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Tag: Everything Everywhere All At Once

  • Dressed to Kill (and Thrill): Costumes Fit for an Oscar

    Dressed to Kill (and Thrill): Costumes Fit for an Oscar

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    Babylon (Paramount)

    We meet Nellie LaRoy (Margot Robbie) in Babylon just as she’s skidded her car onto the front lawn of a glamorous Hollywood house party she’s hoping to crash. She steps out of the car in a skintight red ensemble with a plunging neckline that immediately signals this is someone who captures people’s attention—even in a rollicking bash with an elephant, debaucherous dancers, and a little person hopping around on a penis-shaped pogo stick. Babylon costume designer and three-time Oscar nominee Mary Zophres says of Robbie’s lady-in-red entrance, “We knew that it needed to be striking, we wanted it to be sexy, and we wanted it to stand out in the crowd.”

    Director Damien Chazelle told Zophres early on that he wanted to avoid typical looks from the 1920s and 1930s in his Hollywood period piece. But the designer wanted this look to be something that Nellie, a scrappy aspiring actor, could have made herself at home during that period. “She’s trying to get away with as little clothing as possible but still be allowed into the door,” says Zophres, who went through six different prototypes before landing on this look. At first, the vintage-silk top was paired with pants, but then, inspired by an image of a woman from the Ziegfeld Follies, Zophres created a pair of hot pants and wrapped a sarong around it. “Instantly, you know somebody daring is wearing that,” Zophres says. “Someone who’s got a zest for life and is not afraid to take chances.”

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    Rebecca Ford, Katey Rich, Chris Murphy, Yohana Desta

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  • Keke Palmer, ‘RRR’ Get Huge Oscar Boosts From New York Critics Awards

    Keke Palmer, ‘RRR’ Get Huge Oscar Boosts From New York Critics Awards

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    Several scrappy Oscar hopefuls received major visibility boosts with Friday’s announcement of the New York Film Critics Circle winners, the first critics’ group to weigh in with their selections for the favorites of the year. Keke Palmer, explosively good and charismatic in Jordan Peele’s Nope, pulled off a glorious upset by taking best supporting actress, a vital kick start to receiving larger recognition down the road in a messy, overcrowded category. (You might compare it to another breakout first-timer winning NYFCC, the Borat sequel’s Maria Bakalova, who went on to an Oscar nod.) And S.S. Rajamouli, the man behind the action epic RRR, overtook a slew of big names in the directing field, crucial as that audience hit attempts to mount a campaign after India chose not to submit it for best international feature.

    But it was Tár, Todd Field’s beloved portrait of a revered conductor, which dominated, winning best picture and actress for star Cate Blanchett, the clear front-runner at this stage of the latter category. 

    Elsewhere, NYFCC recognized a few heavy hitters already appearing a little more unstoppable by the day. They include Martin McDonagh, taking screenplay for The Banshees of Inisherin, and Ke Huy Quan, universe-hopping patriarch of Everything Everywhere All at Once (who also picked up a Gotham Award this week), winning best supporting actor. The former Indiana Jones child star is riding a heartfelt comeback narrative while representing one of the year’s biggest overall contenders. Rivals including Banshees’ Brendan Gleeson and The Fabelmans’ Judd Hirsch will need to act quickly to dent Quan’s momentum.

    Meanwhile, one of the cinematography race’s strongest contenders, Top Gun: Maverick’s Claudio Miranda, prevailed over fellow Oscar winners in The Fabelmans’ Janusz Kamiński and Empire of Light’s Roger Deakins (Miranda won the Oscar for Life of Pi), while Colin Farrell made a significant leap in the best-actor race, cited for both his contender The Banshees of Inisherin and spring sci-fi hit After Yang. 

    The documentary race, when it comes to the Academy, will open up to more populist choices that critics aren’t as drawn to—remember My Octopus Teacher?—but for now there’s little reason to see any film but Laura Poitras’s All the Beauty and the Bloodshed as the one to beat, at least among precursor groups. The incendiary Nan Goldin portrait, exploring her artistry as well as her explosive activist campaign against the Sackler family and Purdue Pharma, wins with NYFCC to kick off what will surely be a healthy prize run in the months ahead.

    It can be hard to assess the impact of a group like NYFCC on the race as a whole. Last year, voters went for Lady Gaga in the best-actress race, a seeming huge boon to her House of Gucci campaign, but the Academy dismissed that film to such an extent that even she was left off of the nominations list in one of the year’s biggest snubs. Yet that same year, NYFCC also named Drive My Car the best film of the year—at that point, a fairly unknown Japanese film, but thereafter, the toast of film critics around the US (it’d later win with Los Angeles and the National Society of Film Critics) and an inspired best-picture Oscar nominee. You can draw a straight line to that from its NYFCC win.

    So what does this mean for Tár? NYFCC’s top choices tend to at least be nominated for best picture—La La Land, Boyhood, Lady Bird, Roma, among recent examples—though there are exceptions, from Carol to 2020’s First Cow. In this demanding but brilliant movie’s case, it’s proof that it will be a force to be reckoned with as the season revs up.

