ReportWire

Tag: Exhibition

  • Blue Devils welcome back Johnny Dawkins and take exhibition win over UCF

    [ad_1]

    Durham

    It was quite the Duke homecoming Tuesday for Johnny Dawkins.

    For the first time since 2008, the former Blue Devils All-America was back in Cameron Indoor Stadium, where his retired jersey — No. 24 — hangs in the rafters. He was a driving force, literally and proverbially, in Mike Krzyzewski’s first Final Four team in 1986 and an assistant coach on Coach K’s staff on the 2001 national championship team .

    But while greeted warmly and loudly, Dawkins came back to Cameron not to take few bows but as the Central Florida coach, back to play Duke in the Blue Devils’ first exhibition game of the 2025-26 season.

    Krzyzewski, his old coach, gave Dawkins a big hug before the game. The Blue Devils, ranked No. 6 in the preseason poll in Jon Scheyer’s fourth year as coach, then defeated Dawkins and the Golden Knights, 96-71, as Duke freshman Cameron Boozer showed out with 33 points and 12 rebounds.

    Former Duke head coach Mike Krzyzewski bows to UCF head coach Johnny Dawkins during a ceremony before Duke’s exhibition game against UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025. Duke head coach Jon Scheyer is to the right.
    Former Duke head coach Mike Krzyzewski bows to UCF head coach Johnny Dawkins during a ceremony before Duke’s exhibition game against UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025. Duke head coach Jon Scheyer is to the right. Ethan Hyman ehyman@newsobserver.com

    “I didn’t have a goal for myself, just to win the game and we did that,” Boozer said. “I mean, at the end of the day, as long as I’m competing, playing to win, all of those things are going to show up. “

    The Blue Devils had a strong start, but the Golden Knights settled into the game and had the lead early in the second half before a 16-2 run pushed Duke into 64-50 lead. The Duke lead continued to grow.

    “I would argue that Johnny Dawkins was as important a player who ever came to Duke and in what’s he done,” said Scheyer, who said he was recruited to Duke by Dawkins. “It was an honor to have him back. His team is older, athletic and gave us a lot of problems, which is good.

    “I learned more about our team. It’s time to get on the floor and learn about your team. There’s a ton we have to work on, a lot we have to get better at, but I liked the competitiveness. I did like the fire that we showed.”

    Cam Boozer leads the Blue Devils

    Much is expected this season from the Boozer twins, Cameron and Cayden, and Cameron Boozer gave a preview of what could come in his first — and perhaps only — college season.

    “Obviously, in your first game it’s natural to have jitters,” Cayden Boozer said. “But for him to have that confidence and belief in himself, to have a game like he had, doesn’t surprise me. I know the kind of player he is. He’s the best player in the country, in my opinion.”

    Duke’s Cameron Boozer (12) celebrates after making the basket after being fouled during the first half of Duke’s exhibition game against UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025.
    Duke’s Cameron Boozer (12) celebrates after making the basket after being fouled during the first half of Duke’s exhibition game against UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025. Ethan Hyman ehyman@newsobserver.com

    A load inside at 6-foot-9 and 250 pounds, Boozer was too tough for the Golden Knights to handle. He scored on set plays, on lobs, on putbacks and hustle plays. He also slipped outside for a few 3-pointers and knocked down four to further fuel the crowd.

    “It was a pretty good game,” Scheyer said, smiling. “He’s a warrior, man. I think that’s the best thing I can say about him. He’s a warrior, competitor. He’s just a big-time winner.”

    It wasn’t a Duke blowout, as many might have expected in a first exhibition game against a UCF team that had completely remade its roster. The Blue Devils had a 40-39 halftime lead and trailed early in the second half.

    The Blue Devils got off 21 shots from the 3-point line in the first half — including 13 of Duke’s first 15 shots — causing Scheyer to quip, “I thought we were going to break a record there for a second.”

    Duke’s Isaiah Evans (3) drives between UCF’s Jamichael Stillwell (4) and Riley Kugel (2) during the second half of Duke’s 96-71 exhibition victory over UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025.
    Duke’s Isaiah Evans (3) drives between UCF’s Jamichael Stillwell (4) and Riley Kugel (2) during the second half of Duke’s 96-71 exhibition victory over UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025. Ethan Hyman ehyman@newsobserver.com

    The Blue Devils were 6-of-14 on 3’s in the second half, when they shot 54.8 percent from the field after a 33.3 percent first half.

    “We settled in more in the second half,” Scheyer said.

