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  • Resources are out there for LGBTQ+ travelers looking to stay safe

    Resources are out there for LGBTQ+ travelers looking to stay safe

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    NEW YORK (AP) — Do LGBTQ+ tourists have a green book-like system for staying safe while traveling in these politically precarious times? They don’t have one. They have many.

    In recent years, there’s been an outpouring of specialized blogs, cruise and tour operators, and booking sites for accommodations. There are organizations that certify the support of transport operators, destinations and special events. And there are watchdog groups with eyes on the laws and customs of the world.

    “People are concerned because we realize that our rights are under attack in some cases,” said Mark Chesnut, a New York-based travel writer and speaker with 30 years of experience in the industry. “People aren’t going to stop traveling. They’re just more careful and taking precautions. They’re choosing destinations wisely.”

    Read reviews. Network with locals. Know the laws and customs of a destination, Chesnut and other seasoned LGBTQ+ travelers and their allies suggest. Is it illegal there to be gay? Is it a taboo that can get you killed? Is it safe to embrace or hold hands in public? What are the ramifications for HIV-positive travelers? How about misaligned documents and security scans for trans people?

    The potential pitfalls are many for LGBTQ+ travelers, especially couples looking to express their authentic selves, advocates said. But the possible dangers should be weighed against the joys of discovering new places, said Stefan Arestis and Sebastien Chaneac, the globetrotting couple behind the travel blog the Nomadic Boys.

    “We as gay people have to do that extra layer of research compared to my straight friends. They can hop on a plane and go,” said Arestis, a Greek Cypriot.

    He and Chaneac, who is French, left their London jobs (the former a lawyer and the latter in tech) to make Cyprus their base. They turned more than a decade of extended travel into a detail-rich website and, this year, a handbook for LGBTQ+ travelers, “Out in the World: The Gay Guide to Travelling with Pride.”

    Granular due diligence will help

    Arestis said it was clear in 2014, when they began blogging about their year-long sabbatical in Asia for friends and family, that LGBTQ+ travelers were hungry for information.

    “After about a year, we started getting random people coming to our site. We thought who are these people? Basically, they were googling things like where are the gay bars in Bali? Are there gay hotels in Shanghai? Is it safe to go to Taiwan? They were finding our content,” he said, because at the time there was little else about the subject online.

    Arestis has visited 97 countries of all sorts. Chaneac doesn’t count but does have places he wouldn’t go out of safety concerns, including Kuwait and Saudi Arabia.

    On their site and in their book, the Nomadic Boys tell it like they see it, with practical tips and a feel for political and cultural landscapes.

    They had a scare in Lebanon, for instance, when they were told they were blacklisted while trying to leave the country. And among their book’s listings are these warnings about Peru: It “lags behind its more progressive neighbors” in terms of LGBTQ+ rights but introduced anti-discrimination laws in 2017.

    “We advise caution over PDAs unless you’re in a gay-friendly environment. Having said that, Peru relies heavily on tourism so gay travelers will feel comfortable and welcome,” they advise.

    The couple went on to note they had no problems getting a double bed in any of the hotels they used in the Peruvian towns of Barranco, Miraflores, Cusco, Arequipa and Lake Titicaca.

    That level of detail and practicality is what drew Black travelers to green books during the Jim Crow era.

    Friendly locales only or venture out?

    Some other LGBTQ+ travelers prefer to stick with safer and more accepting locales, for comfort and as a boycott of sorts against hostile destinations. Others travel out of their comfort zones for adventure and to support local and often suppressed gay communities.

    “It’s a really robust debate,” Chesnut said. “It’s a personal judgment and a personal decision that travelers need to make.”

    Traveling can be particularly fraught for trans people.

    Gabrielle Claiborne in Atlanta is co-founder and CEO of Transformation Journeys Worldwide, a training and consulting firm that works with Fortune 100 companies on creating cultures of belonging for trans and gender-diverse people. She’s also the chair of the International Gay and Lesbian Travel Association Foundation’s Transgender Advisory Group.

    Claiborne is a trans woman who frequently travels globally. At 6-foot-2, and taller in heels, she often draws stares in security lines.

    “I get a lot of people whispering and gawking, just by being present and being visible in that space,” she said. “The security checkpoint is triggering for trans people because of the experiences with TSA agents, from other people in the line.”

    Some trans people have documents with photos and gender markers that don’t align. Going through security scanners can be troubling, Claiborne said. Agents must press a button designating male or female.

    “If they pressed the wrong button and an area of our bodies is flagged, we have to go through a very triggering pat down,” she said.

    Claiborne doesn’t support boycotts of unfriendly destinations.

    “We have a long way to go, yet I’m optimistic about the progress that is being made,” she said. “The reality is we make progress when people are willing to stand up and be visible. Until we’re visible in a space where we might be the only one like us in the room or in that space, people are not going to know what they don’t know.”

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  • Pro-Palestinian protesters disrupt opening night of Toronto Film Festival

    Pro-Palestinian protesters disrupt opening night of Toronto Film Festival

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    TORONTO (AP) — Pro-Palestinian protesters disrupted an opening night screening at the Toronto International Film Festival, chanting “Stop the genocide!” during opening remarks.

    At the screening for the David Gordon Green comedy “Nutcrackers” on Thursday evening, four protesters walked down the center aisle of the Princess of Wales Theatre, carrying signs and flashlights while shouting criticism of festival sponsor Royal Bank of Canada. “Cut ties with RBC,” they yelled.

    Cameron Bailey, festival director, was speaking at the podium on stage when the protest began. He tried to maintain order, urging the protestors, “We are here to start the festival.” Numerous crowd members booed the protesters.

    The protest lasted for a handful of minutes before the demonstrators were ushered out by security. Several attendees posted videos online of the episode.

    Representatives for the festival didn’t respond to requests for comment.

    In a statement, RBC said: “We respect the right of individuals to make their voices heard, but it’s unfortunate to see activist groups attempting to co-opt this important cultural event. Protestors targeting corporate sponsors are shifting attention from the work of artists and weakening support for essential arts and cultural programs.”

    The bank added: “The humanitarian crisis in Israel and Gaza continues to have a devastating impact and we feel deeply for everyone who is affected.”

    At last year’s TIFF, a campaign called RBC Off Screen also protested the festival sponsor. An open letter to TIFF urged the festival to reconsider its relationship with RBC. Signees included Mark Ruffalo, Rachel McAdams and Joaquin Phoenix. They criticized the bank’s funding of the oil and gas industry.

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  • Top 20 Global Concert Tours from Pollstar

    Top 20 Global Concert Tours from Pollstar

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    The Top 20 Global Concert Tours ranks artists by average box office gross per city and includes the average ticket price for shows Worldwide. The list is based on data provided to the trade publication Pollstar by concert promoters and venue managers.

    TOP 20 GLOBAL CONCERT TOURS

    1 Luke Combs $6,962,629 51,686 $134.71
    2 Coldplay $6,570,399 53,227 $123.44
    3 Bruce Springsteen & The E Street Band $6,559,247 51,148 $128.24
    4 P!NK $6,530,878 47,793 $136.65
    5 Kenny Chesney $4,595,640 38,777 $118.51
    6 Foo Fighters $4,328,026 32,198 $134.42
    7 Dead & Company $4,157,908 15,857 $262.21
    8 Max Pezzali $2,919,673 44,094 $66.21
    9 Justin Timberlake $2,684,829 15,194 $176.70
    10 Karol G $2,566,706 24,312 $105.57
    11 blink-182 $2,513,073 20,860 $120.47
    12 Luis Miguel $2,339,839 16,551 $141.36
    13 Chris Brown $2,090,425 13,001 $160.79
    14 Noah Kahan $2,076,755 18,194 $114.14
    15 Olivia Rodrigo $2,013,050 15,692 $128.28
    16 Aventura $1,952,422 14,238 $137.12
    17 The Killers $1,862,341 16,112 $115.58
    18 Fuerza Regida $1,777,142 13,134 $135.31
    19 Lady Gaga $1,638,194 5,299 $309.11
    20 Jhené Aiko $1,565,030 12,379 $126.42

