ReportWire

Tag: Eric Church

  • At Stagecoach, Eric Church Brings a Full Choir, Saves His Band for the Finale and Has Polarized Fans Debating a Love-It-or-Leave-It Set

    At Stagecoach, Eric Church Brings a Full Choir, Saves His Band for the Finale and Has Polarized Fans Debating a Love-It-or-Leave-It Set

    [ad_1]

    It would be hard to imagine a more actually polarizing set — as in, splitting real fans into roughly even, truly diametrically opposed camps — than the headlining show Eric Church delivered to round out the first night of Stagecoach in California. The 70,000 festival attendees will definitely not lack for anything to talk, or argue, about for the rest of the weekend, and the debate will also continue among the many more fans who watched the livestream on Prime Video and Amazon’s Twitch channel.

    Rather than rock out, as many expected after Jelly Roll’s preceding performance, Church — after about a 20-minute delay in starting the show — adopted a truly churchy aesthetic, seated on a stool in front of a giant stained-glass video wall and joined by a 16-member choir, fronted by the return of his longtime vocal accompanist, Joanna Cotton. This ethos was felt in covers of vaguely or overtly spiritual songs like Leonard Cohen’s “Hallelujah,” Edwin Hawkins’ “Oh Happy Day” and “This Little Light of Mine,” but Church mixed these up with distinctly secular and contemporary picks — throwing in snippets of Tupac and Snoop Dogg classics, a la “Gin and Juice,” to draw some kind of throughline between the sacred and the profane.

    For the final numbers of the 75-minute performance, including the always-rousing “Springsteen,” Church’s band did show up for what, at that point, counted as a surprise cameo. It was too late for many who’d already been alienated by the acoustic/gospel tenor of the majority of the set, but a thrilling and dynamic last-minute change of pace for some of those who consider themselves faithful members of Church’s congregation.

    Church has a sense of occasion that sometimes leads him to do special one-off sets, of which this was definitely one, rather than the standard arena touring show many might expect to see at a festival. The specialness of the show enthralled many who consider themselves hardcore Church-heads, but it also created what many on hand described as a mass exodus of those who weren’t getting the hits and rock ‘n’ roll fervor they expected. (To be fair, although videos posted on social media showed scores of festivalgoers heading for the exit with their lawn chairs and blankets, any Stagecoach closing set is going to be marked by people making a beeline for cars and campers, so isolated clips aren’t always indicative of the mass mood.)

    In comments on Church’s Facebook page and in several fan groups, it was easy to immediately see the deep split. “Thank you for taking us to church! This was one of my top favourite shows of yours 18 shows in and it was bloody amazing!” wrote one fan. And: “This entire performance needs to be an album. INCREDIBLE and one his his best ever!” Another rave: “I realize this is not everyone’s cup of tea but for us diehard fans this is a dream.” “Best Church performance I’ve seen from him ever! I love his rockin’ side but man this was just what I needed tonight.”

    But then, the dissenters: “Wtf was that?” read one typical, terse comment. And: “What a trainwreck performance. What were you thinking?” Others expounded at greater length: “Terrible. Read the room and redirect. Say you have to take a break and you’ll be right back after you regroup or something, but to go on like that bleeding my ears out with whatever that was… just truly awful. People spent time and money to watch the biggest choke show I think I’ve ever seen.”

    Some were calm and took it in stride, like the fan group member who wrote, “Definitely a weird setlist.” Wrote another, who didn’t sound personally put off by the show but was mindful of a backlash: “One very shocking and interesting show he put on tonight. I’ve never seen an audience clear out of a venue so fast. He finished his show 30min early and was booed at the end when he actually decided to finally stand up for the first time. I hope he is alright and doesn’t get torn down too much for this show.”

    Eric Church performs at the T-Mobile Mane Stage during the 2024 Stagecoach Festival at Empire Polo Club on April 26, 2024 in Indio, California. (Photo by Amy Sussman/Getty Images for Stagecoach)
    Getty Images for Stagecoach

    Another fan page member: “I was there last night. I’ve seen EFC all over this beautiful country and I’m a huge fan. Could not be more disappointed with last night… He came out over 20 minutes late. You don’t do that at StageCoach. The techs scrambled all over the stage clearly trying to fix things that weren’t working. Then there was organ music that just blared for 5 minutes. For no apparent reason. For me it’s time and place and up front disclosure. A theater or a bar are IDEAL places for that set and it would have been an amazing experience. Standing in a dirt field in 25mph winds with 70,000 people was not the time and place. And it wasn’t ‘his’ crowd. He’s part of the bigger picture. One of the things I love about the dude is the middle finger he’s willing to give to ‘the man.’ But last night felt like that middle finger went directly to me. A buddy and I took his 22 year old son and 20 year old daughter and spent the drive out to Indio playing Church songs and telling them how much the show was gonna rock….it didn’t. First time I’ve left a Church show early…..”

    Although reactions to the show didn’t typically have anything to do with anything but the music, a few sensed an agenda they objected to in Church threading different types of music throughout his cover choices. Wrote one tweeter, “Jelly Roll just kicked the headliner’s ASS… because Eric Church decided we showed up to hear some fucking virtue signaling… unreal, insulting… Hey, get over your white guilt and play some fucking COUNTRY MUSIC.”

    Some fans who relish the idea of Church as an outlaw actually took some delight in how polarizing it was: “Loving the haters melting down. It was incredible.” Another partisan: “The thought that keeps going through my mind this morning is… When 70,000 people are in an audience, how do you ensure the people that are TRULY there to see you get the best experience possible? You do exactly what Eric did last night! One review claimed ‘it was like the parting of the Red Sea’ with people running to the exit. Had I been one of the festival goers with a spot towards the back, I would 100% have been like… that’s right my friend, if you aren’t here for this, get outta the way so I can GO TO CHURCH!!!”

