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  • Guest lineups for the Sunday news shows

    Guest lineups for the Sunday news shows

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    WASHINGTON (AP) — ABC’s “This Week” — National security adviser Jake Sullivan; former New Jersey Gov. Chris Christie, a Republican presidential candidate.

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    NBC’s “Meet the Press” — Jake Sullivan; Sens. Tammy Duckworth, D-Ill., and Dan Sullivan, R-Alaska.

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    CBS’ “Face the Nation” — Jake Sullivan; Rep. Michael McCaul, R-Texas; Mesa, Arizona, Mayor John Giles; IAC Chairman Barry Diller.

    The national security advisers of the United States, Japan and the Philippines have held their first joint talks and agreed to strengthen their defense cooperation.

    President Joe Biden is dispatching White House national security adviser Jake Sullivan to Tokyo this week for talks with his counterparts from Japan, Philippines and South Korea.

    An unknown man managed to slip undetected inside the home of White House national security adviser Jake Sullivan, according to two people familiar with the investigation.

    U.S. President Joe Biden’s top national security aide has met with Saudi Arabia’s crown prince amid long-standing tensions between the White House and the kingdom.

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    CNN’s “State of the Union” — Jake Sullivan; Christie; Sen. Mark Kelly, D-Ariz.; Rep. Chrissy Houlahan, D-Pa.

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    “Fox News Sunday” — National Security Council spokesperson John Kirby; Sen. Tom Cotton, R-Ark.

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  • Movie and TV stars join picket lines in fight over the future of Hollywood

    Movie and TV stars join picket lines in fight over the future of Hollywood

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    LOS ANGELES (AP) — “Ted Lasso” star Jason Sudeikis, Rosario Dawson and other top movie and TV actors joined picket lines alongside screenwriters Friday on the first full day of a walkout that has become Hollywood’s biggest labor fight in decades.

    A day after the dispute brought production to a standstill across the entertainment industry, Sudeikis was among the picketers outside NBC in New York pressing for progress following the breakdown of contract talks with studios and streaming services. Dawson, star of the film “Rent” and the “Star Wars” TV series “Ahsoka,” joined picketers outside Warner Bros. studios in Burbank, California.

    “Lord of the Rings” star Sean Astin marched with chanting protesters outside Netflix’s offices in Hollywood. Also present at Netflix were “Titanic” and “Unforgiven” actor Frances Fisher and “The Nanny” star Fran Drescher, who is president of the Screen Actors Guild-American Federation of Television and Radio Artists.

    The actors’ arrival energized the picket lines outside Netflix, where music blared and the sidewalks were packed with demonstrators.

    Hollywood productions and promotional tours around the world have been put on indefinite hold as actors join writers on the picket lines.

    Hollywood actors are joining screenwriters in the first dual strike from the two unions in more than six decades, with huge consequences for the film and television industry.

    A rocket being developed by the Japanese space agency has exploded during testing but there were no reports of injuries.

    A sprawling, mighty galaxy was created in season one of “Foundation.” Now it’s time to rip it down. Season two of the ambitious Apple TV+ sci-fi series flashes forward some 140 years and it’s quickly clear that the clones who form the story’s authoritarian order are losing their grip.

    Elsewhere, “Once Upon a Time” actor Ginnifer Goodwin stood with protesters at Paramount Pictures.

    The famous faces of Oscar and Emmy winners will likely be seen with some regularity on picket lines in New York and Los Angeles, adding star power to the demonstrations outside studios and corporate offices.

    The walkout is the first double-barreled strike by actors and screenwriters in more than six decades.

    In recent weeks, many actors made a show of solidarity with the 11,500 writers, who walked out in May. On Thursday, 65,000 members of the actors’ union formally joined them on strike.

    The two guilds have similar issues with studios and streaming services. They are concerned about contracts keeping up with inflation and about residual payments, which compensate creators and actors for use of their material beyond the original airing, such as in reruns or on streaming services. The unions also want to put up guardrails against the use of artificial intelligence mimicking their work on film and television.

    Many on the picket lines took aim at Disney chief executive Bob Iger, who said Wednesday that the damage the strikes will do to the entertainment economy is “a shame.”

    “I think that when Bob Iger talks about what a shame it is, he needs to remember that in 1980, CEOs like him made 30 times what their lowest worker was making,” actor Sean Gunn, who starred in “Guardians of the Galaxy,” said outside Netflix.

    Now Iger “makes 400 times what his lowest worker is. And I think that’s a shame, Bob. And maybe you should take a look in the mirror and ask yourself, ‘Why is that?’”

    No talks are planned, and no end is in sight for the work stoppage. It is the first time both guilds have walked off sets since 1960, when then-actor Ronald Reagan was SAG’s leader.

    “What we won in 1960 was our health and pension plans and the existence of residuals. That was the most important strike in LA union history, and now we’re on strike together again, and honestly, this strike is even bigger,” Adam Conover, host of the TV series “Adam Ruins Everything” and member of the Writers Guild negotiating committee, said outside Netflix. “We’re going to win. If you are gaining momentum like we are, 70-odd days into a strike, you are going to win.”

    Conover was one of many picketers, including Sudeikis, who are members of both unions.

    The Alliance of Motion Picture and Television Producers, which represents employers including Disney, Netflix, Amazon and others, has lamented the walkout, saying it will hurt thousands of workers in industries that support film and television production.

    The actors’ strike will affect more than filming. Stars will no longer be allowed to promote their work through red carpet premieres or personal appearances. They cannot campaign for Emmy awards or take part in auditions or rehearsals.

    The strike triggered cancellations of red carpet events scheduled for next week for “Special Ops: Lioness,” starring Zoe Saldaña and Nicole Kidman, and Christopher Nolan’s “Oppenheimer.”

    A “Haunted Mansion” premiere event at Disneyland on Saturday was set to go on as planned, but with no actors in attendance to promote the film.

    Los Angeles Mayor Karen Bass said it was clear that the entertainment industry “is at a historic inflection point.” She urged all parties to work around the clock until an agreement is reached.

    “This affects all of us and is essential to our overall economy,” Bass said in a statement.

    The writers’ strike had already stopped much of television production, and the actors joining them immediately led to a shooting shutdown for many major films, including “Deadpool 3,” “Gladiator 2” and the eighth installment of Tom Cruise’s “Mission Impossible” series. All are scheduled for release next year.

    The writers’ strike also shut down late-night talk shows and “Saturday Night Live,” as well as several scripted shows that have either had their writers’ rooms or production paused, including “Stranger Things” on Netflix, “Hacks” on Max and “Family Guy” on Fox. Many more are sure to follow them now that performers also have been pulled.

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    This story has been corrected to fix the misspelling of Jason Sudeikis’ last name and Ginnifer Goodwin’s first name.

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    Associated Press Writer Krysta Fauria contributed.

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    For more on the Hollywood strikes, visit https://apnews.com/hub/hollywood-strikes/

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  • With player stylists and Gucci collabs, MLB eyes a fresh look with younger fans

    With player stylists and Gucci collabs, MLB eyes a fresh look with younger fans

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    SEATTLE (AP) — Ronald Acuña Jr. topped off a Barbiecore ’fit with a jeweled chain of his own likeness. Adley Rutschman leaned more “Kenergy” in a leafy gold ensemble. Though there were some flashy standouts, many of the suits were safe and serious at Major League Baseball’s red carpet show on Tuesday.

    The event came hours before the All-Star Game and featured baseball’s top players strutting through Seattle’s famous Pike Place Market with their spouses, kids and moms in tow, and giving their best looks to the hundreds of adoring fans gathered.

    Yet what was really on display was MLB’s quest for the crown of cool.

    Baseball’s All-Star Game drew a record low in viewers for the second straight year. The National League’s 3-2 win over the American League in Seattle on Tuesday night was seen by 7,006,000 viewers on Fox, down from 7.51 million last year.

    Elias Díaz may be the most unlikely All-Star MVP. Just 3 1/2 years after Pittsburgh failed to offer a contract and allowed him to become a free agent, his go-ahead, two-run homer off Félix Bautista in the eighth inning lifted the National League over the American 3-2.

    Across baseball, players are embracing practices like barefoot walking and breathing sessions to keep their minds as healthy as their bodies for the long haul of a pressure-packed baseball season.

    Shohei Ohtani was the biggest star of the All-Star Game even if his appearance was rather uneventful.

    The fan-friendly event is as much an homage to baseball’s iconic place in street style — from the game’s signature caps and jerseys to the classic tees — as it is an indication that MLB is increasingly staking its claim on fashion as an entry to new audiences and pop culture reverence.

    “MLB gave me a stylist for this game,” said Corbin Carroll, a 22-year-old Seattle native turned Arizona Diamondbacks’ breakout rookie. “The outfit’s kind of cool. Definitely, it’s not something I would pick out for myself, but I’m kind of excited to show that off.”

    Like a good many Gen Zer — which includes those born in the late 1990s and early 2000s — Carroll described his off-duty style as more casual than high fashion: “Athleisure, not too many logos, plain, a nice good fit.”

    On the red carpet — which was actually a hot magenta pink — Carroll stuck with neutral colors, wearing a white blazer, black shirt and tan pants, styled with Nikes, sunglasses and a mullet.

    But it’s no coincidence that MLB is tapping the young, mixed-race player as a style ambassador for its All-Star Red Carpet Show.

    The league has for years suffered from the same audience problem. There is a perception that baseball is so steeped in American tradition that it may be a stodgy game targeted to old-timers — namely, white fans — who still track scores by hand in the stands.

    “Sometimes perception becomes reality, but it’s just never been accurate. Look at the young people — they’ve always been here,” said Noah Garden, MLB’s chief revenue officer. “We always want to attract younger fans. It’s the foundation of any business.”

    So MLB has been trying to liven up its image for years, watching with wonder as the NBA’s cultural dominance grew alongside the basketball stars who have been cemented as style kings among celebrity athletes, along with their sneakers, suits and streetwear.

    The NBA is the No. 1 brand preference for Gen Z across sports institutions, said Brandon Brown, a sports management professor at New York University, in part because the game and its savvy players are so heavily tied to urban hip-hop culture and self-representation — things this generation so identifies with.

    Not since the Seattle Mariners’ own Hall of Famer Ken Griffey Jr. — with his signature and very ‘90s backwards baseball cap — has there truly been an MLB player seen as a cross-cultural superstar who could make a splash with just his outfits, Brown said.

    “He (was in) a bunch of different mediums to speak to a multitude of audiences,” Brown said. “MLB is probably still looking for their next superstar in modern culture.”

    Today, baseball officials are keen to encourage their players to shine in the same way, too, knowing the ticket to loyal fans can be found off the field — perhaps at a much-hyped red carpet show built to pop on social media.

    “It’s a really important event. The players really embrace it, too,” Garden said. “It’s to highlight our best players and bringing them closer to the fans.”

    Among the league’s most fashion-forward players: Mariners star Julio Rodríguez, 22, whose red carpet outfit for Tuesday was handmade in Italy and paid tribute to Seattle. The reigning American League Rookie of the Year works with a personal shopper.

    “What do you think about when you think about Seattle? You think a little bit about the trees, the lakes and all those things — the beautiful summer. So, it’s going to go towards that,” Rodríguez said.

    The look, complete with a pair of exclusive Alexander McQueen sneakers, was crafted by Ethan Weisman, the founder of Pantheon Limited Custom Clothiers. Sports fans have certainly seen Weisman’s looks before. He’s the man behind Ezekiel Elliott’s head-turning crop-top tuxedo at the 2016 NFL draft.

    Garden said MLB’s forays into fashion are not really about merchandising revenue, as its high-end collaborations with the likes of Gucci don’t sell for volume.

    “There’s very limited quantities. It allows us to reach out to a very specific part of the fan base,” Garden said. “It’s a closer association with non-traditional brands.”

    It’s such a coveted supply that some players have even called the front office asking for a piece of MLB’s limited edition Gucci collection, Garden said.

    So lest you believe the unstylish rumors, there actually has been many short stops in baseball’s history with fashion.

    There’s been official collaborations with brands ranging from preppy Ralph Lauren to niche streetwear label Supreme. Baseball’s long-established role as fashion inspiration is thanks in part to the league’s pioneering sale of replica jerseys. It was a socially-conscious decision to celebrate the league-wide No. 42 jersey on Jackie Robinson Day.

    And the strategic licensing of the famous New York Yankees logo globally has arguably, to borrow the words of iconic rapper Jay-Z, “made the Yankee hat more famous than a Yankee can.” In fact, MLB’s fashion efforts are a major part of their international marketing plan, lately leaning into France’s affinity for fashion to break into the wider European market.

    “What they’re tapping into is a kind of a cultural capital that’s not financial. It’s about the fans. It’s about nostalgia,” said Erin Corrales-Diaz, a Toledo Museum of Art curator who wrote a book about the baseball jersey and the sport’s influence on fashion. “Fashion has always been a part of the sport, even if it hasn’t always been articulated.”

    Even so, MLB may still have its work cut out for it as several All-Star players acknowledged they were less than fluent in fashion ahead of Tuesday’s show. Houston Astros’ Kyle Tucker and Los Angeles Dodger Clayton Kershaw were among the many ballplayers sporting the safest of suits and who said they weren’t big into fashion.

    “It’s not my forte,” Kershaw said.