    For free upcoming tour information, go to www.pollstar.com

    TOP 20 GLOBAL CONCERT TOURS

    1 Luke Combs $6,962,629 51,686 $134.71
    2 Coldplay $6,570,399 53,227 $123.44
    3 Bruce Springsteen & The E Street Band $6,559,247 51,148 $128.24
    4 P!NK $6,530,878 47,793 $136.65
    5 Kenny Chesney $4,595,640 38,777 $118.51
    6 Foo Fighters $4,328,026 32,198 $134.42
    7 Dead & Company $4,157,908 15,857 $262.21
    8 Max Pezzali $2,919,673 44,094 $66.21
    9 Justin Timberlake $2,684,829 15,194 $176.70
    10 Karol G $2,566,706 24,312 $105.57
    11 blink-182 $2,513,073 20,860 $120.47
    12 Luis Miguel $2,339,839 16,551 $141.36
    13 Chris Brown $2,090,425 13,001 $160.79
    14 Noah Kahan $2,076,755 18,194 $114.14
    15 Olivia Rodrigo $2,013,050 15,692 $128.28
    16 Aventura $1,952,422 14,238 $137.12
    17 The Killers $1,862,341 16,112 $115.58
    18 Fuerza Regida $1,777,142 13,134 $135.31
    19 Lady Gaga $1,638,194 5,299 $309.11
    20 Jhené Aiko $1,565,030 12,379 $126.42

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  • Music Review: On ‘Cowboys and Dreamers,’ George Strait’s traditional country is still a heart warmer

    Music Review: On ‘Cowboys and Dreamers,’ George Strait’s traditional country is still a heart warmer

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    George Strait’s 31st studio album, the feel-good “Cowboys and Dreamers,” marks five decades of record releases; a titanic career for a Texas troubadour whose greatest ambition seems to have always been the same: Make pretty, plain-spoken songs about life’s true pains and pleasures, and listeners will find their own resonance within them.

    Across 13 songs in 47 minutes — his first collection since 2019’s “Honky Tonk Time Machine” — Strait plays to his traditionalist country style without ever sounding derivative of his former records. That’s the beauty of his particular songwriting: The songs on “Cowboys and Dreamers” could exist at any point in time across his career, not in a lazy atavistic fashion, but utilizing nostalgia as an effective art medium.

    There are standouts for every mood across “Cowboys and Dreamers,” best heard through an old truck’s speakers while driving down an empty back road: The joyful single “Honky Tonk Hall of Fame,” featuring Chris Stapleton, a cover of Waylon Jennings’ “Waymore’s Blues,” and the Jimmy Buffet-informed vacation stomper, “MIA Down in MIA.”

    Privacy is required for the tear-jerking ballads with pedal steel that sounds like crying: Like on “The Little Things,” “People Get Hurt Sometimes,” “The Journey Of Your Life” or, most severely, “Rent,” written by Guy Clark and Keith Gattis, that begins with Strait offering a spoken-word tribute to the late Gattis.

    “The war took my brother/The good Lord took my mother/And the years, well, I don’t know where they all went,” he later sings in its striking chorus. “Until that roll is called up yonder/All I can do is wonder/If I even did enough to make a dent/But I made a few good friends/And I always paid my rent.”

    Over the last two years, Strait has been on tour with Stapleton and Little Big Town. He’s filled stadiums in states maybe not stereotypically associated with country music, but deep appreciators of the stuff, nonetheless. In June, at New Jersey’s MetLife Stadium not far from New York City, Strait turned a space of tens of thousands across many demographics into something resembling the intimacy of those honky tonks he’s always singing about. Strait performed with a big band and a lot of heart, in a Western shirt and stiff, straight-starched jeans. (The closest a person can get to levitation is singing along to “Amarillo by Morning” in a stadium of tens of thousands, anyway.) There, as on “Cowboys and Dreamers,” Strait’s powers were in full force: Familiar sounds in a modern context. If you love Strait, you love him — and that makes it classic.

    ___

    For more AP reviews of recent music releases, visit: https://apnews.com/hub/music-reviews

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  • An appeals court upholds a ruling that an online archive’s book sharing violated copyright law

    An appeals court upholds a ruling that an online archive’s book sharing violated copyright law

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    NEW YORK (AP) — An appeals court has upheld an earlier finding that the online Internet Archive violated copyright law by scanning and sharing digital books without the publishers’ permission.

    Four major publishers — Hachette Book Group, HarperCollins Publishers, John Wiley & Sons and Penguin Random House — had sued the Archive in 2020, alleging that it had illegally offered free copies of more than 100 books, including fiction by Toni Morrison and J.D. Salinger. The Archive had countered that it was protected by fair use law.

    In 2023, a judge for the U.S. District Court in Manhattan decided in the publishers’ favor and granted them a permanent injunction. On Wednesday, the U.S. Court of Appeals for the Second Circuit concurred, asking the question: Was the Internet Archive’s lending program, a “National Emergency Library” launched early in the pandemic, an example of fair use?

    “Applying the relevant provisions of the Copyright Act as well as binding Supreme Court and Second Circuit precedent, we conclude the answer is no,” the appeals court ruled.

    In a statement Wednesday, the president and CEO of the Association of American Publishers, Maria Pallante, called the decision a victory for the publishing community.

    “Today’s appellate decision upholds the rights of authors and publishers to license and be compensated for their books and other creative works and reminds us in no uncertain terms that infringement is both costly and antithetical to the public interest,” Pallante said.

    The Archive’s director of library services, Chris Freeland, called the ruling a disappointment.

    “We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books,” he said in a statement.

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  • There’s no X in Brazil. Celebrity fandom worldwide is in disarray

    There’s no X in Brazil. Celebrity fandom worldwide is in disarray

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    It was a rapture and a revelation all at the same time.

    En masse, celebrity stan accounts posted tearful farewells over the weekend as X was suspended in Brazil amid a showdown between Elon Musk and a Supreme Court justice. Many of their hundreds of thousands of followers learned only then that their favorite celebrity’s most dedicated English-language fan accounts had actually been run by Brazilians.

    It shouldn’t have necessarily been a surprise — “Come to Brazil” is a stalwart meme. Brazil’s CCXP bills itself as the Americas’ largest comic-con, drawing A-list Hollywood talent. The stars of the long-ended show “Everybody Hates Chris” are beloved. Brazil does fandom like no other, the avalanche of goodbyes unearthing a wide array of accounts for Taylor Swift, C-list celebrities and the long-dead alike.

    “I came to realize how strong our digital power is in this last minute, because we tweet in English so people don’t know that we are Brazilians. But we are a lot, we are everywhere,” said Aianne Amado, a University of Sao Paulo doctoral candidate who studies Brazilian fandoms. “I think that we will be missed and it’s not going to be the same network.”

    Meet the fans

    Paola Strabelli didn’t care much for reading. A few years ago, though, she saw “Vita and Virginia” and became entranced — not with its lead actors, but with Virginia Woolf herself.

    She started to read Woolf voraciously, and created @botvirginia to share Woolf’s quotes, amassing 115,000 followers.

    Strabelli, 26, told The Associated Press that, growing up, she didn’t have many friends. In some ways, she said, her life began with online fandom — first, through Katy Perry and the show “Once Upon A Time,” and then Woolf. Online friendships translated into real life, and, for a year, she dated a girl she met through their shared passion.

    The law student behind @agron_updates, dedicated to “Glee” actor Dianna Agron, never reckoned on disclosing her nationality. The 32-year-old from Brazil’s center-west region requested anonymity for privacy, as she pursues government jobs. She was drawn to Agron because she thought the actor seemed “so kind.” By 2016, annoyed with how Agron’s fan accounts operated — cropping out boyfriends, for example — she co-founded an X account that grew to more than 7,600 followers.

    All along, she’s been careful to maintain a separation between her own feelings and the account’s.

    “Sometimes I will watch a movie and I think it’s terrible, but I’ll go on the account and say, ‘Guys, it’s amazing,’” she said. “I wasn’t hoping to have to come out as a Brazilian.”

    Then there’s @21metgala, run by two 18-year-old college students, Maria and Tamara. In three years, it’s gained more than 175,000 followers and, unlike many stan accounts, covers general celebrity news (though they have a soft spot for Rihanna). Maria, who cited privacy in not wanting to publish her surname, said via WhatsApp that she was taken aback by the response to their departure.

    “Most of our followers didn’t know we were Brazilian, so it was a huge shock when we announced it,” she wrote. Even Cardi B responded with distraught emojis.

    Amado attributed Brazil’s fervor for foreign entertainment to both its colonial history and the country’s sheer diversity, noting its high consumption of Japanese otaku culture and its large population of Japanese descent.