    In any case, it’s hard to get the social media masses, or even the live audience, as riled up about the unexpected content of a Stagecoach show as music fans normally might be about a surprising Coachella set, so the fact that a show at ‘Chella’s county cousin is stirring up as much controversy seems to have achieved some kind of milestone.

    The festival continues with probably choir-less headlining sets from Miranda Lambert Saturday and Morgan Wallen Sunday.

    [ad_2]

    Chris Willman

    Source link

  • Eric Church Closes Out RodeoHouston 2024 in Most Fitting Fashion

    Eric Church Closes Out RodeoHouston 2024 in Most Fitting Fashion

    [ad_1]

    In many ways, Eric Church was the absolute spot-on choice to close out the RodeoHouston 2024 concert season. After all, this year’s concert lineup featured icons like Blake Shelton, Brad Paisley and Luke Bryan, up-and-comers like Jelly Roll, Lainey Wilson and Hardy and a mishmash of genres like hip-hop (50 Cent, Bun B), rock (Nickelback) and pop (Jonas Brothers).

    It was easily one of the stronger concert lineups RodeoHouston ever assembled, so it was fitting that Church – one of the most appreciated, and still, somewhat underrated artists of the modern era – closed out such a stacked concert season before a jam-packed house at NRG Stadium on Sunday night.

    The only problem, albeit a good one? We could have used about two more hours.

    Church’s live shows are legendary, three-hour affairs that run the gamut of rock, melancholy, hits and, at time, an outright jam band. All of these features were on display Sunday night, though it felt somewhat abbreviated because, well, it was.

    Again, a good problem to have.

    Nevertheless, Church took the stage and blared through a 12-song, hourlong set that somehow managed to cover one of the greatest country catalogs of the modern era. That included the old – “How ‘Bout You,” Church’s first hit single – and the new – “Heart on Fire,” one of his more recent country hits.

    The highlight of the show came toward the end when Church played the wistful “Record Year,” arguably one of the greatest country breakup songs of the past 20 years, followed by the more up-tempo and slightly comedic “Cold One,” also arguably one of the greatest country breakup songs of the past 20 years.

    By the time Church followed that with the show-closing “These Boots,” “Smoke a Little Smoke” and the iconic “Springsteen,” those who said to hell with rodeo traffic and stuck around to see Church ride off in the customary Ford pickup truck serenaded him with a standing ovation.

    “Let him know you want him back here at RodeoHouston,” the announcer beckoned.

    It would be our pleasure.

    SET LIST
    How ‘Bout You
    Heart on Fire
    Country Music Jesus
    Drink in My Hand
    Pledge Allegiance to the Hag
    Hell of a View
    Desperate Man
    Record Year
    Cold One
    These Boots
    Smoke a Little Smoke
    Springsteen

    [ad_2]

    Clint Hale

    Source link

  • Eric Church … the Most Underrated Man in Country Music?

    Eric Church … the Most Underrated Man in Country Music?

    [ad_1]

    Eric Church was the Country Music Association’s Entertainer of the Year in 2020. He’s won the CMA Album of the Year Award twice. Church has five Platinum albums to his name, multiple others Gold, hit singles for days. His live shows are the stuff of legend – 3-hour marathons that play like sprints.

    Church is even headlining the final day of Rodeo Houston on Sunday, a designation previously reserved for the likes of country icons like Garth Brooks and George Strait.

    So, yeah, Eric Church is a really big deal, one of the greatest musicians (country or no) of his era. Then why does it not feel that way?

    When talk turns to the greatest country artists of the modern era, names like the aforementioned Strait and Brooks come to mind, as do greats like Alan Jackson, Shania Twain, Reba McEntire and Tim McGraw.

    When talk turns to the most noteworthy and commercially successful country acts of the 21st Century, Jason Aldean certainly gets his due. As does Luke Bryan. Same for Zac Brown Band.

    The hottest country acts in the game today? Morgan Wallen. Luke Combs. Zach Bryan. Chris Stapleton.
    Each of the artists above certainly belongs on their respective lists, but when talk comes to each, why doesn’t Church’s name jump to the forefront?

    He’s been a commercial force for the better part of 20 years and is universally respected by country diehards and casuals alike, not to mention the envy of many of his contemporaries. He can craft a radio hit, turn out more rock-like fare in droves and do poignant with the best of them.

    He can do it all. And maybe that’s the problem.

    George Strait produced harmonious, radio-friendly hits for decades. Garth Brooks was a country supernova who crossed over into pop before it was a thing. Shania Twain followed his lead. Luke Bryan sings often of tailgates and tanlines, Aldean of other varieties of country staples. Wallen creates music with enough edge to be cool and enough melody to make him the biggest name in country today.

    Church? Yeah, good luck putting him in a box.
    The guy rocks – see “That’s Damn Rock & Roll” and “Heart on Fire” as recent examples. He makes hits that tell stories and have heart, most notably, “Springsteen” and “Talladega.” He can be just plain fun (“Cold One,” “Drink in My Hand”).

    Oh yeah, he also released what some consider the greatest country album of the 2010s, Mr. Misunderstood,” a stripped-down ode to country music that features some of his best material, in particular, “Record Year,” “Holdin’ My Own” and “Round Here Buzz.”

    Point being, Church may never top any number of lists that designate the best, brightest or most notable artists in country today. Perhaps that’s by design. After all, why do any one thing well when you can excel across the board?

    Underrated though he may be, country music is infinitely better with Church in its ranks. On Sunday, Rodeo Houston fans are going to find out firsthand.

    [ad_2]

    Clint Hale

    Source link