    Carroll of the Diamondbacks also flashed a shy smile describing his first time working with a stylist and first time doing any red carpet event.

    “I might be more nervous for that than the game,” Carroll said.

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    AP Sports Writer Kristie Rieken contributed.

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    AP MLB: https://apnews.com/hub/mlb and https://twitter.com/AP_Sports

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  • LeBron James says at ESPYS he will play for Lakers in upcoming season

    LeBron James says at ESPYS he will play for Lakers in upcoming season

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    LOS ANGELES (AP) — LeBron James will play another season for the Los Angeles Lakers.

    The 38-year-old superstar announced his intentions on stage at The ESPYS on Wednesday night after accepting the record-breaking performance award for becoming the NBA’s career scoring leader.

    At the end of last season, in which he surpassed Kareem Abdul-Jabbar’s mark, James had said he wasn’t sure if he would be back.

    Grant Hill started working on the USA Basketball roster for this summer’s World Cup many months ago, long before the first invitations were extended.

    The Los Angeles Lakers kept two of their best guards. And the Milwaukee Bucks kept their big man as the early trend in NBA free agency of most players staying put continued.

    In terms of opponent seeding, Denver’s run to this NBA championship was unlike any other since the league went to the 16-team playoff format 40 seasons ago.

    Kevin Love missed Miami’s team flight to Denver for Game 5 of the NBA Finals. He had the best possible excuse. Love and his wife, Kate Bock, became parents on Saturday.

    “In that moment I’m asking myself if I can still play without cheating the game. Can I give everything to the game still? The truth is I’ve been asking myself this question at the end of the season for a couple years now. I just never openly talked about it,” James said.

    “I don’t care how many more points I score or what I can and cannot do on the floor. The real question for me is can I play without cheating this game? The day I can’t give the game everything on the floor is the day I’ll be done. Lucky for you guys that day is not today.”

    The crowd at the Dolby Theatre in Hollywood let out a huge cheer.

    “So yeah, I still got something left,” James said. “A lot left.”

    He was presented his trophy by wife Savannah, sons Bronny and Bryce and daughter Zhuri. In her introductory remarks, Savannah said, “I think LeBron James is the baddest …”

    She began to say an expletive but cut herself off as Zhuri exclaimed, “Mom!”

    James later returned and was joined by Chris Paul and Dwyane Wade to honor Carmelo Anthony, who recently retired after a 19-year career.

    Earlier, Chicago White Sox reliever Liam Hendriks told the audience that he pitched much of the 2022 season with non-Hodgkin lymphoma before being diagnosed with an advanced stage of the disease.

    He accepted the Jimmy V Award for Perseverance. The 34-year-old Australian was declared cancer-free in late April and returned to the mound a month later.

    “That was an eye-opener. I didn’t feel too many symptoms but I had some lumps around. It just shows you the power of the mind. When you don’t think anything’s wrong and you believe that you can do anything, you can do anything,” Hendriks said.

    “I was throwing 100 miles per hour while going through Stage 4 lymphoma and then coming back after doing eight rounds of chemotherapy and four rounds of immunotherapy and was able to get out there and throw 96 miles per hour. That isn’t physically who I am. That’s all this, that’s all mental.”

    The U.S. women’s soccer team was honored with the Arthur Ashe Award for Courage for its fight to receive equal pay. The players sued U.S. Soccer in 2019 and last year reached agreement on a deal that splits men’s and women’s pay equally.

    Briana Scurry, goalkeeper for the national team from 1994-2008, saluted the 1985 team.

    “They are the foundation of this entire community of giants,” she said.

    The Buffalo Bills training staff received the Pat Tillman Award for Service, honored for saving the life of safety Damar Hamlin, who went into cardiac arrest at a game in Cincinnati in January.

    The staff was greeted by a standing ovation. They huddled around Hamlin on stage, hugging him and patting his back. With his back to the audience, Hamlin bent his head and appeared to break down. He has since recovered and plans to play this fall.

    “Damar, first and foremost, thank you for staying alive, brother,” said Nate Breske, head trainer for the Bills.

    “We’re not used to having the spotlight on us. We were just doing our job, but the idea of service is definitely something that is engrained in our profession and that we take great pride in,” he told the audience.

    Breske urged support for funding for automated external defibrillators and CPR training, especially in underserved communities, as well as for athletic trainers in youth sports.

    “Learn CPR and how to use an AED because they save lives,” he said.

    Patrick Mahomes was honored as best men’s sports athlete, while skier Mikaela Shiffrin received the women’s sports honor.

    The Kansas City Chiefs quarterback has won two Super Bowls in his five seasons and was named MVP of the game each time, including this past February. He turns 28 in September.

    “It was an incredible season. There was many ups, many downs,” Mahomes said. “I appreciate my teammates, my coaches, the guys that are here. I go back to camp next Tuesday, so this is a great award. But we’re going to do this thing again, we’re going to keep this thing rolling.”

    Shiffrin won her 87th World Cup race in March, breaking the mark set by Ingemar Stenmark for the most such wins by any skier. She went on to win an 88th Cup race, as well as the overall season title.

    “This season was absolutely incredible and there was a lot of talk about records and it got me thinking, why is a record actually important?” Shiffrin said. “I just feel like it’s not important to break records or re-set records. It’s important to set the tone for the next generation, to inspire them.”

    Sports talk host Pat McAfee handled the opening monologue in his first major public appearance since joining ESPN in May.

    The show didn’t have its usual celebrity host as a result of the Hollywood writers strike. McAfee offered a series of hints that comedian Kevin Hart had been set for the gig but that Hart instead chose to support the Writers Guild of America.

    An ESPN spokeswoman said a production team worked with presenters on their introductory remarks. The usual pre-taped comedy sketches were absent.

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    AP sports: https://apnews.com/hub/sports and https://twitter.com/AP_Sports

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  • Helen Mirren visits Jerusalem for new film ‘Golda,’ says she is inspired by anti-government protests

    Helen Mirren visits Jerusalem for new film ‘Golda,’ says she is inspired by anti-government protests

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    JERUSALEM (AP) — Helen Mirren, who plays Israel’s first female prime minister in her latest film, says she has been inspired by the widespread protests underway against the country’s current premier, Benjamin Netanyahu.

    Mirren, who portrays the late Golda Meir during the 1973 war between Israel and a coalition of Arab states in “Golda,” is visiting an Israel similarly beset by crisis as mass demonstrations take place against Netanyahu’s plan to overhaul the country’s judicial system.

    Mirren told a news conference before the opening of the Jerusalem Film Festival that she is inspired by the protests.

    Prime Minister Benjamin Netanyahu’s office says the Israeli leader has been rushed to a hospital after feeling dizzy.

    A longtime dispute between Israel and Lebanon over a small border village is beginning to heat up. Israel has been building a wall around a part of Ghajar village that lies inside Lebanon.

    A Lebanese security official says an explosion ear Lebanon’s border with Israel lightly wounded three members of the militant Hezbollah group.

    Nissim Kahlon has transformed a tiny cave on a Mediterranean beach into an elaborate underground labyrinth.

    “I’m personally very moved and excited when you see these huge demonstrations,” she said. “I think it’s a pivotal moment in Israeli history.”

    Netanyahu’s coalition government, which took office in December, is the most hard-line ultranationalist and ultra-Orthodox in Israel’s 75-year history.

    For over six months, hundreds of thousands of people have taken to the streets to protest the proposed judicial overhaul. Netanyahu’s allies say the plan is needed to rein in the powers of an unelected judiciary. His opponents say it is a thinly veiled power grab that will destroy the country’s fragile system of checks and balances.

    Mirren contrasted the leadership of Meir — who often served coffee to her military advisers as they convened in her kitchen to discuss strategy — with that of Netanyahu, who has a reputation for being aloof and out of touch with everyday Israelis.

    “She had immense power, but she was perfectly happy to toddle around in the kitchen, making everyone coffee and being the grandmother,” Mirren said. “It’s a very different attitude toward power — from the male, Netanyahu type of power to the Golda Meir kitchen power.”

    Mirren’s visit also comes at a time when Netanyahu’s government is moving to deepen its hold on the West Bank. His government has approved plans for thousands of homes in West Bank settlements, and tensions with the Palestinians are rising.

    Over 150 Palestinians have been killed by Israeli fire this year in the occupied West Bank, and Palestinian attacks targeting Israelis have killed at least 25 people. Israel says most of the Palestinians who were killed were militants, though stone-throwers and people uninvolved in violence have also been among the dead.

    Some of Netanyahu’s allies are West Bank settler leaders who have sought to deny the national aspirations of Palestinians, a sentiment which Meir famously expressed in 1969.

    “There was no such thing as Palestinians,” Meir said in an interview with the Sunday Times. Israel’s far-right Finance Minister Bezalel Smotrich echoed Meir recently, stating, “there is no such thing as a Palestinian people.”

    Lior Ashkenazi, the Israeli actor who plays the head of the Israeli army in the film, said he thought Meir would support efforts to annex the West Bank.

    “Even though she was a socialist,” Ashkenazi said, “I think she would definitely support the settlers.”

    The film, directed by Guy Nattiv and written by Nicholas Martin, focuses on Meir’s leadership during the 1973 Mideast war, when a coalition of Arab states led by Egypt and Syria launched an attack on Israel on Yom Kippur, the holiest day of the Jewish calendar.

    Under the leadership of Meir and Israeli military officials, Israel emerged victorious from the war, its forces standing within 70 miles (120 kilometers) of the Egyptian capital of Cairo. The war’s outcome laid the groundwork for a peace agreement between Israel and Egypt.

    But Israel suffered heavy losses during the war, and Meir was criticized for the government’s lack of preparation and refusing to act on intelligence indicating an attack was imminent. Meir resigned the following year, and the national trauma in the wake of the war set off a process that would bring the right-wing Likud party, which Netanyahu currently leads, to power in 1977.

    Mirren, a British-born actor, has won both Oscar and Emmy awards for performances ranging from Queen Elizabeth II in “The Queen,” and Sofia Tolstoy in “The Last Station.”

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  • Former teen performers accuse an agent of sexual assault. They’re hoping it’s Japan’s #MeToo moment

    Former teen performers accuse an agent of sexual assault. They’re hoping it’s Japan’s #MeToo moment

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    TOKYO (AP) — Kazuya Nakamura says he was 15 when one of the most powerful men in Japanese entertainment history forced him to have sex while he was part of a troupe of backup dancers managed by the legendary talent agent.

    At least a dozen other men have come forward this year to say they were sexually assaulted as teenagers by boy band impresario Johnny Kitagawa, who died in 2019, beginning with three who spoke anonymously to the BBC for a documentary broadcast in March.

    The story has all the elements of a major #MeToo reckoning, but in Japan, response has been muted.

    Former Manchester City defender Benjamin Mendy has been found not guilty at a retrial of one count of raping a woman and the attempted rape of another woman.

    Kevin Spacey has denied that grabbing men by the crotch was his “trademark” pickup move. The Hollywood star got increasingly testy under questioning on Friday in court in London by the prosecutor who accused him of sexually assaulting four men.

    A New Jersey lawyer already charged in connection with a series of sexual assaults in Boston about 15 years ago has pleaded not guilty to new charges stemming from a different series of sexual assaults in another area of the city that occurred at roughly the same time.

    A retired Army colonel has reached a court settlement of nearly $1 million in a sexual assault lawsuit against Air Force Gen.

    While opposition politicians set up a committee in parliament to investigate, and the talent agency Kitagawa founded promised to do the same and offered a brief apology, the news still rarely makes the front pages or lead television news broadcasts.

    Kitagawa shrugged off similar allegations for decades. National media almost completely ignored the story, and Kitagawa’s business continued to thrive, even when a Tokyo appeals court found several accusers to be credible in a libel case in 2003. When Kitagawa died, he was honored with a massive funeral that filled a stadium.

    Nakamura hopes that this time, Japanese society will acknowledge what happened to him.

    “I just want to speak the truth,” Nakamura said. “It happened.”

    The Associated Press does not usually identify people who say they were sexually assaulted, but Nakamura has chosen to identify himself in the media.

    Kitagawa’s agency, Johnny and Associates said in response to the AP’s request for comment that all matters had been placed under investigation, and that it will also help with the “mental care” of those who come forward.

    ALLEGATIONS WERE LARGELY IGNORED FOR DECADES

    In 1999, Japanese weekly magazine Shukan Bunshun wrote in a series of articles based on anonymous interviews with former performers that Kitagawa forced boys to have sex.

    Kitagawa sued the magazine for libel in 2000, beginning a four-year legal battle that ended with an appeals court finding that “it was demonstrated that the sexual harassment was factual,” and the testimony of the accusers, who appeared in court anonymously, was reliable.

    In Japan, the imported phrase “sekuhara,” short for “sexual harassment,” is used to refer to all kinds of sexual misconduct.

    However, the magazine was ordered to pay damages over assertions that Kitagawa gave minors cigarettes and alcohol.

    Mainstream Japanese media almost completely ignored the story. No criminal charges were filed, and Kitagawa and his agency remained popular and powerful.

    Toshio Takeshita, who teaches journalism at Meiji University in Tokyo, blames cozy relationships between corporate media and entertainment companies for the long silence. Access to stars is essential to media companies, so they’re often afraid to cross powerful entertainment figures.

    NAKAMURA DESCRIBES A 2002 ASSAULT

    Nakamura joined the Johnny’s Jr. backup dancers in 2001, after his mother helped him apply.