    Fandom is hard work

    Fandom can often be derided with a condescension that belies the sheer amount of work that goes into maintaining these accounts.

    “At first, I thought that fans were crazy. And, like, psychologically, I don’t know, sick? … And now, I’ve come to see that it’s all about passion and effect and it’s a very human behavior. Everybody’s interested in something,” be it cooking or canines, Amado said. “But for some reason, when you’re interested in something in pop culture, people tend to think that is less than.”

    An academic from Belo Horizonte, Samira Spolidorio has studied fansubbing — where devoted viewers come together to subtitle. She has a simple theory for why Brazilians are such engines of fandom, using a word that came up in interview after interview: Brazilians are just “passionate.” They’re also looking for a sense of belonging, she said.

    Despite being grassroots efforts that drew no profit, fansubbing groups had “very strict rules” requiring volunteers to work overnight, Spolidorio said. A 40-minute episode required at least four people to subtitle and two to review — there were style guides, too.

    That commitment can exact a price. Before X’s suspension, @agron_updates had an expiration date of Dec. 31. Running it was affecting its administrator’s entire life, even leading to a breakup.

    “One of the reasons was I was always on the phone, always checking for content,” she told the AP. “It’s kind of like a drug, it seizes something in your brain. You want to be first to post it.”

    “I’ve been unemployed for the past two years, and I have to study, I have to do something with my life,” she added. “There’s no way I can keep my life revolving around keeping a Twitter account for someone who — I love Dianna, but she doesn’t work.”

    What’s next

    In the past week, X alternative Bluesky has boosted its base by one-third, adding 2 million users, CEO Jay Graber told the AP. Around 90% are Brazilian and most activity is in Portuguese, she said Monday.

    Brazilians using virtual private networks to bypass the suspension face steep fines, but @21metgala has been able to continue posting sporadically.

    “Some Wi-Fi providers haven’t fully blocked access yet, but it’s very unstable,” Maria wrote Monday. While they are on other platforms, @21metgala will certainly be back if X is unsuspended.

    “Twitter was faster for posting photos, and Bluesky doesn’t allow video posts yet, which is a bit of a challenge. We’re not huge fans of Instagram because accounts can be easily taken down due to copyright issues,” she wrote. (Video is coming to Bluesky, Graber says, “definitely sooner than months.”)

    For CCXP, the suspension doesn’t pose much of a threat to the convention’s success. In a statement, vice president for content Beto Fabri said they’d already “focused on valuing and building relationships with the geek community” on WhatsApp, Telegram, Facebook and their own platforms.

    Not everyone plans to pivot. Despite having nearly 16,000 followers at @GALITZINEFOX, 23-year-old Alana Souza is relatively new to stanning actor Nicholas Galitzine. The advertising student from Recife became devoted after watching “Red, White & Royal Blue” last year. Given the amount of time she’s spent on X, she’s doesn’t want to start over.

    “If X doesn’t get unsuspended in Brazil then that’s gonna be the end of it,” she wrote in an email, later adding that her absence “gives me the feeling of being disconnected from what’s going on in the world.”

    Since Musk bought X, Strabelli has found it less fun. But it still had a cachet that, for her, can’t be replicated. While she appreciates Instagram for letting her start over — she can reuse quotes instead of scouring the internet for lesser-known scraps of Woolf’s writing — she finds it impersonal. There are many things she will miss about X, including her “gringo friends that are tweeting.”

    “I felt famous and wanted,” she said. “And when I saw the replies, I don’t know, I’m not going to lie, this ego bump was really nice.”

    ___

    Sen reported from New York. Associated Press journalist David Biller contributed reporting from Rio de Janeiro.

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  • Claw machine games are Rio de Janeiro’s new public enemy

    Claw machine games are Rio de Janeiro’s new public enemy

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    RIO DE JANEIRO (AP) — Rio de Janeiro — already notorious for street muggings, corrupt politicians, ruthless militias and Kalashnikov-toting drug traffickers — has a new public enemy: plushies. Or, more specifically, the joystick-controlled claw machines that dispense them.

    On Wednesday, Rio police carried out 16 search warrants targeting the machines that elicit exhilaration among children and adults alike. But police said the claw machines defraud users who believe scoring stuffed animals to be a test of skill. In fact, they are games of chance — just like slot machines — and therefore illegal, according to their press office.

    Officers seized claw machines, laptops, tablets, cell phones, a firearm and — yes — furry friends. They are investigating whether organized crime groups may be the invisible hand behind the claw because they already run slot machines and a popular lottery known as “Animal Game” across the city. Police in Brazil’s southern Santa Catarina state carried out an additional three search warrants Wednesday as part of the same operation.

    It marked the second such police crackdown, following another in May during which officers apprehended 80 machines. Not only were those machines stocked with counterfeit plushies, but subsequent analysis of their programming found winning pulls were permitted only after a set number of attempts, police said in their statement Wednesday. Facilitating such sporadic, successful snags is an electrical current to the otherwise enfeebled claw so it holds fast to its prize, the statement said.

    That programming isn’t disclosed to naive users, including children liable to blow their pocket money on what’s effectively a crap shoot. Claw machines can be found in Rio’s shopping malls, subway stations, supermarkets, arcades and toy stores.

    Among Rio’s claw aficionados is Alessandra Libonatti, 41, who has played for nearly three decades. She remembers the machines causing a stir when they first appeared in the city; she had only seen them before in movies. These days she tends to play once a week, whether alone or at the mall with friends who share her “peculiar” hobby.

    She likes the low-investment adrenaline rush and, by her own account, she’s a talented clawmaster who has honed her techniques to maximize success, from scouting the stuffed animal landscape to precise positioning of the claw. She treasures a manatee with jaguar spots that she pulled in on a trip to the nation’s capital with friends.

    “When I pass by a machine, I give it a look to see if there’s a stuffed animal that makes it worth it to play,” she told The Associated Press. “Because it’s not always worth it; sometimes it’s clearly a waste of money.”

    Claw machines may have been feats of skill in decades past, but most modern machines have built-in programming allowing operators to predetermine their profitability, said Jeremy Hambly, a claw game aficionado from the Milwaukee area. His ClawStruck YouTube channel shows how many different models work, he previously told the AP. He said odds should be posted prominently on machines for users to review.

    Most U.S. states consider claw machines games of chance and specifically exempt them from gambling statutes, as long as they comply with certain rules specific to those states. According to industry officials, it’s in arcades’ best interests to have customers win so they’ll keep playing.

    But lately it’s tough going for Rio’s claw connoisseurs, Libonatti said. And she chalks that up to changes made to the machines that didn’t escape her exacting eye.

    “The current machines are crap. The claws are weaker,” she wrote in a text message to a friend in April, reviewed by the AP.

    “Amiga, yessssss!” her friend replied. “I went back to the machines where I always got (stuffed animals) in recent weeks and they’re soooooo weak!”

    Local online media outlet G1 dubbed the phenomenon the “weak claw scam.”

    The nearly 13,000 stuffed animals police detained in May were initially destined for destruction, but a request from state lawmakers found favor with a judge who spared them. Instead, police donated the plushies to families who lost their homes in the massive floods of southern Rio Grande do Sul state, particularly children in shelters.

    The fate of the stuffed animals seized Wednesday was still unclear.

    ___

    Associated Press writer Bruce Shipkowski contributed from Trenton, New Jersey.

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  • Edwin Moses documentary to debut Sept. 21 at his alma mater, Morehouse College

    Edwin Moses documentary to debut Sept. 21 at his alma mater, Morehouse College

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    A documentary exploring how Edwin Moses blended science with athleticism to become the world’s greatest hurdler in the 1980s, then parlayed his fame into a mission to fight for better pay and fair sports, will debut Sept. 21 at his alma mater at the Morehouse College Human Rights Film Festival.

    The movie’s title “MOSES-13 Steps” is a reference to the number of steps he took between hurdles. At the time, most hurdlers took 14 steps. Moses, who got a Master’s degree in physics, used science to determine how he could shave fractions of seconds off his 400-meter hurdles by lengthening his stride and saving one step. That also involved learning to jump off a different foot — no small feat in the most technical sport on the track.

    The movie uses archival footage and interviews to follow Moses’ journey from childhood through a career that included an unmatched 122-race winning streak. He used his name recognition to demand higher appearance fees for both himself and fellow track stars. Moses later became an outspoken critic of the Olympic movement’s drug-fighting policies, and eventually became chair of the U.S. Anti-Doping Agency.

