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Tag: Eden

  • HUD Policy Shift Presents Obstacles for Cleveland’s Housing-First Program, Likely Cuts to County’s EDEN Network – Cleveland Scene

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    The future of Cleveland and Cuyahoga County’s homeless are up in the air following a month of political uncertainties and policy shifts in Washington, D.C.

    Cleveland, through its Home For Every Neighbor program, has housed 188 people since the initiative kicked off in 2024, rapidly housing those on the street by clearing hurdles to traditional housing. Thirty have “graduated” from the program, health director David Margolius told Scene this week, including five who’ve secured permanent housing vouchers—free rent—with Cuyahoga County’s Emerald Development and Economic Network.

    EDEN, meanwhile, currently serves 2,700 households,.

    But Trump’s hardheaded approach to the less fortunate, shown in a July executive order that vilifies housing-first, has now officially seeped into the U.S. Department of Housing & Urban Development. Since November, the winds have shifted from a Biden-era get-‘em-housed mentality to one pinning “personal accountability” on America’s homeless, spelling HUD’s desire to greatly curtail federal dollars spent on thousands of nonprofits across the country serving the unhoused population.

    While the overall budget for HUD’s contributions won’t change much, and in fact will grow slightly, cuts are coming to any programs that are focused on permanent housing. Sixty percent in fact. Which means EDEN could go from serving those 2,700 households to just over 550.

    “Our philosophy for addressing the homelessness crisis will now define success not by dollars spent or housing units filled,” HUD Secretary Scott Turner said, “but by how many people achieve long-term self-sufficiency and recovery.”

    Turner’s perspective on how to solve such a crisis now seems at odds with those leading Cleveland’s and the county’s efforts to keep people off the street and in stable housing. Local advocates are doubtful as to whether programs like HFEN or EDEN will be as effective without federal assistance.

    Not to mention what the redirected federal assistance and Trump’s own words mistakenly say about the issue.

    “I think it’s kind of like the classic ‘It’s the individual’s fault that they’re homeless,’” Chris Knestrick, the director of the Northeast Ohio Coalition for the Homeless, told Scene.

    A person can be denied housing for a myriad of reasons: they are a survivor of domestic violence; they have a poor credit score; they have a history of evictions; they have mental health issues; they have a criminal record; they have a disability; their landlord isn’t okay with their lifestyle.

    Robert Lucas, a beneficiary of Home For Every Neighbor, in his apartment in Old Brooklyn. Lucas is currently living on a voucher from the county’s Emerald Development and Economic Network program. Credit: Mark Oprea

    All common complaints amongst HFEN applicants Knestrick says are ignored by HUD’s new policy.

    “It doesn’t recognize any of those,” he said. “It just says that people have done something wrong, that’s why they’re experiencing homelessness.”

    Such a mentality shift means that HFEN’s chiefs, like Margolius, are figuring out how they can clarify to HUD that their program is transitional housing after all: it’s meant to better Clevelanders’ lives for the year it supplies them with free rent. 

    And with finding housing afterward, a prospect that is looking worse heading into 2026.

    Along with the potential HUD cut, the EDEN program is set to lose about a fifth of its funding from the county after its biennial budget bill was passed earlier this month.

    That could spell fewer leases with landlords and selling off county properties, EDEN director Elaine Gimmel told Ideastream.

    “It is not an easy time for us,” Gimmel said. “I’ve been here 30 years and I’ve never seen an environment like this.” (Gimmel didn’t respond to a request for additional comment.)

    As for when HUD will certify any cuts, it’s unclear.

    But Cleveland has received donations from Rocket Mortgage’s Community Fund and from the Old Stone Church downtown to help offset any drop in HUD funding, Margolius told Scene. He hopes to receive more “foundational grants” to match the $2 million City Council usually budgets annually in rent payments for those 200 or so people. 

    In other words, Cleveland will likely find a way to sustain Home for Every Neighbor despite whatever happens in Washington.

    “That’s been the beauty of our program,” Margolius said. “While you’re still on that wait list, you know, we will make sure that you’re not living outside.”

    “We’re making sure that you’re in an apartment that we’re going to pay for,” he added. “And we’ll have case management, help make your appointments, help you get a state ID. Help you get through all the bureaucratic hurdles that are so hard.”