    Duke misses two injured players

    While much has been made of Duke losing five players to the NBA after last season, led by Cooper Flagg, the Golden Knights have 13 newcomers and are one of five Power 4 teams that do not return a player who scored a point (at UCF) last season.

    Dawkins, starting his 10th UCF season, was asked before the game about having so many new guys and quipped it can cause a coach to lose his hair — Dawkins already being bald.

    The Blue Devils did not have senior Maliq Brown or freshman Dame Sarr available Tuesday. Brown continues to work his way back from a preseason knee procedure and Sarr was sidelined with an oblique injury.

    Duke’s starting lineup had junior point guard Caleb Foster and sophomore Isaiah Evans in the backcourt, Patrick Ngongba II at center, with Boozer and freshman Nikolas Khamenia. Cayden Boozer and Darren Harris were the first two substitutes off the bench.

    Khamenia, a rugged 6-8 forward from Los Angeles and another 5-star recruit, had 14 points and 8 rebounds and took a few hard falls as he drove to the basket.

    Duke’s Nikolas Khamenia (14) is pressured by UCF’s John Bol (7) and Devan Cambridge (35) during the first half of Duke’s exhibition game against UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025.
    Duke’s Nikolas Khamenia (14) is pressured by UCF’s John Bol (7) and Devan Cambridge (35) during the first half of Duke’s exhibition game against UCF at Cameron Indoor Stadium in Durham, N.C., Tuesday, Oct. 21, 2025. Ethan Hyman ehyman@newsobserver.com

    The Blue Devils bolted to a 16-4 lead as both teams were banging bodies on the defensive end but Duke was making some shots — Evans with a pair of 3’s and Harris another.

    Cameron Boozer, who opened the game with a 3-point play, had 15 first-half points. That was offset by the good shooting of UCF’s Jordan Burks, a transfer from Georgetown who had 18 of his 21 points in the half.

    Duke has a second exhibition game Oct. 26 at Tennessee before opening the season Nov. 4 against Texas in the Dick Vitale Invitational in Charlotte.

    “I think we have a really deep team,” Cayden Boozer said. “It’s going to be somebody else’s night every game. We’re going to do the best we can, and whoever that guy is, we’re going to find him.”

    This story was originally published October 21, 2025 at 10:26 PM.

    Chip Alexander

    The News & Observer

    In more than 40 years at The N&O, Chip Alexander has covered the N.C. State, UNC, Duke and East Carolina beats, and now is in his 15th season on the Carolina Hurricanes beat. Alexander, who has won numerous writing awards at the state and national level, covered the Hurricanes’ move to North Carolina in 1997 and was a part of The N&O’s coverage of the Canes’ 2006 Stanley Cup run.

    [ad_2]

    Chip Alexander

    Source link

  • Maarten Baas: Play Time

    [ad_1]

    Maarten Baas believes that the function at the core of his artwork is where the magic begins. Famed for his ingenious furniture, the Dutch artist-designer has a deep understanding of design principles, but it’s his whimsical approach that has made him so influential. “Function is my starting point,” he explains; “it gives reference and it gives some boundaries and context to what I’m doing.”

    Baas’ exhibition Play Time at the Carpenters Workshop Gallery, LA, never strays far from his concern with function, bringing together pieces from Baas’ Real Time and Close Parity series, alongside new work. 

    Maarten Baas: Play Time
    Big Wide Cabinet, Maarten Baas
    Maarten Baas: Play TimeMaarten Baas: Play Time
    Asymmetric Cabinet, Maarten Baas

    Close Parity’s bronze cabinets open the exhibition, expressing a “children’s fantasy of how furniture could look.” They’re a balancing act, each piece pulled askew and teetering on tiny feet, made possible by strategic counterweights and Baas’ own imagination. “That’s why the exhibition is called play time,” he tells me, “because it’s all about this balance between childlike energy and adult solutions and logic.”

    This energy informs Baas’ Children’s Clock series, on view for the first time and displayed in a circle, as though mirroring the numbers on a clock. 18 artworks are presented from a collection of 101, with each clock face featuring a video compilation of children’s drawings, set in vibrant hand-modelled clay. It’s the conceptual dimension of this series that elevates the objects beyond their tactile charm and functional timekeeping. Baas worked with 720 children, one for each minute of each clock, collaborating with budding artists of different ages and nationalities to bring his vision to life. “Who better than a child to draw?” Baas asks, in a departure that sees him working with children “for the first time, actually.” He delights in the range of personalities present in his series; “some are very assertive, and they’ll just, you know, grab the thickest paint or the thickest pencil, and do something massive! Others are much more shy.”