    “This film delves into the life of the Olympic 400-meter hurdles champion Edwin Moses. On the track, no one could match him for a decade. Off the track, he left an even greater legacy,” said one of the film’s producers, actor Morgan Freeman.

    On the night of the premiere, Moses will receive a pair of awards: the film festival’s Enlightened Lens Documentary Feature Award, and the first humanitarian award named after Moses himself, which recognizes his contributions on and off the track.

    ___

    AP Olympics: https://apnews.com/hub/2024-paris-olympic-games

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  • Leonard Riggio, who forged a bookselling empire at Barnes & Noble, dead at 83

    Leonard Riggio, who forged a bookselling empire at Barnes & Noble, dead at 83

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    NEW YORK (AP) — Leonard Riggio, a brash, self-styled underdog who transformed the publishing industry by building Barnes & Noble into the country’s most powerful bookseller before his company was overtaken by the rise of Amazon.com, has died at age 83.

    Riggio died Tuesday “following a valiant battle with Alzheimer’s disease,” according to a statement issued by his family. He had stepped down as chairman in 2019 after the chain was sold to the hedge fund Elliott Advisors.

    “His leadership spanned decades, during which he not only grew the company but also nurtured a culture of innovation and a love for reading,” reads a statement from Barnes & Noble.

    Riggio’s near-half-century reign began in 1971 when he used a $1.2 million loan to purchase Barnes & Noble’s name and the flagship store on lower Fifth Avenue in Manhattan. He acquired hundreds of new stores over the next 20 years and, in the 1990s, launched what became a nationwide empire of “superstores” that combined a chain’s discount prices and massive capacity with the cozy appeal of couches, reading chairs and cafes.

    “Our bookstores were designed to be welcoming as opposed to intimidating,” Riggio told The New York Times in 2016. “These weren’t elitist places. You could go in, get a cup of coffee, sit down and read a book for as long as you like, use the restroom. These were innovations that we had that no one thought was possible.”

    He grew up working class in New York City, liked to say he preferred socializing with childhood pals over fellow business leaders and was informal enough among associates to be known as “Lenny.” But in his time no one in the book world was more feared. With the power to make any given book a bestseller, or a flop, to alter the market on an idle whim, Riggio could terrify publishers simply by suggesting prices were too high or that he might sign up such top sellers as Stephen King and John Grisham and publish them himself. He even tried to buy the country’s biggest book wholesaler, Ingram, in 1999, but backed off after facing government resistance.

    By the end of the 1990s, an estimated one of every eight books sold in the U.S. were purchased through the chain, where front table displays were so valuable that publishers paid thousands of dollars to have their books included. Thousands of independent sellers went out of business even as Riggio insisted that he was expanding the market by opening up in neighborhoods without an existing store. Instead, independent owners spoke of being overwhelmed by competition from both Barnes & Noble and Borders Book Group, the rival chains sometimes setting up stores in close proximity to each other and to the locally owned business.

    Barnes & Noble became so identified as an overdog that one of the 1990s’ most popular romantic comedies, “You’ve Got Mail,” starred Tom Hanks as an executive for the “Fox Books” chain and Meg Ryan as the owner of an endangered independent store in Manhattan.

    “We are going to seduce them with our square footage, and our discounts, and our deep arm chairs, and our cappuccino,” Hanks’ character confidently declares. “They’re going to hate us at the beginning, but we’ll get ’em in the end.”

    Acrimony from independent booksellers

    For a time, it seemed industry conversation was an ongoing response to Barnes & Noble. Publishers were known to change the cover or title of a book simply because a Barnes & Noble official had objected. “Angela’s Ashes” author Frank McCourt found himself condemned by the American Booksellers Association, the trade organization for independents, after agreeing to appear in a Barnes & Noble commercial. On the floor of the industry’s annual national trade show, long hosted by the ABA, independent store employees would hiss at attendees wearing Barnes & Noble badges.

    When novelist Russell Banks, addressing Barnes & Noble’s annual shareholder meeting in 1995, declared that he was both a stock holder and a happy B&N customer, some independent sellers stopped offering his books.

    “You must know that I’ll never read, buy or sell another word you write,” Richard Howorth, owner of Square Books in Oxford, Mississippi, wrote to him. “These are the kindest things I can think of to say to you.”

    Tensions led to legal action when the ABA — on the eve of the 1994 convention — announced it was suing Barnes & Noble and five leading publishers for unfair trade practices. Some of the publishers were so angered they boycotted the gathering the following year and only returned after the ABA sold the show to Reed Exhibitions. In 1998, the ABA sued Barnes & Noble and Borders for unfair business practices (both cases were settled out of court).

    The internet shifts bookselling

    Riggio began the 2000s at the height of power, with more than 700 superstores and hundreds of others outlets. But internet commerce was growing quickly and Barnes & Noble, with its roots in physical retail, lacked the imagination and flexibility of the startup from Seattle that called itself “Earth’s Biggest Bookstore,” Amazon.com. The online giant launched in 1995 by Jeff Bezos gained business throughout the 2000s and by the early 2010s had displaced Barnes & Noble through such innovations as the Kindle e-book reader and the Amazon Prime subscription service.

    Bezos would liken himself to David taking down Goliath, although the contrast between the leaders also had the feel of an Aesop’s fable: The muscular, mustachioed Riggio, a boxer’s son, upended by the quick and clever Bezos.

    “We’re great booksellers; we know how to do that,’’ Riggio acknowledged to the Times in 2016. “We weren’t constituted to be a technology company.”

    Barnes & Noble started its own online site in the late 1990s, but such initiatives as the Nook e-book reader and a self-publishing platform failed to stop Amazon. Not even the collapse of Borders after the 2008-2009 economic crisis mattered for Barnes & Noble, which after decades of expansion closed more than 100 stores between 2009 and 2019.

    An unlikely ally of independent booksellers

    By the time of Riggio’s retirement, independent sellers regarded the chain not as a threat, but as an ally in the fight against Amazon to keep physical stores alive. At the 2018 booksellers convention, Riggio and ABA CEO Oren Teicher, once enemies in business and in court, praised each other during a joint appearance.

    “My standing here, doing what I’m about to do (introduce Riggio) would have been impossible to imagine several years ago,” Teicher said at the time. “The simple fact is that our business is stronger and American readers benefit when there is a vibrant and healthy network of brick-and-mortar bookshops all across the country.”

    During the 2010s, Barnes & Noble seemed unleadable and unwanted. The board announced in 2010 that the company was for sale, but no one offered to buy it. Four CEOs left in five years and Barnes & Noble’s stock dropped 60% between 2015 and 2018. New rumors of a sale lasted for months before Elliott Advisors, which had previously purchased the British chain Waterstones, bought Barnes & Noble for $638 million and hired Waterstones chief executive James Daunt to lead B&N.

    “I don’t miss being a business person, I had enough of that. But I do miss the bookselling part, helping to find books to recommend to customers,” Riggio told Publishers Weekly in 2021.

    Riggio’s roots and early bookselling ventures

    Bookselling and family often overlapped for Riggio. His brother Steve Riggio served for years as vice chairman of Barnes & Noble and another brother, Vincent “Jimi” Riggio, helped run a trucking company that shipped the store’s books. After being interviewed in 1974 by the trade publication College Store Executive, Leonard Riggio met for coffee with the editor, Louise Gebbia, who seven years later became his second wife (Riggio had three children, two with his first wife, one with his second).

    Leonard S. Riggio was the eldest son of a prize fighter (who twice defeated Rocky Graziano) turned cab driver and a dress maker. Even in childhood, he advanced quickly, skipping two grades and attending one of the city’s top high schools, Brooklyn Tech. He studied metallurgical engineering at New York University’s night school before focusing on commerce, and by day absorbed the bookselling world and the rising cultural rebellion of the 1960s.

    Working as a floor manager at the campus book store, he learned enough to drop out of school and start a rival shop in 1965 — SBX (Student Book Exchange), where he allowed student activists to use the copying machine to print copies of anti-war leaflets. SBX was so successful he bought several other campus stores and was in position by 1971 to buy Barnes & Noble and its single Manhattan store. A few years later, he became the rare bookseller to run television commercials, with the catchphrase “Barnes & Noble! Of Course! Of Course!”

