One Piecefever has gripped the world especially hard over the past few years, and now that love is spreading across the pond to the UK.
Recently, the BBC picked up the rights to air 1,085 episodes of the hit anime based on Eiichiro Oda’s equally big manga. Episodes will hit the nework’s free iPlayer streaming service starting September 1 (aka, today) and release the way through the end of 2024. The big caveat is that only the English dub will be available (sorry to any sub purists). While BBC notes this is the only place UK audiences can legally watch the show, it doesn’t sound like there are plans to bring it over to proper television like the US does via Adult Swim, and it’s also a question mark about the anime’s many, many movies released over the years.
At time of writing, there’s around 1,120 episodes of One Piece, so basically the entire anime will hit BBC iPlayer. More specifically, UK viewers will get access to the starting “East Blue” arc and all the way through “Land of Wano,” which wrapped in late 2023. Per Fiona Campbell, BBC Three’s Controller of Youth Audiences, securing the airing rights for the anime “[is] a really exciting move. […] One Piece has become a cultural phenomenon and we’re so excited to see how the fanbase will enjoy this huge canon of episodes available in English only on iPlayer.”
With over 1,000 episodes spread across four months, UK viewers will plenty of time to digest and be relatively caught up on One Piece before the year goes out. Of course, if that sounds like too much of a hill to cross, there’s always Netflix’s live-action adaptation, whose second season is currently in production, and also The One Piece, Netflix’s other adaptation meant as a more streamlined telling of the anime.
Monsters: Ippaku sanjō Hiryū Jigoku, Eiichiro Oda’s one-shot manga from 1994, is getting a new anime in January 2024. The famous mangaka behind the critically acclaimed One Piece franchise revealed that Monsters is a compilation of stories from his pre-One Piece era.
The anime adaptation is called Monsters: 103 Mercies Dragon Damnation, and it was announced at the One Piece Day 2023 event. The official One Piece YouTube channel recently dropped a new trailer for Monsters, giving fans all the details ahead of its release.
The trailer reveals that Yoshimasa Hosoya will voice Ryuma, while Kana Hanazawa will play the character of Flare. Moreover, Hiroki Tōchi will play Cyrano’s character, Mitsuaki Madono will play D.R., and Katsuhito Nomura will play Master.
Monsters 103 Mercies Dragon Damnation release date, plot & more
Monsters: 103 Mercies Dragon Damnation anime will premiere on Monday, January 22, 2024, in Japan. Outside Asia, this means the series will be available to globally stream on Netflix on Sunday, January 21, 2024.
Shueisha published Eiichiro Oda’s Monster in the 1994 Shonen Jump Autumn Special. The manga later found a spot in the 1998 compilation Wanted!. After all these years of being accessible only to manga readers, the anime adaptation will finally be a treat for anime viewers. Though otakus have displayed a mixed reaction to the trailer ahead of the anime release, the anticipation is off the charts.
Jujutsu Kaisen season 1’s director, Sunghoo Park, is directing the anime at his newly founded production studio, E&H Production. Takashi Kojima and Hiroaki Tsutsumi are working on the character designing and music composition, respectively.
Ani-One Asia describes Eiichiro Oda’s Monsters as:
“In a world where the only ‘threat’ that could disrupt the peace is up in the sky. The ‘terror’ that can cause catastrophic havoc to this world, Dragon. A legendary one-shot manga adaption by the young 19-year-old Eiichiro Oda, before the serialization of ‘ONE PIECE’. This is the story of the Samurai Ryuma.”
Stream Eiichiro Oda’s Monster on Netflix from January 21 onwards.
One Piece is a series built on lofty promises. Chief among them: that its hallowed treasure, which still has yet to be revealed since the series began 26 years ago, will be worth the journey; that protagonist Monkey D. Luffy will someday fulfill his dream of becoming the king of the pirates; and that its long-running manga series and intimidatingly long anime will ultimately end on a satisfying note. The release of Netflix’s One Piece live-action series adds yet another promise to the series’ tab—the promise that, in being adapted to live action, it will emerge as one of the good ones, avoiding the dismal fate of so many anime that have made that journey before. The show doesn’t completely succeed in keeping this promise, but it makes a decent if uneven first impression, beckoning long-time fans and newcomers alike to stay aboard and see where it could go next.
Netflix’s One Piece Live-Action Trailer Has A Treasure Trove Of Anime Easter Eggs
The live-action anime seas are treacherous waters for anime fans who’ve, either earnestly or out of morbid curiosity, watched as series like Dragon Ball Z, Avatar: The Last Airbender, Fullmetal Alchemist, and most recently Cowboy Bebop, capsized under the weight of their own misguided ambition to recapture the magic of their source material by throwing real people into the mix. These experiments, for lack of a better term, led to the consensus that any subsequent live-action adaptations would be doomed to fail because the grand worlds, battles, beauty and kineticism of anime can’t be reproduced in a live-action format, at least not without looking cheap and uninspired by comparison.