    Johnny’s Jr. is the first step on the ladder for many aspiring Japanese male performers, a barely paid training camp for dancers and singers. Hundreds of boys practice with the group every year, and the most successful are picked to perform alongside stars represented by Johnny’s. A select few become stars themselves.

    Nakamura said that on Oct. 19, 2002 — he remembers the exact date — he spent the night at Kitagawa’s home after a performance at the Tokyo Dome stadium.

    Kitagawa regularly invited dozens of boys to stay at his home, which had a swimming pool, and was stocked with snacks and video games, according to Nakamura and other accusers.

    Nakamura said he was sleeping in a bed with two other Johnny’s Jr. members, lying in the middle, when Kitagawa, then 70, forced him to have sex. He just closed his eyes and prayed it would be over. The other two boys kept quiet, sleeping or feigning sleep.

    The following day, Nakamura said, Kitagawa handed him one or two 10,000 yen ($125 at the time) bills. He refused, but Kitagawa squeezed the money into his hand.

    He performed again that evening. “When you’re on stage at the Tokyo Dome, the view of the penlights is so beautiful,” he said. “It was still so beautiful, but I couldn’t feel the joy.”

    He stopped going to the dance lessons.

    For years, Nakamura felt ashamed and told only a few close friends and his mother.

    He said that he decided to break his silence after another accuser came forward earlier this year. Kauan Okamoto alleged in a press conference at the Foreign Correspondents’ Club in Tokyo that Kitagawa forced him to have sex repeatedly, a month after the BBC’s documentary aired. Okamoto was the first person in decades to accuse Kitagawa without anonymity.

    Okamato said he was assaulted beginning in 2012, a decade after Nakamura. It made Nakamura regret not coming forward sooner.

    He gave an interview to Shukan Bunshun in June, and was asked to speak to the committee in parliament later that month.

    FRUSTRATING APOLOGIES

    In May, following a new series of public allegations and the start of a parliamentary investigation the new head of Johnny’s apologized to fans in a YouTube video. Company President Julie Keiko Fujishima also hired former prosecutor Makoto Hayashi to head a three-person investigation.

    Hayashi said that the company is not considering monetary compensation, but he said the investigation will move forward with the assumption the sexual assault took place.

    But Nakamura said he couldn’t reach the investigators.

    He filled out a form on the company’s website to take part in the investigation, he said, and was given a time for a phone call with an administrative assistant, which led to another call, and then an email about scheduling yet another, still not with Hayashi or his team. Nakamura gave up after two weeks of back and forth.

    Hayashi declined to be interviewed for this story, and said he did not have a timeline for completing the investigation.

    Nakamura said he was planning Japan’s equivalent of a class action with several others. Details were still undecided, and the case’s legal prospects are even more uncertain.

    “This is not about winning or losing. It’s important we raise our voices,” he said.

    ACCUSERS HOPE RENEWED ATTENTION WILL CHANGE ATTITUDES

    Kitagawa’s accusers, and others, are hoping that more attention will lead to changes in Japanese society.

    Japan has been criticized by the U.N. for not doing enough to protect children, amid widespread reports of corporal punishment, neglect and sexual abuse by adults, including parents and teachers.

    A legal revision that officially banned violence against children kicked in only three years ago. Last month, Japan raised the age of sexual consent from 13 to 16.

    Both Nakamura and Okamoto have testified in parliament, although the opposition, in charge of the investigation, is greatly outnumbered by the ruling coalition and has little power on its own to change legislation.

    Okamoto gathered more than 40,000 signatures on a petition to demand tougher laws to protect children, which he submitted to parliament last month.

    Yoichi Kitamura, a lawyer who defended Shukan Bunshun in the libel lawsuit and is giving legal advice to Nakamura and other accusers, said the case could be a turning point in Japanese attitudes.

    But he’s been disappointed before.

    During the trial, Kitamura said, “I felt: We got him.”

    Now, decades later, he’s again helping Nakamura and others seek resolution.

    Nakamura said that Kitagawa’s accusers doubt that a moment like this will come again.

    “We all feel that this is our last chance,” he said.

    ___

    Yuri Kageyama is on Twitter https://twitter.com/yurikageyama

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  • Lea Salonga heads the first all-Filipino cast of a Broadway show in ‘Here Lies Love’

    Lea Salonga heads the first all-Filipino cast of a Broadway show in ‘Here Lies Love’

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    Lea Salonga is back on the stage where her Broadway journey first began. But she isn’t playing someone Vietnamese or Chinese or Japanese at the Broadway Theatre.

    For the first time in her storied career, the Filipino musical legend is actually playing a Filipino. What’s more, she is surrounded by an all-Filipino cast and she is part of a team of mostly Filipino producers that includes singer H.E.R., comedian Jo Koy and Black Eyed Peas’ Apl.de.Ap.

    Even when she was the lead at the same theater in “Miss Saigon” in 1991 and acted her way to a Tony Award, Salonga never imagined a Filipino-dominated production would become reality. She’s topped other all-Asian Broadway casts (“Flower Drum Song,” “Allegiance” ) but Filipino culture was never the one spotlighted.

    Thousands of poor Filipinos risk their lives by living and working in villages inside a permanent danger zone around Mayon volcano.

    The national security advisers of the United States, Japan and the Philippines have held their first joint talks and agreed to strengthen their defense cooperation.

    Nearly 20,000 people have fled from an erupting volcano in the Philippines and are sheltering in schools, disrupting the education of thousands of students.

    A Chinese navy training ship with hundreds of cadets has made a port call in the Philippines, its final stop on a goodwill tour of four countries as Beijing looks to mend fences in the region.

    “There’s absolutely no ‘effing way that I would have seen this happening. Ever,” Salonga told The Associated Press in an interview earlier this month. “So, for it to be happening while I’m still actually strong enough to be on my feet and be a part of it, I’m just incredibly grateful.”

    The anticipation of getting to play a Filipino character for the first time is something shared by the entire company of “Here Lies Love.” The first Broadway show with an all-Filipino ensemble opens July 20, a decade after it played off-Broadway.

    But this isn’t some light and airy musical. It chronicles the dictatorship of Philippines President Ferdinand Marcos in the 1970s and ‘80s and the pro-democracy People Power Revolution movement. Jose Llana, who was in the original iteration, and Arielle Jacobs play the dictator and first lady Imelda Marcos.

    Musicians David Byrne and Fatboy Slim provide the soundtrack. The theater is laid out like a nightclub complete with disco ball. Audiences can choose to join or be in a standing-only area, making them feel a part of the party.

    The praise for the groundbreaking representation has nearly been eclipsed by criticism, a lot of it from other Filipinos, arguing that the Marcos regime should not be musical fodder. This comes over a year after Ferdinand “Bongbong” Marcos Jr. was proclaimed president in the Philippines. He has ignored his father’s massive human rights violations.

    Salonga has vivid memories of watching news reports with her parents at home in the Philippines as the anti-Marcos People Power Revolution instigated a government overthrow. She also had friends who were out there in the chaos. So she understands why some people may have reservations about the show.

    But “Here Lies Love” is more about the sacrifices made by anti-Marcos leaders like Ninoy Aquino (played by “How to Get Away with Murder” star Conrad Ricamora), she argues. August will mark 40 years since Aquino was assassinated at the airport in Manila, creating a flashpoint in the movement.

    “It seems to be more of him and how his death sparked this anger and rage in a country and how it led to the People Power Revolution and how that led to the ousting of the Marcoses,” said Salonga, who plays Aquino’s mother, Aurora. “I come away with feeling hopeful when the show comes down. Because I saw in real time what was happening.”

    Llana, who was born in Manila but raised in the U.S., is playing the man who drove his family to flee their country. When he told his parents 10 years ago he’d be portraying Marcos off-Broadway, they watched the show without hesitation and liked it enough to make repeat visits. A decade later, they’ll be there for opening night on Broadway.

    “They know that I would never be a part of the show that glorified the Marcoses,” Llana said. “Telling the history of the Philippines, sometimes it’s not easy… When history repeats itself is when you don’t talk about it and when you don’t remember the bad things that happened. And that’s really what our show is about.”

    In fact, after all these years, Llana’s confidence in the show has only grown.

    “There’s less fear of whether it’s going to work,” said Llana, who was Salonga’s love interest in “Flower Drum Song” over 20 years ago. “Now, it’s just about polishing it and really fine-tuning the story and really resting into the new elements, which are our Filipino producers, Clint Ramos and Jose Antonio Vargas.”

    Arielle Jacobs, known for lead Broadway roles in “Aladdin” and “In the Heights,” recently unearthed old emails from when she auditioned for the off-Broadway production.

    “The feedback my agent was told from the casting director was they loved my audition, it’s not going to work out right now but maybe potentially for future productions,” Jacobs said. “That’s so funny because at the time they didn’t even know when or if it might come to Broadway.”

    Being in the show has helped Jacobs not be as “naive about the history.” She has been doing research on her own to try and not make her Imelda one-dimensional. Born in San Francisco, Jacobs said her Filipino mother didn’t really talk about the Marcos’ era. But, nobody cried more happy tears than her mom when Jacobs landed this role.

    Her mother was “just so proud that I’m getting to tell the story and lead this company and play a Filipino and a Filipino story.” Since childhood, Jacobs and her brother, Adam (also a Broadway actor), always got so-called “ethnic” theater parts from Puerto Rican to Middle Eastern because of their half-white, half-Asian makeup.

    “It has been a blessing in terms of our career growth. At the same time, we’ve always felt that, because nobody knows we’re Filipino, there’s also this feeling that nobody ever really knows who we are,” Jacobs said.

    Working with Salonga has added to the joy for Jacobs and other cast members. Salonga is pretty much considered a first lady of pop culture in the Philippines and a Broadway icon. But in “Here Lies Love,” she is venturing into a whole new world of producer.

    Just entering the stage door where she was once the young ingenue and is now a boss has been “magic,” she said.

    “How is this happening? And how fortunate am I that I get to see all of this happening in real time,” said Salonga, also known for singing in Disney’s “Aladdin” and “Mulan” films. “Maybe I’ll get behind more shows and put my name behind something else that I really, really believe in, see where my career goes as a Broadway producer.”

    The show is adding to several Filipino American entertainment “firsts” that have made a splash in the past year. Koy starred in “Easter Sunday,” the first all-Filipino major studio movie. “Sesame Street” introduced TJ, the first Filipino Muppet. Several Filipino American chefs were recognized last month at the James Beard Awards. All of this happening now seems simultaneously “synergistic and serendipitous,” Salonga said. It’s heartening for a country that has been colonized by Spain, Japan and the U.S.

    “It’s like one thing is supporting this other thing and that thing is supporting the first thing, and it’s fantastic,” Salonga said. “It’s like the universe giving us permission to just be who we always knew we were.”

    ___

    Tang, who reported from Phoenix, is a member of The Associated Press’ Race and Ethnicity team. Follow her on Twitter at @ttangAP.

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  • Cillian Murphy, playing Oppenheimer, finally gets to lead a Christopher Nolan film

    Cillian Murphy, playing Oppenheimer, finally gets to lead a Christopher Nolan film

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    The day Christopher Nolan called Cillian Murphy about his new film, “Oppenheimer,” Murphy hung up the phone in disbelief.

    The Irish actor, though a regular presence in Nolan films going back almost two decades, had always been a supporting player. This time, Nolan wanted him to lead.

    “He’s so understated and self-deprecating and, in his very English manner, just said, ‘Listen, I’ve written this script, it’s about Oppenheimer. I’d like you to be my Oppenheimer,’” Murphy, 47, told The Associated Press earlier this year. “It was a great day.”

    Three years after the pandemic brought Hollywood to a standstill, the film and TV industry has again ground to a halt.

    After a globe-trotting publicity blitz by star Tom Cruise, “Mission: Impossible – Dead Reckoning Part One” launched with a franchise-best $80 million over five days, though it came in shy of industry expectations with a $56.2 million haul over the three-day weekend.

    The sidewalks of Hollywood and midtown Manhattan teemed with actors joining Hollywood’s writers in protest outside the corporate offices of studios, streamers, and production companies.

    This week’s new entertainment releases include a documentary on Apple TV+ that chronicles the atypical path Stephen Curry took to becoming a basketball legend, new tunes from the rock band Greta Van Fleet and a “Justified” limited series starring Timothy Olyphant.

    For Murphy, it is never not exciting to get a call from Nolan. It’s just hard to predict if he’s going to. He knows there are some movies he’s right for and some movies he isn’t.

    “I have always said publicly and privately, to Chris, that if I’m available and you want me to be in a movie, I’m there. I don’t really care about the size of the part,” he said. “But deep down, secretly, I was desperate to play a lead for him.”

    Murphy first met Nolan in 2003. He was brought in to screen test for Batman — not just the movie, the character. Murphy knew he wasn’t right for the Dark Knight, but he wanted to meet the man who’d directed “Insomnia” and “Memento.” They hit it off and Murphy got to tap into a sinister intensity to play the corrupt psychiatrist Dr. Crane/Scarecrow, who would go on to appear in all three films. Nolan would also call on Murphy to be the conflicted heir to a business empire in “Inception” and a traumatized soldier in “Dunkirk.”

    “We have this long-standing understanding and trust and shorthand and respect,” Murphy said. “It felt like the right time to take on a bigger responsibility. And it just so happened that it was a f—ing huge one.”

