandemic runways, yet Bui’s was one of a spattering of collections that continued with the fashion film format.

    It’s a smart move: Smaller houses like Bui’s have benefited from the new flexibility as runway collections are clearly much more expensive to produce.

    The collection’s spring video featured a couple of lovers in a French country house seeking each other out and seemingly wearing each other’s clothes — a good theme for a co-ed fashion show.

    The film’s use of light sat well with the fluidity of a loose white tuxedo suit on a bare chest, or a giant multicolored foulard thrown nonchalantly over the male model’s naked shoulder. A cobalt blue one-shoulder piece was set off by the male model’s long bright red and androgynous nail polish.

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  • Hermes goes for earthen tones; Ellie Saab revisits the ’60s

    Hermes goes for earthen tones; Ellie Saab revisits the ’60s

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    PARIS — A giant, glowing crystal rock upon a sand-colored carpet evoked a glamorous alien planet for Hermes’ champagne-sipping VIP guests.

    Earthen hues like browns, reds and yellows — colors long-associated with the heritage brand — were used at Saturday’s show to create Nadège Vanhee-Cybulski’s utilitarian, low-key yet luxuriant universe for spring.

    Elsewhere, Ukraine’s top fashion designers used the platform of Paris Fashion Week to promote their war-battered industry.

    Here are some highlights of the day’s spring-summer 2023 collections in Paris:

    HERMES’ SUBTLE STRINGS

    It was a Vanhee-Cybulski minimalist take on the 80s.

    The lone pulsating crystal that glowed color from the center of the runway established the collection’s key idea: Simplicity is powerful.

    As the show took off, the odd utilitarian features — such as toggles and the strange, perplexing box platform shoes that stomped throughout — were used with subtlety but aplomb.

    It gave a sporty and outer-space feel to the collection’s stylish, almost empty, restraint — a mood that now defines the talented 44-year-old French designer’s repertoire.

    Tan suede tunic minidresses sported beautiful, braided leather hems — showcased without jewelry on a makeup-less model. While, exposed midriffs latticed with cords and toggles came on otherwise unfussy slim silhouettes.

    UKRAINE’S “GOOD SIX” DESIGNERS SHOW UNITED FRONT

    Last season in Paris, the Ukrainian designers trade fair event took place just two days before Russia’s invasion amid stories of some artists fleeing the country so rapidly they had only their children and their collection in hand.

    This season sees no improvement back home for the industry: It’s been battered by increased financial strains as designers try hard to maintain employed staff despite little money, a decrease in demand and ravished supply chains.

    A collective of these designer-survivors is showing in Paris beginning Saturday until Oct.6.

    Jen Sidary, the collective’s head, said “in my 30 years of working in the fashion industry, I have never witnessed the resilience of a country and its people as they began to focus on keeping their businesses alive, days into the war, from bomb shelters to designing new collections amidst constant air raid sirens.”

    The six making up the Paris Fashion Week event — Frolov, Kachorovska, Chereshnivska, Litkovska, My Sleeping Gypsy and Oliz — are showcasing unisex apparel, footwear and scarves. It’s a bid to keep their ravaged industry alive, and form of resistance against the Russian bombs decimating their homeland.

    Many of their colleagues back home in Ukraine have had to repurpose their operations to help the war effort, relocating within the country, according to Sidary.

    The courage of the Ukraine fashion industry has drawn international attention.

    USAID Project Manager Natalia Petrova spoke of the “remarkable resilience, commitment and awareness” of Ukrainian businesses since Russia’s invasion of Ukraine.

    “Disruptions on the domestic market caused by decrease in demand by population and broken supply chains, are pushing companies to explore export opportunities to diversify their sales,” she added.

    ANDREAS KRONTHALER FOR VIVIENNE WESTWOOD

    Kink mated with art in the typically quirky fare from Kronthaler — a staple show where a fashion surprise is all but expected.

    With his usual encyclopedic flair, Kronthaler wove an aesthetic from yesteryear — medieval and renaissance nobles and peasants — into his drape-heavy silhouettes. Guests almost felt like they were at the theater.

    Juliette sleeves mixed with black Renaissance tarbuds, decorated collars and even one wacky but stylish blue loose tuxedo look that could have been worn by the Bard himself. Of course, Kronthaler accessorized it anachronistically with pale blue striped rugby socks. Added to the creative cauldron were chunky Glam Rock boots and a Highlands kilt style with white trimming at the male model’s nether regions, making it look like they might have gotten a front bite.

    The opening image of Irina Shayk, often voted among the most beautiful models in the world, in a shiny black bustier and silver-ring earrings riffing off S&M will surely be one picture few quickly forget.

