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Tag: Fairs and festivals

  • Park Chan-wook will lead the Cannes Film Festival jury, will be the 1st Korean in the role

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    Park Chan-wook, the Korean filmmaker of “Oldboy” and “No Other Choice,” will head the jury at the 79th Cannes Film Festival, festival organizers announced Thursday

    Park Chan-wook, the Korean filmmaker of “Oldboy” and “No Other Choice,” will head the jury at the 79th Cannes Film Festival, festival organizers announced Thursday.

    Chan-wook is the first Korean to preside over the jury that will award the prestigious Palme d’Or. He has been a regular in Cannes since “Old Boy” won the Grand Prix, or second prize, in 2004. He won the jury prize in 2009 for “Thirst” and best director in 2022 for “Decision to Leave.”

    “Park Chan-wook’s inventiveness, visual mastery, and penchant for capturing the multiple impulses of women and men with strange destinies have given contemporary cinema some truly memorable moments,” said festival president Iris Knobloch and director Thierry Frémaux in a joint statement. “We are delighted to celebrate his immense talent and, more broadly, the cinema of a country deeply engaged with the questioning of our time.”

    Chan-wook follows Juliette Binoche as jury president in Cannes, where Jafar Panahi’s “It Was Just an Accident”won the Palme d’Or in 2025. Chan-wook’s countryman, Bong Joon Ho, won the Palme in 2019 for “Parasite.”

    Chan-wook’s most recent film, “No Other Choice,” a dark satire about an unemployed family man who decides to eliminate his competition for a new job, was Korea’s Oscar selection but failed to be nominated. The Associated Press named it one of the best films of 2025.

    The Cannes Film Festival runs May 12-23.

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  • Pakistan’s cultural capital erupts in color as Basant festival ends 20-year hiatus

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    LAHORE, Pakistan — A burst of color lit up Lahore’s night sky overnight as Pakistan’s cultural capital relaunched the Basant kite-flying festival after nearly two decades.

    Authorities said Friday that the celebration has been allowed only under strict safety regulations, warning that the use of hazardous kite strings that endanger lives could lead to arrests.

    Kite-flying had been banned in the province since 2005 following a series of fatal accidents. Razor-sharp metal- or glass-coated strings used in competitive kite fighting killed about a dozen people, mostly motorcyclists and bystanders two decades ago, prompting the government to impose broad restrictions across Punjab and effectively halt Basant.

    This year, officials say strict safety measures are in place.

    Motorcyclists are required to install tall, antenna-like metal rods on their bikes to prevent airborne strings from causing injury. The provincial government also declared a two-day public holiday to reduce traffic and lower accident risks.

    The government of Punjab Chief Minister Maryam Nawaz Sharif recently lifted the ban, emphasizing that the festival’s revival would be strictly regulated and violators could face fines or imprisonment.

    As midnight marked the start of the two-day celebration, rooftops across the city came alive with families and friends launching vibrant kites into the cool night air.

    “We’re finally seeing it again after so many years,” said Ashfaq Ahmed, 23, flying a kite from his rooftop in Lahore’s old city. “If people avoid dangerous strings, hopefully this joyful festival can continue safely in the future.”

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  • Robert Redford remembered for his mentorship of new filmmakers at Sundance gala

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    PARK CITY, Utah — Filmmakers and actors whose careers were shaped by Robert Redford and the Sundance Institute he founded reflected on his legacy as the godfather of independent cinema at a star-studded gala Friday night during the first Sundance Film Festival since his death.

    The 2026 festival — its last in Utah, before relocating to Boulder, Colorado — is a love letter to the haven Redford established in the state decades ago for stories that didn’t fit into the mainstream.

    Even as the festival heads to its new home, the piece of Redford’s legacy that his daughter said meant the most to him will remain in Utah: the institute’s lab programs for writers and directors.

    “When my dad could have created an empire, he created a nest,” said his daughter, Amy Redford. “The Sundance Institute was designed to support and protect and nourish and then set free.”

    She said there was no place her father would rather be than sitting with a new filmmaker at the Sundance Mountain Resort he founded, about 34 miles (54 kilometers) south of Park City.

    The labs, which started in 1981, bring emerging storytellers to the rustic resort in northern Utah to nurture their talents under expert guidance and away from the hustle and bustle of Hollywood. Three of the five best director nominees at this year’s Academy Awards — Paul Thomas Anderson, Chloé Zhao and Ryan Coogler — came up through the labs.

    Zhao, whose film “Hamnet” was nominated this week for eight Oscars, credited the screenwriting lab with jump-starting her career in 2012. Under the mentorship of Redford and program director Michelle Satter, she said she learned to trust her own vision and gained an invaluable community of creatives.

    Other former participants, including director Nia DaCosta, shared memories of Redford riding his motorcycle on peaceful wooded paths and stopping to talk to them about their projects. He insisted each of them call him by his nickname, Bob.

    “I remember once seeing him walk some of the other fellows from the directors lab, and he just looked so full of love and pride for us, for what he built,” DaCosta said. “And it was just very clear to me in that moment the depth to which he cared about this place and all of us.”

    Sundance Film Festival regular Ethan Hawke recounted his first audition in front of Redford for the 1992 period drama “A River Runs Through It.” After forgoing sleep to prepare a lengthy monologue, Hawke said Redford pulled him aside to say he was too young for the part but would undoubtedly have a wonderful career.

    Redford was an early champion of Hawke’s work and became one of his greatest mentors. Hawke pledged Friday to “keep the fire that he started burning” and help it spread.

    Screenings at this year’s festival were preceded by a short video tribute to Redford, which was repeatedly met with thunderous applause. Many volunteers wore buttons that read “Thank you Bob!”

    Later in the festival will be a screening of his first truly independent film, the 1969 sports drama “Downhill Racer.”

    Filmmaker Ava DuVernay’s first taste of Sundance was as a publicist for other artists at the festival. In 2012, she got her own big break at Sundance with “Middle of Nowhere.” She later spent several years as a Sundance trustee and grew close to Redford, though she said she never felt quite right calling him Bob.

    “Mr. Redford didn’t just establish a festival. He modeled a way to be, a way that matters, a way that says artists matter, that imagination is worth protecting,” DuVernay said. “The door that he built is still open, and it’s up to us to walk through and to maybe even build our own.”

    For the first and likely the only time, she then said, “Thank you, Bob.”

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    For more coverage of the 2026 Sundance Film Festival, visit: https://apnews.com/hub/sundance-film-festival

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  • Channing Tatum, Olivia Wilde and Charli xcx arrive at Sundance Film Festival for premieres

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    PARK CITY, Utah — The Sundance Film Festival is in full swing, with Channing Tatum, Olivia Wilde and Charli xcx movies premiering back-to-back at the storied Eccles Theatre Friday evening in Park City, Utah. Considered some of the hottest tickets at the festival, the waitlists are already long, and the lines will surely be longer.

    First up is “Josephine,” writer-director Beth De Araújo’s raw drama about an 8-year-old girl (Mason Reeves) whose life and sense of safety is upended after she witnesses a crime in Golden Gate Park. Tatum and Gemma Chan play the parents who are unsure how to help her navigate these new emotions and fears. The film, which is part of the U.S. Dramatic Competition, is based on De Araújo’s own experience of seeing something scarring at that age.

    The next film, Gregg Araki’s “I Want Your Sex,” will bring a distinct change in tone to the Eccles. It’s the story of a college graduate in his early 20s (played by Cooper Hoffman ) who gets his first job as a kind of intern/assistant to a renowned art world provocateur named Erika Tracy (Wilde), who Arkai described as “bold, daring and very controversial,” a cross between Robert Mapplethorpe and Madonna.

    “It’s the story of their affairs and the impact it has on this kid’s life and how it kind of turns his whole world upside down,” Araki told The Associated Press. “It’s fun, it’s colorful, it’s sexy. And it’s a ride.”

    It’s a film that Araki has been working on for over 10 years, as it evolved from a comic “Fifty Shades of Grey” with a female intern to what it is now.

    “After #MeToo and Harvey Weinstein, all the stuff that was going on, it was literally like, I don’t really want to see a woman getting dragged around by the hair,” Araki said. “I don’t want to seed that kind of patriarchal dynamic, even if it’s consensual.”