    Soon after the phone call, Nolan flew to Dublin to meet Murphy and hand him a physical copy of the script, which he devoured right there in Nolan’s hotel room. It was, he said, the best he’d ever read.

    Then the scale of it started to sink in.

    This would be a film about the charismatic and controversial theoretical physicist who helped create the atomic bomb. Oppenheimer and his peers at Los Alamos would test it on July 16, 1945, not knowing what was going to happen. There was a non-zero chance that the heat from the explosion could set off a chain reaction that would ignite the atmosphere and literally set the world on fire.

    It didn’t, but several weeks later the United States would drop those bombs on the Japanese cities of Hiroshima and Nagasaki, killing tens of thousands of people and leaving many with lifelong injuries. Soon, the United States was at work to strengthen its nuclear arsenal, developing plans to work on an even more catastrophic weapon: the hydrogen bomb.

    As Nolan has said, “Like it or not J. Robert Oppenheimer is the most important person who ever lived.”

    “Oppenheimer,” which opens in theaters on July 21, features a starry cast including Emily Blunt as Oppenheimer’s wife Kitty, Matt Damon as the man who hired Oppenheimer for the job at Los Alamos, Robert Downey Jr. as a founder of the Atomic Energy Commission and many more rounding out the pivotal players in and around this tense moment in history.

    “You realize this is a huge responsibility. He was complicated and contradictory and so iconic,” Murphy said. “But you know you’re with one of the great directors of all time. I felt confident going into it with Chris. He’s had a profound impact on my life, creatively and professionally. He’s offered me very interesting roles over and I’ve found all of them really challenging. And I just love being on his sets.”

    Murphy continued: “Any actor would want to be on a Chris Nolan set, just to see how it works and to witness his command of the language of film and the mechanics of film and how he’s able to use that broad canvas within the mainstream studio system to make these very challenging human stories.”

    Over the years, Murphy has come to appreciate that with Nolan there’s always something deeper to discover than what’s literally on the page. “Dunkirk,” he recalled, was only 70 pages and there wasn’t much to his character, not even a name.

    “He said, ‘Look, let’s figure it out together and you and me can find an emotional journey for the character.’ And we did it. We did it out in the water on that boat. That comes from trust and respect,” Murphy said. “I’m really proud of that performance.”

    As with all Nolan endeavors, secrecy around “Oppenheimer” is vitally important. Murphy loves the “old-fashioned approach” that builds interest and anticipation.

    “There’s an awful lot to talk about when we can talk freely,” Murphy said with a smile.

    The difference from other Nolan originals, even “Dunkirk,” is that “Oppenheimer” is rooted in historical fact and actual transcripts. You can read the book it’s based on, Kai Bird and Martin J. Sherwin’s Pulitzer Prize-winning “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.” You can watch the 1981 documentary “The Day After Trinity” on The Criterion Channel.

    And you can try to parse Nolan’s words for clues. He’s talked about recreating the Trinity test, the fascinating paradoxes, the twists, turns and ethical dilemmas; for him, the story is cinematic and both dream and nightmare. But ultimately, it’s something that just needs to be seen.

    “The question will be how Chris presents it,” Murphy said. “I think people will be very surprised and wowed by what he does. Anything I say will just seem a bit lame as compared to seeing this in an IMAX theater.”

    The time for discussions will be after the movie comes out. But Murphy did offer up that they worked hard to get Oppenheimer’s look right, from the narrow silhouette to the pipe and the porkpie hat. Oppenheimer, he said, “seemed aware of his own potential mythology.” But, again, those conversations will have to wait.

    “I’m really proud of the movie and I’m really proud of what Chris has achieved. This was, for sure, a special one, certainly because of the history with me and Chris. We were not walking around the set high-fiving, but it did feel special.” Murphy said. “It’s an event every time he releases a film, and rightly so. Whether I’m in them or not, I always go to see his movies.”

    ___

    A version of this story first moved on May 3, 2023. It’s being sent again in advance of the film’s release next week.

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  • Publishers Weekly Best-Selling Books

    Publishers Weekly Best-Selling Books

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    HARDCOVER FICTION

    1. “Fourth Wing” by Rebecca Yarros (Red Tower)

    2. “Happy Place” by Emily Henry (Berkley)

    3. “The Five-Star Weekend” by Elin Hilderbrand (Little, Brown)

    Yume Kitasei’s debut novel, “The Deep Sky,” begins in the pivotal moments just before a simple space walk goes horribly wrong.

    Colson Whitehead is back with a sequel to his 2021 bestseller “Harlem Shuffle.” That irresistible novel, set in the 1960s, introduced Ray Carney, a Harlem furniture dealer with a “slightly bent” side.

    Edie O’Dare was there that night in 1939 when Sophie Melrose, newcomer at FWM studios, was sexually assaulted by Freddy Clarke, famous for playing dashing heroes.

    Child star and activist Mia Armstrong has a picture book coming out next year about her experiences with Down syndrome, what her publisher calls “all the joys and challenges.”

    4. “Demon Copperhead” by Barbara Kingsolver (Harper)

    5. “The Covenant of Water” by Abraham Verghese (Grove)

    6. “Palazzo” by Danielle Steel (Delacorte)

    7. “Cross Down” by Patterson/DuBois (Little, Brown)

    8. “The Only One Left” by Riley Sager (Dutton)

    9. “Hello Beautiful” by Ann Napolitano (Dial)

    10. “Yellowface” by R.F. Kuang (Morrow)

    11. “Zero Days” by Ruth Ware (Scout)

    12. “Wolfsong” by TJ Klune (Tor)

    13. “Tomorrow, and Tomorrow, and Tomorrow” by Gabrielle Zevin (Knopf)

    14. “Identity” by Nora Roberts (St. Martin’s)

    15. “Lady Tan’s Circle of Women” by Lisa See (Scribner)

    _____

    HARDCOVER NON-FICTION

    1. “The Legend of Zelda: Tears of the Kingdom – (Piggyback)

    2. “Spider-Man: Across the Spider-Verse: The Art of the Movie” by Ramin Zahed (Abrams)

    3. “Unbroken Bonds of Battle” by Johnny Joey Jones (Broadside)

    4. “Outlive” by Peter Attia (Harmony)

    5. “The Creative Act” by Rick Rubin (Penguin Press)

    6. “The Wager” by David Grann (Doubleday)

    7. “Glow” by Stacie Stephenson (Harper Celebrate)

    8. “I’m Glad My Mom Died” by Jennette McCurdy (Simon & Schuster)

    9. “Magnolia Table, Vol. 3” by Joanna Gaines (William Morrow)

    10. “The In-Between” by Hadley Vilahos (Ballantine)

    11. “Fast Like a Girl” by Mindy Pelz (Hay House)

    12. “Knife Drop” by Nick DiGiovanni (DK)

    13. “Pageboy” by Elliot Page (Flatiron)

    14. “The Puppeteers” by Jason Chaffetz (Broadside)

    15. “1964” by Paul McCartney (Liveright)

    _____

    MASS MARKET BESTSELLERS

    1. “Hostile Teritory” by Johnstone/Johnstone (Pinnacle)

    2. “No Plan B” by Child/Child (Dell)

    3. “Sparring Partners” by John Grisham (Vintage)

    4. “The Challenge” by Danielle Steel (Dell)

    5. “Whispers at Dusk” by Heathr Graham (Mira)

    6. “Fear No Evil” by James Patterson (Grand Central)

    7. “Billy Summers” by Stephen King (Pocket)

    8. “He’s My Cowboy” by Palmer/Fossen/Zanetti (Zebra)

    9. “Danger Zone” by Nora Roberts (St. Martin’s)

    10. “Texas Tycoon” by Diana Palmer (Harlequin)

    11. “Tomorrow’s Promise” by Sandra Brown (Mira)

    12. “Olympic Mountain Pursuit” by Jodie Bailey (Love Inspired Suspense)

    13. “The Hotel Nantucket” by Elin Hilderbrand (Little, Brown)

    14. “Red on the River” by Christine Feehan (Berkley)

    15. “All Roads Lead Home” by Debbie Macomber (Ballantine)

    _____

    TRADE PAPERBACK BESTSELLERS

    1. “Too Late” by Colleen Hoover (Grand Central Publishing)

    2. “It Starts with Us” by Colleen Hoover” (Atria)

    3. “Icebreaker” by Hannah Grace (Atria)

    4. “The Housemaid” by Freida McFadden (Grand Central Publishing)

    5. “Twisted Love” by Ana Huang (Bloom)

    6. “One Piece, Vol. 103″ by Eiichiro Oda (Viz)

    7. “Love, Theoretically” by Ali Hazelwood (Berkley)

    8. “Fairy Tale” by Stephen King (Scribner)

    9. “Meet Me at the Lake” by Carley Fortune (Berkley)

    10. “Never Never” by Hoover/Fisher (Canary Street)

    11. “Heart Bones” by Colleen Hoover (Atria)

    12. “The Boys from Biloxi” by John Grisham (Vintage)

    13. “The Midnight Library” by Matt Haig (Penguin Books)

    14. “The Last Thing He Told Me” by Laura Dave (S&S/Rucci)

    15. “Twisted Games” by Ana Huang (Bloom)

    _____

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  • Music streams for 2023 hit 1 trillion in record time. Latin and K-pop artists are big reasons why

    Music streams for 2023 hit 1 trillion in record time. Latin and K-pop artists are big reasons why

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    LOS ANGELES (AP) — Is non-English language music the future of the music business? Perhaps.

    The global music industry surpassed 1 trillion streams at the fastest pace, ever, in a calendar year, Luminate’s 2023 Midyear Report has found. The number was reached in three months, a full month faster than 2022.

    Global streams are also up 30.8% from last year, reflective of an increasingly international music marketplace.

    For two nights at the Vermont Hollywood in Los Angeles, the enigmatic pop star Sky Ferreira emerged on stage like no time had passed.

    Puerto Rican musician Rauw Alejandro has always had his eye on the future — taking familiar genres and contorting them into something novel.

    “Beyond the Story: 10-Year Record of BTS” is a 544-page, glossy oral history of the world’s biggest boy band by Myeongseok Kang and BTS for Flatiron Books.

    Taylor Swift’s re-recording of “Speak Now (Taylor’s Version),” is the third album in Swift’s plans to re-record her first six, after her catalog was purchased by music manager Scooter Braun.

    Additionally, Luminate found that two in five — or 40% — of U.S. music listeners enjoy music in a non-English language. And a whopping 69% of U.S. music listeners enjoy music from artists originating outside of the U.S.

    According to the report, Spanish, French, Japanese, Korean, Italian, German, and Arabic are the most popular languages for non-Anglophonic music among U.S. music listeners, with Latin genres and K-pop leading the charge.

    “Specifically, our streaming data shows that Spanish and Korean language music are the most popular when taking a look at the top 10,000 most streamed songs (audio and video combined) during the first half of 2023,” says Jaime Marconette, Luminate’s senior director of music insights and industry relations.

    “Furthermore, Spanish-language music’s share of that top 10,000 has grown 3.6% since 2021, while English-language music’s share has dropped 4.2% in that same time,” he says.

    That is reflected in Luminate’s 2023 Midyear Top Albums chart, where Bad Bunny ‘s spring 2022 album “Un Verano Sin Ti” still breaks the top 10 a year later (the chart factors in a combination of album sales, on-demand audio/visual sales, and digital track sales). When “top albums” are defined by physical and digital sales exclusively, K-pop dominates, taking up six of the top 10 spots.

    “K-pop fans are, unsurprisingly, some of the most enthusiastic fans across physical formats,” Marconette says.

    Luminate found that K-pop fans are 69% more likely to purchase vinyl and 46% more likely to purchase CDs than the average U.S. music listener in the next 12 months. One in four K-pop fans has purchased a cassette in the last 12 months.

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  • Hollywood actors agree to mediation, but strike may be unavoidable

    Hollywood actors agree to mediation, but strike may be unavoidable

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    LOS ANGELES (AP) — Unionized Hollywood actors on the verge of a strike have agreed to allow a last-minute intervention from federal mediators but say they doubt a deal will be reached by a negotiation deadline late Wednesday.

    “We are committed to the negotiating process and will explore and exhaust every possible opportunity to make a deal, however we are not confident that the employers have any intention of bargaining toward an agreement,” the Screen Actors Guild -American Federation of Radio and Television Artists said in a statement Tuesday night.

    The actors could join the already striking Writers Guild of America and grind the already slowed production process to a halt if no agreement is reached with the Alliance of Motion Picture and Television Producers. The sides agreed to an extension before the original contract expiration date on June 30, resetting it to Wednesday at 11:59 p.m.

    Theatergoers in select cities will soon be able to watch “20 Days in Mariupol,” the visceral documentary on Russia’s early assault on the Ukrainian city.

    The day Christopher Nolan called Cillian Murphy about his new film, “Oppenheimer,” Murphy hung up the phone in disbelief.

    Christopher Nolan has never been one to take the easy or straightforward route while making a movie.

    Netflix tries to capitalize on the popularity of its 2018 film “Bird Box” with “Bird Box Barcelona,” set in the Spanish city around the same time, with a new cast that does not include Sandra Bullock.

    Issues on the table in negotiations include the unregulated use of artificial intelligence and effects on residual pay brought on by the streaming ecosystem that has emerged in recent years.