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    Mark Oprea

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  • Jillaroos beat Kiwi Ferns in tense Pacific Championships clash

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  • Ron Howard on telling a true story with ‘Eden’: “We have the evidence to show it and the great actors to bring ’em to the screen” [EXCLUSIVE] | The Mary Sue

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    Aug 25th, 2025, 5:09 pm

    jude law shirtless standing with vanessa kerby

    When it comes to directors who have done some iconic films, Ron Howard’s name is often at the top of the list. And he’s no stranger to telling stories that are based in real life events, like his new movie Eden.

    Based on the true story of the Galapagos Affair, the film details how Dr. Friedrich Ritter (Jude Law) and his partner Dora (Vanessa Kirby) moved to survive on the Galapagos islands. There, Margret (Sydney Sweeney) and her husband Heinz (Daniel Brühl) join them with their young family. But when you maroon people on an island without civilization, things can go haywire.

    Set in the 1930s, the film is breathtakingly beautiful. Partially because of Ana de Armas’ costumes but also because of the film’s setting. As you’re watching the movie, you find yourself shocked that this is a true story and that is something that Howard loves to do with his work. I was lucky enough to speak with the iconic director for his work, especially what the trick is to telling a historical story and making it interesting.

    “It comes down to choosing the story because there are a lot of amazing events, but not all of them have the structure to be built into a movie. And Eden is a little bit unusual in that way, structurally. But you do have to adhere to the reality, especially something like Eden because you can go online and learn so much about these characters and even see more videos about sort of how they really lived on that island in the Galapagos,” Howard said.

    He went on to compare another one of his iconic films to how Eden worked out. “So what you look for are big surprises that you might otherwise say, ‘Oh, come on, that’s ridiculous. That couldn’t happen that way.’ Apollo 13, they would never make it back alive, but they did. So you get to dramatize something that’s really unusual and really extreme. And in this case, these characters are bigger than life, except they’re not bigger than life. They did live, and we have the evidence to show it and the great actors to bring them to the screen.”

    You can see our full conversation here:

    Eden is in theaters now.

    (featured image: Vertical)

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    Rachel Leishman

    Assistant Editor

    Rachel Leishman (She/Her) is an Assistant Editor at the Mary Sue. She’s been a writer professionally since 2016 but was always obsessed with movies and television and writing about them growing up. A lover of Spider-Man and Wanda Maximoff’s biggest defender, she has interests in all things nerdy and a cat named Benjamin Wyatt the cat. If you want to talk classic rock music or all things Harrison Ford, she’s your girl but her interests span far and wide. Yes, she knows she looks like Florence Pugh. She has multiple podcasts, normally has opinions on any bit of pop culture, and can tell you can actors entire filmography off the top of her head. Her current obsession is Glen Powell’s dog, Brisket.

    Her work at the Mary Sue often includes Star Wars, Marvel, DC, movie reviews, and interviews.

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    Rachel Leishman

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  • Ron Howard Talks Eden’s True Story, Jude Law’s Full-Frontal Nude Scene | Interview

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    Academy Award winner Ron Howard is back with his latest movie, Eden. Howard spoke with ComingSoon about the true story that inspired the film, Jude Law going nude, and more. Featuring a star-studded cast, the film is now out in theaters from Vertical.

    “Eden unravels the shocking true story of a group of disillusioned outsiders (Jude Law, Ana de Armas, Vanessa Kirby, Daniel Brühl, and Sydney Sweeney) who abandon modern society in search of a new beginning. Settling on a remote, uninhabited island, their utopian dream quickly unravels as they discover that the greatest threat isn’t the brutal climate or deadly wildlife, but each other.  What follows is a chilling descent into chaos where tensions spiral, desperation takes hold, and a twisted power struggle leads to betrayal, violence, and the deaths of half the colony,” says the synopsis.

    Tyler Treese: I’ve always been so impressed with your range as a filmmaker, and we’re almost 50 years since your debut, Grand Theft Auto, and Eden shows yet another side of you. It’s easy for directors to become stagnant over time, but you’ve continued to evolve. How do you keep this feeling of exploration as a filmmaker alive for so long?