    Flipping the gender roles and making the young intern a man made the movie more interesting for Araki, “as a filmmaker who has always been heavily influenced by feminist film theory and feminism in general,” he said.

    At the same time, he was absorbing news stories about Gen Z and how they don’t have sex or relationships anymore and a new dynamic emerged.

    “What I knew as an old person, as an old-timer, in terms of socialization, dating, sex, all of this stuff that seemed to be kind of falling away,” Araki said. “And so that kind of became a major theme of the movie.”

    Things Wilde’s character says are things he has also said in interviews about sex and sexuality. Her character gets into generational debates about it. And ultimately it’s sex positive.

    “It was very important to me to make something sex positive,” Araki said. “’I Want Your Sex’ is like the opposite of ‘Babygirl,’ which I found to be very sex negative.”

    The film also features a supporting turn from Charli xcx, who was a fan of Araki and whose “Brat” album cover was partially inspired by the title credits to his film “Smiley Face.” When she heard about this new movie, he said, she asked if she could be in it. He was interested, but told her agent that she needed to do a self-tape “like everyone else” to play the part of Hoffman’s girlfriend.

    “The character is not her. That’s what’s so fun,” he said. “She’s American, she’s super uptight and kind of pill.”

    She filmed her scenes in one day, on a two-day break in the middle of her Brat tour.

    “I don’t want to give it away, but she’s in one of my favorite scenes in the whole movie where her and Cooper’s character are having kind of bad sex,” he said.

    Those who stick around at the Eccles after “I Want Your Sex” will get a Charli xcx double feature, with the world premiere of her self-referential mockumentary “The Moment,” about a rising pop star, before it hits theaters on Jan. 30.

    Earlier Friday, the world premiere of William David Caballero’s mixed-media film “TheyDream” immersed viewers in the intimate story of a Puerto Rican family learning to process grief through art. Caballero and cowriter Elaine Del Valle have screened short films at Sundance in the past but were honored to bring a full-length feature to the festival.

    “Sundance has always been about possibility for me — about artists being given space to take creative risks and tell personal stories,” Del Valle, who is also a producer on the film, told the AP. “Bringing our first feature, especially in Sundance’s final year in Utah, carries a different weight.”

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    Associated Press writer Hannah Schoenbaum contributed to this story.

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    For more coverage of the 2026 Sundance Film Festival, visit: https://apnews.com/hub/sundance-film-festival

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  • The Sundance Film Festival prepares to bid farewell to Park City, and Robert Redford

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    The Sundance Film Festival may be a little bittersweet this year. It will be familiar in some ways as it kicks off on Thursday in Park City, Utah. There will be stars, from Natalie Portman to Charli XCX, and breakout discoveries, tearjerkers, comedies, thrillers, oddities that defy categorization and maybe even a few future Oscar nominees. The pop ups and sponsors will be out in full force on Main Street. The lines to get into the 90 movies premiering across 10 days will be long and the volunteers will be endlessly helpful and cheery in subfreezing temperatures.

    But the country’s premier showcase for independent film is also in a time of profound transition after decades of relative stability. The festival is bidding farewell to its longtime home and forging forward without its founder, Robert Redford, who died in September. Next year, it must find its footing in another mountain town, Boulder, Colorado.

    It’s no surprise that legacy will be a through-line at this year’s final edition in Park City. There will be screenings of restored Sundance gems like “Little Miss Sunshine,” “Mysterious Skin,” “House Party” and “Humpday” as well as Redford’s first truly independent film, the 1969 sports drama “Downhill Racer.” Many will also pay tribute to Redford at the institute’s fundraising event, where honorees include Chloé Zhao, Ed Harris and Nia DaCosta.

    “Sundance has always been about showcasing and fostering independent movies in America. Without that, so many filmmakers wouldn’t have had the careers they have,” said “Mysterious Skin” filmmaker Gregg Araki. He first attended the festival in 1992 and has been back many times, including at the labs where Zhao was one of his students.

    Quite a few festival veterans are planning to make the trip, including “Navalny” filmmaker Daniel Roher. His first Sundance in 2022 might have been a bit unconventional (made fully remote at the last minute due to the pandemic) but ended on a high note with an Oscar. This year he’s back with two films, his narrative debut “Tuner,” and the world premiere of “The AI Doc: Or How I Became an Apocaloptimist,” which he co-directed with Charlie Tyrell.

    “We’re going through a weird moment in the world … There’s something that strikes me about an institution that has been evergreen, that seems so entrenched going through its own transition and rebirth,” Roher told The Associated Press. “I’m choosing to frame this year as a celebration of Sundance and the institute and a future that will ensure the festival goes on forever and ever and ever and stays the vital conduit for so many filmmakers that it has been.”

    Over the past four decades, countless careers have been shaped and boosted by the festival and the Institute. Three of this year’s presumed Oscar nominees — Paul Thomas Anderson, Ryan Coogler and Zhao — are among those the Institute supported early in their careers.

    Jay Duplass, who first came to Sundance in 2003 with his brother, Mark, with what he calls a “$3 film” said it was the place where his career was made.

    “I’d probably be a psychologist right now if it wasn’t for Sundance,” Duplass said.

    While he’s been to “probably 15 Sundances” since, it hasn’t lost its luster. In fact, when a programmer called him to tell him that his new film “See You When I See You” was selected, he cried. The film is based on a memoir in which a young comedy writer (Cooper Raiff) attempts to process the death of his sister (Kaitlyn Dever). It’s one of many films that finds humor amid grim subjects.

    As always, the lineup is full of starry films as well, including Cathy Yan’s art world satire, “The Gallerist,” starring Portman, Jenna Ortega, Sterling K. Brown, Zach Galifianakis and Da’Vine Joy Randolph. The romantic drama “Carousel,” from Rachel Lambert, features Chris Pine and Jenny Slate as high school exes who rekindle their romance later in life. Araki is also bringing a new film, “I Want Your Sex,” in which Olivia Wilde plays a provocative artist (Araki described as a cross between Madonna and Robert Mapplethorpe) who takes on Cooper Hoffman as her younger muse.

    “It’s kind of a sex-positive love letter to Gen Z,” Araki said. “It’s a comedy. It has elements of mystery, thriller, murder — a little bit of ‘Sunset Boulevard’ … it’s fun, it’s colorful, it’s sexy. It’s a ride.”

    Wilde also steps behind the camera for “The Invite,” in which she stars alongside Seth Rogen as a couple whose marriage disintegrates over the course of an evening. Olivia Colman is a fisherwoman looking to make the perfect husband in “Wicker,” co-starring Alexander Skarsgård. Zoey Deutch plays a Midwestern bride-to-be seeking out her celebrity “free pass” (Jon Hamm) in the screwball comedy “Gail Daughtry and the Celebrity Sex Pass.” And Ethan Hawke and Russell Crowe lead the Depression-era crime drama “The Weight.”

    Pop star and noted cinephile Charli XCX will also be out and about, starring in the self-referential mockumentary “The Moment,” and appearing in “The Gallerist” and “I Want Your Sex” as well.

    The 2026 festival features a robust lineup of documentaries too, which have a good track record of snagging eventual Oscar nominations and wins. There are a handful of films about famous faces, including basketball star Brittney Griner, Courtney Love, Salman Rushdie, Billie Jean King, Nelson Mandela and comedian Maria Bamford.

    Others delve into newsy subjects past and present, like “When A Witness Recants,” in which author Ta-Nehisi Coates revisits the case of the 1983 murder of a boy in his Baltimore middle school and learns the truth. “American Doctor” follows three professionals trying to help in Gaza. “Who Killed Alex Odeh” examines the 1985 assassination of a Palestinian American activist in Southern California. “Everybody To Kenmure Street” is about civil resistance to deportations in Glasgow in 2021. And “Silenced” tracks international human rights lawyer Jennifer Robinson in her fight against the weaponization of defamation laws against victims of gender violence.

    And some don’t fit into any easy category, like “The History of Concrete” in which filmmaker John Wilson takes what he learned at a “how to sell a Hallmark movie” seminar and tries to apply it to a documentary on concrete.

    There might be a bit of wistfulness in the air too, as everyone takes stock of the last Sundance in Park City and tries to imagine what Boulder might hold.

