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Tag: Erykah Badu

  • Houston Concert Watch 12/26: George Clinton, Erykah Badu and More – Houston Press

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    Thanksgiving 1976 was one for the ages in San Francisco.  The 5,000 people lucky enough to score tickets for The Band’s “Last Waltz” concert attended maybe the best rock and roll party ever.

    A full Thanksgiving dinner was served to kick things off, followed by ballroom dancing and readings from Beat poets like Lawrence Ferlinghetti and Michael McClure.  Then came the concert itself, which began with a 12-song set from The Band.  Then it was time for (musical) dessert, as Bob Dylan, Neil Young, Jone Mitchell, Van Morrison, Muddy Waters and others joined The Band to celebrate their shared musical heritage.  In all, over four hours of incredible and historic music making.

    Firing up the Martin Scorsese film which documented the event as part of your Thanksgiving celebration is a fine idea.  The Last Waltz looks great, and the audio is excellent considering the era.  However, don’t be sucked in by the myth that is created by Scorsese and Band guitarist Robbie Robertson.  Each man wanted out of the collaboration.  As a mega music fan Scorsese wanted a path into the world of rock and roll.  Robertson, on the other hand, was looking to get into the movie business. 

    All well and good, but Robertson had unilaterally made the decision to terminate The Band’s performing career, and the other members of the group – particularly drummer / vocalist Levon Helm) were not happy about it.  This accounts for their collective glum demeanor during most of the film’s interview segments, and it also explains Robertson’s desire to cast (with Scorsese’s help) The Band as musicians who had given their all for their art and were simply too depleted – physically and emotionally – to continue any longer.

    In point of fact, The Band had not toured all that much during its existence, certainly not in comparison to bluesmen like Muddy Waters.  Sure, business travel of any kind is taxing and not all the fun that it’s cracked up to be, but don’t buy dramatic (and probably pre-scripted) Robertson quotes like, “16 years on the road. The numbers start to scare you.  I mean, I couldn’t live with 20 years on the road. I don’t think I could even discuss it.”

    As a footnote, check out Scorsese during the interview segments.  Remind you of anybody?  If you said, “Marty DiBergi from Spinal Tap!” go to the head of the class.  But – to quote the esteemed Mr. DiBergi – enough of my yakkin’. Whaddaya say? Let’s boogie!

    Ticket Alert

    San Angelo’s purveyors of Texican rock and roll, Los Lonely Boys, kind of wandered in the desert (maybe literally, considering their location) for several years after hitting it big with the single “Heaven.”  After taking a lengthy break, the Garza brothers checked the balance in their bank accounts, got back together and released a new album (Resurrection) last year.  Tickets are on sale now for their concert at the House of Blues on Saturday, February 14. 

    Also performing on Valentine’s Day is Houston’s own Kat Edmonson, whose “Only the Bare Essentials” tour promises intimate evenings in which “[s]ubtlety and nuance will be served up as main courses for this show, and the music, so delicately played, will leave you feeling entirely full.”  Wow, that’s a lot to swallow!  You can get tickets now for Edmonson’s show on Saturday, February 14, at the Heights Theater.

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    Wolfmother will play at the House of Blues on Monday, June 8, marking the 20th anniversary of the band’s debut album, and tickets are on sale now.  Though the band has been hounded (sorry) by accusation of classic rock appropriation, that’s a bit off the mark.  Sure, you can tell that these guys listened to a lot of Led Zeppelin and Black Sabbath growing up, but is that such a bad thing?

    After working behind the scenes in the music business as a songwriter and producer for several years, Meghan Trainor’s solo career took off with 2014’s “All About That Bass,” a song that flipped the gender of Sir Mix-a-Lot’s “Baby Got Back” and threw in some body-positivity messages for good measure.  Trainor’s “Get in Girl” tour will stop at Toyota Center on Tuesday, July 28, and tickets are on sale now.

    Much like the Beach Boys and Jimmy Buffett before him, Jack Johnson has made a career by creating a surf-and-sand vibe that is easy to listen to and not terribly demanding.  But hey, he comes by it honestly, having been raised in Hawaii and making a name for himself as a professional surfer during his teenage years.   Johnson will perform on Friday, August 28, at the Cynthia Woods Mitchell Pavilion, so get yourself a pocketful of edibles and get ready.