    “People are standing up and saying this doesn’t really work, and people need to be paid fairly,” Oscar-winner Jessica Chastain, who was nominated for her first Emmy Award Wednesday for playing Tammy Wynette in “George & Tammy,” told The Associated Press. “It is very clear that there are certain streamers that have really kind of changed the way we work and the way that we have worked, and the contracts really haven’t caught up to the innovation that’s happened.”

    Growing pessimism surrounding the talks seemed to turn to open hostility when SAG-AFTRA released a statement Tuesday night.

    It came in response to a report in Variety that a group of Hollywood CEOs had been the force behind the request for mediation, which the union said was leaked before its negotiators were informed of the request.

    The AMPTP declined comment through a representative. It’s not clear whether federal mediators have agreed to take part, but such an intervention would presumably require more time than the hours left on the contract.

    “The AMPTP has abused our trust and damaged the respect we have for them in this process,” the SAG-AFTRA statement said. “We will not be manipulated by this cynical ploy to engineer an extension when the companies have had more than enough time to make a fair deal.”

    ___

    AP National Writer Jocelyn Noveck contributed to this report.

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  • The American flag wasn’t always revered as it is today. At the beginning, it was an afterthought

    The American flag wasn’t always revered as it is today. At the beginning, it was an afterthought

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    PHILADELPHIA (AP) — In the bedroom of the Betsy Ross House, a reconstruction of where the upholsterer worked on her most famous commission, a long flag with a circle of 13 stars hangs over a Chippendale side chair and extends across the floor. Over the weeks in 1776 needed to complete the project, Ross would have likely knelt on the flag, stood on it and treated it more like an everyday banner — not with the kind of reverence we’d expect today.

    “She would not have worried about it touching the floor or violating any codes,” says Lisa Moulder, director of the Ross House. “The flag did not have any kind of special symbolism.”

    Flags proliferate every July 4. But unlike the right to assemble or trial by jury, their role was not prescribed by the founders. They would have been rare during early Independence Day celebrations. Only in the mid-19th century does the U.S. flag become a permanent fixture at the White House, scholars believe; only in the mid-20th century was a federal code established for how it should be handled and displayed; only in the 1960s did Congress pass a law making it illegal to “knowingly” cast “contempt” on the flag.

    The man accused in the fatal shooting spree in Philadelphia that left five people dead and four others wounded left a will at his house, and according to roommates had acted agitated and wore a tactical vest around his house in the days before the shooting, prosecutors said Wednesday.

    A 40-year-old killed one man in a house before fatally shooting four others on the streets of a Philadelphia neighborhood, then surrendering along with a rifle, a pistol, extra magazines, a police scanner and a bulletproof vest, police said.

    The “parental rights” group Moms for Liberty is looking to expand its efforts to elect school board candidates in 2024 and beyond, as well as get involved in other education races.

    Through history, the Fourth of July has been a day for some presidents to declare their independence from the public.

    The flag’s evolution into sacred national symbol, and the ongoing debates around it that inspire so much passion and anger, reflect the current events of a given moment and the country’s transformation from a loose confederation of states into a global superpower.

    ‘AN AFTERTHOUGHT’

    “The flag was really an afterthought,” says Scot Guenter, author of “The American Flag, 1777-1924” and a professor emeritus of American Studies at San Jose State University. In the beginning, Guenter says, the Continental Congress was more concerned about developing a “Great Seal” because it was needed for papers it would issue.

    Congress passed its first flag act on June 14, 1777: “Resolved, that the Flag of the thirteen United States shall be thirteen stripes, alternate red and white; that the Union be thirteen stars, white on a blue field, representing a new constellation.” But the flag is otherwise peripheral to the country’s beginnings.

    A spokesman for Independence Hall in Philadelphia says no records exist of a U.S. flag being present for the signing of the Constitution in 1787, or any indications that a national flag would have flown during the following decade at what is now called Congress Hall — a decade when Philadelphia was the country’s capital. Researchers at George Washington’s home have no evidence that the flag was displayed there in his lifetime. (Volunteers there now regularly raise and lower U.S. flags, which are sold at the gift shop as having “flown over Mount Vernon”).

    According to the White House Historical Association, no precise date exists for when the flag first had a permanent home at the presidential residence. Researchers at the historical association say the best guess is June 29, 1861, early in the Civil War, when President Lincoln dedicated a flagpole on the South Grounds.

    The Civil War, followed by the country’s centennial in 1876, helped mythologize the flag. Americans were in the mood for a good story, and William J. Canby, grandson of Betsy Ross, had one. In a speech given to the Pennsylvania Historical Society, Canby drew upon family memories in narrating the quiet, heroic tale of Betsy Ross, who had died little known beyond her immediate community.

    “As an example of industry, energy and perseverance, and of humble reliance upon providence, though all the trials, which were not few, of her eventful life, the name of Elizabeth Claypoole (her married name at the time of her death) is worthy of being placed on record for the benefit of those who should be similarly circumstanced,” Canby stated.

    LEGEND OUTWEIGHS FACT

    The Ross House bills itself as “the birthplace of the American Flag,” but its origins are uncertain. We have no definitive account. Many credit Francis Hopkinson, a congressman from New Jersey, but others, including Ross, may have added details — and, unlike the Declaration of Independence, we have no original artifact. Whether Ross or another produced the first one, its ultimate destination is unknown.

    “We think it would have ended up on a ship mast, to signify that it was an American ship,” Moulder says.

    Ross’ place in history also remains in question, even among government institutions. An essay entitled “The Legend of Betsy Ross,” on the website for the Smithsonian National Postal Museum, says her tale is “shrouded in as much legend as fact,” with no substantial evidence of her involvement. Says the museum: “While it makes for a nice story, sadly, it is most likely false.”

    Ross, who died in 1836, left behind no diary or contemporary accounts of her whereabouts, officials at the Ross House acknowledge. But she was very much a real person who produced various flags before and after the alleged time she was approached by a commission that included George Washington and asked to sew a flag to represent the new country. Officials at the Ross house have no direct proof of Washington contacting Ross in 1776, but they note that a ledger unearthed in 2015 revealed Washington had engaged in business two years earlier with Ross and her husband and fellow upholster, John Ross.

    “We know that Washington wanted the Rosses to make bedrooms curtains for his home in Mount Vernon,” Moulder says. “And curtains are the kind of job that Betsy would have taken on.”

    As the country grew more nationalized and nationalistic, Ross was added to the early pantheon and the flag’s presence expanded like so much territory across the continent — into state ceremonies and buildings, sporting events, schools and private homes.

    THE FLAG TAKES CENTER STAGE

    In the midst of fierce labor battles and rising fears of immigration, the minister Francis Bellamy composed the Pledge of Allegiance in 1892. It was tied to the 400th anniversary of Christopher Columbus’ landing but also, as historian Richard White has written, addressed “a time of intense social conflict in an increasingly diverse nation” and was intended ”as a hopeful affirmation of America’s future.”

    Throughout the 20th century, regulations were proposed and enacted. The first national flag code was drafted in 1923 and signed into law by President Franklin D. Roosevelt during World War II, with recommendations on everything from how to salute the flag to how to carry it. In the mid-1950s, President Dwight Eisenhower endorsed legislation adding “under God” to the Pledge of Allegiance, a Cold War action with origins 20 years earlier.

    “In the 1930s, you had conservatives arguing that the New Deal represented slavery and that the counterpoint was freedom under God,” says Kevin M. Kruse, a professor of history at Princeton University whose books include “One Nation Under God,” published in 2015. “So there was a corporate-fueled drive against the regulatory state and it takes on religious tones. In the 1950s, that gets appropriated by the anti-communists.”

    Burning American flags dates back at least to the Civil War. But only in July 1968, in response to Vietnam War protesters, did Congress pass legislation making it illegal (the Supreme Court overturned the ban in 1989) and adding other restrictions against “publicly mutilating” the flag. Three months later, the radical activist Abbie Hoffman was arrested for wearing a Stars and Stripes shirt, charges later dropped on appeal.

    “He showed up in the shirt for a meeting of the House Committee on Un-American Activities,” says Mark Kurlansky, author of “1968: The Year That Rocked the World,” a social history. “He just thought it would be funny.”

    Last month, the Biden administration hosted a Pride Day gathering on the White House South Lawn and hung a Pride Progress flag between U.S. flags on the Truman balcony. Rep. Mike Collins, a Georgia Republican, denounced the prominence of an “alphabet cult battle flag.” Other Republicans alleged that Biden officials had broken federal regulations, which call for the American flag to be “at the center and at the highest point” when grouped with other flags. Defenders of Biden noted that a U.S. flag was flying above from atop the White House.

    “The flag is so important because it helps define what we believe in. You have Democrats and Republicans trying to attach meaning to it,” Guenter says. “The flag can intersect with issues of gender and race and sexuality. There’s so much there to think about, and it reveals so much about who we are.”

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  • Vietnam bans ‘Barbie’ movie due to an illustration showing China’s territorial claim

    Vietnam bans ‘Barbie’ movie due to an illustration showing China’s territorial claim

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    HANOI, Vietnam (AP) — Vietnam’s state media have reported that the government banned distribution of the popular “Barbie” movie because it includes a view of a map showing disputed Chinese territorial claims in the South China Sea.

    The newspaper Vietnam Express and other media said posters advertising “Barbie” were removed from movie distributors’ websites after Monday’s decision. With Margot Robbie playing Barbie opposite Ryan Gosling’s Ken in Greta Gerwig’s comedic look at their “perfect” world, “Barbie” was supposed to open July 21 in Vietnamese theaters.

    The reports cited Vi Kien Thanh, director general of the Vietnam Cinema Department, as saying the National Film Evaluation Council made the decision. It said a map in the film shows China’s “nine-dash line,” which extends Beijing’s territorial claims far into waters that fall within areas claimed by Vietnam and other countries.

    A Vietjet plane carrying 214 people has made an unscheduled but safe landing in the northern Philippines after encountering an unspecified technical problem.

    A U.S. aircraft carrier and two guided missile cruisers are visiting Vietnam in a rare port call that comes as the United States and China increasingly vie for influence in Southeast Asia.

    An American aircraft carrier is due to make a port call in Vietnam on Sunday. The rare visit by one of the U.S.

    Daniel Ellsberg, the government analyst and whistleblower who leaked the Pentagon Papers in 1971, has died at 92.

    The “nine-dash line” is an arcane but sensitive issue for China and its neighbors that shows Beijing’s maritime border extending into areas claimed by other governments and encompasses most of the South China Sea. That has brought it into tense standoffs with the ASEAN nations of Indonesia, Vietnam, Malaysia, Brunei and the Philippines, with Chinese fishing boats and military vessels becoming more aggressive in the disputed waters.

    Asked about the issue at a daily briefing on Tuesday, Chinese Foreign Ministry spokesperson Mao Ning said, “China’s position on the South China Sea issue is clear and consistent.”

    “We believe that the countries concerned should not link the South China Sea issue with normal cultural and people-to-people exchanges,” Mao said.

    However, China is exceedingly sensitive when it comes to how its national image and border claims are portrayed in entertainment and by businesses. For example, it has routinely retaliated against companies from hotels to airlines that it believes have suggested that self-governing Taiwan – with its own political system, country code and currency — is anything other than a part of China.

    Companies almost always acquiesce to Chinese complaints, fearing they risk being locked out of the huge, lucrative Chinese market. That includes Hollywood films deleting or adding scenes based on the expected response on the ruling Communist Party and the highly nationalistic public.

    When an international court ruled in 2016 that the “nine-dash line” has no basis in law and the Philippines was entitled to an exclusive economic zone in part of the area claimed by Beijing, China rejected the ruling.

    Warner Bros. offices were closed Tuesday for the July 4 holiday.

    In 2019, Vietnam ordered showings of “Abominable” canceled after moviegoers complained about a scene showing the “nine-dash line.” Politicians in the Philippines called for a boycott of all DreamWorks releases to protest the scene, and Malaysia ordered the scene to be cut from the movie.

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  • Fright over crack on North Carolina ride serves as reminder of risks at amusement parks

    Fright over crack on North Carolina ride serves as reminder of risks at amusement parks

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    CHARLOTTE, N.C. (AP) — A visible crack in the support beam of a North Carolina roller coaster served as a reminder of the risks that sometimes arise with amusement park rides, particularly as families and adrenaline junkies flock to the attractions in summer.

    Video footage of the Charlotte-based Carowinds’ popular Fury 325 — known as a “Giga coaster” due to its dramatic height of 325 feet (99 meters) — showed a key support beam bending with the top visibly detached as cars packed with unsuspecting passengers whirled by at speeds of up to 95 mph (150 kph).

    The park, which straddles the North Carolina and South Carolina line, closed the ride late last week as questions swirled about how the crack occurred. Those answers remained largely unknown as state investigators were on site in Monday morning.

    A dash of pomp and a dose of politics are on the agenda during President Joe Biden’s stopover visit to the U.K.

    NATO leaders have celebrated their unity in the face of Russia’s invasion of Ukraine. However, that will be tested at the alliance’s annual summit in Vilnius, Lithuania, next week.

    South Korean opposition lawmakers have sharply criticized the head of the United Nations’ nuclear watchdog for its approval of Japanese plans to release treated wastewater from the damaged Fukushima nuclear power plant.

