ReportWire

Tag: emo

  • Exclusive Interview: Have Mercy Find Their Voice in The Loneliest Place I’ve Ever Been

    Have Mercy have returned with The Loneliest Place I’ve Ever Been, a record that digs deeper, hits harder, and shows the band at their sharpest yet. It’s a milestone moment for a group that’s been shaping the Baltimore alt-rock scene for over 15 years.

    The release kicks off with a hometown show before the band heads out with Boys Night Out this fall. We caught up with Andrew, lead guitarist of Have Mercy, to talk about the making of the new album, the moments that still hit the hardest on stage, and why some traditions, like “Pizza Forever,” will never die.

    Courtesy of Big Picture Media

    Stream The Loneliest Place I’ve Ever Been here!

    Hello, and welcome to the Honey Pop! Thank you for taking the time to chat with us. Could you give our readers a quick introduction for someone who may not be familiar with Have Mercy?
    Sure! I’m Andrew, and I play lead guitar for Have Mercy. We’re an alternative rock band from Baltimore, MD, and we’ve been rocking and rolling together for just over 15 years.

    Have Mercy’s music has clearly struck a chord with listeners over the years. Was there a particular moment when you thought, “Wow, this is really reaching people?”
    For me, it was on our first headliner tour with Head North, Somos, and You Me And Everyone We Know. We had just done a ton of support tours and saw more and more people singing along, but this was our first headlining tour, and we weren’t sure if anyone was gonna come, and the fans just packed every single venue.

    From your breakout debut, The Earth Pushed Back, to now releasing The Loneliest Place I’ve Ever Been, that’s over a decade of Have Mercy! What does it feel like to look back and see how far the band has come?
    It’s a strange and cool feeling being able to look back at these little time capsules of where we were in our lives, and for me to see how far we have come as musicians and songwriters. Looking back at the earlier songs, they were cool and are still fun to play live.  But the newer stuff is more technical and “harder,” and because of that challenge, it’s fun to play them live.

    You guys are celebrating the release with a hometown show in Baltimore! How does playing back home in Baltimore compare to anywhere else on the map?
    We wouldn’t have it any other way. Baltimore has come a long way since we started out music-wise and has always been eclectic. You’d go to a show, and it would be like putting the promoter’s iPod on shuffle, cause you’d have some indie bands, emo bands, and then punk and hardcore. It was one big bowl of music stew that is still amazing and so cool. I’m glad we have bands and artists like Turnstile, Jivebomb, Dan Deacon, and Animal Collective repping our city!

    You’ve noted that this release is “the album we’ve always wanted to create.” What made this the right time for that record to happen?
    We write songs together that evolve from either a jam or a voice memo. Now we’re finally musically and creatively capable of doing that. When we were younger, we barely knew what we were doing musically and couldn’t communicate what we wanted each other to do when we were jamming. Now it’s like “Hey, try something like this?” And we’ll do the take and make it happen, and even if we don’t use it, we have it, and we did it.

    The album’s supporting single, ‘little pieces,’ is about putting yourself back together. Was there a specific turning point or moment that made its way directly into that song?
    That’s a Brian question. I know for me, it was getting sober. I stopped drinking on September 17th, 2021. And when I quit drinking, I literally didn’t have anything going on except a loving partner and the guys in the band. I really dove back into guitar to keep my mind off alcohol, and I really think that’s what helped put me back together—were the ‘little pieces’ in my life of my partner, my boys, and my guitar.

    Your music has always walked the line between vulnerability and intensity. Is there one lyric on The Loneliest Place I’ve Ever Been that you think hits hardest, or an older line that still hits you the hardest when you sing it?
    “I had a life and I had friends.” from our song ‘Two Years.’ I scream it to the crowd every time we play it live since we wrote it. It’s such a powerful line. Off the new album, I felt a very heavy emotional weight when I first heard the chorus to ‘August 17th.’ My mom passed during COVID, and I didn’t have a chance to say goodbye in person; and when I first heard those lyrics, I just sat back in my chair and was like, “Holy sh!t” cause I’d never really processed it completely.

    You’re heading out this October with Boys Night Out for their Trainwreck anniversary tour! What are you most looking forward to about being back on the road?
    Getting to hang out with all our fans and friends, seeing one of the greatest rock and roll bands, BNO, play my favorite album every night, and of course, the post-rock food. Seeing who can get the healthiest and least healthy truck stop food.