    Concerts This Week

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    While the following week will be occupied with Thanksgiving-related activities, there are a few options available if you and your cool cousins want to get out of the house for a bit.  On Friday, OG funkster George Clinton will perform at the House of Blues along with Parliament-Funkadelic. George is 84 years old, so you might want to catch his act while you can.  But, as “Flashlight” says, “most of all, most of all” this show represents the opportunity to experience some 100 proof funk as dispensed by the master.

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    The always unpredictable and irrepressible Erykah Badu will play two nights, Friday and Saturday, this week at the 713 Music Hall.  Badu’s “Return of Automatic Slim” tour marks the 25th anniversary of her album Mama’s Gun, and indications are that “reimaginings” of some of the disc’s tracks will be on the set list.  Hope she doesn’t stray too far from the original arrangements – they were classics.

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    Think you might need some honky-tonk after all that turkey and dressing?  Then Shoeshine Charley’s Big Top Lounge is your spot on Friday, when Dale Watson and His Lonestars will be tending the flame of traditional country music.  How rootsy is Watson?  He opened a recording studio in Memphis with the original board from Sun Studio, where Elvis, Johnny Cash and Jerry Lewis produced all of their early hits.  Now that’s hardcore.

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    Tom Richards

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  • Watch Erykah Badu Enjoying Herself at Clipse’s Bomb Factory Show

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    Erykah Badu is a Clipse fan too. On Thursday, Sept. 4, Clipse, the duo of Pusha T and Malice, performed at The Bomb Factory for their Let God Sort Em Out Tour…

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    Eric Diep

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  • Erykah Badu and The Alchemist’s Austin Show: No Phones, Debut Album Tracks

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    Erykah Badu and The Alchemist made history, performing their album Abi & Alan in full during their live tour before its official release on streaming services. On their Aug. 24 date in Austin at ACL Live, we sent our contributor Rachel Parker to hear it first…

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    Rachel Parker

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  • Erykah Badu and The Alchemist’s Joint Album Is Postponed

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    At long last, we find ourselves just one day away from reaching the light at the end of the Erykah Badu tunnel, a darkness that we’ve grown accustomed to in the 15 years since her last full-fledged release, 2010’s New Amerykah Part Two (Return of the Ankh), and 10 years since her 2015 mixtape, But You Caint Use My Phone. Or so we thought…

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    Simon Pruitt

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  • Erykah Badu, Norah Jones, Other Icons Honor Shaun Martin With Stripped-Down Sets

    Erykah Badu, Norah Jones, Other Icons Honor Shaun Martin With Stripped-Down Sets

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    Saturday night was about as star-studded as it gets. Icons of Dallas’ R&B and gospel scene came together for a massive benefit show in honor of the late Shaun Martin, who died Aug. 3…

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    Simon Pruitt

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  • Forbes Names Dallas Singer No. 1 R& B Artist of All Time

    Forbes Names Dallas Singer No. 1 R& B Artist of All Time

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    Erykah Badu, the queen of neo-soul, was honored this year by her hometown of Dallas with her very own line of DART buses. Just a year before that, she made the cover of Vogue — a rare honor for an artist not promoting a new album or film…

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    Samantha Thornfelt

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  • Beyoncé Rep Responds After Erykah Badu Criticizes ‘Cowboy Carter’ Album Artwork & Asks Jay-Z For Help

    Beyoncé Rep Responds After Erykah Badu Criticizes ‘Cowboy Carter’ Album Artwork & Asks Jay-Z For Help

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    A representative for Beyoncé is stepping in to shut down any misconceptions about the singer’s upcoming album.

    Source: Kevin Mazur / Getty

    On Tuesday, Bey revealed the cover art for her upcoming album, Cowboy Carter. The following day, she showed fans an alternate cover, which will only appear on the limited edition vinyl.

    In the latter photo, the 32-time Grammy winner is wearing nothing but a sash draped across her chest, which reads, “Act II: Beyincé.” Her hair is braided, continuing the Americana theme by adding red and white beads at the ends of her bangs. Beyoncé stands in a pose that resembles the Statue of Liberty as she holds onto a marijuana cigarette and smoke envelopes her silhouette.

    While the BeyHive was absolutely gagged over the photo, not everyone felt the same. Erykah Badu shared Beyoncé’s album art on her Instagram Stories and simply wrote, “Hmmm.” As reported by PEOPLE, her questioning of the photo likely had to do with Badu’s history of rocking braided hairstyles with beaded bangs.

    After making her disapproval known on Instagram, Badu went to X to ask for some help from Beyoncé’s husband, Jay-Z.