    ELIE SAAB REVISITS THE 60s

    The late 1960s got a facelift on Saturday in a collection that featured babydoll dresses, miniskirts, psychedelia, crop-tops and jabot collars — but never lost that floaty, contemporary Saab touch.

    The first look from Saab at his Paris fashion show fused a 1960s angelic-white crop top and a maxi skirt with an ethnic look, thanks to a construction of interlocking motifs. This fusion of different eras continued throughout the show, which sent out 68 items.

    Lace detailing was a big theme and became the front of a baggy pale tracksuit top. In an anachronism that defined this Saab spring aesthetic, it was worn alongside a sheer 1990s’ tulle skirt. It had a great swag and could have very well been seen at a music festival in that decade.

    Flashes of Barbie pink and citrus contrasted with psychedelic stripes on column silhouettes, sometimes making it feel like Saab was trying to put too much in the mix. The collection was ultimately hard to pin down.

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  • ‘Too good to be true?’ As Shein and Temu take off, so does the scrutiny | CNN Business

    ‘Too good to be true?’ As Shein and Temu take off, so does the scrutiny | CNN Business

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    Hong Kong/New York
    CNN
     — 

    Temu and Shein are taking off in the United States, topping app stores and creating a frenzy with consumers.

    But as the two online shopping platforms become hugely popular, they’re also facing questions over a litany of issues, including how they’re able to sell goods at such strikingly low prices, how transparent they are with the public and how much environmental waste their businesses generate.

    Some of those questions aren’t unique to the two companies: Longtime fast-fashion producers like Zara or H&M

    (HNNMY)
    have faced similar concerns.

    But in recent weeks, Temu and Shein have also faced greater scrutiny over their ties to China, the country where their businesses originated and where they continue to rely on manufacturers.

    Shein was started in China, while Temu was launched by a Chinese company that now bills itself as a multinational firm. They are based in Singapore and Boston, respectively.

    That may matter little to policymakers. As US-China tensions remain high, American legislators have increased attempts to restrict technology linked in any way to foreign entities.

    Earlier this month, a US congressional commission called out Shein and Temu in a report that suggested the companies and others in China were potentially linked to the use of forced labor, exploitation of trade loopholes, product safety hazards or intellectual property theft.

    Both firms have enjoyed major success in the United States, noted Nicholas Kaufman, a policy analyst for the US-China Economic and Security Review Commission. This “has encouraged both established Chinese e-commerce platforms and startups to copy their model, posing risks and challenges to US regulations, laws, and principles of market access,” he wrote.

    Temu and Shein have racked up tens of millions of US users

    Shein: 24.5 millionTemu: 22.8 million

  • Note: US monthly active users, as of April 19
  • Source: Sensor Tower, a market intelligence firm

“Like Shein, Temu’s success raises flags about its business practices,” Kaufman added.

Asked about the report, Shein said in a statement that it “takes visibility across our supply chain seriously.”

“For over a decade, we have been providing customers with on-demand and affordable fashion, beauty, and lifestyle products, lawfully and with full respect for the communities we serve,” a spokesperson said.

Temu did not respond to a request for comment.

Temu and Shein have taken the world’s largest retail market — the United States — by storm.

Temu, which runs a marketplace for virtually everything from home goods to apparel to electronics, was launched by PDD Holdings

(PDD)
last year. It has quickly become the most downloaded app in the United States, and continues to expand its user base.

PDD was founded in China but recently began billing itself as a Cayman Islands company, citing a new corporate registration there. As of a February regulatory filing, PDD’s head office was in Shanghai. Temu says it doesn’t operate in China.

PDD also owns Pinduoduo, a hugely popular Chinese e-commerce giant that was found in a recent CNN investigation to have the ability to spy on its users.

According to cybersecurity researchers, Pinduoduo can circumvent users’ mobile security to see what they’re doing on other apps, read their messages and even change settings.

While Temu has not been implicated, the allegations about its sister company have invited further scrutiny and were cited in the Congress report on Temu this month. PDD did not respond to CNN’s multiple requests for comment on the investigation.

Shein, which was founded by Chinese entrepreneur Chris Xu, has enjoyed similar success with its app over the last few years. The company initially created a cult following for its fast-fashion apparel and has since branched out into other offerings, such as home goods.

Both companies have gained traction stateside by offering extreme bargains to shoppers, many of whom continue to feel the squeeze from historically high inflation.

A shopper at a Shein pop-up store in New York last October. The company initially created a cult following for its fast-fashion apparel, and has since branched out into other offerings.

“The timing is very advantageous,” said Michael Felice, an associate partner in Kearney’s communications, media and technology practice. “You have extreme pressure on the consumer wallet right now.”

While Temu and Shein may appear similar, they have different business models.