One Piece creator Eiichiro Oda has been more than aware of fans’ trepidation that the One Piece live-action series could well besmirch his magnum opus’ legacy by becoming yet another example of live-action drivel. Stoking those fears was the fact that producer Marty Adelstein’s Tomorrow ITV Studios also did Netflix’s live-action Cowboy Bebop, which was promptly canceled after its first season. Still, Oda promised that the adaptation, on which he serves as an executive producer, wouldn’t “betray” fans who’ve been supporting the series for the past twenty years, and stressed that the show wouldn’t launch until he was satisfied with it.
Netflix
The first season of the One Piece live-action series, which covers the major story beats from the start of the manga’s opening East Blue saga up until the conclusion of the Arlong Park arc, sees Luffy assemble his pirate crew as they set sail to find Gold Roger’s titular hidden treasure. The show covers a lot of ground, especially when you consider that it’s condensing what would be 93 chapters (or roughly 17 hours of anime) into eight hour-long episodes. The result is an occasionally clumsy show that opts to streamline major story beats by dual-tracking arcs together in a single episode, thus giving fans who felt intimidated by the manga and anime’s lengths a gateway into Oda’s grand world.
And while it leaves a bit to be desired, the Netflix One Piece is one of the rare well-made live-action anime adaptations. The show is full of heart, from its vibrant set and wardrobe designs to the disarmingly charming found-family dynamic that the live-action crew so effectively exudes.
What Netflix’s One Piece live-action series does right
What surprised me most about Netflix’s One Piece live-action series is how it deviates ever so slightly from being a rote, SparkNotes summary of the source material’s first major arc by adding its own original wrinkles to Oda’s epic, allowing one of the series’ subtler relationships—that between Admiral Garp (Vincent Regan) and marine recruit Koby (Morgan Davies)—to take center stage.
Throughout the season, the show balances this thread with the cat-and-mouse chase of the Marines pursuing the Straw Hats as they sail toward the Grand Line. While manga and anime One Piece enjoyers like myself know the pair eventually develop an unbreakable bond, we never get to see how the relationship between the fearsome admiral and the former pirate takes root outside of a few stray manga panels interspersed between latter arcs in the series. Thankfully, the Netflix series is more than willing to dedicate time to depicting the humble beginnings of their wholesome friendship.
Throughout the live-action series, Garp instills agency in Koby by teaching his subordinate that he should get out of his own head and trust his gut instincts. In one of the earlier episodes, Garp instills this lesson in Koby over a game of Go, which Koby proceeds to best Garp in after accepting his advice. While innocuous on the surface, this scene serves to fill in the anime’s gaps in Koby’s sudden and awesome character development, as he goes from being a timid coward to one of the Marines’ bravest heroes.
This all comes to a head when Koby chooses to defy Garp’s orders to detain Luffy because he believes his friend is a good pirate—something marines are indoctrinated into believing doesn’t exist. Instead of chastising Koby, Garp praises him for being honest with himself and doing what he thought was right.
Rather than feeling like filler or glorified fan fiction, Garp and Koby’s conversations build upon the series’ long-running theme about throwing caution to the wind in the pursuit of one’s dream. For Koby, that dream is being a good marine.
While the series does an exceptional job of characterizing the dynamic of the Straw Hats’ burgeoning camaraderie, Garp and Koby’s flourishing relationship steals the show, and instilled a desire in me to see other relationships explored more deeply in the live-action series, should it get renewed for a second season.
Netflix’s One Piece suffers from growing pains, but they aren’t deal breakers
That’s not to say that Netflix’s live-action series doesn’t make some sacrifices along the way. In the show’s slightly brisker pacing, which combines both origin stories and early character-defining arcs for characters like Sanji and Zoro, you miss moments of character development for Usopp and Luffy, who come off as one-dimensional bystanders to whatever scenes they accompany. This is particularly disappointing considering their manga and anime counterparts play a more active role in their crewmates’ arcs by having salient conversations about how their friends are feeling. Instead, the live-action pair are often delegated to onlookers who either incessantly comment about how strong their friends are or, worse, quip like Marvel heroes.
While the CGI in the live-action One Piece series is on par with what you’d see in Netflix’s Witcher series, I couldn’t help but feel a twinge of disappointment whenever the show attempted to recreate Luffy’s rubberman fighting style. Mind you, my disappointment wasn’t with how uncanny it looked, but how sparingly the series showcased Luffy’s devil fruit powers. Whenever he actually fights using his rubber man abilities, it’s contained in brief, tight camera shots, as if the showrunners were self-conscious about how goofy it might look to viewers. If anything, the series would’ve benefited from hanging on shots of Luffy going wild with his rubber man antics, especially considering the great first impression the show makes by displaying how effective Luffy’s Tom and Jerry-esque punches are at knocking folks out.
As a whole, the first season of Netflix’s One Piece live-action series is a satisfying start, one that’s faithful to the source material while adding its own fresh, welcome insights. Whether the show’s success eventually leads its live-action crew to sail to the sands of Alabasta, the clouds of Skypiea, or the impenetrable fortress of Enies Lobby has yet to be seen, but I hope to witness its efforts to live up to its promising first season.