    After six albums and more than a decade together, is there anything from the early days of Have Mercy that’s still part of your DNA as a band—whether it’s a pre-show ritual, a piece of advice, or even a “don’t do this on tour” lesson?
    Two things that have stayed with us forever are: we’re best friends first before anything. These are my ride-or-die guys. We are always there for each other. The second thing: “Pizza Forever.”

    Have Mercy tour
    Courtesy of Big Picture Media

    Lastly, if The Loneliest Place I’ve Ever Been were a place in the real world, where would it be, and why?
    When I first heard the title of the record, I thought of nature. Just being out in the middle of nature alone with nobody around, no cell service. It’s both a very scary and very freeing thing.

    What do you think of The Loneliest Place I’ve Ever Been? Will you be catching Have Mercy when they hit the road with Boys Night Out this fall? Let us know your favorite tracks and tour plans in the comments below, or come talk all things Have Mercy with us over on Facebook, Instagram, and Twitter.

    And we have plenty more pop-punk for you, too!

    TO LEARN MORE ABOUT HAVE MERCY:
    FACEBOOK | INSTAGRAM | SPOTIFY | TWITTER | WEBSITE | YOUTUBE

    Liz Montville

    Source link

  • Hey, Chvrches, Haunter Wants to Tour With You

    Just a few months since their debut live show, Houston synth-pop quartet Haunter is making a bold push with a new six-track EP, Game Boy. It’s a record they describe as a statement of purpose and a love letter to the band that inspired them: Chvrches.

    “This EP was made to tour with Chvrches,” says vocalist Lucy Lenoire, with a laugh. “Yep. That was the goal from day one.”

    Game Boy marks a shift in direction for Haunter, who had previously released a series of singles. This time, they focused on creating a cohesive body of work that captures the scope of their sound and energy.

    “We have a whole back catalog,” says guitarist Mike Ray. “But we wanted to build something that felt complete. A full story.”

    The result is an EP that blends synth-pop, emo and metal influences, echoing the genre-blurring spirit of their hometown. Though each song can stand on its own, the band urges listeners to listen to the EP in its entirety, from front to back.

    “I want people to walk away saying, ‘That was a full experience,’” says Lenoire.

    Among the standout offerings is the title track, which originally appeared in a pandemic-era horror film that spent six weeks atop the box office—the first movie to do so since Avatar. Though the song was written early in the band’s formation, they held it back until the timing felt right.

    “That moment is now,” says guitarist Enoma Asowata.

    click to enlarge

    Haunter hopes to catch the attention of Chvrches.

    Photo by Brittaney Penney, courtesy Haunter

    At the center of Haunter’s music is Lenoire’s voice: a fierce, emotionally loaded blend of pop clarity and metal grit. Her performance on the track “Strangers” has drawn strong reactions even from within the band.

    “One of the guys called it ‘obscene,’” she laughs. “I’ll take it.”

    The group’s fascination with Chvrches runs deep. That obsession took root after a post-recording session night in Los Angeles, when the band caught a Chvrches show.

    “We were already riding a creative high,” bassist Mark Schroeder recalls. “Then we saw them live, and it was the perfect ending to that moment, and kind of the beginning of this one.”

    The band’s hope is that this EP catches the attention of the Scottish synth-pop trio, not just as fans but as potential tourmates.

    Haunter isn’t content with building a following one single at a time. They’re crafting a sound, a vision and a live presence worthy of the artists who inspired them. “Each song has its own personality,” Asowata says, “but this releases more of a statement piece of who we’re turning into.”

    HAUNTER’s EP will be available for purchase and on all streaming platforms on September 12. They will perform at The Secret Group in Houston on October 3 and 29th Street Ballroom in Austin on October 4.

    Matthew Keever

    Source link

  • We’re Sat For The All American Rejects New Cover Of ‘Flagpole Sitta’

    We’re Sat For The All American Rejects New Cover Of ‘Flagpole Sitta’

    What a great day to be an AAR fan! They just released their cover of Harvey Danger’s ‘Flagpole Sitta! Will we get more AAR music in the future? We’re not sure, but we’re stoked about anything they put out. You can listen to their cover ‘Flagpole Sitta’ below.

    To get you even more hyped for their upcoming festival performances, (including When We Were Young Fest!) here are our top 5 favorite songs from some of the different eras of The All American Rejects.