    Maarten Baas: Play TimeMaarten Baas: Play Time
    Children’s Clock, Maarten Baas

    Time is the subject of much of Baas’ work, as he explores ideas of how we create and track its momentum – especially through labour. “As an artist,” he explains, “you are always pushing time in a way, and you’re being pushed by time.” In Grandfather Clock – The Son Baas transforms into his child self to push the hands of time, in a 12-hour performance that constitutes the clock face. The outer case is made from found bits of wood, roughly assembled in the manner of a tree house. If you open the back of the clock – which is smaller than a traditional grandfather clock, to snugly house its small inhabitant – you can see Baas hard at work with his sisyphean task. 

    “It’s a very personal and vulnerable work,” Baas offers, “playing that role, and really being there physically.” He likens his Grandfather Clock performance to method acting, where performers live as their characters; “I did that, being a child and trying to be in that energy.” He laughs. “We’re in Hollywood, everybody is an actor here!”

    Play Time strikes an easy balance of childlike delight and technical skill, as Baas strives to marry the freedom and spontaneity of childhood with the skills and wisdom of the adult artist. “I’ve tried to find the sweet spot,” he says. And between lopsided cabinets, 12-hour performances and knobbly ceramics, he certainly has.

    Maarten Baas: Play TimeMaarten Baas: Play Time
    Children’s Clock, Maarten Baas
    Maarten Baas: Play TimeMaarten Baas: Play Time
    Real Time XL – The Artist and Children’s Clock, Maarten Baas
    Maarten Baas: Play TimeMaarten Baas: Play Time
    Grandfather Clock – The Son, Maarten Baas
    Maarten Baas: Play TimeMaarten Baas: Play Time
    Grandfather Clock – The Son, Maarten Baas
    Maarten Baas: Play TimeMaarten Baas: Play Time
    Grandfather Clock – The Son, Maarten Baas

    Play Time is on view at the Carpenters Workshop Gallery, LA until 26th May.

    [ad_2]

    Emily Sandiford

    Source link

  • Black Fashion Fair Teams Up With the Basquiat Family For an Exhibition You Can Wear

    Black Fashion Fair Teams Up With the Basquiat Family For an Exhibition You Can Wear

    [ad_1]

    Brandon Blackwood at the “Jean-Michel Basquiat: King Pleasure & Black Fashion Fair: Those Who Dress Better” exhibition.

    A new exhibition is in town — and this time, it’s one you can wear. 

    Tied to the “King Pleasure” exhibit currently on display in New York City, Black Fashion Fair partnered with Jean-Michel Basquiat’s estate for a show-slash-collaboration that’s not only open for viewing, but also for shopping. In honor of the celebration of the late artist’s work, his sisters Lisane Basquiat and Jeanine Heriveaux commissioned nine Black-owned brands — Hanifa, Theophilio, Brandon Blackwood, Who Decides War, Johnny Nelson, Bed on Water, Homage Year, Head of State, and Advisry — to create pieces based on his body of work.

    [ad_2]

    India Roby

    Source link

  • Parenting 101: New Exhibition: Guinness World Records arrives at the Montreal Science Centre

    Parenting 101: New Exhibition: Guinness World Records arrives at the Montreal Science Centre

    [ad_1]

    From May 12 to September 5, 2022, come learn about the science behind Guinness World Records at the Montréal Science Centre. Featuring local Québec athletes like Lysanne Richard (high diving), Jean Anderson (ice canoeing), Mikaël Kingsbury (freestyle skiing), and slackline/highline buffs too, the exhibit includes Beyond Human Limits, an exciting second exhibition about extreme sports. There are a total of 70 interactive activities to try across two exhibitions.

    All around the world, people push themselves to the limit to perform mesmerizing acts. From the record for the longest slackline walk — nearly two kilometres long at 250 metres up — and the most drumbeats per minute (a stunning 2,109) to the highest synchronized high dive — from two hot air balloons 25 metres up in the air — the world is full of fascinating people achieving extraordinarily astonishing feats.

    Challenge your friends, your family, or go up against other exhibition visitors!

    Tickets are available online now.