    Riggio and the independent community may have seemed to hold opposing values, but they shared a love of reading and the arts and a liberal political outlook. He was a generous philanthropist and a prominent supporter of Democratic politicians. He was even friendly with the consumer activist and presidential candidate Ralph Nader, who featured Riggio, Ted Turner and Yoko Ono among others in his 2009 novel “Only the Super-Rich Can Save Us!”, in which Nader imagines a progressive revolution from above.

    “Ever since he was a boy from Brooklyn, he’d had a visceral reaction to the way workings stiffs and the poor were treated on a day-to-day basis,” Nader wrote of Riggio, who did at times stand apart from his management peers. When some 200 business leaders were questioned by Fortune magazine in the 1990s about their political ideas, only Riggio supported the raising of worker pay.

    “Money can become a burden, like something you carry on your shoulders,” he told New York magazine in 1999. “My nature is to be a ball-buster, but my role is to help people.”

    ___

    This story has been updated to correct the names of Riggio’s second wife and one of his brothers. They are Louise Gebbia, not Louise Altavilla, and Vincent “Jimi,” not Thomas.

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  • Kelces cash in: Travis and Jason Kelce take popular ‘New Heights’ podcast to Amazon’s Wondery

    Kelces cash in: Travis and Jason Kelce take popular ‘New Heights’ podcast to Amazon’s Wondery

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    KANSAS CITY, Mo. (AP) — Chiefs tight end Travis Kelce and his brother, former Eagles center Jason Kelce, are taking their popular “New Heights” podcast to Amazon’s Wondery under a three-year deal that gives the company exclusive advertising sales and distribution rights.

    The financial terms of the deal were not immediately available, though some reports put the total at nine figures.

    The deal, announced by Wondery on Tuesday, will begin with this week’s episode, which drops Wednesday. It includes the back catalog of podcast content along with exclusive rights to monetize and distribute audio and video episodes.

    “We couldn’t be more excited to team up with Wondery for the next phase of ‘New Heights,’” the Kelce brothers said in a statement. “We love this show and the fanbase that has grown with us over the last two seasons. Wondery understands the shared vision and will offer a wealth of experience and resources to take us to ‘New Heights!’”

    The personable Kelce brothers launched their podcast two years ago. It initially was designed to peel back the cover on the world of professional football players, but has since expanded to touch other corners of the pop culture universe.

    The weekly series was chosen podcast of the year at the 2024 iHeartPodcast Awards.

    “‘New Heights’ on the surface is a sports podcast, and sports is such a well-listened-to category,” Wondery chief executive Jen Sargent said, “but it’s become a cultural phenomenon. They’re in that cultural zeitgeist.”

    Travis Kelce’s celebrity status reached another level early last season, when the tight end of the two-time defending Super Bowl champion Chiefs began dating pop superstar Taylor Swift. He has several crossover projects in the works, including a 20-episode game show for Amazon Prime Video called “Are You Smarter Than a Celebrity?”

    Jason Kelce recently retired after a 13-year career spent entirely with the Eagles. But his popularity also has been on the rise; he was frequently seen attending the Paris Olympics and will appear on “Monday Night Countdown” on ESPN.

    ___

    AP NFL: https://apnews.com/hub/nfl

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  • Edgar Bronfman Jr. withdraws offer for Paramount, allowing Skydance merger to go ahead

    Edgar Bronfman Jr. withdraws offer for Paramount, allowing Skydance merger to go ahead

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    NEW YORK (AP) — The merger between entertainment giant Paramount and media company Skydance is set to go ahead after Edgar Bronfman Jr. withdrew a competing offer.

    Bronfman, executive chairman of streaming service Fubo, told Paramount’s special committee of directors Monday night that he would not proceed with his bid.

    “While there may have been differences, we believe that everyone involved in the sale process is united in the belief that Paramount’s best days are ahead,” he said.

    Bronfman, the former chairman and CEO of Warner Music, had intitially offered $4.3 billion for Shari Redstone’s National Amusements, the controlling shareholder of Paramount, according to multiple media reports. He then upped that bid to $6 billion.

    Paramount agreed last month to a merger deal with Skydance that will inject desperately needed cash into a legacy studio that has struggled to adapt to a shifting entertainment landscape.

    Since then, during what’s known as a “go shop” period, a special committee of Paramount’s board had reached out to more than 50 third parties to determine whether they were interested in making offers. The go shop period was extended for Bronfman, but has now closed.

    Shari Redstone’s National Amusements has owned more than three-quarters of Paramount’s Class A voting shares through the estate of her late father, Sumner Redstone. She had battled to maintain control of the company that owns CBS, which is behind blockbuster films such as “Top Gun” and “The Godfather.”

    The deal signals the rise of a new power player, Skydance founder David Ellison, the son of billionaire Larry Ellison, who founded the software company Oracle.

    Skydance, based in Santa Monica, California, has helped produce some major Paramount hits in recent years, including Tom Cruise films like “Top Gun: Maverick” and installments of the “Mission Impossible” series.

    The proposed combined company of Paramount and Skydance is valued at around $28 billion. The deal is expected to close in September 2025, pending regulatory approval.

    Paramount, founded in 1914 as a distributor, is one of Hollywood’s oldest studios and has had a hand in releasing numerous films — from “Sunset Boulevard” and “The Godfather,” to “Raiders of the Lost Ark” and “Titanic.”

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  • Comic Relief US launches new Roblox game to help children build community virtually and in real life

    Comic Relief US launches new Roblox game to help children build community virtually and in real life

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    NEW YORK (AP) — The notion that online gaming could help players develop charitable habits seemed bold when the anti-poverty nonprofit Comic Relief US tested its own multiverse on the popular world-building app Roblox last year.

    As philanthropy wrestles with how to authentically engage new generations of digitally savvy donors, Comic Relief US CEO Alison Moore said it was “audacious” to design an experience that still maintained the “twinkle” of the organization that’s behind entertainment-driven fundraisers like Red Nose Day.

    But the launch was successful enough that Comic Relief US is expanding the game this year. Kids Relief’s second annual “Game to Change the World” campaign features a magical new Roblox world, an exclusive virtual concert and a partner in children’s television pioneer Nickelodeon.

    The goal is to instill empathy and raise money through a scavenger hunt across various realms, including SpongeBob SquarePants and Teenage Mutant Ninja Turtles. Users travel through portals to collect magical tools that will improve their surroundings. The net proceeds from in-game purchases will be donated.

    The community-building inherent in collaborative gaming is intended to subtly encourage off-screen acts of kindness.

    “It’s a little bit like me helping you, you helping me — all of us together. I love the idea of doing that in a game space,” Moore told The Associated Press. “It’s not meant to be a banner ad or a sign that says, ‘Do Good.’ It’s meant to be emblematic in the gameplay itself.”

    Nickelodeon is also promoting an instructional guide for kids to start their own local projects in real life such as backpack drives.

    Quests are delivered from wizards voiced by “Doctor Who” icon David Tennant, “Veep” star Tony Hale and “Never Have I Ever” actress Maitreyi Ramakrishnan. One wizard invites users to “embark on an enchanted journey to awaken the heart of your community.”

    The campaign will culminate in a weekend music festival on Roblox beginning Sept. 13 that features rock band Imagine Dragons, whose lead singer Dan Reynolds has focused his philanthropy on LGBTQ+ causes. Virtual acts also include Conan Gray, Poppy, d4vd and Alexander Stewart — all musical artists who got their big breaks on YouTube.

    Moore said she was “blown away” by last year’s numbers. The inaugural game has been played for over 32 billion minutes and one performance received the highest “concert thumbs up rating” ever on Roblox, according to Comic Relief US.

    Charitable donations are increasingly being made through gaming, according to business strategist Marcus Howard.

    The fit comes naturally, he said, considering that young people value experiences such as gaming over the material possessions that past generations might have bought at a charitable auction.

    “It just makes sense,” Howard said.

    But he finds that partners must overcome the negative stigma associated with online chat rooms. To its credit, Howard said, Roblox combines the creativity of popular competitor Fortnite with less “toxicity” because of its emphasis on cooperation over competition.

    Comic Relief US kept in mind the need to build a game that appeals to both children and their parents, Moore said.

    To navigate that tricky balance, the nonprofit has adopted a mindset that she credits Nickelodeon with originating: Include parents in the conversation but speak to their children.

    “Good games are good games,” Moore said. “Good games that make me feel good are good things.”