    “To Jay Z . Say somethin Jay,” she tweeted. “You gone let this woman and these bees do this to me ?? 😆.”

    It’s safe to assume Hov isn’t gonna run to social media to defend Badu over his wife, but someone else in Beyoncé’s camp had time for some receipts!  The “TEXAS HOLD ‘EM” singer’s longtime publicist, Yvette Schure, posted an Instagram Reel on Wednesday that showed Beyoncé wearing braided hairstyles over the years and proving she’s not new to this.

    In her caption, she wrote: “She slays. She slays. Now. Then. Always. #criticswithoutcredentials.”

    This isn’t the first time Badu has accused Beyoncé of copying her style. Just last year, Erykah insisted that the singer’s “Formation” hat was a duplicate of her signature look.

    While on her Renaissance World Tour, Bey wore a lot of platinum–including a big, wide-brimmed hat in a stunning silver shade. When she posted photos with the hat onto Instagram, Badu hopped into the comments to write, “I’m flattered.”

    That accusation didn’t go well for the “Tyrone” singer, who got absolutely cooked in her own comments section for coming at Beyoncé. And now that she’s doubling down, the BeyHive is only getting angrier.

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    Rebecah Jacobs

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  • Erykah Badu basks in her new era of reinvention and expansion

    Erykah Badu basks in her new era of reinvention and expansion

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    New York (AP) — Erykah Badu has unintentionally occupied the role of culture shifter and influencer for 20 plus years, well before it became a trendy, social media descriptor. Her impact has vibrated throughout music and fashion, and the “Green Eyes” songstress sees it clearly.

    “I can hear my influence in music. I can see my influence style,” explained the four-time Grammy winner. “I hear my words resonated all over the world…So yeah, I can see it.”

    That cultural cache may be why her collaboration with Italian fashion house Marni has been so anticipated. The Marni x Erykah Badu capsule was released in select U.S. Marni boutiques last month. The 42-piece collection features women’s ready-to-wear garments, including dresses, accessories and footwear, accented with handmade leather patchwork, heavy wools, bold sequins and lush velvets. Badu, 52, who is known for her creative and eccentric style, was hands on in all aspects.

    “I’ve worked the same way in every area of my life; on stage I’m doing sound, I’m doing lighting, set design, costume, hair, makeup,” said Badu, whose 18-year-old daughter Puma modeled for the campaign. “I’m involved in everything. I am a creator. I am a visionary…we put those things together and came up with something really creative.”

    Claire Sulmers, CEO of the influential style blog Fashion Bomb Daily, says Badu’s versatility has made her a muse for designers.

    “She is a trendsetter, but she’s always marched to the beat of her own drum…she can work anything, from a designer you might find at a flea market, to a runway,” said Sulmers, who called Badu an icon. “I think that is what can be attributed to her collaborating with brands because a lot of these brands that might have been under the radar or off the radar, now they’re like, ‘Whoa, there’s this beautiful woman who is an amazing artist, who also has an amazing style, and we want to work with her.’”

    As Badu enters the fashion industry and launches other business ventures, the singer-songwriter is keeping her feet firmly planted in music with a tour on the horizon. In a wide-ranging video interview with The Associated Press, Badu discussed her businesses and creativity.

    The line between entertainer and philosopher is often blurred when conversing with the “Next Lifetime” artist. When asked what makes her happy, she mentions her diet; when questioned about the creation of her classic records, she brings up the latest theories on the formation of the pyramids.

    Her aura has a warm, but intense gravitational pull, and there’s a long-running joke that one can’t look into her eyes without falling into a trance — a myth Badu embraces. She has embarked through life with a creative fearlessness.

    “If I’m a little nervous or afraid, I feel brave because of the confidence,” said Badu, who has served as both a birthing and end-of-life doula for the past two decades. “That has always driven my creativity and art. So, it’s easy to be a non-conformist, especially when you feel confident that there’s no such thing as losing because even those moments are lessons. I take all the information and use them to reinvent myself each day.”

    Badu has helped bring babies into the world for friends, family and even celebrity mothers like singers Summer Walker and Teyana Taylor, stating the relationships happen organically, and she only agrees if she can dedicate the time. There’s no website or phone number to request the “Love of My Life” singer’s doula services, at least not yet.

    “(If) the money gets tight, then we’ll see,” she joked.