Temu operates as an online store, carrying merchandise from independent sellers. Shein, on the other hand, commissions its own goods through manufacturers it teams up with in what is effectively seen as a supersonic version of fast fashion.

For some consumers, the companies’ low prices have raised eyebrows.

“I think transparency and traceability of product is becoming more important,” said Felice. “When you’re starting to see price points that almost could be too good to be true, you start to ask yourself, ‘Is that too good to be true?’”

Felice also said there was a risk of Temu facing resistance from US consumers as a cross-border business.

“There’s a rising sense of nationalism in markets,” he said. “It will be interesting to see which one wins as the dual pressures of inflation and nationalism take hold on American consumers.”

Lawmakers are also getting more hawkish. While both Temu and Shein have taken steps to separate their businesses from links to China, geopolitical tensions are proving hard to shake off.

Last month, a bipartisan group of US senators introduced legislation that would give the government new powers, including a ban on foreign-linked producers of software.

In a fact sheet distributed by lawmakers, Temu’s surge on US app stores was described as an example of how Chinese consumer technology was becoming more popular.

A screenshot from Temu's commercial unveiled during the Super Bowl in February, encouraging consumers to

“From the history of the companies to where their products come from, it’s very hard to say you’re not related to China,” said Sheng Lu, an associate professor of fashion and apparel studies at the University of Delaware.

Similar to TikTok, which faces the prospect of a US ban, Lu believes that Temu and Shein could face data privacy concerns from regulators.

“They’re large, influential and collect data,” he said. “This can make the companies a potential sensitive topic.”

The fashion industry is responsible for 10% of annual global carbon emissions, more than all international flights and maritime shipping combined, according to the United Nations Environment Programme. Around 85% of clothing ends up in landfills or is burned.

Experts say the problem is even worse with fast fashion, defined as the rapid design and production of cheap and low-quality goods that respond to fleeting trends.

These are “disposable fashion companies,” said Maxine Bédat, founder of the New Standard Institute.

“That’s the crux of what they are. This stuff is not meant to last in your wardrobe,” she added. “Their business wouldn’t function if it did.”

Shein argues that its business model enables it to reduce waste and overproduction by producing small batches and only responding with larger production if demand is shown. The company has set a goal of reducing emissions by 25% by 2030, based on 2021 figures.

A model trying on outfits in Temu's Super Bowl ad. The company runs a marketplace for virtually everything, from apparel to home goods to electronics.

Temu, which markets itself more as a general store than a fashion outlet, also said its model limits unsold inventory and waste by better matching demand with supply.

The company told CNN it offsets emissions for every order with “carbon credits which support wildlife conservation efforts” in the United States, though it did not provide details.

Researchers who study textile waste and sustainability in global supply chains say the companies need to go further.

Shein, for example, often uses low-cost fabrics that are hard to recycle. Compared with other fashion retailers, the company has a much lower percentage of products that mention using sustainable or recycled textile materials, said Lu.

There are also concerns about the conditions of workers who make some of the companies’ products.

In February, a bipartisan group of US senators wrote to Shein, pressing the company on its supply chain practices and calling for greater transparency in its supply chain.

“We are concerned that American consumers may be inadvertently purchasing apparel made in part with cotton grown, picked, and processed using forced labor,” the senators said.

The inquiry was made following a Bloomberg report showing lab testing on two occasions last year found that garments shipped to the United States by Shein were made with cotton from Xinjiang. Washington has banned all imports from the Chinese region over concerns of forced labor.

In a statement to CNN, Shein said it was committed to respecting human rights and adhering to laws and regulations in the countries where it operates. A spokesperson said the company had zero tolerance for forced labor, and worked with third parties to audit supplier factories.

To ensure compliance with US laws, Shein requires that suppliers purchase cotton from approved countries, and has built tracing systems to get visibility into the origins of cotton it uses, the spokesperson added.

Temu has not faced such questions, though its sister company received backlash in 2021 over allegations that it overworks its staff. Pinduoduo said at the time that it would provide counseling following the suicide of a worker.

Worker rights at Shein also made headlines in December, when a documentary by UK broadcaster Channel 4 alleged exploitation at two Chinese factories belonging to its suppliers.

The program claimed staff were working 18 hours a day, making the equivalent of pennies on each item. CNN has not independently verified the allegations.

Shein responded to the claims, saying independent audits had refuted most of the allegations. But it conceded that the investigation had showed workers at two of its suppliers were working longer hours than allowed.

The company has since reduced the size of its orders from those producers on an interim basis, and committed $15 million to upgrade hundreds of its partner factories.

Still, the “working conditions of workers making Shein’s products remain a black box,” said Lu, the University of Delaware professor.

“Shein should be more transparent about their factory conditions and workers’ well-being.”

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