    ___

    Associated Press coverage of philanthropy and non-profits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.

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  • Opera Philadelphia cuts all tickets to $11 in ‘pick your price’ model, hoping to widen audience

    Opera Philadelphia cuts all tickets to $11 in ‘pick your price’ model, hoping to widen audience

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    Opera Philadelphia is lowering all tickets to $11 under new general director Anthony Roth Costanzo, establishing a “pick your price” model aimed at widening the company’s audience.

    Costanzo announced Tuesday the company has raised $7 million since June 1 when he replaced David Devan, who retired after 13 seasons. The money addressed debt and enabled the new model, in which people can pay more than the minimum if they want to.

    “This is chapter one of a long-term turnaround story,” Costanzo said. “Creating a new place for opera in our current time requires risk. It doesn’t require doubling down on safe choices, and that’s going to mean that we have to enable failure.”

    Costanzo, a 42-year-old countertenor with an active singing career on the world’s top stages, took over ahead of a 2024-25 season trimmed to nine performances, down from 30 in 2018-19, the last season before the coronavirus pandemic, and 16 in 2022-23. Tickets for this season originally were priced at $30-$300.

    “Every dollar you spend over $11 helps to not only support the opera, but support the people who want to come to the opera,” Costanzo said. “It will certainly represent a decrease in income from ticket sales. But it will represent an increase in contributed revenue and I believe also in the future in foundation revenue and hopefully corporate revenue.”

    Opera Philadelphia sold 14,211 tickets last season at an average of $85.77, resulting in 13% of the company’s revenue. In the 2022-23 season, 17,464 tickets were sold at an average of $78.32, also bringing in 13% of revenue.

    This season’s schedule at the Academy of Music, which has about 1,800 full-view seats, includes three performances of Missy Mazzoli’s “The Listeners” beginning with its U.S. premiere on Sept. 25, two performances Joseph Bologne’s “The Anonymous Lover” starting Jan. 31 and four performances of Mozart’s “Don Giovanni” opening April 25. The company scrapped its innovative season-opening festival as part of budget cutting.

    Costanzo spoke with Henry Timms, the outgoing president of New York’s Lincoln Center for the Performing Arts, which since 2022 has relied on a choose-what-you-pay model starting at $5 for many events during its “Summer for the City” schedule.

    Costanzo said the past model had been predicated on including popular titles such as Bizet’s “Carmen,” intended to spur ticket sales.

    “We market to the people who can afford $150 tickets. That changes the feel of the marketing. It changes the demographics of who we market to and where we market,” Costanzo said. “Ticket price and selling tickets becomes a real focal point of how we create art form in our time. And I think that’s a shame. I think it limits us and hinders innovation and progress.”

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  • Future of sports streaming market, consumer options under further scrutiny after Venu Sports ruling

    Future of sports streaming market, consumer options under further scrutiny after Venu Sports ruling

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    With the U.S. Open tennis tournament beginning Monday and college football kicking into high gear, this was supposed to be the week when some expected the Venu Sports streaming service to have a soft launch at least.

    Instead, the joint venture between ESPN, Fox, and Warner Bros. Discovery has been sidelined by a federal court’s preliminary injunction, and its future is very much up in the air.

    The Aug. 16 ruling by United States District Judge Margaret M. Garnett that Fubo was likely to be successful in proving that the joint venture would violate antitrust laws put the brakes on what was an ambitious timeline to get Venu Sports up and running. ESPN, Fox, Warner Bros. Discovery and Hulu announced their plans to offer a sports streaming service on Feb. 6. They immediately got questions from competitors and sports leagues on how it would work.

    Irwin Kishner, co-chair of the Sports Law Group with New York law firm Herrick, said getting the service up and running in less than seven months would be a tall order.

    “You can certainly put a deadline to try to get things going. But, I think that was somewhat aspirational as opposed to likely,” Kishner said.

    Garnett has scheduled a pretrial conference for Sept. 12. According to a memo Garnett sent to both parties on Monday, if the case goes to trial, the earliest it would begin is late February.

    Kishner said he wasn’t surprised about the ruling given the Biden Administration’s priority on antitrust matters.

    “Having three of the biggest providers of sports content in one equity, you can certainly make a colorful argument that might thwart competition,” Kishner said.

    Venu Sports would include offerings from 14 linear networks — ESPN, ESPN2, ESPNU, SEC Network, ACC Network, ESPNEWS, ABC, FOX, FS1, FS2, Big Ten Network, TNT, TBS, truTV — as well as ESPN+.

    Before the case goes to trial, though, streaming companies and cable and satellite providers hope the ruling will advance discussions regarding how media companies sell their content. Will it continue to be bundling — where if a consumer wants to get ESPN, they often have to subscribe to a package that includes Disney Channel, Freeform, FX and National Geographic — or will there eventually be a day when a viewer can subscribe to ESPN only?

    DirecTV chief content officer Rob Thun said in a letter to subscribers last week that collaboration between programmers and distributors will be necessary to reverse the tide of cord cutting.

    “We agree with Venu’s shrouded market-sizing estimates that were unearthed during the trial that recognize an ‘ocean of opportunity’ to offer consumers skinnier packages. However, we disagree with Venu’s anti-competitive strategy and believe that TV distributors should have the same flexibility to thrive alongside (direct-to-consumer) services by offering genre-based packages that extend beyond sports to include locals, entertainment, news, family, movies, and others,” Thun wrote.

    It is debatable whether bundling or a la carte offerings offer the greatest savings. For example, Venu Sports announced on Aug. 1 that it would be available for $42.99 per month. The lowest-priced tiers of Paramount+ and Peacock would be a combined $14 per month.

    Recent spats between cable companies and networks over distribution agreements have also centered recently on companies trying to get the networks to include direct-to-consumer offerings in the agreements.

    In last year’s agreement between Charter Communications and Walt Disney Company, Disney included the Disney+ Basic ad-supported offering, ESPN+ and ESPN’s future direct-to-consumer service to customers of certain Spectrum TV packages.

    Anthony Palomba, a professor of business administration at the University of Virginia’s Darden School of Business, noted that networks are competing not only against themselves but also with other streaming companies, TikTok, YouTube and Twitch for attention, especially among younger consumers.

    “The problem with the media industry is that, with more competition, there may be a drive to push down prices … but because these firms are competing with user-generated content firms, this creates a really difficult dynamic for them to navigate,” Palomba said. “How do you create further competition against these firms? By spending more? Getting more celebrities? People continue to be drawn to user-generated content regardless of these tactics. Until this issue is resolved, I believe you’ll see further attempts at consolidation and bundling across the media and entertainment sectors.”

    The Fubo/Venu case is one of many high-profile court proceedings involving major media deals.

    Warner Bros. Discovery has sued the NBA for not accepting its matching offer for one of the packages in the league’s upcoming 11-year media rights deal. The league filed a motion in New York state court in Manhattan last week to have the case dismissed.

    Attorneys representing “NFL Sunday Ticket” subscribers are expected to appeal to the U.S. 9th Circuit Court of Appeals a judge’s decision to overturn a jury’s $4.7 billion verdict in the class-action lawsuit against the NFL. It will be the second time since the case started in 2015 that it has gone to the 9th Circuit.

    Diamond Sports — which owns 18 networks under the Bally Sports banner — has been in Chapter 11 bankruptcy proceedings in the Southern District of Texas since it filed for protection in March 2023. Diamond, though, is inching closer to having its financial affairs in order, including finalizing deals to continue carrying games for 22 NBA and NHL teams.

    ___

    AP sports: https://apnews.com/sports

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  • Spain is investigating unauthorized Katy Perry music video in a protected natural area

    Spain is investigating unauthorized Katy Perry music video in a protected natural area

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    MADRID (AP) — In her new music video, Katy Perry pretends to be one of the thousands of tourists having the time of their lives on Spain’s Balearic Islands in the Mediterranean. But some parts, filmed in a protected natural enclave, could bring trouble.

    The regional government is investigating the video for her latest song, “Lifetimes,” for the clips in which the 39-year-old American singer and songwriter appears jumping and running across dunes of the Ses Salines Natural Park, a protected area on the islands of Ibiza and Formentera, apparently without permission.

    The images taken on the dunes of the private islet of S’Espalmador, “one of the most ecologically valuable sites on the islands” and in an area cordoned off from the public with sticks and ropes, sparked the controversy, according to local media.