    “It feels very special to be part of the last one in Park City,” Duplass said. “It’s just a super special place where, you know there are going to be movies there with giant stars and there’s also going to be some kids there who made movies for a few thousand dollars. And they’re all going to mix.”

    Araki, like Redford, knew long ago that the festival had outgrown Park City. It will be strange to no longer have its iconic locations like Egyptian Theatre and Eccles and The Ray anymore, but it’s also just a place.

    “The legacy and the tradition of Sundance will continue no matter where it is,” Araki said.

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    For more coverage of the 2026 Sundance Film Festival, visit: https://apnews.com/hub/sundance-film-festival

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  • Leonardo DiCaprio on the importance of creating cinema over content at Palm Springs Film Festival

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    PALM SPRINGS, Calif. — PALM SPRINGS, Calif. (AP) — Leonardo DiCaprio emphasized the importance of creating cinema over content at the Palm Springs Film Festival Friday night.

    “Movies are still meant to be experienced, together, in a theatre. Right now, that belief matters more than ever. Original films are harder to make and harder to protect. But movies still matter, not content, but cinema. Stories made by people meant to be shared in a dark room in a communal experience,” he said.

    The “One Battle After Another” actor accepted the award via a pre-recorded video. Variety reported that he was be unable to attend the film festival due to the ongoing political conflict with Venezuela, which led to the cancellation of multiple flights out of the Caribbean, where the actor was spotted vacationing over the holiday season. His co-stars, Chase Infiniti and Teyana Taylor, accepted the award on his behalf.

    The 37th annual International Film Awards at the festival in Palm Springs, California, kicks off Hollywood’s whirlwind award season, honoring some of the film industry’s most anticipated award contenders.

    The glamorous night was full of long, heartfelt speeches, each emphasizing the importance of unity amongst artists and the importance of keeping original storytelling and movie theaters alive.

    While accepting the Icon Award, Actor Michael B. Jordan told his colleagues to continue to tell original stories that build unity.

    “The films were honoring tonight inspire each other to do more, to be better, to see each other more clearly and make the world a brighter place. And maybe when the lights come up in the theater, we could step back into the sun together,” said the actor.

    Cyrus accepted the Outstanding Artistic Achievement Award for her song “Dream As One” in “Avatar: Fire and Ash.” The recording artist hopes artists will pivot to becoming more community-focused instead of seeing each other as competitors.

    “Numbers can make it feel like a sport, but performance runs so much deeper than a scoreboard, because each artist can bare their soul in a completely unique way and every contribution leaves its own mark on history,” she said.

    Jane Fonda briefly led the audience in a breathing exercise before presenting “Hamnet’s” Chloe Zhao, Paul Mescal and Jessie Buckley with the Vanguard Award. Fonda credited the call to the action to director Chloe Zhao, who would routinely lead similar exercises before festival screenings of “Hamnet.”

    Guillermo del Toro stood alongside his “Frankenstein” cast to receive the Visionary Award.

    The director revealed he recently lost his older brother and reflected on the relevance of Mary Shelley’s classic novel as the world continues to grapple with emerging technology and division. For del Toro, it’s relevance means two things: “We never learn, and sometimes the only way to talk about humanity is through monsters.”

    Timothèe Chalamet received the Spotlight Award, and focused his speech on his “Marty Supreme” character’s pursuit of greatness and making his dreams come true.

    Mahershala Ali presented Ethan Hawke with the Career Achievement Award, reminiscing on how Hawke’s performance in “Reality Bites” was one of many films that inspired his early acting days.

    Hawke’s acceptance speech gave credit to the friends and collaborators that left a mark on who he is today and remembered the influence the late River Phoenix had on his life.

    “I stand here in front of you a sum accumulation of all of the individuals who helped shape me,” said the actor.

    Hawke made his way to the stage a second time for a “First Reformed” reunion with former co-star Amanda Seyfried to present her with the Desert Palm Achievement Award, Actress.

    Seyfried was quick to point out the unexpected full-circle moment while receiving the same award as DiCaprio.

    “I want to thank Leo for inspiring me to be an actor. So, it’s weird. It’s amazing to get this award. It’s the same title of the award, so it’s like sharing it with him? Sort of? Maybe,” said the actor.

    The night continued with laughter from actor and comedian Adam Sandler after Laura Dern presented him with the Chairman’s Award. Sandler accepted his award with none other than a short stand-up routine about what his life would have looked like if he had chosen a quieter life instead of working in entertainment.

    “I’d probably still have a deal with Netflix. But I’d be paying them a monthly fee so I can watch ”Stranger Things” last season,” said the comedian.

    The cast of “Sentimental Value” accepted the International Star Award as an ensemble. Rose Byrne took home the Breakthrough Performance Award, Actress, for her work on “If I Had Legs I’d Kick You,” poking fun at the idea of receiving a breakthrough award in her 40s. The show concluded with Kate Hudson accepting the Icon Award, Actress for her work in “Song Sung Blue.”

    Award season continues with the 31st annual Critics’ Choice Awards and next Sunday with the 83rd annual Golden Globes.

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  • US rapper Wiz Khalifa sentenced by Romanian court to 9 months for drug possession

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    BUCHAREST, Romania — American rapper Wiz Khalifa was sentenced by a court in Romania on Thursday to nine months in jail for drug possession, more than a year after he took part in a music festival in the Eastern European country.

    Khalifa was stopped by Romanian police in July 2024 after allegedly smoking cannabis on stage at the Beach, Please! Festival in Costinesti, a coastal resort in Constanta County. Prosecutors said the rapper, whose real name is Cameron Jibril Thomaz, was found in possession of more than 18 grams of cannabis, and that he consumed some on stage.

    The Constanta Court of Appeal handed down the sentence after Khalifa was convicted of “possession of dangerous drugs, without right, for personal consumption,” according to Romania’s national news agency, Agerpres. The decision is final.

    The decision came after a lower court in Constanta County in April issued Khalifa a criminal fine of 3,600 lei ($830) for “illegal possession of dangerous drugs,” but prosecutors appealed the court’s decision and sought a higher sentence.

    Romania has some of the harsher drugs laws in Europe. Possession of cannabis for personal use is criminalized and can result in a prison sentence of between three months and two years, or a fine.

    It isn’t clear whether Romanian authorities will seek to file an extradition request, since Khalifa is a U.S. citizen and doesn’t reside in Romania.

    The 38-year-old Pittsburgh rapper rose to prominence with his breakout mixtape “Kush + Orange Juice.” On stage in Romania last summer, the popular rapper smoked a large, hand-rolled cigarette while singing his hit “Young, Wild & Free.”

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  • Donald Glover says he had a stroke

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    Donald Glover is opening up about a recent health scare that forced him to cancel his tour last year. At the time, he described it as an “ailment,” but Glover said Saturday night at a performance that a doctor told him he’d had a stroke.

    Glover, who performs under the moniker Childish Gambino, shared the information on stage at Tyler, the Creator’s Camp Flog Gnaw festival in Los Angeles. His remarks were shared widely on social media.

    “You guys voted for a ‘where have I been monologue,’” Glover, 42, said. “I had a really bad pain in my head in Louisiana and I did the show anyway. I couldn’t really see well, so when we went to Houston, I went to the hospital and the doctor was like, ‘You had a stroke.’”

    Glover said he felt like he was letting everyone down, lamenting that he still hasn’t been to Ireland. He also revealed that “they found a hole” in his heart and he had to have two surgeries.

    “They say everybody has two lives and the second life starts when you realize you have one,” Glover said. “You got one life, guys, and I gotta be honest, the life I’ve lived with you guys has been such a blessing.”

    His representatives did not immediately respond to request for comment.

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  • German Baumkuchen ‘tree cake’ survived a disaster and world wars to become a Japanese favorite

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    NINOSHIMA, Japan (AP) — Baumkuchen originated in Germany but has become a wildly popular sweet in Japan, where a prisoner of war on a small western island started making the treat that has thrived in its new homeland.

    Today, the confectionery known as “tree cake” because of the resemblance to a trunk with rings is considered a symbol of longevity and prosperity in Japan, where Baumkuchen festivals are regularly held.

    Japanese adaptations, including those using maccha and sweet potatoes, are popular gifts at weddings and birthdays. Baumkuchen is sold in gift boxes at luxury department stores and individually wrapped, smaller versions can be found at convenience stores.