    What comes to mind when you hear the phrase Y2K? Here’s a hint: It’s no longer about a computer glitch that could have made the world go haywire at the end of 1999.

    Tommy Petty, chief of the state Department of Labor’s Amusement Device Bureau, confirmed investigators “already came and went” from Carowinds on Monday but declined to share details about their findings. Meanwhile, Carowinds said in a statement that all of its rides, including Fury 325, are inspected daily “to ensure their proper functioning and structural integrity.”

    Several Carowinds visitors said they were aware that the ride had been closed for repairs, but they were not deterred from enjoying the park’s other attractions.

    Greg Bledsoe, a 22-year-old season pass holder, visited the park Monday despite having watched the viral video of the Fury 325 track separating from its support beam mid-ride.

    “I’m just glad I wasn’t on it because I don’t want to fall off. I’m glad nobody fell off,” he said.

    While Bledsoe said the video was “a bit of a shock,” he remains confident in the park’s overall safety and plans to make good use of his season pass.

    “Hopefully they get it fixed before the season’s over so I can ride it some more,” he said of the broken coaster. “It’s like the main thing here.”

    Industry experts have been quick to counter that millions of Americans hop on roller coasters, Ferris wheels, water slides and many other rides without ever experiencing issues. They note injury rates are extremely low.

    A 2021 survey compiled on behalf of the International Association of Amusement Parks and Attractions found “0.9 injuries per million rides,” said Caitlin Dineen, the group’s spokesperson. That year, more than 1,200 ride-related injuries were reported out of the typical 1.7 billion rides that take place each year across 400 locations in North America.

    “Safety is the top priority for the global attractions industry,” Dineen said. “An excellent safety record is in the best interest of the industry, and leaders within it are committed to providing safe and secure attractions for all their guests and visitors.”

    For Steven Powers, a resident of Columbia, South Carolina who visited Carowinds Monday with friends, the positive atmosphere of the park outweighs any worries.

    “As far as any other safety concerns, I don’t believe there are any,” Powers said. “I think always subconsciously we think something might happen in the back of our minds, but I also know that they do have people’s lives in their hands so they’re going to make sure that they do what they’re supposed to do on their end.”

    Even when amusement park mishaps don’t result in injuries, they can still upend vacations and cause headaches for summer fun-seekers.

    Shortly after footage was released of the crack inside Fury 325’s support structure, riders on a roller coaster in northeastern Wisconsin were trapped upside down for three hours before emergency responders arrived to rescue them.

    WJFW reports the ride had been inspected recently when a mechanical failure occurred, halting the coaster mid-ride, according to Capt. Brennan Cook of the Crandon Fire Department.

    But sometimes deaths do occur on an amusement park ride.

    In 2022, Orlando’s International Drive district removed a towering 400-foot (122-meter) ride after it was directly linked to the death of 14-year-old Tyre Sampson — a Missouri teen who fell to his death while on the ride the year prior.

    Sampson, who lived near St. Louis, Missouri, was visiting Orlando during spring break when he died.

    An initial report from outside engineers hired by the Florida Department of Agriculture said sensors on the ride had been adjusted manually to double the size of the opening for restraints on two seats, resulting in the teen not being properly secured.

    ___

    Schoenbaum reported from Raleigh, and Kruesi from Nashville, Tennessee. Associated Press writer Claire Savage in Chicago contributed to this report.

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  • As 1,500 Disneyland collectibles go up for auction, that Dumbo car — or trash bin — can be yours

    As 1,500 Disneyland collectibles go up for auction, that Dumbo car — or trash bin — can be yours

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    BURBANK, Calif. (AP) — Fans who agree Disneyland is indeed the happiest place on Earth will soon be able to take home more than a souvenir.

    A passionate collector has brought Disney magic to a sprawling 30,000-square-foot (2,800-square-meter) building in Burbank, California, where fans can hear birds chirping in the Enchanted Tiki Room section or giggle at the animated ghosts from the Haunted Mansion ride as they preview more than 1,500 items up for auction later this month.

    Joel Magee has been building his collection of more than 6,000 items — including costumes, rare posters, and life-size vehicles from rides like Dumbo and Peter Pan — for 30 years, and he’s finally ready to share some of it with the public.

    Torrential rain has been pounding southwestern Japan, triggering floods and mudslides and leaving at least six people missing.

    An Argentine archbishop chosen by Pope Francis to head the Vatican office that ensures doctrinal orthodoxy concedes he made mistakes in handling a 2019 case of a priest accused of sexual abuse of minors.

    Allisen Corpuz picked the right time and the right place for her first big win. She won the first U.S.

    The Washington Post is reporting former AT&T Chairman Randall Stephenson has resigned from the PGA Tour policy board.

    “I’m one of those guys — go big or go home. And if you don’t have the biggest, then it ain’t the best,” Magee told The Associated Press in a recent interview, as fans milled about the exhibit. Magee’s is the largest individually owned Disneyland/Disney Park collection in the world.

    “It’s really kind of exciting. This is the first time that all of my things have been in the same room at the same time,” he said.

    Magee is known in the collectible industry as “the toy scout,” and has amassed a huge collection of toys and Disney items. He says he watched “The Wonderful World of Disney” on TV every week as a kid but had never been to the park and never thought about collecting until he was at a toy show where he met a man selling Disneyland artifacts and got hooked.

    “At the time, I couldn’t afford too much. I bought a couple of pieces, but that’s where it all began,” Magee said. “In my travels as ‘the toy scout,’ I meet people all over the country and for the last 25 years, they’ve just been bringing me all their stuff and here it is today.”

    The items for sale are as small as a trading card and as large as a 1917 Model T moving van from Disneyland’s original Main Street that Magee says Walt Disney created himself.

    Mike Van Eaton is the co-owner of Van Eaton Galleries, which is running the auction. He says among the most sought-after items are those from the Haunted Mansion attraction, including original stretch paintings from the elevator in the iconic ride, and a “doom buggy” — the vehicle guests ride on.

    “Joel also has one of the most amazing Disney attraction poster collections in the world. He has every attraction poster ever in the park. And those are also going to do very well,” Van Eaton said.

    There are items for every price point, with some starting as low as $50 — but most go way up from there.

    “Some of these items, such as the Dumbo ride vehicle, may go for $200,000 to $300,000. We have trash cans from the park that may go for $5,000 or $6,000, and posters that could reach $50,000 to $60,000,” Van Eaton said.

    Magee says it’s hard to choose his favorites in such a large collection but he is partial to the static props he’s brought to life.

    “The Tiki birds, oh my gosh, they were piles of junk when we got them! They were worn out, pieces were missing,” Magee said. “Some good friends of mine that do a lot of work … in that field brought them all back to life better than you could ever imagine. And … people look at that and you can just see the magic in their eyes when they see them.”

    The exhibition is at the Burbank Town Center Mall and runs through July 16. The auction will be held July 17 through 19.

    ___

    Lefferts reported from New York.

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  • Friends and family gather for the funeral of Houston rapper Big Pokey

    Friends and family gather for the funeral of Houston rapper Big Pokey

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    HOUSTON (AP) — Family and friends gathered at the funeral over the weekend for Houston rapper Big Pokey, an original member of the pioneering group Screwed Up Click.

    Pokey, who was born Milton Powell, died June 18 at the age of 48 after collapsing at a performance in Beaumont, located east of Houston. Those attending his service Saturday at Fountain of Praise church in Houston included Mayor Sylvester Turner, Congresswoman Sheila Jackson Lee and rappers Paul Wall, Trae Tha Truth and Slim Thug, the Houston Chronicle reported.

    Pokey was known for Texas and Gulf Coast hits such as “Ball N’ Parlay,” “Who Dat Talking Down,” and a verse on DJ Screw’s nearly 36-minute freestyle known as “June 27th.” He was also featured on Megan Thee Stallion’s 2022 “Southside Royalty Freestyle.”

    Better known as Sudan Archives, Brittney Denise Parks is an avant-garde violinist and singer-songwriter who describes her style as “fiddle soft punk.”

    The 29th annual Essence Festival of Culture is revving up in New Orleans. Most of the free workshops and celebrity meet-and-greets at the festival, which opens Thursday, will be inside the Ernest N.

    Busta Rhymes took home the Lifetime Achievement Award with a tribute performance. The night’s biggest surprise was a public performance by Quavo and Offset, the surviving members of Migos, who did a rendition of “Bad and Boujee” in front of an image of Takeoff.

    Big Freedia goes back to her roots on the 16-track “Central City,” the Queen of Bounce’s first full-length studio album in nine years.

    Nationally, Pokey was most known for a featured appearance on Wall’s 2005 debut hit song, “Sittin’ Sidewayz.” The chorus was sampled from Pokey’s verse on “June 27th.”

    Pokey, who grew up in Houston, began garnering local fame in the late 1990s as an original member of the Screwed Up Click, a friend group-turned-rap collective led by DJ Screw, who developed a slowed, pitched-down music style known as “chopped and screwed,” which become synonymous with Houston.

    Pokey released his debut album, “Hardest Pit in the Litter” in 1999 and “Da Game 2000” the following year.

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  • Celebrity birthdays for the week of July 9-15

    Celebrity birthdays for the week of July 9-15

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    Celebrity birthdays for the week of July 9-15:

    July 9: Actor Richard Roundtree is 81. Singer Dee Dee Kenniebrew of The Crystals is 78. Actor Chris Cooper is 72. TV personality-turned-musician John Tesh is 71. Country singer David Ball is 70. Business leader Kevin O’Leary (“Shark Tank”) is 69. Singer Debbie Sledge of Sister Sledge is 69. Actor Jimmy Smits is 68. Actor Tom Hanks is 67. Singer Marc Almond of Soft Cell is 66. Actor Kelly McGillis is 66. Singer Jim Kerr of Simple Minds is 64. Singer Courtney Love is 59. Bassist Frank Bello of Anthrax is 58. Actor David O’Hara (“The District”) is 58. Actor Pamela Adlon (“King of the Hill,” “Louie”) is 57. Actor Scott Grimes (“ER,” ″Party of Five”) is 52. Singer-guitarist Isaac Brock of Modest Mouse is 48. Musician Jack White is 48. Actor Fred Savage is 47. Singer Dan Estrin of Hoobastank is 47. Actor Linda Park (“Star Trek: Enterprise”) is 45. Actor Megan Parlen (“Hang Time”) is 43. Singer-actor Kiely Williams of 3LW (“Cheetah Girls” films) is 37. Actor Mitchel Musso (“Phineas and Ferb,” “Hannah Montana”) is 32. Actor Georgie Henley (“The Chronicles of Narnia”) is 28.

    July 10: Actor William Smithers (“Dallas,” ″Peyton Place”) is 96. Singer Mavis Staples is 84. Actor Mills Watson (“B.J. and the Bear,” ″Lobo”) is 83. Actor Robert Pine (“CHiPS”) is 82. Guitarist Jerry Miller of Moby Grape is 80. Folk singer Arlo Guthrie is 76. Bassist Dave Smalley of The Raspberries is 74. Singer Neil Tennant of the Pet Shop Boys is 69. Banjo player Bela Fleck of Bela Fleck and the Flecktones is 65. Actor Fiona Shaw (“True Blood,” ″Harry Potter” films) is 65. Drummer Shaw Wilson of BR549 is 63. Actor Alec Mapa (“Ugly Betty” ″Half & Half”) is 58. Country singer Ken Mellons is 58. Guitarist Peter DiStefano of Porno for Pyros is 58. Actor Gale Harold (“Hellcats”) is 54. Country singer Gary LeVox of Rascal Flatts is 53. Actor Sofia Vergara (“Modern Family”) is 51. Singer Imelda May is 49. Actor Adrian Grenier (“Entourage,” ″Cecil B. DeMented”) is 47. Actor Chiwetel Ejiofor (“12 Years a Slave”) is 46. Actor Gwendoline Yeo (“Desperate Housewives”) is 46. Actor Thomas Ian Nicholas (“American Pie”) is 43. Singer Jessica Simpson is 43. Actor Heather Hemmens (“Hellcats”) is 39. Rapper-singer Angel Haze is 32. Singer Perrie Edwards of Little Mix is 30.

    Hong Kong-born singer and songwriter Coco Lee has died by suicide. She was 48. Her sisters said in a statement on Wednesday that the star had been suffering from depression for several years with her condition deteriorating drastically over the last few months.

    Actors Rose Leslie and Kit Harington have welcomed their second child. A publicist for Harington confirmed Monday that the couple have added a daughter to their family.

    Better known as Sudan Archives, Brittney Denise Parks is an avant-garde violinist and singer-songwriter who describes her style as “fiddle soft punk.”

    A London prosecutor says Oscar-winning actor Kevin Spacey is a “sexual bully” who assaults other men and doesn’t respect personal boundaries.