    The regional authorities have opened “preliminary investigation proceedings,” according to a statement released Tuesday, after the production company failed to apply for the appropriate permits. The filming wouldn’t have been an environmental offense, because this type of production can be authorized with a permit, the department of natural environment added.

    Her label, Universal Music, said the local video production company had assured it that all necessary permits for the video were secured. When it learned one permit was still being processed, “we were given verbal authority to go ahead” a day before the shoot, which took place July 27, a label spokesperson said in an email to The Associated Press.

    “We adhered to all regulations associated with filming in this area and have the utmost respect for this location and the officials tasked with protecting it,” the statement said.

    The video, directed by Colombian-American photographer and director Matías Vasquez, Stillz, shows Perry sailing, swimming or clubbing on the islands, one of the most popular and crowded tourist resorts in the Spanish Mediterranean, especially during the summer.

    Perry’s new album “143” will be released on Sept. 20.

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  • What to stream: Adam Sandler, John Legend, ‘Only Murders in the Building’ and Star Wars Outlaws

    What to stream: Adam Sandler, John Legend, ‘Only Murders in the Building’ and Star Wars Outlaws

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    “The Lord of the Rings: The Rings of Power” returning for its second season and Adam Sandler’s first comedy special since 2018 are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: John Legend offers his first-ever children’s album, season four of “Only Murders in the Building” shifts to Los Angeles and DJ and dance producer Zedd is back with an album after nearly a decade.

    NEW MOVIES TO STREAM

    “The Fall Guy” is finally coming to Peacock, where it will be streaming starting Friday, Aug. 30, alongside an “extended cut” version. It might not have reached the blockbuster heights the studio dreamed about during its theatrical run, but it’s pure delight: A comedy, action, romance that soars thanks to the charisma of its stars. Based on the 1980s Lee Majors television series (he gets a cameo), the film features Ryan Gosling as a stunt man, Emily Blunt as his director and dream girl, Aaron Taylor-Johnson as an egotistical movie star and “Ted Lasso’s” Hannah Waddingham as a Diet Coke slurping producer.

    — Ishana Night Shyamalan’s thriller, “The Watchers,” in which Dakota Fanning plays an artist stranded in western Ireland where mysterious creatures lurk and stalk in the night, begins streaming on MAX on Friday, Aug. 30.

    — Emma Stone gives a performance (and interpretive dance) worth watching in “ Kinds of Kindness,” her latest collaboration with Yorgos Lanthimos fresh on the heels of her Oscar-winning turn in “Poor Things.” The film, streaming on Hulu on Friday, Aug. 30, is a triptych with a big ensemble cast including Willem Dafoe, Jesse Plemons (who won a prize for his performance at Cannes), Hong Chau, Margaret Qualley, Mamoudou Athie and Joe Alwyn. Jocelyn Noveck, in her Associated Press review, described it as “a meditation on our free will and the ways we willingly forfeit it to others — in the workplace, at home, and in religion.” Noveck wrote that the “Stone-Lanthimos pairing… is continuing to nurture an aspect of Stone’s talents that increasingly sets her apart: Her fearlessness and the obvious joy she derives from it.”

    — Somehow the Yorgos Lanthimos film is not the most eccentric new streaming offering this week. That title goes to “ Sasquatch Sunset,” Nathan and David Zellner’s experimental film about a family of sasquatches just living their lives. Starring an essentially unrecognizable Jesse Eisenberg and Riley Keough (in addition to Nathan Zellner), this Sundance curiosity begins streaming on Paramount+ on Monday. In his review for the AP, Mark Kennedy wrote that it is “a bewildering 90-minute, narrator-less and wordless experiment that’s as audacious as it is infuriating. It’s not clear if everyone was high making it or we should be while watching it.”

    AP Film Writer Lindsey Bahr

    NEW MUSIC TO STREAM

    — DJ and dance producer Zedd is back with an album after nearly a decade, “Telos.” The first single is the appropriately titled “Out of Time” featuring Bea Miller, a dreamy tune with atmospheric strings that builds into a dancefloor banger. Zedd has revealed that he started writing “Out Of Time” way back in 2015 but was never able to finish it. That changed with Bea — “her voice added an emotional depth that completed the song. ‘Out Of Time’ really encapsulates the DNA of the Telos album, which is why I chose it to be the song that introduces this new era,” he says.

    — If you’re into a slower change of pace, check out John Legend, who releases his first children’s album, “My Favorite Dream,” on Friday, Aug. 30. It’s produced by the chamber pop polymath Sufjan Stevens and centers on universal themes like love, safety, family and dreams across nine original tracks, two covers, a solo piano track and three bonus covers of Fisher-Price songs.

    — Get ready for a blast of K-pop — on your television. Apple TV+ has the six part documentary “K-Pop Idols,” a behind-the-scenes look at the highly competitive reality of K-pop stardom, starting Friday, Aug. 30. It features Jessi, CRAVITY and BLACKSWAN as they learn choreography and pull everything together to seize the stage. Producers say the series “follows the superstars through trials and triumphs, breaking down cultural and musical barriers in K-pop with passion, creativity and determination as they chase their dreams.”

    RZA takes a sharp turn as a classical composer with the album “A Ballet Through Mud.” The composition made its debut in the form of a ballet last year, performed by the Colorado Symphony Orchestra. Composed and scored by the Wu-Tang Clan star, the piece mirrors his journey from growing up in the projects in New York City to famous artist, “weaving in tales of love, loss, exploration, Buddhist monks, and a journey ‘through mud.‘” RZA says he began the project early in the pandemic after rediscovering notebooks full of lyrics he had written as a teenager. “The inspiration for ‘A Ballet Through Mud’ comes from my earliest creative output as a teenager, but its themes are universal — love, exploration, and adventure,” he says.

    AP Entertainment Writer Mark Kennedy

    NEW SHOWS TO STREAM

    — Adam Sandler has the feels in his new Netflix special “Adam Sandler: Love You” featuring his standup and trademark comedy songs. It’s directed by Josh Safdie who — with his brother Benny — co-directed Sandler in the 2019 movie “Uncut Gems.” “Love You” is Sandler’s first comedy special since 2018. It premieres Tuesday on Netflix.

    — Charles, Oliver and Mabel (Steve Martin, Martin Short and Selena Gomez) head to Los Angeles in season four of “Only Murders in the Building,” because their podcast is being turned into a film. Their Hollywood life is interrupted when another murder occurs, meaning the trio has a new case to cover. Eugene Levy, Zach Galifianakis and Eva Longoria join the cast. “Only Murders in the Building” premieres Tuesday on Hulu.

    — A new animated series in the “Terminator” universe comes to Netflix on Thursday. It follows new characters voiced by “House of the Dragon” actor Sonoya Mizuno, Timothy Olyphant, André Holland Rosario Dawson and Ann Dowd.

    — Season two of “The House of the Dragon” has aired in its entirety on HBO and if your fantasy itch still needs to be scratched, “The Lord of the Rings: The Rings of Power” returns for its second season Thursday on Prime Video. The story is set in the Second Age of Middle-earth, prior to the events of J.R.R. Tolkien’s “The Hobbit” and “The Lord of the Rings.”

    Alicia Rancilio

    NEW VIDEO GAMES TO PLAY

    — Luke Skywalker may get the headlines, but the true MVPs of the Star Wars franchise are rascals like Han Solo and Lando Calrissian. Ubisoft’s Star Wars Outlaws introduces a new scoundrel: Kay Vess, a young thief who’s trying to work her way up the galaxy’s crime syndicates and make the big score. She isn’t a Jedi or a Sith, but she knows how to fire a blaster and fly a spaceship. Outlaws comes from Massive Entertainment, the developers of Tom Clancy’s The Division, and it aims to spread Ubisoft’s brand of open-world adventure across multiple planets. It launches Friday, Aug. 30, on PlayStation 5, Xbox X/S and PC.

    — Many gamers who grew up with the Super Nintendo Entertainment System remember 1993’s Secret of Mana as their introduction to a particular type of high-fantasy role-playing. It’s been 15 years since we’ve gotten a new chapter in the marquee Mana series, but Square Enix is finally delivering Visions of Mana. A youngster named Val is chosen to accompany his friend Hinna on a pilgrimage to the life-sustaining Mana Tree, and they’ll need to use magic and swordplay to fight all the monsters along the way. The lush, anime-style graphics are bound to stir memories in old-school RPG fans, starting Thursday, Aug. 29, on PlayStation 5/4, Xbox X/S and PC.