    The sweet’s early years, however, are associated with a catastrophic earthquake and two world wars.

    Making Baumkuchen is one of most popular activities on Ninoshima, just a 20-minute ferry ride from Hiroshima. But visitors also must learn the sleepy island’s role in Japan’s wartime history, according to Kazuaki Otani, head of the Juccheim Ninoshima Welcome Center.

    At the outdoor center built over the site of a prisoner of war camp, amateur bakers pour batter on a bamboo pole and roast the mixture over a charcoal fire. As the surface turns light brown, a new layer is poured, creating brown rings as the cake grows thicker and the sweet smell wafts through the picnic area.

    This is how a German confectioner named Karl Juchheim baked Baumkuchen while he was imprisoned on the island more than 100 years ago.

    During Japan’s militarist expansion period beginning in the late 1890s, Ninoshima served as a military quarantine station as nearby Hiroshima developed into a major military hub. About 4,700 mostly German civilians and servicemembers were kept at 16 camps across Japan during World War I. The German prisoners at Ninoshima were given “a certain degree of freedom” and allowed to cook, Otani said.

    Juchheim was running a bakery in Qingdao, China, then a German territory, when he was captured by the Japanese in 1915. He arrived on Ninoshima in 1917 with some 500 German POWs and is believed to have tested his Baumkuchen recipe there, Otani said.

    When the war ended in 1918, Juchheim and about 200 fellow POWs stayed in Japan. In March 1919, Juchheim’s Baumkuchen commercially debuted in Japan at the Hiroshima Prefectural Products Exhibition. His handmade cake was hugely popular and attracted a big crowd of Japanese visitors, historical documents show.

    The confectioner opened a pastry shop in Yokohama, near Tokyo, in 1922. The 1923 Great Kanto quake destroyed the business and forced Juchheim to move his family to the western port city of Kobe, where he opened a coffee shop serving Baumkuchen. That store was leveled by U.S. firebombings on Kobe two months before the end of World War II.

    Yet he remained and grew the business in Kobe, where Juchheim Co., Ltd., still operates as one of Japan’s top confectioners with the help of his wife Elise and devoted Japanese staff.

    The atomic bomb dropped by the U.S. on Hiroshima on Aug. 6, 1945, and another on Nagasaki three days later killed more than 210,000 by the end of that year. In the aftermath, about 10,000 severely injured victims were shipped from Hiroshima to Ninoshima for treatment and temporary shelter. Most died there and many of their remains have yet to be found, experts say.

    Juchheim died of illness at a Kobe hotel on Aug. 14, 1945, the day before Japan announced its surrender.

    “His baking was an expression of his wish for peace,” Otani said. “By sharing with visitors what things were like back then, I hope it gives people an opportunity to reflect on peace.”

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  • Ballet star Roberto Bolle will headline 2026 Winter Olympics closing ceremony in Verona

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    VERONA, Italy — Internationally acclaimed ballet star Roberto Bolle will headline the 2026 Milan-Cortina Winter Olympics closing ceremony, titled “Beauty in Motion,” in Verona’s ancient Roman amphitheater, one of the world’s oldest, organizers announced Thursday.

    The Feb. 22 closing event will pay homage to the city of Verona — which is a UNESCO world heritage site — and the Arena’s role as the venue for a famous summer opera festival, while celebrating athletic excellence and addressing climate change, said Alfredo Accatino, artistic director for the closing ceremony.

    “If the climate continues to change, there won’t be Winter Olympics anymore,’’ Accatino lamented.

    The central stage within the nearly 2,000-year-old Arena will be shaped like a waterdrop, symbolically uniting the mountain venues with the fertile Po River Valley, where Milan and Verona are located, and the Venetian lagoon, Accatino said.

    Bolle, who performed at the opening ceremony for the 2006 Winter Olympic Games in Turin, is a familiar sight at the Arena, where he travels each summer with his “Roberto Bolle and Friends” annual gala. He is the only talent announced so far.

    The 2026 Winter Games (Feb. 6-22) will be the first with two official host cities, Milano in Lombardy and Cortina in the Dolomites of Veneto. The opening and closing ceremonies will also be held in two different cities: Milan and Verona

    The addition of Verona, an elegant city of cobbled streets nestled along the winding Adige River and against pre-Alpine mountains, has generated excitement among the delegations more accustomed to sports venues, said Giovanni Malagò, president of the Milan Cortina Foundation local organizing committee.

    “This will be a great advertisement for Verona,” Malagò said. “It is quite obvious that the atmosphere will be completely different from a sports stadium. There is a lot of curiosity to come here.”

    Centrally located among the far-flung Olympic venues, Verona is shaping up to be a base for many Olympic visitors, not just a destination for the Feb. 22 closing ceremony, Mayor Damiano Tommasi said, citing hotel reservation trends.

    Verona is about an hour and 15 minutes by train from Milan, where ice sports are being held, and is just over three hours by car to Bormio, the venue for men’s downhill, and about the same to Cortina, where women’s downhill, curling and bobsled will be held.

    Organizers said they were still finalizing the number of tickets to be sold for the closing ceremony. The Arena di Verona typically holds about 15,000 spectators during opera season, but the closing ceremony capacity will be lower because the central stage will be expanded and many seats are reserved for athletes and official delegations

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  • Sundance Film Festival reveals details about Robert Redford tributes and legacy screenings

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    Robert Redford’s legacy and mission was always going to be a key component of the 2026 Sundance Film Festival, which will be the last of its kind in Park City, Utah. But in the wake of his death in Septemberat age 89, those ideas took on a new significance.

    This January, the institute that Redford founded over 40 years ago, plans to honor his career and impact with and a screening of his first truly independent film, the 1969 sports drama “Downhill Racer,” and a series of legacy screenings of restored Sundance gems from “Little Miss Sunshine” to “House Party,” festival organizers said Tuesday.

    “As we were thinking about how best to honor Mr. Redford’s legacy, it’s not only carrying forward this notion of ‘everyone has a story’ but it’s also getting together in a movie theater and watching a film that really embodies that independent spirit,” festival director Eugene Hernandez told The Associated Press. “We’ve had some incredible artists reach out to us, even in the past few weeks since Mr. Redford’s passing, who just want to be part of this year’s festival.”

    Archival screenings will include “Saw,” “Mysterious Skin,” “House Party,” and “Humpday” as well as the 35th anniversary of Barbara Kopple’s documentary “American Dream,” and 20th anniversaries of “Half Nelson” and “Little Miss Sunshine,” with some of the filmmakers expected to attend as well.

    “Over the almost 30 years of Sundance Institute’s collaboration with our partner, the UCLA Film & Television Archive, we’ve not only worked to ensure that the Festival’s legacy endures through film preservation, but we’ve seen that output feed an astonishing resurgence of repertory cinema programming across the country,” said festival programmer John Nein. “The films we’ve preserved and the newly restored films screening at this year’s festival, including some big anniversaries, are an important way to keep the independent stories from years past alive in our culture today.”

    Tickets for the 2026 festival, which runs from Jan. 22 through Feb. 1, go on sale Wednesday at noon Eastern, with online and in person options. Some planning is also already underway for the festival’s new home in Boulder, Colorado, in 2027, but programmers are heads down figuring out the slate of world premieres for January. Those will be revealed in December.

    “There’s a lot more to come and a lot more to announce,” Hernandez said. “This is just laying a foundation.”

    Redford’s death has added a poignancy to everything.

    “Seeing and hearing the remembrances took me back to why I felt compelled to go to the festival in the first place,” Hernandez said. “It’s been very grounding and clarifying and for us as a team it’s been very emotional and moving. But it’s also been an opportunity to remind ourselves what Mr. Redford has given to us, to our lives, to our industry, to Utah.”

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  • Misty Copeland to take ballet stage one last time, before hanging up her pointe shoes

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    NEW YORK — NEW YORK (AP) — Misty Copeland hangs up her pointe shoes Wednesday, putting a final exclamation point on a trailblazing career in which she became an ambassador for diversity in the very white world of ballet — and a crossover star far beyond.

    Copeland will be feted in grand style as American Ballet Theatre devotes a gala evening to her retirement after 25 years with the company. Copeland joined ABT as a teenager and became, a decade ago, the first Black female principal dancer in its 75-year history.