    Full list of winners:

    • Best Picture: Tár (dir. Todd Field)
    • Best Director: S.S. Rajamouli, RRR
    • Best Actor: Colin Farrell, After Yang and The Banshees of Inisherin
    • Best Actress: Cate Blanchett, Tár 
    • Best Supporting Actor: Ke Huy Quan, Everything Everywhere All at Once
    • Best Supporting Actress: Keke Palmer, Nope
    • Best Screenplay: Martin McDonagh, The Banshees of Inisherin
    • Best Cinematography: Claudio Miranda, Top Gun: Maverick
    • Best International Film: EO (dir. Jerzy Skolimowski)
    • Best Non-Fiction Film: All the Beauty and the Bloodshed (dir. Laura Poitras)
    • Best Animated Film: Marcel the Shell With Shoes On (dir. Dean Fleischer Camp)
    • Best First Film: Aftersun (dir. Charlotte Wells)

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    David Canfield

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  • ‘Everything Everywhere All At Once’ Leads Spirit Award Noms

    ‘Everything Everywhere All At Once’ Leads Spirit Award Noms

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    By LINDSEY BAHR, The Associated Press.

    The multiverse-hopping adventure film “ Everything Everywhere All At Once ” had a leading eight nominations for the Film Independent Spirit Awards with nods for best feature, best director, best lead actor for Michelle Yeoh, supporting actors Ke Huy Quan and Jamie Lee Curtis and breakthrough for Stephanie Hsu.

    The organization announced nominees for its 38th edition on Tuesday, where other top contenders include Todd Field’s classical music thriller “ Tár,” with seven nominations — including for feature, director, actor for Cate Blanchett and supporting actor for Nina Hoss — Charlotte Wells’ “ Aftersun,” Sarah Polley’s “Women Talking” and Luca Guadagnino’s “ Bones and All.” Aside from “Aftersun,” nominated for best first feature, all are best feature nominees alongside the sole nomination for “Our Father, the Devil.”


    READ MORE:
    Stars Attend The 2022 Spirit Awards

    Daniel Kwan and Daniel Scheinert’s “Everything Everywhere All At Once” has become a bit of a Cinderella story this year, earning over $100 million at the global box office against a $25 million budget. It was also nominated for editing and screenplay.

    The cannibal romance “Bones and All,” which expands nationwide this week, got nominations for Taylor Russell’s lead performance and Mark Rylance’s supporting role, but none for Timothée Chalamet.

    “Women Talking,” about women living in an isolated religious colony, did not receive any solo acting nominations but did get the Robert Altman Award for its ensemble, in addition to best director and screenplay nods.

    Joining “Aftersun” in the first feature category are “Emily the Criminal,” “ The Inspection,” “ Murina,” and “Palm Trees and Power Lines.”

    Paul Mescal was nominated for his leading performance in “Aftersun″ while his co-star Frankie Corio was singled out in the breakthrough category.

    The awards celebrate the best in independent filmmaking and recently raised the budget cap from $22.5 million to $30 million for the main prizes and $1 million for the John Cassavetes Award. The organization also shifted to gender neutral acting awards. The main acting categories now have 10 nominees each.


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    Andrew Garfield And Tobey Maguire Go To The Movies Together To Watch ‘Everything Everywhere All At Once’

    Lead performance nominees, in addition to Blanchett, Russell, Mescal and Yeoh, are Dale Dickey (“A Love Song” ), Mia Goth (“Pearl” ), Regina Hall (“Honk for Jesus. Save Your Soul.”), Aubrey Plaza (“Emily the Criminal”), Jeremy Pope (“The Inspection”) and Andrea Riseborough (“To Leslie”).

    Other supporting performers nominated are: Brian Tyree Henry (“Causeway”), Brian d’Arcy James (“The Cathedral”), Trevante Rhodes (“Bruiser”), Theo Rossi (“Emily the Criminal”), Jonathan Tucker (“Palm Trees and Power Lines”) and Gabrielle Union (“The Inspection”).

    A24 was far and away the most nominated studio with 24 nods total from its slate, which included “Everything Everywhere All At Once,” “Aftersun,” “The Inspection,” “After Yang” and “Pearl.” Focus Features, which made “Tár” and “Honk For Jesus. Save Your Soul.” followed with nine.

    “Zola’s” Taylour Paige and “The Inspection’s” Raúl Castillo read the nominations, which are chosen by committees made up of film critics, producers, festival programmers, filmmakers, past winners and Film Independent’s Board of Directors. Film independent president Josh Welsh said they considered 409 films.


    READ MORE:
    Michelle Yeoh Says ‘Everything Everywhere All At Once’ Script ‘Blew Her Mind’

    Films nominated for best documentary included Laura Poitras’ Venice-winner “ All the Beauty and the Bloodshed,” “All that Breathes,” “A House Made of Splinters,” “Riotsville, U.S.A.” and “Midwives.”

    Best international nominees were: “Corsage,” “Joyland,” “Leonor Will Never Die,” “Return to Seoul” and “Saint Omer.”

    At the 37th edition earlier this year, Maggie Gyllenhaal’s Elena Ferrente adaptation “The Lost Daughter” won best feature, best director and best screenplay. But Netflix won’t have a repeat showing in March: The streamer received zero nominations Tuesday. The budget cap meant that several of its films like, “White Noise” and “Bardo, False Chronicle of a Handful of Truths,” were not eligible.

    Some other high-profile award hopefuls that received zero nominations were James Gray’s “Armageddon Time” and Darren Aronofsky’s “ The Whale.”

    The Spirit Awards also hand out awards to television shows, but those nominees won’t be announced until Dec. 13. The beachside ceremony will be held in Santa Monica on March 4, 2023, the weekend before the Oscars.

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    Anita Tai

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