    Lou Kesten

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  • Romanian authorities tow vehicles from Andrew Tate’s home after new human trafficking allegations

    Romanian authorities tow vehicles from Andrew Tate’s home after new human trafficking allegations

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    BUCHAREST, Romania (AP) — Romanian authorities towed away a fleet of luxury vehicles Saturday from the home of the divisive social media personality Andrew Tate, days after he was placed under house arrest following new human trafficking allegations.

    Tate, 37, and his brother Tristan Tate, 36, both former kickboxers and dual British-U.S. citizens with millions of followers on social media and known for their misogynistic views, are already awaiting trial in Romania, along with two women. They were charged with human trafficking and forming a criminal gang to exploit women. Andrew Tate was also charged with rape in that case.

    The luxury vehicles, impounded from their home near the capital, included a Ferrari, a Lamborghini, a Mercedes-Benz, McLaren and a more humble-looking classic red Lada. The seizure came two days after Romania’s anti-organized crime agency, DIICOT, raided four homes in Bucharest and nearby Ilfov county and detained six people, including the Tate brothers. Officers also confiscated thousands of dollars in cash, laptops and data storage drives.

    One of the Tates’ lawyers, Georgiana Popa, told reporters outside the brothers’ home Saturday that the seizures are “legal, but unfounded” and said it has been contested.

    “The cars are not (the brothers’) property,” she said, without providing additional information.

    A masked police officer watches as a Ferrari vehicle is removed by authorities from Andrew Tate’s residence on the outskirts of Bucharest, Romania, Saturday, Aug. 24, 2024. (AP Photo/Vadim Ghirda)

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    A masked police officer looks at a Ferrari 812 Competizione being removed from Andrew Tate’s residence on the outskirts of Bucharest, Romania, Saturday, Aug. 24, 2024. (AP Photo/Vadim Ghirda)

    The Tate brothers appeared on Thursday at a Bucharest court as prosecutors sought to remand them in custody. But a judge denied that request and placed Andrew Tate under house and Tristan Tate under judicial control, which typically involves restricting contact with certain people and having to periodically report to the police. The brothers’ spokesperson, Mateea Petrescu, said that the Tates firmly deny all allegations against them and “remain steadfast in proving their innocence.”

    In the new case, DIICOT, said that it’s investigating allegations of human trafficking, including the trafficking of minors, sexual intercourse with a minor, forming an organized criminal group, money laundering, and influencing statements.

    The agency also said the defendants used the coercive “loverboy” method to exploit 34 vulnerable victims, who were forced to produce pornographic materials for a fee online, and that more than $2.8 million (2.5 million euros) it generated was kept by the defendants.

    An unnamed foreign man also sexually exploited a 17-year-old foreigner, DIICOT alleges, and said that he kept all of the $1.5 million (1.3 million euros) made from the criminal activity. The same man “repeatedly had sexual relations and acts” with a 15-year-old, the agency alleges.

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    A masked police officer walks as a Lamborghini car is removed by authorities from Andrew Tate’s residence on the outskirts of Bucharest, Romania, Saturday, Aug. 24, 2024. (AP Photo/Vadim Ghirda)

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    A Russian made Lada 1500 car is removed by authorities from Andrew Tate’s residence on the outskirts of Bucharest, Romania, Saturday, Aug. 24, 2024. (AP Photo/Vadim Ghirda)

    Andrew Tate, who has 9.9 million X followers, has repeatedly claimed that prosecutors have no evidence against him and that there is a political conspiracy to silence him. He was previously banned from various social media platforms for misogynistic views and hate speech.

    Authorities have previously confiscated some of the brothers’ assets.

    After the Tates’ arrest in December 2022, authorities seized 15 luxury cars, 14 designer watches and cash in several currencies. The total value of the goods, authorities said at the time, was estimated at 3.6 million euros ($3.9 million). In April, the Bucharest Tribunal ruled the prosecutors’ case file against them met the legal criteria and that a trial could start, but didn’t set a date for it to begin.

    Last month, a court overturned an earlier decision that allowed the Tate brothers to leave Romania as they await trial. The court’s decision is final and can’t be appealed.

    ___

    Stephen McGrath reported from Sighisoara.

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  • 3 people stabbed during London’s Notting Hill Carnival, police say

    3 people stabbed during London’s Notting Hill Carnival, police say

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    LONDON (AP) — Three people were stabbed during the first day of the Notting Hill Carnival, Europe’s biggest street festival, with a 32-year-old woman suffering “life-threatening” injuries, London’s Metropolitan Police Service said.

    More than 1 million people are expected to attend the carnival, a celebration of Afro-Caribbean culture that takes place every year on the streets of the Notting Hill neighborhood in west London. Some 7,000 police officers have been assigned to the event, which concludes Monday.

    Police said they made 90 arrests on Sunday, including 10 people who were detained for assaulting emergency workers, 18 for possession of offensive weapons and four for sexual offenses.

    “Hundreds of thousands of people came to Notting Hill Carnival today to enjoy a fantastic celebration,” the Met said in a statement. “Regrettably, a minority came to commit crime and engage in violence.”

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  • French DJ and LGBTQ+ icon carries Paralympic torch to defy hate she endured over Olympics ceremony

    French DJ and LGBTQ+ icon carries Paralympic torch to defy hate she endured over Olympics ceremony

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    PARIS (AP) — French performer Barbara Butch carried the Paralympic torch Sunday evening in an act of defiance after being targeted by hate speech over her appearance in the opening ceremony of the Olympic Games.

    “I chose not to be afraid to exist in the public space,” Barbara Butch, a popular DJ and LGBTQ+ icon said in an interview with broadcaster France Info before walking onstage with the torch at a musical event in Saint-Cloud, a western suburb of Paris. “I know I represent France in the same way as anyone else,” she added.

    The performer filed a formal legal complaint alleging online abuse after suffering online harassment, death threats and insults following her performance in the July 26 Olympics opening show. Five other artists and performers, including the ceremony’s artistic director, Thomas Jolly, made similar complaints after suffering a torrent of abuse.

    Butch said she has received “tens of thousands of hate messages.” A specialized team has managed to identify “hundreds of people who had sent … the most violet messages,” she said.

    “Justice will do its job and then we will tackle the international level,” Butch said.

    Butch was among nearly 1,000 torch bearers – who will carry the Paralympic flame, split between 12 torches, to 50 cities across France in the next few days to highlight communities that are committed to promoting inclusion in sport and building awareness of living with disabilities.

    Other torch bearers include former Paralympians, young para athletes, volunteers from Paralympic federations, innovators of advanced technological support, people who dedicate their lives to others with impairments and people who work in the non-profit sector to support carers.

    The 12 flames will become one again when the relay ends in central Paris on Wednesday after visiting historical sites along the city’s famed boulevards and plazas before lightening the cauldron during the three-hour opening ceremony.

    ——

    Follow AP’s Paralympics coverage: https://apnews.com/hub/paralympic-games

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  • Oh, babies. New Dr Seuss Babies merchandising line includes everything from board books to diapers

    Oh, babies. New Dr Seuss Babies merchandising line includes everything from board books to diapers

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    NEW YORK (AP) — The latest Dr. Seuss releases are designed for the very youngest audience.

    On Thursday, Dr. Seuss Enterprises and Random House Children’s Books announced the launch of Dr. Seuss Babies, which includes interactive board books, a video series called “Learn to Read” and even a line of diapers, onesies and feeding solutions.

    “Learn to Read” debuts Friday on the Dr. Seuss YouTube channel.

    “Babies and toddlers love to discover the world around them. Dr. Seuss Babies will help them explore, learn and laugh. Our hope is that this brand inspires and delights a new generation.” Susan Brandt, president and CEO of Dr. Seuss Enterprises, said in a statement.

    The first board book, “Happy First Birthday!”, will be published Jan. 7, 2025. Other board books scheduled for next year include “Mr. Brown On the Farm” and “Happy Grinchmas, Baby!” Three more books are expected in 2026.

    “We are so excited to bring this adorable new line of books to the youngest of Dr. Seuss fans,” Alice Jonaitis, executive editor of Dr. Seuss Publishing at Random House, said in a statement. “With the eye-catching new art style, the beloved characters have become even more baby-friendly and will help nurture a love of reading at the earliest age.”

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