    In a way, the gala will be both a return and a departure for Copeland. She’ll be dancing with the company for the first time in five years. During that time, Copeland has been raising a young son with her husband.

    She’s also been continuing her career as an author — the second volume of her “Bunheads” series appeared in September — and working to increase diversity in the dance world with her namesake foundation, including “Be Bold,” an afterschool program designed for young children of color.

    But Copeland decided to dust off the pointe shoes so she could have one last spin on the ABT stage — including a duet as Juliet, one of the most passionate roles in ballet. Though she has not closed the door on dancing altogether, it’s clear an era is ending.

    “It’s been 25 years at ABT, and I think it’s time,” Copeland, 43, told The Associated Press in an interview in June, when she announced her retirement. “It’s time for me to move to the next stage.”

    She added: “You know, I’ve become the person that I am today, and have all the opportunities I have today, because of ballet, (and) because of American Ballet Theatre. I feel like this is me saying ‘thank you’ to the company. So it’s a farewell. (But) it won’t be the end of me dancing. … Never say never.”

    The evening at Lincoln Center’s David H. Koch Theater will be streamed live to nearby Alice Tully Hall across the plaza, with attendance free to the public — another sign of Copeland’s unique brand of fame in the dance world.

    Copeland was born in Kansas City, Missouri, and raised in San Pedro, California, where she lived in near poverty and through periods of homelessness as her single mother struggled to support her and five siblings.

    For a future professional dancer, she came to ballet relatively late — at 13 — but soon excelled and went on to study at the San Francisco Ballet School and American Ballet Theatre on scholarship opportunities. After a stint in the junior company, Copeland joined ABT as a member of the corps de ballet in April 2001, becoming a soloist six years later.

    In June 2015, Copeland was promoted to principal dancer. Unlike other promotions, which are announced quietly, Copeland’s was announced at a news conference — a testament to her celebrity. Only days before, she’d made a triumphant New York debut in “Swan Lake” in the starring role of Odette/Odile, drawing a diverse and enthusiastic crowd to the Metropolitan Opera House.

    In the AP interview, Copeland acknowledged that it’s striking that when she leaves ABT, there will no longer be a Black female principal dancer at the company (on the male side, acclaimed dancer Calvin Royal III was promoted to principal in 2020).

    “It’s definitely concerning,” Copeland said. “I think I’ve just gotten to a place in my career where there’s only so much I can do on a stage. There’s only so much that visual representation … can do. I feel like it’s the perfect timing for me to be stepping into a new role, and hopefully still shaping and shifting the ballet world and culture.”

    She also noted this is an especially trying moment for anyone working in the area of diversity, equity and inclusion.

    “It’s a difficult time,” she said. “And I think all we can really do is keep our heads down and keep doing the work. There’s no way to stop the people that feel passionate about this work. We will continue doing it.”

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  • A Jewish film festival in Sweden has been postponed. Organizers say cinemas won’t screen the films

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    The organizers of the Jewish International Film Festival say they were forced to postpone the event because cinemas in Malmö, Sweden, would not screen the films

    STOCKHOLM — STOCKHOLM (AP) — The organizers of the Jewish International Film Festival say they were forced to postpone the event because cinemas in Malmö, Sweden, would not screen the films, with some citing safety and security concerns.

    This year’s Jewish International Film Festival was supposed to celebrate 250 years of Jewish life in Sweden and was scheduled to run Nov. 29 through Dec. 2, according to its website.

    The organizers, in a statement posted Thursday to the festival’s website, said they were “stonewalled by all commercial and art-house cinemas in the city.”

    They said they would “pause to gather strength” before starting the process of finding a venue again. They added that they had received “heartwarming” support in recent days.

    Ola Tedin, one of the organizers, told Swedish broadcaster SVT that some of the cinemas offered safety and security concerns for their refusal because they were worried something might happen to endanger their staff or audiences.

    In a statement Saturday, cinema chain Filmstaden said its decision against screening the films was made in the spring.

    “In this particular case, after thorough assessment, we concluded that we could not host the festival due to safety concerns,” the statement said. “Our priority is always to ensure a safe and positive experience for both our guests and employees.”

    Other cinemas, as well as the Swedish minister of culture, did not immediately respond to a request for comment Saturday.

    The film festival was founded last year.

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  • Oktoberfest ends Sunday with the traditional Bavarian salute

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    The 190th Oktoberfest has come to a close, wrapping up the world’s largest folk festival with the traditional Bavarian marksmen’s gun salute in Munich, after a bomb threat closed it for hours last week

    MUNICH — MUNICH (AP) — The 190th Oktoberfest came to a close Sunday, wrapping up the world’s largest folk festival with the traditional Bavarian marksmen’s gun salute in Munich.

    Roughly 6.5 million visitors attended between Sept. 20 and Sunday, German news agency dpa reported, including Arnold Schwarzenegger. The Austrian-born former governor of California spontaneously conducted a live music band and the singing crowd in a beer tent on Sept. 26.

    Schwarzenegger, dressed in a traditional Bavarian-style leather jacket, a buttoned-down shirt and jeans, was accompanied by his partner, Heather Milligan, and his son, Christopher.

    The fairgrounds were closed for hours Wednesday as police searched the area due to a bomb threat linked to an explosion across town.

    During the initial investigation, a letter written by the suspect and found near the crime scene contained a “non-specific” threat of explosives related to Oktoberfest, Bavaria police previously said.

    Wednesday’s images showed police in fluorescent vests patrolling nearly barren pavements near roller coasters and other rides and attractions. Revelers returned to the fairgrounds Wednesday evening after it was deemed safe.

    Decades ago, Oktoberfest was the target of a deadly neo-Nazi attack. A bombing on Sept. 26, 1980, claimed 12 lives, including three children, plus the attacker, student Gundolf Koehler, a supporter of a banned far-right group. More than 200 people were wounded.

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  • Schwarzenegger directs a band in a beer tent at Munich’s Oktoberfest

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    BERLIN — BERLIN (AP) — Arnold Schwarzenegger took up the baton at Munich’s Oktoberfest.

    The former Republican governor of California spontaneously conducted a live music band and the singing crowd in a beer tent on Friday night — and clearly enjoyed himself. Afterward, the Austrian-born star of “The Terminator,” “Total Recall” and “True Lies” took selfies with the musicians, German news agency dpa reported.

    Schwarzenegger, dressed in a traditional Bavarian-style leather jacket, a buttoned-down shirt and jeans, was accompanied by his partner Heather Milligan and his son, Christopher.

    Schwarzenegger has visited the world’s largest folk festival in Germany’s southern state of Bavaria and the Marstall tent — one of many at the festival — several times in the past, dpa reported.

    He frequently visits Austria and has also been to Bavaria. In 2024, he was stopped for hours by customs at Munich Airport after entering Germany with a luxury watch that was potentially to be auctioned at a charity event.

    This year’s Oktoberfest began on Sept. 20 and ends Oct. 5. The world’s largest beer festival usually attracts up to 6 million visitors.

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  • Met season opens with new opera based on Michael Chabon novel starring tenor Miles Mykkanen

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    NEW YORK — Miles Mykkanen grew up wanting to sing and dance on Broadway, but he was turned down by the musical theater programs he applied to for college. So he had to “settle” for studying opera at the Juilliard School at Lincoln Center.

    “At 18, when your sights are set on 42nd Street and then you’re getting called to 65th Street, it was weirdly a letdown,” he recalled. “But after a few hours I kind of slapped myself and said ‘Miles, pull yourself together.’”

    That was 16 years ago, and he has since pulled himself together to such an extent that at age 34 he’s just opened the Metropolitan Opera season in a leading role in a new opera, “The Amazing Adventures of Kavalier & Clay.”

    With a libretto by Gene Scheer and score by Mason Bates, the opera is based on the novel by Michael Chabon. Mykkanen portrays Sammy Clay, a Jewish kid growing up in World War II-era Brooklyn who teams with his cousin, Czech refugee Joe Kavalier, to create a comic strip hero modeled on Superman.

    He’ll also be back at the Met in the spring in another modern opera, Finnish composer Kaija Saariaho’s “Innocence.” He plays the Bridegroom, a part he first sang in 2024 when San Francisco Opera gave the work’s U.S. premiere.