    Ron Howard: Well, thank you. I love the medium. I love movies, and I also like what’s happening with global cinema. It’s generating new sensibilities and new aesthetics, and that’s exciting.

    One of the beauties of being part of a production company like Imagine Entertainment that I have with Brian [Grazer] is I have a support system. I have a platform to try to push myself and find ways to take some creative chances as long as they’re responsible. In this case, we made the movie as an indie you know, it’s outside the studio system, and I think that’s appropriate for the kind of film that it is.

    I’m really glad that it’s getting a release out there in cinemas and that audiences will have a chance to find it if they’re curious.

    You’ve got a fantastic cast here, an incredible ensemble, and Jude Law is just fantastic in this film, and we also see a lot of him. Was there any surprise that a star of his stature was willing to go full frontal? It’s a shocking moment for viewers, but it tells so much about the character, so I totally understand why it’s there.

    You know, it was there in the script, and he always embraced the idea because he felt like, well, first of all, they’re described in many accounts as nudists, so we couldn’t go that far with the character, but we wanted to demonstrate it at some point.

    And so then, as we got closer to it, I said, “Well, have you been naked on stage?” And he said, “Oh, yeah. Many times.” So once an actor has been naked on a theater stage with a live audience, they’re pretty comfortable with it.

    By the way, Jude looks pretty good. So [laughs] that might play into his confidence. I don’t know.

    Yeah, that definitely makes it easier when you look like Jude Law.

    I love a film that sends me down a rabbit hole. I saw the actual videos shot in 1933 of the Ritters. I saw the Baroness starred in a short film on the island. I’ve got so many books and documentaries to explore. You’ve done several real-life stories. What do you like most about being the person who gives others a launching point to really learn more about history?

    Ron Howard: Well, look, it satisfies my own curiosity, and it was years and years before I was willing to take on a movie based on real events. The first was Apollo 13. I thought it would be creatively limiting, but for me it’s the opposite. It’s stimulating.

    I find it that to be the case with actors, composers, cinematographers, and certainly screenwriters. But in every case, you choose these outlier extreme stories because you can sort of push the boundaries of these scenes and these moments because they really happened. And so no one can say, “Oh, come on, that’s ridiculous.” You actually get to go to those extremes, narratively and filmically, because you are dealing with things that did happen.

    Thanks to Ron Howard for taking the time to talk about Eden.

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    Tyler Treese

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  • Ron Howard’s ‘Eden’ Toronto Premiere Paused Due to ‘Medical Emergency’ as Attendee Carried Out on Stretcher

    Ron Howard’s ‘Eden’ Toronto Premiere Paused Due to ‘Medical Emergency’ as Attendee Carried Out on Stretcher

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    The world premiere of Ron Howard‘s “Eden,” starring Sydney Sweeney, Ana de Armas, Vanessa Kirby, Jude Law and Daniel Brühl, was briefly halted at the Toronto Film Festival due to a “medical emergency,” as one attendee was carried out of the Roy Thomson Hall on a stretcher.

    The screening began at 5:45 p.m. and was interrupted around 7 p.m. as the lights turned on and staff attended to the incident, which took place in the orchestra while the cast and director Howard all stayed seated in the mezzanine.

    The condition of the moviegoer is unknown, but the screening resumed at around 7:20 p.m.

    “Eden” follows a pair of high-minded Europeans, played by Law and Kirby, who “seek a new life on a previously uninhabited island in the Galápagos, only to discover that hell is other people,” according to the logline. As they encounter other island settlers, “nothing will test their mettle more than the challenge of coexisting with desperate neighbours capable of theft, deception, and worse.”

    Speaking about the star-studded ensemble cast at Variety’s Toronto Film Festival studio ahead of the premiere, Howard said, “Just watching these scenes come together through their talent and artistry and creative endurance is everything I could’ve hoped for.”

    Produced by Howard, Brian Grazer, Karen Lunder, Stuart Ford, William M. Connor and Patrick Newall, “Eden” is one of the hot titles at the Toronto Film Festival, which began Sept. 5 and runs until the 15. The movie will be released by Amazon Prime in Canada but does not yet have a U.S. distributor.

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    Michaela Zee

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