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Tag: Fall Getup Week

  • Fall Getup Week: Chasing the Iconic Skyfall Shot Through Scotland in Classic Casual

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    I wouldn’t be the editor of Primer if I didn’t try to find it. Fitting, since Fall Getup Week was built on British countryside layers, waxed canvas, and sturdy boots.

    Thanks to Thursday Boot Co. for supporting Primer’s mission and partnering on this piece.

    The road out of Glencoe doesn’t ask for much. You slow down, watch the clouds drag across the peaks, maybe pull over just to stand in it for a minute. The crew that filmed Skyfall did the same thing: same landscape, same road, better car. We were there chasing light, not Bond, but the place made sense for what we were shooting. Fall Getup Week was built on that same idea: clothes that hold up when the air turns, layers with structure, fabrics that look better when they’ve gotten to work against weather.

    There’s a particular honesty in waxed canvas and heavy knits when the wind gets moving. Something about the resistance they offer. The outfit leans into that instinct, all countryside layers and clean edges, modern cuts with a practical attitude. A structured silhouette, room through the leg… it could have walked off a moor or a coffee shop in Chicago.

    If you’ve ever watched Skyfall and thought, Bond looks better without the suit, you’re not alone.

    Costume designer Jany Temime had the same thought. For Skyfall’s last act, she took Bond out of the city, out of the armor, and put him in things meant for weather: waxed cotton, cable knits, boots with soles that don’t require rerouting around puddles. Her description was “a gentleman in the country.”

    And it fit. Not just him, but the franchise. Bond clothes have always served the setting. That was the trick: put him where he doesn’t usually go, but dress him so it makes sense.

    It’s the kind of combination you stumble into once and keep repeating,

    One of the most memorable scenes in the whole Bond franchise didn’t involve a fight or a gadget. No stunts, no explosions, barely any dialogue. Just Bond and M standing beside the DB5 under a fog-choked sky:

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    Andrew Snavely

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  • Fall Getup Week: Casual Modern Layers in City Weight

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    Weather-proof logic that still looks put together.

    The post Fall Getup Week: Casual Modern Layers in City Weight appeared first on Primer.

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    Andrew Snavely

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  • Fall Getup Week: The Creative Office

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    Old shapes rebalanced for now.

    The post Fall Getup Week: The Creative Office appeared first on Primer.

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    Andrew Snavely

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  • Fall Getup Week: What the First Cold Morning Calls For

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    Fuller cuts, British countryside, and the return of 90s favorites. The week begins with a look made for the season’s first breath of cold air.

    There’s a moment when it becomes clear that fall is here. I open the door and the different-over-night weather winks like a grandpa and asks me where my jacket is. Soon I remember how comfortable (and easy to style) layers are and it’s like Ralphie waking up and it’s Christmas season. This is Fall Getup Week.

    This is the part of the year where clothes stop being things you tolerate and start being things you choose. Layering becomes possible, shoes with some heft return from their seasonal exile, and jackets finish outfits like Bond’s bow tie. There’s texture, there’s structure, there’s comfort, and for once it feels like the effort has a payoff.

    This Year’s Style Creative Direction

    If there’s a plot this fall, it revolves around proportion and lost favorites from do-not-wear lists of decades past. Pants with classic, fuller cuts, shirts that have room to layer, tuck, and drape, accessories once phased out. Imagine the British countryside aesthetic colliding with the ‘90s J.Crew catalog. The result: modern, fuller silhouettes catch up to the last decade’s grounding in refined minimalism.

    These clothes make sense together, and not in a way that requires learning a new aesthetic. For many of us, it’s one we grew up with, now through our contemporary lens.

    The jeans and pants drape, shirts offer room for a little lunch, and jackets manage to frame you without making you look like a wedding photo from 1992. Nothing is baggy, but it all feels a little less precious, everything looks like it belongs to an adult who knows where his keys are.

    1990s j.crew fall men styles
    No one here is chasing the new for its own sake. As the fits across menswear have loosened, we’re invited to a reunion where lost favorites like pants labeled “classic fit,” chunkier-shaped footwear, braided belts, and yes, the prodigal son cargo pant are given a modern edit: shapes you’ve worn before, now with better company.

    Sure, you might grumble that you’ve been there, done that, but isn’t that the point? The challenge is finding out how these old shapes fit the current version of you, who, let’s face it, knows a lot more about taste.

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    Andrew Snavely

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