    Mykkanen had sung at the Met before, mostly attracting little attention in small parts, though his haunting rendition of the Holy Fool in Mussorgsky’s “Boris Godunov” in 2021 drew critical acclaim.

    “But this season is so ideal,” Mykkanen said. “All of a sudden my schedule came together, and I thought, my God, where did this all come from.”

    When the Met was casting “Kavalier & Clay,” it was Michael Heaston, the artistic administrator, who thought of Mykkanen for the role of Sammy.

    “I first became acquainted with Miles when he was still a student at Juilliard, and he immediately impressed me,” Heaston said. “He is a singer who can straddle genres, that rare artist who can sing a heartfelt operatic aria in one moment and then turn on a dime to a classic tune from the American Songbook.

    “When I looked at Mason’s score and considered the vocal and acting demands alike, it seemed tailor-made for Miles.”

    Mary Birnbaum, who taught Mykkanen acting at Juilliard, said she’s not surprised at his sudden rise to prominence.

    “Honestly it’s what I thought he would do all along,” she said. “He’s got a very American sound, and it’s appealing and it’s lush. But also he’s bold as an actor … and he makes material look better for being in it.”

    By coincidence, both his roles this season are people who have something to hide. “They are characters with two huge secrets that are kind of gnawing away at them,” Mykkanen said.

    In Sammy’s case, it’s his sexuality and ambivalence about his attraction to actor Tracy Bacon.

    “As a gay man myself, it’s been really rewarding for me to be working on this role, thinking back to my coming out process 20 years ago now,” Mykkanen said. “Sammy wants to believe there’s a future for him, but he keeps struggling and wondering if the world will ever get past its prejudice and accept him.”

    “Innocence” deals with the lingering effects of a school shooting 10 years later, and as secrets are peeled away, the Bridegroom’s role in the horrific events is gradually exposed.

    Mykkanen relishes the very different musical challenges the two roles provide. Saariaho’s score for “Innocence,” he said is composed with a kind of “mathematical” precision. “When I first cracked it open, it was overwhelming because of the time signatures, the key signatures. You’re trying to figure out, what was she thinking, how do you put this all together?”

    “Kavalier & Clay,” written in a style that uses what Bates calls “symphonic electronica,” has been easier to learn. “I almost feel it’s starting to carve a new genre in opera,” Mykkanen said. “Something American opera has been trying to find in the last decade or so. … I don’t want to stay to say it’s musical theater, but at times it’s very colloquial.”

    Mykkanen grew up in the remote Ironwood region of Michigan’s Upper Peninsula, where both his parents were high school band directors. Though he displayed a talent for singing at a young age, it was show music rather than opera that inspired him. When his parents found him a classical voice teacher, “For me it was a means to an end, to develop my voice so I could sing on the Broadway stage.”

    Though his career now takes him all over the U.S. and to Europe, Mykkanen still calls the Ironwood region home. In 2020, he launched an arts festival called Emberlight that has grown into a two-month summer program of live performance, film, art shows and talkbacks with visiting artists. When he’s not on site he handles logistics remotely and also relies heavily on volunteers.

    “Just being the person who with a lot of other people behind me brings art to this region which is rural and remote … It’s been one of the big blessings of my life,” he said.

    And when he isn’t performing, he returns. “I have a room in my parents’ basement where I store my stuff,” he said. “When I’m between contracts I come back here and stay with my mom and dad. … I’lll call them from Amsterdam and say ‘OK, what are we having for dinner next Tuesday when I land.’”

    “Kavalier & Clay” runs through Oct. 11. Also starring are baritone Andrzej Filończyk as Joe; soprano Lauren Snouffer as his sister, Sarah; soprano Sun-Ly Pierce as Rosa Saks, and baritone Edward Nelson as Tracy Bacon. Met music director Yannick Nézet-Séguin conducts the production directed by Bartlett Sher.

    ___

    This story has been updated to correct the year that Mykkanen founded the Emberlight festival to 2020 and the first name of Tracy Bacon, a character played by Edward Nelson.

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  • Willie Nelson and Neil Young highlight 40th Farm Aid concert

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    MINNEAPOLIS — Farm Aid — the annual fundraising concerts launched by Willie Nelson,Neil Young and John Mellencamp during the farm crisis of the 1980s — celebrates its 40th anniversary on Saturday in Minneapolis.

    The star-studded festivals are still raising public awareness of the challenges facing family farmers, and assisting struggling producers connect with help.

    Nelson is now 92,Young is 79 and Mellencamp is 73, but they’re still going strong. Organizers announced Wednesday that Minnesota native Bob Dylan will be joining them. Others taking the stage at the University of Minnesota’s football stadium will include Dave Matthews,Margo Price,Kenny Chesney,Wynonna Judd, and Nathaniel Rateliff.

    This year’s concert comes at a worrying time for American farmers. Farm profitability has been falling. Crop prices are low while production costs are rising. And the Trump administration’s trade wars have added to the insecurity. China has not bought any of the 2025 U.S. soybean crop so far and has turned to America’s competitors, such as Brazil, to meet its needs.

    A labor dispute nearly derailed the festival this year. Organizers said they would not cross the picket lines of striking teamster service workers at the university, saying “the farm and labor movements are inseparable.” Nelson got on the phone with Gov. Tim Walz. The university and union reached a deal late last week.

    “The Governor knows how important this event is to farmers and farm country,” Walz spokesperson Claire Lancaster said. “He worked with all parties involved, including Willie Nelson, to find a solution.”

    Farm Aid is thrilled that the show will go on.

    “For four decades, Farm Aid has stood with farmers and workers,” organizers said in a statement that called the agreement “a reminder of what can be achieved when people come together in the spirit of fairness and solidarity.”

    CNN will carry five hours of programming from 6 p.m. to 11 p.m. CDT, featuring live performances by Nelson, Young, Mellencamp, Dylan, Matthews and Price. CNN will also stream it live on CNN.com, and on its apps without requiring a cable login. Sirius XM will carry it on satellite radio starting at noon CDT. Beginning at 11:30 a.m. CDT, it will also stream on the nugs live music platform and YouTube channel, and at FarmAid.org and on Farm Aid’s YouTube channel.

    This will be the ninth Farm Aid for Rateliff, whose music combines rock, soul, country, gospel, folk and Americana. He said he joined because he has long felt a connection to farming and the land.

    “I grew up in rural Missouri, and grew up with agriculture around me, and we didn’t have much money as a family,” Rateliff recalled in an interview. “So we had a huge one-acre garden, and my mom canned a lot of stuff, and my dad and I would hunt squirrel and rabbit and deer and whatever else we could eat.”

    Jennifer Fahy, Farm Aid’s co-executive director, said the founders never expected 40 years ago that they would be able to raise enough money to pay off all the debts and solve all the other problems of struggling farmers. She said their bigger hope was to foster systemic solutions.

    “Farm Aid was kind of the first rallying point for farmers publicly,” Fahy recalled. “It was the first time that farmers would reach out and call a number.”

    That hotline — 1-800-FARM-AID (1-800-327-6243) — was one of their first initiatives. Operators mostly come from agricultural backgrounds. Fahy said they can help with immediate needs, then connect farmers with other resources, such as financial and business counseling, legal advice or mental health support, or help them navigate federal farm programs.

    While emergency grants aren’t the main focus of Farm Aid — they’re $500 per farmer and totaled just around $50,000 last year — Fahy said the money may help a family in financial straits buy groceries or keep the heat on in a barn while they seek longer-term solutions.

    Farm Aid has raised over $85 million over the years, making it one of the largest in a line of famed benefit concert series.

    It awarded grants totaling just over $1 million in 2023, mostly to allied groups across the country, including the Missouri Rural Crisis Center that was launched with the help of a $10,000 grant.

    Farm Aid also works with grassroots groups, such as the Land Stewardship Program in Minnesota, to organize rural communities, help maintain local control, and train new farmers.

    Rateliff said he keeps coming back to Farm Aid because not enough has changed. People are still fighting against the concentration of agriculture among bigger and bigger producers, he said. But he said music bridges political differences. He said his own fans include people who voted for Bernie Sanders, a self-named democratic socialist, and for President Donald Trump.

    “What music has the ability to do is bring people together — to create commonality in a shared human experience — so that we all can examine ourselves together and see how alike we are,” Rateliff said.