    – Jennifer Cox

    [ad_2]

    Source link

  • TMA Names Kristopher Driggers Assistant Curator, Schmidt Curator of Latin American Art

    TMA Names Kristopher Driggers Assistant Curator, Schmidt Curator of Latin American Art

    [ad_1]

    Press Release
    –


    updated: Jan 31, 2019


    TUCSON, Ariz., January 31, 2019 (Newswire.com)
    –
    The Tucson Museum of Art (TMA) announces the appointment of Kristopher Driggers as TMA’s Assistant Curator, Bernard and Jeanette Schmidt Curator of Latin American Art. Currently, a lecturer at University of Texas Rio Grande Valley, the nation’s second-largest Hispanic-serving Institution, Driggers will finish his semester of teaching and join TMA full time in early May to manage and develop TMA’s Latin American, Spanish Colonial, post-Colonial, and Latin American folk art collections, with emphasis on pre-Columbian art. Until then, he will be making visits to Tucson for collection research in preparation for the installation of the collection at TMA’s forthcoming Kasser Family Wing. 

    Driggers, who obtained his bachelor’s degree in History of Art from Yale University in 2011 and his master’s degree in Art History from the University of Chicago in 2014, expects to obtain his Ph.D. in Art History, Pre-Columbian and Colonial Latin American Art from the University of Chicago in May. He participated in the Center for Curatorial Leadership Mellon Seminar in Curatorial Practice in New York in 2017.

    According to TMA CEO Jeremy Mikolajczak, “Kristopher’s range of study, international research and experience will provide the vision and practical skills to present, interpret and build TMA’s pre-Columbian collection, install the Kasser Family Wing, and produce insightful publications, public lectures, and symposia.”

    While at Yale, Driggers held multiple fellowships, including the Josef Albers Traveling Fellowship which allowed him to travel and study pre-Columbian objects in Mexico, Guatemala and Peru. He has worked as a development coordinator at the McNay Art Museum in San Antonio, Texas; a curatorial employee in African Art at the Yale University Art Gallery; and an intern in the curatorial departments of the Metropolitan Museum of Art and the Museo de Arte Latinoamericano de Buenos Aires.

    Before beginning his teaching position in Texas last year, Driggers conducted fieldwork for three years in Mexico City and surrounding regions, as well as in Madrid and other European collections. His research has been supported by a Ford Foundation Predoctoral Fellowship, among other awards.

    Driggers has written about his research for publication and has regularly presented his research at scholarly conferences. In 2017-18, he spoke at the Frick Collection in New York, the Newberry Library in Chicago, the Rare Book School at the University of Virginia, and in conferences in Mexico and Colombia, where he lectured in Spanish. He is organizing a panel on pre-Columbian art for the 2019 College Art Association conference on the topic of “Indigenous Languages of the Americas and the Language of Art History.”

    Driggers’ knowledge and commitment to the highest standards of scholarship and interest in engaging diverse communities will advance TMA’s reputation as a leader in Latin American art and its service to our distinctive art and multicultural communities.

    Press Contact: Cami Cotton
    Phone: (520) 616-2689
    Email: ccotton@TucsonMuseumofArt.org

    About the Tucson Museum of Art and Historic Block

    The Tucson Museum of Art and Historic Block’s mission is “Connecting Art to Life.” The museum was founded in 1924 and is located in the El Presidio Historic District of downtown Tucson. It is Southern Arizona’s premier presenter of fine art and art education programs.

    The museum features permanent and traveling exhibitions of Modern and Contemporary, Native American, American West, Latin American, pre-Columbian, European, and Asian art. The 74,000 square foot museum offers guided tours, and education programs. The museum’s historic block of 19th and 20th C. adobe and Mission Revival-style buildings, encompassing a four-acre city block, includes the John K. Goodman Pavilion, the highly acclaimed museum restaurant Café a la C’Art, the Museum Store, and additional exhibition spaces.

    TMA is a private 501(c)(3) charitable arts and education organization. For Tucson Museum of Art hours, admission prices, membership opportunities, and exhibitions, please visit TucsonMuseumofArt.org or call (520) 624-2333.

    Source: Tucson Museum of Art

    [ad_2]

    Source link

  • National Postal Museum Opens Alexander Hamilton Exhibition

    National Postal Museum Opens Alexander Hamilton Exhibition

    [ad_1]

    Press Release
    –


    updated: May 25, 2018


    WASHINGTON, DC, May 25, 2018 (Newswire.com)
    –
    The original pistols used in the infamous 1804 duel between Alexander Hamilton and Aaron Burr are on display at the Smithsonian’s National Postal Museum through June 24. They are featured in the exhibition “Alexander Hamilton: Soldier, Secretary, Icon,” along with mail, portraits, and postage and revenue stamps reflective of Hamilton’s life and career as the first U.S. treasury secretary.