    A champion for Black women and free thinking, she’s not only in an era of reinvention, but expansion. She’s entered the cannabis industry partnering with Cookies, arguably the world’s most recognizable legal marijuana brand. Her idea for a line first formed in the early 2000s, but it became a reality about four years ago after researching the budding mainstream industry.

    Badu oversaw everything from the marketing to the packaging for her “That Badu” line, which includes pre-rolls packaged to resemble tampons.

    “Everything you see from her line is her. She came up with the design. She came up with the concepts,” said Berner, founder of Cookies and mentor to Badu on the industry. He said she inspires other women “to get in the (cannabis) game…women love Erykah Badu. They look up to her. They respect her.”

    Draped in Afrocentric garb including statuesque headwraps and ankh jewelry, Badu teleported into the music scene in 1997 with her debut album, “Baduizm.” It earned her a best new artist Grammy nomination and a best R&B album win. A pioneer of the ’90s neo-soul movement with contemporaries like Maxwell, D’Angelo and Jill Scott, Badu crafted soulful classics like “On & On,”“Tyrone,”“Bag Lady,”“Didn’t Cha Know” and “Window Seat.” Her last official project was 2015’s “But You Caint Use My Phone” mixtape.

    “I’m always working on new music. I don’t know when I’ll put it out, but I’m waiting for the right time,” said the 2018 Soul Train Legend honoree. “I like to feel necessary for my real audience. My real audience is trees and wind and rain, air — ancestors and things like that.”

    Badu says music is the star that her other businesses orbit around.

    “Everything is vibration and sound, from the sound of the birds that I’ve heard since I was a child… (to) the clothes I wear — the clothes in my Marni line all have bells on them,” explained the Dallas native, who still resides in the city. “So, if I associate everything with music, it’s very easy for me to create…there’s a variety of things I listen to throughout the day, from wind chimes in the morning to Brent Faiyaz in the afternoon to Bach — I mean, there’s just so many different things. I just love music and frequency. It is my therapy.”

    One of her most impactful musical contributions didn’t come from a hit, but from the lesser-known “Master Teacher Medley” on 2008’s “New Amerykah Part One (4th World War)” album. Produced by Shafiq Husayn, that song is largely credited with reintroducing the term “stay woke” — with collaborator Georgia Anne Muldrow chanting those words — to a new generation.

    “From the time they started using it for Black Lives Matter (social protests), it was out of my hands because it kind of doesn’t really belong to us anymore,” said Badu, who describes the phrase as a person’s heighted awareness of everything going on around them.

    However, when conservatives made the term a political lightening rod, Badu decided to speak out.

    “It got a little out of hand. That’s why I had to say something about it, because people were starting to use it as a weapon,” she continued. “If it gets into the wrong hands…I’ve gotta interfere and bring it back in.”

    Badu, who has an upcoming Funko Pop! figure that sold out during pre-order, is prepping for a highly anticipated 25-date tour kicking off this month. Yasiin Bey, the hip-hop star formerly known as Mos Def, will join her for the “Unfollow Me” tour.

    “I just want people to follow their own heart,” said the active social media user, giggling at the cheekiness of the title. “It’s about your journey.”

    As Badu, who will appear in the upcoming film “The Piano Lesson” starring Samuel L. Jackson and John David Washington, continues her own odyssey, her outlook is one of gratefulness and optimism.

    “When I open my eyes in the morning, I say, ’Still here! Got another chance today do some good (expletive), create some great (expletive) — be challenged by people and make the right choices. Another chance to discriminate between things that are useful in my brain…(and) thoughts that are not,” she revealed. “That’s woke. That’s awareness — knowing that there is adversity, but also using the tools that you have to navigate through your world.”

    ___

    Gary Gerard Hamilton is an entertainment journalist for the AP who told Badu he loves “Next Lifetime” so much he wishes he wrote it. You can follow him on all social platforms at @garyghamilton.

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  • What are the 500 best albums? Rolling Stone has an answer

    What are the 500 best albums? Rolling Stone has an answer

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    NEW YORK — Is Fleetwood Mac’s landmark album “Rumours” better than “To Pimp a Butterfly” by Kendrick Lamar? Should “Tapestry” by Carole King be ranked higher or lower than “Thriller” by Michael Jackson?

    Rolling Stone magazine has some answers in a new book that’s sure to spark conversations — “The 500 Greatest Albums of All Time.” It’s where you’ll find that Bruce Springsteen’s “Born to Run” fittingly sits just ahead of “Ready to Die” by The Notorious B.I.G., at No. 21 and No. 22, respectively.