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  • What to Stream: Cardi B, a movie about Bumble, ‘Morning Show’ and a look at Lilith Fair

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    Cardi B releasing her long-awaited sophomore LP, “Am I the Drama?,” and Lily James playing the founder of the popular dating app Bumble in the new biographical drama “Swiped” are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time, as selected by The Associated Press’ entertainment journalists: Jennifer Aniston and Reese Witherspoon’s “The Morning Show” debuting its fourth season on Apple TV+., Ariana Madix heading back to Fiji to host “Love Island Games” on Peacock and a Hulu documentary seeks to tell the story of the music festival Lilith Fair in new detail.

    Lily James plays the founder of the popular dating app Bumble, Whitney Wolfe Herd, in the new biographical drama “Swiped” which streams on Hulu on Friday, Sept. 19. The film, directed by Rachel Lee Goldenberg, traces Wolfe Herd’s trajectory from college and beyond. In 2012, she co-founded Tinder and two years later started Bumble which would put her on a path to becoming the youngest female self-made billionaire. “Swiped,” which premiered at this year’s Toronto International Film Festival, also stars Dan Stevens and “Industry’s” Myha’la.

    — And for something completely different, and silly, Netflix has the Liam Neeson action pic “Ice Road: Vengeance” streaming on Monday. Neeson plays an ice-road truck driver who wants to scatter his brother’s ashes on Mount Everest but finds himself having to fight mercenaries. It got terrible reviews when it was released in theaters this summer, but that’s probably beside the point.

    AP Film Writer Lindsey Bahr

    — She’s back and bigger than ever. On Friday, Cardi B will release her long-awaited sophomore LP, “Am I the Drama?” — seven years after the release of her landmark debut, 2018’s “Invasion of Privacy.” What has been released so far sounds like freedom: the sexy empowerment anthems “Up” and “WAP” with Megan Thee Stallion from years past, and the bravado of “Outside” and smooth flow of “Imaginary Playerz.”

    — Fans of jangly guitar tones and power pop, listen up. Philadelphia’s Golden Apples, led by singer-songwriter Russell Edling, will release an addictive new album on Friday, Sept. 19 titled “Shooting Star.” Start with “Noonday Demon,” the cheeriest-sounding song about depression you’ll hear this year. It’s a charmer.

    — It was radical then and now. In the summers of 1997 through 1999, a music festival founded by Sarah McLachlan shined a light on women musicians — both bands and solo artists. Streaming on Sunday, Sept. 21, a new documentary seeks to tell the story of Lilith Fair in new detail. “Lilith Fair: Building a Mystery” premieres on Hulu and Hulu on Disney+ and features a long list of incredible talent, from those who performed to those whose music takes obvious influence from the events. That includes McLachlan, Bonnie Raitt, Sheryl Crow, Erykah Badu, Natalie Merchant, Mýa, Jewel, Indigo Girls, Emmylou Harris, Brandi Carlile and Olivia Rodrigo.

    AP Music Writer Maria Sherman

    “Dancing with the Stars” returns for its millionth, er, 34th season Tuesday on ABC and Disney+. Contestants learning the paso doble and foxtrot include Olympian Jordan Chiles, Hilaria Baldwin, actor Corey Feldman, comedian Andy Richter, Robert Irwin, son of late wildlife conservationist Steve Irwin and former NBA star Baron Davis. Whitney Leavitt and Jen Affleck from “The Secret Lives of Mormon Wives” will also compete. Jan Ravnik, one of the dancers from Taylor Swift’s “The Eras Tour,” also joins the show as a pro. Episodes stream next day on Hulu and Disney+.

    — Just as the dust has settled on season 7 of “Love Island USA,” host Ariana Madix is headed back to Fiji to host “Love Island Games” on Peacock. Premiering Tuesday, the show brings back fan-favorite Islanders from “Love Island” iterations across the globe to partake in competitions and get a second chance at love. Fans will recognize Chris Seeley, Andreina Santos and Charlie Georgiou from season 7 and Kendall Washington and Andrea Carmona from season 6 as part of the new cast.

    Jennifer Aniston and Reese Witherspoon’s “The Morning Show” debuts its fourth season Wednesday on Apple TV+. The two play TV news anchors at a fictional news network called UBN. Each season features topical themes and this one is no different, addressing AI, deepfakes, and conspiracy theories in the media. Additional series regulars include Billy Crudup, Mark Duplass, Karen Pittman, and Nicole Beharie and adds new characters played by Marion Cotillard, Jeremy Irons, Aaron Pierre and William Jackson Harper to the mix.

    — Hulu’s legal soap “Reasonable Doubt” returns Thursday for its third season. Emayatzy Corinealdi stars as Jax Stewart, a successful criminal defense lawyer in LA who in the new episodes, is defending a former child actor accused of murder. Jax’s standing at her flashy law firm is also in jeopardy when a new hire is determined to take her position.

    — Starz’s steamy “The Couple Next Door” is back on Friday, Sept. 19 with a new season and a new cast that includes Sam Palladio (“Nashville”); Annabel Scholey (“The Split”); and Sendhil Ramamurthy (“Never Have I Ever”). Scholey and Palladio play Charlotte and Jacob, a seemingly solid couple living in a well-to-do neighborhood whose marriage gets threatened by a new colleague in their workplace. The tangled web only grows from there.

    Alicia Rancilio

    — Over the years, Lego video games have featured the likes of Batman, Indiana Jones and Luke Skywalker. Annapurna Interactive’s Lego Voyagers may have the most versatile hero of all: a simple Lego brick. It’s a cooperative game in which each player is a 1×1 piece — one red, one blue — that can attach itself to other chunks and build bridges, vehicles and other devices. Red and Blue need to work together to solve puzzles as they try to rescue an abandoned spaceship. It’s the sort of game that parents with young kids may appreciate, and things start clicking Monday on PlayStation 5, Xbox X/S, Switch and PC.

    Lou Kesten

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  • Annual Hispanic Heritage Month celebrations make adjustments in current political climate

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    Each year during Hispanic Heritage Month, huge celebrations can be expected across the U.S. to showcase the diversity and culture of Hispanic people.

    This year, the Trump administration’s immigration crackdowns, a federally led English-only initiative and an anti-diversity, equity and inclusion push have changed the national climate in which these celebrations occur. Organizers across the country, from Massachusetts and North Carolina to California and Washington state, have postponed or canceled heritage month festivals altogether.

    Celebrated each year from Sept. 15 to Oct. 15, the month is a chance for many in the U.S. to learn about and celebrate the contributions of Hispanic cultures, the country’s fastest-growing racial or ethnic minority, according to the U.S. Census. The group includes people whose ancestors come from Spain, Mexico, the Caribbean and Central and South America.

    More than 68 million people identify as ethnically Hispanic in the U.S., according to the latest census estimates.

    Before there was National Hispanic Heritage Month, there was Hispanic Heritage Week, which was created through legislation sponsored by Mexican American U.S. Rep Edward R. Roybal of Los Angeles and signed into law in 1968 by President Lyndon B. Johnson.

    The weeklong commemoration was expanded to a month two decades later, with legislation signed into law by President Ronald Reagan.

    “It was clustered around big celebrations for the community,” Alberto Lammers, director of communications at the UCLA Latino Policy and Politics Institute said. “It became a chance for people to know Hispanic cultures, for Latinos to get to know a community better and for the American public to understand a little better the long history of Latinos in the U.S.”

    Sept. 15 was chosen as the starting point to coincide with the anniversary of “El Grito de Dolores,” or the “Cry of Dolores,” which was issued in 1810 from a town in Mexico that launched the country’s war for independence from Spain.

    The Central American nations of Guatemala, Honduras, El Salvador, Nicaragua and Costa Rica celebrate their independence on Sept. 15 and Mexico marks its national day on Sept. 16, the day after the cry for independence.

    Also during National Hispanic Heritage Month, the South American nation of Chile observes its independence day on Sept. 18.

    The White House so far has not mentioned any planned events. Last year, President Joe Biden hosted a reception and issued a proclamation for the occasion.

    Hispanic was a term coined by the federal government for people descended from Spanish-speaking cultures. But for some, the label has a connotation of political conservatism and emphasizes a connection to Spain. It sometimes gets mistakenly interchanged with “Latino” or “Latinx.”