    The rare public showing represents the first time the pistols have been on public display in the Washington area.

    Visitors of all ages will be drawn in to the man behind the musical that is sweeping the nation.

    Elliot Gruber, National Postal Museum Director

    The full exhibition remains on view through next March. Its opening coincides with the June opening of the hit Broadway play, Hamilton: An American Musical, at the Kennedy Center in Washington, D.C.

     The original dueling pistols used by Hamilton, former secretary of the treasury and retired two-star general, and Vice President Aaron Burr in the duel that resulted in Hamilton’s death are on loan to the museum from JPMorgan Chase & Co.

    In a scene that is scarcely imaginable today, on July 11, 1804, Burr killed Hamilton in a duel. Burr had lost the U.S. presidential election of 1800 and the New York governor’s race of 1804. He blamed Hamilton’s outspoken opposition for both losses—especially a letter attributed to Hamilton and published in the Albany Register that referred to Burr as “despicable.” Burr then issued the challenge to a duel, which was set for a location outside New York City in nearby New Jersey.

    In the 215 years since his untimely death at 49 in the duel with Burr, Hamilton has become an American icon. Stamps, money, movies, television miniseries, and now a hit Broadway musical, commemorate his meteoric rise and his sweeping vision for America’s future.

    “In a Federalist-style gallery within the museum’s William H. Gross Stamp Gallery, visitors will see objects highlighting Hamilton’s extraordinary influence on our country,” said Elliot Gruber, director of the museum. “Visitors of all ages will be drawn in to the man behind the musical that is sweeping the nation.”

    The exhibition features free franked covers signed by Hamilton from 1789 to 1794. As secretary of the treasury, he was permitted to send official correspondence for free by signing his name. This ensured that customs inspectors and collectors all over the country were kept busy responding to ceaseless requests for information about imports and exports, tonnage and construction of ships, trade routes and ports of call. His ability to interpret and remember this data made Hamilton the best-informed member of President George Washington’s first Cabinet.

    The earliest postage stamps honoring Hamilton are on display, highlighting a marble bust of him at age 49, made by the Italian sculptor Giuseppe Ceracchi in 1794, as well as the original steel die for the 30-cent stamp. Multiple copies were made from the original bust. The exhibition showcases the one that belonged to Levi Woodbury, one of Hamilton’s successors as secretary of the treasury. It passed to Woodbury’s son-in-law, Montgomery Blair, who was postmaster general from 1861 to 1864. The bust is on loan from the Smithsonian’s National Portrait Gallery. The Ceracchi bust of Hamilton appeared on the 30 cent stamp from 1870 until 1890. Hamilton’s portrait did not appear on postage again until 1956.

    “History remembers Alexander Hamilton as the pioneering first secretary of the treasury, but he was also responsible for the Post Office Department,” said Daniel Piazza, chief curator of philately. “He used the mail to collect import and export data from customs officers all over the country, and his ability to interpret this data made Hamilton the best informed member of Washington’s first Cabinet.”

    A special website augments the exhibition, providing additional access to the rich content presented. The museum is hosting a series of educational programs and events in support of the exhibition.​

    MEDIA CONTACT: MARTY EMERY, EMERYM@SI.EDU, 202-633-5518

    Source: SMITHSONIAN’S NATIONAL POSTAL MUSEUM

    [ad_2]

    Source link

  • More Than 1,000 Exhibitors, a New VR & Drone Area, and Spotify Star Zara Larsson: The Final News Report Prior to Dmexco 2016

    More Than 1,000 Exhibitors, a New VR & Drone Area, and Spotify Star Zara Larsson: The Final News Report Prior to Dmexco 2016

    [ad_1]

    Get ready for the best dmexco ever: dmexco has crossed the magic threshold of 1,000 exhibitors. Additional highlights at dmexco will include the new virtual reality & drone area and the Swedish Spotify star Zara Larsson presenting her live music act as the finale of the first day of the event. This year’s dmexco will be held for the first time in five halls, including the new Experience Hall, the new Motion Hall, and the significantly expanded Start-up Village.