    July 11: Singer Jeff Hanna of the Nitty Gritty Dirt Band is 76. Ventriloquist Jay Johnson (“Soap”) is 74. Actor Bruce McGill (“Animal House”) is 73. Actor Stephen Lang is 71. Actor Mindy Sterling (“Austin Powers”) is 70. Actor Sela Ward is 67. Singer Peter Murphy of Bauhaus is 66. Reggae singer Michael Rose of Black Uhuru is 66. Actor Mark Lester (“Oliver”) is 65. Jazz saxophonist Kirk Whalum is 65. Guitarist Richie Sambora (Bon Jovi) is 64. Singer Suzanne Vega is 64. Actor Lisa Rinna is 60. Bassist Scott Shriner of Weezer is 58. Actor Debbe Dunning (“Home Improvement”) is 57. Actor Greg Grunberg (“Heroes,” ″Alias,” ″Felicity”) is 57. Wildlife expert Jeff Corwin (“The Jeff Corwin Experience”) is 56. Actor Justin Chambers (“Grey’s Anatomy”) is 53. Actor Leisha Hailey (“The L Word”) is 52. Actor Michael Rosenbaum (“Smallville”) is 51. Rapper Lil’ Kim is 49. Actor Jon Wellner (“CSI”) is 48. Rapper Lil’ Zane is 42. Actor David Henrie (“Wizards of Waverly Place”) is 34. Actor Connor Paolo (“Revenge”) is 33. Singer Alessia Cara is 27.

    July 12: Actor Denise Nicholas (“In the Heat of the Night”) is 79. Singer Walter Egan is 75. Fitness guru Richard Simmons is 75. Actor Cheryl Ladd (“Charlie’s Angels”) is 72. Singer Ricky McKinnie of The Blind Boys of Alabama is 71. Actor Mel Harris (“thirtysomething”) is 67. Gospel singer Sandi Patty is 67. Guitarist Dan Murphy of Soul Asylum is 61. Actor Judi Evans (“Days of Our Lives”) is 59. Singer Robin Wilson of the Gin Blossoms is 58. Actor Lisa Nicole Carson (“Ally McBeal”) is 54. Country singer Shannon Lawson is 50. Rapper Magoo is 50. Actor Anna Friel (“Monarch,” “Pushing Daisies”) is 47. Singer Tracie Spencer is 47. Actor Alison Wright (“The Americans”) is 47. Actor Steve Howey (“Reba”) is 46. Actor Topher Grace (“That ’70s Show”) is 45. Actor Michelle Rodriguez (“The Fast and The Furious” films, “Lost”) is 45. Actor Kristen Connolly (“Zoo”) is 43. Singer-guitarist Kimberly Perry of The Band Perry is 40. Actor Matt Cook (“Man with a Plan”) is 39. Actor Natalie Martinez (“Under the Dome”) is 39. Actor Ta’Rhonda Jones (“Empire”) is 35. Actor Melissa O’Neill (“The Rookie”) is 35. Actor Rachel Brosnahan (“The Marvelous Mrs. Maisel,” ″House of Cards”) is 33. Actor Erik Per Sullivan (“Malcolm in the Middle”) is 32.

    July 13: Game show announcer Johnny Gilbert is 95. Actor Patrick Stewart is 83. Actor Harrison Ford is 81. Singer-guitarist Roger McGuinn of The Byrds is 81. Actor-comedian Cheech Marin is 77. Actor Daphne Maxwell Reid (“Eve,” ″The Fresh Prince of Bel-Air”) is 75. Actor Didi Conn is 72. Actor Gil Birmingham (“Twilight” films) is 70. Country singer Louise Mandrell is 69. Bassist Mark “The Animal” Mendoza of Twisted Sister is 67. Actor-director Cameron Crowe is 66. Actor Michael Jace (“The Shield”) is 61. Actor Tom Kenny (“Spongebob Squarepants”) is 61. Country singer-songwriter Victoria Shaw is 61. Bluegrass singer Rhonda Vincent is 61. Country singer Neil Thrasher (Thrasher Shriver) is 58. Actor Ken Jeong (“The Masked Singer,” “Dr. Ken”) is 54. Singer Deborah Cox is 50. Drummer Will Champion of Coldplay is 45. Actor Aya Cash (“You’re the Worst”) is 41. Actor Colton Haynes (“Arrow”) is 35. Actor Steven R. McQueen (“The Vampire Diaries”) is 35. Singer Leon Bridges is 34. Actor Hayley Erin (“General Hospital”) is 29. Actor Kyle Harrison Breitkopf (“The Whispers”) is 18.

    July 14: Actor Nancy Olson (“Sunset Boulevard”) is 95. Football player-turned-actor Rosey Grier is 91. Actor Vincent Pastore (“The Sopranos”) is 77. Bassist Chris Cross of Ultravox is 71. Actor Jerry Houser (“Summer of ’42″) is 71. Actor Eric Laneuville (“St. Elsewhere”) is 71. Actor Stan Shaw (“Harlem Nights”) is 71. Singer-comedian Kyle Gass of Tenacious D is 63. Guitarist Ray Herndon of McBride and the Ride is 63. Actor Jane Lynch is 63. Actor Jackie Earle Haley is 62. Actor Matthew Fox (“Lost,” ″Party of Five”) is 57. Keyboardist Ellen Reid of Crash Test Dummies is 57. Singer-guitarist Tanya Donelly of Belly is 57. Actor Missy Gold (“Benson”) is 53. Singer Tameka Cottle of Xscape is 48. Country singer Jamey Johnson is 48. Musician taboo of Black Eyed Peas is 48. Actor Scott Porter (“Friday Night Lights”) is 44. Actor Phoebe Waller-Bridge (“Indiana Jones and the Dial of Destiny,” “Fleabag”) is 38. Singer Dan Smith of Bastille is 37. Actor Sara Canning (“The Vampire Diaries”) is 36. Singer Dan Reynolds of Imagine Dragons is 36.

    July 15: Actor Patrick Wayne is 84. Singer Millie Jackson is 79. Guitarist-singer Peter Lewis of Moby Grape is 78. Singer Linda Ronstadt is 77. Drummer Artimus Pyle (Lynyrd Skynyrd) is 75. Actor Terry O’Quinn (“Lost,” ″West Wing,”) is 71. Singer-guitarist David Pack (Ambrosia) is 71. Drummer Marky Ramone (The Ramones) is 71. Guitarist Joe Satriani is 67. Country songwriter Mac McAnally is 66. Model Kim Alexis is 63. Actor Willie Aames (“Eight Is Enough,” ″Charles In Charge”) is 63. Actor Lolita Davidovich is 62. Actor-director Forest Whitaker is 62. Actor Shari Headley is 60. Actor Brigitte Nielsen is 60. Drummer Jason Bonham is 57. Actor Amanda Foreman (“Parenthood,” ″Felicity”) is 57. Singer Stokley of Mint Condition is 56. Actor-comedian Eddie Griffin (“Malcolm and Eddie”) is 55. Actor Reggie Hayes (“Girlfriends”) is 54. Actor Jim Rash (“Community”) is 52. Drummer John Dolmayan of System of a Down and of Scars on Broadway is 51. Actor Scott Foley (“Scandal,” ″Felicity”) is 51. Actor Brian Austin Green (“Beverly Hills 90210”) is 50. Rapper Jim Jones is 47. Actor Diane Kruger (“National Treasure,” “Troy”) is 47. Actor Lana Parrilla (“Once Upon a Time,” ″Swingtown”) is 46. Guitarist Ray Toro of My Chemical Romance is 46. Actor Laura Benanti (“Law and Order: SVU”) is 44. Singer Kia Thornton of Divine is 44. Actor Taylor Kinney (“Chicago Fire”) is 42. Actor Tristan “Mack” Wilds (“90210″) is 34. Actor Iain Armitage (“Big Little Lies,” “Young Sheldon”) is 15.

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  • Playwright Arthur Miller’s old studio is in a Connecticut parking lot, awaiting its next act

    Playwright Arthur Miller’s old studio is in a Connecticut parking lot, awaiting its next act

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    ROXBURY, Conn. (AP) — After breakfast each morning, renowned playwright Arthur Miller would walk up a grassy slope to his creative sanctuary, a modest 300-square-foot studio with a small deck overlooking a stream and woods on his beloved Connecticut property.

    From 1958 until his death in 2005 at age 89, it was where the Pulitzer Prize-winning writer crafted and revised numerous plays, social commentary, personal journals, his autobiography and other materials, including screenplays for the films “The Misfits” (1961) and “The Crucible” (1996). Considered one of nation’s greatest playwrights, Miller was known for his dramas with strong moral and personal responsibility that often laid bare the failings of the American dream.

    Today, the view from the studio is less inspiring.

    Unbeknownst to many locals, for the last five years, the shingled, one-room structure has been tucked away behind the Roxbury, Connecticut, town hall — next to a rusted dumpster and snow plows in a nondescript parking lot, awaiting an uncertain next act.

    “It’s a piece of Roxbury history. And we can’t let it disappear,” said Marc Olivieri, a former neighbor of Miller’s and a builder who moved the studio to its current location, which was supposed to be temporary.

    A group working with Miller’s daughter, writer and filmmaker Rebecca Miller, has been trying to raise $1 million to renovate the structure and move it to the grounds of a local public library.

    They also hope to offer related programming, which Olivieri, a board member for the nonprofit Arthur Miller Writing Studio, insists is the most important part of the project.

    “Ideas and ideals are essential to maintaining the moral direction of this country,” Olivieri wrote in an email. “Writers like Miller provide the stories that color these ideas.”

    Roxbury is a quiet, bucolic community of 2,200 that is about 87 miles (140 km) northeast of New York City, and has long been a home to famous writers, artists and performers — including the late Broadway lyricist and composer Stephen Sondheim, the late authors Frank McCourt and William Styron and the late sculptor Alexander Calder.

    In the late 1950s, Hollywood legend Marilyn Monroe, Miller’s second wife, lived there too.

    “A lot of these people go there because it’s not New York. It’s out of the way. It’s quiet and people don’t make a fuss about them,” said Sarah Griswold, board president of the Arthur Miller Writing Studio. “There’s no real commemoration or acknowledgment of the creativity that lives in these hills.”

    The group, which is partnering with other Arthur Miller organizations, hopes future visitors to the studio will learn about the playwright’s work and activism, as well as attend workshops on writing, theater and topics he cared about, such as mass incarceration. There are plans to eventually host writer residencies and an online repository.

    But the group has so far raised less than $20,000 through its GoFundMe site and is now under pressure to step up fundraising efforts due to planned improvements to the highway department’s parking lot.

    The studio, which Miller helped design and which still has the mismatched, linoleum floor tiles he laid himself, was the playwright’s second writing spot in Roxbury. He wrote “Death of a Salesman” (1949) at a cabin he built at a previous home.

    The newer studio wound up in its current spot after Rebecca Miller sold her father’s second property. Figuring the new owners might tear down the small outbuilding, she turned to the town for help and paid to have it shored up and moved temporarily.

    Rebecca Miller, who said she set aside proceeds from the house sale to contribute toward the $1 million goal, is donating the studio to the town.

    “It could go all sorts of places, but I really wanted it to belong to Roxbury because Roxbury was really his home for such a long time,” she said. “And so I thought it was kind of beautiful that it would belong to the town ultimately.”

    But fundraising has been challenging.

    “You can have a poetic idea, but then to actually make this happen is another thing entirely,” she said.

    “I do feel that there is money in the community,” she said. “Once people realize that others are giving, I think there will be more of a sense of people giving. And I think there is starting to be a groundswell of support.”

    Rebecca Miller salvaged the modest furnishings from the studio, including a daybed, a pot-belly wood stove and an old metal office chair that her father, a jack-of-all-trades, insisted on fixing rather than replacing. Once the building is renovated, the items will be arranged just like the playwright left them.

    Black-and-white photographs taken by Magnum photographer Inge Morath — Rebecca Miller’s mother and Arthur Miller’s third wife — document the playwright at work over the decades in the 14-by-20-foot space. The images will be used as a guide.

    Arthur Miller progressed from working at a desk he made from a wooden door to eventually a third desk he built with heavy plywood to hold his early computer equipment and a printer.

    Wearing his signature dark-rimmed glasses, he’s seen in a 1997 photo sitting back and reading over a manuscript, surrounded by dark wood paneling. Nearby, there’s an open dictionary and a typewriter. A radio and reference books sit on some shelves.

    In another photo, taken 25 years earlier, a serious-looking Miller poses, crossed legs, with a pipe in his mouth. A photo from 1963 shows him meeting in the studio with director Elia Kazan and producer Robert Whitehead, who worked together on the play “After the Fall,” which ran on Broadway for 208 performances.

    The writer’s literary assistant in the last decade of his life, Julia Bolus — also director of the Arthur Miller Trust and a Writing Studio board member — remembers the studio well. She said they worked there together in the afternoons after Miller was done writing for the day.

    “For almost half a century, it was his central space and his one private space,” said Bolus, who is working on a project to publish Miller’s journals. “The door was always open to his family, but people did give him … that morning time to himself.”

    Mary Tyrrell, a pharmacist and owner of the historic Canfield Corner Pharmacy in nearby Woodbury, remembers how Miller would pick up his newspaper and chat at the soda fountain with her late mother, Vera Elsenboss, the former owner. Tyrrell described the writer as unassuming — someone who might be a little embarrassed by today’s public attention to his no-frills literary refuge but who would ultimately appreciate it being preserved.

    One day, Tyrrell said, her mother demanded the writer take off his favorite sweater and allow her to mend the worn-out elbows with new leather patches. Miller lamented that it wasn’t the same.

    “She goes, ‘You’re right, Arthur, but this is what you deserve,’” Tyrrell said. “The people who loved him revered him as more than he thought of himself sometimes, which is kind of a nice thing for the community.”