    For some, Latino reflects their ties to Latin America. So some celebrations are referred to as Latinx or Latin Heritage Month.

    Latin Americans are not a monolith. There are several other identifiers for Latin Americans, depending largely on personal preference. Mexican Americans who grew up during the 1960s Civil Rights era may identify as Chicano. Other may go by their family’s nation of origin such as Colombian American or Salvadoran American.

    Each culture has unique differences when it comes to music, food, art and other cultural touchstones.

    September typically has no shortage of festivities. Events often include traditional Latin foods and entertainment like mariachi bands, folklórico and salsa dance lessons. The intent is to showcase the culture of Mexico, Puerto Rico, Venezuela and other Latin countries.

    Masked ICE agents carrying out President Donald Trump’s policies via workplace raids at farms, manufacturing plants and elsewhere — which has included detaining legal residents — led some to fear large gatherings would become additional targets for raids. Another obstacle heritage celebrations face is the perception that they’d violate bans on DEI programming — something Trump has discouraged across federal agencies. Some companies and universities have followed suit.

    Early in September, organizers of a Mexican Independence festival in Chicago announced they would postpone celebrations due to Trump’s promises of an immigration crackdown in the city.

    “It was a painful decision, but holding El Grito Chicago at this time puts the safety of our community at stake — and that’s a risk we are unwilling to take,” said the organizers of the festival.

    A new date has not yet been announced. Though Mexican Independence Day falls on Sept. 16, celebrations in Chicago typically span more than a week and draw hundreds of thousands of participants for lively parades, festivals, street parties and car caravans.

    “The fact that the federal government is sending troops as we start these celebrations is an insult,” Illinois state Sen. Karina Villa, a Democrat, said at a news conference. “It is a fear tactic. It’s unforgivable.”

    Similarly, Sacramento’s annual Mexican Independence Day festival was canceled with organizers citing the political climate and safety concerns.

    Other events that have been canceled include the Hispanic Heritage Festival of the Carolinas, Hispanic Heritage Fest in Kenner, Louisiana and FIESTA Indianapolis.

    Ivan Sandoval-Cervantes, an anthropology professor at the University of Nevada, Las Vegas, said when celebrations are canceled from the top down it affects how we see them throughout the country. Used to seeing celebrations in Las Vegas advertised, he has seen very little leading up to this year’s heritage month.

    “If it’s not being celebrated by a specific state that doesn’t mean they won’t be celebrated but they might go into the private sphere,” Sandoval-Cervantes said. “Where it’s safer to embrace the symbols or even speak Spanish.”

    In Mexico, the government launched a new appeal to raise awareness among Mexican migrants to take every possible precaution during the holidays because any incident, such as while driving, could lead to a deportation.

    “Rather than not celebrating, be cautious” and gather at the consulates, President Claudia Sheinbaum said Friday.

    On Thursday, Mexico’s foreign affairs secretary said there would be more consular staff on duty to respond to any emergency. Mexican nationals stopped by U.S. authorities are advised to not flee, remain silent and not sign any documents.

    Chicago Latino leaders called on residents to remain peaceful during expected protests at Mexican Independence Day celebrations, arguing that any unrest could be used as justification for sending federal troops to the city.

    “We will not allow others to use our fear or our anger against us,” said Berto Aguayo, of the Chicago Latino Caucus Association. “We will not take the bait. We will know our rights. We will protect each other and peacefully protest.”

    ——-

    Associated Press writers Christine Fernando in Chicago and María Verza in Mexico City contributed to this report.

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  • Jane Austen fans step back in time to celebrate the 250th anniversary of the beloved author’s birth

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    LONDON — Ellie Potts goes dancing with her friends most weeks. They don’t put on the latest Taylor Swift or Ed Sheeran, though — they much prefer English country dances that were popular more than 200 years ago.

    As the music starts, about two dozen men and women curtsy and bow, extend a gloved hand to their partner, before dancing in circles or skipping in elaborate patterns around each other.

    Like many of her fellow Hampshire Regency Dancers, Potts is a devotee of Jane Austen and all things from the Regency period. Not only have they studied the books and watched all the screen adaptations — they also research the music, make their own period dresses, and immerse themselves in dances Austen and her characters would have enjoyed in centuries past.

    “I’ve been interested in Jane Austen since I was about 8 or 9,” said Potts, 25. “I mainly joined (the dance group) so I can have balls and things to go to in my costumes, but I really got into it. I’ve been surprised how much I enjoy the dancing.”

    There’s no shortage of grand costumed balls and historical dancing this year, which marks the 250th anniversary of Austen’s birth. This weekend, thousands of fans who call themselves “Janeites” are descending on the city of Bath for a 10-day festival celebrating the beloved author of “Pride and Prejudice” and “Sense and Sensibility.”

    The highlight is a Regency costumed promenade on Saturday, where some 2,000 people in their finest bonnets, bows and costumes will parade through the streets of Bath. Organizers say the extravaganza holds the Guinness World Record for the “largest gathering of people dressed in Regency costumes.”

    Bonny Wise, from Indiana, is attending her sixth Jane Austen festival in Bath. This time she’s bringing four period dresses she made, and will lead a tour group of 25 Austen enthusiasts from all over the United States.

    “I started planning a tour four years ago, when I realized this was a big year for Jane,” said Wise, 69. She credited the 1995 adaptation of “Sense and Sensibility” with sparking her obsession.

    “That movie just opened up a whole new world for me,” she said. “You start with the books, the movies, then you start getting into the hats, the tea, the manners … one thing just led to another.”

    Wise said she loves the wit, humor and social observations in Austen’s books. She also finds the author’s own life story inspiring.

    “I admire Jane and what she managed as a woman in that era, her perseverance and her process of becoming an author,” she said.

    The Jane Austen Society of North America, the world’s largest organization devoted to the author, says it has seen a recent influx of younger fans, though most of its members — 5,000 to date — skew older.

    “We’re growing all the time because Jane Austen is timeless,” said Mary Mintz, the group’s president. “We have members from Japan, India. They come from every continent except Antarctica.”

    Many festival-goers will be making a pilgrimage to Steventon, the small village in rural Hampshire, southern England, where Austen was born in 1775.

    The author lived in Bath, a fashionable spa town in the 18th and 19th centuries, for five years. Two of her novels, “Persuasion” and “Northanger Abbey,” feature scenes set in the World Heritage city.

    Bath is also the filming location for parts of “Bridgerton,” Netflix’s wildly popular modern take on period drama based loosely on the Regency period, the decade when the future King George IV stood in as prince regent because his father was deemed unfit to rule due to mental illness.

    Thanks to the show, Austen and Regency style — think romantic flowing gowns, elegant ballrooms and high society soirees — have become trendy for a new generation.

    “I think Jane Austen is on the rise,” Potts said. “She’s definitely become more popular since ‘Bridgerton’.”

    In a church hall in Winchester, a few streets away from where Austen was buried, the Hampshire Regency Dancers gather weekly to practice for the many performances they’re staging this year in honor of the author.

    The group selects dances that appear in screen adaptations of Austen’s novels, and members go to painstaking detail to ensure their costumes, down to the buttons and stitching, are authentic looking.

    “We go to a lot of trouble to get things as close to the original as possible,” said Chris Oswald, a retired lawyer who now chairs the group. “For me it’s about getting a better understanding of what life was like then, and in the process of doing that getting a better understanding of Jane Austen herself.”

    Oswald is passionate about his group’s showcases in Hampshire, or what he jokingly calls “Jane Austen land.”

    “People get quite touched because they are walking where Jane Austen actually walked. They dance in a room that Jane Austen danced in,” he said. “For people who are very into Jane Austen, that’s extremely special.”

    Many “Janeites” say they get huge enjoyment in making Austen’s words and imageries come to life in a community of like-minded people.

    Lisa Timbs, a pianist who researches the music in Austen’s life and performs it on an antique pianoforte, puts it succinctly: She and her Regency friends are “stepping back in time together.”

    “I think it’s an escape for a lot of people,” Timbs added. “Perhaps it’s to escape the speed, noise and abrasiveness of the era in which we find ourselves, and a longing to return to the elegance and indulgent pleasures of what was really a very fleeting period in history.”

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