    Press Release
    –

    Sep 12, 2016


    New York, USA, September 12, 2016 (Newswire.com)
    –
    ​For the first time in its history, dmexco, the global business and innovation platform, will cross the magic threshold of 1,000 exhibitors. More than 120 of these exhibitors will be participating in dmexco for the first time. The event’s motto, “Digital is everything — not every thing is digital”, will bring all the significant brands and leading companies of the global digiconomy on board. More than 50 percent of the exhibitors will come from outside Germany in 2016. The impressive exhibitor lineup will include important brands such as Amazon, Facebook, Google, Accenture, Adobe, AOL, Bauer, Bertelsmann, BurdaForward, Dentsu Aegis, Discovery, DMAX, eBay, Facelift, GroupM/WPP, Gruner + Jahr, Havas, IBM, Media Impact (Axel Springer), Mediabrands, MediaLink, OMD, Omnicom, Oracle, Otto Group, Payback, PayPal, Popsugar, Pro7/Sat1, Publicis, Rakuten, RTL Group, Salesforce, SAP, Scout24, Sky, Spotify, Ströer, Teads, Telefónica, The Girls’ Lounge, Twitter, Vice, WerbeWeischer, Yahoo, Yandex, and Zalando. Further highlights, which dmexco will be presenting on the trade fair grounds include the virtual reality (VR) and drone area, which will serve as a new theme world within dmexco’s “World of Experience”. In the new area, dmexco visitors can experience the multifaceted application areas of virtual reality for themselves. Here the virtual reality experience will become impressively visible, not only for individual users but for all interested visitors. In exciting live demos, leading players will demonstrate all the things that drones can do nowadays and show how drones can make the relationship between consumers and brands closer and more valuable. Visitors will be able to handle the drones and try them out for themselves.

    Zara Larsson and popular newcomers will rock dmexco 2016
    Spotify will present an outstanding musical highlight to round off the first day of dmexco: the sensational Swedish singer-songwriter Zara Larsson, who will fire up the atmosphere on the dmexco stage in the Congress Hall. There will also be lots of activity this year at the greatly expanded and completely sold-out dmexco Start-up Village. In 2016, 100 of the most exciting newcomers from the fields of marketing, media, and tech will be rocking the Village — four times the number of company founders that participated in the Village last year. The start-ups that will present themselves here come from every sector and many countries of the international digiconomy, especially the USA, Israel, India, the UK, and Hong Kong.

    For the first time in its history, dmexco, the global business and innovation platform, will cross the magic threshold of 1,000 exhibitors

    Eti Finkelstein, CEO

    dmexco services provide optimal orientation
    In 2016 dmexco will be held for the first time in five halls. To enable visitors to enter more quickly and walk shorter distances, dmexco has supplemented the Entrance North with a new entrance to Hall 6. Visitors will be brought to this new entrance by free shuttle buses. Visitors can now find a comprehensive overview of all the locations, exhibitors, and areas at dmexco 2016 in the official hall plan at www.dmexco.com/hallplan and via the new, optimized version of the official dmexco app, which can now be downloaded free of charge at the App Store (https://itunes.apple.com/de/app/dmexco-15/id910868200?mt=8) and the Google Play Store (https://play.google.com/store/apps/details?id=com.spoiledmilk.dmexco).

    Suggestion for Twitter:
    Over 1,000 exhibitors, a new VR & drone area, and the Spotify star Zara Larsson: www.dmexco.com

    Suggestion for Facebook:
    Get ready for the best #dmexco ever: dmexco crosses the magic threshold of 1,000 exhibitors. Further highlights at dmexco will include the new virtual reality & drone area and the Swedish Spotify star Zara Larsson presenting her live music act as the finale of the first day of the event. This year’s dmexco will be held for the first time in five halls, including the new Experience Hall, the new Motion Hall, and the significantly expanded Start-up Village. You can get an optimal overview by using the official dmexco app for iOS (https://itunes.apple.com/de/app/dmexco-15/id910868200?mt=8) and Android (https://play.google.com/store/apps/details?id=com.spoiledmilk.dmexco) The current hall plan is available at www.dmexco.com/hallplan You can download all of them free of charge.

    About #dmexco

    dmexco is the global business and innovation platform of the digital economy. It connects the real economy with visionary trends and defines the commercial potential of tomorrow. Within a few years, dmexco has developed into the pioneer of the digital transformation. Today it is the engine of growth that is driving the global digiconomy forward by means of direct business deals, valuable new contacts, the evaluation of business ideas, new standards for the digital economy, maximum value creation, and concrete added value. dmexco — the leading global exposition and conference of the digiconomy.

    The Bundesverband Digitale Wirtschaft (German Association for the Digital Economy — BVDW) is the owner of the dmexco brand. With special assistance from OVK — Circle of Online Marketers, the BVDW is also the conceptual and professional partner of the exposition and conference. dmexco is organized by Koelnmesse.

    Source: dmexco

    [ad_2]

    Source link