    “Every record on here is in some ways on for different reasons,” said Jon Dolan, the reviews editor at Rolling Stone who helped create the book. “We are really happy, to be honest, about the whole list.”

    But if you disagree with the rankings, don’t blame the folks at Rolling Stone. Blame Beyoncé, Taylor Swift, Iggy Pop. Nile Rodgers, Questlove, Billie Eilish, Herbie Hancock, Saweetie, Carly Rae Jepsen, Lin-Manuel Miranda and members of Metallica and U2, among dozens of other artists. They were among the judges.

    The book’s editors reached out to about 500 voters from the world of music — artists, journalists, record label figures and Rolling Stone staffers — and asked for their top 50 albums (Stevie Nicks kindly offered 80). They got some 4,000 albums and created a spreadsheet with weighed points.

    On every page, the artists make a fascinating musical tapestry. Take a section in the lower Top 100 — at No. 86 is The Doors’ self-titled debut, followed by “Bitches Brew” by Miles Davis, “Hunky Dory” by David Bowie and, at No. 89, is “Baduizm” by Erykah Badu, connecting gems of classic rock, jazz, prog-rock and R&B.

    “Is there a person who loves all those things equally? Probably not. But we hope there’s people who could definitely want to try them all out and see what they think,” Dolan said. “That’s the goal: making connections and being introduced to new things.”

    Dolan was impressed by some established artists embracing modern music, like John Cale of the Velvet Underground championing FKA Twigs and Nicks ranking Harry Styles’ “Fine Line” quite high.

    “It’s sweet when these people who have been around are not just pooh-poohing the younger generation,” he said. “It’s neat when people are voting for things outside of their genre and what you’d expect.”

    The book’s origins started in 2003 when the magazine published its first 500 list, putting The Beatles “Sgt. Pepper’s Lonely Hearts Club Band” at No. 1. It was a pretty Beatles-heavy list, with three more Fab Four albums making the top 10.

    “It had kind of the perspective of a 45-year-old male rock fan who was open minded, who liked rap a little bit, but kind of patting it on the head, and liked R&B, but was kind of dismissive of the more recent stuff,” he said.

    “We really wanted to break away from that perspective and think the list could actually have many perspectives converging.”

    Joni Mitchell’s “Blue” shot up on the new list, going from No. 30 in 2003 to the top 10 now, and Prince and the Revolution’s “Purple Rain” went from No. 76 to No. 8. Another big gainer was Lauryn Hill’s “The Miseducation of Lauryn Hill,” which zoomed up from the 300s in 2003 to Top 10 now.

    “Certain albums become kind of new classics,” said Dolan. “It is something that’s kind of evolving and up for grabs. And we wanted to kind of at least imply that in doing this one.”

    The new list is more inclusive of genres other than rock and so pushed some iconic albums down, like AC/DC’s “Back in Black” which went from No. 77 to No. 84, now nestled between “Dusty in Memphis” by Dusty Springfield and John Lennon’s “Plastic Ono Band.” (“I’m pretty sure they would accept that company,” Dolan said.)

    Some artists’ catalogues have also shifted. Bob Dylan’s “Blood on the Tracks” leapfrogged his “Blonde on Blonde” and “Highway 61 Revisited” this time, and the Beatles’ “Abbey Road” became their top album in the book, over “Sgt. Pepper’s Lonely Hearts Club Band,” “Rubber Soul” and “Revolver.”

    “The warmth and the beauty and the sweetness of ‘Abbey Road’ maybe in a way wins out over this sort of landmark sonic inventiveness of ‘Revolver’ because people love to listen to it.”

    There’s been some online griping about the list, like that only “The Stranger” from Billy Joel made the list and no entries from non-Western artists, Fans of U2 might be mad that “The Joshua Tree” dropped out of the Top 100 and fans of electronic music might bemoan that there are only eight electronic albums.

    But Rolling Stone says the list is a snapshot as music marches onward. While the albums were being tabulated this time, Taylor Swift’s “folklore” and Bob Dylan’s “Rough and Rowdy Ways” came out, and Dolan suspects both might have made the book if they’d only come out earlier.

    “Because the list is so stylistically diverse and open-ended, I think we’re kind of implying that it’s always a work in progress,” he said. “In 20 years, Rolling Stone, whatever entity it is, will do this again at some point.”

    ———

    Mark Kennedy is at http://twitter.com/KennedyTwits

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