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  • Drag queens are out, proud and loud in a string of coal towns, from a bingo hall to blue-collar bars

    Drag queens are out, proud and loud in a string of coal towns, from a bingo hall to blue-collar bars

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    SHAMOKIN, Pa. (AP) — Deep in Pennsylvania coal country, the Daniels drag family is up to some sort of exuberance almost every weekend.

    They’re hosting sold-out bingo fundraisers at the Nescopeck Township Volunteer Fire Co.’s social hall, packed with people of all ages howling with laughter and singing along. Or they’re lighting up local blue-collar bars and restaurants with Mimosas & Heels Drag Brunches for bridal parties, members of the military, families and friends.

    Or they’re reading in gardens to children dressed in their Sunday best — Dolly Parton’s “Coat of Many Colors” is a favorite book for performers and kids alike.

    In a string of towns running along a coal seam, the sparkle of small-town drag queens and kings colors a way of life rooted in soot, family and a conservative understanding of the world.

    Here two very old traditions mingle — and mostly happily, it seems, in contrast to the fierce political winds ripping at drag performances and the broader rights of LGBTQ+ people in red states from Utah and Texas to Tennessee and Florida.

    One tradition is the view of family as mom, dad and kids, plain and simple.

    The other, back to before Shakespearian times, is drag, a loud, proud and seismically flamboyant artistic expression of gender fluidity. Not plain, not simple, but also bedrock, rising above ground only in culturally adventurous cities.

    Yet the Daniels drag family is firmly woven in the fabric of the larger community in this area, where voters went solidly for Donald Trump, a Republican, in the last election. Their trouble is more apt to come from politicians who are increasingly passing laws restricting what they can do.

    Alexus Daniels, the matriarch, was the child of a coal miner and a textile worker who was “born with a female spirit.” She works at the local hospital as an MRI aide tech.


    Jacob Kelley, who performs as drag queen Trixy Valentine, is an LGBTQ+ activist and educator with a master’s in human sexuality.

    Harpy Daniels, Trixy’s twin, is a U.S. Navy sailor who’s had three deployments on the aircraft carrier USS Ronald Reagan. Soon that seaman, Petty Officer 1st Class Joshua Kelley, who just reenlisted, moves from a base in Norfolk, Virginia, to one in Spain, with plans to pack a wig “and maybe one or two cute outfits but nothing over the top” for Harpy-style shore leave.

    Apart from the twins, the drag performers in this circle are family by choice, not genes. Theirs is an oasis of belonging.

    “I never had a person like me growing up,” Trixy said, “and now I get to be that for everyone else.

    “There was a curse being a queer person in a rural town — the curse is that we’ll move … because there’s no one like us here, there’s no one that can understand us.

    “And drag now can be a place or a thing to show people like you that you don’t have to go to the cities. It’s here in your backyard.”

    The Associated Press followed the Daniels family for more than a year. Among them:

    Alexus Daniels, drag queen

    Daniels’ first memory is of her great-grandmother’s jewelry box. With Cyndi Lauper and the Pointer Sisters blasting, she would wrap herself in knitted blankets to lip-sync and dance for her family. “I had no idea that it was drag or gay,” she says. “I was just having a day!”

    Alexus hit high school and upped her Halloween game. She soon entered her first drag performance in the small Pennsylvania coal town of Weishample.

    “I still was not out at this point,” Alexus says. “I wasn’t even sure if I was gay. I knew I was attracted to boys and loved all things feminine! I kept this side of me to myself and my best friends growing up, who really didn’t see anything strange about it.”

    Trixy Valentine, aka Jacob Kelley, drag queen

    In their teens, Joshua was the first to turn to drag. Jacob started about six months later, in a white Marilyn Monroe dress at an amateur pageant in 2014.

    Trixy’s drag style is eclectic, but whether silly or fierce, there’s glitter: “I just want to shine when the light hits me.”

    “I came out as non-binary a few years ago because I started learning, like, what do I love so much about drag?” Kelley says. “It’s that femininity, that so-simple touch.”

    “I’m not a man,” Kelley says. “I never will see myself as a man. And I don’t see myself as a woman, either. But I see myself as beyond that.”

    In March, the Daniels drag family hosted bingo at the Nescopeck fire hall, packed with more than 300 people in a fund-raiser for a nearby theater.


    A small group of protesters could be watched on social media from the bingo hall, holding signs and praying the rosary across from the theater. Trixy addressed the bingo crowd.

    “There’s hundreds of us in this room and only nine of them on that street,” Trixy said. “So all I have to say is I don’t care what you believe in. But do not force it down my throat and tell me I shouldn’t be here because you think I’m wrong.

    “The Lord gave birth to me, too.”

    Trixy was in a long blue wig and Morgan Wells catsuit with an overskirt, a raised fist in the colors of the Pride flag on the chest.

    “Alright, let’s call some numbers!” Trixy said. “Let’s play some bingo!” The crowd cheered.

    Harpy Daniels, aka Joshua Kelley, U.S. Navy petty officer first class, drag queen

    Until 2011, the armed forces applied the “don’t ask, don’t tell” policy, which accepted LGBTQ+ people only if they stayed mum about their sexual orientation.

    But after Kelley enlisted in 2016, he encountered the opposite — call it “ask and tell.” A commander asked what pronoun they prefer. Joshua, relieved by the acceptance implied by the question, told him any pronoun will do.


    Now, the sailor is a social media sensation who was named a “digital ambassador” by the Navy, doing outreach to the LGBTQ+ community and others who have been marginalized: “I’m very proud to wear this uniform.”

    Kitty DeVil, aka Emily Poliniak, drag queen

    Kitty, a trans woman, describes her drag style as “punk and a lot of storytelling.” Her inspiration: Adore Delano, a 2014 finalist on “RuPaul’s Drag Race.”

    “She was what I wanted to be — this badass punker chick looking gorgeous without sacrificing her style,” Kitty says.

    Kitty says her performances are high-energy fun but also “a lighthouse.”

    “Because even in our LGBTQ community, there are outcasts and people who don’t feel like they’re like anybody else,” Kitty says. “So I wanted to make a beacon for all those people who feel weird and feel different and can’t really find their place in society.”

    Xander Valentine, aka Gwen Bobbie, drag king

    More than a decade after she was transfixed by seeing her first drag show, Xander was invited by Trixy to join the drag family.

    Xander has an energetic, family-friendly side as well as a sexy, sultry side. Confusing people about gender is intentional, a barrier-breaker.

    “I try to create a consistent theme of masculinity in my performances,” Xander says. “Although I paint my face, wear wigs and adorn myself with rhinestones, I usually perform to songs sung by men and tailor my costumes more toward suits and ties.

    “My personal goal as a king is to have the audience question my off-stage gender identity.”

    Why? It’s to convey the message, Xander says, that “it’s OK to not immediately know how a person identifies or who they are attracted to, and still be kind to them.

    “It’s OK to accept someone as different, even if you don’t fully understand it.”

    Woodward reported from Washington. Associated Press writer Lynn Berry contributed to this report from Washington.

    The audience gives drag queen Trixy Valentine, aka Jacob Kelley, a standing ovation for their drag story mix performance at a "Drag Bingo" fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
    Baby Angel, performs a “death drop” during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –

    Carolyn Kaster/AP

    Baby Angel, performs a "death drop" during the "Mimosas & Heels Drag Brunch" at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
    Baby Angel, performs a “death drop” during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –

    Carolyn Kaster/AP

    Sweet Pickles performs during the "Mimosas & Heels Drag Brunch" at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
    Sweet Pickles performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –

    Carolyn Kaster/AP

    Carlos Ova-Dupree performs during the "Mimosas & Heels Drag Brunch" at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
    Carlos Ova-Dupree performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –

    Carolyn Kaster/AP


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  • Kevin Spacey’s accuser describes the Oscar-winning actor as a ‘slippery, snaky’ predator to avoid

    Kevin Spacey’s accuser describes the Oscar-winning actor as a ‘slippery, snaky’ predator to avoid

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    LONDON (AP) — One of Kevin Spacey ‘s accusers described the Oscar-winning actor in a London court Monday as a “slippery, snaky” predator whom good-looking young men were warned to avoid.

    The man, who worked with Spacey when he came to the British capital’s Old Vic Theatre in the early 2000s, said the American actor offered to introduce him to Hollywood stars. But the man said the word around the playhouse was that he should be careful around Spacey.

    “It was well known he was up to no good,” the man said in a video of his police interview played for jurors in Spacey’s sexual assault trial. “He was almost right from the get-go grooming me.”

    An Afghan immigrant who’d worked as an interpreter for the U.S. military in Afghanistan was shot and killed this week in the United States.

    The University of North Carolina at Chapel Hill says it will offer free tuition to some students in order to expand diversity efforts following last week’s Supreme Court decision striking down affirmative action in college admissions.

    The Republican-controlled Legislature in Iowa will aim to enact a ban on abortion after roughly six weeks of pregnancy during a rare special session that starts Tuesday.

    Maine’s top gambling regulator has been punished with a weeklong suspension without pay for tweets posted from his personal account about women and a white nationalist group.

    The accuser, who cannot be identified under British law, is one of four men the former “House of Cards” star is accused of assaulting in the U.K.

    He said Spacey made him uncomfortable querying him about his sexuality, then became “touchy-feely” and graduated to aggressive groping when they were alone together. He likened Spacey to the villain he played in the 1995 thriller “Se7en” about a serial killer motivated by the seven deadly sins.

    “He’s a bit like that, a bit creepy,” the man said in his police interview last year.

    Spacey, 63, has pleaded not guilty to a dozen charges for events that date from 2001 to 2013. The charges include sexual assault, indecent assault and causing a person to engage in penetrative sexual activity without consent.

    He could go to prison if convicted, though Spacey told a German magazine that he expects he’ll be offered work “the moment I am cleared of these charges.”

    The trial, which is expected to last four weeks, continues Tuesday before a jury of nine men and three women in Southwark Crown Court.

    Once one of the biggest actors of his generation, Spacey won an Academy Award for supporting actor in “The Usual Suspects” in 1995 and best actor Oscar for the 1999 movie “American Beauty.” He’s also won awards for the stage and small screen.

    His career dried up when sexual misconduct allegations against him arose as the #MeToo movement exploded. He was written off the Netflix political thriller “House of Cards,” and cut from the completed film “All the Money in the World.”

    The actor, who has homes in the U.S. and London, is free on bail. He served as artistic director at the Old Vic from 2003 until 2015.

    The man who testified Monday said he reacted with horror when Spacey first made physical contact by rubbing his neck early in their work relationship in the early 2000s.

    “The first time that he touched me was just a massive shock,” he said. “I just don’t like people’s hands on me.”

    When he complained to a woman he worked for, she laughed it off and she said, “You can cope, you can handle it. We all know what he’s like,” he said.

    The man said he decided he “didn’t want to upset the apple cart” and got on with his job.

    But he said that as Spacey escalated to grabbing his crotch and taking his hand to rub the actor’s own privates over the pants, he began to dread when Spacey would return to London.

    He described how Spacey would lean toward him while seated next to him and allow his hand to wander to his leg and then his inner thigh. At that moment in the testimony, Spacey was leaning on his right elbow in a similar manner as he listened from the courtroom dock.

    On cross-examination, defense lawyer Patrick Gibbs suggested the man, who was disguised in court behind a curtain, was confused by the touching and even got a thrill from it.

    “Nothing happened between us. He was assaulting me,” the man replied. “I was doing my job and he was the one touching me.”’

    Gibbs confronted the man with a photo he posted on social media six years ago in which his arm appears to be around Spacey’s back.

    “Did it make you feel sick to stand there side by side?” Gibbs asked.

    The man said he used the image to promote his business.

    “Anyone who does social media would have killed for a picture like that,” he said.

    He said the final straw came on a day he was driving Spacey to a celebrity-studded summer gala in 2004 or 2005. The star violently gripped his crotch and he nearly ran off the road, the man testified.

    “He grabbed me really hard, and it really hurt,” he said. “I pushed him against the door and said, ‘Don’t do that again or I will knock you out.’”

    “That’s such a turn on to me,” he said Spacey replied. “You’re such a man.”

    Gibbs, however, said that Spacey only attended that gala once — three or four years earlier than the witness claimed.

    The defense lawyer also showed jurors a snapshot the man had sent Spacey of himself as thanks for supporting him on a charity hike in the Rocky Mountains of North America. The man also kept a warm letter Spacey wrote him after donating 5,000-pound ($6,350) for the trek.

    Spacey told police when he was questioned that he considered the man a “clever” and “charming” friend and was baffled and deeply hurt by his allegations. He suggested the man reimagined their time together to produce false allegations because he was either too embarrassed to admit the truth or seeking financial gain.

    On cross-examination, the man said he may have considered suing Spacey but that whatever financial award he might win in court “wouldn’t be enough.”

    The man said he told a few people in his life about his experience with Spacey, fearing it could affect his career. He said he decided to come forward last year after Spacey was charged with assaulting the three other alleged victims in the case.

    “That’s a big part of it,” the man said. “Strength in numbers, isn’t it?”

    “Or is it that in 2022, you saw a bandwagon coming past, and you decided to hop on board?” Gibbs asked.

    “That’s not true at all,” the man said.

    He said he never overcame the shame he felt from his encounters with Spacey and cannot bring himself to watch the actor’s films or TV shows.

    “I can’t stand watching the man. It makes me feel sick,” he said.

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