    ‘My Paper Heart’

    The intro track of their self-titled album is truly iconic. Whether you listened to it today (like we did) or it’s been a minute, you’ll want to sing this song at the top of your lungs. Did anyone else have ‘My Paper Heart’ lyrics as their AIM status?

    ‘Dirty Little Secret’

    We can’t not talk about our favorite AAR songs without mentioning this one. 2005 was a pretty iconic year for emo/adjacent music as a whole, but this song was everywhere. And honestly, it was well deserved because it goes hard.

    ‘Gives You Hell’

    Just like ‘Dirty Little Secret’ was to 2005, ‘Gives You Hell’ had the same impact in 2008. No one was doing it like AAR. Not only was it only a defining breakup anthem of the year, but also of all time. That’s all there really is to say.

    ‘Kids In The Street’

    We loved the Kids In The Street era. This song is an absolute bop. It’s just such a fun pop-rock song. While it’s one of their longer songs at 4 minutes and 45 seconds, you can bet we’re enjoying every second of it and playing it on repeat.

    ‘Sweat’

    Even though Kids In The Street was their last actual album, they did release more singles throughout the years. Their single ‘Sweat’ from 2017 is an absolute banger. We’re obsessed with the punchy chorus and it’s what makes it so addictive.

    Be sure to check their tour page to see all the upcoming festivals they’re performing at! What do you think of The All American Rejects’ cover of ‘Flagpole Sitta?’ Are you seeing them at any upcoming festival dates? Let us know in the comments, on FacebookInstagram, or by tweeting us @thehoneypop

    TO LEARN MORE ABOUT THE ALL AMERICAN REJECTS:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER

    Aera Ahn

    Source link

  • New Artist Spotlight: How Black Bouquet Updated Emo By Adding Early Goth, Electronica and Post Punk [Video] | Your EDM

    New Artist Spotlight: How Black Bouquet Updated Emo By Adding Early Goth, Electronica and Post Punk [Video] | Your EDM

    Formed in 2017, Black Bouquet aren’t exactly a “new artist,” but neither are their influences. With their first single, “Until You’re Gone” appearing on Spotify in 2020, they already had an extremely well-formed sound, comprised of Joy Division-era post punk synths, goth and art rock drums and arrangements, Cure-inspired guitars and Killers-emo-era everything else, even in the early stages all the members of Black Bouquet were at the top of their game. This “new” sound made up of all the best parts of emo indie has only continue to develop through two more singles and an EP, and now the large six-piece ensemble band are ready to release their debut album, Pray to the Knife, in February.

    With the first single and video from Pray to the Knife, called “Run and Hide” just released, fans can now hear what’s in store for the rest of the album. “Run and Hide” is probably the most straight up an down emo track on Pray to the Knife, giving My Chemical Romance-meets-The Killers-meets-“Love Will Tear Us Apart” synths. There’s a decent punch of metal to this song as well, with vocalist Violet O adding more goth sensibility with a vibrato to the vox that connotes She Wants Revenge vibes.

    While the rest of the album is just as well-composed and performed as “Run and Hide,” there is a lot of variance in style, as Black Bouquet prove again that, despite being in black and grey, they’re certainly not monochromatic in sound. The intro track, “My Love” toggles back and forth between minimal acoustic, almost folkish acoustic guitars and raging, theatrical goth metal. “Prom,” on the other hand, is driven by deep, Michael Rumple’s deep, heavy Disintegration-era Cure-style drums whilst the guitars are lighter and funkier. “Serpents” combines 80s new wave synths with guitar rock and the album closer, the title track is more of a theatrical goth lullaby.

    No matter which of the many styles strikes a fan’s fancy, all of Pray to the Knife is composed, mixed and performed to perfection. If Black Bouquet had come along in 2006, they would have easily ruled the emo world and possibly even united it. Now, however, they stand to resurrect it with modernized techniques, electronic flare, a full orchestral compliment and more drama than their predecessors could have imagined. Here’s hoping they do bring back the Scene scene, because this album and the band that created it deserve to be celebrated.

    “Run and Hide” is available now on Black Bouquet’s Bandcamp and Spotify along with the rest of their stunning discography. There will be one more teaser track in late December before Pray to the Knife drops in full on February 16. Check out their other videos on YouTube.

    Layla Marino

    Source link